Millennium (1996–1999): Season 3, Episode 13 - Antipas - full transcript

Frank (Lance Henriksen) discovers a connection between the murder of a federal prosecutor, a gubernatorial candidate with a frail daughter.. and the evil Lucy Butler (Sarah-Jane Redmond) ...

[ Water Trickling ]
[ Birds Chirping ]

[ Sighs ] IT'S CHILLIER
THAN I THOUGHT, JOHN.
MAYBE SHE SHOULDN'T GO OUT.

SHE'S JUST OVER A COLD.

JUST A QUICK WALK
IN THE GARDEN BEFORE
THE RAIN STARTS BACK UP.

ARE YOU READY, KIDDO? HMM?
YOU GOT YOUR GRIZZLY BEAR ON?

LET'S GO THEN.
[ Chuckles ]

[ Thunder Rumbling ]

[ Woman ] SHE HAS FOUR NEW
CAVITIES SINCE HER LAST CHECKUP.
[ Squawking ]

THE DENTIST SAYS THERE'S
NOTHING TO BE DONE. SHE WAS
JUST BORN WITH BAD TEETH.

I KNOW YOU DON'T LIKE
TO HEAR THESE THINGS
ABOUT HER--

MY BROTHER HAD HEALTH PROBLEMS
AS A CHILD. HE GREW UP TO BE
THE BIGGEST OF ALL THE KIDS.



SHE'S BELOW
THE ACCEPTABLE PERCENTILE
ON EVERY CHART.

AREN'T WE DOING
ALL WE CAN?

[ Squawking ]
I KNOW THEY WANT YOU TO
ANNOUNCE YOUR CANDIDACY, JOHN.

BUT... I DON'T KNOW
IF I CAN HANDLE IT.

I DON'T KNOW
IF I'M READY TO BE
THE GOVERNOR'S WIFE.

IS THAT WHAT THIS IS ABOUT?
NO. IT'S ABOUT DIVINA.
IT'S ABOUT OUR DAUGHTER.

[ John ]
WE WANTED THIS-- YOU AND ME.

IT'S ALL WE WORKED FOR.
ALL THE CHOICES WE MADE,

ALL THE COUNTLESS SOCIAL EVENTS,
THE GOOD DEEDS.

I NEED HELP WITH HER,
JOHN.

I NEED A HUSBAND,
AND SHE NEEDS A FATHER.

I'M A GOOD FATHER, UNA,
AND A GOOD HUSBAND.

WHERE IS SHE?
WHERE'S DIVINA?

DIVINA!



DIVINA?
DIVINA?

- DIVINA?
- DIVINA?

WHERE IS SHE--
OH, MY GOD.

SHE'S OVER THERE.
WHERE?

SWEETHEART,
YOU SCARED US.

WHY DIDN'T YOU ANSWER MOMMY?

WE SCARED HER
WITH OUR ARGUING.

SHE'S JUST PLAYING A GAME.

OOH.
OH, SHE'S JUST PLAYING
HIDE-AND-SEEK.

SHE'S GONNA GET SICK
ALL OVER AGAIN.

SHE'S GOT HER WARM COAT ON.

LOOK, I KNOW WHERE
SHE'S GONE.
[ Sighs ]

DIVINA!

COME ON OUT NOW!

YOU SCARED YOUR MOMMY.

SWEETIE?
IT'S OKAY.

[ John ]
DIVINA! DIVINA?

WHERE ARE YOU, HONEY?

DIVINA!
[ Una ]
DIVINA!

ANSWER YOUR MOMMY!

- DIVINA?
- [ Hisses ]

DIVINA? PLEASE!

DIVINA? DIVINA!
DIVINA?

[ Both Shouting ]
DIVINA!

[ Una ]
DIVINA!

DIVINA!
[ John ]
DIVINA? DIVINA?

DIVINA! DIVINA--
DIVINA!

[ Sighs ]
OH, YOU SCARED US.

YOU FRIGHTENED
MOMMY AND DADDY.

YOU SHOULDN'T
BE FRIGHTENED.

HOW'D YOU GET HERE,
PAST US?

I HEARD YOU CALLING HER.
SHE KNOWS THE MAZE WELL.

MAYBE YOU SHOULD LET ME
TEACH YOU TOO.

I'VE HAD THIS CASE
SIX WEEKS.

I'VE GOT NO SUSPECTS. I CAN'T
SEEM TO EVEN GET ANY TRACTION.

THE VICTIM YOU SEE HERE IS
A 39-YEAR-OLD FEDERAL PROSECUTOR
NAMED ROBERT FERRY.

