Mission: Impossible (1966–1973): Season 5, Episode 6 - My Friend, My Enemy - full transcript

[ TIRES SCREECH ]

SUBJECT IS APPROACHING.

[ MOTORCYCLE CRASHES ]

GET HIM OUT OF HERE.

HE MUST NEVER KNOW
HE WAS CAPTURED.

WE HAVE SOMETHING VERY
SPECIAL IN MIND FOR HIM.

[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]

DR. TABOR WILL BE ALONG
IN A MOMENT.

I'LL SEE YOU SOON, MAX.

WHEN CAN I TAKE HIM BACK?

LATER TODAY.



HOW DID YOU SPOT HIM?

QUITE BY ACCIDENT
IN INNSBRUCK.

THE FORTUNATE PART WAS
THAT HE DIDN'T SEE ME.

CONSIDERING WHAT HE DID
TO YOU LAST YEAR,

I'M SURE
YOU WOULD HAVE PREFERRED

TO HANDLE HIM YOURSELF.

WE ARE ALL
ON THE SAME TEAM,

SO LONG
AS YOU DON'T WASTE HIM.

I WARN YOU, DOCTOR,
HE WILL BE DIFFICULT.

HIS PASSPORT AND EVERYTHING,
FORGERIES.

NATURALLY.

KARL MAUR, THIS IS ERNST BANDAR.

THE BUREAU HAS ASSIGNED ERNST

AS MY SPECIAL ADVISOR
ON THIS PROJECT.



ACTUALLY, DR. TABOR KNOWS
ESPIONAGE AS WELL AS I DO.

BETTER PERHAPS.

THANK YOU.

WHAT IS YOUR NAME?

WHAT NAME
ARE YOU TRAVELING UNDER?

FRED...STARK.

WHAT WAS YOUR MISSION?

WHERE WERE YOU BORN?

CLEVELAND, OHIO.

WHAT WAS YOUR MOTHER'S NAME?

MARIE.

WHAT WAS SHE LIKE?

I NEVER KNEW HER.

AS I WARNED YOU, DOCTOR,

HE WILL TELL US NOTHING
OF CONSEQUENCE.

YOU'RE QUITE WRONG.

HE'S ALREADY TOLD US
SOMETHING OF CONSEQUENCE.

PARIS LEFT VIENNA
THIS MORNING.

HE SHOULD HAVE BEEN
HERE IN GENEVA

EIGHT HOURS AGO.

OVERSEAS OPERATOR, PLEASE.

YOU ARE MY SON.

A FATHER AND A SON
SHOULD BE FRIENDS.

MNH-MNH.
MNH-MNH.

IF YOU WERE MY FRIEND,

YOU WOULDN'T HAVE DRIVEN
MY MOTHER AWAY.

WHY DID YOU DRIVE HER AWAY?

SHE WAS UNFIT TO RAISE YOU.

SHE LOVED ME!

SHE WAS NO GOOD.

YOU'RE A LIAR!

NOW, YOU FIND HER
AND YOU GET HER BACK!

NEVER!

SHE WILL NEVER COME BACK.

DOCTOR?

WHAT'S UP, BARNEY?

JIM WANTS US IN GENEVA.

PARIS DIDN'T
MAKE IT YESTERDAY.

I THOUGHT HE'D
COMPLETED THE MISSION.

HE DID. THE SECRETARY'S
BEEN NOTIFIED.

WE HAVE TO ASSUME THAT
PARIS IS IN ENEMY HANDS.

IF HE TURNS UP,
WE'LL PUT HIM THROUGH

A STANDARD
CLEARANCE PROCEDURE.

YOU'LL HANDLE
THE MEDICAL END

FOR THE DEPARTMENT.

LET'S GO.

[ DOG WHIMPERING ]

CORPORAL, YOU MAY
HAVE YOUR DOG NOW.

OH, THANK YOU, DOCTOR.
COME, MAX.

[ EMITTING HIGH-PITCHED NOISE ]

[ BARKING ]

MAX? BOY?

