Mission: Impossible (1966–1973): Season 1, Episode 2 - Memory - full transcript

The IMF's target is Janos Karq, a top official of an unnamed Soviet Bloc country. Briggs enlists the help of Joseph Baresh, an alcoholic performer who has a photographic memory. Baresh will pose as an agent code-named Sparrow, who has never been apprehended by the authorities of Karq's country. (The real Sparrow has died, a fact not generally known.) The idea is that Baresh will be captured and provide information implicating Karq as a traitor. Barney, Cinnamon and Willy, along with Briggs, will engage in an unsuccessful (and fake) attempt to free Sparrow. That move will encourage the authorities to believe Baresh's story, ensuring Karq's demise. But Baresh gets a look at a list of agents in the employ of Karq's nation. Now, Briggs must stage a second escape attempt, this time for real. Rollin Hand, initially passed over for this mission, will play a small, but vital, role.

TAKE IT, MR. BRIGGS.

10 OF HEARTS,
3 OF DIAMONDS,

3 OF SPADES,
6 OF CLUBS,

JACK OF SPADES,
ACE OF HEARTS,

7 OF HEARTS,
9 OF CLUBS, 10 OF CLUBS,

KING OF DIAMONDS,
QUEEN OF SPADES.

IS THAT ENOUGH FOR YOU?

NOT QUITE.

MAY I?

SURE.

PAGE 1,088. MARINA THERMOX.



WHERE SHALL I BEGIN?

SECOND COLUMN. READING
FROM THE BOTTOM UP.

MARKMAN, ANDREW.
1265 LINDEN PLACE.

555-7768.

MARKIE, DR. WILLIAM.
FORBES BUILDING, SUITE 17.

KL5-9837. AFTER HOURS,
CALL KL5-3600.

GORGEOUS.

I ALSO REMEMBER 80,
90 BRANDS OF CHAMPAGNE

FROM LONG AGO...

200 CHEAP WINES
FROM ONLY YESTERDAY...

AND THE ROOM NUMBER
OF EVERY FLOPHOUSE.

NOW, JOSEPH,
BEHIND THE IRON CURTAIN,

THERE'S A MAN WE'VE
GOT TO REMOVE FROM POWER

WITHIN TWO WEEKS.



HE'S BEEN TRYING TO START
A WAR AND SUCCEEDING,

EVER SINCE HE EXTERMINATED
HIS OPPOSITION.

JANOS KARQ, THE BUTCHER
OF THE BALKANS.

WHEN I GO TO SLEEP,

I ALWAYS COVER MYSELF
WITH A POLITICAL PAGE.

IT'S SOMEHOW WARMER.

AS USUAL,
ASSASSINATION IS OUT,

AS A MATTER OF POLICY.

THAT'S TOO BAD,
YOU KNOW.

WE'RE GOING TO TRY TO
DESTROY KARQ POLITICALLY

BY MAKING HIM APPEAR
TO BE A TRAITOR.

AND THE REST IS UP
TO HIS OWN PEOPLE.

KARQ'S
HEAD OF INTELLIGENCE

IS A MAN
NAMED DIMITRI SOSKA.

FOR YEARS, SOSKA
HAS BEEN SEARCHING

FOR AN AGENT
CODE-NAMED "SPARROW."

IN A FEW DAYS, SOSKA
WILL CAPTURE SPARROW,

WHO, WHEN QUESTIONED,
WILL REVEAL THAT KARQ

HAS BEEN WORKING WITH US,
SELLING OUT HIS OWN COUNTRY.

WHERE IS SPARROW?

HE DIED MONTHS AGO,
BUT SOSKA DOESN'T KNOW THAT.

I SEE.

HE'S GOING TO RETURN
FROM THE DEAD.

WHEN HE'S CAPTURED,

HE'LL BE TAKEN TO
SOSKA'S HEADQUARTERS

AT LABYANKA
MILITARY PRISON.

THEY'RE NOT FOOLS,
YOU KNOW.

THEY'LL NEVER BELIEVE
ANY SUCH THING ABOUT KARQ.

OF COURSE NOT.

