Mission: Impossible (1966–1973): Season 5, Episode 12 - Squeeze Play - full transcript

A drug kingpin, not long for this world, is preparing to turn over his heroin empire to his heir apparent. Paris and Dana go undercover to turn the kingpin against his heir and convince him that Paris is the better candidate to trust with the secrets of his organization.

HERE, RALPHIE.
HERE!

COME HERE!

HERE, RALPHIE!
HERE!

COME HERE.
COME ON! COME ON!

COME ON! COME ON!

BRING IT HERE.

[ BARKING ]

YOU KEEP THAT DOG AWAY FROM ME.
YOU KNOW WHAT I MEAN?

YOU DARE.

YOU DARE COME HERE AND INSULT ME

WITH WHAT YOU HAVE THE NERVE
TO CALL A PROPOSITION.



I'M WARNING YOU, ZEMBRA.

THIS IS YOUR LAST CHANCE.

REFUSE ME,
AND YOU ARE A MARKED MAN.

YOU THREATEN ME, PIERRE MORAT?

YOU PIG WHO LIVES ON
THE GARBAGE PILES OF MARSEILLE.

NOBODY THREATENS ALBERT ZEMBRA.

NOBODY!

GET HIM OUT.

NURSE.

NURSE!

SOME PILLS.
GET ME SOME PILLS.

COME HERE.
COME ON! COME ON!

COME HERE!

COME ON! COME ON!
BRING IT HERE!



THAT'S A GOOD BOY.

[ GUNSHOT ]

[ GUNSHOT ]

GOOD MORNING, MR. PHELPS.

ALBERT ZEMBRA,
THE SUPREME BOSS

OF THE SYNDICATE'S
MEDITERRANEAN BRANCH,

WHICH PROCESSES ONE-FOURTH
OF THE WORLD'S

ILLEGAL SUPPLY OF HEROIN,

IS DYING OF CANCER.

ZEMBRA WILL SOON
DESIGNATE A SUCCESSOR

TO WHOM HE WILL TRANSFER
A SECRET LIST

OF THE OPIUM FARMS,
TRANSPORTATION ROUTES,

CARRIERS, AND CORRUPT OFFICIALS
THROUGH WHICH HE OPERATES.

YOUR MISSION, JIM,
SHOULD YOU DECIDE TO ACCEPT IT,

IS TO OBTAIN THAT SECRET LIST

AND PREVENT ZEMBRA
FROM PERPETUATING HIS EMPIRE.

AS ALWAYS, SHOULD YOU
OR ANY OF YOU I.M. FORCE

BE CAUGHT OR KILLED,

THE SECRETARY WILL DISAVOW
ANY KNOWLEDGE OF YOUR ACTIONS.

THIS TAPE WILL SELF-DESTRUCT
IN FIVE SECONDS.

GOOD LUCK, JIM.

[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]

ZEMBRA'S SOURCE IS RIGHT HERE --

THE OPIUM FIELDS
OF WESTERN TURKEY.

THE POPPIES ARE CONVERTED
INTO A MORPHINE BASE,

SMUGGLED ACROSS EUROPE
INTO FRANCE.

AS MARSEILLE,
THE CRUDE MORPHINE

IS REFINED INTO HEROIN,

WHICH ZEMBRA THEN SELLS
AT ENORMOUS PROFIT

TO HIS AMERICAN DISTRIBUTORS.

THE ONLY FLY IN THE OINTMENT
IS THE FRENCH SYNDICATE.

THEY SEEM TO FEEL
THAT ZEMBRA IS ENCROACHING

ON THEIR SOVEREIGN TERRITORY.

EVE ZEMBRA SEEMS TO BE

A PRETTY DECENT GIRL,
AND NOT AT ALL DUMB.

THEN HOW COME SHE STAYS
WITH HER GRANDFATHER?

HER PARENTS WERE KILLED
IN A PLANE CRASH

WHEN SHE WAS 6 YEARS OLD.

ZEMBRA'S RAISED HER
EVER SINCE.

AND HE WORSHIPS THE GROUND
SHE WALKS ON.

WHAT ABOUT
THE HOUSE, PARIS?

WAS THERE ENOUGH
INFORMATION?

WOULD YOU LIKE TO KNOW
HOW MANY CARPET TACKS THERE ARE

IN ANY PARTICULAR ROOM?

THESE PILLS WILL
KNOCK THE DOG OUT

FOR ABOUT SIX HOURS.

AFTER THAT,
HE'LL BE FINE.

DANA, WHAT HAPPENS
TO ZEMBRA'S REGULAR NURSE?

