Mission: Impossible (1966–1973): Season 6, Episode 2 - Encore - full transcript
The team's mission is to try and get the proof needed to convict two mobsters who have managed to avoid that for over 30 years. So Jim decides to make one of them think it's 1937 when he and the other mobster killed someone and buried him. So they drug him and then make him look as he was in 1937, and take him to the area where the crime so he could lead them to where the body is. But when something that he supposedly has with him at all times is not on him, Jim goes to his place to find it. And he finds it but someone sees him and calls the other mobster. So they have to get him to lead them to the body before the other guy finds them.
[ SIREN WAILING ]
[ DOOR OPENS ]
DR. BURROUGHS,
PLEASE CALL 125 WEST.
DR. BURROUGHS, PLEASE CALL
125 WEST. DR. BURROUGHS.
DR. GRAHAM, ADMITTING DESK,
PLEASE. DR. GRAHAM.
DR. GRAHAM,
ADMITTING DESK, PLEASE.
HOW LONG'S SHE BEEN
OUT OF THE COMA?
SHE CAME OUT OF IT
10 MINUTES AGO.
CAN SHE HEAR ME, DOCTOR?
YES, SHE CAN.
I'M DAVID ST. JAMES WITH
THE DISTRICT ATTORNEY'S OFFICE.
AND WE KNOW WHO YOU ARE,
MS. COLLINS.
WE NEED YOUR COOPERATION.
YOU MAY BE THE LAST CHANCE
WE EVER HAVE
TO GET TOMMY KROLL
OR FRANK STEVENS.
WILL YOU HELP US?
NOW, THE FIRST THING
WE WANT TO KNOW, MS. COLLINS,
IS WHERE WAS --
[ EXPLOSION ]
GOOD MORNING, MR. PHELPS.
THESE MEN, FRANK STEVENS
AND THOMAS KROLL,
PRESIDE OVER A CRIMINAL EMPIRE
THAT THREATENS TO TAKE OVER
THE ENTIRE NORTHEAST.
ALTHOUGH THEY HAVE BEEN
ARRESTED MANY TIMES,
CONVENTIONAL
LAW ENFORCEMENT AGENCIES
HAVE THUS FAR BEEN UNABLE
TO PROVIDE THE EVIDENCE
NECESSARY TO CONVICT THEM
OF ANY CRIME.
YOUR MISSION, JIM,
SHOULD YOU DECIDE TO ACCEPT IT,
IS TO PUT KROLL AND STEVENS
OUT OF BUSINESS FOR GOOD.
THIS TAPE WILL SELF-DESTRUCT
IN FIVE SECONDS.
GOOD LUCK, JIM.
[ SIZZLING ]
[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]
THIS IS
CRAWLEY SQUARE TODAY.
NOW, SOMEWHERE IN HERE
IS THE EVIDENCE
THAT WILL SEND KROLL
AND STEVENS TO PRISON --
THE BODY OF DANNY RYAN,
AND THE GUNS THAT KILLED HIM.
THIS IS CRAWLEY SQUARE
IN 1937,
EXACTLY THE SAME
AS IT WAS ON THE DAY
THAT KROLL AND STEVENS
SHOT DANNY AND HID HIS BODY.
HERE'S THE BARBERSHOP...
FALLON'S...
KROLL'S APARTMENT...
TWO BLOCKS AWAY,
THE POLICE STATION.
WE HAVE TO MAKE
ABSOLUTELY CERTAIN
THAT KROLL NEVER GETS
OUT OF THIS AREA.
JIM, WHY DID
GLADYS COLLINS
KEEP QUIET
ALL THESE YEARS?
FEAR, WILLY.
KROLL AND STEVENS HAVE MURDERED
EVERY OTHER POTENTIAL WITNESS
AGAINST THEM.
ONCE THEY FINALLY FOUND GLADYS,
THEY MURDERED HER, TOO.
WHAT ABOUT THE AIR TRAFFIC, JIM?
WE'VE ARRANGED FOR NO
OVERFLIGHTS FOR SIX HOURS, DOUG.
CASEY...HOW ABOUT
KROLL'S APARTMENT?
EVERYTHING DEPENDS
ON EXACT DETAIL.
I TALKED TO KROLL'S
OLD HOUSEKEEPER.
HE PAID HER $1 A DAY,
AND SHE HASN'T
FORGOTTEN A THING.
MM-HMM.
ANY PROBLEMS, BILL?
NOT WITH THE ACTING ROLE --
I'M WELL-REHEARSED.
WHAT I'M CONCERNED ABOUT
IS STEVENS' FACE.
CASEY?
FRANK STEVENS, 1937.
JIM TOLD ME YOU WERE GOOD.
WHAT ABOUT THE YOUNG
GLADYS COLLINS?
WELL, THIS IS ALL WE HAVE.
THERE ARE NO OLD
PHOTOGRAPHS OF HER.
EXCEPT
IN TOMMY KROLL'S MIND.
BUT HE ONLY SAW HER
THAT ONE DAY,
AND OUR FACIAL STRUCTURE
IS BASICALLY THE SAME.
I THINK WITH
A HAIR CHANGE AND MAKEUP,
WE CAN SELL IT.
WE'RE ALL SET
AT THE BARBERSHOP, JIM.
KROLL ARRIVES EVERY DAY
AT 10:45 FOR A SHAVE.
GOOD, WILLY.
NOW, KROLL IS A VIOLENT,
UNSTABLE MAN.
WE'RE GOING TO SUBJECT HIM
TO ENORMOUS PRESSURE.
HE'LL BE DANGEROUS
EVERY STEP OF THE WAY.
THE FIRST BATTER HE'LL FACE
IS CAMPANERIS...
PAUL?
AND A GROUND BALL
IS HIT TO SHORT.
WHERE'S PAUL?
PAUL'S GOT THE FLU.
I'M ALBERT, HIS NEPHEW,
AND YOU MUST BE MR. KROLL.
WHY MUST I BE?
WELL, IT'S 10:45,
AND PAUL SAID TO EXPECT YOU.
YOU'D LIKE A HOT TOWEL
AND A SHAVE, RIGHT?
RIGHT.
...INTO LEFT CENTER FIELD.
BOBBY MERCER DIGGING,
AND MAKES A ONE-HAND...
OH, HE DROPS IT.
ALMOST MADE A GREAT CATCH.
AS HE TUMBLED OVER,
THE BALL CAME OUT OF HIS GLOVE.
IT WILL BE A DOUBLE FOR RUDY.
MERCER GAVE IT A GAME TRY,
RUNNING AT FULL SPEED...
PAUL ORDERED
SOME FACE CREAM.
HAS IT COME IN YET?
I'M SORRY, MR. KROLL.
I DON'T KNOW ANYTHING
ABOUT THAT.
HORMONES. GOT TO
KEEP YOUNG, YOU KNOW?
GOT TO KEEP
THE GIRLS HAPPY.
WELL, YOU'RE IN GOOD SHAPE,
MR. KROLL.
YOU SHOULDN'T HAVE
ANY TROUBLE AT ALL.
I'M PAST 60.
THAT'S TROUBLE NO MATTER
WHICH WAY YOU LOOK AT IT.
[ SIGHS ]
BALL ONE.
NEXT PITCH IS A CURVE.
SWUNG AT AND MISSED.
ONE AND ONE.
A GOOD BREAKING PITCH
BY JIM HARDEN.
HARDEN READY.
FASTBALL JUST INSIDE.
2 BALLS AND A STRIKE.
1-2 PITCH LOW.
NO, IT HIT THE CORNER.
2 AND 2.
STRETCH BY HARDEN.
HE KICKS, DELIVERS.
SWING AND A MISS.
HE STRUCK HIM OUT.
JIM HARDEN GETS
THE TOUGH REGGIE JACKSON,
AND THAT'S THE FIRST STRIKEOUT
FOR HARDEN.
STEVE KLINE HAD TWO
WHILE HE WAS IN THERE,
AND IT WAS
MIKE EPSTEIN BOTH TIMES.
SO HERE'S MIKE NOW.
HE'S 0 FOR 3.
STRUCK OUT TWICE
AND BOUNCED TO FIRST.
TWO MEN ARE OUT.
HARDEN CHECKS THE RUNNER.
CURVE LOW AND INSIDE
GETS AWAY FROM MUNSON.
JUST RELAX, MR. KROLL.
YES, SIR.
NOTHING LIKE A HOT TOWEL
TO SOOTHE THE NERVES,
I ALWAYS SAY.
AND RUDY
STAYED AT SECOND BASE.
STRETCH BY HARDEN.
FASTBALL ON THE INSIDE CORNER.
FRANKIE CROSETTI'S
AT THIRD BASE,
YOUNG JOE DiMAGGIO'S AT FIRST,
AND COMING TO THE PLATE,
THE IRON MAN HIMSELF,
LOU GEHRIG.
WHAT A BALLPLAYER HE IS.
THE COUNT IS 3 AND 2 NOW.
PHILADELPHIA PITCHER'S
WORKING VERY CAREFULLY.
