La Femme Nikita (1997–2001): Season 1, Episode 6 - Love - full transcript

I WON'T WASTE YOUR
TIME WITH SMALL TALK.

I KNOW YOU'RE BUSY.

WE'VE GOT ELVIRUS.

LIKE OTHER NERVE GAS AGENTS

IN ITS CLASS, ELVIRUS
COMBINES CHEMICALLY

WITH KHSO5

BUT ONLY ELVIRUS

HAS A BROMINE SPIKE.

THAT'S WHAT YOUR LITTLE
DREAMS ARE MADE OF.

( speaking Korean)

THIS ISN'T PROOF.



THIS DISPLAY COULD
HAVE BEEN SIMULATED

IN THE SOFTWARE.

THAT'S A GOOD POINT.

( cat mewing)

ANDY, TAKE FRANK TO
THE BASEMENT, WILL YOU?

FRANK?

( mewing)

YOU HIRED ME

TO DO TWO THINGS...

TO GET ELVIRUS, WHICH I DID

AND TO PULL THE TRIGGER

IF YOUR NEGOTIATIONS WITH
THE GOVERNMENT BREAK DOWN.

IF YOUR CONCERN IS
WHETHER I HAVE THE RESOLVE

TO DO WHAT YOU'RE ASKING



THAT'S LEGITIMATE.

AFTER ALL, I'M ONLY
IN THIS FOR THE MONEY.

I'VE KNOWN ANDY FOR TEN YEARS

EVER SINCE HIS PARENTS DIED.

HE'S THE CLOSEST THING
THAT I HAVE TO A SON.

( hissing)

THERE'S YOUR SIGNATURE...
BLACK EYES, BLACK FINGERNAILS.

ELVIRUS.

DO WE HAVE A DEAL?

MMM.

GOOD.

I HOPE YOUR DISCUSSIONS GO WELL.

IF NOT, I'LL BE READY.

Captioning sponsored
by WARNER BROS.

CHERCHEZ LA FEMME

CHERCHEZ LA FEMME

DANS LA NUIT

DANS LA NUIT.

TWO DAYS AGO, AN EXPERIMENTAL
V.X.-CLASS NERVE GAS WAS STOLEN.

NOW, THE FACT THAT
OUR GOVERNMENT

WAS IN POSSESSION
OF THIS MATERIAL

IS A BLATANT VIOLATION

OF THE CHEMICAL
WEAPONS CONVENTION.

THIS IS PERRY BAUER.

HAMAS, RED BRIGADE, I.R.A...

ALL OF THEM HAVE
DONE BUSINESS WITH HIM

OVER THE YEARS.

HE CAN PROCURE
JUST ABOUT ANYTHING...

MATERIAL, INFORMATION, PEOPLE.

BASED UPON THE
INFORMATION WE'VE GATHERED

OVER THE PAST 36 HOURS

WE BELIEVE HE HAS ELVIRUS.

AND WHAT HE PLANS ON
DOING WITH IT IS NOT KNOWN

BUT WE THINK IT'S LINKED

TO THE RECENT THREATS
AGAINST THE GOVERNMENT

BY RED CELL.

IT'S A ROGUE FACTION
OUT OF NORTH KOREA.

HOW MUCH TIME?

ELVIRUS HAS A
LIMITED SHELF LIFE.

IF THEY'RE GOING TO USE IT

IT'S GOING TO BE SOON.

♪ WELL, THERE'S A FREIGHT
TRAIN ON THE BADLANDS ♪

♪ THAT CARRIES MY BABY TO ME ♪

♪ YOU DO THE JOB SO WELL ♪

♪ JUST A-ROCKIN'
MY BABY TO SLEEP ♪

♪ WELL, THERE'S A
NEW WIND BLOWIN' ♪

♪ THERE'S A THUNDER
RUMBLING DOWN IN THE EAST ♪

♪ AND THERE'S A KING
SNAKE COILED UP ♪

♪ IN THE ARMS OF
AN OLD PINE TREE ♪

♪ WELL, THE KING
SNAKE SAYS TO BABY ♪

♪ DON'T YOU KNOW
THAT I'M A JEALOUS MAN ♪

♪ AND I WOULD NEVER
LET YOU LEAVE ME ♪

♪ TO WRANGLE ALONE IN THE SAND ♪

♪ BUT YOU WERE NEVER
MEANT FOR ROSES ♪

♪ YOU WERE MEANT TO KNOW
THE WISDOM OF THE FANG ♪

♪ TAKE THESE THIRTY
SILVER KISSES ♪

♪ AND LIVE WITH ME
IN THESE BAD LANDS ♪

WEAPONS, PLEASE.