SHE'LL BE CALLED AWAY --
ILLNESS IN THE FAMILY.

NOW, THERE ARE ONLY
TWO POSSIBLE MEN

WHO CAN SUCCEED ZEMBRA.

NUMBER ONE CHOICE,
CARLOS AMPORI.

NEXT TO EVE,

HE'S THE ONE PERSON
IN THE WORLD THAT ZEMBRA

CARES MOST ABOUT,

SO WE HAVE TO SPLIT
THEIR RELATIONSHIP.

PAUL CORRIGAN,

TAKEN THE SUMMER HE
VISITED ZEMBRA'S ESTATE.

HE'S IN CONTENTION
BECAUSE CERTAIN

VERY POWERFUL ELEMENTS
IN THE AMERICAN SYNDICATE

ARE PUSHING HIM.

THIS IS A NEW PHOTOGRAPH
OF PAUL CORRIGAN

TAKEN TODAY,
10 YEARS LATER,

WITH HIS FACE REBUILT
BY PLASTIC SURGERY.

ONE OF HIS
AMBITIOUS LIEUTENANTS

ALMOST SUCCEEDED
IN BLOWING HIS HEAD OFF

WITH A SHOTGUN.

HE DOESN'T EVEN LOOK
LIKE THE SAME PERSON.

THAT'S WHAT WE'RE
DEPENDING ON, DANA.

EXCUSE ME,
SIGNORE CORRIGAN.

THIS WAY, PLEASE.

WHAT IS THIS?
SOME KIND OF HARASSMENT?

CUSTOMS. PLEASE.

VITO, HOW ARE YOU,
OLD BUDDY?

SIT DOWN,
CARLOS, RELAX.

I'M NOT GOING TO
THROW YOU TO THE WOLVES

JUST BECAUSE SOME

OF THE BRIGHT BOYS
IN CHICAGO

THINK THEY STILL OWN ME.

WHERE IS THAT NURSE?

NURSE!

HERE I AM,
SIGNORE ZEMBRA.

WHO ARE YOU?

MY NAME IS MARIA CANOSA.

I'M NURSE IGLIANO'S
REPLACEMENT.

REPLACEMENT?

WHO THE DEVIL

HAD HER REPLACED?

HER MOTHER WAS SICK.

THE AGENCY SENT THIS ONE
TO REPLACE HER.

ARE YOU IN PAIN,

SIGNORE ZEMBRA?

WHY DO YOU THINK
I CALLED YOU, MISS?

CARLOS, IF THERE WAS
TO BE A NEW NURSE,

WHY WAS I NOT
GIVEN A CHOICE?

HOW IS IT --

[ CAR HORN HONKING ]

THEY'RE HERE.

TWO PINK, ONE WHITE,
AND ONE GREEN.

TAKE THEM, PLEASE.

COME ON. HURRY UP.
HE'S WAITING.

VITO...

LET'S GET ONE THING STRAIGHT.

I'M NOT THE KID
WHO WAS HERE 10 YEARS AGO

FOR HIS SUMMER VACATION.

I'VE GOT
MY OWN ORGANIZATION NOW.

BRING THE BAG.

GET EVE.

WHY?

GET HER.

DO YOU RUB BACKS,
YOUNG LADY?

SIGNORE ZEMBRA.

"SIGNORE ZEMBRA."

A GROWN MAN,
SUDDENLY SO FORMAL.

PAUL.

UNCLE ALBERT.

HA HA!

STILL YOUR FATHER'S
GOOD MANNERS.

BUT BY HEAVENS, PAUL,

WHAT HAVE THEY DONE
TO YOUR FACE?

HA HA HA!

DOCTORS DON'T HAVE
ANY IMAGINATION, UNCLE,

EVERY WHEN
YOU PAY THEM $30,000.

THAT WILL BE ALL, NURSE.

AREN'T YOU GOING TO
SAY HELLO

TO THE MAN WHO
TAUGHT YOU HOW TO SWIM?

DO I LOOK THAT DIFFERENT,
BABY BUDDHA?

OH, PAUL.

EVE, YOU'RE BEAUTIFUL.

JUST LOVELY.

HELLO, CARLOS.

GOOD TO SEE YOU.

DON'T YOU RECOGNIZE HIM,

WITH HIS $30,000 FACE?

YEAH, HE COULD BE

JUST ABOUT ANYBODY,
COULDN'T HE?

HELLO, PAUL.

WELCOME.

HOPE YOU HAVE
A PLEASANT STAY HERE.

THANK YOU.

COME ON.

I'LL HAVE THEM FIX
YOUR OLD ROOM.

