Hunter (1984–1991): Season 3, Episode 15 - Double Exposure - full transcript
McCall goes undercover as a model to investigate a modeling agency's shady practices.
MAYBE WE COULD GO TO YOUR
ROOM TO HAVE ANOTHER DRINK?
I DON'T LET STRANGE
WOMEN IN MY ROOM.
LOOK, 2 WEEKS AGO, ONE OF OUR
MARKS ENDS UP IN THE MORGUE.
ONE THING YOU KNOW ABOUT
COPS, MAN, IS THAT THEY'RE ALL UGLY.
SO HOW DOES IT FEEL TO BE
ONE OF THE WORLD'S
MOST BEAUTIFUL WOMEN?
WELL, THEN, WHAT DO I DO?
WHAT EVERY MODEL DOES.
YOU FIND WORK ON THE OUTSIDE.
WHY DON'T WE GO UP TO
MY ROOM, WHAT DO YOU SAY?
IT IS A WEE BIT CROWDED IN HERE.
WAY TO GO, SHELLY,
YOU BROUGHT ME A COP!
I THINK THEY GOT McCALL.
ARE YOU SAVING THIS
SEAT FOR SOMEONE?
NO.
WOULD YOU MIND VERY
MUCH IF I SIT HERE?
NO, NOT AT ALL.
THANK YOU. MM-HMM.
IT'S NOT THAT I WANT
TO SEEM TOO FORWARD,
BUT I'M WAITING FOR A FRIEND,
AND THE MEN, THEY ALWAYS
TRY TO... HOW DO YOU SAY...
PICK UP WITH ME?
OH. WELL, AT THE RISK OF
BEING FORWARD MYSELF,
MAY I OFFER YOU A
DRINK WHILE YOU WAIT?
SCOTCH?
YES.
I'LL HAVE THE SAME.
ONE SCOTCH, JOHNNY.
WELL, I'M HERE ON BUSINESS,
HOW ABOUT YOURSELF?
I'M FROM PARIS, BUT
I'M WORKING HERE NOW.
OH, WELL, WE'RE STRANGERS
TOGETHER, AREN'T WE?
YES.
Man: JACQUELINE DuBOC!
OUI? TELEPHONE.
EXCUSE ME.
I CAN'T BELIEVE IT.
MY RENDEZVOUS FOR THIS
EVENING HAS BEEN CANCELED.
OH, HOW DISAPPOINTING FOR YOU.
WOULD YOU CARE TO JOIN ME?
WITH PLEASURE.
OOH, IT BECOMES SO NOISY HERE.
WOULD IT LOOK TOO
FORWARD OF ME TO ASK YOU
IF WE COULD LEAVE FROM HERE?
MAYBE WE COULD GO TO YOUR
ROOM TO HAVE ANOTHER DRINK?
JACQUELINE, I DON'T LET
STRANGE WOMEN IN MY ROOM.
OH, I'M NOT SO STRANGE, REALLY,
JUST IN NEED OF A
LITTLE CONSOLATION.
WELL, THE LAST ONE TO THE
ELEVATOR'S A DIRTY DUCK.
OH, IT'S SO BEAUTIFUL HERE.
I HADN'T NOTICED.
WELL, CAN I MAKE
YOU THAT DRINK NOW?
NO, PLEASE, LET ME DO IT.
CERTAINLY.
EVER SINCE I WAS A LITTLE GIRL,
I ALWAYS DO THIS FOR MY
FATHER AND FOR HIS FRIENDS.
MAKES ME FEEL SO MUCH AT HOME.
WE SHOULD STAY WITH SCOTCH, NO?
YEAH, SCOTCH WOULD BE FINE.
NEVER MIX, NEVER WORRY.
WHAT A BEAUTIFUL EXPRESSION.
YOU AMERICANS
ARE SO PRACTICAL...
AND POETIC.
THANK YOU.
LA CITE DES LUMIERES.
THE CITY OF LIGHTS,
THAT'S HOW WE CALL PARIS.
WELL, AS YOU SAY HERE,
TO YOUR HEALTH, RICK.
CHEERS.
YOU KNOW, IN FRANCE IT'S BAD
LUCK NOT TO DRINK AFTER A TOAST.
OH, BUT IF I DRANK THIS,
I'D HAVE WORSE LUCK.
IT'S QUITE ODORLESS, ISN'T IT?
I UNDERSTAND IT'S
TASTELESS, ALSO.
BUT NOW I'LL HAVE TO TRUST
THE LAB BOYS ON THAT ONE.
I... I DON'T UNDERSTAND.
OH, I THINK YOU DO, HONEY.
WAIT RIGHT THERE. I WANT
YOU TO MEET SOMEBODY.
JACQUELINE DuBOC...
MEET SERGEANT McCALL.
PLEASE PUT THE DRINK
DOWN AND TURN AROUND.
YOU HAVE THE RIGHT
TO REMAIN SILENT.
HUNTER.
McCall: IF YOU GIVE UP THE
RIGHT TO REMAIN SILENT,
ANYTHING YOU SAY
CAN AND WILL BE USED
AGAINST YOU IN A COURT OF LAW.
YOU HAVE THE RIGHT TO HAVE
AN ATTORNEY PRESENT NOW
AND DURING QUESTIONING.
IF YOU SO DESIRE AND
CANNOT AFFORD ONE,
AN ATTORNEY WILL BE APPOINTED
TO YOU WITHOUT CHARGE.
DO YOU UNDERSTAND THESE ARE
THE RIGHTS I'VE EXPLAINED TO YOU?
YES.
LET ME GET THIS STRAIGHT.
YOU GOT WRAPPED
UP IN THIS, MISS DuBOC,
AND NEVER MET ANYBODY
EXCEPT SHELLY KURTZ, IS THAT IT?
OUI.
I WAS BROUGHT TO LOS ANGELES
BY THE INTERTAL MODELING AGENCY.
SINCE I'VE BEEN HERE,
THERE ARE VERY FEW JOBS.
THEY EXPECT ME TO
LOOK SUPERB ALL THE TIME,
BUT I DON'T HAVE ANY MONEY.
I WAS DESPERATE.
SHELLY IS MY FRIEND.
SHE SAYS SHE WANTS TO HELP ME.
SHE SAYS THAT I CAN
MAKE A LOT OF MONEY
IF I DO WHAT SHE SAYS.
SHE SAID THAT I CAN MAKE
THOUSANDS OF DOLLARS A WEEK.
SHE TOLD ME THAT I DON'T
HAVE TO SLEEP WITH ANYONE,
ALL I HAVE TO DO IS FIND
A RICH MAN AT THE BAR,
GO TO HIS ROOM WITH HIM,
PUT THE DRUG INTO HIS DRINK,
WHICH TAKES
EFFECT IMMEDIATELY...
THEN... THEN I TAKE HIS WATCH,
CREDIT CARDS, AND MONEY.
THAT'S IT.
NOBODY'S HURT.
SHE TOLD ME IT'S
COMPLETELY HARMLESS.
WHERE DOES SHELLY GET THE DRUG?
I DON'T KNOW.
I GOT THE DRUG ONLY FROM HER.
THE DRUG YOU TRIED TO GIVE
SERGEANT HUNTER LAST NIGHT
IS A CONTROLLED SUBSTANCE.
YOU COULD GO TO
JAIL FOR POSSESSION
AND CONSPIRACY
TO USE IT IN A THEFT.
I TOLD YOU THAT WAS ONLY
THE SECOND TIME I DO THIS.
LAST WEEK AT THE SAME HOTEL,
THE SAME DRUG
WAS GIVEN TO A MAN.
THAT DRUG DOESN'T MIX
WITH CERTAIN MEDICATIONS,
AND THAT MAN WAS ON ONE OF THEM.
THE MAN DIED, JACQUIE.
SO LET ME GET THIS STRAIGHT.
THANK YOU.
YOU'VE GOT A WOMAN,
A FRENCH WOMAN,
IN PROTECTIVE CUSTODY.
A VOLUNTARY INCARCERATION.
RIGHT.
AND SHE APPEARS TO BE INVOLVED
WITH AN OPERATION THAT WAS
RESPONSIBLE FOR A HOMICIDE,
BUT SHE HAS NO IDEA
WHO'S RUNNING THE THING.
CORRECT.
IT'S ALMOST MIDNIGHT.
I GOT A MEETING WITH
WYLER AT 8:00 IN THE MORNING.
McCALL, YOU TALK FASTER,
SO WHY DON'T YOU JUST
TELL ME WHAT YOUR PLAN IS.
WELL, RIGHT NOW, OUR
ONLY LINK TO SHELLY KURTZ
IS THROUGH THE INTERTAL AGENCY.
JACQUIE THINKS THAT
SHELLY GETS HER ORDERS
FROM SOME TOP MAN OR WOMAN
WHO SETS UP THE OPERATION
AND PROVIDES A DRUG.
WE TALKED TO JACQUIE, AND
WE CHECKED OUT HER STORY,
AND SHE'S IN NO WAY CONNECTED WITH
THE MAN THAT WAS KILLED LAST WEEK.
THE D.A. SAYS THAT
IF SHE TESTIFIES,
HE WON'T PROSECUTE HER.
SO THE PLAN IS?
NO PLAN? IS THAT WHAT
THE SILENCE MEANS?
WELL, NO, CAPTAIN,
OBVIOUSLY THE ONLY WAY
WE CAN GET TO THIS PERSON
IS THROUGH SHELLY KURTZ.
NOW IF I CAN GET INTO THE
INTERTAL AGENCY, I CAN MEET HER.
WE'VE DISCUSSED THIS IN DEPTH,
AND SHE WILL BE WEARING A WIRE,
AND I'LL BE BACKING
HER UP ALL THE WAY.
