Mission: Impossible (1966–1973): Season 6, Episode 22 - Trapped - full transcript
The impossible mission this time is to recover the multi-million dollar booty stolen by a family of smugglers. But when the action gets hot, Jim sustains a head injury and wakes up with amnesia and nothing but a fake ID to tell him who he is.
PAYROLL.
THAT'S WAREHOUSE 12.
STRAIGHT AHEAD
AND FOLLOW THE SIGN.
CAPTAIN ANDREWS.
THAT'S RIGHT, SERGEANT.
MAJOR CUNNINGHAM.
MAJOR.
ALL RIGHT, SERGEANT.
UNLOAD IT.
OKAY, BOYS.
HOLD IT.
NOW, IT WOULD BE VERY EASY
FOR US TO KILL YOU.
SO DON'T MAKE US DO IT.
PUT THOSE BAGS
BACK IN THE TRUCK.
HURRY UP!
OKAY. TIE 'EM UP.
[ SEA GULLS SQUAWKING ]
GOOD MORNING, MR. PHELPS.
AN ARMY PAYROLL EQUIVALENT
TO $8 MILLION AMERICAN
HAS BEEN STOLEN FROM A MILITARY
BASE IN SOUTHEAST ASIA,
AND IS NOW ON ITS WAY
TO THE UNITED STATES.
ALTHOUGH CONVENTIONAL
LAW ENFORCEMENT AGENCIES
HAVE LEARNED
THAT THE STAFFORD FAMILY --
JOE, ARTHUR, AND DOUG --
WHICH CONTROLS A WORLDWIDE
SMUGGLING OPERATION,
IS RESPONSIBLE,
NO INFORMATION
HAS BEEN DEVELOPED
WHICH MIGHT LEAD
TO A RECOVERY OF THE MONEY.
YOUR MISSION,
SHOULD YOU CHOOSE TO ACCEPT IT,
IS TO GET BACK THAT $8 MILLION.
THIS TAPE WILL SELF-DESTRUCT
IN FIVE SECONDS.
GOOD LUCK, JIM.
[ HISSING ]
[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]
* I FEEL YOUR TEARS
* AS THEY FALL ON MY CHEEK
* THEY ARE WARM
* LIKE THE GENTLE RAIN
* COME, LITTLE ONE
* YOU'VE GOT ME IN THE WORLD
* AND OUR LOVE WILL BE SWEET
* WILL BE SAD
* VERY SWEET
* LIKE THE GENTLE RAIN
* LIKE THE GENTLE RAIN
* LIKE THE GENTLE RAIN
HEY, GREAT, CASEY.
VERY GOOD.
YOU WON'T DISAPPOINT ANYBODY
AT THE CLUB TEMPO.
THANK YOU.
THOSE OLD RECORDINGS OF
LILY DRUCELL CERTAINLY HELPED.
HOW SERIOUS WAS
DOUG STAFFORD ABOUT LILY?
WELL, HE WAS VERY MUCH
IN LOVE WITH HER.
HE'S BEEN TRYING
TO FIND A SUBSTITUTE FOR HER
EVER SINCE SHE DIED.
WHICH IS ONE OF THE REASONS
THAT BROTHER ART
HAS ALMOST COMPLETE CONTROL
OF THE ORGANIZATION.
THIS IS AN EXCELLENT
IMITATION OF ART'S VOICE.
IT WAS RECORDED THIS MORNING
AT THE ACTOR'S STUDIO.
GOOD, CASEY.
ACCORDING
TO OUR BEST INFORMATION,
THE $8 MILLION WILL BE HERE
IN THE UNITED STATES
WITHIN 24 HOURS.
NATURALLY, THE STAFFORDS
WON'T BE INVOLVED
IN THE PICKUP.
THEY NEVER ARE.
BUT WE'RE GONNA CHANGE THAT.
WE'RE GONNA USE THE HOSTILITY
BETWEEN DOUG AND ART
TO DO IT.
ED FENTON,
ART'S BROTHER-IN-LAW,
CROSSED THE BORDER
AN HOUR AGO IN A 5-TON.
HE'S GOT A MAN RIDING SHOTGUN
WITH HIM.
AT 6:00 A.M., THEY'LL STOP
AT THE ADMIRAL GARAGE
IN WOODFIELD FOR REFUELING.
IT OPENS THAT EARLY,
ESPECIALLY FOR THEM.
[ HORN HONKING ]
BOB?!
[ ENGINE REVVING ]
YOU'RE LATE.
SORRY, PA.
YOU'RE ALWAYS SORRY.
WHAT DO YOU MEAN,
NO LEADS?
WHAT ARE WE PAYING
YOU GUYS FOR?
I WANT THE TRUCK BACK,
AND I WANT IT FAST!
WHAT TRUCK?
ED'S RIG. GONE.
A HALF A MILLION
IN ELECTRONIC...
WE KNOW
WHAT HE WAS CARRYING.
THE POINT IS,
WHERE IS HE?
I TOLD YOU
TO CHANGE THOSE ROUTES.
WE'VE BEEN ON THEM
TOO LONG.
LISTEN TO HIM
WITH HIS "I TOLD YOU SOs."
IF YOU LISTENED TO ME...
WHO LISTENS TO A DRUNK,
HUH?
A SKIRT-CHASING DRUNK!
STOP IT! BOTH OF YOU!
NOW, LET'S GET TO THE PROBLEM.
WE COULD SOLVE IT
A LOT BETTER WITHOUT HIM.
YOU'RE WASTING YOUR TIME,
BROTHER.
YOU'RE NEVER GONNA --
I SAID STOP IT, BOTH OF YOU!
[ KNOCK ON DOOR ]
-ANY NEWS OF ED?
-NO.
BUT DON'T WORRY, HONEY.
-WE'LL FIND HIM.
-SURE.
OUT IN THE DESERT
WITH A BULLET IN HIS HEAD.
MOLLY, HE'LL BE OKAY.
COFFEE?
YEAH. THANKS.
PA?
YES, PLEASE.
SCOTCH OR VODKA?
WHY THE HOSTILITY?
MY BROTHER'S OUT THERE,
AND YOU'RE --
I DIDN'T SEND HIM.
HE DID.
MOLLY, GET THE COFFEE.
NOW, I WANT YOU TWO
TO START WORKING TOGETHER.
WE'RE A FAMILY,
AND DON'T YOU EVER FORGET IT,
EITHER ONE OF YOU.
ANY WORD FROM BARSI
ON THE ASIAN SHIPMENT?
[ DOORBELL RINGS ]
I'M TIM RAYBURN.
THIS IS GEORGE CALDWELL.
WE'RE HERE
TO SEE THE FAMILY.
THE STAFFORDS
DON'T SEE ANYONE
WITHOUT AN APPOINTMENT.
SHOW THEM THIS.
WHEW! YOU LIVE
DANGEROUSLY, RAYBURN.
NOT IF YOU WANT TO SEE
THE VAN OR YOUR
BROTHER-IN-LAW AGAIN.
GET TO THE POINT.
WE'VE GOT AN ORGANIZATION
THAT CAN DO YOU
A LOT OF GOOD.
YOU GOT A CARGO LEAVING
NEW ORLEANS TONIGHT.
YOU HAVE ANOTHER ONE LEAVING
SAN ANTONIO TOMORROW MORNING.
AND YOU'VE GOT A WAREHOUSE FULL
OF CONTRABAND IN EL PASO.
THEY ALL NEED PROTECTION.
EXTORTION? FROM US?
WHERE DID YOU COME FROM?
WHAT ASYLUM?
NAH, YOU'RE READING IT
WRONG, ART.
I THINK THEY WANT IN
WITH US.
THIS IS BY WAY
OF A JOB APPLICATION.
IT'S JUST THAT SIMPLE.
WE TAKE OVER ALL ENFORCEMENT,
PROTECTION,
WE PUT YOUR COMPETITION
OUT OF BUSINESS FOR GOOD
FOR 10% OF YOUR TAKE.
WHERE IS ED?
WE MADE YOU A PROPOSITION.
WE'LL THINK ABOUT IT.
YOU'VE GOT
UNTIL TOMORROW MORNING.
AFTER THAT, YOU'LL NEVER
SEE ED OR THE VAN AGAIN.
GENTLEMEN.
[ DOOR CLOSES ]
FOLLOW THEM.
ART...YOU'RE CARRYING
A BIG LOAD.
TOO BIG.
LET ME TAKE OVER
ENFORCEMENT.
STAY OFF THE BOOZE,
AND STAY AWAY FROM THE DAMES
FOR ONE MONTH,
-AND YOU GOT IT.
-WAIT A MINUTE!
I DON'T HAVE TO LIVE
YOUR LIFESTYLE TO DO A JOB.
YEAH, YOU DO...