[ BARKING ]

MAX!

WHAT HAVE YOU DONE TO HIM?

I CAN ASSURE YOU
HE IS IN NO PAIN.

BRAIN CELLS
HAVE NO FEELINGS.

WHAT HAVE YOU DONE?!

THERE ARE OTHER DOGS,
CORPORAL.

[ DOG BARKING ]

WELL?
ARE YOU CONVINCED?

HE WAS READY TO KILL
THE ONE MAN

HE CARED MOST ABOUT,

BUT THERE IS A DIFFERENCE
BETWEEN DOG AND MAN.

THE EMOTIONS IN MAN
ARE MORE COMPLEX.

THAT IS THE ONLY DIFFERENCE.

[ BARKING ]

WE WERE TALKING
ABOUT LOVE,

ABOUT THE FIRST TIME
YOU FELL IN LOVE.

ABOUT INGA AND MEERGHAN.

TELL US AGAIN HOW YOU
FIRST MET MEERGHAN.

HE RESISTS YOU EVERY
STEP OF --

[ Whispering ]
It won't help him.

NOW, THERE IS NO HARM

IN TELLING US ABOUT THOSE
DAYS LONG AGO IN AMSTERDAM

WHEN YOU WERE
TRAVELING AROUND EUROPE.

MEERGHAN
WAS A GREAT MAGICIAN.

YOU ADMIRED HIM.
INGA WAS THE GIRL IN THE ACT.

SHE WAS VERY BEAUTIFUL,
WASN'T SHE?

[ CHUCKLING ]

OH, YES, SHE WAS.
SHE WAS BEAUTIFUL.

SHE HAD
THAT LONG, BLOND HAIR...

AND THAT VOICE.

[ CHUCKLING ]

LEAVE ME ALONE.

I DON'T WANT TO TALK
ABOUT THAT ANYMORE.

MEERGHAN WAS
TO TEACH YOU EVERYTHING,

BUT YOU AND INGA
FELL IN LOVE.

MEERGHAN WAS VERY JEALOUS.
HE WARNED YOU.

"STAY AWAY FROM HER.

STAY AWAY FROM HER,
OR I'LL KILL HER!"

INGA...
INGA, I'M AFRAID FOR YOU.

OH, INGA, I LOVE YOU.
I WANT TO MARRY YOU.

THAT GUN! THAT GUN!
HE'S CRAZY.

THERE'S SUCH HATRED
IN HIS EYES.

HE'S -- INGA, HE'S A MADMAN.

LOOK AT HER. LOOK AT HER.
LOOK AT YOUR SWEETHEART.

LOOK AT HER. SHE'S DEAD!
AND IT'S YOUR FAULT!

NO! NO!
NO, YOU KILLED HER.

YOU SHOT HER!

YOU! YOU SHOT HER!

YES, I SHOT HER!

NOW KILL ME! KILL ME!

NO!

[ GROANING ]

[ PANTING ]

[ CRYING ]

HIS INHIBITIONS AGAINST
MURDER ARE VERY STRONG,

BUT IT WON'T MATTER.

INGA...INGA'S DEAD.

INGA'S DEAD.
THAT'S A LONG TIME AGO.

WHAT'S HAPPENING?
WHAT'S HAPPENING?!

HE'S FIGHTING
TO COME OUT OF IT.

I THINK HE'S HAD ENOUGH.

[ PANTING ]

PREPARE THE PATIENT.
HE'S READY.

TWICE FATHER FIGURES,

FIGURES ROUGHLY LIKE
HIS CONTROL,

HAVE TAKEN AWAY WOMEN
HE'S LOVED.

I'LL NEED ADDITIONAL PERSONNEL
FROM THE BUREAU.

NO PROBLEM. THEY'RE
ANXIOUS FOR YOUR SUCCESS.

IN A CENTURY OF VIOLENCE,

PERHAPS YOURS WILL BE
THE ULTIMATE WEAPON --

ASSASSINS TO ORDER.

DR. TABOR?

THE PATIENT IS READY.