HE DIED AS YOU SEE HIM
IN THIS MOTEL ROOM
IN PITTSBURGH,

THE RESULT OF THREE KNIFE WOUNDS
TO THE CHEST AND STOMACH.

[ Projector Clicks ]
FERRY CHECKED INTO THE MOTEL
AT ABOUT 6:30 IN THE EVENING.

HE HAD GONE OUT,
RETURNED ABOUT MIDNIGHT.

- TIME OF DEATH WAS
1:45 A.M., THEREABOUTS.
- GAY?

YES, BUT NOT OPENLY.

I HAVE ONE REPORT OF
A LONG-HAIRED MALE
SEEN LOITERING IN THE AREA.

- EVIDENCE OF BODY FLUIDS?
- WHERE THE SUN DON'T SHINE.

[ Projector Clicks ]
THE VICTIM'S WALLET
WAS NOT TAKEN,

NOR WAS 500 CASH NOR 300
IN TRAVELER'S CHECKS
LEFT OUT ON THE DRESSER BUREAU.

THE WORD WRITTEN ON
THE PHONE BOOK, "SAINT"--
WHAT WAS THAT WRITTEN WITH?

THE VICTIM'S PERSONAL PEN.
SO FAR, I DON'T KNOW
ITS IMPORTANCE.

THE PEN WAS RETURNED TO
THE VICTIM'S PANTS POCKET.

HIS CAR AND HIS HOUSE
WERE LEFT ALONE.

THE WEAPON WAS REMOVED
FROM THE SCENE.
NOTHING ELSE WAS DISTURBED.

THERE WAS, HOWEVER,
SOMETHING LEFT AT THE SCENE.

IN THE TOILET
IN THE BATHROOM-- URINE.

WAS THE SEAT LEFT UP
OR DOWN?

[ Projector Clicks ]

THE SPECIMEN I COLLECTED
CONTAINED CHORIONIC
GONADOTROPINS.

IT WAS A WOMAN.
A PREGNANT WOMAN.

MOST LIKELY SOMEONE
WHO KNEW THE VICTIM--

MAYBE WHO VISITED HIM IN
HIS ROOM SOMETIME PRIOR TO
THE COMMISSION OF THE CRIME.

IF WE CAN IDENTIFY HER,
SHE MAY HAVE INFORMATION THAT
COULD LEAD US TO OUR PERP.

[ Chattering ]

[ Phone Ringing ]

[ Chattering, Indistinct ]

[ Phone Ringing ]

- WHAT'S GOIN' ON?
- THAT WAS, UH, GOOD WORK
IN THERE TODAY.

I'M DEAD IN THE WATER, SIR.

NO, NO, NO. IT'S GOOD,
SOLID INVESTIGATIVE WORK.

- IMPRESSED THE HELL
OUT OF FRANK.
- REALLY?

- I AM GOING TO TRANSFER YOU
OFF THE CASE, AGENT HOLLIS.
- OFF THE CASE?

FRANK HAS REQUESTED ALL
YOUR DATA AND YOUR FILES.

- WHY? DOES HE KNOW SOMETHING?
- APPARENTLY HE DOES.

- AND I CAN'T WORK WITH HIM?
- YOUR FILES, AGENT HOLLIS.

[ Object Clanks ]

- HEY. BE CAREFUL.
- I THINK I'VE GOT THINGS
SQUARED AWAY...

SOMEWHAT MORE THAN
I DID PREVIOUSLY HERE.
[ Divina Laughs ]

MY LITTLE GIRL REALLY
HAS TAKEN A TURN.

OH, A COMPLETE TURNAROUND
IN HER HEALTH.
IT'S MIRACULOUS, REALLY.

[ Chattering, Laughing ]
AN OMEN, I'D SAY.

I THINK I WANT YOU
TO GET EVERYONE TOGETHER
TOMORROW, CARL.

I WANNA MAKE ALL
THE PREPARATIONS--
EXCUSE ME, SIR.

- I DIDN'T MEAN TO STARTLE YOU.
- SORRY. UH, NO.
WHAT IS IT?

WELL, YOU ASKED ME TO HAVE
A SUIT PRESSED FOR YOU,

AND I'M AFRAID THE SHIRT
THAT GOES WITH IT
IS MISSING A BUTTON.

I SEE THE SHIRT THAT
YOU'RE WEARING IS A MATCH
FOR THAT SHIRT.

- I WAS WONDERING IF
IT MIGHT HAVE A SPARE.
- CAN IT WAIT?

- WELL, I DON'T KNOW WHERE
I'M GONNA GET ANOTHER BUTTON.
- OKAY.

UH, CAN YOU HOLD ON, CARL?
I'M BEING FRISKED FOR A BUTTON.

