Mary Hartman, Mary Hartman (1976–1977): Season 1, Episode 21 - Episode #1.21 - full transcript

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MARY HARTMAN! MARY HARTMAN!

NOW, JUST MAKE YOURSELF
AT HOME.

AND IF YOU'LL GIVE ME
THE BUTTER,

I'LL PUT IT IN THE FRIDGE...
OK.

WITH THE REST
OF THE STUFF. ALL RIGHT?

OK.

WHAT A NICE PLACE.

I MEAN REALLY NICE.

THIS IS REALLY NICE.

I MEAN,
THE WAY EVERYTHING JUST

GOES TOGETHER, YOU KNOW.



THE FLOOR AND THE WALLS
AND THE CEILING.

I'M GLAD YOU LIKE IT.

LIKE IT? OH, YEAH, I... I DO.
IT'S, UH...

DID YOU COORDINATE,
UH, THIS YOURSELF?

COORDINATE?

OH, YEAH, THAT'S WHAT
THEY CALL IT AT LEVITZ.

THAT'S THE, UH,
FURNITURE STORE.

SEE, THIS WOULD BE CALLED
THE COORDINATED LOOK.

THE... THAT LOOK IS
WHERE YOUR COLORS

AND YOUR FABRICS FORM...

OH, MY.

OH, MY GOD. THOSE DRAPES.

OH, THAT'S GORGEOUS.

OH, SEE, I LOVE THAT.



LOVE THAT!

LOVE IT.

AND... OH.

OH, THAT PLAID.
YOU SEE THAT PLAID.

THAT... IT'S LIKE THAT...

THAT'S LIKE
A STRIPED-PLAID LOOK.

IT'S SO, UM...

SO...

IT'S SO MASCULINE. IT'S SO

YOU.

WOULD YOU LIKE A DRINK?
NO.

THANK YOU.

NO, I'M NOT, UH...

NOTHING FOR ME.
I'M NOT THIRSTY AT ALL. UH,

NOT AFTER
THAT DELICIOUS DRINK

THAT WE HAD AT THE CAPRI.

UH, WHICH WAS REALLY
AWFULLY NICE OF YOU TO

BUY FOR ME.

ESPECIALLY AFTER
TAKING ME MARKETING,

WHICH WAS VERY SWEET OF YOU.

IT WAS MY PLEASURE.

REALLY? WAS... WAS IT
YOUR PLEASURE?

MMM-HMM.

TOM HATES TO MARKET.

HOW ABOUT SOME MUSIC?

OH, MUSIC.

OH!

♪

GEE, I LOVE MUSIC.

YOU KNOW, I WAS ONCE
IN A PLAY IN HIGH SCHOOL.

IT WAS ABOUT MUSIC.

I MEAN, I...

ISN'T THAT
AN AMAZING COINCIDENCE?

I WAS, UH...

IT WAS IN MY SOPHOMORE YEAR
OF HIGH SCHOOL,

AND, UM,

THIS WAS MY FIRST
MAJOR MUSICAL
EXTRACURRICULAR PROJECT.

AND I DIDN'T HAVE
A VERY BIG PART,

I WAS JUST ONE OF THE MEN.

BUT, UM, THE FIRST LINE
OF THE PLAY WAS,

"IF MUSIC BE THE FOOD OF LOVE,
PLAY ON."

NOW, IS THAT A COINCIDENCE?

YOU KNOW.

MUSIC HERE, MUSIC THERE,
YOU KNOW.

IT WAS A PERIOD PLAY.

WHAT PERIOD?

OH, IT WAS 5TH PERIOD.

IT WAS, UH, MRS. MALTBY'S
ENGLISH LIT. CLASS.

AM I BORING YOU?

NOT AT ALL.

GOOD.

WHAT A HOUSE!

I MEAN, THIS IS SOMETHING.

I MEAN, JUST WITH YOUR,

YOU KNOW, YOUR,

YOU KNOW, YOUR WINDOWS

AND YOUR MATCHING FURNITURE
AND...