BECAUSE I DON'T TRUST YOU
THE WAY YOU LIVE NOW.
PA?
HE'S RIGHT.
[ TIRES SCREECH ]
[ HORN HONKS ]
[ ENGINE SPUTTERS ]
MOVE THAT THING!
SURE, PAL.
LET'S YOU AND ME PUSH IT.
[ ENGINE SPUTTERS ]
HELLO, DOUG.
WHAT DO YOU WANT?
I JUST WANT
TO TALK BUSINESS.
I ALREADY HEARD
YOUR PROPOSITION.
NOW I'VE GOT SOMETHING ELSE
IN MIND.
THIS IS STRICTLY
BETWEEN YOU AND ME.
ANY BUSINESS YOU'VE GOT
WITH THE STAFFORD FAMILY,
YOU'VE GOT
WITH ALL THREE OF US.
I ADMIRE
YOUR FAMILY LOYALTY.
IT'S TOO BAD YOUR BROTHER ART
DOESN'T FEEL THE SAME WAY.
WHAT'S THAT
SUPPOSED TO MEAN?
DOUG, YOU'RE THE ONE IN
THE FAMILY WITH THE BRAINS.
ART KNOWS IT.
HE'S GONNA DUMP YOU
FOR IT.
I'LL BE AT THE CLUB TEMPO
TONIGHT.
THERE YOU ARE.
THANK YOU.
YOU'RE NOT ALONE,
ARE YOU?
WHY, IS THAT
AGAINST THE RULES?
FOR SOMEONE LIKE YOU,
YEAH.
[ Laughing ]
THANK YOU.
WELL, I DON'T WANT
TO BREAK THE RULES.
I'M WAITING FOR SOMEONE.
I SHOULD HAVE KNOWN.
NO, ACTUALLY A GENTLEMAN.
MAYBE YOU KNOW HIM.
DOUG STAFFORD?
YEAH, I KNOW HIM.
YOU DON'T LOOK TOO HAPPY
ABOUT IT.
ARE YOU FRIENDS?
NO, JUST BUSINESS.
BE CAREFUL
HE DOESN'T CUT YOUR THROAT.
SEEMS LIKE A NICE GUY
TO ME.
DON'T BET ON IT.
I WENT OUT WITH HIM
ONE NIGHT.
HE CAME ON ALL SOFT TALK
AND CHARM.
THEN, WHEN I WOULDN'T PLAY
HIS WAY, HE BEAT ME UP.
THAT'S A NICE GUY?
HELLO, ANNETTE.
DOUG.
DOUBLE SCOTCH.
I CAME TO LISTEN.
SIT DOWN.
ALL RIGHT.
WHAT'S THE PROPOSITION?
DOUBLE SCOTCH.
WHO'S THIS FOR? STAFFORD?
UH-HUH.
WHO'S THE GUY WITH HIM?
HOW SHOULD I KNOW?
WELL, YOU'VE BEEN TRYING TO MAKE
TIME WITH HIM FOR A HALF-HOUR.
WOULD YOU KEEP YOUR MIND
ON YOUR WORK?
WHY DON'T YOU?
[ CHUCKLES ]
[ RINGS ]
HELLO?
Hello, this is Al
at Club Tempo.
YOU TOLD ME
IF YOUR BROTHER CAME IN,
YOU WANTED
TO KNOW ABOUT IT?
-YEAH.
-WELL, DOUG'S HERE.
HE'S STARTING
WITH THE DOUBLES.
WHO'S THE DAME TONIGHT?
THERE'S NO DAME.
IT'S A...WHITE-HAIRED GUY.
WHITE-HAIRED?
DESCRIBE HIM.
WELL, HE'S WHITE-HAIRED,
TALL, GOOD-LOOKING.
AL, YOU JUST EARNED
YOURSELF 100 BUCKS.
RAYBURN'S IN THE CLUB TEMPO
TALKING TO DOUG.
YOU KNOW, IT'S FUNNY,
HIM SHOWING UP HERE TODAY,
JUST WHEN WE'RE EXPECTING
THAT SHIPMENT
FROM THE FAR EAST.
HOW DOES THAT TIE IN
WITH HEISTING THE TRUCK?
I DON'T KNOW,
BUT I DON'T THINK
WE OUGHT TO TAKE ANY MORE
CHANCES WITH MR. RAYBURN.
KILL HIM.
WHAT ABOUT
YOUR BROTHER-IN-LAW?
I NEVER DID LIKE HIM ANYWAY.
FAMILY-TYPE ORGANIZATION
IS A THING OF THE PAST.
TOO MANY PERSONAL THINGS
COME INTO PLAY.
EFFICIENCY -- KNOW HOW
TO GET A JOB DONE --
THAT'S ALL
THAT COUNTS TODAY.
I'M GETTING BORED, RAYBURN.
YOU TALK A LOT,
BUT YOU DON'T SAY ANYTHING.
I THOUGHT YOU'D BE AHEAD
OF ME BY NOW.
ALL RIGHT.
YOUR FATHER
HAD SOME GREAT DAYS, GREAT,
BUT HE IS DEAD
IN HIS WHEELCHAIR NOW.
WE CAN'T DEAL
WITH YOUR BROTHER ART.
HE HAS TO BE REMOVED.
AND THAT LEAVES YOU.
YOU'RE TELLING ME
YOU WANT...
YOU WANT TO HIT MY BROTHER?
[ SIGHS ]
WELL, I'M NOT BORED ANYMORE,
MR. RAYBURN.
I'M JUST TRYING TO FIGURE
THE BEST WAY TO KILL YOU.
FAMILY, FAMILY, FAMILY.
YOU GOT TO FORGET ABOUT THAT
AND START THINKING
ABOUT YOURSELF.
YEAH, BUT I AM RIGHT.
WHAT YOU'RE ASKING ME TO DO
IS PUT THE FINGER ON ART
FOR YOU, RIGHT?
YOU ARE RIGHT.
ART'S HARD TO GET TO.
NOW, THINK OF IT, OUR
MUSCLE, YOUR CONNECTIONS.
WE'RE BIG...
AND YOU ARE ON TOP.
NO WAY, PAL.
I'D THROW UP EVERY TIME
I LOOKED IN THE MIRROR.
YOU'RE NOT
GETTING THE MESSAGE.
YOU'RE BEING SQUEEZED OUT.
THERE WILL BE A CONTRACT OUT
ON YOU ONE OF THESE DAYS.
MNH-MNH. NEVER.
ART'S GOT A CODE.
HE LIVES BY IT.
HE'D NEVER BREAK IT.
IT SAYS YOUR FAMILY COMES FIRST.
YOUR WIFE, YOUR FATHER.
EVEN YOUR BROTHER WHO DRINKS
TOO MUCH AND CHASES WOMEN.
HE WOULD HAVE NO SCRUPLES
ABOUT KILLING YOU. NONE.
GET OUT OF HERE.
[ PIANO PLAYS ]
I'LL BE AT THE WATSON HOTEL
TILL TOMORROW MORNING.
* WE BOTH ARE LOST
* AND ALONE IN THE WORLD
* WALK WITH ME
* IN THE GENTLE RAIN
* DON'T BE AFRAID
* I'VE A HAND FOR YOUR HAND
* AND I WILL BE YOUR LOVE
* FOR A WHILE
* I FEEL YOUR TEARS
* AS THEY FALL ON MY CHEEK
* THEY ARE WARM
* LIKE THE GENTLE RAIN
* COME, LITTLE ONE
* YOU'VE GOT ME IN THE WORLD
* AND OUR LOVE WILL BE SWEET
* WILL BE SAD
* VERY SWEET
* LIKE THE GENTLE RAIN
* LIKE THE GENTLE RAIN
* LIKE THE GENTLE RAIN
[ TIRES SCREECH ]
[ SIREN WAILS IN DISTANCE ]
[ CAR DOOR SLAMS ]
[ TIRES SCREECH ]
THAT WAS GREAT.
WHY, THANK YOU.
YOU REMIND ME OF SOMEONE
I USED TO KNOW.
CAN I BUY YOU A DRINK?
[ LAUGHS ]
IT'S NOT A VERY
ORIGINAL APPROACH,
BUT I SUPPOSE IT'LL DO.
GOOD.
UM, STINGER ON THE ROCKS,
USE THE BLENDER, PLEASE.
OH, WELL, NOW,
THAT IS A COINCIDENCE.
THE SOMEONE
YOU REMIND ME OF
ALWAYS DRANK STINGERS
ON THE ROCKS.
WELL,
I HOPE YOU LIKED HER.
I DID.
WE'LL HAVE A STINGER ON
THE ROCKS WITH A BLENDER,
AND I'LL HAVE A --
DOUBLE SCOTCH.
I GUESS
I SHOULD INTRODUCE MYSELF.