[ Whispering ]
LIKE TO SEE WHERE
DAD IS?

[ Sighs ]

PLEASE WATCH DIVINA.
SHE'S OUT BACK.

NOW, MISS BUTLER.

YES, MA'AM.

OKAY.
[ Beeps ]

WHAT? WHAT IS IT?

WHAT'S GOING ON HERE?

NOTHING'S GOING ON.
LUCY WAS GETTING A BUTTON
OFF MY SHIRT.

[ Sighs ]

IT LOOKED AS IF THERE WAS
SOMETHING, UM,

INAPPROPRIATE.

YOUR MOMMY'S MAD
AT YOUR DADDY...

'CAUSE SHE THINKS
HE'S BEEN BAD.

JUST BECAUSE YOUR DADDY
LIKES ME,

'CAUSE I DON'T QUARREL WITH HIM
LIKE YOUR MOMMY.

I BET YOU WISH
I WERE YOUR MOMMY.

WHAT IF I TOLD YOU I WERE?

[ Panting ]

[ Panting ]

[ Growling ]

GET OUT OF HERE NOW! GET!

[ Both Dogs Growling ]

- [ Barking ]
- [ Shouts ]

- [ Barking, Snarling ]
- [ Screams ]

[ Grunts, Screams ]

[ Keyboard Clacking ]

[ Beeps ]

[ Beeps ]

[ Beeps ]

YOU TAKE MY CASE.

YOU TAKE MY FILES, ALL MY
HARD WORK, AND HERE I FIND YOU
WORKING ON SOMETHING ELSE?

- YOU DON'T WANT THIS CASE.
- NO. I WANT MY CASE.

THIS IS YOUR CASE,
AGENT HOLLIS.

"ANTIPAS GARDENS,
MADISON, WISCONSIN."

A DOG ATTACK?
"ANTIPAS"--

AN ANAGRAM FROM THE PHONE BOOK
AT YOUR CRIME SCENE.

THE WORD "SAINT"
WAS HANDWRITTEN OVER
THE ABBREVIATION "P.A."

MMM.
ANTIPAS...
IS A BIBLICAL REFERENCE,

AN ALLUSION TO SATAN
FROM THE BOOK OF REVELATION.

PUT THERE BY WHOM?

- [ Hits Keyboard ]
- [ Beeps ]

MY PERPETRATOR'S A MALE.

FRANK, COME ON.

LEAVE IT ALONE,
AGENT HOLLIS. LET IT GO.
[ Beeps ]

IT'S ALL RIGHT.

[ Thunder Rumbling ]

WE ASK THE LORD TO MAKE
THE POOR MAN WELL...

AND TO GIVE HIM RELIEF
FROM HIS PAIN AND INJURIES.

AND WE ASK HIM TO GIVE US
HELP AND MERCY...

AND TO WATCH OVER HIM
IN THE HOSPITAL.

- AMEN.
- AMEN.

ARE YOU GONNA BE
ALL RIGHT TONIGHT,
SWEETIE?

- SHE'S A BIG GIRL. AREN'T YOU?
- [ Una Laughs ]

YOU SLEEP TIGHT NOW.

[ Footsteps Departing ]

[ Rain Falling ]
[ Wind Blowing ]

[ Thunderclap ]

[ Thunderclap ]

DIVINA?

WHAT ARE YOU DOING?

HMM?

ARE YOU SCARED?
MM-HMM?

YOU WANT MOMMY
TO SLEEP IN YOUR BED
WITH YOU TONIGHT?

OKAY. COME ON.

[ Thunderclap ]

[ Thunderclap ]

[ Doorbell Ringing ]

PARDON ME FOR COMING
SO UNANNOUNCED, MR. SAXUM.

I FELT IT WAS
THE RIGHT THING TO DO.

I JUST GOT A CALL
FROM THE GATE. THEY SAID
YOU'RE WITH THE F.B.I.?

MY NAME IS FRANK BLACK.
I DO SOME CONSULTING
FOR THE BUREAU.

I KNOW YOU'RE
A BUSY MAN.

IS THIS ABOUT THE GARDENER?
IN A MANNER OF SPEAKING,
YES.

WHO IS IT, JOHN?

JOHN?

MY NAME IS FRANK BLACK.
I'M HERE ABOUT LUCY BUTLER.
I BELIEVE SHE'S IN YOUR EMPLOY.

YES, THAT'S RIGHT.

- MAY I COME IN?
- OH, PLEASE. OF COURSE.

THANK YOU.

WHAT A BEAUTIFUL HOUSE.
THANK YOU.

I DON'T UNDERSTAND
THE NEED FOR SECRECY,
MR. BLACK.