WE'RE GOING TO MAKE
A RESCUE ATTEMPT --

ELABORATE, WELL-TIMED,
INGENIOUS, I HOPE.

WE'LL GET ALL THE WAY IN,
BUT WE'LL FAIL.

NORMALLY,
SPARROW'S INFORMATION

WILL BE DISBELIEVED
AND WRITTEN OFF.

BUT SINCE WE'RE GOING INTO
A MAXIMUM-SECURITY PRISON,

HOW WILL THEY BUY
THE UNBELIEVABLE FACT

THAT JANOS KARQ
IS A TRAITOR?

AND LATER,
THEY LET SPARROW LIVE.

WE'D TRY
TO NEGOTIATE HIS FREEDOM.

ALL THIS WATER, YOU KNOW.

I'M NOT SO SURE MY SYSTEM
CAN STAND THE SHOCK.

I HAVEN'T MET ALL
OF YOU UNTIL TODAY.

YOUR REASONS FOR DOING
THIS WORK MAY NOT BE MINE.

IT DOESN'T MATTER.

FOR WHATEVER REASON,

I'LL BE SPARROW FOR YOU.

BIRTH?

MAY 7, 1918.
VILLAGE OF BARABIN.

NAMES OF TEACHERS?

LOWER SCHOOL, MR. McKELLY.

UPPER SCHOOL,
PROFESSOR SHANDOR.

THE AGENTS YOU
WORKED WITH IN 1961 --

WHO WERE CAUGHT,
AND WHERE?

MATSLOFF,
IN BLUEPRINT COMPANY.

EVA SOLSHIK,
MINERAL QUARRY.

DESCRIBE ANDREI NEIL.

5'6". AROUND 150.

BLUE EYES. SPECTACLED.

LIMPED WHEN TIRED.

SCARS ON LEGS
FROM LAND MINE.

GIRLFRIEND IN '63?

ANNA ROVIS.

WHAT WERE HER TASTES?

FAVORITE COLOR, RED.
FAVORITE FOOD, CHOW MEIN.

SHE LOVED MOVIES.

YOU KNOW, SHE REALLY MUST
HAVE BEEN IMPOSSIBLE.

[ LAUGHING ]

SHE PROBABLY WAS
AT THAT.

TALK!

ALL RIGHT, ALL RIGHT.
I'LL TELL YOU.

NO, NO.
NO GOOD AT ALL.

DRAG IT OUT. IT'S
MUCH TOO FAST, TOO EASY.

YOU'RE BREAKING
TOO QUICKLY!

I'M SORRY.

I'LL TRY AGAIN,
ALL RIGHT?

COME ON.
NOW LOOK, LET ME SHOW YOU.

GO.

TALK!

NO.

PLEASE!

I CAN KEEP THIS UP FOR AS
LONG AS YOU LIKE, YOU KNOW.

YOUR ARM WILL
GIVE OUT EVENTUALLY.

ALL YOU HAVE TO DO IS PUSH
THE OFF BUTTON AND I'LL STOP.

ALL RIGHT, ALL RIGHT.

I'M LISTENING.

I FORGOT WHAT
I WAS GOING TO SAY.

NO, HE...
HE...

WHO?!

JANOS KARQ.

NONSENSE.

NO, H-HE WORKED WITH
US FOR THREE YEARS.

I PUT THE MONEY IN AN ARGENTINE
BANK ACCOUNT FOR HIM.

IT'S ALL...

ET CETERA.

BUT STRETCH IT OUT.
THAT'S THE IDEA.

NOW, AS AN ACTOR,
WHAT DO YOU THINK?

AS AN ACTOR, MY BOY,
IN ALL SERIOUSNESS,

I LIKE YOUR PART
BETTER THAN MINE.

[ BOTH LAUGH ]

PASSPORT?

SECURITY POLICE!

SECURITY!

QUICKLY! QUICKLY!

FORGED PASSPORT!
FORGED PASSPORT!

EXCUSE ME.

WHAT SHADE OF RED
SHOULD I MIX?

OH, HERE, I BROUGHT THIS
ALONG FOR YOU TO MATCH.