THANK YOU.

THE BRAIN IS A MACHINE

WE ARE JUST BEGINNING
TO UNDERSTAND.

THE KILL CENTER IS LOCATED HERE
IN THE LATERAL HYPOTHALAMUS.

BECAUSE WE ARE DEALING
WITH A MAN NOT A DOG,

WE WILL ACTIVATE
IN THREE PHASES,

MEANWHILE SETTING UP THE
SPECIFIC EMOTIONAL SITUATION

DESIGNED TO REINFORCE
AND DIRECT THE KILL REFLEX.

REMOVE IT.

THE ELECTRODE IS IMPLANTED
THROUGH THE PALATE.

THERE MUST BE NO MARKS.
TURN HIS HEAD.

GENEVA OPERATOR, PLEASE.

MAY WE HAVE
A CABIN, PLEASE?

BARNEY, YOU AND DANA TRY
TO RETRACE PARIS' ROUTE.

I'LL GO TO INNSBRUCK,
SEE WHAT DEVELOPS THERE.

DOUG, YOU'LL COVER HERE.

[ TELEPHONE RINGS ]

YES?

JIM, I HAD AN ACCIDENT.

UH-HUH.

I UNDERSTAND. ARE YOU HURT?

NO, BUT I'VE DECIDED
TO CHECK IN TO

THE MALDORF INN FOR A WHILE
AND RECUPERATE.

ALL RIGHT. TAKE IT EASY.
DON'T WORRY ABOUT A THING.

FOLLOWING STANDARD PROCEDURE,

HE'S CHECKED IN
TO THE MALDORF INN

SO HE CAN BE
CONTACTED ANONYMOUSLY.

WHAT HAPPENED?

HE SAID HIS BIKE
WENT OFF THE ROAD

FOUR KILOMETERS
EAST OF ARLDENZ.

ANY INJURY?

NO, JUST SHAKEN UP.

WE'LL HAVE TO START
CLEARANCE PROCEDURE IMMEDIATELY.

DOUG, YOU AND I WILL CHECK IN
TO THE MALDORF INN SEPARATELY.

BARNEY, YOU AND DANA
INVESTIGATE THE ACCIDENT.

WHEN YOU FIND
THAT MOTORCYCLE,

GO OVER IT WITH
A FINE-TOOTH COMB --

FINGERPRINTS, EVERYTHING.

RIGHT, JIM. I'LL TAKE
ALONG A FACSIMILE SETUP

AND ARRANGE DIRECT CONTACT
WITH COMPUTER CONTROL.

GOOD. I WANT AN
AUXILIARY AND A RADIO.

CAN'T TRUST THE TELEPHONE.

WITH CLEARANCE PROCEDURE,

WE HAVE TO ASSUME THAT
PARIS IS BEING WATCHED.

HOW WILL YOU
COMMUNICATE WITH HIM?

WE'LL USE THE SAME CODE
WE DID ON A MISSION.

OKAY. THANK YOU.

WAIT A MINUTE.

[ EMITTING HIGH-PITCHED TONE ]

DOES HE FEEL ANYTHING?

DISCOMFORT.
HE DOESN'T UNDERSTAND IT.

HE HAS NO IDEA HE'S GOING
TO KILL HIS CONTROL.

[ MOANING ]

INGA...

INGA...

AAAHHH!

NO!

THERE ARE
EIGHT NEW GUESTS.

AMONG THEM
PROBABLY HIS CONTROL.

WHO ARE THEY?

A U.S. ARMY COLONEL
ON LEAVE, HIS WIFE,

AN ENGLISH PHYSICIAN
NAMED WINTERS,

A FRENCH PROFESSOR,
HIS WIFE AND SON,

A SCOTTISH BIRD-WATCHER
NAMED MacPHERSON,

AND AN ENID BRUGGE...
A TOURIST FROM BELGIUM.

[ POLKA MUSIC PLAYING ]

ENJOYING YOURSELF,
MR. MacPHERSON?

[ With Scottish accent ]
AYE, AYE, THANK YOU.