YOUR NUTS, YOU KNOW,
IT'S JUST, UH...

IT'S QUITE A PLACE.

IT'S HOMEY.

DO YOU KNOW WHAT I MEAN?
I MEAN, THERE IS JUST...

THERE IS SOMETHING
ABOUT THIS PLACE.

IT IS JUST HOMEY.

I WAS TRYING TO THINK OF
A WORD BEFORE OF WHAT IT WAS,

YOU KNOW WHAT I MEAN?

AND, UH, AND THAT'S WHAT
IT IS, IT'S HOMEY.
I MEAN, IT'S JUST...

WHY DON'T YOU SETTLE DOWN?

AND STOP BEING SO NERVOUS.

I MEAN, THERE'S NOTHING
TO BE AFRAID OF.

I'M NOT GONNA
POUNCE ON YOU OR ANYTHING.

OH, OF COURSE NOT.
I DON'T THINK THAT. IT'S...

I'M GONNA LET YOU
MAKE THE FIRST MOVE.

ME?

WHY? WHERE? HOW?

SEE, THERE ARE 2 WAYS, MARY.

I CAN MAKE THE FIRST MOVE

OR YOU CAN.

OH, I SEE.
I SEE WHAT YOU MEAN. YOU MEAN,

I COULD MAKE THE FIRST MOVE
OR YOU CAN.

YOU CAN TAKE
ALL THE TIME YOU WANT.

'CAUSE I'M NOT GONNA
RUSH THINGS.

BECAUSE I DON'T THINK
YOU'RE AS READY AS I AM.

I AM

SO IN LOVE WITH
THAT PLANT IN THE KITCHEN.

I'LL TELL YOU SOMETHING ELSE.
WHAT A LITTLE BEAUTY! WHAT?

YOU CAN TAKE
ALL THE TIME YOU WANT.

'CAUSE I'M WILLING TO WAIT

TILL YOU'RE READY.

CHARLIE, HONEY, BE CAREFUL.
I DON'T WANT YOU

STRAINING YOUR BACK
OR ANYTHING BEFORE
WE EVEN GET STARTED.

HONEY, IT'S GONNA TAKE
MORE THAN A COUPLE
OF PUNY VALISES

TO STRAIN A MAN
OF STEEL LIKE ME.

BOY, HONEY,
THAT'S HEAVY.

WHAT YOU GOT IN THERE?
SOME OF YOUR
STONE-GROUND BISCUITS?

NO, I'M NOT PACKING THE FOOD
TILL TOMORROW MORNING,
RIGHT BEFORE WE LEAVE.

NASHVILLE, HERE WE COME!

BOY, WE SURE GOT A LOAD,
DON'T WE?

YEAH, WE DO, HONEY.

I DON'T KNOW, MAYBE I OUGHT
NOT TO TAKE SCRUGGSY
OR MY SQUASHY PILLOW HERE.

WHAT DO YOU THINK?

NO, HONEY, THEM THINGS
IS IMPORTANT TO YOU.

JUST... JUST LIKE SOME THINGS
IS IMPORTANT TO ME.

LIKE I WOULDN'T WANT
TO FORGET
MY PAPPY'S POWER HERE.

OH, CHARLIE, YOU THINK
WE'RE GONNA NEED THAT?

YES, I THINK
WE'RE GONNA NEED IT.

I WANTED TO PACK
MY .32,

BUT THEY GOT LAWS
IN SOME STATES

THAT SAY
YOU CAN'T CARRY HANDGUNS.

I DON'T WANNA
GET IN ANY TROUBLE.

I WOULDN'T TAKE NO TRIP
WITHOUT SOME KIND
OF PROTECTION.

YOU NEVER KNOW WHAT'S
LURKING AROUND OUT THERE,
LORETTA. I MEAN...

BE PREPARED. THAT'S MY MOTTO.
BE PREPARED.

ISN'T THAT SOMEBODY ELSE'S
MOTTO, TOO?

THE BOY SCOUTS OF AMERICA.
OH, YEAH.

THEY DON'T
FOOL AROUND NEITHER.
YEAH.

