Killers: Behind the Myth (2013–2015): Season 2, Episode 1 - The Suffolk Strangler - full transcript

[music playing]

NARRATOR: The most notoriouskillers hide in plain sight,

free to kill, and kill again.

[police siren]

But most are not the criminalmasterminds of fiction.

In their minds, theycommit the perfect murder.

In reality, it's their foolishmistakes that get them caught.

[gunshot]

[harpsichord music]

California, 1979.

The Sunshine State looks
like heaven on earth.



It's almost
tempting to speculate,

but it's rather
like the movie Jaws.

This is a place of
sunshine, and tourists,

and happiness, and surfing,and the ocean, and stuff.

NARRATOR: But a
nightmare is unfolding.

Suddenly, there was a bodyturning up on a weekly basis--

almost a daily basis.

NARRATOR: Behind this sunnyfacade is a lurking horror.

Throughout the
70s, motorists have

been discovering deadbodies dumped on the side

of California's freeways.

One investigator of theseseemingly unconnected killings

is Bernie Esposito.

This was becoming, you know,a weekly, biweekly thing.



So there was a great deal ofurgency in trying to find out

who was committing these acts.

NARRATOR: The police arepuzzled by the sheer number

of dead bodies.

[police radio in the background]

During the 70s, over
100 corpses are found

dumped by the state freeways.

For crime writer
Mark Billingham,

the body count should
ring alarm bells.

Even though bodies were beingfound every couple of days,

the local law enforcementwere kind of--

they were in denial as well.

But you know--

There were a couple of newspaperjournalists that kind of went,

Hello!

Serial killers on the loose!

And the police were then kindof going, la, la, la, la, la!

You know, let's all go surfing!

NARRATOR: No one knows ifit is one killer, or many.

There's no question
that Southern

California, at that time,was Serial Killer Central.

I mean, we now know
that there were

at least three different serialkillers operating in that area.

Perhaps more.

NARRATOR: But the media givethe faceless predator a name--

The Freeway Killer.

In many cases, the victimsare young men or boys.

Tension rises on the streets.

It seems no young male is safe.

Psychologist Vonda
Pelto remembers the fear

across the Sunshine State.

Parents were fearful ofletting their kids outside,

particularly young boys.

And there was just a thick layerof horror all over the area.

NARRATOR: Whoever The
Freeway Killer is,

he's just getting started.

Many more will die.

On March the 22nd, 1979, apattern begins to emerge.

We received a call of twoyoung bodies that were dumped

in the Ronald Casper's park.

NARRATOR: Forensic
pathologist Jimmy White,

has the gruesome task
of examining the bodies.

There were signs of sexualactivity on the victims,

if not necessarily semen.

There might have been,
you know, rectal damage.

That sort of thing.

NARRATOR: Examination
of the two bodies

reveals disturbing facts.

Both were teenagers,
and both, it appeared,

had been tortured andmurdered by the same killer.

By Spring 1980, several
more young male victims

turn up with similar injuries.

These bodies strike
a real similarity.

There are some common
denominators here

that we can't ignore.

These were murders
that you knew were

committed by a serial killer.

NARRATOR: A predator witha taste for teenage boys.

Esposito and his team haveto find the killer fast.

We had felt a real
sense of urgency

to try to capture
this individual,

because the bodies wereshowing up at an alarming rate.

NARRATOR: For Esposito,catching the killer is not

just a professional concern.

It is deeply personal.

At the time, my own son wasapproximately the same age,

same physical descriptionof these particular victims

that were being dumped allover Southern California.

So I had a particular
interest in trying

to capture this individual.

NARRATOR: Police teams fromtwo different jurisdictions

make the case a
priority, but the body

count continues to rise.

There's so many bodies thatquite honestly what happens

is they start to bleed intoone another, so to speak.

NARRATOR: Between August
1979 and May 1980,

13 more victims with
similar injuries

are found dead on the roadside.

On the 29th of May 1980, theLAPD make a breakthrough--

17-year-old Billy
Pugh is in custody.