IT'S A LOVELY RESORT
YOU'VE GOT HERE.

EVERYTHING WE GET
IS EITHER NO RECORD,

GAS STATION ATTENDANTS,
OR MECHANICS.

NONE OF THESE FINGERPRINTS

MATCHES ANYTHING WE HAVE
IN THE COMPUTER BANK.

THEN WE CAN CLEAR HIM
AT THIS END.

YEAH.

WHAT'S
BOTHERING YOU, BARNEY?

WHAT HAPPENED
TO THE HEADLIGHT?

[ In normal voice ]
SEEDS, LOCAL DIRT,

A FEW DOG HAIRS.

GERMAN SHEPHERD, I'D SAY.

PLENTY OF THEM AROUND HERE.

THERE'S NO INDICATION

OF POSTHYPNOTIC
SUGGESTION.

JUST THE APPROPRIATE
SYMPTOMS

OF FATIGUE, HUNGER,
AND EXPOSURE.

ONLY PRESCRIPTION
FOR THAT, PARIS,

IS FOOD, SLEEP,
AND A LITTLE VACATION.

DOUG, WHAT
ABOUT THE NIGHTMARE?

PROBABLY JUST TRIGGERED
BY GENERAL ANXIETY.

MEDICALLY,
YOU'RE OKAY, PARIS.

THE REST IS UP TO JIM.

THE THING THAT BOTHERS ME
IS THE WAY THE CAR

FORCED YOU OFF THE ROAD
AND DIDN'T STOP.

I DON'T KNOW, JIM.
I JUST DON'T KNOW.

DOUG, IF PARIS
WAS BEING WATCHED,

HE WAS PROBABLY FOLLOWED,
SO YOU'VE BEEN MADE.

CHECK OUT TONIGHT AND FILE
YOUR REPORT FROM GENEVA.

ALL RIGHT.
WHAT ABOUT YOU?

I'LL GO OUT THE BACK
THE WAY I CAME IN.

PARIS AND I WILL STAY HERE
FOR A FEW DAYS.

JIM, WHAT'S BOTHERING YOU?

NOTHING.
IF YOU NEED A VACATION,

THIS IS CERTAINLY
THE PLACE TO HAVE IT.

WE HAVE TO WAIT FOR DANA
AND BARNEY ANYWAY.

SURE, I CAN UNDERSTAND THAT,

BUT YOU SEEM TO HAVE
SOME RESERVATIONS ABOUT THIS.

PARIS, I JUST WANT YOU
TO UNWIND.

HOW CAN I WITH THIS
THING HANGING OVER ME?

YOU KNOW WHAT WILL HAPPEN
IF YOU DON'T CLEAR ME.

WHO SAID ANYTHING ABOUT
NOT CLEARING YOU?

COME ON, JIM.
DON'T PLAY GAMES.

WHAT'S THIS ALL ABOUT IF --

I'M SORRY.

YOU'RE RIGHT. YOU'RE RIGHT.

[ SLOW DANCE MUSIC PLAYING ]

SCOTCH AND WATER, PLEASE.

THANK YOU.

BRANDY, PLEASE.

MAY I?

YES, OF COURSE.

FRED STARK,
NEW YORK CITY.

ENID BRUGGE, BRUSSELS.

YOU'RE A LONG WAY
FROM HOME, MR. STARK.

THESE DAYS, ANY PLACE
IS JUST AROUND THE CORNER.

[ MUSIC STOPS,
DANCERS APPLAUD ]

YOU LOOK SAD.

I DON'T LIKE THAT.

I'M SORRY.

MAYBE I AM SAD, BUT I DON'T
WANT TO SPOIL YOUR EVENING.

HOW ABOUT A DANCE?

YOU CAN'T POLKA AND BE SAD
AT THE SAME TIME.

IT'S IMPOSSIBLE.

[ POLKA MUSIC PLAYING ]

LET'S SEE IF THAT'S TRUE.

[ POLKA CONTINUES ]

WHAT'S THE MATTER?