HE'S AFRAID OF GEHRIG'S POWER.
[ GAME CONTINUES INDISTINCTLY ]
HELLO, TOMMY.
I GOT A MESSAGE FOR YOU
FROM DANNY RYAN.
NO WATCH.
NOT HERE, EITHER.
JIM, HE'S GOT TO HAVE
THAT WATCH.
THE DOSSIER SAYS
HE'S NEVER WITHOUT IT.
WELL, HE IS TODAY.
HE'S GOT TO HAVE IT
WHEN HE WAKES UP.
I'M GOING TO HIS APARTMENT.
I'LL MEET YOU LATER.
[ DOOR CLOSES ]
THE EFFECT
OF THIS PARAFFIN BASE
IS SIMILAR TO THAT
OF SILICONE, ONLY TEMPORARY.
IT WON'T DISFIGURE,
AND THERE'S NO PAIN.
[ DIALING ]
[ TELEPHONE RINGS ]
IT'S IN A JEWELRY SHOP
ON 63rd STREET.
YOU'LL HAVE TO KEEP HIM OUT
FOR ANOTHER 45 MINUTES.
Right, Jim.
HE HAS TO STAY OUT
AN EXTRA 45 MINUTES.
THAT MEANS WE'LL LOSE TIME
ON EITHER END, BARNEY.
AFTER SIX HOURS,
THIS COMPOSITION
WILL BREAK DOWN.
KROLL'S NEW FACE
WILL MELT LIKE A CANDLE.
NOTHING WE CAN DO ABOUT IT.
[ DIALING ]
FRANK STEVENS.
HE DOESN'T KNOW ME,
BUT I GOT TO TALK TO HIM.
IT'S URGENT.
BUT YOU'RE NOT MR. KROLL.
I WORK FOR MR. KROLL.
I DON'T THINK I --
HE WANTS HIS WATCH.
HE'S PACKING FOR A TRIP.
YOU MAKE HIM COME
ALL THE WAY DOWN HERE,
HE'S NOT GOING TO LIKE IT.
[ Sighing ] ALL RIGHT.
CLEANING,
NEW MAINSPRING. $22.50.
COULD USE A NEW CASE.
WHAT MADE THAT DENT?
JUST DON'T WORRY ABOUT IT.
HE SAID, "YOU'LL
HAVE TO KEEP HIM OUT
ANOTHER 45 MINUTES."
THAT'S WHAT HE SAID.
"KEEP HIM OUT."
PLEASE...CALM DOWN,
MISS, UH...
SWANSON. CAROL SWANSON.
WHAT EXACTLY
WERE YOU DOING
IN TOMMY'S APARTMENT,
MISS SWANSON?
I HAVE A KEY.
GOOD FOR YOU.
THE INTRUDER --
WHAT DID HE LOOK LIKE?
HE WAS A BIG GUY,
GOOD-LOOKING,
SORT OF SILVERY HAIR.
COULD HAVE BEEN A COP.
LOOKING FOR WHAT?
CHECK OUT THE BARBERSHOP.
I WANT TO FIND OUT
WHEN TOMMY GOT THERE
AND WHEN HE LEFT.
YOU GO UP
TO 63rd STREET AND SEE
WHAT YOU CAN FIND OUT
AT THE JEWELRY SHOP.
AND I'LL TRY TO HAVE
THAT PHONE CALL TRACED.
HOW CAN YOU DO THAT,
MR. STEVENS?
WILL YOU SEE
THAT MISS SWANSON
IS ESCORTED HOME?
WHAT ABOUT TOMMY?
I'M WORRIED ABOUT HIM.
WELL, I'LL TELL HIM
WHEN I FIND HIM.
I'M SURE HE'LL BE PLEASED.
TERRY BAKER
AT THE PHONE COMPANY.
THIS WILL CLEAR UP
HIS LIMP FOR A WHILE.
MATTER OF FACT,
IT SHOULD MAKE HIM FEEL
PRETTY GOOD ALL OVER.
DID YOU GET IT?
MM-HMM.
GOOD.
YOUR GOOD-LUCK CHARM, TOMMY.
GOOD.
THOMAS WORKED 7 2/3 INNINGS.
HE ALLOWED FIVE RUNS
ON EIGHT HITS AND ONE ERROR.
HE STRUCK OUT THREE
AND WALKED THREE.
NELSON COMING IN NOW.
THE RIGHT-HANDER IS 4 AND 7
ON THE YEAR, MOSTLY IN RELIEF.
THE 1937 YANKEES CERTAINLY
CONTINUE TO MAKE A SHAMBLES
OF THE AMERICAN LEAGUE
PENNANT RACE.
THE PRESENT-DAY MURDERERS' ROW
RIVALS IN EVERY WAY
THE AWESOME POWER
SUPPLIED BY BABE RUTH
AND COMPANY BACK IN 1927.
IN YOUNG JOE DiMAGGIO,
THE YANKEES HAVE
POTENTIALLY
ONE OF THEIR GREATEST STARS,
AND WITH LOU GEHRIG
AND BILL DICKEY
STILL COMING THROUGH,
PITCHERS HAVE NIGHTMARES
BEFORE FACING
THAT BATTING ORDER.
AS A MATTER OF FACT,
HALF OF THEM ARE BEATEN
BEFORE THEY EVER
STEP ON THE PITCHER'S MOUND.
YOU COULD JUST ABOUT
PUT ANY NINE GUYS OUT THERE
WITH "NEW YORK" ACROSS
THE FRONT OF THEIR SHIRTS,
AND THROW THEIR GLOVES
ON THE FIELD,
AND THEY WOULD HAVE
THE BALLGAME WON.
THE REAL HERO TODAY, HOWEVER,
IS LEFTY GOMEZ.
THE GOOFY ONE
MADE JUST ONE MISTAKE,
AND THAT WAS
TO OPEN THE FIFTH INNING.
BOB JOHNSON CAPITALIZED ON IT,
HITTING A LINE SHOT
INTO THE CENTER-FIELD STANDS.
IT WOULD BE LEFTY GOMEZ
WITH A NO-HIT, NO-RUN GAME,
BUT THAT'S THE ONLY HIT
THAT HE HAS GIVEN UP.
ACTUALLY, CHARLIE RUFFING
WAS SCHEDULED TO PITCH TODAY,
BUT AT THE LAST MINUTE,
JOE McCARTHY DECIDED
TO GIVE THE REDHEAD A REST,
AND INSTEAD
BROUGHT IN LEFTY GOMEZ,
AND GOMEZ IS SCHEDULED
TO PITCH AGAIN ON SUNDAY.
THIS WAS LEFTY'S 16th START
AND HIS 12th COMPLETE GAME
IN THE SPRING.
HE SHOWS NINE VICTORIES
AGAINST SIX DEFEATS,
AND WHAT A BALLGAME
HE HAS PITCHED TODAY.
AS WE MENTIONED,
ONLY ONE MISTAKE
IN THE ENTIRE BALLGAME,
AND THAT WAS TO LEAD OFF
THE FIFTH INNING,
AND BOB JOHNSON HIT ONE
OVER THE CENTER-FIELD SEATS,
AND A REAL SMASH IT WAS.
[ SIREN WAILS ]
[ GAME CONTINUES INDISTINCTLY ]
ALL RIGHT. STAND ASIDE.
LOOKS LIKE HE'S DEAD,
LIEUTENANT.
CALL THE MEAT WAGON.
WHAT ABOUT HIM?
YOU WANT AN AMBULANCE?
TOMMY? NO, HE LOOKS
PRETTY HEALTHY TO ME.
ALL RIGHT, KROLL.
WHO DID IT?
D.O.A., JOE'S BARBERSHOP.
14 CRAWLEY SQUARE.
NEVER MIND THE BABY STARE.
WHO DID IT?
WHAT IS THIS?
YEAH, WHAT IS THIS ACT
YOU'RE PULLING?
IT WAS ONE OF RYAN'S BOYS,
WASN'T IT?
RYAN'S BOYS?
DANNY RYAN.
MAYBE HE GOT HIT ON THE HEAD
OR SOMETHING, LIEUTENANT.
NAH, HE'S PLAYING GAMES.
TOMMY.
TOMMY...YOU OKAY?
GET AWAY FROM ME.
GET AWAY FROM ME.
HEY, KROLL. TOMMY!
TAKE IT EASY, TOMMY.
TOMMY!
[ JAZZ PLAYING ]
ASSAULT
WITH A DEADLY WEAPON.
I COULD GET YOU 10 YEARS
FOR THAT, KROLL.
HE'S BEEN HURT,
LIEUTENANT.
SHUT UP!
GET HIM DOWN TO THE STATION.
WELL, THAT RAZOR BIT
DIDN'T HAPPEN IN 1937.
NO.
SQUINT.
ANYONE COMES IN HERE
AND ASKS FOR A WATCH,
AND YOU JUST
GIVE IT AWAY, IS THAT IT?
NO, BUT HE HAD THE TICKET.
HERE IT IS. LOOK.
