Millennium (1996–1999): Season 3, Episode 4 - Closure - full transcript
[ Emma ]
I SPEND MY DAYS
LOOKING FOR REASONS--
THE REASONS
PEOPLE DO WHAT THEY DO.
IT'S MY JOB.
IT'S MY WAY.
I WANT TO KNOW WHY--
WHY IT'S LIKE THIS,
WHY GOOD PEOPLE DIE.
[ Snoring ]
[ Snoring Continues ]
[ Snoring Continues ]
[ TV: Man ]
YOU TAKE OUR NEW
AND IMPROVED,
AND THEY ARE GONNA MAKE YOU
THE FINEST CAJUN CHEF
ON YOUR BLOCK, I GUARAN--
- HORN, WHAT'S UP?
- THAT.
[ Snoring Continues ]
[ TV: Channels Changing ]
- [ Man ]
AT THIS POINT--
- ♪♪ [ Rock ]
[ Snorer Snorts ]
LOW-DENSITY STUDIES
IN PREPARATION FOR THE
INTERNATIONAL SPACE STATION--
- WHEN THESE--
- [ Channels Continue Changing ]
- THIS--
- [ Snoring Continues ]
YOU OKAY?
- JUST A LITTLE TIRED.
- YOU SURE?
THANKS FOR ASKING, THOUGH.
[ Door Closes ]
[ Snoring Continues ]
[ Sighs ]
[ Door Kicked Open ]
[ Man ]
HEY! WHO ARE YOU?
[ Gunshot ]
[ Gunshot ]
[ Door Slams Shut ]
HEY.
CATCH.
DAMN!
[ Laughing ]
SILENCE IS GOLDEN.
MANAGER HEARD TWO SHOTS
JUST AFTER MIDNIGHT.
ONE ROUND PASSED
THROUGH THE VICTIM,
LODGED IN THE HEADBOARD,
LEAVING A VERY NASTY
EXIT WOUND.
THE VICTIM HIMSELF
GOT OFF A SHOT WITH A .38
WE FOUND NEXT TO THE BED.
WE WERE STILL LOOKING
FOR THE SLUG WHEN WE GOT WORD
YOU WERE ON THE WAY.
SOME REASON THE F.B.I.
IS INTERESTED IN THE DEATH OF
AN UNEMPLOYED BAKER FROM MIAMI?
MY GUYS ARE JUST WONDERING.
ONE MYSTERY AT A TIME,
DETECTIVE.
[ Siren Wailing ]
WE'LL ORDER A G.S.R.
FROM THE CORONER.
GENTLEMEN.
IS THAT HIS I.D.?
NAME'S DARYL NORCOTT.
HAS TWO DAUGHTERS IN NEWARK.
ACCORDING TO THEM,
HE WAS EN ROUTE FOR A VISIT.
STOPPED AT THE LINCOLN MEMORIAL.
ARMED WITH A .38.
[ Chuckles ]
HOTEL LIKE THIS?
IT'S NOT UNUSUAL.
SOMEBODY PULLED
A JOHN WAYNE BOBBITT...
POSTMORTEM.
[ Shutter Clicks ]
WELL, IT'S NOT
AN UNCOMMON MUTILATION.
WELL, THAT'S COMFORTING.
M.E. SAYS IT LOOKS LIKE
A BIG, SHARP KNIFE,
A HUNTING KNIFE.
ONE CLEAN SLICE,
NO TEARING.
WE WERE THINKING MOB,
MAYBE.
BOLIVIAN NECKTIE
SORT OF THING.
IF IT WAS RITUALISTIC,
THEY WOULD HAVE LEFT IT
AT THE SCENE.
MAYBE HE STIFFED
SOME CHIPPIE.
WHOEVER IT IS,
I WANT TO MAKE SURE
HE DOESN'T DO IT AGAIN.
[ People Shouting,
Chattering ]
WHAT ABOUT
THE NEIGHBORS?
MR. LARKIN?
SPECIAL AGENT HOLLIS, F.B.I.
MAY WE COME IN?
[ TV: Man Shouting ]
IT LANDED! OVER ON THE MALL!
IT LANDED!
WOULD YOU MIND
TURNING THIS DOWN?
[ TV:
Siren Wailing ]
[ TV: Volume Decreases ]
[ Agent ]
F.B.I.'s INTERESTED?
IT'S HER.
SHE ASKED FOR THIS CASE.
[ Volume Increases
Slightly ]
WHERE'S YOUR ROOMMATE?
[ TV: Siren
Continues Wailing ]
WHAT'S HER NAME?
I'M HAVING
TROUBLE READING IT HERE.
YOU KNOW, TRUTH IS,
I FORGET HER NAME.
TWO MEN
WERE CHECKED IN HERE.
CAN YOU HELP US OUT?
OKAY.
THESE TWO GUYS SAY
THEY GOT THREE MORE DAYS
PAID IN ADVANCE,
AND DO I WANT THEIR KEY?
AND YOU DID.
[ TV: Man ]
AFTERNOON, LADIES AND GENTLEMEN.
THIS IS DREW PEARSON.
WE BRING YOU THIS SPECIAL
RADIO-TELEVISION BROADCAST...
IN ORDER TO GIVE YOU
THE VERY LATEST INFORMATION
ON AN AMAZING PHENOMENON---
THE ARRIVAL OF A SPACESHIP
IN WASHINGTON.
[ TV: Pearson Continues ]
RIGHT AROUND A .38.
WHAT'S IT DOING IN HERE?
I BELIEVE WE'RE LOOKING
FOR TWO SUSPECTS, NOT ONE.
[ Girl ]
HURRY UP!
[ Children Chattering ]
ALL RIGHT.
THAT'S IT!
MONTANA.
MONTANA'S COOL.
WE COULD BECOME
CATTLE RANCHERS.
TOO MANY CRAZIES.
[ Sighs ]
BOLIVIA.
NOW, THERE'S A THOUGHT.
IMAGINE HOW DIFFERENT
A DAY IN THE PARK WOULD BE...
IF YOU KNEW YOU WERE
BEING WATCHED BY A 30.06.
[ Click ]
POW!
[ Laughs ]
YES, SIR.
I WANT ME SOME OF THAT.
YOU'RE WORKING HARD.
YEAH.
HOTEL SHOOTING.
THE BAKER.
HOW'S IT GOING?
FINE.
I, UM, I HAVE TWO SUSPECTS.
THESE?
COURTESY OF
A LOCAL DERELICT.
FORTIFIED WINE
ISN'T EXACTLY BRAIN FOOD.
TWO SHOTS WERE FIRED,
ONE APPARENTLY
AT THE PERPETRATOR,
STOPPED BY A SPECTRA SHIELD
A-350 ASSAULT VEST.
WHAT ELSE?
THE KILLER WAS ARMORED,
PREPARED.
BLADE WORK
WAS HIGHLY EVOLVED.
WE'RE LOOKING HERE
AT AN EXTREMELY ORGANIZED
NIGHT STALKER,
AND HE'S PROBABLY
OUT THERE NOW,
PREPARING HIS NEXT ATTACK.
WHAT?
WHAT DO YOU THINK?