JOSEPH SHOULD BE
GETTING CAUGHT ABOUT NOW.

IN TWO MINUTES.

IGOR, OVER HERE!

IGOR!

CYANIDE.
IS TOO EASY.

SPARROW!

HA HA HA HA HA!

SPARROW.

AFTER ALL THESE YEARS,
I'D ALMOST GIVEN UP HOPE.

SPARROW.

I AM DIMITRI SOSKA.

PLEASURE TO MEET YOU.

WELCOME.

WILL THERE BE
ANY FLAMES?

YES.

AN EFFLUENCE OF CARBONACEOUS
OPAQUE MATERIAL.

THANKS.

A LOT OF SMOKE.

NOBODY LIKES A --

SORRY.

I WONDER HOW
JOSEPH'S DOING.

IN INDIANA,
FIRE ENGINE RED WAS --

I DON'T KNOW -- REDDER.

YOU WERE 10 YEARS OLD
IN INDIANA, WILLY.

AT 10, EVERYTHING
IS MORE SO.

WELL?

NO.

YOU WOULD LIKE
A DRINK, HUH?

I READ IT IN THE EYES.
THAT YOU CANNOT CONCEAL.

WELL...NOT UNTIL THE COCKTAIL
HOUR, IF YOU DON'T MIND.

VENTILATOR'S
ABOUT 20 FEET UP.

NO TROUBLE.

IT'S SENSELESS TO LIE.

WE ALL LIKE A DRINK
NOW AND THEN.

AND AT TIMES LIKE THIS...

THE DESIRE CAN BE
ALMOST OVERWHELMING.

IS THAT NOT SO?

AHH.
BUT FIRST...

WHAT AGENTS ARE YOU
WORKING WITH, HMM?

OH, I WAS A FREELANCE.

I HAVE A PASSION,
MY FRIEND...

A PASSION
FOR MAKING LISTS.

NOW, THIS IS A LIST
OF MY AGENTS.

IT IS UP-TO-DATE,
TOTALLY ACCURATE.

MY LIST OF YOUR AGENTS
IS INCOMPLETE.

I WANT TO COMPLETE IT...
PARTICULARLY AT THE TOP.

NOW, YOU TELL ME --

FROM WHOM DID YOU
GET YOUR ORDERS?

OH, I MADE THEM UP AS
I WENT ALONG, YOU KNOW.

[ GRUNTS ]

HA HA HA HA!

OH, I ENJOY THIS WORK,
MY FRIEND.

I COULD STAND HERE AND
WORK FOR HOURS AT A TIME

AND FEEL
MORE AND MORE REFRESHED.

FROM WHOM DID YOU
GET YOUR ORDERS?!

[ CHUCKLES ]

WE WILL TRY AGAIN LATER,
MY LITTLE BIRD.

TAKE HIM AWAY.

[ UNLOCKS HANDCUFFS ]

GIVE HIM THREE-QUARTERS
OF AN HOUR

TO FALL INTO A DEEP SLEEP.

THEN...BRING HIM BACK.

HE'S BACK.

HOW MUCH JUICE
IN THAT FENCE?

ENOUGH.

YOU CAN'T GET DEADER
THAN DEAD.

IF THERE'S NO VOLTAGE DROP,
WE'RE IN.

SILENCE IS GOLDEN.

NOW, WE BEGIN AGAIN,
MY FRIEND, HMM?

[ GRUNTS ]

COME ON.

WE CHANGE THE STYLE
A LITTLE, HUH?

HERE.

HUH?

YOU FEELING BETTER NOW?

PLEASE...

PLEASE?

PLEASE, WHAT?!

A REAL DRINK, HUH?

HA HA.

OF COURSE.

WHEN YOU TRULY WANT IT,
IT IS SO SIMPLE.

REALLY.

ALL RIGHT.

JANOS KARQ.

JANOS KARQ?

[ LAUGHING ]

OH, OH, YOU ARE VERY DROLL,
MY FRIEND.

NO...

KARQ.

JANOS KARQ
GIVES YOU YOUR ORDERS?