HE DIDN'T SHOW YOU
A BADGE OR ANYTHING?
NO.
YOU'RE LYING.
NO, I SWEAR IT.
ALL RIGHT.
WHAT DID HE LOOK LIKE?
WELL, HE WAS A BIG GUY.
SILVER HAIR.
IT WAS ONE OF
RYAN'S BOYS, WASN'T IT?
KROLL, I GOT WAYS
OF MAKING YOU TALK, YOU KNOW.
LIEUTENANT, HE'LL TALK.
JUST GIVE HIM TIME.
I HAVEN'T GOT TIME --
NOT FOR A CRUMB LIKE HIM.
NOW, LOOK, KROLL.
WE KNOW THAT YOU AND RYAN
FELL OUT LAST WEEK
OVER TERRITORIES.
LAST WEEK?
MM-HMM.
NOW, THE LIEUTENANT
HAS MEN EVERYWHERE.
THERE WAS ONE SITTING
RIGHT BEHIND YOU
AND RYAN AND STEVENS
LAST WEEK
AT THE LOUIS-BRADDOCK FIGHT,
AND ONE AFTERWARDS
AT THE BEER GARDEN.
THE LOUIS-BRADDOCK
FIGHT WAS...
WAS WHAT?
WAS WHAT?!
LEAVE ME ALONE.
LEAVE ME ALONE.
LIEUTENANT,
I THINK HE WAS HURT.
HURT, NOTHING.
HE'S STALLING.
NOW, LISTEN. YOU AND RYAN
FELL OUT LAST WEEK.
THREE DAYS AGO,
YOU AND STEVENS
DUMPED ONE OF RYAN'S
TOP BOYS IN THE RIVER,
AND THIS MORNING,
THEY CAME AFTER YOU.
IS THAT TRUE, OR ISN'T IT?!
ALL RIGHT. LOCK HIM UP!
HE MAKES ME SICK.
LET'S GO, KROLL.
KROLL, WERE YOU HIT
ON THE HEAD OR SOMETHING?
I MEAN, WE KNOW
THE POCKETWATCH
SAVED YOUR LIFE,
BUT WERE YOU
UNCONSCIOUS AT ALL?
WHAT DO YOU MEAN?
I MEAN
WERE YOU OUT AT ALL?
YEAH.
THAT EXPLAINS IT.
YOU'RE PRETTY MIXED UP.
TOMMY, DO YOU KNOW
WHERE YOU ARE?
UH...A PRECINCT.
THAT'S RIGHT.
DO YOU KNOW WHAT DAY IT IS?
SEPTEMBER...
WHAT?
SEPTEMBER THE...
OH.
COME ON, KROLL.
GET A HOLD OF YOURSELF.
COME ON.
COME ON, COME ON.
TRY TO GET A HOLD
OF YOURSELF, KROLL.
HEY! WHAT'S THE MATTER
WITH YOU, ANYWAY?
THE TOP LEFT HANDLE
SHOULDN'T BE THERE.
HOW DO I LOOK?
WHAT?
HOW DO I LOOK?
HOW OLD DO I LOOK?
OH, OLD ENOUGH
TO KNOW BETTER
AND YOUNG ENOUGH TO LEARN.
ANSWER ME.
30, MAYBE.
WHAT HAVE THEY
GOT YOU FOR, BUDDY?
WHAT DAY IS IT?
YOU KIDDING OR SOMETHING?
NO, I GUESS YOU AIN'T.
OH, LET'S SEE.
I BEEN HERE...
THURSDAY.
NO, NO. IT'S FRIDAY.
WHAT'S THE DATE?
WELL, HOW DO I KNOW?
YEAR?!
HEY, THIS GUY'S CRAZY!
HE'S CRAZY.
WHAT YEAR?
1937.
WHAT?
1937. JUNE...1937.
MISTER, YOU'RE SICK
IN THE HEAD.
KROLL, YOU BEEN SPRUNG.
YOUR FRIEND STEVENS
IS OUTSIDE.
YOU KNOW, PERSONALLY,
I DON'T CARE
HOW MANY OF YOU HOODS
END UP IN THE RIVER,
BUT LaGUARDIA IS LEANING
ON THE COMMISSIONER,
THE COMMISSIONER
IS LEANING ON ME,
AND I'VE GOT NOBODY
TO LEAN ON BUT YOU.
REMEMBER THAT.
'CAUSE IT DOESN'T SOUND
LIKE THE D.A.'s OFFICE TO ME.
WHAT WOULD THEY WANT
WITH TOMMY'S WATCH?
WHAT ABOUT THAT PHONE CALL?
BAKER'S STILL
TRYING TO TRACE IT.
THAT BROAD
AT TOMMY'S APARTMENT --
HE'S OLDER THAN I AM.
[ LAUGHS ]
LOOK, TOMMY, WE'VE GOT TO
TALK ABOUT RYAN.
WE GOT TO FIGURE OUT...
WE GOT TO FIGURE OUT A WAY.
WHO'S THAT COP EAGAN?
I NEVER SAW HIM BEFORE.
WHO'S EAGAN?
WHAT'S WRONG WITH YOU?
COME ON.
COME ON.
LOOK...
BY NOW RYAN MUST HAVE HEARD
YOU'RE STILL ALIVE.
IT'S A CINCH IT WON'T BE
THE LAST TIME
HE TRIES TO HIT YOU.
PAY YOUR BILLS.
[ LAUGHING ]
HE'LL BE WILLING
TO PAY GOOD, TOO.
EVERY TORPEDO IN TOWN
WILL BE AFTER THE JOB.
TOMMY, WE GOT TO
HIT RYAN FIRST.
TRICK IS TO GET HIM ALONE.
WHAT'S THE MATTER?
I GOT TO HAVE
SOME BUTTERMILK.
WE CAN GET SOME
OF OUR BEST BOYS
AND WALK IN ON HIM, HUH?
WHAT DO YOU SAY?
WELL, IT'S A LOT OF NOISE.
NO GUARANTEES.
THE OLD GUY
WITH THE SHOE STORE
IS MARRIED TO HIS SISTER,
AND HE MUST HAVE SEEN
THE WHOLE THING
THROUGH HIS WINDOW --
YOU LEAVING
WITH EAGAN AND ALL.
HE PROBABLY GOT
RIGHT ON THE PHONE TO HIM.
RYAN MUST HAVE BLOWN
A GASKET.
WE CAN GET HIM
TO MEET US SOMEPLACE.
NO, HE'D NEVER
GO FOR THAT.
[ JAZZ PLAYING ]
CHANCELLOR HITLER
CONTINUES TO CALL
EUROPEAN CONCERN
OVER AUSTRIA GROUNDLESS.
IN LOCAL NEWS,
POLICE HAVE MADE NO ARRESTS YET
IN CONNECTION
WITH THIS AFTERNOON'S SHOOTING
IN CRAWLEY SQUARE.
[ JAZZ PLAYING ]
WAIT A SECOND.
I GOT AN IDEA.
I'LL CALL GLADYS.
GLADYS?
GLADYS COLLINS,
MY OLD GIRLFRIEND.
YOU ALWAYS TOLD ME
I TALKED ABOUT HER TOO MUCH.
SHE BELONGS TO RYAN NOW.
GLADYS...COLLINS IS DEAD.
WHAT?
GLADYS...COLLINS...
IS DEAD.
WE BLEW HER UP
IN A HOSPITAL ROOM
LAST WEEK.
SHE WAS GOING TO TALK
TO THE D.A.
A HOOD NAMED...
ARTHUR...
PLANTED THE...
THE BOMB IN...OX--
IT CAN'T BE.
CAN'T BE.
LIKE A WHOLE LIFETIME...
FLEW AWAY.
WHAT ARE YOU LOOKING AT ME
LIKE THAT FOR?
YOU THINK I'M CRAZY?
GLADYS IN THE HOSPITAL?
ARTHUR? HEY, LOOK.
I DON'T KNOW
WHAT HAPPENED TO YOU
IN THAT BARBERSHOP,
BUT IT MUST HAVE BEEN
SOME KIND OF A...
A BAD DREAM.
WELL, YOU'RE GOING TO
PULL YOURSELF TOGETHER, TOMMY,
YOU HEAR ME?
'CAUSE MY LIFE IS AT STAKE,
JUST LIKE YOURS.
I'M GOING TO CALL
GLADYS NOW.
[ MUSIC CONTINUES ]
[ RINGS ]
PUT HIM ON. IT'S BAKER.
YEAH, BOB? GOOD.
NO, THANKS. I GOT IT.
WE WERE LUCKY.
IT'S A TOLL CALL.
MAJESTIC STUDIOS --
A MOTION-PICTURE OUTFIT
SOMEWHERE
OUT ON THE ISLAND.
[ KNOCK ON DOOR ]
GLADYS. COME ON IN.
TOMMY, THIS IS, UH,
GLADYS COLLINS.
HI.
WHAT'S WRONG WITH HIM?
NOTHING. YOU WANT A DRINK?
FRANKIE, YOU KNOW I NEVER
DRINK DURING THE DAY...