NOTHING.

I'M SORRY.

YOU'RE DOING VERY WELL.

HE'S A VERY COMPLEX MAN.

I DON'T THINK
HE'LL BE EASY

FOR EITHER ONE OF US.

IF HE WERE EASY,
I WOULDN'T HAVE NEEDED

ANYONE AS CAPABLE
AS YOU.

I HEARD THAT YOU WERE
A VERY HARD MAN TO WORK FOR.

I'M HAPPY THAT YOU'RE
PLEASED WITH ME.

WHAT MAN WOULDN'T BE
PLEASED WITH YOU?

GOOD NIGHT.

I'LL GET JIM.

PARIS WAS RESPONSIBLE
FOR MAUR'S ARREST LAST YEAR.

NOW, IT'S JUST POSSIBLE

THAT MAUR SPOTTED HIM
SOMEWHERE IN AUSTRIA.

THEY OBVIOUSLY
HAD HIM, JIM.

IF YOU REPORT THIS,
PARIS WILL BE THROUGH.

I'M NOT GOING TO REPORT ANYTHING

UNTIL I'VE FOUND OUT
WHAT THEY'VE DONE WITH HIM.

BARNEY, CHECK THE EAST EUROPEAN
TRADE COMMISSION.

HOW IS PARIS, JIM?

HE'S NOT HIMSELF, DANA.

NOW LOOK,
THERE'S JUST A LONG SHOT --

ON PARIS' CLOTHING
WE FOUND SOME DOG HAIRS --

THREE GERMAN SHEPHERD DOG HAIRS.

I USED TO HAVE ONE OF
THESE SILENT DOG WHISTLES

WHEN I WAS A LITTLE GIRL.

MY DOG HATED IT.

BETTY WILLIAMSON,
TORONTO.

I'M A BUYER

FOR NORTHERN HEMISPHERE
INDUSTRIES LIMITED.

THIS IS YOUR FIRST VISIT,
MISS WILLIAMSON?

YES, IT IS.

THERE ARE
CERTAIN FORMALITIES.

TAKE MISS WILLIAMSON
TO HERR MAUR'S OFFICE, PLEASE.

I'LL TELL HIM
YOU'RE ON YOUR WAY.

THANK YOU.

[ BARKING ]

THANK YOU.

MISS WILLIAMSON,
I AM KARL MAUR.

PLEASE,
COME INTO MY OFFICE.

PLEASE BE SEATED,
MISS WILLIAMSON.

THANK YOU.

NOW, MAY I SEE
YOUR CREDENTIALS?

YES.

PASSPORT AND LETTER
OF INTRODUCTION.

YES, EVERYTHING IS IN ORDER.

NOW, PLEASE, LET ME SHOW
YOU SOME OF OUR DISPLAYS.

WE ARE FIRMLY CONVINCED THE WAY
TO PEACE IS THROUGH TRADE.

SO ARE WE, HERR MAUR.

THIS WAY, PLEASE.

THESE WOODS HAVE NO RIGHT
IN BEING SO BEAUTIFUL.

NEITHER HAVE YOU.

COME HERE.

I THOUGHT YOU WANTED
TO GO FOR A WALK.

WE HAVEN'T DONE
MUCH WALKING.

I LIED.

YOU SHOULD BE ASHAMED.

OH, I AM. I AM.
I REALLY AM.

YOU'RE FORGIVEN.

YOU CAN LURE ME
INTO THE WOODS ANYTIME.

FRED, YOU AND I,

WE HAVE SOMETHING
MARVELOUS, DON'T WE?

COULDN'T BE BETTER.

WHAT'S WRONG, DARLING?

NOTHING. NOTHING.

FRED, I HAVE
TO TELL YOU SOMETHING.

SOMETHING IMPORTANT.

SHH...NOT NOW.

[ KNOCKING ON DOOR ]

HOW DID IT GO?

VERY WELL. I TOLD HIM
THE STORY OF MY LIFE,

A VERY SAD STORY, INDEED.

AND WHAT WAS HIS REACTION?