♪ YEAH, YEAH, YEAH, YEAH. ♪

IN A MOMENT, YOU'LL
BE SEPARATED.

YOU'LL NEVER SEE
EACH OTHER AGAIN.

UNDERSTAND THAT?

WHOEVER TALKS
FIRST WILL GO FREE.

THE OTHER WILL NEVER
SEE THE LIGHT OF DAY.

YOU'VE BEEN THINKING ABOUT ME?

SURE, WALTER.

YOU'RE ALL I EVER THINK ABOUT.

YOU KNOW, THEY DON'T CONDONE

SEXUAL RELATIONS
BETWEEN OPERATIVES

BUT I THINK IN OUR CASE...

THEY'D MAKE AN EXCEPTION.

REALLY?

I'VE ALREADY DONE THE PAPERWORK.

UH, WALTER...

UM, THERE'S NO "W"
IN "MENAGE A TROIS."

I THOUGHT I RAN A SPELL CHECK.

HOW DID IT GO?

HEY, MICHAEL, YOU MIND?

WE'RE HAVING A MOMENT HERE.

THANK YOU, SUGAR.

IT WENT FINE, MICHAEL.

YOU'RE SO BAD.

AND, UH, HOW'S EVERYTHING ELSE?

I DIDN'T KNOW THERE
WAS ANYTHING ELSE.

HAVE YOU MADE FRIENDS?

I THOUGHT I WASN'T SUPPOSED
TO GET CLOSE TO ANYONE.

HOW'S THE APARTMENT?

MICHAEL, YOU DON'T HAVE
TO PRETEND TO BE INTERESTED.

EVERYTHING'S FINE.

I KNOW THE
TRANSITION IS DIFFICULT.

IT WAS DIFFICULT FOR ME TOO.

REALLY?

SOMEHOW...

I DON'T SEE ANYTHING
BEING DIFFICULT FOR YOU.

I GUESS I'LL SEE YOU LATER.

YOU'LL SEE ME IN TEN MINUTES.

MADELINE WANTS TO SEE US.

OUR GUESTS HAVE A MEETING
WITH BAUER THIS AFTERNOON.

THE NAME'S PETER.

NIKITA, YOU'RE SAGE.

YOU MET THROUGH
A MAN NAMED FEIGER

IN FRANKFURT, GERMANY.

YOU SPECIALIZE IN A BROAD
RANGE OF MERCENARY SERVICES...

ATTACK, DIVERSION,
ASSASSINATION.

YOU'VE BEEN MARRIED

FOR LESS THAN TWO YEARS.

AND JUDGING FROM THE FRESH
SCRATCH MARKS ON THEIR BACKS

IT'S SAFE TO SAY

THE RELATIONSHIP
IS A PASSIONATE ONE.

WON'T BAUER KNOW
WE'RE NOT THESE PEOPLE?

BAUER'S NEVER MET
PETER AND SAGE.

THEY WERE REFERRED
TO HIM BY FEIGER.

NOW, JUST BE CAREFUL.

BAUER'S EXTREMELY SUSPICIOUS.

EVEN IF YOU DO EARN HIS TRUST

AND YOU CROSS
OVER INTO HIS WORLD

HE'S AS DANGEROUS TO HIS FRIENDS

AS HE IS TO HIS ENEMIES.

MEANING WHAT?

HE'S GOT EXOTIC APPETITES.

WHATEVER HE HAS TO DO
TO HIS PARTNERS TO GET OFF

HE WILL.

HE WILL HIT ON YOU, NIKITA.

I'M COOL.

HE COULD HIT ON
YOU, TOO, MICHAEL.

HERE. PUT THESE ON.

IT DOESN'T FIT.

HERE.

THIS ONE'S YOURS.

DO I HAVE TO LOVE,
HONOR, AND OBEY?

JUST OBEY.

IT'S OKAY.

IT'S ONLY TILL DEATH DO US PART.

LET'S SEE YOU KISS.

WE'LL BE FINE.

I KNOW YOU WILL.

YOU'VE GOT TO BECOME
PETER AND SAGE.