[ Frank ]
WELL, I'M HERE
TO HELP YOU UNDERSTAND.

I'M QUITE SURE
YOU'LL THANK ME.

YOU MAKE IT SOUND
LIKE WE'VE EMPLOYED
SOME KIND OF CRIMINAL.

NOT "SOME KIND."
A PARTICULAR KIND--
THE WORST KIND.

WHAT ON EARTH DO YOU MEAN?

I KNOW LUCY BUTLER. I HAD HER
INVESTIGATED FOR THE DEATH OF
A SEATTLE POLICE DETECTIVE,

AND THERE WAS NO TWO WAYS
ABOUT IT.

AND FOR THE MURDER
OF HER OWN CHILD.

THE MURDER?
WAIT A MINUTE.

I HAVE A STAFF THAT
CHECKS THESE THINGS--
CHECKS THEM THOROUGHLY.

IF THIS WOMAN HAD ANY KIND
OF RECORD, SHE WOULDN'T
HAVE BEEN HIRED FOR THIS JOB.

SHE WOULD NEVER BEEN CONSIDERED.
I CHECKED HER RECORD TOO.
SOMEHOW IT WAS EXPUNGED.

THERE IS NO SOMEHOW
WITH CHARGES LIKE THOSE.

YOU DON'T KNOW
WHAT KIND OF PERSON
YOU'RE DEALING WITH HERE.

SHE'S A NANNY, FOR GOD'S SAKES!
THE TRUTH IS, A DAMN GOOD ONE.

- WHO PUT YOU UP TO THIS?
WHO SENT YOU HERE?
- I'M ON AN INVESTIGATION.

OF WHO? FOR WHAT?
A MURDER, IN PITTSBURGH.

[ Inhales ]

LOOK, MR. BLACK.
A MAN HAS ENEMIES,
NO MATTER IF HE WANTS 'EM.

IT'S THE NATURE OF POLITICS.
I FIND YOUR VISIT HERE
RATHER CURIOUS,

AND YOUR STORY AS WELL.
I DIDN'T COME HERE
TO FRIGHTEN YOU.

LUCY IS A GODSEND. OUR CHILD
HAS NEVER BEEN BETTER, AND WE
HAVE LUCY TO THANK FOR THIS.

MY WIFE WILL AGREE WITH ME.

- OUR CHILD WAS QUITE ILL
BEFORE--
- WILL YOU LET HIM SPEAK?

I AM NOT THE ONLY PERSON
THAT'S HARBORED SUSPICIONS,
MR. SAXUM.

YOUR GARDENER GAVE A STATEMENT
ABOUT HIS ATTACK.

HE WAS ATTACKED BY
VICIOUS DOGS. VICIOUS DOGS
THAT GOT ONTO THE PROPERTY.

I WENT DOWN TO THE HOSPITAL
BEFORE I CAME HERE. I WANTED
TO CLEAR THAT UP FOR MYSELF.

I NEVER GOT A CHANCE
TO TALK TO THE MAN.

MY GOD.

I'LL THANK YOU TO LEAVE
OUR HOUSE AND NEVER COME BACK.

AND I'LL THANK YOU
NOT TO TEST OUR INTELLIGENCE
OR CREDULITY...

WITH YOUR RIDICULOUS
FABRICATIONS OF
TRUTH AND FICTIONS.

I'M GONNA HAVE YOU
INVESTIGATED, MR. BLACK.

I'D WELCOME IT.

[ Lucy ]
HELLO, MR. BLACK.

THIS IS REALLY SUCH
A SURPRISE TO SEE YOU.

IT ISN'T, LUCY.

YOU KNOW THAT.

YOU ASKED ME HERE.

YOU DID EVERYTHING
BUT SEND ME YOUR
PERSONAL INVITATION.

"ANTIPAS"-- AN ANAGRAM.

"SAINT P.A."

DID YOU JUST WATCH
THE MURDER, LUCY,

OR DID YOU DO IT
YOURSELF?

THE SUSPECT THAT
YOU SPEAK OF IN THIS CASE
IS A MALE HOMOSEXUAL.

HOW WOULD YOU KNOW THAT?

YOU GO ON INSIDE, OKAY?

AND TELL YOUR MOMMY AND DADDY
NOT TO WORRY.

THEY KNOW ENOUGH TO WORRY.
AT LEAST, THE MOTHER DOES.

SHE'S VERY JEALOUS OF ME.

- HE LIKES ME, YOU KNOW? JOHN?
- YOU HAVE HIM FOOLED.

HE WANTS ME.
AND SHE KNOWS IT.

HE WANTS ME LIKE ALL MEN DO.