I'D LIKE TO SEE THE CRIME SCENE,
IF THAT'S OKAY.
♪♪ [ Faint Rock ]
[ Bartender ]
YOU WANT THAT STRAIGHT UP?
SURE. YEAH.
DRINKING ALONE
AIN'T GOOD FOR YOU.
WHO SAYS I'M ALONE?
MMM.
WE'VE GOT
THE NEXT ROUND.
I'M NOT INTERESTED.
LEAVE HER ALONE.
- YOU WANT SOME?
- YOU WANT SOME?
YOU'RE TWO HOURS LATE.
[ Bedsprings Squeaking ]
[ Woman Moaning ]
[ Frank ]
ANY PRINTS?
THERE WERE HUNDREDS
OF ODD LATENTS.
PROBABLY BEEN A YEAR
SINCE THIS PLACE
WAS CLEANED LAST.
OUR TRANSIENT CONTAMINATED
ANYTHING USEFUL.
[ Moaning Continues ]
[ Moaning Stops ]
I KNOW. IT'S NATURAL.
I FOUND THE SLUG...
RIGHT HERE.
RIGHT IN THE OPEN?
UH-HUH.
YEAH. I GUESS
THEY DIDN'T THINK
ANYONE WOULD FIND IT.
[ Moaning Resumes ]
MAYBE THEY DIDN'T CARE.
ANNOYING.
WHAT DO YOU MEAN?
WHAT DO YOU MEAN,
THEY DIDN'T CARE?
THESE TWO MEN
USED A STOLEN CREDIT CARD
TO PAY FOR THE ROOM.
THEY GAVE THEIR KEY
TO AN INDIGENT
AFTER THE EVENT.
THAT'S VERY RISKY.
I'D EVEN CALL IT CAVALIER.
THEY'D BE AWARE
OF THE CONSEQUENCES.
KILLING IS A HUMAN IMPULSE
UNCHECKED.
[ Moaning Continues ]
THERE ARE KILLERS
WHO OBEY THAT IMPULSE
AS NATURALLY AND AS CASUALLY...
AS ANY HUMAN ACT.
BUT THERE'S GOTTA BE
A REASON.
AN OUTLAW
NAMED JOHN WESLEY HARDIN
ONCE KILLED A MAN FOR SNORING.
THERE'D BE A STRESSOR,
SOME KIND OF
COMPELLING FACTOR.
THERE'S GOTTA BE.
THERE ALWAYS IS.
YOU WON'T SOLVE THIS CASE
LOOKING FOR A REASON,
AGENT HOLLIS.
EVERYONE HAS A REASON.
WHAT'S YOURS?
HONEY,
LET'S GO SHOPPIN'.
THIS ONE'S THE LEADER.
HE'S DIRECTING THE WHOLE SHOW
FROM HERE.
[ Shutter Clicks ]
HERE?
YOU'RE TALKING
TO THE OTHERS.
I'VE GOT A CLEAR LINE
ON ALL THREE CASUALTIES,
BUT I'M COMPLETELY EXPOSED.
[ Frank ]
THE SHOPPER'S DOWN.
IT'S NOT FROM YOUR SHOT THOUGH.
THE OTHER MAN BROUGHT HER DOWN.
THE SECOND MAN.
- WHAT AM I DOING?
- STANDING THERE.
WITH AN OFF-DUTY COP
20 FEET AWAY.
WHAT IS THIS GUY DOING?
HE CAN'T JUST BE
STANDING HERE TALKING.
[ Emma ]
THERE. HE SHOOTS.
[ Frank ]
NO, HE JUST TOOK A HIT.
THERE, AGAIN.
SQUARE IN THE CHEST.
[ Frank ]
THERE. HE SHOOTS THE COP.
WHAT'S HE DOING NOW?
EATING CANDY.
[ Shutter Continues
Clicking ]
PRINTS.
[ Sighs ]
WE'LL HAVE A NAME,
THAT'S ALL.
THESE GUYS ARE ON A HIGH
AND MOVING FAST,
LOOKING FOR THEIR NEXT HIGH.
I'M NOTIFYING
AREA SUPERMARKETS.
IT WON'T BE A SUPERMARKET.
IT'LL BE RANDOM. SOMETHING
THAT WON'T MAKE ANY SENSE.
THANK YOU.
I'M NOTIFYING
AREA SUPERMARKETS.
AGENT HOLLIS.
YOU REQUESTED THIS CASE.
- YES, I DID.
- WHY?
THAT'S THE QUESTION, ISN'T IT?
SAME ONE I'M ASKING YOU.
HEY, NEIGHBOR.
- DEAD END.
- YEAH, YOU'RE NOT KIDDING.
I THINK THE TRAIL
YOU'RE AFTER'S UP THERE.
HEY, YOU WANT ANYTHING?
FOOD? WATER?
WE GOT PLENTY.
NO, THANKS.
I'LL BE OKAY.
[ Woman ]
YOU WANNA GET HIGH?
[ Beep ]
I KNEW I'D FIND YOU HERE.
I'VE BEEN RUNNING THE PRINTS
OFF THE CANDY WRAPPER.
AND?
I GOT A NAME.
RICK VAN HORN.
AVERAGE I.Q.
HIGH SCHOOL EDUCATION,
NOTHING PAST THAT.
EIGHT YEARS MILITARY EDUCATION,
THREE YEARS SPECIAL FORCES.
HIS STEPFATHER DID MANAGE
A SUPERMARKET FOR A WHILE.
PRIORS?
NONE.
WHICH IS MEANINGFUL,
SUGGESTING A RELEASE
OF OVERCONTROLLED ANGER.
WE WANT TO DESCRIBE MEN
LIKE THIS...
WITH WORDS
THAT CAN MAKE US FEEL
WE CAN KNOW THEM.
IF WE KNOW THEM,
WE CAN FIND THEM.
TWENTY YEARS AGO,
YOU WATCHED A MAN NAMED
MICHAEL WYNTER KILL YOUR SISTER.
TWO DECADES LATER,
YOU STILL WONDER--
COULD IT HAVE BEEN DIFFERENT?
COULD SHE STILL
BE ALIVE TODAY?
WHY DID IT HAPPEN?
YOU REQUEST CASES LIKE THIS
ON THAT ANNIVERSARY,
HOPING FOR ANSWERS.
BUT NO AMOUNT OF
DETECTIVE WORK CAN CLOSE
YOUR SISTER'S MURDER...
OR TELL YOU WHY.
THAT ALL ENDED
THE DAY THAT MICHAEL WYNTER
KILLED HIMSELF.
I DON'T NEED YOU
TO PROFILE ME...
OR TO TELL ME
WHAT I HOPE FOR.
YOU WANT REASONS.
YOU WANT TO MAKE SENSE
OF THIS CASE,
HOPING THAT THERE IS SENSE
TO BE MADE OF WHAT HAPPENED
TO YOUR SISTER.
YOU'RE LOOKING FOR LOGIC
THAT ISN'T HERE.
SO ARE YOU.
TAKE YOURSELF OFF THIS CASE.
I'VE BEEN THERE. WALK AWAY.
IF YOU WANT TO APPLY
YOUR PSYCHIATRIC TALENTS,
DO IT TO PSYCHOS
LIKE RICK VAN HORN.