WE WILL.

THAT'S EVERYTHING.

SO...

WHICH ONE OF THEM CRACKED?

THEY BOTH DID, OF COURSE.

SO, WHO GOES FREE?

YOU BETTER GET READY.

♪ A FRESH SCENT OF LONELINESS ♪

♪ WE SEEM TO FIND... ♪

( beep)

Man: Yeah, what is it?

PETER AND SAGE TO SEE MR. BAUER.

Unload them.

We'll meet them at the gate.

I DON'T GET IT.

SHOULD I WAIT?

You're done.

♪ THE CLOSER YOU GET ♪

♪ YOU'LL NEVER FIND YOUR WAY ♪

♪ THE CLOSER YOU GET ♪

♪ YOU'LL NEVER FIND YOUR WAY. ♪

WHO'S THE HAPPY COUPLE?

WE'RE HERE TO SEE BAUER.

OH, REALLY? WHAT FOR?

WE'RE HERE FOR THE
JOB IN THE KITCHEN.

WHO SAYS THERE'S AN OPENING?

A MUTUAL ACQUAINTANCE.

WHO MIGHT THAT BE?

FEIGER.

LET'S GO.

AFTER YOU'RE ALL SETTLED
IN, YOU CAN HANG BY THE POOL.

WE GOT A FULL BAR,
VIDEOS, WHATEVER YOU WANT.

WHEN DO WE MEET BAUER?

YOU IN A HURRY?

WE CAME HERE TO DO A
JOB, NOT TO WATCH VIDEOS.

THAT'S TOO BAD.

WE GOT SOME PRETTY GOOD ONES.

YOU'RE LATE.

WHY IS THAT?

ARE YOU BAUER?

YOU DIDN'T ANSWER MY QUESTION.

WHAT IS IT WITH
THESE GUYS, PETER?

THEY ALL GOT SMALL ONES OR
DO THEY JUST ACT THAT WAY?

IS THIS YOUR WIFE?

YEAH.

SHE'S GOT QUITE A MOUTH.

SORRY WE'RE LATE.

COULDN'T BE AVOIDED.

THIS JOB REQUIRES PRECISION...

AND EXECUTION.

CONVINCE ME YOU CAN DO IT.

WELL, TALK TO FEIGER.

HE KNOWS OUR WORK.

THIS DOESN'T FEEL RIGHT.

MEET ORNETT OUT FRONT.

HE'LL TAKE CARE OF
YOUR FEE FOR COMING OUT.

THANK YOU, DARLING.

WHATEVER.

HE HAS NO INTENTION
OF LETTING US

WALK OUT OF HERE ALIVE.

AUDITION'S OVER.

ALL RIGHT, THAT'S ENOUGH.

WELCOME TO THE TEAM.

THIS IS IT.

HERE'S YOUR ITINERARIES.

TIME LINE, LOCATION, FLOOR PLAN.

MEMORIZE IT.

WHAT ARE WE DOING?

WE'RE GOING TO RELEASE NERVE
GAS INTO AN OFFICE BUILDING.

WHY?

YOU KNOW WHEN YOU GOT HOSTAGES

AND NOBODY PAYS ATTENTION
TILL YOU TOSS A BODY OUT?

THAT'S WHY.

WE'LL LEAVE IN 12 HOURS.

IF BAUER CALLS YOU
INTO THE BUILDING

YOU'LL WEAR A GAS MASK.

DON'T TAKE IT OFF
UNTIL YOU'RE BACK.

ANY QUESTIONS?

ROCK AND ROLL.

( high-pitched whine)

10:00 TOMORROW.

DE ANZA BUILDING DOWNTOWN.

HE'S BRINGING GAS MASKS.

GOT IT.

SO, WHAT'S THE PLAN?

WE EVACUATE THE
BUILDING AND... LET HIM...

HAVE HIS FUN.

GOOD LUCK, SUGAR.

( beeping)

( sighs)

YOU CAN SEE WHY HE
CHOSE THIS BUILDING.

ACCESS IN AND
OUT ON THREE SIDES.

THE WINDOWS ARE
ALL TINTED AND SEALED.

THERE'S ONLY ONE SECURITY GUARD.

COLLATERAL.

DO WE HAVE A NUMBER?

DURING PEAK HOURS

WE LOOKING AT FOUR,
MAYBE 500 PEOPLE.