WELL, THAT LOOKS LIKE
ABOUT EVERYTHING.

OH, EXCEPT THE MOST
IMPORTANT THING.

THE TAPES!
YES, SIREE,

THEM EVER-LOVIN'
ACETATE DUBS WE MADE.

HONEY, WHERE ARE THE TAPES?
THE TAPES ARE GONE, HONEY.
THEY WERE RIGHT HERE.

I LEFT THEM RIGHT HERE.
OH, CHARLIE.
I PUT THEM OVER THERE.

SEE, I WAS TAKING THEM OUT.
LOOKING AT THEM A LITTLE BIT.

I PUT THEM RIGHT OVER THERE,
BY THE DOOR. IN THERE
SO WE DON'T FORGET THEM.

I DON'T SEE... IN THE CABINET?
YEAH.

WHY, HONEY,

YOU WERE FOOLING AROUND
WITH ALL OUR HOPES AND DREAMS

WRAPPED UP
IN THAT LITTLE PACKAGE.

THAT'S EVERYTHING
WE'VE WORKED AND PRAYED FOR

ALL THOSE YEARS
SINCE I KNEW YOU.

AND THERE IT IS, BOY.

THAT'S IT.

THAT'S OUR TICKET
TO SUPERSTARDOM.

AND A FREE PASS

TO THE LAND OF
MILK AND HONEY.

OH, CHARLIE, I'M SO HAPPY.

I MEAN, WE HAVE GOT SO MUCH
TO BE GRATEFUL FOR, YOU KNOW.

AND YOU'RE JUST SO WONDERFUL.

AND YOU'RE SO SWEET,

AND SO PRETTY,

AND SO TALENTED.

AND WE GOT A BABY ON THE WAY.

YEAH, WE GOT
JUST ABOUT EVERYTHING.

I KNOW.

EXCEPT DINNER.

HMM?

DARN IT, I WAS GOING TO FIX UP
THIS SCRUMPTIOUS MEAL.

I WAS GOING TO INVITE
ALL OUR FRIENDS OVER,
YOU KNOW.

KIND OF FOR JUST A LITTLE
GOING AWAY DINNER, YOU KNOW.

AND I GOT SO BUSY PACKING,
HONEY,

I JUST PLUM FORGOT TO DO IT.

OH, THAT'S OK, THAT'S...
I'LL TELL YOU WHAT.

WHAT?

YOU PUT ON YOUR BEST BIB...
DID YOU PACK THEM YET?
YOUR BEST BIB AND TUCK?

NO.
GOOD.

AND I WILL TAKE YOU TO

THE FANCIEST RESTAURANT
THAT YOU HAVE EVER BEEN TO.

OH, GREAT, WHERE ARE YOU
GOING TO TAKE ME?

HOW DOES

THE STARLIGHT ROOF OF
THE HOLIDAY INN SOUND?

OH, CHARLIE! GREAT!

CHARLIE. LORETTA. HEY.

- HI, TOM.
- HI, HI, HI.

LISTEN, I'M SORRY TO
BARGE IN ON YOU WHEN YOU'RE
PACKING AND ALL, BUT, UH...

I WAS JUST WONDERING...

IS MARY...
SHE'S NOT HERE, IS SHE?

NO, SHE'S NOT.

YOU WOULDN'T HAPPEN TO KNOW
WHERE SHE IS, WOULD YOU?

UM, LAST TIME I SEEN HER
SHE WAS GOING TO THE MARKET.

WHEN WAS THAT? I MEAN,
I'VE BEEN HOME FROM WORK
OVER AN HOUR.

I DIDN'T REALLY NOTICE
THE TIME, TOM.

LORETTA, LOOK.

LOOK,

I KNOW... I KNOW...
I... I KNOW YOU'RE MAD AT ME.
AREN'T YOU?

MMM-HMM, YEAH.
YEAH, I AM MAD AT YOU. UM,

YOU KNOW, AFTER ALL
YOU'VE DONE TO MARY,
I DON'T BLAME HER FOR GO...