OF COURSE,
YOU CREATE FICTION!

NO.

KARQ.

WE'RE DOING
SOME FASHION PICTURES.

AND YOU'D MAKE SUCH
A DIVINE BACKGROUND.

YOU WOULDN'T MIND,
WOULD YOU?

NO. NO,
OF COURSE NOT.

HOLD IT.

GOOD.

HOLD IT.

BRILLIANT. SUCH CONTRAST.

DARLING, CLOSER
TO THE ONE WITH THE BEARD.

HOLD IT.

UH-HUH!

TOO MUCH BACKLIGHT.

WILLY, TURN OUT
THE LIGHTS INSIDE.

PERFECT. PERFECT.

NOW, JUST ONE MORE,
FELLOWS.

COME ON! COME ON!

GET GOING!

FIRE! FIRE!

[ ALARM DINGING ]

[ SIREN BLARING ]

[ ALARM DINGING ]

WHAT IS GOING ON?!

Man: COME ON!
HURRY UP!

COME ON! HURRY UP!

PUT THE PRISONER
BACK IN HIS CELL!

I WENT EVERYONE
AT STATION!

[ YELLING AND SHOUTING ]

DAN, I'VE MEMORIZED
HIS LIST OF AGENTS.

GET ME OUT OF HERE!

WE CAN'T,
WE'RE NOT PREPARED FOR IT.

THE ENTIRE LIST
OF HIS AGENTS IN EUROPE!

GET ME OUT OF HERE!

ARE ALL THE PRISONERS
ACCOUNTED FOR?

YES, SIR.

YOU IDIOTS!

I WANT THE FENCE REWIRED SO
THIS CANNOT HAPPEN AGAIN.

I WANT SEARCHLIGHTS AND
MACHINE GUN TOWERS ERECTED.

I WANT THE GUARD DOUBLED,

INCLUDING A DETAIL
OUTSIDE THE FENCE.

SIR, I DO HAVE A REPORT
OF AX MARKS ON A CELL DOOR.

WHICH CELL?

SPARROW'S, SIR.

BRING HIM TO MY OFFICE.

GET OUT OF HERE!
ALL OF YOU!

[ DOOR CLOSES ]

JANOS KARQ.

HOME, CINNAMON.

NOPE. WE'RE NOT GOING HOME.

WE GOT TO GO BACK IN.

[ PROJECTOR RUNS ]

CUT!

ONCE MORE, ROLLIN.

JOSEPH'S WALK
IS NOT THAT ATHLETIC.

I KNOW IT'S TOUGH WORKING
FROM STILL PHOTOGRAPHS

AND JUST OUR IMPRESSIONS.

NO PROBLEM.
LET'S GO AGAIN.

ALL RIGHT, BARNEY,
ROLL IT.

[ PROJECTOR RUNNING ]

ROLLING.

OKAY, GO.

GOOD.

NOW, TRY TO GO TO SLEEP.

HEY, BARNEY,
HOW MUCH MASTIC?

A LUMP ABOUT THE SIZE
OF A GOLF BALL, WILL.

DAN, WILLY SAID BARESH
HAD BEEN DRINKING.

YES.

IS IT POSSIBLE
HE WANTS OUT?

BARESH WAS ON THE LEVEL.

HOW DO YOU KNOW?

I KNOW.

OKAY.

ROLLIN,
SHIFT AROUND A BIT.

WE NEED
FIVE MINUTES OF FILM.

[ KNOCK ON DOOR ]

KEEP IT ROLLING.

ROLLIN.

CINNAMON.

[ KNOCK ON DOOR ]

SHH!

WHAT ARE YOU
DOING HERE?

THE LOCK IS BROKEN.

[ Whispering ]
We're shooting!

Dream sequence.
New wave.

[ THUMP! THUMP! ]

[ THUD! ]

KEEP IT ROLLING, BARNEY.

WE CAN SPLICE
CINNAMON OUT.

OH! MY BIG SCENE.

SORRY.

YOU WAITED TWO BUTTONS
LONGER THAN YOU HAD TO.

[ KNOCK ON DOOR ]

COME!