WITH A VIEW OF THE POOL?

WHICH NOW HAS
A DIVING BOARD.

YOU'RE GOING TO HAVE TO
LEARN TO USE THAT BY YOURSELF.

AT MY AGE,
BELLY FLOPPERS HURT.

AT YOU AGE? I'M THE ONE
WHO GREW UP.

YOU CERTAINLY DID.

HEY, PAUL.

DID SHE TELL YOU
WE'RE ENGAGED?

NO.

WELL...CONGRATULATIONS.

MAYBE WE'LL
HAVE A DRINK ON IT

AFTER YOU GET SETTLED.

SURE.

[ GROWLING ]

EASY. EASY.

IT'S PAUL.

[ BARKING ]

STOP IT! STOP IT!

STOP IT!

WELL, WHAT DO YOU KNOW?

YOUR OLD PAL.

WHAT'S THE MATTER?

ROLF AND THE PAUL CORRIGAN
I KNEW USED TO BE FRIENDS.

QUIT!

HE DOESN'T REMEMBER YOU.
EASY. EASY.

[ BARKING ]

GRANDPA, I CAN'T HOLD HIM.

[ BARKING ]

TAKE IT EASY.

EASY, BOY.

EASY.

[ BARKING ]

GOOD BOY. HA HA HA!

ALL RIGHT, NOW LET'S SEE

HOW GOOD YOU REALLY ARE.

SIT. YEAH!

ALL HE NEEDED
WAS A GOOD WHIFF,

AND HE RECOGNIZED
AN OLD FRIEND.

NO ONE ELSE AROUND HERE

CAN EVEN
GET CLOSE TO THAT MUTT.

DON'T FORGET
WHO TRAINED HIM, UNCLE.

COME ON.
COME ON, HERE.

CARLOS.

YOU KNOW, I'VE NEVER
FORGOTTEN THIS GARDEN.

I'VE NEVER SEEN ONE
SO BEAUTIFUL.

YOU'VE CHANGED.

I'VE CHANGED?

HA HA!

HAVE YOU LOOKED
IN A MIRROR LATELY?

I MEAN, YOU'RE MORE
AT PEACE WITH YOURSELF.

WELL, I'M A SUCCESSFUL
BUSINESSMAN NOW.

WHEN YOU KNEW ME,
LET'S FACE IT,

I WAS A HUNGRY,
YOUNG PUNK.

HA HA!
YOU'RE EXAGGERATING.

YOU KNOW, THAT WAS
THE BEST SUMMER OF MY LIFE.

I ACTUALLY PRAYED
IT WOULD NEVER END.

BUT OF COURSE IT DID.

YEAH.

THIS IS ONE OF MY
FAVORITE SPOTS.

I USED TO SIT RIGHT HERE

AND PLAN ON HOW THINGS
WERE GOING TO BE.

THAT'S A BEAUTIFUL
CRUCIFIX.

IT WAS A CHRISTMAS
PRESENT FROM...

FROM ALBERTO.

RIGHT.

FANTASTIC.

NOBODY EVER GAVE ME
A PRESENT LIKE THAT.

NOBODY'S QUITE
LIKE GRANDPAPA.

WHAT ABOUT CARLOS?

I'LL BET GRANDFATHER
ARRANGED THAT.

HE LOVES CARLOS
LIKE A SON,

AND HE LOVES ME
LIKE A DAUGHTER.

SO WHAT COULD BE
MORE NATURAL?

I CAN THINK
OF A LOT OF THINGS.

BUT LET'S START
WITH FREEDOM OF CHOICE.

YOU CAN'T FIGHT
TRADITION, PAUL.

MAYBE IN AMERICA,
BUT NOT HERE.

WHATEVER HAPPENED

TO THAT 11-YEAR-OLD
AIRLINE STEWARDESS?

THE ONE WHO WANTED TO SEE
EVERY COUNTRY IN THE WORLD?

SHE GREW UP.

[ TELEPHONE RINGS ]

HELLO.

Mssr. Amboli?

SPEAKING.

THIS IS GASTON ROCHELLE.

ROCHELLE, YOU'RE
WASTING YOUR TIME.

WE'RE NOT GOING TO
NEGOTIATE.

I AM NOT CALLING
ABOUT NEGOTIATIONS.

I'M CALLING
ABOUT PAUL CORRIGAN.

GO ON.

I WOULD LIKE
TO MEET WITH YOU IN TOWN.

YOU ARE A FUNNY MAN,
ROCHELLE.

FUNNY, FUNNY, FUNNY.

I WAS ONLY 11 AT THE TIME.