He's arrested for a
minor theft, but he

offers the police
information in return

for favorable treatment--

information on The
Freeway Killer.

Obviously, there's a degreeof skepticism on behalf

of the police, but it
quickly becomes clear

that he's able to give themall sorts of details that would

be unknown to anybody else.

NARRATOR: He claims to havebeen recruited as an accomplice

by the killer.

So Billy Pugh is able
to say to the police,

if you let me off, I can tellyou who The Freeway Killer is.

NARRATOR: Pugh
gives them a name--

William Bonin.

Billy Pugh startedtelling his juvenile hall

counselor that he had accepteda ride from William Bonin.

And he opened the glovebox of William Bonin's van,

and he found all of thesearticles that were collected

on The Freeway Killings,
that were appearing

in all of the newspapers.

NARRATOR: They have a name,but they also have a problem.

Because Pugh is anaccomplice, his talk is cheap.

What we had was
just some information

that was uncorroborated.

You need somecorroboration for evidence

that you know is going
to be tested in court.

Testimony of an accomplicehas to be corroborated.

NARRATOR: The police
need hard evidence.

They begin
surveillance of Bonin.

[police radio in the background]

We took turns
surveilling Bill Bonin.

LAPD took a shift.

LA Sheriff took a shift.

We took a shift.

So it was a continual
thing where we had him

under surveillance for days.

NARRATOR: After nine dayswith nothing to report,

Bonin suddenly becomesactive on the 11th of June.

The detectives witness
what could only

be described as a nightmare.

They watch him cruising
around in his van trying

to pick up young men and boys.

And he tries to pick
up five different boys.

And the police watch and wait.

And they have to wait.

NARRATOR: They can
only break cover

when they are sure to
catch him in the midst

of committing a crime.

Suddenly, after
five failed attempts

to lure young men intohis van, a 15-year-old boy

accepts his invitation.

He picked up a youngkid on one of the streets

in Hollywood.

Got him into the van.

Pulled into a closed
service station.

NARRATOR: The police
are on a knife edge.

If they leap too soon,they jeopardize the case.

If they wait too
long, a boy may die.

LAPD crept up on the
van, and they can hear

this kid crying inside the van.

[sobbing and coughing]

NARRATOR: They believe Bonincould be The Freeway Killer,

but in trying to get
evidence against him,

there is a risk a childmay get hurt or even die.

As the police approach thevan where William Bonin is

attacking a 15-year-old, it isclear that they must act now

or the boy will die.

They couldn't let
it go on any further.

You know, it was time to move.

Before he killed the kid,he was in the process

of tying the kid up, when LAPD,you know, knocked on the door.

[interposing voices]

NARRATOR: The scene revealedinside the van is horrific.

The boy who was raped by Boninis lucky to escape his life.

They took the kid to safety.

Arrested Bill Bonin.

So at that point, we hadthe van in police custody.

NARRATOR: The van is a
mobile torture chamber

fitted out with
everything Bonin might

need for a gruesome attack.

So that's when we obtaineda search warrant for the van,

so that we could
legitimately examine

that van for forensic evidence.

NARRATOR: The forensic
team begin their work.

They know that tying Boninto the freeway murders

depends on robust evidence.

We did find some blood
evidence in the van.

I'm not sure which victimsthe blood was associated with,

but I do remember there
being blood in the van.

NARRATOR: As forensics
continue, Bonin

is questioned by the police.

He does not react like
your average killer.

He appears proud
of what he's done.

To the detective's amazement,he wants to share the story

of his revolting crimes.

He very much wanted to tellyou about his escapades--

about his conquests.

Bill Bonin would like youto think how smart he was.

NARRATOR: Bonin is also
assigned a counselor--

Vonda Pelto.

Over her career at LA
County Men's Prison,

she has been an
agony aunt to people

like Charles Manson
and Ted Bundy.

My main job in the jail was tokeep these high profile killers

from killing themselves.

And so it was not analysis.

It wasn't psychotherapy.