I DON'T NEED YOUR HELP.
[ Thunder Rumbling ]
NO, MAN, NO.
BUNGEE JUMPING
IS NOT HARD-CORE.
I MEAN,
THAT'S A ROPE FREE FALL
WITH CLIMBING ROPE.
SIXTY TO ZERO,
.3 SECONDS.
THAT'S WILD.
IT'S FREEDOM.
AND ONCE YOU ACCEPT
THAT FACING FALLING
MEANS FACING DEATH,
YOU CAN CLIMB UP,
JUMP OFF ANYTHING.
CONTROL THE CONDITIONS
THAT MAKE YOU AFRAID,
YOU'RE FREE, MAN.
SO YOU'RE REALLY HARD-CORE,
HUH, KYLE?
THREE GRAND IN YOUR POCKET,
YOU SHOOT THIS APPLE
OFF MY HEAD.
[ Chuckling ]
YEAH, RIGHT.
NO WAY.
THREE GRAND.
TAKE A SLOW, DEEP BREATH...
AND FIRE.
[ Splat ]
[ Laughing ]
MAN, ARE YOU OKAY?
THAT FELT GREAT, DIDN'T IT?
THE POWER, THE CONTROL.
LIFE AND DEATH
IN YOUR HANDS.
YOU'RE A GOD.
[ Chuckling Nervously ]
DOUBLE OR NOTHING.
NO, MAN, I'M DONE.
NO, I MEANT
IT'S YOUR TURN.
NO, THANKS, MAN.
YOU RUN,
I'LL BLOW YOUR STOMACH OPEN.
AGAINST THE TREE.
APPLE ON HEAD, KID.
I DON'T WANNA
DO THIS, MAN.
ARE YOU SCARED, KYLE?
- [ Chamber Clicks ]
- YES.
THAT'S EXACTLY
THE WRONG ATTITUDE.
CONTROL THE CONDITIONS THAT MAKE
YOU AFRAID, AND YOU'RE FREE.
THAT'S WHAT YOU SAID, RIGHT?
YOU FACE DEATH,
YOU'RE FREE.
- [ Gunshot ]
- [ Body Falls ]
YOU'RE FREE.
[ Chuckles ]
[ Radio: Dispatcher ]
CHARLIE 91,
DO YOU NEED BACKUP?
KYLE RILEY.
HE DIED AROUND MIDNIGHT
LAST NIGHT.
WE FOUND HIS MOUNTAIN BIKE
OVER THERE.
WE ASSUME HE TRANSPORTED IT,
BUT WE HAVEN'T FOUND THE CAR.
[ Paramedic ]
WATCH YOUR STEP.
MOVE THAT BACK.
IT'S PROBABLY
BEEN STOLEN.
YOU SAY YOU KNOW
WHO DID THIS?
YEAH.
ANYBODY
HAVE A TAPE MEASURE?
GIVE ME
A TAPE MEASURE.
HERE.
THANKS.
HOW TALL
WAS KYLE RILEY?
JUST UNDER SIX FEET.
I'M NOT SURE I KNOW
WHAT YOU'RE DOING.
[ Frank ]
AGENT HOLLIS.
WHAT HAPPENED HERE?
I THINK THEY WERE PLAYING
SOME SORT OF GAME.
ONE MISS, ONE HIT.
ONE GUESS WHO WAS
BEHIND THE TRIGGER.
[ Gunshot ]
VAN HORN
IS AN EXPERT SHOT.
HE WAS A MILITARY SNIPER.
FIRST SHOT
WASN'T AT THE VICTIM.
WILLIAM TELL,
BUT WITH TWO PLAYERS.
FIRST UP WAS VAN HORN.
I THINK YOU'RE RIGHT.
HE STOOD HERE, EXCITED,
LIKE WE SAW ON THE VIDEOTAPE
FROM THE SUPERMARKET.
SHOOT, BE SHOT.
RANDOM. WILD. CHANCE.
ALL TO IMPRESS THE GIRL.
[ Shutter Clicks ]
SHE'S NOTHING TO HIM.
NOBODY IS.
NO.
THAT'S WHY THEY FOLLOW HIM.
THAT'S HIS POWER.
AND HIS POWER IS THEIR DISEASE.
[ Chattering, Indistinct ]
[ Whispering ]
WE'RE ON TV.
WE'RE EVERYWHERE.
I THINK
YOU SHOULD CALM DOWN.
PETER WENT TO GET ICE CREAM.
YOU GO FIND HIM.
I'LL GO GET THE TRUCK.
COOL.
WHAT ARE YOU DOING?
I NEED MY CAR!
TELL IT TO IMPOUND.
LOWER THE DAMN CAR!
NOW! NOW!
OKAY, OKAY, OKAY.
[ Passersby Shouting ]
DROP THE GUN, LADY.
DROP IT.
TAKE IT EASY.
JUST TAKE IT EASY.
[ Woman Grunts ]
WHOA-WHOA-WHOA.
WE GOT NOTHIN'.
IT'LL NEVER WORK.
ALL RIGHT.
AAH!
LET'S GET THOSE OFF.
THAT SHOULD MAKE IT
EASIER TO TALK.
I HAVE NOTHING TO SAY.
HERE'S THE PROBLEM
WITH THAT, JONI.
YOU'RE THE ONE
WITH THE RECORD.
NOT RICK, NOT PETER.
YOU'VE DONE TIME TWICE.
THAT MAKES THIS
THREE STRIKES FOR YOU.
JUST SHOPLIFTING
AND A LITTLE DOPE.
[ Emma ]
I'M NOT SAYING
THE LAW'S FAIR.
BUT THEY'LL COME AFTER
A REPEAT OFFENDER...
HARDER THAN
THEY'LL COME AFTER RICK.
THAT'S A FACT.
SHE'S LUCKY YOU GUYS
ARE HANDLING THIS.
MY RESPONSE WOULD BE
GO ONE-ON-ONE WITH THEM.
YEAH.
[ Emma ] RIGHT NOW,
MY ONLY CONCERN IS MAKING SURE
NO ONE ELSE GETS HURT.
IF YOU'LL HELP ME,
I'LL HELP YOU.
I CAN'T.
JONI, YOU COULD HAVE SHOT
THAT TOW TRUCK DRIVER,
BUT YOU DIDN'T.
YOU HAVEN'T
KILLED ANYONE.
THAT'S NOT WHO YOU ARE.
WHEN THEY SHOT THAT MAN
AT THE HOTEL,
YOU WEREN'T EVEN THERE.
SOMETIMES THINGS HAPPEN.
THEY GET OUT OF HAND.
MAYBE SOMEONE PRESSURES YOU.
[ Sighs ]
HAVE YOU EVER HAD SOMEONE
THAT YOU'D DO ANYTHING FOR?
[ Joni ]
'CAUSE THEY'RE
YOUR WHOLE WORLD,
AND YOUR OWN LIFE
DOESN'T EVEN REALLY COUNT.
ONLY YOUR LIFE WITH THEM.
AND YOU'RE HAPPY.
YOU'LL DO
ANYTHING THEY SAY...
'CAUSE ALL THAT MATTERS
IS BEING CLOSE WITH THEM.