MY NAME IS DOUG --
DOUG STAFFORD.
YOU'RE NEW HERE.
HOW DID YOU KNOW?
I'M NOT NEW IN TOWN,
AND I'VE HEARD A LOT
ABOUT YOU.
FROM WHOM?
MUTUAL FRIENDS.
SUCH AS?
LET'S TALK ABOUT US, HUH?
ALL RIGHT.
CAN I HELP YOU?
NO.
BUT YOU'RE HURT.
YOU'RE BLEEDING.
"TIM RAYBURN."
YOUNG MAN, DO YOU WANT ME
TO CALL AN AMBULANCE
OR A POLICEMAN?
-WHAT CITY IS THIS?
-WHAT?
TELL ME WHAT CITY THIS IS.
I BETTER CALL...
THIS...HERE!
THIS IS ME, ISN'T IT?
YES, MR. RAYBURN,
IT IS YOU.
BUT YOU'RE HURT, AND I'M
GOING TO CALL AN AMBULANCE.
TIM RAYBURN.
TIM RAYBURN?
I'M FINE.
THANK YOU.
YOU SURE NURSE A DRINK.
WELL, I'M NOT GONNA TRY
AND KEEP UP WITH YOU.
WHAT ARE YOU DROWNING?
PLEASE...DON'T GET HEAVY.
I WOULDN'T THINK OF IT.
I'D HATE TO LOSE YOU
TOO EARLY.
YOU, UM, GOT ANOTHER SET
TONIGHT?
FOR THIS CROWD?
NO.
THEN, LET'S GET OUT
OF HERE.
MY PLACE?
WHAT ABOUT MY PLACE?
I COULD FIX YOU SOME EGGS
OR SOMETHING LIKE THAT.
OKAY.
I'LL BE RIGHT BACK.
I'LL GET MY COAT.
-ARE YOU LEAVING WITH HIM?
-YEAH.
LOOK, BE CAREFUL.
HE TURNS MEAN REAL QUICK.
HE'LL WANT YOU TO ACT LIKE
SOME GIRL HE USED TO KNOW.
IF YOU CAN'T HACK IT,
WATCH OUT.
THANKS FOR THE ADVICE,
ANNETTE.
WHAT DO YOU MEAN,
YOU THINK YOU GOT HIM?
WELL, I COULDN'T CHECK.
THE COPS CAME ALONG.
[ DOOR OPENS ]
COOL IT.
PA, WHAT ARE YOU DOING UP?
I COULDN'T SLEEP.
-ANY NEWS ABOUT ED?
-NOTHING.
WHAT ABOUT THE $8 MILLION?
NOTHING.
IT'S ON THE WAY.
YOU KNOW
THE WHITE-HAIRED GUY
THAT WAS HERE THIS MORNING --
RAYBURN?
YEAH.
WHAT ABOUT HIM?
DOUG HAD DRINKS WITH HIM
TONIGHT.
WHAT?!
I THINK
HE'S TRYING TO SPLIT US.
DOUG TOLD YOU THIS?
NO. HE DIDN'T TELL ME.
THAT'S WHAT WORRIES ME.
JIM SHOULD HAVE BEEN HERE
BY NOW.
WHAT DO YOU THINK
WE SHOULD DO?
WE WAIT FOR CASEY'S SIGNAL
AND GO ON WITH THE PLAN.
YOU GOT GOOD TASTE.
THANK YOU.
I TRY.
WHO PICKS UP THE TAB?
I DO.
[ Laughing ]
DON'T HAND ME THAT.
YOU DON'T MAKE
THAT KIND OF BREAD SINGING.
I, UM, I HAVE
A RICH GRANDMOTHER.
ISN'T THAT FUNNY?
I KNOW A LOT OF GIRLS
WITH THE SAME GRANDMOTHER.
DRINK UP AND SHUT UP.
WAIT A MINUTE.
WHAT FOR?
YOU TURN ME ON.
GOOD.
YOU GOT SOMETHING BLUE?
WHAT?
SOMETHING BLUE.
PUT ON SOMETHING BLUE.
THAT'S A NEW ONE.
DON'T GIVE ME A HARD TIME.
I SAID,
"PUT ON SOMETHING BLUE"!
ALL RIGHT.
[ STEADY BEEP ]
TIME FOR BROTHER ART.
[ TELEPHONE RINGS ]
LET IT RING.
[ Ringing ]
[ RINGING CONTINUES ]
[ RINGING CONTINUES ]
HELLO?
IS LISA IN?
Is Lisa Prescott in?
I'd like to talk to her,
please.
WHO IS THIS?
I SAID, "WHO IS THIS?"
[ Dial tone ]
[ DOOR OPENS ]
WELL?
DO YOU LIKE IT?
IT'S LOVELY.
THANK YOU.
I TOOK THE CALL.
OH? WHO WAS IT?
YOU TELL ME.
[ LAUGHS ]
WELL, HOW SHOULD I KNOW?
IT WAS SOMEONE
WE BOTH KNOW.
OH?
MY BROTHER...ART.
I DON'T EVEN KNOW
YOUR BROTHER.
YOU CHEAP TRAMP.
HE, UH, HE PAYS
FOR ALL THIS, DOESN'T HE?
MY DEAR BROTHER.
DEVOTED FAMILY MAN!
[ PICTURE BREAKS ]
AND AS FOR YOU...
I'D LIKE TO BEAT
THAT PRETTY FACE OF YOURS IN.
LOOK, DOUG,
WHATEVER HAPPENED
BETWEEN YOUR BROTHER AND ME
IS OVER.
YOU'RE LYING!
NO, I'M NEVER
GOING TO SEE HIM AGAIN.
UH!
* I FEEL YOUR TEARS *
* AS THEY FALL ON MY CHEEK *
* THEY ARE WARM *
* LIKE THE GENTLE RAIN *
* LIKE THE GENTLE RAIN *
[ KNOCK ON DOOR ]
HOW DID IT GO?
HE'S PRETTY KINKY.
ARE YOU ALL SET?
YEAH, IT'S IN THE BEDROOM.
[ MOANS ]
[ DOOR BANGS OPEN ]
WELL, HELLO.
NOW, W-WAIT A MINUTE.
TAKE IT EASY.
I...I JUST MET HER.
SHE DOESN'T MEAN ANYTHING
TO ME.
THAT'S VERY FUNNY,
MR. STAFFORD.
VERY FUNNY.
YOU KNOW MY NAME.
YEAH.
AHHH, MY BROTHER.
MY BROTHER ART SENT YOU,
HUH?
IT REALLY DOESN'T MATTER
MUCH WHO SENT ME, DOES IT?
NOT TO YOU ANYWAY.
OH, NO, NO, NO.
WAIT A MINUTE.
PLEASE, I'M BEGGING YOU.
DON'T SHOOT.
WAIT A MINUTE, WILL YOU?!
IT DOESN'T MEAN ANYTHING!
I SWEAR IT!
PLEASE, DON'T SHOOT!
NO!
GIVE ME THAT THING,
WILL YOU?!
-NO, NOT HERE.
-WHY NOT?!
BECAUSE YOU OWE ME.
I JUST SAVED YOUR LIFE.
ART MUST HAVE RECOGNIZED
YOUR VOICE ON THE PHONE.
[ BREATHING HEAVILY ]
YEAH.
[ SIGHS ]
IT'S ALMOST FUNNY. HA!
I HAVE NO USE FOR MY BROTHER,
BUT I ALWAYS LOOKED UP TO HIM.
HE WAS THE GUY
THAT DID WHAT I COULDN'T DO.
"ALWAYS PUT THE FAMILY FIRST."
AND THEN, HE SENDS A HIT MAN
FOR HIS BROTHER.
LOOK, UH, MAYBE YOU BETTER
GET OUT OF TOWN.
WHY DO YOU CARE
WHAT HAPPENS TO ME?
I TOLD YOU, I CARE.
[ SIGHS ]
MAYBE I COULD HAVE
CONVINCED YOU
IF YOU HADN'T PASSED OUT.
MAYBE.
I THINK YOU'RE THE ONE
WHO BETTER GET OUT OF TOWN.
WHEN YOU HEAR SOMETHING'S
HAPPENED TO MY BROTHER,
GET IN TOUCH WITH ME.
HI!
WELCOME BACK.
I'VE BEEN HERE BEFORE?
HEY, YOU'VE BEEN HURT!
NEVER MIND ABOUT THAT.
TELL ME WHEN,
WHEN WAS I HERE?
EARLIER TONIGHT.
LOOK, I'M GONNA GET YOU
TO A DOCTOR.
NO, PLEASE.
I...
CAN I TRUST YOU?
I HAVE TO TRUST YOU.
I DON'T REMEMBER ANYTHING,
AND I THINK I'VE BEEN
IN SOME KIND OF TROUBLE.