IN THE MORNINGS,
PROBABLY HALF THAT.

DID YOU RUN A SIM?

YEAH.

PROBLEM IS...

WE'RE NOT SURE

HOW MANY CANISTERS
HE PLANS ON USING.

HE'S GOT ENOUGH TO
COVER THE BUILDING.

PAST PERFORMANCES?

YOU WANT TO KNOW

IF HE'D TOAST THIS MANY PEOPLE?

HE'S GOING IN WITH THE GAS.

THIS GUY'S NOT BLUFFING.

YOU, YOU

CROSS OVER THE NORTH
SIDE OF THE BUILDING.

WE'RE GOING TO EXIT ON PAGE.

KEEP IT CLEAR.

GRAB THE MASKS.

PETER, SAGE, HANG IN FRONT.

ANYTHING COMES IN,
DOESN'T LOOK RIGHT

YOU LET ME KNOW.

LET'S GO.

MICHAEL.

WHERE ARE OUR PEOPLE?

STAY PUT.

ELAINE!

HI.

SURPRISED?

HEY, JOE. HOW ARE YOU DOING?

( drill whirring)

EXCUSE ME.

( gunshot)

GO, GO, GO.

( drill whines)

GO, GO, GO.

GO, GO, GO.

( whirring)

( grunts)

WHERE'S BAUER?

I DON'T KNOW.

HE WAS RIGHT BEHIND ME.

MY GOD! MICHAEL.

( screaming)

THERE ARE PEOPLE IN THERE.

GIVE ME THAT.

SAGE!

LET'S GET THE HELL OUT OF HERE.

COME ON!

( yelling)

( alarm sounds)

( coughing)

( high-pitched bleating)

( wailing)

( various alarms sounding)

THERE'S NOTHING WE CAN DO.

FOCUS!

( grunting)

( coughing)

LET'S GO.

( sirens wailing)

SECTION LET THOSE
PEOPLE GET SLAUGHTERED.

I TOLD WALTER EXACTLY
WHEN AND WHERE

IT WAS GOING TO GO DOWN.

WHO ARE THESE BUTCHERS
WE'RE WORKING FOR, MICHAEL?

DON'T DO THIS, NIKITA.

YOU DON'T HAVE ALL
THE INFORMATION.

I DON'T CARE.

YOU DON'T STAND BY AND
WATCH INNOCENT PEOPLE DIE...

YOU FIND A SOLUTION.

WHAT SOLUTION?

YOU GRAB BAUER
AND YOU LOCK HIM UP!

YOU DON'T LET HIM
WALK INTO THAT BUILDING.

MOST LIKELY, BAUER
HAD A FAIL-SAFE.

INSTEAD OF A DOZEN DEAD,
THERE'D BE THOUSANDS.

YOU DON'T KNOW THAT.

THAT'S RIGHT.

AND NEITHER DO YOU.

JUST DO THE JOB.

HOW ARE YOU FEELING?

WHY DID YOU COME
INTO THE BUILDING?

YOUR ORDERS WERE TO STAY POSTED.

IF WE'D OBEYED ORDERS,
YOU'D BE DEAD NOW.

WELL, THAT'S AN INTERESTING
MANAGEMENT DILEMMA, ISN'T IT?

DO I REWARD YOU...
FOR DISOBEYING ME

OR DO I PUNISH YOU
FOR SAVING MY LIFE?

HOW ABOUT FEEDING US?

I'M STARVED.

COME ON IN.

LET'S GET ACQUAINTED.

WHEN I FIRST HIRED
A FIVE-STAR CHEF

MY MOTHER SAID I WAS EXCESSIVE.

BUT I DON'T BELIEVE
IN CUTTING CORNERS

WHEN IT COMES TO
PLEASURE. DON'T YOU AGREE?

I LIKE FRUIT LOOPS.

BONJOUR.

SO WHERE DID YOU TWO MEET?

OH, THAT WAS IN...

RIO. DURING CARNIVAL.

THE FIRST TIME I EVER
REMEMBER SEEING HIM

WAS IN MY BED...
THE MORNING AFTER.

I DON'T KNOW HOW HE GOT THERE.

WE WERE TOTALLY WASTED.

PETER'S MY FIRST...

MY ONLY...

TRUE LOVE.

BU-BUT THAT'S ODD...