I TALKED TO JACQUIE, SHE TOLD ME
EXACTLY WHO I HAVE TO SEE THERE,
SAID ALL I REALLY NEED
IS A GOOD PORTFOLIO.
I CAN DO THAT, THAT'S
SIMPLE ENOUGH.
DON'T YOU THINK THEY
MIGHT BE WONDERING
WHAT HAPPENED TO THEIR
FRENCH CONNECTION?
Hunter: WE TOOK CARE OF THAT.
WE HAD JACQUIE CALL
SHELLY AND TELL HER
THAT WHEN IT CAME DOWN TO
GIVING ANOTHER GUY THE DRUG,
SHE JUST COULDN'T DO IT.
I WAS WITH JACQUIE WHEN SHE
MADE THE CALL TO SHELLY KURTZ.
SHE TOLD HER SHE WAS GETTING ON A
PLANE TONIGHT AND GOING BACK TO PARIS.
SHE SOUNDED REAL UPSET, I'M
SURE THAT SHELLY BOUGHT IT.
ALL RIGHT, ARRANGE
FOR THE AIRLINES
TO SHOW THAT SHE TOOK A PLANE
FROM L.A.X. TO PARIS TONIGHT.
DONE.
AND YOU... BE CAREFUL.
HELLO. MY NAME'S
PATRICIA O'CARROLL.
I'VE GOT A 10:00 APPOINTMENT
WITH CYNTHIA JANE BARTLETT.
OK. AH, YES.
PATRICIA, WOULD YOU JUST
WAIT A MOMENT, PLEASE?
I'LL LET MISS BARTLETT
KNOW YOU'RE HERE.
OK. THANKS.
MM-HMM.
YES, PATRICIA O'CARROLL'S
HERE TO SEE YOU.
HELLO.
PATRICIA, MISS BARTLETT
WILL SEE YOU NOW.
BEST OF LUCK TO YOU.
THIS IS PATRICIA O'CARROLL.
PATRICIA.
HOW VERY NICE TO MEET YOU.
McCall: HELLO.
I'D LIKE YOU TO MEET MY
ASSISTANT SHELLY KURTZ.
HELLO. HOW DO YOU DO?
LET'S HAVE A LOOK
AT YOUR PORTFOLIO.
ALL RIGHT, THERE YOU GO.
COME OVER HERE AND SIT
DOWN WITH ME, WILL YOU?
RIGHT HERE.
I GOT THE FEELING
SITTING OUT ON THE LOBBY
THAT THERE'S A DIFFERENT
STYLE HERE IN AMERICA
THAN THERE IS BACK
HOME IN IRELAND.
NO NEED TO APOLOGIZE, DEAR.
I THINK YOU HAVE OUR LOOK.
Man: BRAVA, BEAUTIFUL.
NICE, NICE.
OK.
BELLISSIMO!
BEAUTIFUL!
THAT'S DONE.
COULD YOU GET OFF
THE SCENE, MISS, PLEASE?
I'M SORRY. DID I DO
SOMETHING WRONG?
NO. WHEN DINO SAYS
IT'S OVER, IT'S OVER.
UM, COULD YOU DO ME A FAVOR?
NEXT TIME WHEN YOU'RE
WORKING ON THE PAPER,
YOU THINK MAYBE YOU COULD
BE A LITTLE MORE CAREFUL?
BECAUSE YOU SEE, I'M GOING TO HAVE
TO THROW THIS WHOLE ROLL OUT NOW.
SURE, I'M SORRY.
RIGHT.
ISN'T DINO MARVELOUS?
OF COURSE, HE'S
IMPOSSIBLE, BUT WHAT AN EYE.
WAS I ALL RIGHT, THEN?
YOU'LL LOOK GREAT.
OF COURSE, IT'S UP
TO CYNTHIA JANE NOW.
SHE'LL GET THE PROOFS TOMORROW,
AND THEN I'LL GIVE YOU A RING.
UH, SHELLY.
I HATE TO BE SO AWFULLY DIRECT,
BUT WHEN CAN I EXPECT TO
BE PAID FOR THIS SESSION?
PAID?
NO, NO, NO.
CYNTHIA JANE IS
DOING YOU A FAVOR.
YOU WON'T BE PAID FOR THIS.
MOST MODELS WOULD KILL
FOR EXPOSURE LIKE THIS.
PATRICIA, IS SOMETHING WRONG?
THE FIRST THING YOU MUST LEARN
ABOUT THE INTERTAL AGENCY
IS THAT WE'RE LIKE FAMILY.
WE TRUST EACH OTHER,
CONFIDE IN ONE ANOTHER.
YOU CAN TELL ME ANYTHING.
WELL, TO TELL YOU
THE TRUTH, SHELLY,
I'M IN A BIT OF A BIND.
I'VE ONLY BEEN IN THE
COUNTRY FOR A MONTH,
AND MY FINANCES ARE
COMPLETELY EXHAUSTED.
THE MAN AT THE MOTEL HAS
EXTENDED ME A WEEK'S RENT ALREADY.
THE AGENCY KEEPS SEVERAL
SMALL APARTMENTS AROUND TOWN.
THEY'RE USUALLY ALL FULL,
BUT ONE OF THE GIRLS HAD TO
GO BACK TO PARIS UNEXPECTEDLY,
SO HER PLACE IS AVAILABLE.
I'M SURE CYNTHIA JANE WOULDN'T
MIND IF YOU STAYED THERE FOR A WHILE.
OH, THAT'D BE GREAT.
BUT THERE'S STILL THE
PROBLEM OF A WEEK'S BACK RENT.
WHY DON'T WE GO TO THE
RESTAURANT ACROSS THE STREET.
THERE'S PRIVACY, AND WE
CAN HAVE SOMETHING TO EAT.
EVEN IF CYNTHIA JANE LOVES
THE WORK THAT YOU DID TODAY,
IT'S GOING TO BE A LONG TIME
BEFORE YOU START MAKING ANY MONEY.
THOSE ARE THE FACTS.
I'VE BEEN THERE, I KNOW.
IF YOU'RE LOOKING FOR MONEY
FROM CYNTHIA JANE
TO PAY THAT MOTEL BILL,
IT'S JUST NOT GOING TO HAPPEN.
WELL, THEN, WHAT DO I DO?
WHAT EVERY MODEL DOES.
YOU FIND WORK ON THE OUTSIDE.
YOU'RE REALLY IN
TROUBLE, AREN'T YOU?
HOW DO YOU FEEL ABOUT DOING
SOMETHING THAT ISN'T EXACTLY LEGAL?
OH, NO.
NO, SHELLY.
I KNOW OTHER MODELS HAVE
DONE THAT SORT OF THING, BUT...
NO, NO, NO. PATRICIA, I
WOULD NEVER SUGGEST
THAT YOU GO TO BED
WITH SOMEONE FOR MONEY.
THIS IS MUCH MORE AGREEABLE
AND MUCH MORE PROFITABLE.
YOU DON'T HAVE
TO SLEEP WITH MEN.
ALL YOU HAVE TO DO IS
KNOW HOW TO TALK TO THEM.
TALK TO THEM?
WELL, IF IT'S TALKING YOU WANT,
YOU'VE COME TO THE RIGHT GIRL.
YOU KNOW, IT'S VERY RARE WE IRISH
FIND OURSELVES AT A LOSS FOR WORDS.
WONDERFUL.
YOU KNOW, McCALL,
BOWLING IS MORE THAN
THE AMERICAN PASTIME.
IT'S PHYSICS,
MAN RISING ABOVE
THE LAWS OF GRAVITY
FOR A HIGHER PURPOSE.
YEAH, WELL, YOU WERE
DEFINITELY BORN TO BOWL, SLAMMER.
SLAMMER! WHERE'D YOU
GET THAT SHIRT, ANYWAY?
OH, I SEE. NOW THAT YOU'RE
A HIGH-FASHION MODEL,
BOWLING IS BENEATH YOU, RIGHT?
HEY, I AM NOT LIVING
SOME FAST-PACED,
INTENSELY GLAMOROUS LIFE
OF A HIGH-FASHION MODEL.
NOT YET.
YEAH, NEXT THING,
YOU'LL BE DOING
IS THOSE SWIMSUIT ADS
FOR SPORTS ILLUSTRATED,
AND I'LL BE LOOKING
FOR A NEW PARTNER.
GIVE ME A BREAK!
YOU KNOW, YOU DID PICK THE
BEST PLACE TO MEET TODAY, THOUGH,
BECAUSE NONE OF MY NEW FRIENDS
WOULD BE CAUGHT DEAD IN A BOWLING ALLEY.
WHO CARES ABOUT
YOUR NEW FRIENDS?
ALL I WANT TO DO IS BOWL.
FIGURES.
NOW, I TOLD YOU WHAT I
HAVE, WHAT DO YOU GOT?
WELL, AFTER SEVERAL DAYS
OF COPIOUS DETECTIVE WORK,
I FOUND OUT THE
INTERTAL AGENCY IS CLEAN.
WHAT ABOUT SHELLY?
WELL, SHE'S BEEN A
MODEL FOR 10 YEARS.
DIVORCED, NO KIDS, AND SHE
WORKS BECAUSE SHE HAS TO.
YOU KNOW, JACQUIE
MIGHT BE RIGHT.
SHELLY MAY NOT BE AT THE TOP,
BUT SHE HAS TO BE PRETTY CLOSE IF
SHE'S THE ONE DOING THE RECRUITING.
FOR ANSWERS TO THESE
QUESTIONS AND MORE,
LEAVE IT UP TO
ME... I HAVE A PLAN.