I DON'T WANT TO GO
ANYWHERE, DO ANYTHING,
UNTIL I FIND OUT SOMETHING
ABOUT WHAT'S HAPPENING.
OKAY.
OKAY.
I'M WORRIED
ABOUT THE $8 MILLION.
IF DOUG
IS DOUBLE-CROSSING...
[ TELEPHONE RINGS ]
HELLO?
YEAH.
THE WHITE-HAIRED GUY'S HERE.
IS DOUG WITH HIM?
NO, HE'S ALONE.
KEEP HIM THERE.
RAYBURN'S
AT THE CLUB TEMPO.
MISS HIM THIS TIME,
AND YOU'RE IN TROUBLE.
YOU DON'T REMEMBER
DOUG STAFFORD?
STAFFORD? NO.
I REMEMBER THE SINGER,
LISA PRESCOTT.
WELL, WE'RE CLOSING.
YOU CAN'T STAY HERE.
I'LL TAKE YOU TO MY PLACE.
YOU'LL BE SAFE THERE.
OKAY.
ONE MINUTE.
WANT A DRINK?
NO. NO.
LAST CHANCE.
NO DRINK.
THANKS.
COME ON.
MY CAR'S OUT BACK.
THE MAN LOOKS LIKE
HE COULD USE A DRINK.
HOW ARE YOU FEELING?
BETTER. BETTER.
I STILL CAN'T REMEMBER
A THING. NOT ANYTHING.
WHY DON'T YOU SIT DOWN?
ARE YOU SURE YOU DON'T
WANT ME TO CALL A DOCTOR?
NO. NO, NOT YET. NO.
[ KNOCK ON DOOR ]
-WHERE IS HE?
-WELL, HE'S GONE.
ART TOLD YOU
TO KEEP HIM HERE.
BUT I COULDN'T.
THE PLACE IS CLOSED.
BUT I-I KNOW
WHERE HE'S GOING TO.
WITH ANNETTE, ONE
OF THE WAITRESSES HERE.
HE'S GOING
TO HER APARTMENT.
WHERE IS IT?
LET ME GIVE YOU
THE ADDRESS HERE.
THAT'S ACROSS TOWN.
I CAN'T DO ANYTHING
ABOUT THAT.
[ KNOCK ON DOOR ]
WELL, MR. STAFFORD...
COME ON IN.
WHERE'S RAYBURN?
HE HAD TO TAKE CARE
OF SOME BUSINESS.
HE SAID HE'D BE HERE.
TALKING TO ME IS JUST LIKE
TALKING TO RAYBURN.
-DRINK?
-I'VE HAD ENOUGH TONIGHT.
WHAT CAN I DO FOR YOU?
RAYBURN WANTED ME
TO PUT THE FINGER ON ART.
I'M READY...IF YOU MEET
CERTAIN CONDITIONS.
SUCH AS?
THERE'S GONNA BE
A LITTLE WAR.
I NEED SOLDIERS.
WE GOT THEM.
I GIVE THE ORDERS.
ALL RIGHT,
YOU RUN THE SHOW.
OKAY.
YOU GOT A DEAL.
HOLD IT.
WE SUPPLY THE SOLDIERS,
WE HIT ART,
YOU GIVE THE ORDERS.
WHAT DO WE GET?
A SPLIT OF THE ACTION.
OH, NO, MAN.
WE WANT BREAD,
A LOT OF BREAD. UP FRONT.
WAIT A MINUTE.
THAT'S NOT WHAT YOU SAID
THIS MORNING.
THIS MORNING, WE WERE
DEALING WITH THE FAMILY.
WE WEREN'T TALKING
ABOUT A WAR THEN.
HOW MUCH?
OH, I FIGURE $2 MILLION
WILL GET US GOING.
YOU GOT QUITE
A SENSE OF HUMOR.
HOW WOULD YOU KNOW?
GOOD NIGHT, MR. STAFFORD.
OKAY.
I CAN GET IT RIGHT NOW,
BUT I'LL NEED A GUN WITH ME.
CIGARETTE?
MNH-MNH.
THANKS.
CAN I USE THE PHONE?
OF COURSE.
[ RINGS ]
WATSON HOTEL.
MAY I HELP YOU?
UH...THIS IS TIM RAYBURN.
UH...AM I REGISTERED THERE?
ONE MOMENT, PLEASE.
YES,
YOU ARE REGISTERED HERE.
YOU CHECKED IN
THIS MORNING. ROOM 908.
IS THERE ANYTHING
I CAN DO FOR YOU, MR. RAYBURN?
HOLD IT!
NO, THANK YOU.
TIM?
TIM?!
-WAS THAT TIM RAYBURN?
-YES.
WHAT DID HE WANT?
IT WAS RATHER STRANGE.
HE, UH, ASKED
IF HE WERE REGISTERED HERE.
ARE YOU SURE?
YES.
DID HE SAY
WHERE HE WAS CALLING FROM?
NO.
THANK YOU.
WAS THERE ANYTHING WRONG
WITH RAYBURN
-WHEN YOU SAW HIM?
-NO.
LET'S GO.
THAT ROOM AT THE WATSON HOTEL.
I BETTER GET DOWN THERE.
[ Begging ]
NO, PLEASE.
MAYBE THERE'S SOMETHING THERE
THAT WILL TELL ME WHO I AM
OR WHAT THIS IS ALL ABOUT.
LISTEN TO ME,
YOU'RE HURT.
IF SOMEBODY
IS TRYING TO GET YOU,
THEY'LL KNOW YOU'RE STAYING
AT THE HOTEL.
YOU'RE SAFE HERE.
PLEASE STAY UNTIL YOU CAN
REMEMBER WHAT HAPPENED.
PLEASE.
YEAH, YOU'RE RIGHT.
I'LL TAKE THAT, BARSI.
MY ORDERS ARE TO MAIL IT
TO YOUR BROTHER.
I KNOW
WHAT YOUR ORDERS WERE.
JUST HAND IT OVER.
YOU WILL MAKE THE PROPER
EXPLANATIONS, I TRUST?
$8 MILLION --
INDIAN EMERALDS.
VERY NICE.
WHAT IS THIS?!
ALL RIGHT, YOU STAFFORDS
HAVE HAD IT.
WHERE'S TIM RAYBURN?
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
NOW, YOU LOOK.
IF ANYTHING HAPPENS
TO HIM,
I'LL MAKE SURE
YOU DIE FOR IT.
ALL RIGHT.
YOU BETTER LET ME
GET TO A PHONE.
OVER HERE!
[ TELEPHONE RINGS ]
HELLO?
THIS IS ART STAFFORD.
IS BROYLES THERE YET?
COME AND GONE.
THEY WENT AFTER
THE WHITE-HAIRED GUY.
Where?
WELL, TO ONE OF
THE WAITRESS' APARTMENTS.
HE'S GONE. HE'S
AT SOMEBODY'S APARTMENT.
GET THE NUMBER.
YOU HAVE A PHONE NUMBER?
[ RINGS ]
HELLO?
SOMEONE ASKING FOR YOU.
ASK HIM WHO IT IS.
WHO IS THIS?
IT'S BARNEY.
BARNEY?
BARNEY.
BARNEY?
SHALL I HANG UP?
NO, NO, NO.
UH...ASK HIM WHAT HE WANTS.
WHAT DO YOU WANT HIM FOR?
MISS, LISTEN,
I'VE GOT TO TALK TO HIM.
HE'S A FRIEND OF MINE.
WE WORK TOGETHER.
THERE ARE TWO GUYS ON THE WAY
OVER THERE TO KILL HIM.
YOU BETTER TALK TO HIM.
HELLO?
JIM, IT'S BARNEY.
BARNEY?
I DON'T KNOW YOU.
JIM, LISTEN TO ME,
NOW, I KNOW YOU'RE IN TROUBLE.
I was in the hotel
when you called.
B-BUT, BARNEY,
HOW, HOW DO I KNOW YOU?
HOW?!
YOU KNOW ME!
NOW, JIM, TRY TO REMEMBER.
YOU...KNOW...ME.
NOW, LISTEN,
CASEY, BARNEY, WILLY,
the Staffords,
the Club Tempo,
Casey singing.
JIM, LISTEN, THE STAFFORDS
HAVE SENT TWO BUTTON MEN
OVER THERE TO KILL YOU!
JIM, YOU'VE GOT TO REMEMBER.
YOU'VE GOT TO.
Now, listen, Barney...
Willy...
Casey singing...
the Club Tempo...
the Staffords.
BARNEY!
BARNEY.
YES, I REMEMBER. YES.
[ DOOR OPENS ]
JIM?
JIM?!!
Are you all right?
[ SIGHS ]
YEAH, BARNEY.