UNLESS IT'S STILL
THE NIGHT BEFORE.
SIT DOWN, GLADYS.
LOOK, I CAME HERE
BECAUSE YOU GUYS SAID
I COULD MAKE 100 BUCKS,
BUT, UH,
I DON'T LIKE THE WAY
YOU'RE --
GLADYS, SIT DOWN.
HOW'S DANNY RYAN?
DANNY'S...DANNY.
ONE OF HIS BOYS
TOOK A SHOT AT TOMMY
THIS MORNING.
I'M REAL SORRY.
BUT, FRANKIE,
THAT'S NONE OF MY BUSINESS.
YOU KNOW I STAY
OUT OF THOSE THINGS.
BUT YOU LIKE DANNY.
YOU LIKE DANNY
A WHOLE LOT BETTER
THAN YOU EVER
LIKED ME, RIGHT?
FRANKIE, WE HAD IT OKAY
FOR A WHILE.
DON'T HOLD
NO GRUDGES, PLEASE?
WE DON'T HOLD
NO GRUDGES.
TOMMY AND I WANT TO
MAKE IT UP WITH DANNY RYAN.
THE CITY'S BIG ENOUGH
FOR ALL OF US.
THAT'S GREAT.
THAT'S JUST GREAT!
SO WE WANT
TO MEET WITH HIM --
CARDS ON THE TABLE.
NONE OF HIS GUERRILLAS
HANGING AROUND.
SO YOU'RE
GOING TO CALL HIM
AND TELL HIM TO MEET YOU
AT FALLON'S CAFE
AROUND 6:00 TONIGHT.
YOU'RE PLANNING
TO KILL HIM, AREN'T YOU?
WE JUST WANT
TO TALK WITH HIM.
OH, FRANKIE, PLEASE.
PLEASE DON'T ASK ME
TO HELP YOU KILL HIM.
[ AIRPLANE PASSES OVERHEAD ]
I CAN'T. I CAN'T DO IT.
I WON'T!
FRANKIE. MR. KROLL.
UNDERSTAND -- I CAN'T.
LITTLE FOOLER
TO MAJESTIC.
I'M MAKING MY PASS NOW.
IS IT LOUD AND CLEAR?
LOUD AND CLEAR, JIMMY.
LOUD AND CLEAR.
YOU'LL DO IT.
OR YOU'LL GO THROUGH
THAT WINDOW HEAD FIRST.
JUST-JUST PROMISE ME
ONE THING.
JUST PROMISE ME
YOU'LL GIVE DANNY A CHANCE
TO TALK THIS THING OUT
WITH YOU GUYS.
JUST GIVE HIM
A CHANCE, HUH?
JUST A CHANCE.
DRY THOSE TEARS.
HE'LL GET A CHANCE.
HEAD FOR CRAWLEY SQUARE.
HI. I'M LOOKING
FOR MR. THOMAS KROLL.
WE HAVE NO ONE
WORKING HERE BY THAT NAME.
OH. WELL, I COULD TALK
TO SOMEONE ELSE --
A BIG GUY, SILVER HAIR.
I DON'T KNOW
ANYONE LIKE THAT.
YES, YOU DO.
SIR, THIS GENTLEMEN IS
LOOKING FOR A MR. KROLL.
I TOLD HIM WE HAD
NO ONE WORKING HERE --
SHUT UP.
TELL ME ABOUT MR. KROLL.
I NEVER HEARD
OF A MR. KROLL.
HEY, PAL. I DON'T MIND
USING THIS THING --
ONE OF STEVENS' HOODS.
I WANT ALL GATES LOCKED.
YEAH, DANNY.
HONEY, I GOT TO
TALK TO YOU.
IT'S ABOUT THAT
SHOWGIRL JOB IN MIAMI.
I THINK I GOT IT.
OH, GEE, DANNY.
IT'S ONLY FOR TWO MONTHS.
OF COURSE I LOVE YOU.
COME ON, HONEY.
I GOT TO TELL THEM TONIGHT,
SO WHY DON'T YOU MEET ME
AT FALLON'S, HUH?
AND WE CAN TALK ABOUT IT
OVER A GLASS OF BEER.
MAKE IT ABOUT 6:00.
YEAH. I'LL BE IN
ONE OF THE BACK BOOTHS.
OKAY, HONEY.
DANNY?
I LOVE YOU.
BYE.
NOW, YOU PROMISED ME
YOU WEREN'T GOING TO LET
ANYTHING HAPPEN.
WE PROMISED YOU
WE'D MAKE PEACE WITH HIM,
THAT'S WHAT WE PROMISED.
WHO YOU CALLING?
MY MOTHER.
SHE MUST HAVE HEARD
WHAT HAPPENED BY NOW.
WHAT'S THE MATTER?
NOTHING.
CHELSEA 3-1-5-5-8.
SAME NUMBER FOR 10 YEARS.
YOU'D THINK I'D
REMEMBER IT BY NOW.
BUSY.
YOUR MOTHER'S
ALWAYS ON THE HORN.
SHUT UP ABOUT MY MOTHER.
WE HAVE A COUPLE
OF HOURS TO KILL.
WHY DON'T YOU
TAKE A WALK, FRANKIE?
I AIN'T GOING TO
LEAVE YOU ALONE.
YOU BEEN ACTING FUNNY
ALL DAY.
I'M NOT GOING TO LET YOU
DO ANYTHING STUPID.
I WASN'T PLANNING
ANYTHING STUPID.
I'M NOT LEAVING HERE.
OKAY. WELL, LET'S
GET OUT OF HERE.
LET'S TAKE IN A MATINEE.
WE'LL STAY RIGHT HERE.
WE'RE GOING TO THE MOVIES.
THIRTY YEARS
HAS SURE CHANGED FALLON'S.
HAVEN'T YOU GOT SOMETHING
ELSE TO TAKE CARE OF?
OH, YEAH,
BUT SIT ON THE LEFT SIDE
SO I CAN SEE YOU.
YEAH.
[ SIREN WAILING ]
[ WAILING CONTINUES ]
[ TIRES SCREECH ]
[ GUNSHOTS ]
[ TIRES SCREECHING ]
THERE'S NOT A WORD FROM ARTHUR.
NO, THERE'S TROUBLE!
LOOK, WE NEED SOME MUSCLE.
GET TWO OF YOUR BEST BOYS
AND PICK ME UP
IN FRONT OF THE BUILDING.
WAIT! WAIT!
HELP, HELP! POLICE.
I'M NOT A BAD GUY...HONEY.
I'VE GOT A TEMPER.
I HAVE BEEN FEELING
PRETTY FUNNY TODAY.
I THINK YOU WOULD LIKE ME
IF YOU GAVE ME A CHANCE.
I'M NOT SAYING NO.
IT'S LIKE I TOLD FRANKIE.
IF THERE'S
NO KILLING TONIGHT,
MAYBE WE CAN
THINK ABOUT IT.
[ BIG BAND MUSIC PLAYING ]
MOVE IT ALONG FAST.
JIM.
VERY NICE..."DANNY."
BLOOD CAPSULE, DOUG.
[ "HEART AND SOUL" PLAYING ]
[ Whispering ]
Everything is set.
There will be a hearse
in the alley.
HARD TO BELIEVE
THAT THIS WAS
THE FANCIEST PLACE IN TOWN
AT ONE TIME.
[ ROMANTIC MUSIC PLAYING ]
CLOSE UP THE JOINT.
SORRY, FOLKS.
THE PLACE IS CLOSED.
I'M AWFULLY SORRY,
BUT THE PLACE IS CLOSED.
SIT OVER THERE
SO HE CAN SEE YOU.
BUT IF YOU'RE
JUST GOING TO TALK --
DO WHAT WE
TELL YOU, GLADYS.
JUST DO WHAT WE TELL YOU.
IT'S NOT GOING TO WORK.
SHE'S GONNA MESS IT UP.
ARE YOU CRAZY?
LOOK, HE'LL BE HERE
ANY SECOND.
I KNOW SHE'S NOT --
DANNY!
DANNY, NO!
I TOLD YOU.
WE GOT TO GET HIM
OUT OF HERE.
TOMMY! COME ON!
[ SIREN WAILING ]
WHAT DO WE DO, TOMMY?
IF THEY CATCH US
WITH A STIFF,
WE'VE HAD IT.
TOMMY,
WE GOT TO DUMP HIM!
THE CELLAR.
I'VE GOT AN IDEA.
DROP HIM.
THEY'RE GOING TO
SEARCH THIS PLACE.
THEY WON'T SEARCH
WHERE I'M THINKING.
WHERE'S THAT?
THAT PHONY ROOM
BEHIND THAT FURNACE.
WHERE FALLON USED TO HIDE
HIS STUFF
DURING PROHIBITION.
BUTTON HERE SOMEPLACE.
THE WALL IS HOLLOW.
IT'S HERE SOMEPLACE.
WE FOUND IT, JIM.
[ ENGINE TURNS OVER ]
IT'S GOT TO BE SOMEPLACE!