I KNOW, BUT EVEN
AN 11-YEAR-OLD

IS SUPPOSED
TO KNOW ENOUGH

TO STAY AWAY FROM
THE BACK END OF A COW.

I'VE GOT AN IDEA.

LET'S DRIVE
INTO TOWN TOMORROW.

I...CAN'T.

WHY NOT?

GRANDPAPA WORRIES.

GRANDPAPA WORRIES.

WHAT ARE YOU GOING TO DO?

YOU'RE GOING TO SPEND
THE REST OF YOUR LIFE

IN THIS PRISON
WITHOUT EVEN BREATHING?

I LOVE HIM,

AND I TRY NOT TO
MAKE HIM UNHAPPY.

WELL, DOES HE TRY
NOT TO UPSET YOU?

I DO WHAT I MUST.

I'M SORRY.

FORGIVE ME.

VITO!

WHY ARE YOU SPYING ON ME?

I THINK YOU'RE MAKING
A MISTAKE, PAUL.

NO, VITO,
I'M NOT MAKING A MISTAKE.

YOU'VE BEEN HASSLING ME
EVER SINCE I GOT HERE.

THAT BUSINESS WITH THE DOG --
YOU WERE TESTING ME, RIGHT?

NOW WHAT'S GOING ON

IN THAT TWISTED,
LITTLE MIND OF YOURS?

I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.

YOU DO KNOW
WHAT I'M TALKING ABOUT.

YOU STAY OUT OF MY WAY,
AND HERS, TOO.

IS THAT CLEAR?

DON'T GIVE ME ORDERS.

I'M GIVING YOU
ORDERS, VITO,

AND YOU'RE GOING TO
TAKE THEM.

NOW GET OUT.

PAUL, HE'S DANGEROUS.

HE'S A KILLER.

HE'S A TWO-BIT HOOD,
CARLOS' STOOGE.

I KNOW HOW TO
HANDLE HIS KIND.

I'VE LIVED HERE
IN THIS HOUSE TOO LONG.

I KNOW WHAT HE CAN DO.

YOU'RE REALLY FRIGHTENED,
AREN'T YOU?

FOR ME?

YES.

I LIKE THAT.

EVE, DON'T WORRY.

NOTHING'S GOING TO HAPPEN
TO EITHER ONE OF US.

I HOPE NOT, PAUL.

MEDICAL RESEARCH?

SO WE ARE NOT
THE EFFICIENT, LITTLE NURSE

WE PRETEND TO BE, ARE WE?

I COME
FROM A POOR FAMILY.

I'VE KNOWN MISERY
AND POVERTY ALL MY LIFE.

EXPENSIVE THINGS ATTRACT ME.

I ENJOY LOOKING AT THEM,

LIKE YOU ENJOY
LOOKING AT WOMEN.

I SWEAR TO YOU,
I AM NO THIEF!

BUT...BUT
IF YOU WISH TO GO

TO SIGNORE ZEMBRA

AND HAVE ME REPLACED,

THAT'S ENTIRELY UP TO YOU.

[ TELEPHONE RINGING ]

HELLO.

HI, EVE.

YEAH, I'M DRESSED
FOR DINNER.

YOU COMING UP?

OKAY, I'LL WAIT FOR YOU.

BOO!

WHAT I WOULDN'T GIVE
TO HAVE A CAMERA.

HA HA HA!

I SHOULD HAVE KNOWN

YOU'D COME THROUGH
THAT SECRET DOOR.

DON'T WORRY,
I'LL GET EVEN WITH YOU.

I'M SURE THERE ARE
A FEW THINGS

YOU DON'T REMEMBER.

I'M SORRY, PAUL.

I HAVE THE MEMORY
LIKE AN ELEPHANT.

THIS IS GOING TO BE
GOOD FOR YOU.

JUST THE WAY YOU LIKE IT.

THANK YOU, DARLING EVE.

PLEASE, LET'S HAVE
A TALK NOW.

LET'S HAVE
A LITTLE PRIVACY.

THAT NURSE,

SHE LISTENS TO ME
AS IF I WERE A CHILD.

EVERY SNEEZE, EVERY BREATH.

IT IS A CURSE
TO GROW OLD, EVE.

THEY TREAT YOU LIKE YOU CAN'T
EVEN BLOW YOUR OWN NOSE.

EVE.

YOU HAVE BEEN UNHAPPY.

YOUR NAMESAKE
IN THE BIBLE,

WHAT BROUGHT ABOUT
HER RUIN?

EATING THE FORBIDDEN FRUIT.

THE FRUIT OF KNOWLEDGE.

AND THAT'S WHY IT'S
NO GOOD WITH YOU NOW, IS IT?