- LEAVE THESE PEOPLE BE!
- I WORK FOR THEM.

- THAT'S NOT YOUR LITTLE GIRL!
- SHE IS MINE, FRANK.

- LEAVE HER ALONE!
- I DON'T LIKE TO SHARE!

YEAH, YOU WANNA SEE ME
GO OFF.

THAT'S WHAT YOU WANT.

- FRANK?
- WHAT?

I JUST WANT US TO BE TOGETHER.

SHE HAS DESIGNS ON YOU, JOHN.
THAT MUCH I KNOW.

- WHERE'S THIS COMING FROM?
FROM THAT F.B.I. AGENT?
- WOMEN KNOW THESE THINGS.

YOU PRESUME MEN ARE UNABLE
TO THINK FOR THEMSELVES,

AND THAT THEY'LL JUST HUMP
ANYTHING THAT MOVES.

SO, YOU ADMIT
AN ATTRACTION.
DON'T LAWYER ME, UNA.

[ Sighs ]
SHE'S EVIL, JOHN.
I'M TELLING YOU.

SHE TURNED DIVINA AROUND.
SHE'S THE HOLY MIRACLE WORKER,
IF YOU ASK ME.

YOU'RE ONLY SAYING THAT
BECAUSE OF WHAT IT MEANS TO
YOUR POLITICAL CAREER. ADMIT IT.

HOW CAN YOU TURN
A SIMPLE STATEMENT OF FACT
ABOUT OUR DAUGHTER'S HEALTH...

INTO A SELFISH MANIPULATION,
UNA?

WHAT WOULD YOU LIKE TO DO?
GET RID OF HER?
SEE WHAT HAPPENS?

[ John ]
DIVINA HAS AN ATTACHMENT
TO LUCY. CAN'T YOU SEE THAT?

[ Una ]
YOU SAY THAT AS IF
IT'S MY FAULT!

[ John ] I JUST DON'T THINK
YOU CAN TAKE CARE OF HER
ON YOUR OWN, TO BE HONEST.

I HAVE A LIFE TOO, JOHN.
AND LUCY'S NOT A THREAT TO THAT.

SHE'S A GIFT FROM HEAVEN.

[ Keyboard Clacking ]

[ Clacking Continues ]

[ Breathing Deeply ]

[ Moaning ]

[ Moaning Continues ]

[ Moaning Grows Louder ]

[ Moans ]

- OH!
- [ Snarls ]

- [ Screams ]
- [ Barking, Snarling ]

GET OFF ME.
[ Distorted ]
GET OFF OF ME!

[ Distorted Scream ]
[ Snarling, Growling ]

GET OFF ME!
[ Knocking ]

[ Knocking Continues ]
[ Horn Honking ]

OH.
[ Sighs ]

[ Knocking Continues ]
WHO IS IT?

IT'S AGENT HOLLIS.

IS EVERYTHING ALL RIGHT?

FRANK, ARE YOU OKAY?

[ Door Unlocks ]
IT'S OPEN.

[ Sighs ]

- WHAT ARE YOU DOIN' HERE?
- WHAT ARE YOU TALKING ABOUT,
FRANK? WHAT DO YOU MEAN?

I SPECIFICALLY ASKED YOU
NOT TO PARTICIPATE
IN THIS CASE.

YOU CALLED AND TOLD ME
TO GET OUT HERE.
YOU SAID IT WAS URGENT.

- I DIDN'T CALL YOU.
- YOU CALLED ME AT HOME, FRANK.

I ANSWERED THE PHONE.
IT WAS YOU.

YOU SAID THERE WAS
A MURDER-- A WOMAN--
UNA SAXUM.

GET ON THE PHONE,
CALL THE LOCAL P.D.

TELL THEM TO GET OUT
TO ANTIPAS MANOR NOW.

[ Rain Falling ]
[ Divina, Singsong ]
MOMMY, MOMMY.

MOMMY, MOMMY.

MOMMY, MOMMY, MOMMY.

MOMMY, MOMMY.

MOMMY.

MOMMY.

MOMMY, MOMMY.

MOMMY.

[ Squawking ]
DIVINA?

DIVINA! DIVINA!

[ Splashing ]

- OH, MY--
- [ Squawking ]

- [ Low-pitched, Distorted ]
MOMMY.
- OH, MY--

[ Screams ]

[ Geese Squawking ]
[ Woman Dispatcher, Indistinct ]

MRS. SAXUM!
MRS. SAXUM!

HOLD IT! HOLD IT!
HOLD IT. STAY BACK!