FRANKIE?
FRANKIE?
FRANKIE!
[ GASPS ]
FRANKIE!
FRANKIE!
FRANKIE!
FRANKIE!!
[ GASPING ]
[ WHEEZING ]
[ WHEEZING ]
[ TIRES SCREECH ]
[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]
[ DOOR OPENS ]
DR. BURROUGHS,
PLEASE CALL 125 WEST.
DR. BURROUGHS, PLEASE CALL
125 WEST. DR. BURROUGHS.
DR. GRAHAM, ADMITTING DESK,
PLEASE. DR. GRAHAM.
DR. GRAHAM,
ADMITTING DESK, PLEASE.
HOW LONG'S SHE BEEN
OUT OF THE COMA?
SHE CAME OUT OF IT
10 MINUTES AGO.
CAN SHE HEAR ME, DOCTOR?
YES, SHE CAN.
I'M DAVID ST. JAMES WITH
THE DISTRICT ATTORNEY'S OFFICE.
AND WE KNOW WHO YOU ARE,
MS. COLLINS.
WE NEED YOUR COOPERATION.
YOU MAY BE THE LAST CHANCE
WE EVER HAVE
TO GET TOMMY KROLL
OR FRANK STEVENS.
WILL YOU HELP US?
NOW, THE FIRST THING
WE WANT TO KNOW, MS. COLLINS,
IS WHERE WAS --
[ EXPLOSION ]
GOOD MORNING, MR. PHELPS.
THESE MEN, FRANK STEVENS
AND THOMAS KROLL,
PRESIDE OVER A CRIMINAL EMPIRE
THAT THREATENS TO TAKE OVER
THE ENTIRE NORTHEAST.
ALTHOUGH THEY HAVE BEEN
ARRESTED MANY TIMES,
CONVENTIONAL
LAW ENFORCEMENT AGENCIES
HAVE THUS FAR BEEN UNABLE
TO PROVIDE THE EVIDENCE
NECESSARY TO CONVICT THEM
OF ANY CRIME.
YOUR MISSION, JIM,
SHOULD YOU DECIDE TO ACCEPT IT,
IS TO PUT KROLL AND STEVENS
OUT OF BUSINESS FOR GOOD.
THIS TAPE WILL SELF-DESTRUCT
IN FIVE SECONDS.
GOOD LUCK, JIM.
[ SIZZLING ]
[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]
THIS IS
CRAWLEY SQUARE TODAY.
NOW, SOMEWHERE IN HERE
IS THE EVIDENCE
THAT WILL SEND KROLL
AND STEVENS TO PRISON --
THE BODY OF DANNY RYAN,
AND THE GUNS THAT KILLED HIM.
THIS IS CRAWLEY SQUARE
IN 1937,
EXACTLY THE SAME
AS IT WAS ON THE DAY
THAT KROLL AND STEVENS
SHOT DANNY AND HID HIS BODY.
HERE'S THE BARBERSHOP...
FALLON'S...
KROLL'S APARTMENT...
TWO BLOCKS AWAY,
THE POLICE STATION.
WE HAVE TO MAKE
ABSOLUTELY CERTAIN
THAT KROLL NEVER GETS
OUT OF THIS AREA.
JIM, WHY DID
GLADYS COLLINS
KEEP QUIET
ALL THESE YEARS?
FEAR, WILLY.
KROLL AND STEVENS HAVE MURDERED
EVERY OTHER POTENTIAL WITNESS
AGAINST THEM.
ONCE THEY FINALLY FOUND GLADYS,
THEY MURDERED HER, TOO.
WHAT ABOUT THE AIR TRAFFIC, JIM?
WE'VE ARRANGED FOR NO
OVERFLIGHTS FOR SIX HOURS, DOUG.
CASEY...HOW ABOUT
KROLL'S APARTMENT?
EVERYTHING DEPENDS
ON EXACT DETAIL.
I TALKED TO KROLL'S
OLD HOUSEKEEPER.
HE PAID HER $1 A DAY,
AND SHE HASN'T
FORGOTTEN A THING.
MM-HMM.
ANY PROBLEMS, BILL?
NOT WITH THE ACTING ROLE --
I'M WELL-REHEARSED.
WHAT I'M CONCERNED ABOUT
IS STEVENS' FACE.
CASEY?
FRANK STEVENS, 1937.
JIM TOLD ME YOU WERE GOOD.
WHAT ABOUT THE YOUNG
GLADYS COLLINS?
WELL, THIS IS ALL WE HAVE.
THERE ARE NO OLD
PHOTOGRAPHS OF HER.
EXCEPT
IN TOMMY KROLL'S MIND.
BUT HE ONLY SAW HER
THAT ONE DAY,
AND OUR FACIAL STRUCTURE
IS BASICALLY THE SAME.
I THINK WITH
A HAIR CHANGE AND MAKEUP,
WE CAN SELL IT.
WE'RE ALL SET
AT THE BARBERSHOP, JIM.
KROLL ARRIVES EVERY DAY
AT 10:45 FOR A SHAVE.
GOOD, WILLY.
NOW, KROLL IS A VIOLENT,
UNSTABLE MAN.
WE'RE GOING TO SUBJECT HIM
TO ENORMOUS PRESSURE.
HE'LL BE DANGEROUS
EVERY STEP OF THE WAY.
THE FIRST BATTER HE'LL FACE
IS CAMPANERIS...
PAUL?
AND A GROUND BALL
IS HIT TO SHORT.
WHERE'S PAUL?
PAUL'S GOT THE FLU.
I'M ALBERT, HIS NEPHEW,
AND YOU MUST BE MR. KROLL.
WHY MUST I BE?
WELL, IT'S 10:45,
AND PAUL SAID TO EXPECT YOU.
YOU'D LIKE A HOT TOWEL
AND A SHAVE, RIGHT?
RIGHT.
...INTO LEFT CENTER FIELD.
BOBBY MERCER DIGGING,
AND MAKES A ONE-HAND...
OH, HE DROPS IT.
ALMOST MADE A GREAT CATCH.
AS HE TUMBLED OVER,
THE BALL CAME OUT OF HIS GLOVE.
IT WILL BE A DOUBLE FOR RUDY.
MERCER GAVE IT A GAME TRY,
RUNNING AT FULL SPEED...
PAUL ORDERED
SOME FACE CREAM.
HAS IT COME IN YET?
I'M SORRY, MR. KROLL.
I DON'T KNOW ANYTHING
ABOUT THAT.
HORMONES. GOT TO
KEEP YOUNG, YOU KNOW?
GOT TO KEEP
THE GIRLS HAPPY.
WELL, YOU'RE IN GOOD SHAPE,
MR. KROLL.
YOU SHOULDN'T HAVE
ANY TROUBLE AT ALL.
I'M PAST 60.
THAT'S TROUBLE NO MATTER
WHICH WAY YOU LOOK AT IT.
[ SIGHS ]
BALL ONE.
NEXT PITCH IS A CURVE.
SWUNG AT AND MISSED.
ONE AND ONE.
A GOOD BREAKING PITCH
BY JIM HARDEN.
HARDEN READY.
FASTBALL JUST INSIDE.
2 BALLS AND A STRIKE.
1-2 PITCH LOW.
NO, IT HIT THE CORNER.
2 AND 2.
STRETCH BY HARDEN.
HE KICKS, DELIVERS.
SWING AND A MISS.
HE STRUCK HIM OUT.
JIM HARDEN GETS
THE TOUGH REGGIE JACKSON,
AND THAT'S THE FIRST STRIKEOUT
FOR HARDEN.
STEVE KLINE HAD TWO
WHILE HE WAS IN THERE,
AND IT WAS
MIKE EPSTEIN BOTH TIMES.
SO HERE'S MIKE NOW.
HE'S 0 FOR 3.
STRUCK OUT TWICE
AND BOUNCED TO FIRST.
TWO MEN ARE OUT.
HARDEN CHECKS THE RUNNER.
CURVE LOW AND INSIDE
GETS AWAY FROM MUNSON.
JUST RELAX, MR. KROLL.
YES, SIR.
NOTHING LIKE A HOT TOWEL
TO SOOTHE THE NERVES,
I ALWAYS SAY.
AND RUDY
STAYED AT SECOND BASE.
STRETCH BY HARDEN.
FASTBALL ON THE INSIDE CORNER.
FRANKIE CROSETTI'S
AT THIRD BASE,
YOUNG JOE DiMAGGIO'S AT FIRST,
AND COMING TO THE PLATE,
THE IRON MAN HIMSELF,
LOU GEHRIG.
WHAT A BALLPLAYER HE IS.
THE COUNT IS 3 AND 2 NOW.
PHILADELPHIA PITCHER'S
WORKING VERY CAREFULLY.
HE'S AFRAID OF GEHRIG'S POWER.
[ GAME CONTINUES INDISTINCTLY ]
HELLO, TOMMY.
I GOT A MESSAGE FOR YOU
FROM DANNY RYAN.
NO WATCH.
NOT HERE, EITHER.