COMPASSION.

ARE YOU SURE YOU'RE
CREATING A MURDERER?

YES, I'M QUITE SURE.

IT WAS COMPASSION HE FELT
FOR THAT GIRL LONG AGO,

AND IT IS COMPASSION

THAT WILL
MAKE HIM KILL TONIGHT.

YOU WEREN'T FOLLOWED?

NO, I DON'T THINK SO.

HOW ARE YOU FEELING?

I DON'T KNOW, JIM.

SOMETIMES I THINK I'M OKAY.

OTHER TIMES,
I FEEL LIKE, UH...

FIGHTING MYSELF.

JIM, IS THERE ANYTHING
DIFFERENT ABOUT ME?

I MEAN, CAN YOU SEE
ANY DIFFERENCE?

TELL ME THE TRUTH.

I'VE GOT SOME BAD NEWS
FOR YOU, PARIS.

WE'VE ESTABLISHED THAT
YOU WE THEIR PRISONER.

WHAT?!

YES.

WHERE?

WE THINK
ON THE FOURTH FLOOR

OF THE EAST EUROPEAN
TRADE CENTER IN VIENNA.

WE DON'T KNOW WHY,
BUT BARNEY AND DANA

ARE GOING IN TONIGHT
TO TRY TO FIND OUT.

WELL...THEN I'M THROUGH.

COME ON. WE'RE NOT
GOING TO LOSE YOU.

WE'VE GOT TO DO
EVERYTHING WE CAN

TO FIND OUT WHAT HAPPENED
SO THAT WE CAN CLEAR YOU.

JIM, I KNOW YOU'RE
GOING TO TRY, BUT --

[ Chuckling ]
YOU KNOW.

I'VE GOT MORE BAD NEWS.
ENID BRUGGE IS NOT WHO --

I KNOW, JIM, I KNOW.
SHE TOLD ME.

SHE'S MARLA KASSEL,
A COMMUNIST AGENT,

BUT SHE'S DEFECTED, JIM.

SHE'S GOT FRIENDS
IN SWITZERLAND.

SHE'S WAITING FOR A CONTACT

TO HELP HER GET
ACROSS THE FRONTIER.

PARIS, GO EASY...EASY.

HE WALKED
VERY PURPOSEFULLY

UP A HILLSIDE.

I COULDN'T FOLLOW
WITHOUT BEING SEEN.

[ EMITTING HIGH-PITCHED TONE ]

PARIS, WHAT IS IT?

NOTHING. NOTHING,
I'M ALL RIGHT, JIM.

PARIS, DO YOU THINK
IT'S MORE THAN JUST A...

COINCIDENCE THAT THE GIRL
SHOWS UP HERE, NOW,

AND IS MAKING A PLAY FOR YOU?

SHE'S NOT
MAKING A PLAY, JIM.

CAN'T YOU UNDERSTAND
REAL EMOTION?

OR HAVE YOU BECOME
SOME KIND OF A MACHINE?

OH, SURE.

SURE, NOW I UNDERSTAND.

YOU MADE UP ALL THAT STUFF
ABOUT ME BEING CAPTURED

BECAUSE YOU WANT
THE GIRL FOR YOURSELF.

YOU'RE GOING TO SEND
ME HOME, AREN'T YOU?

YOU'RE GOING TO LET THEM DESTROY
ME SO YOU CAN HAVE HER.

I'M NOT SENDING YOU
ANYWHERE YET.

THEN YOU JUST STAY AWAY
FROM THAT GIRL.

DO YOU HEAR ME?!
STAY AWAY FROM THE GIRL!

DOUG, WE'VE GOT TO FIND OUT
WHAT'S WRONG WITH PARIS,

AND WE HAVE TO DO IT FAST.

CAN YOU JOIN BARNEY AND DANA
IN VIENNA THIS AFTERNOON?

-I'm on my way.
-RIGHT.

ARE YOU SURE
YOU LEFT YOUR PURSE

IN MY OFFICE,
MISS WILLIAMSON?