- [ Male Dispatcher,
Indistinct ]
- [ Splashing ]

- [ Splashing Continues ]
- [ Woman Dispatcher,
Indistinct ]

[ Woman Dispatcher, Indistinct ]
[ Frank ]
I'M GONNA MAKE AN ARREST.

[ Emma ]
FOR WHAT?
MURDER, PREMEDITATED.

FRANK, YOU CAN'T ARREST ANYONE
FOR THIS. THERE'S NO EVIDENCE.
THAT WOMAN DROWNED HERSELF.

HOW DO YOU DROWN
YOURSELF?

OKAY, THERE ARE TWO SETS
OF FOOTPRINTS IN THE WET MUD.
YOURS AND THE WIFE'S.

TELL ME WHO TO ARREST.

THE NANNY, LUCY BUTLER.
THE ONE THAT CALLED YOU
OUT HERE.

THE SUSPECT IN
YOUR OTHER CASE.

FRANK, I DON'T GET IT.

YOU'RE NOT SUPPOSED
TO GET IT, EMMA.

IT'S ABOUT ME.

WHAT?
YEAH.

SHE WANTS TO BE ARRESTED.
SHE'S EXPECTING IT,
BUT BY ME.

BUT I WANT YOU TO DO IT.
I WANT YOU TO HOLD HER AS LONG
AS THE LAW WILL ALLOW.

BUT NO INTERVIEWS
WHATSOEVER.
DO YOU UNDERSTAND ME?

WHY?

BECAUSE IT WOULD BE
POINTLESS.

AND DANGEROUS.

DADDY?

WHAT, SWEETHEART?

WHERE'S LUCY?
[ Sighs ]

LUCY'S GONE AWAY
FOR NOW.

IS SHE COMING BACK?

[ Sighs ]
DIVINA.

IT'S YOUR MOMMY.

IT'S YOUR MOMMY
WHO'S NOT COMING BACK.

LUCY'S MY MOMMY!

- DIVINA!
- [ Screams ]

[ Screaming Continues ]

HELLO? EXCUSE ME?
I NEED YOUR HELP.

ARE YOU ALL RIGHT, SIR?
I'M FINE. I'M SORRY.

MY NAME IS FRANK BLACK.
MM-HMM.

I WORK WITH THE FEDERAL
BUREAU OF INVESTIGATION.
IS THERE A PROBLEM?

YES.
I NEED SOME INFORMATION.

INFORMATION?
ON A CHILD WHO I BELIEVE
WAS BORN AT THIS HOSPITAL.

UH, WE DON'T PROVIDE.

IT HAS TO DO WITH
THE MURDER OF HER MOTHER,
UNA SAXUM.

SHE'S DEAD?

UNA WAS MURDERED?

UH-- I--
I HELPED DELIVER--

YOU MEAN DIVINA?
DIVINA SAXUM?

I BELIEVE THE CHILD
IS IN DANGER.

[ Chattering ]

AGENT HOLLIS?
EMMA HOLLIS?
YES, I'M EMMA HOLLIS.

DETECTIVE GROSKOFF.
HI.

PREPARE YOURSELF.
YOU'RE ABOUT TO MEET A MAN
NAMED SELWYN WASSENAAR.

HE'LL BE COMING AROUND
THE CORNER ANY MINUTE.

SPEAK OF THE DEVIL.

DETECTIVE GROSKOFF,
YOU HAVE BEEN AVOIDING ME.
SHAME ON YOU.

I DON'T HAVE AN ANSWER FOR YOU,
SELWYN. I'LL DEFER TO AGENT
HOLLIS, WHO MADE THE ARREST.

AGENT HOLLIS.
WELL, NOW.

ABRAHAM LINCOLN
WOULD BE PROUD.

AS A WOMAN WHO'S OBVIOUSLY
BENEFITED FROM THIS COUNTRY'S
ENLIGHTENMENT...

IN THE AREA OF CIVIL RIGHTS,

YOU'LL BE SO KIND AS TO RELEASE
MY CLIENT FROM HER BONDS,
POSTHASTE.

IF YOUR CLIENT IS LUCY BUTLER,
SHE'S BEING HELD FOR MURDER.

[ Chuckles ] HABEAS CORPUS.
DO YOU UNDERSTAND WHAT
THAT MEANS, AGENT HOLLIS?

PRODUCE THE BODY
BEFORE THE JUDGE
OR LET THE SLAVE FREE.

I DON'T APPRECIATE
THE INSINUATION,
MR. WASSENAAR.

AND I DON'T APPRECIATE THE RAPE,
TORTURE AND SUBJUGATION OF
MY POOR CLIENT, MS. HOLLIS.

I ASSURE YOU, SIR,

THAT YOUR CLIENT HAS BEEN
NEITHER RAPED, TORTURED
NOR SUBJUGATED.