It was like friendly chats.

And they would
come, and they would

say, hey Doc, how about a hotcup of coffee and a cookie?

And I'd say, sure, come on in.

NARRATOR: In the flesh,
Bonin is approachable--

even appealing.

He was very
smooth, soft spoken.

He didn't look anythinglike a serial killer would.

A nice, nice fellow to sitand chat about the weather.

Just plumb nice fellow
that William Bonin.

NARRATOR: But Bonin's
tales will take

their toll on Pelto's psyche.

The whole time that he wastelling me of his killing,

I thought I was
going to throw up.

I was having a very difficulttime listening to this.

He was telling me
this story like you

might read a story to a child.

NARRATOR: With
relish, Bonin begins

his tale of a fateful encounterwith a man named Vernon Butts.

Vernon Butts was into blackmagic, Dungeons & Dragons,

things of that nature--
and just generally

a pretty deranged individual.

NARRATOR: Bonin meetsButts at a party in 1978.

They immediately hit it off.

Allegedly, Bonin
and Butts were

lovers, which is,
you know, how they

cemented their relationship.

And at one point,
again, allegedly,

Bonin watched Butts having sexwith another man in his house.

NARRATOR: But there is more totheir relationship than sex.

Bonin makes a dark
proposal to Butts.

And Bill said, you know, whatwould you think about picking

up somebody and killing them?

And Butts said, yeah,
I could go for that.

So that's how this
whole spree got started.

NARRATOR: The duo head
out in Bonin's van

onto the freeways of California.

They obviously had, you
know, some very strange

tastes anyway.

And I think there was a degreeto which they were just pushing

the envelope, and trying
to get a bigger thrill,

and a bigger thrill,
and a darker thrill.

And it got very out of hand.

NARRATOR: August 5th, 1979.

A 17-year-old
German holidaymaker

thinks he's in luck.

They picked up
their first victim--

who was hitchhiking at anon-ramp to the freeway.

And he said to
me, you know Doc,

I got up feeling
OK that morning.

And then after a while, mymother really began to bug me.

I began to feel really agitated.

So I thought I'd drive
down to Laguna Beach.

And he said, I just happenedto see this kid hitchhiking,

and all of a sudden,
I felt really horny.

NARRATOR: The boy
climbs into the van,

but things take a turnthat he wasn't expecting.

As Butts looks on, Bonin
overpowers and rapes

the hitchhiker.

Then Bonin draws a knife.

Bonin said that he's startedrubbing the knife up and down,

marks his smooth skin.

And then he said to the boy,I think I'm going to kill you.

And the boy at first thoughtthat Bill was kidding.

And he said, oh no, come on,you're not going to do that.

And then he stuck
the boy with it.

NARRATOR: As he is attacked,the boy puts up a fight.

Bonin goes into a frenzy.

Bill said, I panicked.

He said, I just kept
stabbing and stabbing.

NARRATOR: The boy
is stabbed 77 times.

This murder is the start ofa horrific killing spree.

Six months later, and withmore murders to his name,

he is cruising the streets witha newly recruited accomplice--

19-year-old Gregory Miley.

Bonin said, let's gopick up a kid and kill him.

And Miley was excited
about the idea.

NARRATOR: James McCabe
is only 12 years old,

and is making his
way to Disneyland.

He had his money
in his pocket,

all excited, and he could easilytake the bus to Disneyland

without a problem.

NARRATOR: But Bonin'sfriendly offer of a free ride

is hard to resist.

When Bonin was driving
out to a secluded place,

Miley was with the boy.

And the boy started saying, hey,this doesn't look like the way

to Disneyland.

NARRATOR: The boy realizessomething is terribly wrong.

The van is not
going to Disneyland.

But Miley said, oh yeah,we're just going to go out

and party a little
while, and then

we're going to take you
right to Disneyland.

NARRATOR: But the child neverreaches the Magic Kingdom.

Despite the 12-year-old'sdesperate pleas,

he is raped and murdered
in the back of the van.