HAVE YOU EVER LOVED
SOMEBODY LIKE THAT?
YES, I HAVE.
SEE, I NEVER DID.
HEY, HONEY, YOU'RE IN
THE WRONG LINE OF WORK.
GET HER BACK TO HER CELL.
HEY! I NEED A LAWYER
IN HERE!
YOU HEAR ME? LAWYER!
LET IT GO, EMMA.
YOU'RE RIGHT.
I DON'T KNOW THEM.
I'LL NEVER UNDERSTAND THEM.
AGENT HOLLIS.
YOU'RE NOT
IN THE WRONG LINE OF WORK.
[ Engine Starts ]
THANK YOU.
THANK YOU.
THANK YOU.
THAT PHONE.
DOES IT DO 911?
YEAH.
IS THERE AN EMERGENCY?
[ Weapon Cocks ]
[ Woman Screams ]
WE GOT ANOTHER PASSENGER
TO PICK UP. CITY JAIL.
THEY WANT THE GIRL ON
THE STEPS WAITING FOR THEM
WHEN THEY GET HERE.
WHAT DO WE DO?
CORDON OFF THE STREETS.
CAPTAIN, THEY'RE BACK
ON LINE ASKING FOR YOU.
KEEP 'EM TALKING.
DON'T SAY YES OR NO.
JUST STALL.
DON'T GIVE THEM ANYTHING.
HOW LONG
TILL STATE SWAT ARRIVES?
AT LEAST 30 MINUTES.
WE'VE GOT TO STALL THEM
UNTIL THEN.
COME ON, COME ON.
[ Van Horn ]
IS ANYONE THERE?
- THIS IS CAPTAIN KEVIN MANN.
- CAPTAIN, MY CAPTAIN.
TURN RIGHT HERE, RIGHT NOW.
- IS EVERYONE THERE OKAY?
- I CAN'T SPEAK FOR THE OTHERS,
BUT I'VE BEEN BETTER.
IT'S 'CAUSE I'M NOT
SEEING JONI OUTSIDE
LIKE I SAID.
STOP RIGHT UP THERE.
- HOW CAN WE PUT AN END
TO THIS, RICK?
- I ALREADY TOLD YOU, KEVIN.
BRING JONI OUT,
OR I KILL EVERYBODY ON BOARD!
ALL OFFICERS
ARE BACK FROM PATROL.
EVERYONE'S IN POSITION.
HOW MANY?
TWELVE.
COUNTING US, 14.
- IS ANYONE THERE?
- I'M HERE.
WELL, ARE YOU DEAF,
OR ARE YOU STUPID?
WHAT'S YOUR DAMN PROBLEM?
- WHAT'S GOING ON?
- AHH!
HE JUST HUNG UP.
YOU'LL HEAR FROM HIM AGAIN.
[ Peter Screaming ]
[ Screaming Continues ]
- SNIPERS, PREPARE TO FIRE.
- NO. TELL THEM TO HOLD
THEIR FIRE, NOT TO SHOOT.
YOU MAGGOTS!
[ Passengers Gasping,
Whimpering ]
[ Radio: Reporter ]
AUTHORITIES WERE FIRST
ALERTED TO THE THREAT...
AS THE HIJACKED BUS
DROVE ERRATICALLY
THROUGH RED LIGHTS,
NEARLY HITTING
SEVERAL MOTORISTS.
AVOID THE AREA OF THE POLICE
STATION AT THE INTERSECTION
OF MADISON AND HIGHLAND,
WHERE TWO HEAVILY ARMED
WHITE MALES HOLD 11 HOSTAGES
IN AN F.R.D. BUS.
STAY TUNED
FOR STREET CLOSURES
AND OTHER BREAKING NEWS--
[ Mann ]
LET'S PUT THE WOMAN
ON THE PHONE.
HAVE HER TALK TO HIM.
TRY AND BUY SOME TIME.
THAT WON'T FIX IT.
HE'S ON A SPREE.
HE WANTS A FIREFIGHT.
HE'S NOT GONNA TRY AND BLAST
HIS WAY INTO A POLICE STATION.
CAPTAIN, WE GOT MOVEMENT.
[ Gasps ]
- TELL YOUR MEN TO GET READY.
- FOR WHAT?
THEY'RE NEVER
GONNA LET HER GO.
WE COULD KILL
EVERY MORON ON BOARD;
THEY STILL WOULDN'T LET HER GO.
SO, WHAT DO WE DO?
WE POWER IN THERE
AND GRAB HER.
[ Laughing ]
I SAW 'EM.
WE CAN DO IT.
LOOK AT US.
WE'RE UNSTOPPABLE.
YOU AND ME.
KING OF THE WORLD!
SNIPERS, HOLD FIRE
UNTIL THEY'RE WELL CLEAR
OF THE HOSTAGES.
[ Peter ]
DAMN IT.
YOU AND ME, MAN.
[ Screams ]
SNIPERS, WHO'S GOT
A BEAD ON THEM?
[ Groans ]
[ Officer On Bullhorn ]
MAN DOWN. HOLD YOUR FIRE.
SUSPECT DOWN.
SUSPECT DOWN.
HELP.
STOP THE CAR!
[ Grunting ]
BACK UP.
COME ON, MOVE IT, MOVE IT!
LET'S GO!
CHECK UNDERNEATH
THE VEHICLES!
HERE. I GOT NOTHIN'!
OKAY, SPREAD OUT.
CHECK EVERY VEHICLE!
WELL, WELL.
LOOKS LIKE FATE
BROUGHT US TOGETHER,
DIDN'T IT, MISS F.B.I.?
YOU MISSED ALL THE EXCITEMENT,
BUT MAYBE WE CAN FIGURE OUT
SOMETHING FOR THE TWO OF US.
[ Cell Phone Ringing ]
I WANT DOUBLE CARS ON EACH
OF THESE PERIMETER BRIDGES.
I DON'T WANT ANYONE
MISSING THE INTERSTATE.
YEAH.
[ Van Horn ]
PULL OVER.
[ Emma ]
KEEP AWAY FROM ME.
HE'S WITH HOLLIS.
GET ME A CAR.
[ Van Horn ]
I'M TRYIN', BUT
IT IS VERY HARD.
ALL FUN AND GAMES, HUH?
YOU'LL WIND UP DEAD.
THEY GAVE IT
THEIR BEST SHOT.
PULL OVER.
TRIANGULATE THIS CALL.
I NEED A CHOPPER OVER THERE,
AND AN E.M.T. CREW, NOW!
YES, SIR!
[ Siren Blaring ]
PULL OVER!
ARE YOU SCARED... EMMA?
[ Chamber Cocks ]
YES.
THAT'S SMART
NOT TO LIE.
PEOPLE ARE DEAD.
- I DON'T HAVE TIME
FOR YOUR GAMES.
- PULL OVER.
OKAY.
OKAY.
BUT FIRST, TELL ME WHY.
WHY?
YOU TELL ME.
HEL--
HELP--
HELP--
[ Sobbing ]
[ Emma ]
WHAT IF THERE IS NO "WHY," MEL?
WHAT IF YOU CAN NEVER KNOW...
IF THERE IS NO WHY?