BECAUSE FEIGER TOLD ME

THAT YOU WERE WITH HIM.

AT THAT TIME IN FRANKFORT

AND THAT HE INTRODUCED YOU TWO.

( chuckles)

FEIGER'S A LIAR AND A PIG.

HE WISHES HE WAS WITH ME.

YES, THAT'S MY FRIEND FEIGER.

OH, YES.

COME.

I HAVE SOMETHING TO SHOW YOU.

YOU'LL LIKE IT.

RED CELL IS GIVING THE
GOVERNMENT SIX HOURS

TO ACCEDE TO THEIR DEMANDS.

WHAT ARE THEY?

RELEASING POLITICAL
PRISONERS, LIFTING THE EMBARGO

PUBLIC DENUNCIATION
OF CAPITALISM...

THE USUAL CRAP.

WILL THEY MEET ANY
OF THE DEMANDS?

NOT A SINGLE ONE.

COULD THAT CHANGE
OVER THE NEXT SIX HOURS?

NO.

WE MADE ANY PROGRESS?

MICHAEL AND NIKITA
ARE WITH BAUER NOW.

WE'RE NOT IN REAL-TIME
CONTACT WITH THEM

BUT WE EXPECT TO HEAR

FROM THEM SHORTLY.

SIX HOURS.

YOU'RE MY LITTLE SWEETHEART.

( giggling)

THREE IS ALWAYS BETTER THAN TWO.

YES, YES, YES.

GREAT DINNER, CHEF!

I TOLD YOU HE WAS THE BEST.

PRIMO GASTRONOME!

( woman giggling)

( '60s pop music playing)

♪ Talk to me, baby ♪

♪ Come on and take my hand ♪

♪ Talk to me, baby ♪

♪ So I can understand ♪

♪ 'Cause I can't go on living ♪

♪ Being your sometimes man ♪

♪ Find it in your heart ♪

♪ Mm-mm-mm, to treat me kind ♪

♪ Find it in your heart... ♪

YOU TWO LOOK SO
BEAUTIFUL TOGETHER.

SAGE IS BEAUTIFUL.

Stephanie: YOU MUST BE IN LOVE.

♪ ...Know all
along, darling... ♪

WE ARE.

♪ You're undecided
in your mind ♪

( glass shattering)

( laughing)

♪ I know that you
don't want me... ♪

GET ME SOME MORE
CHAMPAGNE, WOULDN'T YOU, LOVE?

MMM, YOU'RE SUCH A PIG
WHEN YOU WANT TO BE.

WHICH IS ALL THE TIME.

♪ If you know that
you don't want me ♪

♪ Why, oh, why don't
you just say so? ♪

♪ Oh, girl, I'll have
to have your answer ♪

♪ Or I will... ♪

YOU'RE A LUCKY MAN, PETER.

LUCKY MAN.

ARE WE DONE WITH THIS JOB?

♪ Go on... ♪

YEP.

I GUESS YOUR CLIENTS
GOT WHAT THEY WANTED.

NAH. A TOTAL WASTE OF TIME.

I KNEW IT WOULD BE.

THEY'RE FOREIGNERS, YOU KNOW.

THEY DON'T UNDERSTAND YOU
DON'T GET IN JOHN WAYNE'S FACE

AND TELL HIM WHAT TO DO.

THEY'RE FANATICS, YOU KNOW?

THEY'LL WIPE OUT A
FEW THOUSAND PEOPLE

THEY STILL WON'T
GET WHAT THEY WANT.

WHAT PEOPLE?

WATCH THE MORNING NEWS.

OUT OF MY HANDS NOW.

LET'S NOT TALK ABOUT
MONEY TONIGHT, ALL RIGHT?

TELL ME SOMETHING... WHAT
DO YOU THINK OF STEPHANIE?

HUH, PETEY?

SHE'S ALL RIGHT.

COME HERE.

I WANT TO TELL YOU
A LITTLE SECRET.

♪ ...That you don't want me... ♪

EVER SINCE THE
FIRST TIME I MET YOU

I'VE BEEN WANTING
YOU TO WATCH ME...

HAVE SEX WITH YOUR WIFE.

WHAT DO YOU SAY?

JUST GIVE US THE MONEY,
WE'RE OUT OF HERE.

OH, NO. PETEY, I HATE
TO BURST YOUR BUBBLE

BUT, UH, "WE'RE OUT OF HERE"

IS NOT AN OPTION.