[ Gasping ]
YES. YES, HERR MAUR.

I MUST HAVE
THOSE ASTHMA PILLS.

IF I WAIT UNTIL MORNING,
I'LL BE IN THE HOSPITAL.

OH, HERE IT IS!

COULD YOU GET ME A GLASS
OF WATER, PLEASE?

NO!

[ ALARM BLARING ]

[ ALARM CONTINUES ]

[ ALARM CONTINUES ]

[ ALARM STOPS ]

[ DOG BARKING ]

[ BARKING CONTINUES ]

[ BARKING ]

AN ELECTRODE.

I'M SORRY I CAUSED
SO MUCH TROUBLE,

BUT I'M FEELING
MUCH BETTER NOW.

I'M PLEASED.

THANK YOU. GOODBYE.

GOOD NIGHT, DARLING.

I'M AFRAID IT'S ALMOST
ALL OVER FOR US.

DON'T SAY THAT.

I CAN'T WAIT HERE
ANY LONGER.

THE POLICE WILL FIND ME.

THEN WE'LL
GO AWAY TOGETHER.

WHERE?

SOMEPLACE.

ANYPLACE WHERE WE
CAN BE TOGETHER.

THE LATERAL HYPOTHALAMUS --
THE KILL CENTER.

THE "KILL CENTER"?

COULD THEY HAVE DONE SOMETHING
LIKE THAT TO PARIS?

NO, THEY'D HAVE TO BE
MUCH MORE SUBTLE.

NOW?

YES.

I HAVE THE BULLET WOUND
OVER HERE.

ARE YOU SURE
HE'S GOING TO HEAR IT

WITH THE SILENCER?

YES. THERE WILL BE A
DEFINITE POPPING SOUND.

CALL HIM.

CABIN 16, PLEASE.

[ RINGS ]

HELLO?

YES, ENID.

HE TOLD ME HE WAS YOUR FRIEND,

BUT HE SAID FOR ME
NEVER TO SEE YOU AGAIN.

HE FRIGHTENS ME, FRED.

HE THREATENED ME, FRED.
WHO IS HE?

I'M AFRAID.

FRED, SOMEONE'S HERE.

WHO ARE YOU?

HELP ME, FRED! HELP ME.

Enid! Who's there?

What's wrong, Enid?
What's happening?

NO!

ENID!

THIS WOULD
NEVER HAVE FOOLED HIM.

WELL, YOU ASKED THE BUREAU
FOR SOMEONE EXPENDABLE.

[ EMITTING HIGH-PITCHED TONE ]

THROUGH THE PALATE.

I'LL CALL JIM.

[ PANTING ]

OH!

INGA...OH!

OH, INGA.

JIM, WE GOT TO GET
PARIS TO A HOSPITAL

AND GET THAT IMPLANT OUT
AS SOON AS POSSIBLE.

OKAY, DOUG, YOU AND BARNEY
GET OUT OF THERE.

YOU KILLED HER, MEERGHAN!

PARIS, NO!

MEERGHAN!

MEERGHAN, YOU KILLED HER,
YOU BUTCHER!

PARIS, WAIT A MINUTE!

PARIS.

PARIS, LISTEN TO ME.
THIS IS JIM.

THEY'VE DONE
SOMETHING TO YOU.

THEY'RE TRYING TO GET
YOU TO KILL ME.

NOW, PARIS, FIGHT THEM!
FIGHT THEM!

HOLD IT!

I SEEM TO HAVE
UNDERESTIMATED YOU BOTH.

THIS IS THE MAN WE HAVE
BEEN SEARCHING FOR --

HIS CONTROL.

KILL HIM.

JIM.

JIM.

PARIS, TABOR AND BANDAR
HAVE BEEN TAKEN CARE OF.

GOOD.

[ DOG BARKING ]

HOW DO YOU FEEL?

I FEEL LIKE, UH...

LIKE SOMEBODY JUST TOOK
SOMETHING OUT OF MY HEAD.

IS THAT HIM?

THAT'S HIM.

[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]