Miley said, I knew
we weren't going

to take him to Disneyland.

NARRATOR: Into the Springof 1980, Bonin partners

up with up to four
different accomplices,

who participate in a spree ofincreasingly sadistic murders.

His 13th victim endures
a horrific death.

After being raped and
beaten, he is forced

to drink a caustic chemical.

Then, he is subjected
to unusually cruel abuse

by Bonin and Butts.

They were testing to seeif the victim was dead.

So Vernon Butts hadbrought along an ice pick.

So they took the ice pick,and they stuck it up his nose

and into his brain,
to see whether or not

they got any movement.

Another one, they took athey took a wire coat hanger,

and shoved it through his
ear, and tried to poke

it out through the other ear.

NARRATOR: Bonin's murder rampageis indiscriminate, violent,

and prolific, but
at the same time,

he succeeds in remaining
under the police radar.

But soon his predilectionfor young, easily

led accomplices will prove tobe the fatal flaw in his plan.

He had this sense
of being the boss.

And that was his littlegroup-- his little crime ring,

you know.

And he manipulated thoseindividuals into, you know,

helping him to commit
these particular crimes.

NARRATOR: March 1980.

Bonin has just committed amurder with his new accomplice

Billy Pugh.

But two months later,
Pugh is arrested.

It was all such a good plan,that Bonin would go around

and recruit this series ofmen that would help him,

that would help him kill.

It would help him
dispose of the bodies.

But of course long termit is not a good strategy.

And it ended up
being his undoing

when Billy Pugh was arrestedfor something very trivial,

like stealing a bike.

He was able to say to thepolice, hang on a minute,

I think I know who might
be your Freeway Killer,

because, you know, heknew very well that Bonin

was doing these things.

And so as soon as he was facedwith incarceration himself,

was able to drop
the dime on Bonin.

NARRATOR: But Bonin is notarrested straight away.

Instead, he's put under policesurveillance in an attempt

to obtain evidence.

The strange thing
that Bill knew

that the surveillance
was out there,

and that it was like a joke.

NARRATOR: But despite
this, Bonin's thirst

for sex and death still
needs to be quenched.

2nd of June 1980--

10 months after
the first murder--

18-year-old Steven Wellsis waiting at a bus stop.

Unfortunately for Wells, heaccepts a ride from Bonin

and another recruit,
James Monroe.

Now, clearly this surveillancewas not all-encompassing,

because while still
under surveillance,

Bonin, together
with James Monroe,

was able to kill Stephen Wells.

NARRATOR: In a change
to the usual pattern,

Bonin takes Wells back
to his parents' house.

There the boy is raped,
beaten, and strangled

with his own t-shirt.

They put his body into
the back of the van,

and they drive to Butts' house.

Butts-- a fantasist,
who loves to dress

up as film characters--

opens the door in costume.

They took Butts out
to the van to show

him the boy who is dead inthe back of the van, hog-tied.

And Butts said to
them, wow, you guys

really did a good one tonight.

To me this smacks of
kind of showing off.

It's like a cat bringing amouse in, you know, to show you.

They want to show
Butts what they'd done.

NARRATOR: After showing his killto Bonin's closest accomplice

and some-time lover,
Bonin and Monroe

manage to evade the
police surveillance,

and dump the body.

With $10 looted
from Wells' corpse,

they stop off to buy hamburgers.

Bonin feels untouchable, buthis luck is about to run out.

So nine days after the
murder of Steven Wells,

the police are still
watching Bonin.

And they watch himcruising around in his van.

He tries to pick up
five different boys.

Eventually, he does
succeed in getting

a boy into the back of the van,and the police watch and wait.

So having listened for a while,they burst in, and caught Bonin

in the act of raping this kid.

[interposing voices]

NARRATOR: In custody,
Bonin will shock

hardened policemen
with the savage story

of his killing spree.

But this is just talk.

The police need to tie
Bonin to the murders

through cold, hard evidence.

William Bonin has been caughtin the act of raping a teenager,

but to nail him for
murder, the police

still have a mountain to climb.