WHAT DO YOU MEAN?
WELL, FOR ANYTHING.

WHAT DO YOU MEAN?

I MEAN EVERYTHING YOU GET
YOU DESERVE.

WHAT ARE YOU TRYING
TO TELL ME, LORETTA? HUH?

WHAT ARE YOU TRYING
TO TELL ME?

ARE YOU TRYING TO TELL ME
THAT SHE'S FOOLING AROUND?

IS THAT WHAT
YOU'RE TRYING TO TELL ME?

I DIDN'T SAY ANYTHING
OF THAT KIND.

WHAT ARE YOU
TRYING TO TELL ME?

I DIDN'T SAY ANYTHING OF
THE KIND, DID I, CHARLIE?

I MEAN, MARY FOOLING AROUND,
WHY, THAT'S UNTHINKABLE.

SHE DIDN'T SAY
ANYTHING LIKE THAT.

THAT'S UNTHINKABLE, TOM.

WHAT IF I DID?

ALL RIGHT, THEN.
LORETTA, WHO'S SHE WITH?

WHERE IS SHE?
YOU TELL ME NOW. WHERE IS SHE?

WE HAVE THIS OLD SAYING
IN TEXAS, TOM,

"WHAT'S SAUCE FOR THE GOOSE
IS SAUCE FOR THE GANDER."

YOU KNOW, WE HAD
THAT SAME SAYING,
THAT'S A GOOD SAYING.

BUT YOU GOT IT WRONG, HONEY.
'CAUSE THIS TIME...

'CAUSE THE GANDER
IS LIKE THE MALE,

AND TOM IS THE MALE.

SO I... I DON'T MEAN
TO CRITICIZE TOM...

WAIT A MINUTE! SHE IS
FOOLING AROUND, IS THAT
WHAT YOU'RE TRYING TO SAY?

IS SHE FOOLING AROUND?
TAKE IT EASY, TOM.

WELL, COME ON, LORETTA,
TELL ME WHAT'S HAPPENING!
WHAT'S HAPPENING?

I'VE SAID ALL I AM GONNA SAY.
IT'S UNTHINKABLE.

HONEY, I'M GONNA GO UPSTAIRS
AND GET DRESSED FOR DINNER,
OK?

OH, LORETTA, COME ON,
YOU GOT TO TELL ME. LORETTA!

LORETTA, PLEASE.
COME ON, LORETTA!

CHARLIE, COME ON,
YOU GOT TO TELL ME.

CHARLIE,
YOU'RE MY BEST FRIEND, RIGHT?

WELL, YEAH.
WHAT'S THE HELL
IS GOING ON HERE?

SEARCH ME.

DID YOU HEAR WHAT
LORETTA SAID? DID YOU HEAR IT?
YEAH.

WELL, NOW,
IS IT RIGHT, CHARLIE?

IT AIN'T RIGHT FOR MARY
TO BE DOING SOMETHING
LIKE THAT, NOW, IS IT?

LIKE WHAT?

LIKE ALL THAT SAUCE
FOR THE GANDER STUFF.
NOW THAT AIN'T RIGHT.

NO.

NO, THAT AIN'T RIGHT.
BUT, I MEAN...

LIKE IF IT WAS YOU OR ME,
IT WOULD BE...

I MEAN, LOOK, CHARLIE,
IT'S ONE THING FOR A...
FOR A GUY

TO FOOL AROUND, YOU KNOW?
BUT IT'S ANOTHER THING...

I MEAN, ESPECIALLY MARY,
IT AIN'T RIGHT FOR... FOR HER

TO FOOL AROUND.
I MEAN, SHE'S MY WIFE!

I MEAN THAT AIN'T RIGHT,
CHARLIE. IT JUST AIN'T RIGHT.

NO, IT AIN'T RIGHT,
IT AIN'T RIGHT.
A WOMAN SHOULDN'T STRAY.

YOU'RE RIGHT, TOM.
YOU'RE RIGHT.

WHAT THE HELL AM I GONNA DO,
HUH?

HUH?