IN THE MEANTIME, KEEP YOUR
IRISH EYES A-SMILIN', HONEY,
AND STAY AWAY
FROM BOWLING ALLEYS.
YOU JUST WAIT A MINUTE.
YOU ARE ABOUT TO
WITNESS A SPARE.
THAT'S GREAT.
EXCUSE ME, MR. MITCHELL?
NO, NO, I'M AFRAID NOT.
OH. SORRY TO DISTURB YOU.
PLEASE, DON'T BE SORRY.
YOU'RE NO DISRUPTION AT ALL.
IT'S JUST THAT I'M SUPPOSED
TO BE MEETING A MAN HERE.
I'VE NEVER MET HIM BEFORE,
AND HE'S OVER AN HOUR LATE.
WELL, WHY DON'T YOU
SIT DOWN AND WAIT.
I'LL BUY YOU A DRINK.
NO, NO, I COULDN'T.
DRINK. I COULDN'T IMPOSE.
WHAT'LL YOU HAVE?
WELL, MAYBE A WHITE WINE, THEN.
ALL RIGHT.
I HOPE YOU DON'T
MIND ME SAYING THIS,
BUT YOU HAVE A BEAUTIFUL ACCENT.
YOU ENGLISH?
GOOD LORD, NO! I'M IRISH.
OH. OH, NO, I HAD NO IDEA.
I HOPE SOMEHOW YOU'LL
LET ME MAKE IT UP...
OHH!
I'M SO SORRY.
IT'S OK.
I GUESS THAT MAKES US EVEN.
I GUESS SO.
LISTEN, YOU DIDN'T GET A
CHANCE TO FINISH YOUR WINE,
AND I HAVE TO CHANGE MY CLOTHES.
WHY DON'T WE GO UP TO
MY ROOM, WHAT DO YOU SAY?
WELL, IT IS A WEE
BIT CROWDED IN HERE.
ALL RIGHT. CRAIG, PUT
THESE ON 740, WILL YOU?
ACTUALLY, I FOUND THE
MODELING SCENE HERE
A LOT SLOWER THAN I
THOUGHT IT WAS GOING TO BE.
WELL, I GUESS WITH ANY JOB
YOU GOT TO TAKE THE SLOW TIMES
AND MAKE THEM FAST.
YOU KNOW, McCALL, THIS
WASN'T IN THE SCRIPT.
YOU DON'T HAVE
TO GET SO VIOLENT.
I WAS JUST ABOUT TO
INVITE YOU UP ANYWAY.
IT WAS AN ACCIDENT, HARRY.
LET ME HAVE THE STUFF.
McCALL, I'VE ALWAYS
HAD A THING FOR YOU.
YOU KNOW, HARRY...
WHEN HUNTER TOLD ME
HE HAD SOMETHING IN MIND,
I DIDN'T THINK HE
HAD YOU IN MIND.
I'LL BET YOU 10 TO
1 HE SET THIS UP.
DON'T FORGET THE WALLET.
YOU KNOW, IT JUST
OCCURRED TO ME THAT...
THIS ROOM'S PAID FOR.
YOU KNOW, IT WOULD
BE A SIN TO WASTE IT.
IT'D BE A SIN TO
BREAK YOUR JAW, TOO.
AREN'T WE TOUCHY THIS AFTERNOON?
DON'T FORGET THE RECEIPT.
OH, YEAH...
THE RECEIPT.
SURE YOU DON'T WANT TO
PUT THAT ACCENT BACK ON
AND HAVE A WEE DRINK?
HARRY, DON'T FORGET,
YOU HAVE TO STAY IN THIS ROOM FOR
8 HOURS, AND DON'T MAKE A SOUND...
DON'T TURN ON THE TV, THE RADIO,
DON'T ANSWER THE PHONE,
DON'T USE THE PHONE.
JUST SIT HERE.
McCALL, THIS IS THE FIRST TIME
I'VE HAD A LEGITIMATE EXCUSE TO
BE AWAY FROM MY WIFE IN YEARS.
YOU WANT ME TO SIT HERE
IN THIS BEAUTIFUL ROOM,
ALONE?
YOU GOT TO BE KIDDING?
NO, HAROLD, I'M NOT KIDDING,
THAT'S EXACTLY WHAT
I WANT YOU TO DO.
WE ARE NOT DEALING WITH
SMALL-TIME OPERATORS HERE.
THEY PROBABLY HAVE ME
UNDER SURVEILLANCE RIGHT NOW.
HAVE A GOOD TIME.
DON'T DO ANYTHING I WOULDN'T DO.
HELLO, SHELLY?
IT WAS SO EASY. YOU WERE RIGHT.
NO, NO, NO, NOT A HITCH.
ALL RIGHT, I'LL MEET YOU THERE.
THIS IS SERGEANT McCALL.
PATCH ME THROUGH...
PATCH ME THROUGH
TO L-56, WILL YOU?
McCall: HUNTER?
Hunter: McCALL, HOW'D IT GO?
IT WENT GREAT.
I'M GOING TO MEET
HER ON HAYWORTH
IN THE 1800 BLOCK IN 20 MINUTES.
GOT IT.
LISTEN, CALL ME
WHEN YOU FIND OUT
WHERE SHE GETS
RID OF THE STUFF. OK?
I'LL BE AT THE APARTMENT.
LISTEN, DO ME A FAVOR.
AS SOON AS YOU GET
BACK TO YOUR CAR,
PUT THAT WIRE ON YOU AND DON'T
TAKE IT OFF, YOU UNDERSTAND ME?
HUNTER, LOOK, I DON'T THINK
I REALLY NEED TO DO THAT.
IT MIGHT TIP THEM OFF, YOU KNOW.
BESIDES, IT'S NOT
THAT KIND OF A...
JUST DO IT, YOU UNDERSTAND?
YOU CAN BE SO DEMANDING.
LISTEN, WHY DON'T YOU
GRAB ANOTHER DRINK, TIA?
I'LL BE RIGHT BACK.
SHELLY? SHE JUST
CALLED YOU, RIGHT?
JUST ONCE. SHE
DIDN'T CALL YOU BACK?
NOT A THING.
LISTEN, BRING HER TO THE PARTY.
I WANT TO TALK TO HER.
YEAH, I'LL SEE YOU THERE.
HOPE YOU CAN HEAR ME, HUNTER.
HERE GOES.
L-87, YOU IN POSITION?
YEAH, HUNTER, I GOT 'EM.
SHELLY, YOU WERE RIGHT.
IT WAS SO EASY.
NOW, YOU'RE SURE
THE POOR FELLOW'S
GOING TO BE WAKING
UP IN A FEW HOURS?
Shelly: AND HE'LL NEVER
KNOW WHAT HIT HIM.
HE WON'T EVEN HAVE A HEADACHE;
THAT IS, UNTIL HE GOES BACK
TO KANSAS OR WHEREVER
AND TRIES TO EXPLAIN TO HIS WIFE
HOW HE LOST HIS WEDDING RING,
AND SINCE THEY DON'T WANT THEIR
WIVES TO KNOW WHAT HAPPENED,
THEY ALMOST NEVER
REPORT IT TO THE POLICE.
PRETTY GOOD, HUH?
$800 IN CASH, 2,000 IN
TRAVELER'S CHECKS...
PRETTY GOOD FOR
YOUR FIRST TIME OUT.
HERE'S $400 FOR YOU.
THAT OUGHT TO PUT A
DENT IN YOUR MOTEL BILL.
AND THAT'S JUST THE BEGINNING.
WITH THE CREDIT CARDS, RING,
WATCH, AND EVERYTHING ELSE,
YOU'LL GET ANOTHER $3,000...
FOR A HALF-HOUR'S WORK.
YOU DO THIS 3 OR 4 TIMES FOR US,
AND YOU COULD CLEAR 15 GRAND.
GOOD LORD, WHOEVER'S BEHIND
THIS MUST BE MAKING THOUSANDS.
DON'T THINK TOO MUCH
ABOUT THE PEOPLE BEHIND IT.
WELL, SHELLY, IT WAS SO SIMPLE.
DO YOU REALLY THINK WE NEED TO
BE WORKING WITH SOMEBODY ELSE?
LET ME HAVE THE VIAL.
ALL RIGHT.
THERE YOU GO.
THIS IS WHY IT'S NOT SO EASY.
WITHOUT THE SCOPOLAMINE,
IT DOESN'T WORK AT ALL.
YOU CAN'T JUST WALK INTO
A PHARMACY AND BUY IT,
EVEN WITH A PRESCRIPTION.
YOU'VE GOT TO HAVE A SOURCE,
AND THE PERSON THAT
GETS IT FOR US HAS A SOURCE.
BESIDES, YOU'RE NOT THE
ONLY GIRL WORKING FOR US.
IT'S GOT TO BE
ORGANIZED, CONTROLLED.
YOU GOT IT?
I UNDERSTAND.
I JUST WANT YOU TO
KNOW THAT I'M AVAILABLE.
SURE.
UH, BY THE WAY...
AFTER YOU CALLED ME, DID
YOU CALL SOMEONE ELSE?
YES, I DID.
HOW IN THE WORLD
DID YOU KNOW THAT?
THIS IS BIG BUSINESS, HONEY,
AND RISKY.
THE PERSON AT THE TOP
DOESN'T TAKE ANY CHANCES.
WHAT ARE YOU TELLING ME, THAT
THERE WAS SOMEBODY WATCHING ME?
JUST ANSWER THE QUESTION.
WHO DID YOU CALL?
LOOK, SHELLY, I HAVEN'T GONE
AND JOINED A NUNNERY, NOW, HAVE I?
I MET A GUY.