Under interrogation, Bonin bragsabout his skill as a killer.

Bill Bonin would like youto think how smart he was,

because he would tell you aboutthe things he did to get rid

of evidence--

how he would get
rid of clothing,

how he would get rid
of identification,

how he spoke with
Butts assuring him

that we couldn't
get fingerprints off

of a dead body.

NARRATOR: Forensic
teams had been

collecting evidence
from bodies dumped

over the last nine months.

This evidence is needed toback up the eyewitness accounts

of Bonin's accomplices.

Jimmy White was the
forensics expert

for Orange County at the time.

I would get called
out to crime scenes

to help the homicide
investigation

program in Orange County.

NARRATOR: Central
to White's analysis

is a search for fibers
on the victim's bodies

that might tie
them to the killer.

As White analyzes forensicsfrom each crime scene,

he sees the same fiber
crop up again and again.

The thing that became
readily apparent,

were the presence of these greencarpet fibers on the bodies.

NARRATOR: Forensic teams fromother police departments comb

bodies for clues.

They, too, find fibers.

We brought our evidence, andit became apparent they we're

all looking at the same thing.

The fiber size was same,
shape was the same.

NARRATOR: If, Forensics can findwhere these fibers are from,

they can be used as apowerful piece of evidence.

And eventually, investigatorswere able to trace the whole

history of the carpet--where it was manufactured,

and all that sort of thing.

NARRATOR: Forensics kneweverything about the carpet,

but had no one to link itto until Bonin was arrested.

Jimmy White arrives at the
scene of Bonin's arrest.

When he enters the
van, the penny drops.

If you want an "a-ha"
moment, you know,

you open the back door ofthis van, and there's this

variegated green carpet.

NARRATOR: On the
floor of Bonin's van,

where so many innocent boyshad been attacked and killed,

is a green carpet.

The fibers are examined
in minute detail.

And we got the carpet.

And we determined as much aswe could just through our crime

lab's investigation of thecarpet, that those fibers did,

in fact, come from his van.

NARRATOR: The fibers
tied Bonin and his van

to a number of victims.

Realizing the game
is up, Bonin shops

his lover and some-timesaccomplice Butts to the police.

We went to his home armed
with a search warrant,

and we knocked on Vernon's door.

And Vernon came to thedoor, and he was completely

dressed as Darth Vader.

We had a forensic team withus when we searched the house

for evidence, and one
of the criminalists

went into the bathing area, andsprayed what we call luminol.

And luminol is a substancethat will fluoresce blood.

NARRATOR: The luminol revealsthat Butts' bathroom has

been doubling as an abattoir.

And one of the criminalistscame out, and summoned us,

and said, come here, you guysprobably ought to look at this.

So we went into
the bedroom area,

and it had been a
bloody homicide scene.

And he tried to
clean up the shower,

but blood still remained.

NARRATOR: Butts is arrested.

He confesses to being
Bonin's accomplice.

Bonin's need to share hissadistic appetites with others

will now work against him.

His accomplices have now becomewitnesses to the murders.

Out of the accomplices thathelped William Bonin, Butts was

probably the most
vicious, and probably

had a little bit
more sophistication

than the other individuals.

Butts was not
easily manipulated.

He was a very, very
willing participant.

And he was very, very
vicious in participating

in these particular crimes.

NARRATOR: Butts is
forthcoming, showing

the police the locations
of many of the bodies.

The case against Bonin
becomes stronger,

with eyewitness statementsfrom former accomplices

like Monroe, Miley, and Pughto back up the forensics.

Billy Pugh actuallyaccompanied him on a homicide.

He's trying to ingratiatehimself to his juvenile hall

counselor and all of
that sort of stuff,

so that he could get a gooddeal and get out of there early.

And pretty soon, he got
himself into a situation

where he was admitting thathe was part of a homicide.

NARRATOR: On the eve of thetrial, the case against Bonin

is coming together.