[ Child ]
I MADE THIS!
I SPEND MY DAYS
LOOKING FOR REASONS--
THE REASONS
PEOPLE DO WHAT THEY DO.
IT'S MY JOB.
IT'S MY WAY.
I WANT TO KNOW WHY--
WHY IT'S LIKE THIS,
WHY GOOD PEOPLE DIE.
[ Snoring ]
[ Snoring Continues ]
[ Snoring Continues ]
[ TV: Man ]
YOU TAKE OUR NEW
AND IMPROVED,
AND THEY ARE GONNA MAKE YOU
THE FINEST CAJUN CHEF
ON YOUR BLOCK, I GUARAN--
- HORN, WHAT'S UP?
- THAT.
[ Snoring Continues ]
[ TV: Channels Changing ]
- [ Man ]
AT THIS POINT--
- ♪♪ [ Rock ]
[ Snorer Snorts ]
LOW-DENSITY STUDIES
IN PREPARATION FOR THE
INTERNATIONAL SPACE STATION--
- WHEN THESE--
- [ Channels Continue Changing ]
- THIS--
- [ Snoring Continues ]
YOU OKAY?
- JUST A LITTLE TIRED.
- YOU SURE?
THANKS FOR ASKING, THOUGH.
[ Door Closes ]
[ Snoring Continues ]
[ Sighs ]
[ Door Kicked Open ]
[ Man ]
HEY! WHO ARE YOU?
[ Gunshot ]
[ Gunshot ]
[ Door Slams Shut ]
HEY.
CATCH.
DAMN!
[ Laughing ]
SILENCE IS GOLDEN.
MANAGER HEARD TWO SHOTS
JUST AFTER MIDNIGHT.
ONE ROUND PASSED
THROUGH THE VICTIM,
LODGED IN THE HEADBOARD,
LEAVING A VERY NASTY
EXIT WOUND.
THE VICTIM HIMSELF
GOT OFF A SHOT WITH A .38
WE FOUND NEXT TO THE BED.
WE WERE STILL LOOKING
FOR THE SLUG WHEN WE GOT WORD
YOU WERE ON THE WAY.
SOME REASON THE F.B.I.
IS INTERESTED IN THE DEATH OF
AN UNEMPLOYED BAKER FROM MIAMI?
MY GUYS ARE JUST WONDERING.
ONE MYSTERY AT A TIME,
DETECTIVE.
[ Siren Wailing ]
WE'LL ORDER A G.S.R.
FROM THE CORONER.
GENTLEMEN.
IS THAT HIS I.D.?
NAME'S DARYL NORCOTT.
HAS TWO DAUGHTERS IN NEWARK.
ACCORDING TO THEM,
HE WAS EN ROUTE FOR A VISIT.
STOPPED AT THE LINCOLN MEMORIAL.
ARMED WITH A .38.
[ Chuckles ]
HOTEL LIKE THIS?
IT'S NOT UNUSUAL.
SOMEBODY PULLED
A JOHN WAYNE BOBBITT...
POSTMORTEM.
[ Shutter Clicks ]
WELL, IT'S NOT
AN UNCOMMON MUTILATION.
WELL, THAT'S COMFORTING.
M.E. SAYS IT LOOKS LIKE
A BIG, SHARP KNIFE,
A HUNTING KNIFE.
ONE CLEAN SLICE,
NO TEARING.
WE WERE THINKING MOB,
MAYBE.
BOLIVIAN NECKTIE
SORT OF THING.
IF IT WAS RITUALISTIC,
THEY WOULD HAVE LEFT IT
AT THE SCENE.
MAYBE HE STIFFED
SOME CHIPPIE.
WHOEVER IT IS,
I WANT TO MAKE SURE
HE DOESN'T DO IT AGAIN.
[ People Shouting,
Chattering ]
WHAT ABOUT
THE NEIGHBORS?
MR. LARKIN?
SPECIAL AGENT HOLLIS, F.B.I.
MAY WE COME IN?
[ TV: Man Shouting ]
IT LANDED! OVER ON THE MALL!
IT LANDED!
WOULD YOU MIND
TURNING THIS DOWN?
[ TV:
Siren Wailing ]
[ TV: Volume Decreases ]
[ Agent ]
F.B.I.'s INTERESTED?
IT'S HER.
SHE ASKED FOR THIS CASE.
[ Volume Increases
Slightly ]
WHERE'S YOUR ROOMMATE?
[ TV: Siren
Continues Wailing ]
WHAT'S HER NAME?
I'M HAVING
TROUBLE READING IT HERE.
YOU KNOW, TRUTH IS,
I FORGET HER NAME.
TWO MEN
WERE CHECKED IN HERE.
CAN YOU HELP US OUT?
OKAY.
THESE TWO GUYS SAY
THEY GOT THREE MORE DAYS
PAID IN ADVANCE,
AND DO I WANT THEIR KEY?
AND YOU DID.
[ TV: Man ]
AFTERNOON, LADIES AND GENTLEMEN.
THIS IS DREW PEARSON.
WE BRING YOU THIS SPECIAL
RADIO-TELEVISION BROADCAST...
IN ORDER TO GIVE YOU
THE VERY LATEST INFORMATION
ON AN AMAZING PHENOMENON---
THE ARRIVAL OF A SPACESHIP
IN WASHINGTON.
[ TV: Pearson Continues ]
RIGHT AROUND A .38.
WHAT'S IT DOING IN HERE?
I BELIEVE WE'RE LOOKING
FOR TWO SUSPECTS, NOT ONE.
[ Girl ]
HURRY UP!
[ Children Chattering ]
ALL RIGHT.
THAT'S IT!
MONTANA.
MONTANA'S COOL.
WE COULD BECOME
CATTLE RANCHERS.
TOO MANY CRAZIES.
[ Sighs ]
BOLIVIA.
NOW, THERE'S A THOUGHT.
IMAGINE HOW DIFFERENT
A DAY IN THE PARK WOULD BE...
IF YOU KNEW YOU WERE
BEING WATCHED BY A 30.06.
[ Click ]
POW!
[ Laughs ]
YES, SIR.
I WANT ME SOME OF THAT.
YOU'RE WORKING HARD.
YEAH.
HOTEL SHOOTING.
THE BAKER.
HOW'S IT GOING?
FINE.
I, UM, I HAVE TWO SUSPECTS.
THESE?
COURTESY OF
A LOCAL DERELICT.
FORTIFIED WINE
ISN'T EXACTLY BRAIN FOOD.
TWO SHOTS WERE FIRED,
ONE APPARENTLY
AT THE PERPETRATOR,
STOPPED BY A SPECTRA SHIELD
A-350 ASSAULT VEST.
WHAT ELSE?
THE KILLER WAS ARMORED,
PREPARED.
BLADE WORK
WAS HIGHLY EVOLVED.
WE'RE LOOKING HERE
AT AN EXTREMELY ORGANIZED
NIGHT STALKER,
AND HE'S PROBABLY
OUT THERE NOW,
PREPARING HIS NEXT ATTACK.
WHAT?
WHAT DO YOU THINK?
I'D LIKE TO SEE THE CRIME SCENE,
IF THAT'S OKAY.