I MEAN, IS... IS IT
UNTHINKABLE? IS IT?

HUH? IS IT?

WELL, DON'T THINK
ABOUT IT, TOM.

I GOTTA FIND HER.
I GOTTA FIND HER.

I GOT TO KNOW, CHARLIE.
I GOT TO KNOW.
TOM, TOM!

TOM, JUST DON'T
THINK ABOUT IT.

I GOTTA KNOW.

DON'T THINK ABOUT IT.

DID YOU TRACK HER DOWN?

OH, HI, HEATHER.

DID YOU FIND OUT
WHERE MOM IS?

WHAT?

DID YOU FIND OUT
WHERE MOM IS?

NO, I DIDN'T.

LISTEN, YOU SHOULDN'T BE
DRINKING COCA-COLA
BEFORE DINNER. YOU KNOW THAT.

THERE ISN'T ANY DINNER.
WHAT?

THERE ISN'T ANY DINNER.

DAD?
YEAH.

HOW COME MOM TOOK OFF?

HONEY, DON'T YOU HAVE HOMEWORK
TO DO OR SOMETHING? HUH?

YOU GUYS GONNA SPLIT UP?

HEATHER, LISTEN,
I'M YOUR FATHER.
AND I... I WANT YOU TO...

I'M GONNA TEACH YOU
SOMETHING, OK?

NOW, LOOK,
IT'S NOT A GOOD IDEA

TO NOT DO YOUR HOMEWORK
WHEN YOU SHOULD BE
DOING YOUR HOMEWORK.

YOU UNDERSTAND THAT?

HMM?
YEAH.

HONEY, WILL YOU STOP THAT?
LOOK WHAT YOU'RE DOING.

DAD, PENNY CARSON'S PARENTS
GOT A DIVORCE.

HER FATHER HAS TO
TAKE HER PLACES
EVERY SATURDAY.

YEAH?

WELL, THEY GET TO
DO NEAT THINGS

LIKE ROLLER-SKATING
AND MINIATURE GOLFING.

IS THAT WHY
YOU'RE SLEEPING ON THE COUCH?

HONEY, YOUR MOTHER AND I
ARE NOT GETTING A DIVORCE,
SO DON'T WORRY ABOUT IT, OK?

I WANNA DO THINGS
WITH YOU ON SATURDAY.

HEATHER, LOOK,
YOU'RE MY DAUGHTER, RIGHT?

ALL RIGHT? AND I LOVE YOU
VERY MUCH, YOU KNOW THAT,
DON'T YOU?

BUT YOU KNOW WHAT, SOMETIMES
I DON'T UNDERSTAND YOU.

I DON'T HAVE ANY IDEA
WHAT... WHAT YOU'RE UP TO.
I DON'T.

I REALLY DON'T.

NOW, YOU WOULD RATHER
YOUR MOTHER AND I
GOT A DIVORCE

SO YOU AND ME CAN GO
ROLLER-SKATING ON SATURDAYS.
IS THAT IT?

WELL, I KNOW YOU DON'T LIKE
ROLLER-SKATING SO MUCH.

SO WE COULD GO BOWLING
OR MINIATURE GOLFING.

HONEY, YOU SEE WHY I DON'T
LIKE YOU DRINKING COKE?
LOOK AT THE MESS YOU MADE.

HMM?
WELL, I'LL CLEAN IT UP.

WELL, I'LL TRY TO SPEND
MORE TIME WITH YOU, OK?

OK.

NOW TELL ME, WHERE'S MOM?

HONEY, LOOK, BY THE TIME
YOU GO AND DO YOUR HOMEWORK,
SHE'LL PROBABLY BE HOME, OK?

NOW, GO AND DO IT.
GO ON. GO ON.

MARY?

MARY.

MARY.

OH.

I'M SORRY,
I WAS EXPECTING YOUR WIFE.

LISTEN, IF YOU...

YOU WERE EXPECTING MY WIFE?
SO WAS I, BELIEVE ME.

AND IF YOU'RE
SELLING ANYTHING,
WE DON'T NEED ANY, OK?