I'M ALL RIGHT.
[ SIGHS ]
GOOD.
WE'LL MEET YOU AT THE HOTEL.
THANKS.
[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]
THAT'S WAREHOUSE 12.
STRAIGHT AHEAD
AND FOLLOW THE SIGN.
CAPTAIN ANDREWS.
THAT'S RIGHT, SERGEANT.
MAJOR CUNNINGHAM.
MAJOR.
ALL RIGHT, SERGEANT.
UNLOAD IT.
OKAY, BOYS.
HOLD IT.
NOW, IT WOULD BE VERY EASY
FOR US TO KILL YOU.
SO DON'T MAKE US DO IT.
PUT THOSE BAGS
BACK IN THE TRUCK.
HURRY UP!
OKAY. TIE 'EM UP.
[ SEA GULLS SQUAWKING ]
GOOD MORNING, MR. PHELPS.
AN ARMY PAYROLL EQUIVALENT
TO $8 MILLION AMERICAN
HAS BEEN STOLEN FROM A MILITARY
BASE IN SOUTHEAST ASIA,
AND IS NOW ON ITS WAY
TO THE UNITED STATES.
ALTHOUGH CONVENTIONAL
LAW ENFORCEMENT AGENCIES
HAVE LEARNED
THAT THE STAFFORD FAMILY --
JOE, ARTHUR, AND DOUG --
WHICH CONTROLS A WORLDWIDE
SMUGGLING OPERATION,
IS RESPONSIBLE,
NO INFORMATION
HAS BEEN DEVELOPED
WHICH MIGHT LEAD
TO A RECOVERY OF THE MONEY.
YOUR MISSION,
SHOULD YOU CHOOSE TO ACCEPT IT,
IS TO GET BACK THAT $8 MILLION.
THIS TAPE WILL SELF-DESTRUCT
IN FIVE SECONDS.
GOOD LUCK, JIM.
[ HISSING ]
[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]
* I FEEL YOUR TEARS
* AS THEY FALL ON MY CHEEK
* THEY ARE WARM
* LIKE THE GENTLE RAIN
* COME, LITTLE ONE
* YOU'VE GOT ME IN THE WORLD
* AND OUR LOVE WILL BE SWEET
* WILL BE SAD
* VERY SWEET
* LIKE THE GENTLE RAIN
* LIKE THE GENTLE RAIN
* LIKE THE GENTLE RAIN
HEY, GREAT, CASEY.
VERY GOOD.
YOU WON'T DISAPPOINT ANYBODY
AT THE CLUB TEMPO.
THANK YOU.
THOSE OLD RECORDINGS OF
LILY DRUCELL CERTAINLY HELPED.
HOW SERIOUS WAS
DOUG STAFFORD ABOUT LILY?
WELL, HE WAS VERY MUCH
IN LOVE WITH HER.
HE'S BEEN TRYING
TO FIND A SUBSTITUTE FOR HER
EVER SINCE SHE DIED.
WHICH IS ONE OF THE REASONS
THAT BROTHER ART
HAS ALMOST COMPLETE CONTROL
OF THE ORGANIZATION.
THIS IS AN EXCELLENT
IMITATION OF ART'S VOICE.
IT WAS RECORDED THIS MORNING
AT THE ACTOR'S STUDIO.
GOOD, CASEY.
ACCORDING
TO OUR BEST INFORMATION,
THE $8 MILLION WILL BE HERE
IN THE UNITED STATES
WITHIN 24 HOURS.
NATURALLY, THE STAFFORDS
WON'T BE INVOLVED
IN THE PICKUP.
THEY NEVER ARE.
BUT WE'RE GONNA CHANGE THAT.
WE'RE GONNA USE THE HOSTILITY
BETWEEN DOUG AND ART
TO DO IT.
ED FENTON,
ART'S BROTHER-IN-LAW,
CROSSED THE BORDER
AN HOUR AGO IN A 5-TON.
HE'S GOT A MAN RIDING SHOTGUN
WITH HIM.
AT 6:00 A.M., THEY'LL STOP
AT THE ADMIRAL GARAGE
IN WOODFIELD FOR REFUELING.
IT OPENS THAT EARLY,
ESPECIALLY FOR THEM.
[ HORN HONKING ]
BOB?!
[ ENGINE REVVING ]
YOU'RE LATE.
SORRY, PA.
YOU'RE ALWAYS SORRY.
WHAT DO YOU MEAN,
NO LEADS?
WHAT ARE WE PAYING
YOU GUYS FOR?
I WANT THE TRUCK BACK,
AND I WANT IT FAST!
WHAT TRUCK?
ED'S RIG. GONE.
A HALF A MILLION
IN ELECTRONIC...
WE KNOW
WHAT HE WAS CARRYING.
THE POINT IS,
WHERE IS HE?
I TOLD YOU
TO CHANGE THOSE ROUTES.
WE'VE BEEN ON THEM
TOO LONG.
LISTEN TO HIM
WITH HIS "I TOLD YOU SOs."
IF YOU LISTENED TO ME...
WHO LISTENS TO A DRUNK,
HUH?
A SKIRT-CHASING DRUNK!
STOP IT! BOTH OF YOU!
NOW, LET'S GET TO THE PROBLEM.
WE COULD SOLVE IT
A LOT BETTER WITHOUT HIM.
YOU'RE WASTING YOUR TIME,
BROTHER.
YOU'RE NEVER GONNA --
I SAID STOP IT, BOTH OF YOU!
[ KNOCK ON DOOR ]
-ANY NEWS OF ED?
-NO.
BUT DON'T WORRY, HONEY.
-WE'LL FIND HIM.
-SURE.
OUT IN THE DESERT
WITH A BULLET IN HIS HEAD.
MOLLY, HE'LL BE OKAY.
COFFEE?
YEAH. THANKS.
PA?
YES, PLEASE.
SCOTCH OR VODKA?
WHY THE HOSTILITY?
MY BROTHER'S OUT THERE,
AND YOU'RE --
I DIDN'T SEND HIM.
HE DID.
MOLLY, GET THE COFFEE.
NOW, I WANT YOU TWO
TO START WORKING TOGETHER.
WE'RE A FAMILY,
AND DON'T YOU EVER FORGET IT,
EITHER ONE OF YOU.
ANY WORD FROM BARSI
ON THE ASIAN SHIPMENT?
[ DOORBELL RINGS ]
I'M TIM RAYBURN.
THIS IS GEORGE CALDWELL.
WE'RE HERE
TO SEE THE FAMILY.
THE STAFFORDS
DON'T SEE ANYONE
WITHOUT AN APPOINTMENT.
SHOW THEM THIS.
WHEW! YOU LIVE
DANGEROUSLY, RAYBURN.
NOT IF YOU WANT TO SEE
THE VAN OR YOUR
BROTHER-IN-LAW AGAIN.
GET TO THE POINT.
WE'VE GOT AN ORGANIZATION
THAT CAN DO YOU
A LOT OF GOOD.
YOU GOT A CARGO LEAVING
NEW ORLEANS TONIGHT.
YOU HAVE ANOTHER ONE LEAVING
SAN ANTONIO TOMORROW MORNING.
AND YOU'VE GOT A WAREHOUSE FULL
OF CONTRABAND IN EL PASO.
THEY ALL NEED PROTECTION.
EXTORTION? FROM US?
WHERE DID YOU COME FROM?
WHAT ASYLUM?
NAH, YOU'RE READING IT
WRONG, ART.
I THINK THEY WANT IN
WITH US.
THIS IS BY WAY
OF A JOB APPLICATION.
IT'S JUST THAT SIMPLE.
WE TAKE OVER ALL ENFORCEMENT,
PROTECTION,
WE PUT YOUR COMPETITION
OUT OF BUSINESS FOR GOOD
FOR 10% OF YOUR TAKE.
WHERE IS ED?
WE MADE YOU A PROPOSITION.
WE'LL THINK ABOUT IT.
YOU'VE GOT
UNTIL TOMORROW MORNING.
AFTER THAT, YOU'LL NEVER
SEE ED OR THE VAN AGAIN.
GENTLEMEN.
[ DOOR CLOSES ]
FOLLOW THEM.
ART...YOU'RE CARRYING
A BIG LOAD.
TOO BIG.
LET ME TAKE OVER
ENFORCEMENT.
STAY OFF THE BOOZE,
AND STAY AWAY FROM THE DAMES
FOR ONE MONTH,
-AND YOU GOT IT.
-WAIT A MINUTE!
I DON'T HAVE TO LIVE
YOUR LIFESTYLE TO DO A JOB.
YEAH, YOU DO...
BECAUSE I DON'T TRUST YOU
THE WAY YOU LIVE NOW.
PA?
HE'S RIGHT.