JIM, HE'S GOT TO HAVE
THAT WATCH.
THE DOSSIER SAYS
HE'S NEVER WITHOUT IT.
WELL, HE IS TODAY.
HE'S GOT TO HAVE IT
WHEN HE WAKES UP.
I'M GOING TO HIS APARTMENT.
I'LL MEET YOU LATER.
[ DOOR CLOSES ]
THE EFFECT
OF THIS PARAFFIN BASE
IS SIMILAR TO THAT
OF SILICONE, ONLY TEMPORARY.
IT WON'T DISFIGURE,
AND THERE'S NO PAIN.
[ DIALING ]
[ TELEPHONE RINGS ]
IT'S IN A JEWELRY SHOP
ON 63rd STREET.
YOU'LL HAVE TO KEEP HIM OUT
FOR ANOTHER 45 MINUTES.
Right, Jim.
HE HAS TO STAY OUT
AN EXTRA 45 MINUTES.
THAT MEANS WE'LL LOSE TIME
ON EITHER END, BARNEY.
AFTER SIX HOURS,
THIS COMPOSITION
WILL BREAK DOWN.
KROLL'S NEW FACE
WILL MELT LIKE A CANDLE.
NOTHING WE CAN DO ABOUT IT.
[ DIALING ]
FRANK STEVENS.
HE DOESN'T KNOW ME,
BUT I GOT TO TALK TO HIM.
IT'S URGENT.
BUT YOU'RE NOT MR. KROLL.
I WORK FOR MR. KROLL.
I DON'T THINK I --
HE WANTS HIS WATCH.
HE'S PACKING FOR A TRIP.
YOU MAKE HIM COME
ALL THE WAY DOWN HERE,
HE'S NOT GOING TO LIKE IT.
[ Sighing ] ALL RIGHT.
CLEANING,
NEW MAINSPRING. $22.50.
COULD USE A NEW CASE.
WHAT MADE THAT DENT?
JUST DON'T WORRY ABOUT IT.
HE SAID, "YOU'LL
HAVE TO KEEP HIM OUT
ANOTHER 45 MINUTES."
THAT'S WHAT HE SAID.
"KEEP HIM OUT."
PLEASE...CALM DOWN,
MISS, UH...
SWANSON. CAROL SWANSON.
WHAT EXACTLY
WERE YOU DOING
IN TOMMY'S APARTMENT,
MISS SWANSON?
I HAVE A KEY.
GOOD FOR YOU.
THE INTRUDER --
WHAT DID HE LOOK LIKE?
HE WAS A BIG GUY,
GOOD-LOOKING,
SORT OF SILVERY HAIR.
COULD HAVE BEEN A COP.
LOOKING FOR WHAT?
CHECK OUT THE BARBERSHOP.
I WANT TO FIND OUT
WHEN TOMMY GOT THERE
AND WHEN HE LEFT.
YOU GO UP
TO 63rd STREET AND SEE
WHAT YOU CAN FIND OUT
AT THE JEWELRY SHOP.
AND I'LL TRY TO HAVE
THAT PHONE CALL TRACED.
HOW CAN YOU DO THAT,
MR. STEVENS?
WILL YOU SEE
THAT MISS SWANSON
IS ESCORTED HOME?
WHAT ABOUT TOMMY?
I'M WORRIED ABOUT HIM.
WELL, I'LL TELL HIM
WHEN I FIND HIM.
I'M SURE HE'LL BE PLEASED.
TERRY BAKER
AT THE PHONE COMPANY.
THIS WILL CLEAR UP
HIS LIMP FOR A WHILE.
MATTER OF FACT,
IT SHOULD MAKE HIM FEEL
PRETTY GOOD ALL OVER.
DID YOU GET IT?
MM-HMM.
GOOD.
YOUR GOOD-LUCK CHARM, TOMMY.
GOOD.
THOMAS WORKED 7 2/3 INNINGS.
HE ALLOWED FIVE RUNS
ON EIGHT HITS AND ONE ERROR.
HE STRUCK OUT THREE
AND WALKED THREE.
NELSON COMING IN NOW.
THE RIGHT-HANDER IS 4 AND 7
ON THE YEAR, MOSTLY IN RELIEF.
THE 1937 YANKEES CERTAINLY
CONTINUE TO MAKE A SHAMBLES
OF THE AMERICAN LEAGUE
PENNANT RACE.
THE PRESENT-DAY MURDERERS' ROW
RIVALS IN EVERY WAY
THE AWESOME POWER
SUPPLIED BY BABE RUTH
AND COMPANY BACK IN 1927.
IN YOUNG JOE DiMAGGIO,
THE YANKEES HAVE
POTENTIALLY
ONE OF THEIR GREATEST STARS,
AND WITH LOU GEHRIG
AND BILL DICKEY
STILL COMING THROUGH,
PITCHERS HAVE NIGHTMARES
BEFORE FACING
THAT BATTING ORDER.
AS A MATTER OF FACT,
HALF OF THEM ARE BEATEN
BEFORE THEY EVER
STEP ON THE PITCHER'S MOUND.
YOU COULD JUST ABOUT
PUT ANY NINE GUYS OUT THERE
WITH "NEW YORK" ACROSS
THE FRONT OF THEIR SHIRTS,
AND THROW THEIR GLOVES
ON THE FIELD,
AND THEY WOULD HAVE
THE BALLGAME WON.
THE REAL HERO TODAY, HOWEVER,
IS LEFTY GOMEZ.
THE GOOFY ONE
MADE JUST ONE MISTAKE,
AND THAT WAS
TO OPEN THE FIFTH INNING.
BOB JOHNSON CAPITALIZED ON IT,
HITTING A LINE SHOT
INTO THE CENTER-FIELD STANDS.
IT WOULD BE LEFTY GOMEZ
WITH A NO-HIT, NO-RUN GAME,
BUT THAT'S THE ONLY HIT
THAT HE HAS GIVEN UP.
ACTUALLY, CHARLIE RUFFING
WAS SCHEDULED TO PITCH TODAY,
BUT AT THE LAST MINUTE,
JOE McCARTHY DECIDED
TO GIVE THE REDHEAD A REST,
AND INSTEAD
BROUGHT IN LEFTY GOMEZ,
AND GOMEZ IS SCHEDULED
TO PITCH AGAIN ON SUNDAY.
THIS WAS LEFTY'S 16th START
AND HIS 12th COMPLETE GAME
IN THE SPRING.
HE SHOWS NINE VICTORIES
AGAINST SIX DEFEATS,
AND WHAT A BALLGAME
HE HAS PITCHED TODAY.
AS WE MENTIONED,
ONLY ONE MISTAKE
IN THE ENTIRE BALLGAME,
AND THAT WAS TO LEAD OFF
THE FIFTH INNING,
AND BOB JOHNSON HIT ONE
OVER THE CENTER-FIELD SEATS,
AND A REAL SMASH IT WAS.
[ SIREN WAILS ]
[ GAME CONTINUES INDISTINCTLY ]
ALL RIGHT. STAND ASIDE.
LOOKS LIKE HE'S DEAD,
LIEUTENANT.
CALL THE MEAT WAGON.
WHAT ABOUT HIM?
YOU WANT AN AMBULANCE?
TOMMY? NO, HE LOOKS
PRETTY HEALTHY TO ME.
ALL RIGHT, KROLL.
WHO DID IT?
D.O.A., JOE'S BARBERSHOP.
14 CRAWLEY SQUARE.
NEVER MIND THE BABY STARE.
WHO DID IT?
WHAT IS THIS?
YEAH, WHAT IS THIS ACT
YOU'RE PULLING?
IT WAS ONE OF RYAN'S BOYS,
WASN'T IT?
RYAN'S BOYS?
DANNY RYAN.
MAYBE HE GOT HIT ON THE HEAD
OR SOMETHING, LIEUTENANT.
NAH, HE'S PLAYING GAMES.
TOMMY.
TOMMY...YOU OKAY?
GET AWAY FROM ME.
GET AWAY FROM ME.
HEY, KROLL. TOMMY!
TAKE IT EASY, TOMMY.
TOMMY!
[ JAZZ PLAYING ]
ASSAULT
WITH A DEADLY WEAPON.
I COULD GET YOU 10 YEARS
FOR THAT, KROLL.
HE'S BEEN HURT,
LIEUTENANT.
SHUT UP!
GET HIM DOWN TO THE STATION.
WELL, THAT RAZOR BIT
DIDN'T HAPPEN IN 1937.
NO.
SQUINT.
ANYONE COMES IN HERE
AND ASKS FOR A WATCH,
AND YOU JUST
GIVE IT AWAY, IS THAT IT?
NO, BUT HE HAD THE TICKET.
HERE IT IS. LOOK.
HE DIDN'T SHOW YOU
A BADGE OR ANYTHING?
NO.
YOU'RE LYING.
NO, I SWEAR IT.
ALL RIGHT.
WHAT DID HE LOOK LIKE?
WELL, HE WAS A BIG GUY.
SILVER HAIR.