WE ARE READY, SIR.

AND KARQ?

YES, SIR.

THAT'S THE END
OF THE REEL.

WE'VE GOT 5 1/2 MINUTES
OF FILM, DAN.

WHEN I CUT OUT CINNAMON,

WE'LL HAVE
A LITTLE OVER FOUR.

IS THAT ENOUGH?

YEAH.
THANKS, ROLLIN.

ANY TIME, DAN.

MY FAVORITE ACTOR.

HA HA HA!

READY, CINNAMON?

GO.

JOSEPH, FOLLOW THESE
INSTRUCTIONS PRECISELY.

INSIDE THIS PROJECTILE...

I AM SORRY, JANOS.

YOU ARE NOT SORRY.

YOU ARE AMBITIOUS...

AND I AM INNOCENT.

WITH ALL THAT MONEY
IN ARGENTINA?

WE HAVE CHECKED.

JUST AS OUR INFORMER
TOLD US,

HUGE SUMS HAVE BEEN
DEPOSITED IN YOUR NAME.

GET IT OVER WITH.

AS YOU WISH.

Man: READY...

AIM...FIRE.

WORK UP RAGE
AND SHAKE FIST AT VIEWER.

SWIPE AT IT ANGRILY
WITH BLANKET.

THROW BLANKET
OVER VIEWER.

ATTACH SCREEN
AND PROJECTOR RAPIDLY.

CLIP THERMITE CAPSULES
TO WINDOW BARS.

[ KNOCK ON DOOR ]

YOUR EXECUTION
IS SET FOR DAWN.

YOU HAVE FIVE HOURS.

YOU WANT ANYTHING?

HEY! YOU WANT ANYTHING?

YES.

A BOTTLE
OF NAPOLEON BRANDY.

STOP THAT, YOU SCUM!

YOU ALWAYS STARE AT ME --
ALL NIGHT, ALL DAY.

[ LAUGHING ]

[ LAUGHING ]

WHAT IS IT?

NOTHING, SIR.

HE'S QUIET NOW.

SOON, HE'LL BE QUIETER.

MY FRIEND, YOUR BRANDY.

I HAD A MOMENT
OF WEAKNESS.

I WANT NOTHING FROM YOU.
KEEP IT.

OH, IMPOSSIBLE, MY FRIEND.

A REQUISITION
WAS MADE OUT FOR YOU.

I AM NOT GOING TO STEAL
A DEAD MAN'S LAST REQUEST.

OPEN.

I PREFER THIS DRINK ALONE.
YOU DON'T MIND, DO YOU?

DON'T LET HIM GET DRUNK.

HE'LL HAVE TO BE
ON HIS FEET.

DRUNK, SIR?

THE BRANDY
I JUST GAVE HIM.

WHAT BRANDY, SIR?

THE BRANDY
I JUST HANDED TO HIM!

YOU WERE NOT WATCHING!

SIR, WHEN DID --
A MOMENT AGO!

BUT HE DIDN'T LEAVE
HIS BED, SIR.

YOU'RE DREAMING!!
YOUR ORDERS ARE TO WATCH!

BUT, SIR, HE
DID N LEAVE HIS BED.

HE CAME TO THE DOOR TO
RECEIVE THE BRANDY FROM ME.

NOT ON THERE, SIR.
NO, SIR. NOT ON THERE.

ESCAPE!!

ESCAPE!!

[ ALARM BLARING ]

THE GATE! THE GATE!

[ SIREN BLARING ]

[ SIREN BLARING ]

DON'T MOVE.

YOU PASS ANYBODY
GOING THE OTHER WAY?

YES. A RED VOLKSWAGEN.

HE MUST HAVE BEEN DRUNK
OR CRAZY.

ALMOST KNOCKED ME
OFF THE ROAD.

I DON'T UNDERSTAND HOW
SOME PEOPLE THESE DAYS

CAN GET
A DRIVER'S LICENSE.

[ SIREN BLARING ]

COASTLINE'S
ONLY 400 YARDS.

THE BOAT'S WAITING.

HOW WAS IT?

I FORGET.