HE SAID HE WANTED TO
TAKE ME OUT TO GET A DRINK,
AND I TOLD HIM I DIDN'T KNOW
WHAT TIME I'D BE GETTING OFF WORK
AND I'D CALL HIM
WHEN I WAS FREE.
HE'S KIND OF CUTE.
WAS I WRONG TO BE CALLING HIM
FROM THE PHONE WHILE I WAS THERE?
NO, IT WASN'T,
BUT I'M SORRY YOU DID.
I WAS GOING TO INVITE
YOU TO A PARTY AT MALIBU.
IN MALIBU?
WILL THERE BE
OTHER MODELS THERE?
MODELS? THE PLACE
WILL BE FULL OF V.I.P.s,
PRODUCERS, ACTORS,
CON MEN, YOU NAME IT.
WELL, THAT SOUNDS
LIKE A LOT MORE FUN.
I'LL TELL YOU WHAT, I'LL
CANCEL OUT ON ME DATE.
ARE YOU SURE? MM-HMM.
ALL RIGHT.
LET ME GIVE YOU THE ADDRESS.
I'D HAVE YOU FOLLOW ME, BUT I
HAVE TO DROP OFF THE STUFF FIRST.
NOW, LISTEN, YOU'LL HAVE
NO PROBLEM WITH THIS.
IT'S RIGHT OFF THE
COAST HIGHWAY.
McCall: ALL RIGHT.
I'LL GO HOME AND
CHANGE MY CLOTHES,
AND I'LL CANCEL MY ENGAGEMENT.
I'LL SEE YOU THERE.
L-87, SUSPECT'S
HEADING YOUR WAY.
IF SHE TURNS ON
WILSHIRE, I'LL TAKE HER.
I GOT HER. PICK HER UP ON
SANTA MONICA BOULEVARD.
WILL DO.
PICK HER UP NOW,
WE'RE COMING TO BUNDY.
HI.
SHE STOPPED AT 1357 A.P.C.H.
GO A LITTLE NORTH OF THERE
AND THROW OUT THE ANCHOR.
THIS IS L-56, OPERATOR, COME IN.
Operator: GO AHEAD, L-56.
PATCH ME THROUGH
TO 555-6861, PLEASE.
HELLO?
Hunter: HOW YA DOING?
HUNTER, WHERE ARE YOU?
DID SHE DROP OFF THE STUFF?
NO, BUT I'VE GOT
IT NARROWED DOWN
TO ABOUT 200 OR 300 PEOPLE
OUT ON PACIFIC COAST HIGHWAY.
YEAH, AND I'M ON THE LITTLE
GUEST LIST FOR THAT CLAMBAKE.
YEAH, I KNOW THAT.
DO YOU NEED A DATE?
YEAH. YOU GOT SOMEBODY IN MIND
WHO DOESN'T LOOK LIKE A COP?
WAIT A MINUTE, NOW.
YOU LOOK MORE
LIKE A COP THAN I DO.
HUNTER, IF YOU LOOKED
ANY MORE LIKE A COP,
THEY'D GIVE YOU A TV SERIES
WHERE YOU GOT TO PLAY ONE.
EXCUSE ME, BUT YOU HAVE
MISSED THE POINT ENTIRELY.
THIS IS NOT A PAINTING
ABOUT VIETNAM.
THIS...
THIS IS ABOUT THE
REBIRTH OF LOVE
IN A TECHNOLOGICAL SOCIETY.
I'LL TELL YOU WHAT IT'S ABOUT.
IT'S ABOUT 60 GRAND,
AND HE BOUGHT IT A
FEW MONTHS AGO FOR 5.
Shelly: PATRICIA!
HOW WONDERFUL, YOU MADE IT!
THANK YOU FOR INVITING ME.
SO, WHAT DO YOU THINK?
WELL, IT... IT'S JUST LIKE HOME.
HAVE YOU MET MATTHEW?
NO.
THIS IS HIS HOUSE.
HIS MOTHER IS FILTHY RICH,
AND HIS FATHER
OWNS A MOVIE STUDIO.
SOME PEOPLE HAVE ALL THE LUCK.
COME ON, LET ME INTRODUCE YOU.
YOU KNOW, I COME
HERE ALL THE TIME,
BUT I HAVEN'T SEEN HALF
OF THESE PEOPLE BEFORE.
EXCUSE ME.
MATTHEW, I'D LIKE YOU TO
MEET PATRICIA O'CARROLL.
SHE'S ONE OF THE NEW
GIRLS AT THE AGENCY.
HOW DO YOU DO?
SO HOW DOES IT FEEL TO BE
ONE OF THE WORLD'S
MOST BEAUTIFUL WOMEN?
OH, I WISH IT WERE TRUE.
SHELLY, YOU WOULDN'T MIND GETTING
ME ANOTHER DRINK, WOULD YOU?
NO.
WELL, YOU... YOU SURELY
THROW A FINE PARTY.
Matthew: ACTUALLY, I HAD
NOTHING TO DO WITH THIS.
OH, I'M SORRY. I MISUNDERSTOOD,
I THOUGHT IT WAS YOUR HOME.
THINGS AREN'T ALWAYS
WHAT THEY APPEAR, PATRICIA.
FOR INSTANCE,
THIS ISN'T MY HOME.
THIS IS MY MOTHER'S.
SHE LETS ME USE IT,
SOMETIMES FOR ONE MONTH,
SOMETIMES FOR 6,
DEPENDING ON HOW SHE FEELS
OR HOW LONG IT TAKES
THE POLICE TO ARRIVE.
YOU KNOW WHAT I MEAN?
OH, HEY, MAN, WATCH YOUR BACK.
OH, MATTHEW, I SAID, IT'S
SURE GOOD TO BE BACK.
BACK, SPORTY? I
DIDN'T KNOW YOU LEFT.
SPORTY?
DO YOU TWO KNOW EACH OTHER?
NO, WE HAVEN'T HAD
THE MUTUAL PLEASURE,
BUT WHENEVER I ENCOUNTER
A RAPTUROUS BEAUTY
OF THIS MAGNITUDE,
GETTING TO KNOW HER IS
THE FIRST THING ON MY AGENDA.
PATRICIA O'CARROLL,
THIS IS SPORTY JAMES.
HE'S IN THE
INFORMATION BUSINESS.
PLEASURE MEETING
YOU, MISS O'CARROLL.
MATTHEW, I GOT
TO HAND IT TO YOU,
YOU ARE MAINTAINING YOUR USUAL
HIGH LEVEL OF GOOD TASTE IN WOMEN.
CIAO, NOW.
INTERESTING CHARACTER.
CAN'T ARGUE WITH THAT.
ALL RIGHT. GIVE IT TO
ME STRAIGHT, SERGEANT,
WHEN'S THE BUST COMING DOWN?
THERE IS NO BUST, SPORTY.
JUST TAKE IT EASY,
AND RELAX, OK?
SOMETHING'S WRONG.
THERE'S SOMETHING
ABOUT THIS GIRL
THAT DOESN'T RING TRUE.
LIKE WHAT? EVERYTHING
WENT SMOOTH AS SILK.
OH, YEAH? WELL, WHAT
ABOUT THE SECOND PHONE CALL
SHE MADE FROM THE HOTEL ROOM?
I HIT HER WITH THAT.
SHE GAVE ME A STRAIGHT ANSWER,
SHE WAS CALLING HER BOYFRIEND.
YEAH, WELL, YOU MAY THINK
THAT'S A STRAIGHT ANSWER,
BUT I DON'T LIKE IT,
AND NOW SHE AND SPORTY JAMES,
THEY LOOK AT EACH
OTHER, AND THEY FREEZE.
THEY KNOW EACH OTHER,
AND THEY TRIED TO COVER IT UP.
YOU KNOW WHAT I THINK?
I THINK YOU'VE BEEN
DOING SO MUCH COKE
YOU'RE A LITTLE PARANOID.
YOU'RE DAMN RIGHT I'M PARANOID!
LOOK, 2 WEEKS AGO, ONE OF OUR
MARKS ENDS UP IN THE MORGUE.
NOW, UP UNTIL THEN, WE WERE
ONLY A LITTLE BIT VULNERABLE,
BUT NOW WE ARE
ACCESSORIES TO MURDER.
SO NOW, FROM NOW ON,
AND UNTIL I DECIDE TO GET
US OUT OF THIS RACKET...
WE HAVE TO REMAIN PARANOID.
GIVE ME THAT STUFF.
ALL RIGHT, TAKE THIS.
WHAT'S THIS FOR?
JUST STAY HERE.
I'LL BE RIGHT BACK.
Sporty: SO, LOOK, FORGET
ABOUT THIS PARTY.
I MEAN, MY PARTY IS GOING TO BE
THE BADDEST PARTY YOU EVER SEEN.
THIS PARTY HERE,
IT AIN'T NOTHING,
THIS PARTY'S LIKE
SUNDAY SCHOOL, OK?
NOT NOW, MAN.
I GOT TO TALK TO YOU, SPORTY.
UH, CAN'T IT WAIT?
THIS IS BUSINESS.
OH, WELL, WHY DIDN'T YOU SAY SO?
BECAUSE SPORTY JAMES ENTERPRISES
IS OPEN FOR BUSINESS
24 HOURS A DAY.
I WAS HOPING YOU'D SAY THAT.
IF HE MOVES, SHOOT HIM.
"SHOOT... SHOOT HIM"?
SHOOT ME?
ARE YOU CRAZY, MAN?
HEY, I'M YOUR MAIN MAN,
BABY, SPORTY JAMES.
NOW, WHY DON'T YOU TELL
ME ABOUT YOU AND PATRICIA?