OH, NO, I'M MISS WOLASHAK.
ROBERTA WOLASHAK?

THE SOCIAL WORKER
ATTACHED TO GRANDPA.

MR. LARKIN?

OH. OH.

LOOK, I'M SORRY TO COME AT
SUCH AN INCONVENIENT TIME,

BUT, UH,
I'M MEETING RAYMOND HERE.

HERE?

YES, IS MARY HERE?

NO, SHE'S NOT HERE,
AND GRANDPA ISN'T HERE EITHER.

OH, I KNOW THAT.
ABOUT GRANDPA, I MEAN.

YOU SEE, I'M NOT
MEETING HIM OFFICIALLY.

IF I WERE, I WOULD BE
MEETING HIM IN MY OFFICE,

WHICH IS CLOSED RIGHT NOW
BECAUSE IT'S AFTER HOURS.

MMM-HMM.

OF COURSE, SOMETIMES
I DO HAVE MEETINGS
AT THE HOME OF THE CLIENT.

BUT I ALREADY DID THAT SO, UH,

I'M MEETING HIM HERE.

YEAH, I... I DON'T
QUITE FOLLOW YOU.

I DON'T EITHER.
SOMETIMES I HAVE TROUBLE
FOLLOWING MYSELF.

COMMUNICATION BEING
WHAT IT IS.

WHAT I AM TRYING TO SAY IS

RAYMOND AND I
HAVE A DATE TONIGHT.

WHAT?

AND WE THOUGHT
IT WOULD BE EASIER IF YOU...

IF I PICKED HIM UP HERE
BECAUSE, WELL,

MR. AND MRS. SHUMWAY
DON'T REALLY APPROVE OF
OUR GROWING RELATIONSHIP.

YOU HAVE A DATE
WITH GRANDPA?

WHO IS THE DEAREST,
SWEETEST MAN I HAVE EVER MET.

HE IS SO KIND, SO INTERESTING,
SO BRIGHT, SO...

OLD.

OH, BUT DON'T YOU SEE,

HIS AGE IS WHAT MAKES HIM
MORE PRECIOUS,

MORE SPECIAL, MORE...

FORGETFUL.

I KNOW HIS MEMORY
PLAYS TRICKS ON HIM.

BUT DON'T
YOU UNDERSTAND?

THAT'S WHAT MAKES HIM
SO UNPREDICTABLE,
SO CHALLENGING, SO...

YEAH, WELL, I... I BELIEVE YOU,
MISS WOLASHAK, I REALLY DO.

I BELIEVE YOU.
THAT'S... THAT'S WONDERFUL.

I DIDN'T DO MY HOMEWORK.
I READ A BOOK.

YEAH, OH, HEATHER,
UH, HEATHER,
THIS IS, UH, MISS WOLASHAK,

GRANDPA LARKIN'S
SOCIAL WORKER.
THIS IS MY DAUGHTER, HEATHER.

HELLO, HEATHER.

ARE YOU GONNA PUT GRANDPA
IN SOME OLD FOGY HOME?

OH, NO, I...
I WOULDN'T THINK OF THAT.

I SAW YOUR CAR OUTSIDE,
SO I FIGURED YOU WERE HERE.

OH, RAYMOND,
YOU DIDN'T FORGET.
I'M SO GLAD.

OF COURSE I DIDN'T FORGET.
I DON'T HAVE THAT MANY DATES,

SO IT'S NOT HARD
TO KEEP TRACK.

HI, GRANDPA LARKIN.

OH, HELLO, SWEETHEART. TOM.

UH, LET'S GET STARTED.

I WOKE UP MY FACE
WITH AQUA VELVA,

BUT I DON'T THINK
IT'LL LAST LONG.

THANK YOU FOR
YOUR HOSPITALITY.

I GUESS MARY DIDN'T
SHOW UP YET, HUH?

NO, SHE DIDN'T.

WELL, AT LEAST WE DON'T HAVE
ANY MASS MURDERERS
FOR HER TO MESS WITH.

SO LONG.