IT WAS ONE OF
RYAN'S BOYS, WASN'T IT?
KROLL, I GOT WAYS
OF MAKING YOU TALK, YOU KNOW.
LIEUTENANT, HE'LL TALK.
JUST GIVE HIM TIME.
I HAVEN'T GOT TIME --
NOT FOR A CRUMB LIKE HIM.
NOW, LOOK, KROLL.
WE KNOW THAT YOU AND RYAN
FELL OUT LAST WEEK
OVER TERRITORIES.
LAST WEEK?
MM-HMM.
NOW, THE LIEUTENANT
HAS MEN EVERYWHERE.
THERE WAS ONE SITTING
RIGHT BEHIND YOU
AND RYAN AND STEVENS
LAST WEEK
AT THE LOUIS-BRADDOCK FIGHT,
AND ONE AFTERWARDS
AT THE BEER GARDEN.
THE LOUIS-BRADDOCK
FIGHT WAS...
WAS WHAT?
WAS WHAT?!
LEAVE ME ALONE.
LEAVE ME ALONE.
LIEUTENANT,
I THINK HE WAS HURT.
HURT, NOTHING.
HE'S STALLING.
NOW, LISTEN. YOU AND RYAN
FELL OUT LAST WEEK.
THREE DAYS AGO,
YOU AND STEVENS
DUMPED ONE OF RYAN'S
TOP BOYS IN THE RIVER,
AND THIS MORNING,
THEY CAME AFTER YOU.
IS THAT TRUE, OR ISN'T IT?!
ALL RIGHT. LOCK HIM UP!
HE MAKES ME SICK.
LET'S GO, KROLL.
KROLL, WERE YOU HIT
ON THE HEAD OR SOMETHING?
I MEAN, WE KNOW
THE POCKETWATCH
SAVED YOUR LIFE,
BUT WERE YOU
UNCONSCIOUS AT ALL?
WHAT DO YOU MEAN?
I MEAN
WERE YOU OUT AT ALL?
YEAH.
THAT EXPLAINS IT.
YOU'RE PRETTY MIXED UP.
TOMMY, DO YOU KNOW
WHERE YOU ARE?
UH...A PRECINCT.
THAT'S RIGHT.
DO YOU KNOW WHAT DAY IT IS?
SEPTEMBER...
WHAT?
SEPTEMBER THE...
OH.
COME ON, KROLL.
GET A HOLD OF YOURSELF.
COME ON.
COME ON, COME ON.
TRY TO GET A HOLD
OF YOURSELF, KROLL.
HEY! WHAT'S THE MATTER
WITH YOU, ANYWAY?
THE TOP LEFT HANDLE
SHOULDN'T BE THERE.
HOW DO I LOOK?
WHAT?
HOW DO I LOOK?
HOW OLD DO I LOOK?
OH, OLD ENOUGH
TO KNOW BETTER
AND YOUNG ENOUGH TO LEARN.
ANSWER ME.
30, MAYBE.
WHAT HAVE THEY
GOT YOU FOR, BUDDY?
WHAT DAY IS IT?
YOU KIDDING OR SOMETHING?
NO, I GUESS YOU AIN'T.
OH, LET'S SEE.
I BEEN HERE...
THURSDAY.
NO, NO. IT'S FRIDAY.
WHAT'S THE DATE?
WELL, HOW DO I KNOW?
YEAR?!
HEY, THIS GUY'S CRAZY!
HE'S CRAZY.
WHAT YEAR?
1937.
WHAT?
1937. JUNE...1937.
MISTER, YOU'RE SICK
IN THE HEAD.
KROLL, YOU BEEN SPRUNG.
YOUR FRIEND STEVENS
IS OUTSIDE.
YOU KNOW, PERSONALLY,
I DON'T CARE
HOW MANY OF YOU HOODS
END UP IN THE RIVER,
BUT LaGUARDIA IS LEANING
ON THE COMMISSIONER,
THE COMMISSIONER
IS LEANING ON ME,
AND I'VE GOT NOBODY
TO LEAN ON BUT YOU.
REMEMBER THAT.
'CAUSE IT DOESN'T SOUND
LIKE THE D.A.'s OFFICE TO ME.
WHAT WOULD THEY WANT
WITH TOMMY'S WATCH?
WHAT ABOUT THAT PHONE CALL?
BAKER'S STILL
TRYING TO TRACE IT.
THAT BROAD
AT TOMMY'S APARTMENT --
HE'S OLDER THAN I AM.
[ LAUGHS ]
LOOK, TOMMY, WE'VE GOT TO
TALK ABOUT RYAN.
WE GOT TO FIGURE OUT...
WE GOT TO FIGURE OUT A WAY.
WHO'S THAT COP EAGAN?
I NEVER SAW HIM BEFORE.
WHO'S EAGAN?
WHAT'S WRONG WITH YOU?
COME ON.
COME ON.
LOOK...
BY NOW RYAN MUST HAVE HEARD
YOU'RE STILL ALIVE.
IT'S A CINCH IT WON'T BE
THE LAST TIME
HE TRIES TO HIT YOU.
PAY YOUR BILLS.
[ LAUGHING ]
HE'LL BE WILLING
TO PAY GOOD, TOO.
EVERY TORPEDO IN TOWN
WILL BE AFTER THE JOB.
TOMMY, WE GOT TO
HIT RYAN FIRST.
TRICK IS TO GET HIM ALONE.
WHAT'S THE MATTER?
I GOT TO HAVE
SOME BUTTERMILK.
WE CAN GET SOME
OF OUR BEST BOYS
AND WALK IN ON HIM, HUH?
WHAT DO YOU SAY?
WELL, IT'S A LOT OF NOISE.
NO GUARANTEES.
THE OLD GUY
WITH THE SHOE STORE
IS MARRIED TO HIS SISTER,
AND HE MUST HAVE SEEN
THE WHOLE THING
THROUGH HIS WINDOW --
YOU LEAVING
WITH EAGAN AND ALL.
HE PROBABLY GOT
RIGHT ON THE PHONE TO HIM.
RYAN MUST HAVE BLOWN
A GASKET.
WE CAN GET HIM
TO MEET US SOMEPLACE.
NO, HE'D NEVER
GO FOR THAT.
[ JAZZ PLAYING ]
CHANCELLOR HITLER
CONTINUES TO CALL
EUROPEAN CONCERN
OVER AUSTRIA GROUNDLESS.
IN LOCAL NEWS,
POLICE HAVE MADE NO ARRESTS YET
IN CONNECTION
WITH THIS AFTERNOON'S SHOOTING
IN CRAWLEY SQUARE.
[ JAZZ PLAYING ]
WAIT A SECOND.
I GOT AN IDEA.
I'LL CALL GLADYS.
GLADYS?
GLADYS COLLINS,
MY OLD GIRLFRIEND.
YOU ALWAYS TOLD ME
I TALKED ABOUT HER TOO MUCH.
SHE BELONGS TO RYAN NOW.
GLADYS...COLLINS IS DEAD.
WHAT?
GLADYS...COLLINS...
IS DEAD.
WE BLEW HER UP
IN A HOSPITAL ROOM
LAST WEEK.
SHE WAS GOING TO TALK
TO THE D.A.
A HOOD NAMED...
ARTHUR...
PLANTED THE...
THE BOMB IN...OX--
IT CAN'T BE.
CAN'T BE.
LIKE A WHOLE LIFETIME...
FLEW AWAY.
WHAT ARE YOU LOOKING AT ME
LIKE THAT FOR?
YOU THINK I'M CRAZY?
GLADYS IN THE HOSPITAL?
ARTHUR? HEY, LOOK.
I DON'T KNOW
WHAT HAPPENED TO YOU
IN THAT BARBERSHOP,
BUT IT MUST HAVE BEEN
SOME KIND OF A...
A BAD DREAM.
WELL, YOU'RE GOING TO
PULL YOURSELF TOGETHER, TOMMY,
YOU HEAR ME?
'CAUSE MY LIFE IS AT STAKE,
JUST LIKE YOURS.
I'M GOING TO CALL
GLADYS NOW.
[ MUSIC CONTINUES ]
[ RINGS ]
PUT HIM ON. IT'S BAKER.
YEAH, BOB? GOOD.
NO, THANKS. I GOT IT.
WE WERE LUCKY.
IT'S A TOLL CALL.
MAJESTIC STUDIOS --
A MOTION-PICTURE OUTFIT
SOMEWHERE
OUT ON THE ISLAND.
[ KNOCK ON DOOR ]
GLADYS. COME ON IN.
TOMMY, THIS IS, UH,
GLADYS COLLINS.
HI.
WHAT'S WRONG WITH HIM?
NOTHING. YOU WANT A DRINK?
FRANKIE, YOU KNOW I NEVER
DRINK DURING THE DAY...
UNLESS IT'S STILL
THE NIGHT BEFORE.
SIT DOWN, GLADYS.
LOOK, I CAME HERE
BECAUSE YOU GUYS SAID
I COULD MAKE 100 BUCKS,
BUT, UH,
I DON'T LIKE THE WAY
YOU'RE --
GLADYS, SIT DOWN.