YOU KNOW TOO MUCH.

YOU KNOW WHAT'S GOING ON,

AND YOU FIND IT
VERY HARD TO ACCEPT.

I CAN ACCEPT IT ALL,
EXCEPT THE KILLINGS.

THE WORLD
IS NO GARDEN OF EDEN.

IT'S A JUNGLE.

YOU'VE GOT TO KILL YOUR ENEMY,
OR THEY KILL YOU.

DON'T HATE ME
FOR WHAT I DO, EVE.

I DON'T HATE YOU,
GRANDPAPA.

I COULD NEVER HATE YOU.

NEVER.

NOW I CAN DIE IN PEACE.

YOU AND CARLOS WILL --

DOES IT HAVE TO BE CARLOS?

CARLOS WILL PROTECT YOU.

I ALWAYS PLANNED
IT WOULD BE CARLOS.

IS IT PAUL?

NO.

HAVE YOU CHANGED YOUR MIND
ABOUT THINGS?

YOU LIKE PAUL.
YOU'VE ALWAYS LIKED PAUL.

I WAS A CHILD.

YES, AND YOU'RE NOT A CHILD
ANY LONGER.

IF YOU WANT TO TELL ME,
DON'T BE AFRAID.

I WILL NOT BE ANGRY.

GRANDPAPA...

NO, THERE IS NOTHING.

[ KNOCK ON DOOR ]

COME IN!

WHAT IS IT?

CORRIGAN --
HE WANTS TO TALK.

IT'S OKAY, GRANDPAPA.

I HAVE
A LOT OF THINGS TO DO.

TELL HIM TO COME IN.

I'M SORRY, I DIDN'T MEAN
TO INTERRUPT.

NO.

GOOD NIGHT, GRANDPAPA.

GOOD NIGHT, PAUL.

GOOD NIGHT, EVE.

WAIT OUTSIDE, VITO.

SIT DOWN.
MAKE YOURSELF COMFORTABLE.

I'VE GOT A TRUCKING
COMPANY IN LOS ANGELES,

A DAIRY FIRM
IN SAN FRANCISCO,

DOZENS OF OTHER OPERATIONS,

ALL THE WAY
UP AND DOWN THE COAST,

AND ALL LEGITIMATE
BUSINESSES,

ALL RUN BY MEN
WITH COLLEGE DEGREES.

WE USE ACCOUNTANTS.

WE USE COMPUTERS.

PAUL, FORGIVE ME,

BUT I HAVE
GOT TO STOP YOU.

YOUR PAPA AND I,
GOD BLESS HIS SOUL,

WE WERE LIKE THIS.

SO I KEPT AN EYE ON YOU,
WATCHED YOU GROW,

WITH A CERTAIN AMOUNT
OF PRIDE AND PLEASURE.

BUT THERE IS SOMETHING

YOU'VE GOT TO REMEMBER.

CARLOS HAS BEEN WITH ME
FOR 17 YEARS.

CARLOS JUST
IS NOT BRIGHT ENOUGH

TO RUN AN OPERATION
AS COMPLEX AS YOURS.

YOU'RE UNDERESTIMATING
HIM, PAUL.

HE IS SMART

THE WAY A CAT'S SMART,
BY INSTINCT.

THERE IS SOMETHING ELSE
CARLOS HAS,

SOMETHING YOU CANNOT
BUY WITH MONEY.

I AM TALKING ABOUT LOYALTY.

HOW MANY MEN DO YOU HAVE
IN YOUR ORGANIZATION

YOU CAN
TRUST YOUR LIFE WITH,

DAY IN AND DAY OUT?

NOT MANY,

I VENTURE TO SAY.

SO DON'T SELL HIM SHORT.

DON'T EVER
SELL CARLOS SHORT.

[ GUNSHOT ]

"MAISON CHARLES,
MARSEILLE."

ONE OF ROCHELLE'S MEN.

I SAY LET ME KILL HIM
RIGHT NOW.

DON'T BE STUPID, VITO.

I'M GOING TO QUESTION HIM
WHEN HE COMES AROUND.

WE CAN GET RID OF HIM
ANY TIME.

RIGHT NOW, I SAY HE'S
WORTH MORE TO US ALIVE.

HE'S RIGHT.

CHECK OUTSIDE!
MAYBE HE WASN'T ALONE.

WHAT HAPPENED?

THE FRENCH AGAIN.

EVERYTHING IS FINE.

EVERYTHING IS ALL RIGHT.
PAUL SAVED ME.

HOW IN THE DEVIL
DID HE GET IN HERE?