BOY, SOCIAL WORKERS
SURE HAVE FUNNY HOURS.

YEAH.

SO?

SO WHAT?

HOW COME YOU'RE SLEEPING
ON THE COUCH?

HEATHER, COME ON.

WHERE DO YOU THINK
MOM IS?

HONEY, WHY DON'T YOU... YOU...
GO READ ANOTHER BOOK
OR SOMETHING, OK?

I'M STILL WAITING FOR YOU
TO MAKE THE FIRST MOVE.

OH, I GUESS
THAT'S WHY IT'S SO QUIET.

DO YOU REALLY EXPECT

ME TO, UM...

WHEN YOU'RE READY, SURE.

I... I DIDN'T THINK,
UH...

GIRLS WERE SUPPOSED
TO DO THAT.

I MEAN, I DIDN'T THINK
MEN LIKED THAT VERY MUCH.

WHY DON'T YOU TRY IT
AND SEE?

OH, NO.

YES, I... NO.

NO, I DON'T KNOW.

TOM SAID THAT, UM...

WELL, WHAT I MEAN IS, UH,

I DIDN'T MEAN THAT.
I UNDERSTAND YOU, MARY,

AND I'M VERY FLATTERED
THAT YOU TURNED TO ME.

AND I THINK I CAN HELP YOU.

YOU CAN?

WELL, I'D CERTAINLY
LIKE TO TRY.

WHAT?

♪

YOU WENT FIRST.

WHAT?

YOU MADE THE FIRST MOVE.

I COULDN'T HELP MYSELF.

MARY, LET'S, UH...

N-NO, I... I COULDN'T.

YOU CAN'T DENY
WHAT'S HAPPENING.

I CAN'T?

WHY? WHAT'S HAPPENING?

WHAT IS THIS, TROUBLE?
AM I IN TROUBLE NOW?

NO, AND YOU SHOULDN'T

BECAUSE IT'S THE MOST
NATURAL THING IN THE WORLD.

DO I LOOK DIFFERENT?

NO, I MEAN, DO MY...

DO MY LIPS
LOOK DIFFERENT NOW?

NOW, HERE ARE SOME SCENES
FROM THE NEXT EPISODES

OF MARY HARTMAN, MARY HARTMAN.

HOW DOES IT FEEL, TOM?

NOT KNOWING WHERE I WAS
OR WHAT I DID?

I'M SUFFERING.
IS THAT WHAT YOU WANT?

DO YOU WANT ME TO SUFFER?
OK, I AM SUFFERING.

OH, LORETTA,

I WISH YOU
ALL THE SUCCESS
IN THE WORLD.

THANK YOU, MARTHA.

A-AND WE CERTAINLY ARE
GONNA MISS YOU FOLKS
HERE IN THE NEIGHBORHOOD.

OH, WE'RE GONNA
MISS Y'ALL, TOO.

AND WE ARE ALWAYS GONNA
REMEMBER YOU, NO MATTER
HOW BIG OR FAMOUS WE GET.

RIGHT, CHARLIE?
THAT'S RIGHT.

RIGHT.
SO WHAT YOU ARE SAYING IS

THAT YOU DON'T EVER WANT
TO SEE ME AGAIN.

OK, MARY.

OK. ALL I WANT YOU TO DO

IS JUST PLEASE,
TELL ME WHAT YOU DID.

IS THERE
A RAYMOND LARKIN IN COURT?

HOLD IT, DADDY.

WHAT IS THIS?

NOW, JUST TAKE IT EASY, DADDY.
WE JUST OUT FOR
A LITTLE FUN, IS ALL.

COULD YOU TURN AROUND
AND LOOK AT ME, PLEASE?

WHY DID YOU DO IT?

WILL YOU PLEASE, PLEASE,
JUST SHUT UP, OK?
JUST SHUT UP.

ITS OVER, TOM.

IT'S JUST TOO MUCH

HUMILIATION AND REJECTION.

AND I JUST DON'T SEE

HOW MUCH MORE
HUMILIATION AND REJECTION

A PERSON CAN TAKE.