[ TIRES SCREECH ]
[ HORN HONKS ]
[ ENGINE SPUTTERS ]
MOVE THAT THING!
SURE, PAL.
LET'S YOU AND ME PUSH IT.
[ ENGINE SPUTTERS ]
HELLO, DOUG.
WHAT DO YOU WANT?
I JUST WANT
TO TALK BUSINESS.
I ALREADY HEARD
YOUR PROPOSITION.
NOW I'VE GOT SOMETHING ELSE
IN MIND.
THIS IS STRICTLY
BETWEEN YOU AND ME.
ANY BUSINESS YOU'VE GOT
WITH THE STAFFORD FAMILY,
YOU'VE GOT
WITH ALL THREE OF US.
I ADMIRE
YOUR FAMILY LOYALTY.
IT'S TOO BAD YOUR BROTHER ART
DOESN'T FEEL THE SAME WAY.
WHAT'S THAT
SUPPOSED TO MEAN?
DOUG, YOU'RE THE ONE IN
THE FAMILY WITH THE BRAINS.
ART KNOWS IT.
HE'S GONNA DUMP YOU
FOR IT.
I'LL BE AT THE CLUB TEMPO
TONIGHT.
THERE YOU ARE.
THANK YOU.
YOU'RE NOT ALONE,
ARE YOU?
WHY, IS THAT
AGAINST THE RULES?
FOR SOMEONE LIKE YOU,
YEAH.
[ Laughing ]
THANK YOU.
WELL, I DON'T WANT
TO BREAK THE RULES.
I'M WAITING FOR SOMEONE.
I SHOULD HAVE KNOWN.
NO, ACTUALLY A GENTLEMAN.
MAYBE YOU KNOW HIM.
DOUG STAFFORD?
YEAH, I KNOW HIM.
YOU DON'T LOOK TOO HAPPY
ABOUT IT.
ARE YOU FRIENDS?
NO, JUST BUSINESS.
BE CAREFUL
HE DOESN'T CUT YOUR THROAT.
SEEMS LIKE A NICE GUY
TO ME.
DON'T BET ON IT.
I WENT OUT WITH HIM
ONE NIGHT.
HE CAME ON ALL SOFT TALK
AND CHARM.
THEN, WHEN I WOULDN'T PLAY
HIS WAY, HE BEAT ME UP.
THAT'S A NICE GUY?
HELLO, ANNETTE.
DOUG.
DOUBLE SCOTCH.
I CAME TO LISTEN.
SIT DOWN.
ALL RIGHT.
WHAT'S THE PROPOSITION?
DOUBLE SCOTCH.
WHO'S THIS FOR? STAFFORD?
UH-HUH.
WHO'S THE GUY WITH HIM?
HOW SHOULD I KNOW?
WELL, YOU'VE BEEN TRYING TO MAKE
TIME WITH HIM FOR A HALF-HOUR.
WOULD YOU KEEP YOUR MIND
ON YOUR WORK?
WHY DON'T YOU?
[ CHUCKLES ]
[ RINGS ]
HELLO?
Hello, this is Al
at Club Tempo.
YOU TOLD ME
IF YOUR BROTHER CAME IN,
YOU WANTED
TO KNOW ABOUT IT?
-YEAH.
-WELL, DOUG'S HERE.
HE'S STARTING
WITH THE DOUBLES.
WHO'S THE DAME TONIGHT?
THERE'S NO DAME.
IT'S A...WHITE-HAIRED GUY.
WHITE-HAIRED?
DESCRIBE HIM.
WELL, HE'S WHITE-HAIRED,
TALL, GOOD-LOOKING.
AL, YOU JUST EARNED
YOURSELF 100 BUCKS.
RAYBURN'S IN THE CLUB TEMPO
TALKING TO DOUG.
YOU KNOW, IT'S FUNNY,
HIM SHOWING UP HERE TODAY,
JUST WHEN WE'RE EXPECTING
THAT SHIPMENT
FROM THE FAR EAST.
HOW DOES THAT TIE IN
WITH HEISTING THE TRUCK?
I DON'T KNOW,
BUT I DON'T THINK
WE OUGHT TO TAKE ANY MORE
CHANCES WITH MR. RAYBURN.
KILL HIM.
WHAT ABOUT
YOUR BROTHER-IN-LAW?
I NEVER DID LIKE HIM ANYWAY.
FAMILY-TYPE ORGANIZATION
IS A THING OF THE PAST.
TOO MANY PERSONAL THINGS
COME INTO PLAY.
EFFICIENCY -- KNOW HOW
TO GET A JOB DONE --
THAT'S ALL
THAT COUNTS TODAY.
I'M GETTING BORED, RAYBURN.
YOU TALK A LOT,
BUT YOU DON'T SAY ANYTHING.
I THOUGHT YOU'D BE AHEAD
OF ME BY NOW.
ALL RIGHT.
YOUR FATHER
HAD SOME GREAT DAYS, GREAT,
BUT HE IS DEAD
IN HIS WHEELCHAIR NOW.
WE CAN'T DEAL
WITH YOUR BROTHER ART.
HE HAS TO BE REMOVED.
AND THAT LEAVES YOU.
YOU'RE TELLING ME
YOU WANT...
YOU WANT TO HIT MY BROTHER?
[ SIGHS ]
WELL, I'M NOT BORED ANYMORE,
MR. RAYBURN.
I'M JUST TRYING TO FIGURE
THE BEST WAY TO KILL YOU.
FAMILY, FAMILY, FAMILY.
YOU GOT TO FORGET ABOUT THAT
AND START THINKING
ABOUT YOURSELF.
YEAH, BUT I AM RIGHT.
WHAT YOU'RE ASKING ME TO DO
IS PUT THE FINGER ON ART
FOR YOU, RIGHT?
YOU ARE RIGHT.
ART'S HARD TO GET TO.
NOW, THINK OF IT, OUR
MUSCLE, YOUR CONNECTIONS.
WE'RE BIG...
AND YOU ARE ON TOP.
NO WAY, PAL.
I'D THROW UP EVERY TIME
I LOOKED IN THE MIRROR.
YOU'RE NOT
GETTING THE MESSAGE.
YOU'RE BEING SQUEEZED OUT.
THERE WILL BE A CONTRACT OUT
ON YOU ONE OF THESE DAYS.
MNH-MNH. NEVER.
ART'S GOT A CODE.
HE LIVES BY IT.
HE'D NEVER BREAK IT.
IT SAYS YOUR FAMILY COMES FIRST.
YOUR WIFE, YOUR FATHER.
EVEN YOUR BROTHER WHO DRINKS
TOO MUCH AND CHASES WOMEN.
HE WOULD HAVE NO SCRUPLES
ABOUT KILLING YOU. NONE.
GET OUT OF HERE.
[ PIANO PLAYS ]
I'LL BE AT THE WATSON HOTEL
TILL TOMORROW MORNING.
* WE BOTH ARE LOST
* AND ALONE IN THE WORLD
* WALK WITH ME
* IN THE GENTLE RAIN
* DON'T BE AFRAID
* I'VE A HAND FOR YOUR HAND
* AND I WILL BE YOUR LOVE
* FOR A WHILE
* I FEEL YOUR TEARS
* AS THEY FALL ON MY CHEEK
* THEY ARE WARM
* LIKE THE GENTLE RAIN
* COME, LITTLE ONE
* YOU'VE GOT ME IN THE WORLD
* AND OUR LOVE WILL BE SWEET
* WILL BE SAD
* VERY SWEET
* LIKE THE GENTLE RAIN
* LIKE THE GENTLE RAIN
* LIKE THE GENTLE RAIN
[ TIRES SCREECH ]
[ SIREN WAILS IN DISTANCE ]
[ CAR DOOR SLAMS ]
[ TIRES SCREECH ]
THAT WAS GREAT.
WHY, THANK YOU.
YOU REMIND ME OF SOMEONE
I USED TO KNOW.
CAN I BUY YOU A DRINK?
[ LAUGHS ]
IT'S NOT A VERY
ORIGINAL APPROACH,
BUT I SUPPOSE IT'LL DO.
GOOD.
UM, STINGER ON THE ROCKS,
USE THE BLENDER, PLEASE.
OH, WELL, NOW,
THAT IS A COINCIDENCE.
THE SOMEONE
YOU REMIND ME OF
ALWAYS DRANK STINGERS
ON THE ROCKS.
WELL,
I HOPE YOU LIKED HER.
I DID.
WE'LL HAVE A STINGER ON
THE ROCKS WITH A BLENDER,
AND I'LL HAVE A --
DOUBLE SCOTCH.
I GUESS
I SHOULD INTRODUCE MYSELF.
MY NAME IS DOUG --
DOUG STAFFORD.
YOU'RE NEW HERE.
HOW DID YOU KNOW?