♪♪ [ Faint Rock ]
[ Bartender ]
YOU WANT THAT STRAIGHT UP?
SURE. YEAH.
DRINKING ALONE
AIN'T GOOD FOR YOU.
WHO SAYS I'M ALONE?
MMM.
WE'VE GOT
THE NEXT ROUND.
I'M NOT INTERESTED.
LEAVE HER ALONE.
- YOU WANT SOME?
- YOU WANT SOME?
YOU'RE TWO HOURS LATE.
[ Bedsprings Squeaking ]
[ Woman Moaning ]
[ Frank ]
ANY PRINTS?
THERE WERE HUNDREDS
OF ODD LATENTS.
PROBABLY BEEN A YEAR
SINCE THIS PLACE
WAS CLEANED LAST.
OUR TRANSIENT CONTAMINATED
ANYTHING USEFUL.
[ Moaning Continues ]
[ Moaning Stops ]
I KNOW. IT'S NATURAL.
I FOUND THE SLUG...
RIGHT HERE.
RIGHT IN THE OPEN?
UH-HUH.
YEAH. I GUESS
THEY DIDN'T THINK
ANYONE WOULD FIND IT.
[ Moaning Resumes ]
MAYBE THEY DIDN'T CARE.
ANNOYING.
WHAT DO YOU MEAN?
WHAT DO YOU MEAN,
THEY DIDN'T CARE?
THESE TWO MEN
USED A STOLEN CREDIT CARD
TO PAY FOR THE ROOM.
THEY GAVE THEIR KEY
TO AN INDIGENT
AFTER THE EVENT.
THAT'S VERY RISKY.
I'D EVEN CALL IT CAVALIER.
THEY'D BE AWARE
OF THE CONSEQUENCES.
KILLING IS A HUMAN IMPULSE
UNCHECKED.
[ Moaning Continues ]
THERE ARE KILLERS
WHO OBEY THAT IMPULSE
AS NATURALLY AND AS CASUALLY...
AS ANY HUMAN ACT.
BUT THERE'S GOTTA BE
A REASON.
AN OUTLAW
NAMED JOHN WESLEY HARDIN
ONCE KILLED A MAN FOR SNORING.
THERE'D BE A STRESSOR,
SOME KIND OF
COMPELLING FACTOR.
THERE'S GOTTA BE.
THERE ALWAYS IS.
YOU WON'T SOLVE THIS CASE
LOOKING FOR A REASON,
AGENT HOLLIS.
EVERYONE HAS A REASON.
WHAT'S YOURS?
HONEY,
LET'S GO SHOPPIN'.
THIS ONE'S THE LEADER.
HE'S DIRECTING THE WHOLE SHOW
FROM HERE.
[ Shutter Clicks ]
HERE?
YOU'RE TALKING
TO THE OTHERS.
I'VE GOT A CLEAR LINE
ON ALL THREE CASUALTIES,
BUT I'M COMPLETELY EXPOSED.
[ Frank ]
THE SHOPPER'S DOWN.
IT'S NOT FROM YOUR SHOT THOUGH.
THE OTHER MAN BROUGHT HER DOWN.
THE SECOND MAN.
- WHAT AM I DOING?
- STANDING THERE.
WITH AN OFF-DUTY COP
20 FEET AWAY.
WHAT IS THIS GUY DOING?
HE CAN'T JUST BE
STANDING HERE TALKING.
[ Emma ]
THERE. HE SHOOTS.
[ Frank ]
NO, HE JUST TOOK A HIT.
THERE, AGAIN.
SQUARE IN THE CHEST.
[ Frank ]
THERE. HE SHOOTS THE COP.
WHAT'S HE DOING NOW?
EATING CANDY.
[ Shutter Continues
Clicking ]
PRINTS.
[ Sighs ]
WE'LL HAVE A NAME,
THAT'S ALL.
THESE GUYS ARE ON A HIGH
AND MOVING FAST,
LOOKING FOR THEIR NEXT HIGH.
I'M NOTIFYING
AREA SUPERMARKETS.
IT WON'T BE A SUPERMARKET.
IT'LL BE RANDOM. SOMETHING
THAT WON'T MAKE ANY SENSE.
THANK YOU.
I'M NOTIFYING
AREA SUPERMARKETS.
AGENT HOLLIS.
YOU REQUESTED THIS CASE.
- YES, I DID.
- WHY?
THAT'S THE QUESTION, ISN'T IT?
SAME ONE I'M ASKING YOU.
HEY, NEIGHBOR.
- DEAD END.
- YEAH, YOU'RE NOT KIDDING.
I THINK THE TRAIL
YOU'RE AFTER'S UP THERE.
HEY, YOU WANT ANYTHING?
FOOD? WATER?
WE GOT PLENTY.
NO, THANKS.
I'LL BE OKAY.
[ Woman ]
YOU WANNA GET HIGH?
[ Beep ]
I KNEW I'D FIND YOU HERE.
I'VE BEEN RUNNING THE PRINTS
OFF THE CANDY WRAPPER.
AND?
I GOT A NAME.
RICK VAN HORN.
AVERAGE I.Q.
HIGH SCHOOL EDUCATION,
NOTHING PAST THAT.
EIGHT YEARS MILITARY EDUCATION,
THREE YEARS SPECIAL FORCES.
HIS STEPFATHER DID MANAGE
A SUPERMARKET FOR A WHILE.
PRIORS?
NONE.
WHICH IS MEANINGFUL,
SUGGESTING A RELEASE
OF OVERCONTROLLED ANGER.
WE WANT TO DESCRIBE MEN
LIKE THIS...
WITH WORDS
THAT CAN MAKE US FEEL
WE CAN KNOW THEM.
IF WE KNOW THEM,
WE CAN FIND THEM.
TWENTY YEARS AGO,
YOU WATCHED A MAN NAMED
MICHAEL WYNTER KILL YOUR SISTER.
TWO DECADES LATER,
YOU STILL WONDER--
COULD IT HAVE BEEN DIFFERENT?
COULD SHE STILL
BE ALIVE TODAY?
WHY DID IT HAPPEN?
YOU REQUEST CASES LIKE THIS
ON THAT ANNIVERSARY,
HOPING FOR ANSWERS.
BUT NO AMOUNT OF
DETECTIVE WORK CAN CLOSE
YOUR SISTER'S MURDER...
OR TELL YOU WHY.
THAT ALL ENDED
THE DAY THAT MICHAEL WYNTER
KILLED HIMSELF.
I DON'T NEED YOU
TO PROFILE ME...
OR TO TELL ME
WHAT I HOPE FOR.
YOU WANT REASONS.
YOU WANT TO MAKE SENSE
OF THIS CASE,
HOPING THAT THERE IS SENSE
TO BE MADE OF WHAT HAPPENED
TO YOUR SISTER.
YOU'RE LOOKING FOR LOGIC
THAT ISN'T HERE.
SO ARE YOU.
TAKE YOURSELF OFF THIS CASE.
I'VE BEEN THERE. WALK AWAY.
IF YOU WANT TO APPLY
YOUR PSYCHIATRIC TALENTS,
DO IT TO PSYCHOS
LIKE RICK VAN HORN.