WHAT DO YOU WANT FROM US?

LISTEN... OBVIOUSLY...

YOU TWO HAVE SOME PERVERSE IDEA

ABOUT LOVE AND SINGLE PARTNERS.

I RESPECT THAT.

SO IF YOU DON'T WANT
TO DO IT WITH ME...

HOW ABOUT YOU DO IT FOR ME?

OKAY, KIDS.

DON'T DISAPPOINT ME.

( blues guitar)

♪ OH ♪

♪ BABE ♪

♪ LOOK HOW YOU GOT ME ♪

♪ STANDIN' 'ROUND CRYIN' ♪

♪ OH, BABE ♪

♪ LOOK HOW YOU GOT
ME STANDIN' 'ROUND ♪

♪ CRYIN' ♪

♪ WELL, I KNOW
YOU DON'T LOVE ME ♪

TAKE YOUR CLOTHES OFF.

♪ ALWAYS RESTIN' ON MY MIND ♪

NO.

SLOWLY.

♪ OH, BABY ♪

PERFORM FOR ME.

♪ I AIN'T GONNA
BE RIDIN' AROUND ♪

♪ IN MY AUTOMOBILE ♪

♪ OH, BABE ♪

♪ I AIN'T GONNA BE RIDIN'
AROUND IN MY AUTOMOBILE ♪

♪ WELL, YOU GOT SO MANY MEN ♪

♪ AFRAID THAT YOU
MAY GET ME KILLED ♪

♪ OH ♪

♪ BABE ♪

♪ YOU JUST ♪

♪ MESS WITH ME ♪

♪ OH, BABE ♪

( beeping)

♪ YOU AIN'T NOTHIN'
LIKE YOU USED TO BE ♪

( beeping)

GET READY.

♪ WELL, WHEN I WAS LOVIN' YOU ♪

♪ YOU RAN AROUND ♪

♪ WITH OTHER MEN. ♪

GO TO YOUR ROOM AND STAY THERE.

COME ON, COME ON, COME ON.

SEAL OFF THE GROUNDS.

WHERE'S PETER?

HE WENT LOOKING FOR YOU.

WHAT WAS THAT?

DID YOU HEAR THAT?

WHAT'S GOING ON?

NOTHING...

YET.

PROBABLY WON'T BE
BACK FOR A FEW MINUTES.

( groaning)

( groaning)

IT'S THE TRAIN STATION.

LET'S GO.

WHAT? ARE YOU CRAZY?

WE'RE GOING TO DIE.

NO. YOU'LL DIE.

WE'LL BE WEARING GAS MASKS.

WHERE IS IT?

I DON'T KNOW.

HE'S AN OUTSIDER.

I HIRED AN OUTSIDER.

WHO IS HE?

HE'S A KID.

HE'S GOT LONG BLOND HAIR

LIKE WHEN THEY'RE WOVEN,
WHATEVER YOU CALL IT.

DREADS. DREADS.

THERE. RIGHT THERE.

RIGHT THERE.

GET THOSE PEOPLE OUT OF HERE.

OKAY, EVERYONE, PLEASE GET OUT.

EXCUSE ME. CAN
YOU GET OUT, PLEASE?

GET OUT, PLEASE.

PLEASE! GET OUT!

EVERYONE!

GET OUT.

I SAID, GET OUT.

WHERE IS IT?

( crowd yelling)

WHERE DID HE PLANT IT?

I DON'T KNOW, ALL RIGHT?

I SWEAR TO GOD, I DON'T KNOW.

ALL I KNOW IS IT'S
SUPPOSED TO GO OFF AT 6:04.

IT'S A TRACK.

GET OUT OF THE WAY. MOVE.

GET OUT OF THE WAY.

GET OUT OF THE WAY. MOVE.

GET OUT!

LEAVE!

( soft rock playing)

APPARENTLY, YOU TWO
WERE VERY CONVINCING

AS A YOUNG COUPLE IN LOVE.

I'M OUT OF HERE.

SHADES OF GRAY.

THERE'S NO SUCH THING
AS THE ENEMY ANYMORE.

AS LONG AS BAUER'S WILLING

TO PLAY BOTH SIDES OF THE FENCE

HE'LL CONTINUE TO DO BUSINESS.

( chamber clinking)

Captioning sponsored
by WARNER BROS.