MAYBE NOT IN
THE LAST FEW HOURS.

I DON'T KNOW WHAT YOU'RE
GETTING AT, MR. WASSENAAR.

BUT YOUR CLIENT IS NOT
THE VICTIM HERE.

OH, SHE MOST CERTAINLY IS,
MADAM.

AND I HAVE THE EVIDENCE,
UNLIKE YOU,

TO DISABUSE YOU OF
YOUR UPPITY NOTIONS
TO THE CONTRARY.

YOU PROMISED THIS WOULD
ALL BE ON THE Q.T.,
MR. BLACK.

- EXCUSE ME?
- I COULD GET IN BIG TROUBLE
LETTING YOU SEE THOSE FILES.

NO ONE'S GONNA KNOW
I'VE BEEN HERE.

WELL, THERE'S SOMEONE ON
THE PHONE WHO KNOWS ALREADY.

- I'M VERY SORRY. FRANK BLACK.
- FRANK. YOU'RE THERE.

EMMA, I FOUND SOMETHING.

SOMETHING YOU'RE NOT
GONNA BELIEVE.

NOBODY'S GONNA BELIEVE.
FRANK--

- WHAT LUCY BUTLER'S UP TO.
- FRANK, LISTEN TO ME.

NO, YOU LISTEN TO ME.
I FOUND BIRTH RECORDS.

FOOTPRINTS FROM
SAXUM'S LITTLE GIRL.
THEY'RE A PERFECT MATCH.

- TO WHAT?
- LUCY BUTLER'S DEAD CHILD.

I'M ON MY WAY THERE.
I WANNA CONFRONT HER WITH IT.

- SHE'S NOT HERE, FRANK.
- WHAT ARE YOU TALKING ABOUT?

WE WERE FORCED
TO LET HER GO.
FORCED? BY WHO?

HER LAWYER.
HE'S GOT SOMETHING
YOU'RE NOT GONNA BELIEVE.

WHAT?
A RAPE KIT ON
LUCY BUTLER.

AND A REQUEST FOR
A PATERNITY TEST.

FROM WHO? JOHN SAXUM?

NO, FRANK.
FROM YOU.

[ Chattering ]

[ Phone Ringing ]

[ Chattering ]

AH. THE SUSPECT,
NO DOUBT.

WHO'S PUSHING
THIS B.S.? YOU?
OOH!

VIOLENT TEMPER
AND ALL.

FRANK, STAY CALM.
NO, NO. HE'S HER LAWYER--
LUCY BUTLER.

YOU REPRESENT THE DEVIL.
OOH. HE'S LIKE A WILD ANIMAL.
[ Chuckles ]

IF SHE KILLS AGAIN, THE BLOOD'S
GONNA BE ON YOUR HANDS.
FRANK.

IRONICALLY, IT'S YOUR HANDS
WE ARE MOST CONCERNED WITH,
MR. BLACK.

NO. THOSE AREN'T MINE.

THAT'S NOT FROM ME.
I NEVER TOUCHED HER.

OH, YOU NOT ONLY TOUCHED HER.

- YOU IMPREGNATED HER
IN A MOTEL ROOM.
- WHAT ARE YOU SAYING?

ARE YOU GONNA TAKE THE TEST,
OR AM I GONNA READ YOU
YOUR RIGHTS?

HE'LL TAKE THE TEST!

I'LL MAKE SURE YOU GET
EVERYTHING YOU NEED. NOW CAN WE
HAVE A LITTLE BIT OF ROOM HERE?

[ Chuckles,
Clears Throat ]

MAKE ROOM FOR DADDY.

SIT DOWN, FRANK.

SHE'S OUT THERE, ANDY.

I DIDN'T FLY ALL THE WAY HERE
TO TALK ABOUT YOUR CASE, FRANK.
THIS IS ABOUT YOU.

WE'RE TALKING ABOUT A WOMAN
WHOSE DEAD CHILD'S FOOTPRINTS...

MATCH THOSE OF THE CHILD
THAT SHE'S ENTRUSTED
TO TAKE CARE OF.

YEAH, WELL, THAT'S
ABOUT AS BELIEVABLE
AS YOU BEING A RAPIST.

- I'M TELLING YOU, ANDY!
- I AM TELLING YOU, FRANK!

JUST TAKE THEIR TEST,
CLEAR THIS THING UP
AND GET OUT OF HERE.

YOU'RE OFF THIS CASE.

[ Door Slams Shut ]

GO THROUGH MY CALENDAR,
START MAKIN' CALLS.