COME ON, SPORTY, I SAW YOU
TWO WHEN I INTRODUCED YOU,
AND THEN YOU STEP OUTSIDE
FOR A LITTLE CONVERSATION.
WHO IS SHE?
HEY, MAN, LOOK,
I WAS TRYING TO
HIT ON THE BROAD,
AND SHE TURNED ME OFF, YOU KNOW?
LOOK, DON'T GIVE ME THAT,
NOW, I WANT TO KNOW WHO SHE IS,
'CAUSE I THINK I
SMELL A COP HERE.
COP, MAN, ARE YOU CRAZY, MAN?
THAT CHICK IS TOO
GOOD-LOOKING TO BE A COP, MAN.
HEY, LOOK, ONE THING YOU
KNOW ABOUT COPS, MAN,
IS THAT THEY ARE ALL UGLY.
HEY, LOOK, YOU KNOW WHAT?
I THINK YOU'RE LETTING THAT
IRISH ACCENT GET YOU CONFUSED.
THANKS, SPORTY.
YOU'VE BEEN VERY HELPFUL.
LIKE I WAS SAYING, IF HE
MOVES, YOU SHOOT HIM.
I MEAN IT!
SO YOU SEE, AT THE
INCEPTION OF ANY WORK,
THE ARTIST MUST FIRST BE ABLE
TO GO WITHIN HIMSELF
AND DRAW OUT...
EXCUSE ME, DINO.
CAN I TALK TO YOU FOR A MINUTE?
SURE.
YOU NEVER MENTIONED
YOU WERE INTERESTED IN ART.
AS A MATTER OF FACT, I AM.
YOU HAVE A FINE COLLECTION.
WELL, IN THAT CASE,
LET ME SHOW YOU
A LITTLE SOMETHING
I JUST PICKED UP.
I THINK YOU'LL FIND
IT VERY INTERESTING.
SHELLY, WHAT'S GOING ON?
HEY, MATTHEW, I TOLD YOU...
Matthew: SHUT UP, I GOT
ALL I NEED FROM YOU.
McCall: SHELLY, I DON'T
UNDERSTAND WHAT'S HAPPENING.
WHAT WAS THAT LITTLE ENCOUNTER
YOU TWO HAD ON THE BALCONY?
WELL...
I DON'T UNDERSTAND WHAT
YOU'RE TALKING ABOUT, MATTHEW,
WHAT'S GOING ON?
WELL, WHAT DO YOU
KNOW, YOU ARE A COP.
WAY TO GO, SHELLY,
YOU BROUGHT ME A COP!
Hunter: POLICE! GET
OUT OF THE WAY!
SPORTY?
McCALL, MAN. I THINK
THEY GOT McCALL.
Devane: WE'RE
COVERING THE AIRPORTS,
THE BUS AND TRAIN STATIONS,
AND EVERY HIGHWAY OUT OF TOWN,
AND THE COAST GUARD'S
COVERING THE MARINA FOR US.
THERE'S NO WAY THEY'RE
GOING TO GET OUT OF THIS CITY.
DID YOU GET ANYTHING
FROM SPORTY?
NO, THE HOSPITAL
WOULDN'T LET ME TALK TO HIM.
WELL, I'M GOING TO ASSIGN
CAUSLAN TO HELP YOU
UNTIL WE FIND McCALL.
CHARLIE, COME ON,
I'D RATHER DO THIS BY MYSELF.
I DON'T NEED CAUSLAN.
ALL RIGHT.
YES, I'LL WAIT.
THANK YOU.
YOUR FRIEND'S IN INTENSIVE CARE.
MAYBE WE SHOULD'VE
JUST LEFT HER THERE.
MAYBE YOU SHOULDN'T
HAVE SHOT SPORTY JAMES.
FOR GOD SAKES, MATTHEW,
YOU HAD ME
POINTING A GUN AT HIM,
AND HE JUMPED ME!
WHAT THE HELL WAS
I SUPPOSED TO DO?
SO YOU SHOT HIM IN THE CHEST!?
IF HE DIES, YOU'RE GOING
DOWN FOR THAT ONE, NOT ME.
I CAN'T BELIEVE YOU.
I'VE DONE EVERYTHING
THAT YOU'VE ASKED
SINCE THE DAY WE STARTED THIS.
I'VE ALWAYS LOVED YOU, MATTHEW.
I'D DONE ANYTHING FOR YOU.
ANYTHING!
YEAH, YOU CERTAINLY TOOK
GOOD CARE OF ME THERE, SHELL.
ONE OF OUR MARKS DROPS
DEAD IN THE HOTEL ROOM,
AND YOU CALL ME PARANOID,
AND THEN YOU GO OUT,
AND YOU RECRUIT A COP,
A DAMN COP!
AND THEN YOU LOSE IT,
AND YOU PROBABLY NOT
ONLY KILL SPORTY JAMES,
BUT YOU SHOOT ME
WHILE YOU'RE AT IT!
MATTHEW, PLEASE STOP IT!
THIS ISN'T WHAT WE PLANNED.
WE'VE GOT TO GIVE UP.
MAYBE IF WE GO TO
THE POLICE RIGHT NOW...
WHAT?
ARE YOU CRAZY?
MATTHEW, SHE'S RIGHT.
OH, IS THAT A FACT?
WHY DON'T YOU
TELL ME ABOUT THAT?
IF YOU GIVE UP NOW,
YOU WILL ONLY BE
LOOKING AT 4 TO 8 YEARS,
AND INVOLUNTARY MANSLAUGHTER
FOR THE GUY IN THE HOTEL.
YOU WILL BE OUT IN 3.
YEAH? AND WHAT ABOUT SPORTY?
NOW, YOU CORRECT ME IF
I'M WRONG THERE, SARGE,
BUT IF WE TURN OURSELVES
IN AND SPORTY DIES,
WE'RE LOOKING AT
THE GAS CHAMBER.
HE'S IN INTENSIVE CARE.
THEY DIDN'T SAY HE
WAS GOING TO DIE.
LOOK, I CAN'T TAKE THAT CHANCE!
Shelly: WELL, WHAT ARE
WE SUPPOSED TO DO,
SIT AROUND HERE AND JUST WAIT
FOR THE POLICE TO COME
KNOCKING AT THE DOOR?
SHUT UP! SHUT UP! BOTH OF YOU!
I CAN'T TAKE THIS.
I GOT TO THINK.
Man: TELL YOU THE
TRUTH, SERGEANT,
I HAVEN'T SEEN MATTHEW
SINCE I CUT OFF HIS
ALLOWANCE A YEAR AGO.
WELL, COULD HE
BE SOMEPLACE ELSE,
LIKE ANOTHER HOME
IN THE MOUNTAINS
OR IN PALM SPRINGS?
NO.
AND HIS MOTHER CUT HIM OFF
6 MONTHS AGO WHEN SHE REMARRIED,
BUT SHE SPOILED HIM
ROTTEN UP UNTIL THEN.
IF YOU WANT INFORMATION
ABOUT MY SON,
MAYBE YOU SHOULD TALK TO HER.
WHERE CAN I FIND HER?
THEY HAVE A PLACE
IN HOLMBY HILLS.
MY SECRETARY WILL
GIVE YOU THE ADDRESS.
OK, THANK YOU VERY MUCH.
MAY I HELP YOU, PLEASE?
YES, I'M LOOKING FOR MRS. ADLER.
UH, MRS. ADLER IS NOT HERE.
SHE'S GONE FOR 6 MONTHS.
DO YOU MIND IF I COME IN
AND TAKE A LOOK AROUND?
OK. COME IN.
OK. I HOPE THAT SATISFIES YOU.
YES, IT DOES, LUPE.
THANKS VERY MUCH.
IS MATTHEW HERE?
MATTHEW?
YOU KNOW, MATTHEW?
MRS. ADLER'S SON?
OH! NO, HE DOESN'T LIVE HERE.
WELL, DOES HE COME BY HERE?
HAS HE SHOWN UP HERE BEFORE?
NO. HE DOESN'T COME AROUND HERE.
OK. WELL, UH, LOOK...
TAKE MY CARD...
AND GIVE ME A CALL...
IF, IN FACT, YOU SEE HIM.
OK.
BUT, I TELL YOU,
HE DOESN'T COME
AROUND HERE AT ALL.
I HAVEN'T SEEN HIM
SINCE SHE'S BEEN GONE.
EXCUSE ME, PLEASE.
TUNA! WOODROW!
TUNA! WOODROW! COME!
UH, BUT HE CALLS SOMETIMES.
YEAH, OK.
IF HE CALLS, SHOULD I TELL
HIM YOU ARE LOOKING FOR HIM?
NO, JUST... JUST MAKE
SURE HE GIVES ME A CALL
AT THIS PHONE NUMBER
RIGHT HERE, LUPE, OK?
THANK YOU. I'LL LET MYSELF OUT.
ALL RIGHT. COME ON. LET'S GO.
WE'RE GOING TO THAT
PLACE IN ENSENADA.
MEXICO?
WE CAN'T GET HER
ACROSS THE BORDER.
WHY DON'T WE JUST
LEAVE HER HERE?
WE'RE NOT LEAVING HER HERE!
WE NEED HER FOR INSURANCE.
WHEN WE GET TO THE BORDER,
WE'LL FIGURE OUT
WHAT TO DO WITH HER.
MATTHEW, I DON'T THINK
THAT'S A GOOD IDEA.
YOU'RE TOO HIGH.
YOU CAN'T DRIVE.
WE'RE SAFE HERE!
WE'RE SAFE? HOW LONG DO
YOU THINK IT'S GOING TO TAKE
BEFORE THEY FIND THIS HOUSE?
LET'S GO. COME ON, LET'S GO!