The prosecution has the greencarpet fibers from the van,

blood in the house, thetestimony of accomplices,

and even a confession
from Bonin himself.

But as yet, there
was no explanation

as to why a single man couldclaim to kill so many victims.

As William Bonin
faces intense scrutiny

for a succession of
horrific murders,

his life story is analyzed.

Violence and loneliness
forms the backdrop

of Bonin's young life.

The father went off to war.

And when he returned,
he was angry.

His mother wasn't really ableto give Bonin or his brothers

the loving and nurturing
that they needed.

NARRATOR: Bernie Espositois wary of laying

the blame for Bonin's crimesat the feet of others.

He came from a very
dysfunctional home.

But on the other
hand, I don't happen

to be one of thoseindividuals that believes

that an abusive home necessarilyresults in everybody being, you

know, a killer, a murderer,
a monster of some sort,

that preys on others.

As a matter of fact,
I feel the opposite.

NARRATOR: But according tocriminal psychologist David

Holmes, Bonin's upbringingcould have allowed

his dark side to flourish.

Bonin's childhood
was almost feral.

He was almost having
to bring himself up.

It's a good atmosphere fordeveloping someone, who perhaps

already has inbred
psychopathic tendencies,

to learn to cope with
the world by being

aggressive back towards it.

NARRATOR: To escape
his terrible home life,

the 7-year-old Bonin
turns to crime.

He was stealinghubcaps and little items,

and his parents
couldn't handle him.

And so the thing they
did-- they had him

put in a boy's detention home.

NARRATOR: Here, Bonin becomesa victim of sexual abuse,

and a grim pattern begins.

And he was only
there a few months,

but while he was there
in this detention home,

he was raped by a 13-year-old.

When he returned home, he beganto rape his younger brother.

NARRATOR: Eventually, theabuse of the younger child

is revealed.

The parents solution
only makes things worse.

They put them into
a Catholic orphanage,

where they spent about
a year and a half.

During that time, Bill
was seduced by a priest

who came to the orphanage.

By almost any standards,Bonin had an extremely dark,

unhappy, and abusive childhood.

So his entire childhood,
he's pretty much

defined by violence and abuse.

NARRATOR: After a dark
and twisted adolescence,

Bonin is caught
up in the conflict

that defines his generation--

The Vietnam War.

He serves over 700 hours, andis commended for his actions.

Bonin's 700 hours as
a gunner in Vietnam,

will have taught
him many lessons.

He could kill in this
situation with impunity.

His desensitization to
the process of killing

will have been well
grounded in this

intense and repeated activity.

NARRATOR: For Holmes,
Vietnam might have

made him even more dangerous.

They would have
trained him in the idea

that you don't get
emotionally involved.

It was just simply a
learning experience,

and showed him how easy itwas to take a life away.

And he was
honorably discharged,

which is interesting, becauseduring his time in the service,

he raped several other men.

NARRATOR: The rapes don'tcome to light until many years

later.

On his return to California,he is still an unknown threat.

Within a year of
his return, he's

arrested for sexual offensesagainst five young boys.

But instead of prison,
he is sent to Atascadero

Psychiatric Hospital.

He was interviewed
by two psychiatrists,

and the psychiatrists gavehim the label of mentally

disordered sexual offender.

NARRATOR: Five years later,Bonin is considered to be no

longer a threat, and released.

The following year,
he attacks again.

The victim-- 15-year-old
David McVickers.

David McVickers had beenbrutalized, sodomized,

sexually assaulted, in avery, very violent manner,

by William Bonin.

After Bonin was finished,Bonin released him.

NARRATOR: McVickers shopsBonin to the police.

Bonin is charged, convicted,and he is sent to prison,

where he spends a year.

As he walks out of prison,he says to an accomplice,

this is the last time thisis ever going to happen.

It's at that point he makes adecision that he's not going

to leave anybody else alive.

NARRATOR: True to hisword, Bonin goes on to rape

and kill at a terrifying rate.

For Holmes, Bonin's compulsive
and addictive behavior

could have a genetic origin.