I DON'T NEED YOUR HELP.
[ Thunder Rumbling ]
NO, MAN, NO.
BUNGEE JUMPING
IS NOT HARD-CORE.
I MEAN,
THAT'S A ROPE FREE FALL
WITH CLIMBING ROPE.
SIXTY TO ZERO,
.3 SECONDS.
THAT'S WILD.
IT'S FREEDOM.
AND ONCE YOU ACCEPT
THAT FACING FALLING
MEANS FACING DEATH,
YOU CAN CLIMB UP,
JUMP OFF ANYTHING.
CONTROL THE CONDITIONS
THAT MAKE YOU AFRAID,
YOU'RE FREE, MAN.
SO YOU'RE REALLY HARD-CORE,
HUH, KYLE?
THREE GRAND IN YOUR POCKET,
YOU SHOOT THIS APPLE
OFF MY HEAD.
[ Chuckling ]
YEAH, RIGHT.
NO WAY.
THREE GRAND.
TAKE A SLOW, DEEP BREATH...
AND FIRE.
[ Splat ]
[ Laughing ]
MAN, ARE YOU OKAY?
THAT FELT GREAT, DIDN'T IT?
THE POWER, THE CONTROL.
LIFE AND DEATH
IN YOUR HANDS.
YOU'RE A GOD.
[ Chuckling Nervously ]
DOUBLE OR NOTHING.
NO, MAN, I'M DONE.
NO, I MEANT
IT'S YOUR TURN.
NO, THANKS, MAN.
YOU RUN,
I'LL BLOW YOUR STOMACH OPEN.
AGAINST THE TREE.
APPLE ON HEAD, KID.
I DON'T WANNA
DO THIS, MAN.
ARE YOU SCARED, KYLE?
- [ Chamber Clicks ]
- YES.
THAT'S EXACTLY
THE WRONG ATTITUDE.
CONTROL THE CONDITIONS THAT MAKE
YOU AFRAID, AND YOU'RE FREE.
THAT'S WHAT YOU SAID, RIGHT?
YOU FACE DEATH,
YOU'RE FREE.
- [ Gunshot ]
- [ Body Falls ]
YOU'RE FREE.
[ Chuckles ]
[ Radio: Dispatcher ]
CHARLIE 91,
DO YOU NEED BACKUP?
KYLE RILEY.
HE DIED AROUND MIDNIGHT
LAST NIGHT.
WE FOUND HIS MOUNTAIN BIKE
OVER THERE.
WE ASSUME HE TRANSPORTED IT,
BUT WE HAVEN'T FOUND THE CAR.
[ Paramedic ]
WATCH YOUR STEP.
MOVE THAT BACK.
IT'S PROBABLY
BEEN STOLEN.
YOU SAY YOU KNOW
WHO DID THIS?
YEAH.
ANYBODY
HAVE A TAPE MEASURE?
GIVE ME
A TAPE MEASURE.
HERE.
THANKS.
HOW TALL
WAS KYLE RILEY?
JUST UNDER SIX FEET.
I'M NOT SURE I KNOW
WHAT YOU'RE DOING.
[ Frank ]
AGENT HOLLIS.
WHAT HAPPENED HERE?
I THINK THEY WERE PLAYING
SOME SORT OF GAME.
ONE MISS, ONE HIT.
ONE GUESS WHO WAS
BEHIND THE TRIGGER.
[ Gunshot ]
VAN HORN
IS AN EXPERT SHOT.
HE WAS A MILITARY SNIPER.
FIRST SHOT
WASN'T AT THE VICTIM.
WILLIAM TELL,
BUT WITH TWO PLAYERS.
FIRST UP WAS VAN HORN.
I THINK YOU'RE RIGHT.
HE STOOD HERE, EXCITED,
LIKE WE SAW ON THE VIDEOTAPE
FROM THE SUPERMARKET.
SHOOT, BE SHOT.
RANDOM. WILD. CHANCE.
ALL TO IMPRESS THE GIRL.
[ Shutter Clicks ]
SHE'S NOTHING TO HIM.
NOBODY IS.
NO.
THAT'S WHY THEY FOLLOW HIM.
THAT'S HIS POWER.
AND HIS POWER IS THEIR DISEASE.
[ Chattering, Indistinct ]
[ Whispering ]
WE'RE ON TV.
WE'RE EVERYWHERE.
I THINK
YOU SHOULD CALM DOWN.
PETER WENT TO GET ICE CREAM.
YOU GO FIND HIM.
I'LL GO GET THE TRUCK.
COOL.
WHAT ARE YOU DOING?
I NEED MY CAR!
TELL IT TO IMPOUND.
LOWER THE DAMN CAR!
NOW! NOW!
OKAY, OKAY, OKAY.
[ Passersby Shouting ]
DROP THE GUN, LADY.
DROP IT.
TAKE IT EASY.
JUST TAKE IT EASY.
[ Woman Grunts ]
WHOA-WHOA-WHOA.
WE GOT NOTHIN'.
IT'LL NEVER WORK.
ALL RIGHT.
AAH!
LET'S GET THOSE OFF.
THAT SHOULD MAKE IT
EASIER TO TALK.
I HAVE NOTHING TO SAY.
HERE'S THE PROBLEM
WITH THAT, JONI.
YOU'RE THE ONE
WITH THE RECORD.
NOT RICK, NOT PETER.
YOU'VE DONE TIME TWICE.
THAT MAKES THIS
THREE STRIKES FOR YOU.
JUST SHOPLIFTING
AND A LITTLE DOPE.
[ Emma ]
I'M NOT SAYING
THE LAW'S FAIR.
BUT THEY'LL COME AFTER
A REPEAT OFFENDER...
HARDER THAN
THEY'LL COME AFTER RICK.
THAT'S A FACT.
SHE'S LUCKY YOU GUYS
ARE HANDLING THIS.
MY RESPONSE WOULD BE
GO ONE-ON-ONE WITH THEM.
YEAH.
[ Emma ] RIGHT NOW,
MY ONLY CONCERN IS MAKING SURE
NO ONE ELSE GETS HURT.
IF YOU'LL HELP ME,
I'LL HELP YOU.
I CAN'T.
JONI, YOU COULD HAVE SHOT
THAT TOW TRUCK DRIVER,
BUT YOU DIDN'T.
YOU HAVEN'T
KILLED ANYONE.
THAT'S NOT WHO YOU ARE.
WHEN THEY SHOT THAT MAN
AT THE HOTEL,
YOU WEREN'T EVEN THERE.
SOMETIMES THINGS HAPPEN.
THEY GET OUT OF HAND.
MAYBE SOMEONE PRESSURES YOU.
[ Sighs ]
HAVE YOU EVER HAD SOMEONE
THAT YOU'D DO ANYTHING FOR?
[ Joni ]
'CAUSE THEY'RE
YOUR WHOLE WORLD,
AND YOUR OWN LIFE
DOESN'T EVEN REALLY COUNT.
ONLY YOUR LIFE WITH THEM.
AND YOU'RE HAPPY.
YOU'LL DO
ANYTHING THEY SAY...
'CAUSE ALL THAT MATTERS
IS BEING CLOSE WITH THEM.