TELL THEM I'M GOIN' OUT OF
POCKET ON THIS, THAT THE PRESS
CONFERENCE WILL BE RESCHEDULED.

I DON'T KNOW WHEN!
I DON'T EVEN KNOW
WHAT DAY IT IS.

ALL I KNOW IS I GOTTA
GET OUT OF THIS HOUSE.

[ John ]
LET'S GO, HONEY!

I'M GETTING IN THE CAR!
LET'S GO!

DIVINA?

WHERE ARE WE GOING,
JOHN?

- WHAT ARE YOU DOING HERE?
- NOW, WHAT KIND OF QUESTION
IS THAT?

DIVINA.

NO! NO!
I DON'T WANNA GO!

[ Grunts ]
NO! NO! I DON'T WANNA GO!

[ Struggling ]

JOHN?

CAN WE TALK ABOUT THIS?

[ Divina Struggling ]
I DON'T WANNA GO!

NO! NO!
I DON'T WANNA GO!

YOU CAN SCREAM ALL YOU WANT!
BUT I'M YOUR FATHER,
AND YOU'RE COMING WITH ME!

YOU'RE COMING WITH ME!

[ Gasps ]

HOW YOU DOIN', FRANK?
DID THEY GET WHAT THEY WANTED?

LOOK, I'M GONNA, UH,
LET YOU DRIVE YOURSELF
TO THE AIRPORT.

I'M FAIRLY CERTAIN
I CAN TRUST YOU.

THE DETECTIVE IN HERE WANTS
TO TALK TO ME. HOLLIS HAS BEEN
BENDING HIS EAR,

- TRYIN' TO CONVINCE HIM
YOU'RE ON TO SOMETHIN'.
- WHAT ARE YOU TALKIN' ABOUT?

THE CONNECTIONS YOU MADE.
THE WORD "ANTIPAS."

SHE PUT ON A SHOW-AND-TELL
FOR US.

- SEEMS TO MAKE SOME KIND OF
COCKEYED SENSE, SO--
- WHERE IS HOLLIS NOW?

SHE WENT OUT TO THE HOUSE
WHERE THE WOMAN WAS MURDERED.
WANTED TO TALK TO HER HUSBAND.

- SHE WENT BACK OUT THERE?
- YEAH.

[ Engine Starts ]

[ Engine Running ]

[ Gasps ]

ARE YOU ALL RIGHT?

CAN YOU OPEN THIS?

HEY! STOP!

[ Gasps ]

[ Cocks Gun ]

[ Inhales ]

AAAH!

[ Gasps ]

- WHAT DID YOU COME
LOOKING FOR?
- FRANK?

WHAT I GAVE THE BITCH?

YOU WANT IT TOO?
[ Snarls ]

[ Barking ]

[ Growling, Speaking,
Distorted ]

[ Growling, Snarling ]
[ Barking ]

- [ Barking ]
- [ Snarling ]

[ Gasps, Grunts ]

NO! STAY AWAY FROM ME!
STAY AWAY FROM ME!
COME ON! HOLLIS! HOLLIS!

- [ Panting ]
STAY AWAY! NO! NO!
- HOLLIS! IT'S ME!

LISTEN. WE GOTTA
GET OUT OF HERE.
COME ON!

IT'S LOCKED!

IT'S OKAY.
WE'RE GONNA GET OUT OF HERE!
IT'S OKAY, SWEETIE.

CLOSE YOUR EYES,
SWEETHEART!

[ Tires Screeching ]

FRANK!

CALL 911.

- FRANK, I THINK SHE'S--
- SHE'S NOT.
SHE NEVER WILL BE.

[ Beeping ]

I WAS HOPING YOU'D COME SEE ME.

WE LOST THE BABY, FRANK.

IT WASN'T OURS.
IT WASN'T MINE.

YOU CAME TO ME, FRANK.

ALL MEN COME TO ME IN TIME.

THE FRUIT OF OUR UNION
POPULATES THE EARTH.

WE COULD RULE THE WORLD,
FRANK.

[ Shouts ]
WHERE'S MY DIVINA?

SHE'S FAR AWAY.
SHE'S SAFE FROM YOU.

[ Inhales ]
YOU THINK?

YOU CAN CORRUPT MEN.

BUT YOU CANNOT
CORRUPT INNOCENCE.

[ Scoffs, Laughs ]

IS THAT WHAT YOU CAME HERE
TO TELL ME?

FEAR IS WHAT YOU WANT IN US.

I CAME HERE TO TELL YOU
I'M NOT AFRAID.

YOUR DAUGHTER!

JORDAN?

YOU'RE NOT AFRAID...

FOR HER?

[ Door Opens ]

[ Child ]
I MADE THIS!