I'M NOT NEW IN TOWN,
AND I'VE HEARD A LOT
ABOUT YOU.
FROM WHOM?
MUTUAL FRIENDS.
SUCH AS?
LET'S TALK ABOUT US, HUH?
ALL RIGHT.
CAN I HELP YOU?
NO.
BUT YOU'RE HURT.
YOU'RE BLEEDING.
"TIM RAYBURN."
YOUNG MAN, DO YOU WANT ME
TO CALL AN AMBULANCE
OR A POLICEMAN?
-WHAT CITY IS THIS?
-WHAT?
TELL ME WHAT CITY THIS IS.
I BETTER CALL...
THIS...HERE!
THIS IS ME, ISN'T IT?
YES, MR. RAYBURN,
IT IS YOU.
BUT YOU'RE HURT, AND I'M
GOING TO CALL AN AMBULANCE.
TIM RAYBURN.
TIM RAYBURN?
I'M FINE.
THANK YOU.
YOU SURE NURSE A DRINK.
WELL, I'M NOT GONNA TRY
AND KEEP UP WITH YOU.
WHAT ARE YOU DROWNING?
PLEASE...DON'T GET HEAVY.
I WOULDN'T THINK OF IT.
I'D HATE TO LOSE YOU
TOO EARLY.
YOU, UM, GOT ANOTHER SET
TONIGHT?
FOR THIS CROWD?
NO.
THEN, LET'S GET OUT
OF HERE.
MY PLACE?
WHAT ABOUT MY PLACE?
I COULD FIX YOU SOME EGGS
OR SOMETHING LIKE THAT.
OKAY.
I'LL BE RIGHT BACK.
I'LL GET MY COAT.
-ARE YOU LEAVING WITH HIM?
-YEAH.
LOOK, BE CAREFUL.
HE TURNS MEAN REAL QUICK.
HE'LL WANT YOU TO ACT LIKE
SOME GIRL HE USED TO KNOW.
IF YOU CAN'T HACK IT,
WATCH OUT.
THANKS FOR THE ADVICE,
ANNETTE.
WHAT DO YOU MEAN,
YOU THINK YOU GOT HIM?
WELL, I COULDN'T CHECK.
THE COPS CAME ALONG.
[ DOOR OPENS ]
COOL IT.
PA, WHAT ARE YOU DOING UP?
I COULDN'T SLEEP.
-ANY NEWS ABOUT ED?
-NOTHING.
WHAT ABOUT THE $8 MILLION?
NOTHING.
IT'S ON THE WAY.
YOU KNOW
THE WHITE-HAIRED GUY
THAT WAS HERE THIS MORNING --
RAYBURN?
YEAH.
WHAT ABOUT HIM?
DOUG HAD DRINKS WITH HIM
TONIGHT.
WHAT?!
I THINK
HE'S TRYING TO SPLIT US.
DOUG TOLD YOU THIS?
NO. HE DIDN'T TELL ME.
THAT'S WHAT WORRIES ME.
JIM SHOULD HAVE BEEN HERE
BY NOW.
WHAT DO YOU THINK
WE SHOULD DO?
WE WAIT FOR CASEY'S SIGNAL
AND GO ON WITH THE PLAN.
YOU GOT GOOD TASTE.
THANK YOU.
I TRY.
WHO PICKS UP THE TAB?
I DO.
[ Laughing ]
DON'T HAND ME THAT.
YOU DON'T MAKE
THAT KIND OF BREAD SINGING.
I, UM, I HAVE
A RICH GRANDMOTHER.
ISN'T THAT FUNNY?
I KNOW A LOT OF GIRLS
WITH THE SAME GRANDMOTHER.
DRINK UP AND SHUT UP.
WAIT A MINUTE.
WHAT FOR?
YOU TURN ME ON.
GOOD.
YOU GOT SOMETHING BLUE?
WHAT?
SOMETHING BLUE.
PUT ON SOMETHING BLUE.
THAT'S A NEW ONE.
DON'T GIVE ME A HARD TIME.
I SAID,
"PUT ON SOMETHING BLUE"!
ALL RIGHT.
[ STEADY BEEP ]
TIME FOR BROTHER ART.
[ TELEPHONE RINGS ]
LET IT RING.
[ Ringing ]
[ RINGING CONTINUES ]
[ RINGING CONTINUES ]
HELLO?
IS LISA IN?
Is Lisa Prescott in?
I'd like to talk to her,
please.
WHO IS THIS?
I SAID, "WHO IS THIS?"
[ Dial tone ]
[ DOOR OPENS ]
WELL?
DO YOU LIKE IT?
IT'S LOVELY.
THANK YOU.
I TOOK THE CALL.
OH? WHO WAS IT?
YOU TELL ME.
[ LAUGHS ]
WELL, HOW SHOULD I KNOW?
IT WAS SOMEONE
WE BOTH KNOW.
OH?
MY BROTHER...ART.
I DON'T EVEN KNOW
YOUR BROTHER.
YOU CHEAP TRAMP.
HE, UH, HE PAYS
FOR ALL THIS, DOESN'T HE?
MY DEAR BROTHER.
DEVOTED FAMILY MAN!
[ PICTURE BREAKS ]
AND AS FOR YOU...
I'D LIKE TO BEAT
THAT PRETTY FACE OF YOURS IN.
LOOK, DOUG,
WHATEVER HAPPENED
BETWEEN YOUR BROTHER AND ME
IS OVER.
YOU'RE LYING!
NO, I'M NEVER
GOING TO SEE HIM AGAIN.
UH!
* I FEEL YOUR TEARS *
* AS THEY FALL ON MY CHEEK *
* THEY ARE WARM *
* LIKE THE GENTLE RAIN *
* LIKE THE GENTLE RAIN *
[ KNOCK ON DOOR ]
HOW DID IT GO?
HE'S PRETTY KINKY.
ARE YOU ALL SET?
YEAH, IT'S IN THE BEDROOM.
[ MOANS ]
[ DOOR BANGS OPEN ]
WELL, HELLO.
NOW, W-WAIT A MINUTE.
TAKE IT EASY.
I...I JUST MET HER.
SHE DOESN'T MEAN ANYTHING
TO ME.
THAT'S VERY FUNNY,
MR. STAFFORD.
VERY FUNNY.
YOU KNOW MY NAME.
YEAH.
AHHH, MY BROTHER.
MY BROTHER ART SENT YOU,
HUH?
IT REALLY DOESN'T MATTER
MUCH WHO SENT ME, DOES IT?
NOT TO YOU ANYWAY.
OH, NO, NO, NO.
WAIT A MINUTE.
PLEASE, I'M BEGGING YOU.
DON'T SHOOT.
WAIT A MINUTE, WILL YOU?!
IT DOESN'T MEAN ANYTHING!
I SWEAR IT!
PLEASE, DON'T SHOOT!
NO!
GIVE ME THAT THING,
WILL YOU?!
-NO, NOT HERE.
-WHY NOT?!
BECAUSE YOU OWE ME.
I JUST SAVED YOUR LIFE.
ART MUST HAVE RECOGNIZED
YOUR VOICE ON THE PHONE.
[ BREATHING HEAVILY ]
YEAH.
[ SIGHS ]
IT'S ALMOST FUNNY. HA!
I HAVE NO USE FOR MY BROTHER,
BUT I ALWAYS LOOKED UP TO HIM.
HE WAS THE GUY
THAT DID WHAT I COULDN'T DO.
"ALWAYS PUT THE FAMILY FIRST."
AND THEN, HE SENDS A HIT MAN
FOR HIS BROTHER.
LOOK, UH, MAYBE YOU BETTER
GET OUT OF TOWN.
WHY DO YOU CARE
WHAT HAPPENS TO ME?
I TOLD YOU, I CARE.
[ SIGHS ]
MAYBE I COULD HAVE
CONVINCED YOU
IF YOU HADN'T PASSED OUT.
MAYBE.
I THINK YOU'RE THE ONE
WHO BETTER GET OUT OF TOWN.
WHEN YOU HEAR SOMETHING'S
HAPPENED TO MY BROTHER,
GET IN TOUCH WITH ME.
HI!
WELCOME BACK.
I'VE BEEN HERE BEFORE?
HEY, YOU'VE BEEN HURT!
NEVER MIND ABOUT THAT.
TELL ME WHEN,
WHEN WAS I HERE?
EARLIER TONIGHT.
LOOK, I'M GONNA GET YOU
TO A DOCTOR.
NO, PLEASE.
I...
CAN I TRUST YOU?
I HAVE TO TRUST YOU.
I DON'T REMEMBER ANYTHING,
AND I THINK I'VE BEEN
IN SOME KIND OF TROUBLE.
I DON'T WANT TO GO
ANYWHERE, DO ANYTHING,
UNTIL I FIND OUT SOMETHING
ABOUT WHAT'S HAPPENING.