HAVE YOU EVER LOVED
SOMEBODY LIKE THAT?
YES, I HAVE.
SEE, I NEVER DID.
HEY, HONEY, YOU'RE IN
THE WRONG LINE OF WORK.
GET HER BACK TO HER CELL.
HEY! I NEED A LAWYER
IN HERE!
YOU HEAR ME? LAWYER!
LET IT GO, EMMA.
YOU'RE RIGHT.
I DON'T KNOW THEM.
I'LL NEVER UNDERSTAND THEM.
AGENT HOLLIS.
YOU'RE NOT
IN THE WRONG LINE OF WORK.
[ Engine Starts ]
THANK YOU.
THANK YOU.
THANK YOU.
THAT PHONE.
DOES IT DO 911?
YEAH.
IS THERE AN EMERGENCY?
[ Weapon Cocks ]
[ Woman Screams ]
WE GOT ANOTHER PASSENGER
TO PICK UP. CITY JAIL.
THEY WANT THE GIRL ON
THE STEPS WAITING FOR THEM
WHEN THEY GET HERE.
WHAT DO WE DO?
CORDON OFF THE STREETS.
CAPTAIN, THEY'RE BACK
ON LINE ASKING FOR YOU.
KEEP 'EM TALKING.
DON'T SAY YES OR NO.
JUST STALL.
DON'T GIVE THEM ANYTHING.
HOW LONG
TILL STATE SWAT ARRIVES?
AT LEAST 30 MINUTES.
WE'VE GOT TO STALL THEM
UNTIL THEN.
COME ON, COME ON.
[ Van Horn ]
IS ANYONE THERE?
- THIS IS CAPTAIN KEVIN MANN.
- CAPTAIN, MY CAPTAIN.
TURN RIGHT HERE, RIGHT NOW.
- IS EVERYONE THERE OKAY?
- I CAN'T SPEAK FOR THE OTHERS,
BUT I'VE BEEN BETTER.
IT'S 'CAUSE I'M NOT
SEEING JONI OUTSIDE
LIKE I SAID.
STOP RIGHT UP THERE.
- HOW CAN WE PUT AN END
TO THIS, RICK?
- I ALREADY TOLD YOU, KEVIN.
BRING JONI OUT,
OR I KILL EVERYBODY ON BOARD!
ALL OFFICERS
ARE BACK FROM PATROL.
EVERYONE'S IN POSITION.
HOW MANY?
TWELVE.
COUNTING US, 14.
- IS ANYONE THERE?
- I'M HERE.
WELL, ARE YOU DEAF,
OR ARE YOU STUPID?
WHAT'S YOUR DAMN PROBLEM?
- WHAT'S GOING ON?
- AHH!
HE JUST HUNG UP.
YOU'LL HEAR FROM HIM AGAIN.
[ Peter Screaming ]
[ Screaming Continues ]
- SNIPERS, PREPARE TO FIRE.
- NO. TELL THEM TO HOLD
THEIR FIRE, NOT TO SHOOT.
YOU MAGGOTS!
[ Passengers Gasping,
Whimpering ]
[ Radio: Reporter ]
AUTHORITIES WERE FIRST
ALERTED TO THE THREAT...
AS THE HIJACKED BUS
DROVE ERRATICALLY
THROUGH RED LIGHTS,
NEARLY HITTING
SEVERAL MOTORISTS.
AVOID THE AREA OF THE POLICE
STATION AT THE INTERSECTION
OF MADISON AND HIGHLAND,
WHERE TWO HEAVILY ARMED
WHITE MALES HOLD 11 HOSTAGES
IN AN F.R.D. BUS.
STAY TUNED
FOR STREET CLOSURES
AND OTHER BREAKING NEWS--
[ Mann ]
LET'S PUT THE WOMAN
ON THE PHONE.
HAVE HER TALK TO HIM.
TRY AND BUY SOME TIME.
THAT WON'T FIX IT.
HE'S ON A SPREE.
HE WANTS A FIREFIGHT.
HE'S NOT GONNA TRY AND BLAST
HIS WAY INTO A POLICE STATION.
CAPTAIN, WE GOT MOVEMENT.
[ Gasps ]
- TELL YOUR MEN TO GET READY.
- FOR WHAT?
THEY'RE NEVER
GONNA LET HER GO.
WE COULD KILL
EVERY MORON ON BOARD;
THEY STILL WOULDN'T LET HER GO.
SO, WHAT DO WE DO?
WE POWER IN THERE
AND GRAB HER.
[ Laughing ]
I SAW 'EM.
WE CAN DO IT.
LOOK AT US.
WE'RE UNSTOPPABLE.
YOU AND ME.
KING OF THE WORLD!
SNIPERS, HOLD FIRE
UNTIL THEY'RE WELL CLEAR
OF THE HOSTAGES.
[ Peter ]
DAMN IT.
YOU AND ME, MAN.
[ Screams ]
SNIPERS, WHO'S GOT
A BEAD ON THEM?
[ Groans ]
[ Officer On Bullhorn ]
MAN DOWN. HOLD YOUR FIRE.
SUSPECT DOWN.
SUSPECT DOWN.
HELP.
STOP THE CAR!
[ Grunting ]
BACK UP.
COME ON, MOVE IT, MOVE IT!
LET'S GO!
CHECK UNDERNEATH
THE VEHICLES!
HERE. I GOT NOTHIN'!
OKAY, SPREAD OUT.
CHECK EVERY VEHICLE!
WELL, WELL.
LOOKS LIKE FATE
BROUGHT US TOGETHER,
DIDN'T IT, MISS F.B.I.?
YOU MISSED ALL THE EXCITEMENT,
BUT MAYBE WE CAN FIGURE OUT
SOMETHING FOR THE TWO OF US.
[ Cell Phone Ringing ]
I WANT DOUBLE CARS ON EACH
OF THESE PERIMETER BRIDGES.
I DON'T WANT ANYONE
MISSING THE INTERSTATE.
YEAH.
[ Van Horn ]
PULL OVER.
[ Emma ]
KEEP AWAY FROM ME.
HE'S WITH HOLLIS.
GET ME A CAR.
[ Van Horn ]
I'M TRYIN', BUT
IT IS VERY HARD.
ALL FUN AND GAMES, HUH?
YOU'LL WIND UP DEAD.
THEY GAVE IT
THEIR BEST SHOT.
PULL OVER.
TRIANGULATE THIS CALL.
I NEED A CHOPPER OVER THERE,
AND AN E.M.T. CREW, NOW!
YES, SIR!
[ Siren Blaring ]
PULL OVER!
ARE YOU SCARED... EMMA?
[ Chamber Cocks ]
YES.
THAT'S SMART
NOT TO LIE.
PEOPLE ARE DEAD.
- I DON'T HAVE TIME
FOR YOUR GAMES.
- PULL OVER.
OKAY.
OKAY.
BUT FIRST, TELL ME WHY.
WHY?
YOU TELL ME.
HEL--
HELP--
HELP--
[ Sobbing ]
[ Emma ]
WHAT IF THERE IS NO "WHY," MEL?
WHAT IF YOU CAN NEVER KNOW...
IF THERE IS NO WHY?
[ Child ]
I MADE THIS!