He inherited compulsiveand alcoholic tendencies.

This was evident in his
father's alcoholism.

But in him, it was more
expressive in this kind

of addicted frenzy of killing,he could not really control.

NARRATOR: And he
combines this killing

with an unusual
exhibitionist streak--

a need for an audience.

He was very proud
of what he did.

He expected older people toalmost share in his delight.

And he was very quick
to kind of admit

to crimes when he was caught.

NARRATOR: Bonin is
a killer who wants

to be noticed andrespected, but his audience,

for the most part,
are young boys

inferior to him in some way--

younger, less
intelligent, gullible.

Apart from Butts.

He was a lover, and an equal.

And that made him dangerous.

It's a strange and
twined relationship

between Bonin and Butts.

Either could have beencapable of killing the other.

Therefore, in a
way, Bonin and Butts

were bonded in this
kind of alliance--

this bizarre alliance--

of almost like two scorpionsbacking off from each other.

NARRATOR: But prison woulddrive a wedge between the two,

and one of them would
take his own life

rather than face the
full force of justice.

When they are both takeninto custody pending trial,

William Bonin proves
himself to be tougher

than his accomplice
Vernon Butts.

Butts, at the
first opportunity,

would actually kill
himself in prison,

and escape all consequences.

NARRATOR: Butts' suicide leavesBonin to face the music alone.

Bonin would have felt acertain amount of desertion,

but I think, at
that point in time,

he was happy to relish in anykind of limelight that he had.

NARRATOR: Alone,
in custody, Bonin

continues to open up his twistedpsyche to the authorities.

For Holmes, this
enables him to piece

together a motivation behind theapparently senseless killings.

He was a hedonistic
serial killer,

but with almost
frenzied, compulsive,

traits that meant he could notreally stop what he started.

Basically, had no restraints,and required more, and more,

and more.

NARRATOR: What
began as pedophilia,

morphed into something
more stark and deadly.

Bonin admitted to himselfthat the thing he wanted most

was just the power
over life and death--

that he liked the ideathat he could see the life

draining out of these kids.

NARRATOR: Even in custody,
it's an experience

he retells to those around him.

Holmes believes that Boninthought the experience

was something to be shared.

He imagined that otherpeople would also enjoy this,

but just simply daren't do it.

He imagined that other people
would share in this joy,

and he was telling peopleendlessly what he'd done.

If his only way of
gaining pleasure

was to actually relive
these experiences

by telling them to others,then that is what he would do.

NARRATOR: In the
state of California,

Bonin's repeated confessions,alongside forensics

linking him to
the murder scenes,

could only have one conclusion.

Bonin's activities as
a sadistic serial killer

were certain to draw
the death penalty.

NARRATOR: Bonin is sentenced todeath on 14 counts of murder.

He is to be executed
by lethal injection.

I asked Bill directly--

do you think that if you
hadn't gotten caught,

would you have stopped?

And he said, no, I couldn't.

He said, I would
still be killing

if I had not got caught.

And I tried to figureout, could have therapist

done something different?

And I don't believe anything
would have changed him.

Not meds, not therapy,
not shock treatment.

Nothing.

He was a killer.

NARRATOR: Despite
the penalty, Bonin

continues to hold out
for a stay of execution,

but his appeals
are unsuccessful.

On the 23rd of
February, 1996, he

becomes the first to beexecuted by lethal injection

in California.

But Bonin's death
is not the end.

Bonin accounted for the murdersof 14 young men and boys,

bringing some closure
for their families.

But Esposito suspects thatthis is not the full story.

He had literally dumpedbodies all over the place.

And Bill Bonin suggested tous, without giving us any names

or details, that, you know,
he was a truck driver,

and he would pick uphitchhikers in various parts

of the country.

NARRATOR: Bonin never
gave up any more

information on his involvementin further unsolved cases.

So, I'm sure, in my own mind,that there are more victims

that we have no idea wherethey are, who they are,

or how they died, or
where they were dumped.

But I'm sure there's others.

[music plays]