GET UP! LET'S GO!
Matthew: MOVE IT!
MATTHEW, THIS IS INSANE!
SHUT UP!
GET IN THE BACK SEAT.
LET'S GO!
MATTHEW, PLEASE, WE...
SHUT UP! SHUT UP!
THIS IS L-56. I'M IN HOT PURSUIT
OF A SUSPECT HOLDING A
POLICE OFFICER HOSTAGE.
HE'S HEADED WEST ON MULRAY
BOULEVARD AT BEVERLY GLEN.
REQUEST AN IMMEDIATE BACKUP.
SUSPECT IS DRIVING
A GRAY BMW. OUT.
STOP THE CAR, MATTHEW!
WOULD YOU SHUT UP!
I AM SO TIRED OF YOUR
SCREAMING! JUST SHUT UP!
THIS IS L-56, ALL
AVAILABLE UNITS
RESPOND IMMEDIATELY
TO MULRAY AND HILGARD.
SUSPECT APPROACHING AT
HIGH SPEED IN GRAY BMW. OUT.
YOU'RE GOING TO GET
US ALL KILLED, MATTHEW,
STOP THE CAR!
DAMN IT, STOP THE CAR!
I SWEAR I'LL KILL
YOU IF I HAVE TO!
SHELLY, DON'T!
IF YOU SHOOT HIM, WE'LL ALL DIE!
DON'T SHOOT!
GO AHEAD, SHELLY, DO IT!
COME ON, GO AHEAD, SHOOT!
DO IT!
WHERE YOU TAKING THEM?
TO COUNTY GENERAL, SERGEANT.
Sporty: THERE I WAS,
BOUND AND GAGGED,
WITH 5 OF THE NASTIEST HANDGUNS
YOU EVER SAW IN YOU LIFE
POINTED DIRECTLY AT MY FACE.
NOW, I KNEW I HAD TO
DO SOMETHING, RIGHT?
SO YOU CALCULATED THE ODDS...
WHICH WERE NOT IN MY FAVOR!
AND YOU WENT FOR THE GUN.
SPORTY, THE LAST TIME
YOU TOLD THE STORY,
THERE WERE ONLY 3 GUNS.
HELL, 3, 5!
I DON'T KNOW, THERE COULD'VE
BEEN 7 OR 8 GUNS THERE!
YOU KNOW, THE LIGHTS WAS DARK!
HOW DO YOU DO?
WHAT ROOM MIGHT I
FIND SERGEANT McCALL IN?
McCall, with Irish accent: WOULD YOU
BE LOOKING FOR SERGEANT McCALL?
WELL, NOW THAT YOUR
MODELING DAYS ARE OVER,
MAYBE YOU SHOULD TAKE UP ACTING.
WHAT DO YOU MEAN
MY MODELING DAYS ARE OVER?
AS FAR AS I'M CONCERNED,
THEY'VE JUST BEGUN.
WELL, I HATE TO BE THE BEARER
OF BAD NEWS, HONEY, BUT, UH...
AFTER ALL I DID FOR HER.
OH, SHE'S VERY APPRECIATIVE
OF THE FACT THAT YOU
BUSTED MATTHEW AND SHELLY.
OH, THIS IS FOR YOU.
YOU.
I KNOW, BUT DON'T
CALL US, WE'LL CALL YOU.
THAT'S CORRECT.
SO IN VIEW OF YOUR
MODELING DEMISE,
I THOUGHT I'D GIVE YOU
A PRESENT YOU MIGHT LIKE.
YOU'RE KIDDING. WHAT IS IT?
YOU'LL LIKE IT.
WELCOME TO THE WONDERFUL
WORLD OF BOWLING.
THANKS.
YOU KNOW, YOU'RE
A VERY STRANGE MAN.
YOU'RE VERY STRANGE.
ROOM TO HAVE ANOTHER DRINK?
I DON'T LET STRANGE
WOMEN IN MY ROOM.
LOOK, 2 WEEKS AGO, ONE OF OUR
MARKS ENDS UP IN THE MORGUE.
ONE THING YOU KNOW ABOUT
COPS, MAN, IS THAT THEY'RE ALL UGLY.
SO HOW DOES IT FEEL TO BE
ONE OF THE WORLD'S
MOST BEAUTIFUL WOMEN?
WELL, THEN, WHAT DO I DO?
WHAT EVERY MODEL DOES.
YOU FIND WORK ON THE OUTSIDE.
WHY DON'T WE GO UP TO
MY ROOM, WHAT DO YOU SAY?
IT IS A WEE BIT CROWDED IN HERE.
WAY TO GO, SHELLY,
YOU BROUGHT ME A COP!
I THINK THEY GOT McCALL.
ARE YOU SAVING THIS
SEAT FOR SOMEONE?
NO.
WOULD YOU MIND VERY
MUCH IF I SIT HERE?
NO, NOT AT ALL.
THANK YOU. MM-HMM.
IT'S NOT THAT I WANT
TO SEEM TOO FORWARD,
BUT I'M WAITING FOR A FRIEND,
AND THE MEN, THEY ALWAYS
TRY TO... HOW DO YOU SAY...
PICK UP WITH ME?
OH. WELL, AT THE RISK OF
BEING FORWARD MYSELF,
MAY I OFFER YOU A
DRINK WHILE YOU WAIT?
SCOTCH?
YES.
I'LL HAVE THE SAME.
ONE SCOTCH, JOHNNY.
WELL, I'M HERE ON BUSINESS,
HOW ABOUT YOURSELF?
I'M FROM PARIS, BUT
I'M WORKING HERE NOW.
OH, WELL, WE'RE STRANGERS
TOGETHER, AREN'T WE?
YES.
Man: JACQUELINE DuBOC!
OUI? TELEPHONE.
EXCUSE ME.
I CAN'T BELIEVE IT.
MY RENDEZVOUS FOR THIS
EVENING HAS BEEN CANCELED.
OH, HOW DISAPPOINTING FOR YOU.
WOULD YOU CARE TO JOIN ME?
WITH PLEASURE.
OOH, IT BECOMES SO NOISY HERE.
WOULD IT LOOK TOO
FORWARD OF ME TO ASK YOU
IF WE COULD LEAVE FROM HERE?
MAYBE WE COULD GO TO YOUR
ROOM TO HAVE ANOTHER DRINK?
JACQUELINE, I DON'T LET
STRANGE WOMEN IN MY ROOM.
OH, I'M NOT SO STRANGE, REALLY,
JUST IN NEED OF A
LITTLE CONSOLATION.
WELL, THE LAST ONE TO THE
ELEVATOR'S A DIRTY DUCK.
OH, IT'S SO BEAUTIFUL HERE.
I HADN'T NOTICED.
WELL, CAN I MAKE
YOU THAT DRINK NOW?
NO, PLEASE, LET ME DO IT.
CERTAINLY.
EVER SINCE I WAS A LITTLE GIRL,
I ALWAYS DO THIS FOR MY
FATHER AND FOR HIS FRIENDS.
MAKES ME FEEL SO MUCH AT HOME.
WE SHOULD STAY WITH SCOTCH, NO?
YEAH, SCOTCH WOULD BE FINE.
NEVER MIX, NEVER WORRY.
WHAT A BEAUTIFUL EXPRESSION.
YOU AMERICANS
ARE SO PRACTICAL...
AND POETIC.
THANK YOU.
LA CITE DES LUMIERES.
THE CITY OF LIGHTS,
THAT'S HOW WE CALL PARIS.
WELL, AS YOU SAY HERE,
TO YOUR HEALTH, RICK.
CHEERS.
YOU KNOW, IN FRANCE IT'S BAD
LUCK NOT TO DRINK AFTER A TOAST.
OH, BUT IF I DRANK THIS,
I'D HAVE WORSE LUCK.
IT'S QUITE ODORLESS, ISN'T IT?
I UNDERSTAND IT'S
TASTELESS, ALSO.
BUT NOW I'LL HAVE TO TRUST
THE LAB BOYS ON THAT ONE.
I... I DON'T UNDERSTAND.
OH, I THINK YOU DO, HONEY.
WAIT RIGHT THERE. I WANT
YOU TO MEET SOMEBODY.
JACQUELINE DuBOC...
MEET SERGEANT McCALL.
PLEASE PUT THE DRINK
DOWN AND TURN AROUND.
YOU HAVE THE RIGHT
TO REMAIN SILENT.
HUNTER.
McCall: IF YOU GIVE UP THE
RIGHT TO REMAIN SILENT,
ANYTHING YOU SAY
CAN AND WILL BE USED
AGAINST YOU IN A COURT OF LAW.
YOU HAVE THE RIGHT TO HAVE
AN ATTORNEY PRESENT NOW
AND DURING QUESTIONING.
IF YOU SO DESIRE AND
CANNOT AFFORD ONE,
AN ATTORNEY WILL BE APPOINTED
TO YOU WITHOUT CHARGE.
DO YOU UNDERSTAND THESE ARE
THE RIGHTS I'VE EXPLAINED TO YOU?
YES.
LET ME GET THIS STRAIGHT.
YOU GOT WRAPPED
UP IN THIS, MISS DuBOC,
AND NEVER MET ANYBODY
EXCEPT SHELLY KURTZ, IS THAT IT?
OUI.
I WAS BROUGHT TO LOS ANGELES
BY THE INTERTAL MODELING AGENCY.
SINCE I'VE BEEN HERE,
THERE ARE VERY FEW JOBS.
THEY EXPECT ME TO
LOOK SUPERB ALL THE TIME,
BUT I DON'T HAVE ANY MONEY.
I WAS DESPERATE.
SHELLY IS MY FRIEND.