YOU'RE IN CHARGE
OF SECURITY!

YOU TELL ME
HOW HE GOT IN HERE!

PUT HIM ON ICE!

GET HIM AWAY.

I DON'T UNDERSTAND THAT.

I'M SORRY.

WHAT?

DON'T BE A FOOL, CARLOS!

MSSR. AMPORI.

GASTON ROCHELLE.

AS YOU CAN SEE, I AM
A VERY PERSISTENT MAN.

ALL I ASK IS THAT
YOU HEAR ME OUT.

ALL RIGHT,
THE SIDEWALK CAFé

ON VIA ROMULUS
IN AN HOUR.

SIT DOWN.

I DON'T LIKE
SECRET MEETINGS.

THEY LEAVE A STINK
OTHER PEOPLE CAN SMELL.

BRIEFLY WHAT I HAVE TO SAY
IS THIS, MONSIEUR,

MSSR. ZEMBRA HAS REFUSED

A VERY GENEROUS OFFER
TO CONSOLIDATE.

THEREFORE MSSR. ZEMBRA
MUST DIE.

ARE YOU CRAZY?
THAT'S IMPOSSIBLE.

YES, UNLESS HE CAN BE LURED
FROM INSIDE HIS WALLS...

BY YOU.

SUPPOSE I WERE TO TELL YOU
THAT YOU MIGHT NOT BE

MSSR. ZEMBRA'S SUCCESSOR?

YOU'RE WASTING MY TIME.

THE AMERICANS ARE PUTTING

A GREAT DEAL
OF PRESSURE ON HIM.

PAUL CORRIGAN NOW CONTROLS
EVERY NARCOTICS PUSHER

ON THE WEST COAST
OF THE UNITED STATES.

HE HAS A GENIUS
FOR ORGANIZATION.

HE IS SMART.
HE IS UP-TO-DATE.

NOW PUT YOURSELF
IN MSSR. ZEMBRA'S POSITION.

WHOM WOULD YOU CHOOSE?

HERE IS MY PROPOSAL.

IF YOU COOPERATE,
I WILL GUARANTEE, NUMBER ONE,

THE IMMEDIATE DEATH
OF PAUL CORRIGAN.

NUMBER TWO, A POSITION
OF RESPONSIBILITY

IN MY OWN ORGANIZATION.

ROCHELLE, IT'S ME.

I TAKE OVER.

I'M THE CHOICE.

EVEN IF I WAS NOT THE CHOICE,

I WOULD NOT DEAL WITH YOU.

OBVIOUSLY, MONSIEUR,
YOU ARE A MAN OF GREAT PRIDE.

HOWEVER, I WARN YOU
TO KEEP YOUR EYES OPEN.

IF WHAT YOU SEE
CHANGES YOUR MIND,

YOU MAY TELEPHONE ME
AT THIS NUMBER.

MONSIEUR.

WHAT ARE YOU DOING HERE?

MY DEAR YOUNG LADY,
I'M HERE

BECAUSE SIGNORE ZEMBRA
WHO DOESN'T KNOW YOU

NEARLY AS WELL AS I DO.

HE THINKS HE LOST THIS.

NOW GO AHEAD.

TELL ME ALL ABOUT
YOUR IMPOVERISHED CHILDHOOD.

YOU'RE NOT AT ALL
WHAT YOU APPEAR TO BE,

MARIA CANOSA --

NOT AT ALL
WHAT YOU APPEAR TO BE.

PLEASE...

DON'T TELL ANYONE.

I'LL DO ANYTHING.

I'M SURE YOU WILL.

VERY NICE.

VERY NICE.

ONLY THAT'S NOT
WHAT I WANT YOU FOR.

I'D LIKE TO KNOW
WHAT GOES ON

INSIDE THE OLD MAN'S HEAD.

YOU'RE THE ONE THAT'S
WITH HIM MOST OF THE TIME.

YOU UNDERSTAND?

YES.

YES...ANYTHING.

CARLOS!

CARLOS!

HE'S GONE! ESCAPED!

HE GETS IN,

HE ALMOST KILLS ME,

AND THEN HE GETS BACK OUT!

WHY DON'T YOU JUST
PUT A SIGN ON THE GATE?

"OPEN TO PUBLIC."

WHEN YOU GET THIS UP,

I WANT IT MANNED
24 HOURS.

ALBERT, IT LOOKS LIKE

I'M GOING TO HAVE TO
BE LEAVING TOMORROW.

I GUESS
YOU WANT TO TALK.

PRIVATELY.

KIND OF
THOUGHT YOU WOULD.