OKAY.
OKAY.
I'M WORRIED
ABOUT THE $8 MILLION.
IF DOUG
IS DOUBLE-CROSSING...
[ TELEPHONE RINGS ]
HELLO?
YEAH.
THE WHITE-HAIRED GUY'S HERE.
IS DOUG WITH HIM?
NO, HE'S ALONE.
KEEP HIM THERE.
RAYBURN'S
AT THE CLUB TEMPO.
MISS HIM THIS TIME,
AND YOU'RE IN TROUBLE.
YOU DON'T REMEMBER
DOUG STAFFORD?
STAFFORD? NO.
I REMEMBER THE SINGER,
LISA PRESCOTT.
WELL, WE'RE CLOSING.
YOU CAN'T STAY HERE.
I'LL TAKE YOU TO MY PLACE.
YOU'LL BE SAFE THERE.
OKAY.
ONE MINUTE.
WANT A DRINK?
NO. NO.
LAST CHANCE.
NO DRINK.
THANKS.
COME ON.
MY CAR'S OUT BACK.
THE MAN LOOKS LIKE
HE COULD USE A DRINK.
HOW ARE YOU FEELING?
BETTER. BETTER.
I STILL CAN'T REMEMBER
A THING. NOT ANYTHING.
WHY DON'T YOU SIT DOWN?
ARE YOU SURE YOU DON'T
WANT ME TO CALL A DOCTOR?
NO. NO, NOT YET. NO.
[ KNOCK ON DOOR ]
-WHERE IS HE?
-WELL, HE'S GONE.
ART TOLD YOU
TO KEEP HIM HERE.
BUT I COULDN'T.
THE PLACE IS CLOSED.
BUT I-I KNOW
WHERE HE'S GOING TO.
WITH ANNETTE, ONE
OF THE WAITRESSES HERE.
HE'S GOING
TO HER APARTMENT.
WHERE IS IT?
LET ME GIVE YOU
THE ADDRESS HERE.
THAT'S ACROSS TOWN.
I CAN'T DO ANYTHING
ABOUT THAT.
[ KNOCK ON DOOR ]
WELL, MR. STAFFORD...
COME ON IN.
WHERE'S RAYBURN?
HE HAD TO TAKE CARE
OF SOME BUSINESS.
HE SAID HE'D BE HERE.
TALKING TO ME IS JUST LIKE
TALKING TO RAYBURN.
-DRINK?
-I'VE HAD ENOUGH TONIGHT.
WHAT CAN I DO FOR YOU?
RAYBURN WANTED ME
TO PUT THE FINGER ON ART.
I'M READY...IF YOU MEET
CERTAIN CONDITIONS.
SUCH AS?
THERE'S GONNA BE
A LITTLE WAR.
I NEED SOLDIERS.
WE GOT THEM.
I GIVE THE ORDERS.
ALL RIGHT,
YOU RUN THE SHOW.
OKAY.
YOU GOT A DEAL.
HOLD IT.
WE SUPPLY THE SOLDIERS,
WE HIT ART,
YOU GIVE THE ORDERS.
WHAT DO WE GET?
A SPLIT OF THE ACTION.
OH, NO, MAN.
WE WANT BREAD,
A LOT OF BREAD. UP FRONT.
WAIT A MINUTE.
THAT'S NOT WHAT YOU SAID
THIS MORNING.
THIS MORNING, WE WERE
DEALING WITH THE FAMILY.
WE WEREN'T TALKING
ABOUT A WAR THEN.
HOW MUCH?
OH, I FIGURE $2 MILLION
WILL GET US GOING.
YOU GOT QUITE
A SENSE OF HUMOR.
HOW WOULD YOU KNOW?
GOOD NIGHT, MR. STAFFORD.
OKAY.
I CAN GET IT RIGHT NOW,
BUT I'LL NEED A GUN WITH ME.
CIGARETTE?
MNH-MNH.
THANKS.
CAN I USE THE PHONE?
OF COURSE.
[ RINGS ]
WATSON HOTEL.
MAY I HELP YOU?
UH...THIS IS TIM RAYBURN.
UH...AM I REGISTERED THERE?
ONE MOMENT, PLEASE.
YES,
YOU ARE REGISTERED HERE.
YOU CHECKED IN
THIS MORNING. ROOM 908.
IS THERE ANYTHING
I CAN DO FOR YOU, MR. RAYBURN?
HOLD IT!
NO, THANK YOU.
TIM?
TIM?!
-WAS THAT TIM RAYBURN?
-YES.
WHAT DID HE WANT?
IT WAS RATHER STRANGE.
HE, UH, ASKED
IF HE WERE REGISTERED HERE.
ARE YOU SURE?
YES.
DID HE SAY
WHERE HE WAS CALLING FROM?
NO.
THANK YOU.
WAS THERE ANYTHING WRONG
WITH RAYBURN
-WHEN YOU SAW HIM?
-NO.
LET'S GO.
THAT ROOM AT THE WATSON HOTEL.
I BETTER GET DOWN THERE.
[ Begging ]
NO, PLEASE.
MAYBE THERE'S SOMETHING THERE
THAT WILL TELL ME WHO I AM
OR WHAT THIS IS ALL ABOUT.
LISTEN TO ME,
YOU'RE HURT.
IF SOMEBODY
IS TRYING TO GET YOU,
THEY'LL KNOW YOU'RE STAYING
AT THE HOTEL.
YOU'RE SAFE HERE.
PLEASE STAY UNTIL YOU CAN
REMEMBER WHAT HAPPENED.
PLEASE.
YEAH, YOU'RE RIGHT.
I'LL TAKE THAT, BARSI.
MY ORDERS ARE TO MAIL IT
TO YOUR BROTHER.
I KNOW
WHAT YOUR ORDERS WERE.
JUST HAND IT OVER.
YOU WILL MAKE THE PROPER
EXPLANATIONS, I TRUST?
$8 MILLION --
INDIAN EMERALDS.
VERY NICE.
WHAT IS THIS?!
ALL RIGHT, YOU STAFFORDS
HAVE HAD IT.
WHERE'S TIM RAYBURN?
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
NOW, YOU LOOK.
IF ANYTHING HAPPENS
TO HIM,
I'LL MAKE SURE
YOU DIE FOR IT.
ALL RIGHT.
YOU BETTER LET ME
GET TO A PHONE.
OVER HERE!
[ TELEPHONE RINGS ]
HELLO?
THIS IS ART STAFFORD.
IS BROYLES THERE YET?
COME AND GONE.
THEY WENT AFTER
THE WHITE-HAIRED GUY.
Where?
WELL, TO ONE OF
THE WAITRESS' APARTMENTS.
HE'S GONE. HE'S
AT SOMEBODY'S APARTMENT.
GET THE NUMBER.
YOU HAVE A PHONE NUMBER?
[ RINGS ]
HELLO?
SOMEONE ASKING FOR YOU.
ASK HIM WHO IT IS.
WHO IS THIS?
IT'S BARNEY.
BARNEY?
BARNEY.
BARNEY?
SHALL I HANG UP?
NO, NO, NO.
UH...ASK HIM WHAT HE WANTS.
WHAT DO YOU WANT HIM FOR?
MISS, LISTEN,
I'VE GOT TO TALK TO HIM.
HE'S A FRIEND OF MINE.
WE WORK TOGETHER.
THERE ARE TWO GUYS ON THE WAY
OVER THERE TO KILL HIM.
YOU BETTER TALK TO HIM.
HELLO?
JIM, IT'S BARNEY.
BARNEY?
I DON'T KNOW YOU.
JIM, LISTEN TO ME,
NOW, I KNOW YOU'RE IN TROUBLE.
I was in the hotel
when you called.
B-BUT, BARNEY,
HOW, HOW DO I KNOW YOU?
HOW?!
YOU KNOW ME!
NOW, JIM, TRY TO REMEMBER.
YOU...KNOW...ME.
NOW, LISTEN,
CASEY, BARNEY, WILLY,
the Staffords,
the Club Tempo,
Casey singing.
JIM, LISTEN, THE STAFFORDS
HAVE SENT TWO BUTTON MEN
OVER THERE TO KILL YOU!
JIM, YOU'VE GOT TO REMEMBER.
YOU'VE GOT TO.
Now, listen, Barney...
Willy...
Casey singing...
the Club Tempo...
the Staffords.
BARNEY!
BARNEY.
YES, I REMEMBER. YES.
[ DOOR OPENS ]
JIM?
JIM?!!
Are you all right?
[ SIGHS ]
YEAH, BARNEY.
I'M ALL RIGHT.
[ SIGHS ]
GOOD.
WE'LL MEET YOU AT THE HOTEL.
THANKS.
[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]