SHE SAYS SHE WANTS TO HELP ME.
SHE SAYS THAT I CAN
MAKE A LOT OF MONEY
IF I DO WHAT SHE SAYS.
SHE SAID THAT I CAN MAKE
THOUSANDS OF DOLLARS A WEEK.
SHE TOLD ME THAT I DON'T
HAVE TO SLEEP WITH ANYONE,
ALL I HAVE TO DO IS FIND
A RICH MAN AT THE BAR,
GO TO HIS ROOM WITH HIM,
PUT THE DRUG INTO HIS DRINK,
WHICH TAKES
EFFECT IMMEDIATELY...
THEN... THEN I TAKE HIS WATCH,
CREDIT CARDS, AND MONEY.
THAT'S IT.
NOBODY'S HURT.
SHE TOLD ME IT'S
COMPLETELY HARMLESS.
WHERE DOES SHELLY GET THE DRUG?
I DON'T KNOW.
I GOT THE DRUG ONLY FROM HER.
THE DRUG YOU TRIED TO GIVE
SERGEANT HUNTER LAST NIGHT
IS A CONTROLLED SUBSTANCE.
YOU COULD GO TO
JAIL FOR POSSESSION
AND CONSPIRACY
TO USE IT IN A THEFT.
I TOLD YOU THAT WAS ONLY
THE SECOND TIME I DO THIS.
LAST WEEK AT THE SAME HOTEL,
THE SAME DRUG
WAS GIVEN TO A MAN.
THAT DRUG DOESN'T MIX
WITH CERTAIN MEDICATIONS,
AND THAT MAN WAS ON ONE OF THEM.
THE MAN DIED, JACQUIE.
SO LET ME GET THIS STRAIGHT.
THANK YOU.
YOU'VE GOT A WOMAN,
A FRENCH WOMAN,
IN PROTECTIVE CUSTODY.
A VOLUNTARY INCARCERATION.
RIGHT.
AND SHE APPEARS TO BE INVOLVED
WITH AN OPERATION THAT WAS
RESPONSIBLE FOR A HOMICIDE,
BUT SHE HAS NO IDEA
WHO'S RUNNING THE THING.
CORRECT.
IT'S ALMOST MIDNIGHT.
I GOT A MEETING WITH
WYLER AT 8:00 IN THE MORNING.
McCALL, YOU TALK FASTER,
SO WHY DON'T YOU JUST
TELL ME WHAT YOUR PLAN IS.
WELL, RIGHT NOW, OUR
ONLY LINK TO SHELLY KURTZ
IS THROUGH THE INTERTAL AGENCY.
JACQUIE THINKS THAT
SHELLY GETS HER ORDERS
FROM SOME TOP MAN OR WOMAN
WHO SETS UP THE OPERATION
AND PROVIDES A DRUG.
WE TALKED TO JACQUIE, AND
WE CHECKED OUT HER STORY,
AND SHE'S IN NO WAY CONNECTED WITH
THE MAN THAT WAS KILLED LAST WEEK.
THE D.A. SAYS THAT
IF SHE TESTIFIES,
HE WON'T PROSECUTE HER.
SO THE PLAN IS?
NO PLAN? IS THAT WHAT
THE SILENCE MEANS?
WELL, NO, CAPTAIN,
OBVIOUSLY THE ONLY WAY
WE CAN GET TO THIS PERSON
IS THROUGH SHELLY KURTZ.
NOW IF I CAN GET INTO THE
INTERTAL AGENCY, I CAN MEET HER.
WE'VE DISCUSSED THIS IN DEPTH,
AND SHE WILL BE WEARING A WIRE,
AND I'LL BE BACKING
HER UP ALL THE WAY.
I TALKED TO JACQUIE, SHE TOLD ME
EXACTLY WHO I HAVE TO SEE THERE,
SAID ALL I REALLY NEED
IS A GOOD PORTFOLIO.
I CAN DO THAT, THAT'S
SIMPLE ENOUGH.
DON'T YOU THINK THEY
MIGHT BE WONDERING
WHAT HAPPENED TO THEIR
FRENCH CONNECTION?
Hunter: WE TOOK CARE OF THAT.
WE HAD JACQUIE CALL
SHELLY AND TELL HER
THAT WHEN IT CAME DOWN TO
GIVING ANOTHER GUY THE DRUG,
SHE JUST COULDN'T DO IT.
I WAS WITH JACQUIE WHEN SHE
MADE THE CALL TO SHELLY KURTZ.
SHE TOLD HER SHE WAS GETTING ON A
PLANE TONIGHT AND GOING BACK TO PARIS.
SHE SOUNDED REAL UPSET, I'M
SURE THAT SHELLY BOUGHT IT.
ALL RIGHT, ARRANGE
FOR THE AIRLINES
TO SHOW THAT SHE TOOK A PLANE
FROM L.A.X. TO PARIS TONIGHT.
DONE.
AND YOU... BE CAREFUL.
HELLO. MY NAME'S
PATRICIA O'CARROLL.
I'VE GOT A 10:00 APPOINTMENT
WITH CYNTHIA JANE BARTLETT.
OK. AH, YES.
PATRICIA, WOULD YOU JUST
WAIT A MOMENT, PLEASE?
I'LL LET MISS BARTLETT
KNOW YOU'RE HERE.
OK. THANKS.
MM-HMM.
YES, PATRICIA O'CARROLL'S
HERE TO SEE YOU.
HELLO.
PATRICIA, MISS BARTLETT
WILL SEE YOU NOW.
BEST OF LUCK TO YOU.
THIS IS PATRICIA O'CARROLL.
PATRICIA.
HOW VERY NICE TO MEET YOU.
McCall: HELLO.
I'D LIKE YOU TO MEET MY
ASSISTANT SHELLY KURTZ.
HELLO. HOW DO YOU DO?
LET'S HAVE A LOOK
AT YOUR PORTFOLIO.
ALL RIGHT, THERE YOU GO.
COME OVER HERE AND SIT
DOWN WITH ME, WILL YOU?
RIGHT HERE.
I GOT THE FEELING
SITTING OUT ON THE LOBBY
THAT THERE'S A DIFFERENT
STYLE HERE IN AMERICA
THAN THERE IS BACK
HOME IN IRELAND.
NO NEED TO APOLOGIZE, DEAR.
I THINK YOU HAVE OUR LOOK.
Man: BRAVA, BEAUTIFUL.
NICE, NICE.
OK.
BELLISSIMO!
BEAUTIFUL!
THAT'S DONE.
COULD YOU GET OFF
THE SCENE, MISS, PLEASE?
I'M SORRY. DID I DO
SOMETHING WRONG?
NO. WHEN DINO SAYS
IT'S OVER, IT'S OVER.
UM, COULD YOU DO ME A FAVOR?
NEXT TIME WHEN YOU'RE
WORKING ON THE PAPER,
YOU THINK MAYBE YOU COULD
BE A LITTLE MORE CAREFUL?
BECAUSE YOU SEE, I'M GOING TO HAVE
TO THROW THIS WHOLE ROLL OUT NOW.
SURE, I'M SORRY.
RIGHT.
ISN'T DINO MARVELOUS?
OF COURSE, HE'S
IMPOSSIBLE, BUT WHAT AN EYE.
WAS I ALL RIGHT, THEN?
YOU'LL LOOK GREAT.
OF COURSE, IT'S UP
TO CYNTHIA JANE NOW.
SHE'LL GET THE PROOFS TOMORROW,
AND THEN I'LL GIVE YOU A RING.
UH, SHELLY.
I HATE TO BE SO AWFULLY DIRECT,
BUT WHEN CAN I EXPECT TO
BE PAID FOR THIS SESSION?
PAID?
NO, NO, NO.
CYNTHIA JANE IS
DOING YOU A FAVOR.
YOU WON'T BE PAID FOR THIS.
MOST MODELS WOULD KILL
FOR EXPOSURE LIKE THIS.
PATRICIA, IS SOMETHING WRONG?
THE FIRST THING YOU MUST LEARN
ABOUT THE INTERTAL AGENCY
IS THAT WE'RE LIKE FAMILY.
WE TRUST EACH OTHER,
CONFIDE IN ONE ANOTHER.
YOU CAN TELL ME ANYTHING.
WELL, TO TELL YOU
THE TRUTH, SHELLY,
I'M IN A BIT OF A BIND.
I'VE ONLY BEEN IN THE
COUNTRY FOR A MONTH,
AND MY FINANCES ARE
COMPLETELY EXHAUSTED.
THE MAN AT THE MOTEL HAS
EXTENDED ME A WEEK'S RENT ALREADY.
THE AGENCY KEEPS SEVERAL
SMALL APARTMENTS AROUND TOWN.
THEY'RE USUALLY ALL FULL,
BUT ONE OF THE GIRLS HAD TO
GO BACK TO PARIS UNEXPECTEDLY,
SO HER PLACE IS AVAILABLE.
I'M SURE CYNTHIA JANE WOULDN'T
MIND IF YOU STAYED THERE FOR A WHILE.
OH, THAT'D BE GREAT.
BUT THERE'S STILL THE
PROBLEM OF A WEEK'S BACK RENT.
WHY DON'T WE GO TO THE
RESTAURANT ACROSS THE STREET.
THERE'S PRIVACY, AND WE
CAN HAVE SOMETHING TO EAT.
EVEN IF CYNTHIA JANE LOVES
THE WORK THAT YOU DID TODAY,
IT'S GOING TO BE A LONG TIME
BEFORE YOU START MAKING ANY MONEY.
THOSE ARE THE FACTS.
I'VE BEEN THERE, I KNOW.