AS I RECALL,
OUR LAST TALK

WAS INTERRUPTED RUDELY.

ALMOST PERMANENTLY.

AREN'T YOU KIND OF
EARLY WITH THIS?

I WANT THESE TAKEN
NOW WHILE I'M HERE.

OH, SHE WANTS.
SHE WANTS.

THIS ONE,
SHE ALWAYS WANTS.

NOW WHAT'S SO IMPORTANT

YOU HAVE TO RUIN
A GOOD MASSAGE?

SO BASICALLY THE PROBLEM

IS A QUESTION
OF DISTRIBUTION.

IF --

ALBERT, I'VE DEVELOPED

A REAL THIRST
FOR THAT WINE OF YOURS.

WOULD YOU MIND,
WHILE WE TALKED?

VITO, YOU
HEARD THE MAN. GO!

I WAS SAYING,
THE DISTRIBUTION IS THE KEY,

AND KNOWING THE RIGHT PEOPLE
CAN MAKE ALL THE DIFFERENCE.

DELIVER ME FROM OLD AGE.

I SIMPLY CANNOT
STAY AWAKE ANYMORE.

THERE.

BUT CARLOS CLAIMS

HE SEARCHED ROCHELLE'S MAN.

FORGIVE ME
FOR BEING BLUNT, ALBERT,

BUT THE SECURITY
AROUND HERE STINKS.

I HAD SUCH HIGH HOPES
FOR CARLOS,

BUT I'M BEGINNING TO THINK
HE'S DUMBER THAN VITO.

OBVIOUSLY THE MAN
WAS CARRYING EXPLOSIVES.

SOME SEARCH.

AND WHAT'S THE IDIOT
DOING NOW?

HE'S OUTSIDE
PUTTING UP BARBED WIRE.

I COULD DOUBLE YOUR BUSINESS.

WITHIN A YEAR,
I'LL CONTROL DISTRIBUTION

FOR THE ENTIRE
UNITED STATES.

GET OUT OF HERE!
GET OUT!

EXCUSE ME.

FORGOT THE KEY
TO THE WINE CABINET.

YOU KNOW WHERE IT IS. GET IT.

LOOK, PAUL,

YOU DON'T HAVE TO SELL ME
ON YOUR ORGANIZATION.

I'M ALREADY SOLD.

ALL I ASK IS THAT
YOU TAKE CARE OF EVE.

SHE GETS 30% OF EVERYTHING,

AS LONG AS I'M IN CHARGE.

[ TELEPHONE RINGS ]

HELLO?

ROCHELLE, IT'S A DEAL.
I'M YOUR MAN.

VERY WELL.

HERE IS WHAT
I WANT YOU TO DO.

[ DOG BARKING ]

[ BARKING ]

YOU MADE GOOD TIME.

WE CALLED AS SOON
AS WE FOUND HIM.

WILL HE BE
ALL RIGHT, DOCTOR?

WILL HE?

AAH! AAH! OH!

ROCHELLE, IF YOU HURT HER,
I'LL KILL YOU.

OF COURSE YOU WOULD,
MONSIEUR.

SHE IS GONE.

SHE'S NOT IN HER ROOM.
SHE'S NOT IN THE HOUSE.

SEARCH THE GROUNDS...
EVERYWHERE!

Zembra...

YOU WILL NOT FIND HER,
MSSR. ZEMBRA.

SHE'S RIGHT HERE WITH ME.

RED BLOUSE, GRAY SKIRT,
BLACK BOOTS.

YOU CAN'T DO THIS.

IT GOES BEYOND ALL DECENCY.

WE ARE THROUGH
PLAYING THE GAME

ACCORDING TO
YOUR FOOLISH CODE.

FOR ONE YEAR I HAVE BEGGED YOU
TO NEGOTIATE WITH ME,

AND WHAT WAS YOUR ANSWER?

YOU KILLED
ONE OF MY BEST MEN.

WHAT DO YOU WANT?
WHERE ARE YOU?

I am at Sattori Brothers
machine shop

near the railroad yard.

UNCLE, I THINK WE'RE
RUSHING INTO THIS TOO FAST.

THERE MUST BE ANOTHER WAY.

DON'T LOOK
SO TRAGIC, PAUL.

ONLY TWO THINGS CAN HAPPEN.

EITHER HE
NEGOTIATES WITH ME,

OR HE KILLS ME.

I DON'T CARE WHICH,

AS LONG AS IT SAVES
EVE'S LIFE.

AT LEAST LET ME GO IN
AND CHECK IT OUT FIRST.

YES, PAUL, YOU'D BETTER
CHECK IT OUT.