HOW'S DANNY RYAN?
DANNY'S...DANNY.
ONE OF HIS BOYS
TOOK A SHOT AT TOMMY
THIS MORNING.
I'M REAL SORRY.
BUT, FRANKIE,
THAT'S NONE OF MY BUSINESS.
YOU KNOW I STAY
OUT OF THOSE THINGS.
BUT YOU LIKE DANNY.
YOU LIKE DANNY
A WHOLE LOT BETTER
THAN YOU EVER
LIKED ME, RIGHT?
FRANKIE, WE HAD IT OKAY
FOR A WHILE.
DON'T HOLD
NO GRUDGES, PLEASE?
WE DON'T HOLD
NO GRUDGES.
TOMMY AND I WANT TO
MAKE IT UP WITH DANNY RYAN.
THE CITY'S BIG ENOUGH
FOR ALL OF US.
THAT'S GREAT.
THAT'S JUST GREAT!
SO WE WANT
TO MEET WITH HIM --
CARDS ON THE TABLE.
NONE OF HIS GUERRILLAS
HANGING AROUND.
SO YOU'RE
GOING TO CALL HIM
AND TELL HIM TO MEET YOU
AT FALLON'S CAFE
AROUND 6:00 TONIGHT.
YOU'RE PLANNING
TO KILL HIM, AREN'T YOU?
WE JUST WANT
TO TALK WITH HIM.
OH, FRANKIE, PLEASE.
PLEASE DON'T ASK ME
TO HELP YOU KILL HIM.
[ AIRPLANE PASSES OVERHEAD ]
I CAN'T. I CAN'T DO IT.
I WON'T!
FRANKIE. MR. KROLL.
UNDERSTAND -- I CAN'T.
LITTLE FOOLER
TO MAJESTIC.
I'M MAKING MY PASS NOW.
IS IT LOUD AND CLEAR?
LOUD AND CLEAR, JIMMY.
LOUD AND CLEAR.
YOU'LL DO IT.
OR YOU'LL GO THROUGH
THAT WINDOW HEAD FIRST.
JUST-JUST PROMISE ME
ONE THING.
JUST PROMISE ME
YOU'LL GIVE DANNY A CHANCE
TO TALK THIS THING OUT
WITH YOU GUYS.
JUST GIVE HIM
A CHANCE, HUH?
JUST A CHANCE.
DRY THOSE TEARS.
HE'LL GET A CHANCE.
HEAD FOR CRAWLEY SQUARE.
HI. I'M LOOKING
FOR MR. THOMAS KROLL.
WE HAVE NO ONE
WORKING HERE BY THAT NAME.
OH. WELL, I COULD TALK
TO SOMEONE ELSE --
A BIG GUY, SILVER HAIR.
I DON'T KNOW
ANYONE LIKE THAT.
YES, YOU DO.
SIR, THIS GENTLEMEN IS
LOOKING FOR A MR. KROLL.
I TOLD HIM WE HAD
NO ONE WORKING HERE --
SHUT UP.
TELL ME ABOUT MR. KROLL.
I NEVER HEARD
OF A MR. KROLL.
HEY, PAL. I DON'T MIND
USING THIS THING --
ONE OF STEVENS' HOODS.
I WANT ALL GATES LOCKED.
YEAH, DANNY.
HONEY, I GOT TO
TALK TO YOU.
IT'S ABOUT THAT
SHOWGIRL JOB IN MIAMI.
I THINK I GOT IT.
OH, GEE, DANNY.
IT'S ONLY FOR TWO MONTHS.
OF COURSE I LOVE YOU.
COME ON, HONEY.
I GOT TO TELL THEM TONIGHT,
SO WHY DON'T YOU MEET ME
AT FALLON'S, HUH?
AND WE CAN TALK ABOUT IT
OVER A GLASS OF BEER.
MAKE IT ABOUT 6:00.
YEAH. I'LL BE IN
ONE OF THE BACK BOOTHS.
OKAY, HONEY.
DANNY?
I LOVE YOU.
BYE.
NOW, YOU PROMISED ME
YOU WEREN'T GOING TO LET
ANYTHING HAPPEN.
WE PROMISED YOU
WE'D MAKE PEACE WITH HIM,
THAT'S WHAT WE PROMISED.
WHO YOU CALLING?
MY MOTHER.
SHE MUST HAVE HEARD
WHAT HAPPENED BY NOW.
WHAT'S THE MATTER?
NOTHING.
CHELSEA 3-1-5-5-8.
SAME NUMBER FOR 10 YEARS.
YOU'D THINK I'D
REMEMBER IT BY NOW.
BUSY.
YOUR MOTHER'S
ALWAYS ON THE HORN.
SHUT UP ABOUT MY MOTHER.
WE HAVE A COUPLE
OF HOURS TO KILL.
WHY DON'T YOU
TAKE A WALK, FRANKIE?
I AIN'T GOING TO
LEAVE YOU ALONE.
YOU BEEN ACTING FUNNY
ALL DAY.
I'M NOT GOING TO LET YOU
DO ANYTHING STUPID.
I WASN'T PLANNING
ANYTHING STUPID.
I'M NOT LEAVING HERE.
OKAY. WELL, LET'S
GET OUT OF HERE.
LET'S TAKE IN A MATINEE.
WE'LL STAY RIGHT HERE.
WE'RE GOING TO THE MOVIES.
THIRTY YEARS
HAS SURE CHANGED FALLON'S.
HAVEN'T YOU GOT SOMETHING
ELSE TO TAKE CARE OF?
OH, YEAH,
BUT SIT ON THE LEFT SIDE
SO I CAN SEE YOU.
YEAH.
[ SIREN WAILING ]
[ WAILING CONTINUES ]
[ TIRES SCREECH ]
[ GUNSHOTS ]
[ TIRES SCREECHING ]
THERE'S NOT A WORD FROM ARTHUR.
NO, THERE'S TROUBLE!
LOOK, WE NEED SOME MUSCLE.
GET TWO OF YOUR BEST BOYS
AND PICK ME UP
IN FRONT OF THE BUILDING.
WAIT! WAIT!
HELP, HELP! POLICE.
I'M NOT A BAD GUY...HONEY.
I'VE GOT A TEMPER.
I HAVE BEEN FEELING
PRETTY FUNNY TODAY.
I THINK YOU WOULD LIKE ME
IF YOU GAVE ME A CHANCE.
I'M NOT SAYING NO.
IT'S LIKE I TOLD FRANKIE.
IF THERE'S
NO KILLING TONIGHT,
MAYBE WE CAN
THINK ABOUT IT.
[ BIG BAND MUSIC PLAYING ]
MOVE IT ALONG FAST.
JIM.
VERY NICE..."DANNY."
BLOOD CAPSULE, DOUG.
[ "HEART AND SOUL" PLAYING ]
[ Whispering ]
Everything is set.
There will be a hearse
in the alley.
HARD TO BELIEVE
THAT THIS WAS
THE FANCIEST PLACE IN TOWN
AT ONE TIME.
[ ROMANTIC MUSIC PLAYING ]
CLOSE UP THE JOINT.
SORRY, FOLKS.
THE PLACE IS CLOSED.
I'M AWFULLY SORRY,
BUT THE PLACE IS CLOSED.
SIT OVER THERE
SO HE CAN SEE YOU.
BUT IF YOU'RE
JUST GOING TO TALK --
DO WHAT WE
TELL YOU, GLADYS.
JUST DO WHAT WE TELL YOU.
IT'S NOT GOING TO WORK.
SHE'S GONNA MESS IT UP.
ARE YOU CRAZY?
LOOK, HE'LL BE HERE
ANY SECOND.
I KNOW SHE'S NOT --
DANNY!
DANNY, NO!
I TOLD YOU.
WE GOT TO GET HIM
OUT OF HERE.
TOMMY! COME ON!
[ SIREN WAILING ]
WHAT DO WE DO, TOMMY?
IF THEY CATCH US
WITH A STIFF,
WE'VE HAD IT.
TOMMY,
WE GOT TO DUMP HIM!
THE CELLAR.
I'VE GOT AN IDEA.
DROP HIM.
THEY'RE GOING TO
SEARCH THIS PLACE.
THEY WON'T SEARCH
WHERE I'M THINKING.
WHERE'S THAT?
THAT PHONY ROOM
BEHIND THAT FURNACE.
WHERE FALLON USED TO HIDE
HIS STUFF
DURING PROHIBITION.
BUTTON HERE SOMEPLACE.
THE WALL IS HOLLOW.
IT'S HERE SOMEPLACE.
WE FOUND IT, JIM.
[ ENGINE TURNS OVER ]
IT'S GOT TO BE SOMEPLACE!
FRANKIE?
FRANKIE?
FRANKIE!
[ GASPS ]
FRANKIE!
FRANKIE!
FRANKIE!
FRANKIE!!
[ GASPING ]
[ WHEEZING ]
[ WHEEZING ]
[ TIRES SCREECH ]
[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]