EVE, ARE YOU ALL RIGHT?

YOUR GRANDFATHER'S OUTSIDE.

HE'S READY TO NEGOTIATE.

VERY WELL, I AM READY
TO NEGOTIATE.

WHY DON'T YOU BOTH
STOP THE ACT?

BOTH OF YOU?

YES, ACT.

EVE, I DON'T UNDERSTAND.

YOU DON'T?

YOU HAVE LIED TO ME.

YOU LIED TO ALBERT,
TO EVERYONE,

FROM THE BEGINNING
WHEN YOU GOT HERE.

YOU ARE NOT PAUL CORRIGAN,

AND I SENSED IT
FROM THE BEGINNING,

AND I EVEN TOLD YOU

THAT THERE WAS SOMETHING
DIFFERENT ABOUT YOU.

AND I TOLD YOU WHY.

PLEASE STOP.

YOU MADE A MISTAKE
WITH THE SECRET PASSAGE.

REMEMBER THE DAY
I SURPRISED YOU?

A PERSON CAN FORGET.

YOU PRETENDED TO FORGET,
GAVE YOURSELF AWAY,

BECAUSE THE PASSAGE
IS PART OF AN ESCAPE SYSTEM

THAT WAS BUILT AFTER THE SUMMER
PAUL CORRIGAN VISITED.

I'D LIKE TO
TALK TO HER ALONE.

WHO ARE YOU?
ONE OF THEIR EXECUTIONERS?

I'VE HAD A HUNDRED CHANCES
AT YOUR GRANDFATHER.

WHY WOULD I WAIT
UNTIL NOW?

YOU ARE THE POLICE?

I CAN'T ARREST HIM,

AND I PROMISE YOU
HE WON'T BE HURT.

WE'RE HERE TO PUT HIM
OUT OF BUSINESS.

JUST DESTROY HIM?

HE'S THE DESTROYER, EVE.

TO YOU HE MAY SEEM
TO BE A LOVELY OLD MAN,

BUT HE DESTROYS, HE KILLS.

IT ISN'T TRUE.

IT IS TRUE,
AND YOU KNOW IT,

BUT YOU'VE
SHUT YOUR EYES TO IT.

EVE, HE
MANUFACTURES HEROIN.

THAT DESTROYS PEOPLE
BY THE THOUSANDS --

NOT QUICKLY,
NOT MERCIFULLY,

BUT BY SLOW DEGREES

IN A HELLISH
NIGHTMARE OF MISERY.

NO! STOP IT! I DON'T WANT
TO HEAR ANY MORE!

I KNOW YOU DON'T,
BUT YOU'RE GOING TO LISTEN.

EVE, YOUR GRANDFATHER
IS A MURDERER,

WHILE HE FILLS HIS GUT
WITH EXPENSIVE WINE

AND HE BUYS YOU
PRICELESS JEWELRY.

HE LOVES ME! HE CARES!

CHILDREN --

HE MURDERS CHILDREN.

NO. NO. NO. NO.

NO.

SHE WON'T GIVE ME AWAY.

ARE YOU SURE?

YOU'RE BETTING
YOUR LIFE, YOU KNOW.

I KNOW THAT.
SHE KNOWS IT, TOO.

SHE'S FINE.

THEY WANT TO SEE
YOU AND CARLOS,

JUST THE TWO OF YOU.

WHY CARLOS?

THEY WANT HIM
TO WITNESS THE DEAL.

OKAY, CARLOS.

YOU STAY HERE.

CARLOS!

GET OUT OF THE WAY.

AAH!

[ GLASS SHATTERS ]

AAH!

TURN ME AROUND, VITO.

THEY GOT AWAY.

TAKE HER OUTSIDE.

LIKE A SON,
I LOVED YOU CARLOS.

YOU! YOU WERE
GOING TO DO IT TO ME.

YOU WERE GOING TO
DOUBLE-CROSS ME.

NO, CARLOS, NEVER.

NEVER.

[ GUNSHOT ]

DON'T TOUCH ME!

NO MORE.

THIS IS A SYMBOL
OF MY AUTHORITY.

ALL THE NAMES
YOU NEED TO KNOW

ARE ON THE MICRODOT
BENEATH THE STONE.

GO TO HER.

WHAT ARE YOU
GOING TO TELL HIM?

NOTHING.

EVE, YOU'RE FREE NOW.

NO.

I CAN HELP YOU.

I DON'T WANT YOUR HELP.

MY GRANDPAPA NEEDS ME.

I'M NOT FREE UNTIL HE DIES.

AND THEN...WHAT?

THEN I TRY TO FORGET.

[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]