IF YOU'RE LOOKING FOR MONEY
FROM CYNTHIA JANE
TO PAY THAT MOTEL BILL,
IT'S JUST NOT GOING TO HAPPEN.
WELL, THEN, WHAT DO I DO?
WHAT EVERY MODEL DOES.
YOU FIND WORK ON THE OUTSIDE.
YOU'RE REALLY IN
TROUBLE, AREN'T YOU?
HOW DO YOU FEEL ABOUT DOING
SOMETHING THAT ISN'T EXACTLY LEGAL?
OH, NO.
NO, SHELLY.
I KNOW OTHER MODELS HAVE
DONE THAT SORT OF THING, BUT...
NO, NO, NO. PATRICIA, I
WOULD NEVER SUGGEST
THAT YOU GO TO BED
WITH SOMEONE FOR MONEY.
THIS IS MUCH MORE AGREEABLE
AND MUCH MORE PROFITABLE.
YOU DON'T HAVE
TO SLEEP WITH MEN.
ALL YOU HAVE TO DO IS
KNOW HOW TO TALK TO THEM.
TALK TO THEM?
WELL, IF IT'S TALKING YOU WANT,
YOU'VE COME TO THE RIGHT GIRL.
YOU KNOW, IT'S VERY RARE WE IRISH
FIND OURSELVES AT A LOSS FOR WORDS.
WONDERFUL.
YOU KNOW, McCALL,
BOWLING IS MORE THAN
THE AMERICAN PASTIME.
IT'S PHYSICS,
MAN RISING ABOVE
THE LAWS OF GRAVITY
FOR A HIGHER PURPOSE.
YEAH, WELL, YOU WERE
DEFINITELY BORN TO BOWL, SLAMMER.
SLAMMER! WHERE'D YOU
GET THAT SHIRT, ANYWAY?
OH, I SEE. NOW THAT YOU'RE
A HIGH-FASHION MODEL,
BOWLING IS BENEATH YOU, RIGHT?
HEY, I AM NOT LIVING
SOME FAST-PACED,
INTENSELY GLAMOROUS LIFE
OF A HIGH-FASHION MODEL.
NOT YET.
YEAH, NEXT THING,
YOU'LL BE DOING
IS THOSE SWIMSUIT ADS
FOR SPORTS ILLUSTRATED,
AND I'LL BE LOOKING
FOR A NEW PARTNER.
GIVE ME A BREAK!
YOU KNOW, YOU DID PICK THE
BEST PLACE TO MEET TODAY, THOUGH,
BECAUSE NONE OF MY NEW FRIENDS
WOULD BE CAUGHT DEAD IN A BOWLING ALLEY.
WHO CARES ABOUT
YOUR NEW FRIENDS?
ALL I WANT TO DO IS BOWL.
FIGURES.
NOW, I TOLD YOU WHAT I
HAVE, WHAT DO YOU GOT?
WELL, AFTER SEVERAL DAYS
OF COPIOUS DETECTIVE WORK,
I FOUND OUT THE
INTERTAL AGENCY IS CLEAN.
WHAT ABOUT SHELLY?
WELL, SHE'S BEEN A
MODEL FOR 10 YEARS.
DIVORCED, NO KIDS, AND SHE
WORKS BECAUSE SHE HAS TO.
YOU KNOW, JACQUIE
MIGHT BE RIGHT.
SHELLY MAY NOT BE AT THE TOP,
BUT SHE HAS TO BE PRETTY CLOSE IF
SHE'S THE ONE DOING THE RECRUITING.
FOR ANSWERS TO THESE
QUESTIONS AND MORE,
LEAVE IT UP TO
ME... I HAVE A PLAN.
IN THE MEANTIME, KEEP YOUR
IRISH EYES A-SMILIN', HONEY,
AND STAY AWAY
FROM BOWLING ALLEYS.
YOU JUST WAIT A MINUTE.
YOU ARE ABOUT TO
WITNESS A SPARE.
THAT'S GREAT.
EXCUSE ME, MR. MITCHELL?
NO, NO, I'M AFRAID NOT.
OH. SORRY TO DISTURB YOU.
PLEASE, DON'T BE SORRY.
YOU'RE NO DISRUPTION AT ALL.
IT'S JUST THAT I'M SUPPOSED
TO BE MEETING A MAN HERE.
I'VE NEVER MET HIM BEFORE,
AND HE'S OVER AN HOUR LATE.
WELL, WHY DON'T YOU
SIT DOWN AND WAIT.
I'LL BUY YOU A DRINK.
NO, NO, I COULDN'T.
DRINK. I COULDN'T IMPOSE.
WHAT'LL YOU HAVE?
WELL, MAYBE A WHITE WINE, THEN.
ALL RIGHT.
I HOPE YOU DON'T
MIND ME SAYING THIS,
BUT YOU HAVE A BEAUTIFUL ACCENT.
YOU ENGLISH?
GOOD LORD, NO! I'M IRISH.
OH. OH, NO, I HAD NO IDEA.
I HOPE SOMEHOW YOU'LL
LET ME MAKE IT UP...
OHH!
I'M SO SORRY.
IT'S OK.
I GUESS THAT MAKES US EVEN.
I GUESS SO.
LISTEN, YOU DIDN'T GET A
CHANCE TO FINISH YOUR WINE,
AND I HAVE TO CHANGE MY CLOTHES.
WHY DON'T WE GO UP TO
MY ROOM, WHAT DO YOU SAY?
WELL, IT IS A WEE
BIT CROWDED IN HERE.
ALL RIGHT. CRAIG, PUT
THESE ON 740, WILL YOU?
ACTUALLY, I FOUND THE
MODELING SCENE HERE
A LOT SLOWER THAN I
THOUGHT IT WAS GOING TO BE.
WELL, I GUESS WITH ANY JOB
YOU GOT TO TAKE THE SLOW TIMES
AND MAKE THEM FAST.
YOU KNOW, McCALL, THIS
WASN'T IN THE SCRIPT.
YOU DON'T HAVE
TO GET SO VIOLENT.
I WAS JUST ABOUT TO
INVITE YOU UP ANYWAY.
IT WAS AN ACCIDENT, HARRY.
LET ME HAVE THE STUFF.
McCALL, I'VE ALWAYS
HAD A THING FOR YOU.
YOU KNOW, HARRY...
WHEN HUNTER TOLD ME
HE HAD SOMETHING IN MIND,
I DIDN'T THINK HE
HAD YOU IN MIND.
I'LL BET YOU 10 TO
1 HE SET THIS UP.
DON'T FORGET THE WALLET.
YOU KNOW, IT JUST
OCCURRED TO ME THAT...
THIS ROOM'S PAID FOR.
YOU KNOW, IT WOULD
BE A SIN TO WASTE IT.
IT'D BE A SIN TO
BREAK YOUR JAW, TOO.
AREN'T WE TOUCHY THIS AFTERNOON?
DON'T FORGET THE RECEIPT.
OH, YEAH...
THE RECEIPT.
SURE YOU DON'T WANT TO
PUT THAT ACCENT BACK ON
AND HAVE A WEE DRINK?
HARRY, DON'T FORGET,
YOU HAVE TO STAY IN THIS ROOM FOR
8 HOURS, AND DON'T MAKE A SOUND...
DON'T TURN ON THE TV, THE RADIO,
DON'T ANSWER THE PHONE,
DON'T USE THE PHONE.
JUST SIT HERE.
McCALL, THIS IS THE FIRST TIME
I'VE HAD A LEGITIMATE EXCUSE TO
BE AWAY FROM MY WIFE IN YEARS.
YOU WANT ME TO SIT HERE
IN THIS BEAUTIFUL ROOM,
ALONE?
YOU GOT TO BE KIDDING?
NO, HAROLD, I'M NOT KIDDING,
THAT'S EXACTLY WHAT
I WANT YOU TO DO.
WE ARE NOT DEALING WITH
SMALL-TIME OPERATORS HERE.
THEY PROBABLY HAVE ME
UNDER SURVEILLANCE RIGHT NOW.
HAVE A GOOD TIME.
DON'T DO ANYTHING I WOULDN'T DO.
HELLO, SHELLY?
IT WAS SO EASY. YOU WERE RIGHT.
NO, NO, NO, NOT A HITCH.
ALL RIGHT, I'LL MEET YOU THERE.
THIS IS SERGEANT McCALL.
PATCH ME THROUGH...
PATCH ME THROUGH
TO L-56, WILL YOU?
McCall: HUNTER?
Hunter: McCALL, HOW'D IT GO?
IT WENT GREAT.
I'M GOING TO MEET
HER ON HAYWORTH
IN THE 1800 BLOCK IN 20 MINUTES.
GOT IT.
LISTEN, CALL ME
WHEN YOU FIND OUT
WHERE SHE GETS
RID OF THE STUFF. OK?
I'LL BE AT THE APARTMENT.
LISTEN, DO ME A FAVOR.
AS SOON AS YOU GET
BACK TO YOUR CAR,
PUT THAT WIRE ON YOU AND DON'T
TAKE IT OFF, YOU UNDERSTAND ME?
HUNTER, LOOK, I DON'T THINK
I REALLY NEED TO DO THAT.
IT MIGHT TIP THEM OFF, YOU KNOW.
BESIDES, IT'S NOT
THAT KIND OF A...
JUST DO IT, YOU UNDERSTAND?
YOU CAN BE SO DEMANDING.
LISTEN, WHY DON'T YOU
GRAB ANOTHER DRINK, TIA?
I'LL BE RIGHT BACK.
SHELLY? SHE JUST
CALLED YOU, RIGHT?
JUST ONCE. SHE
DIDN'T CALL YOU BACK?
NOT A THING.
LISTEN, BRING HER TO THE PARTY.
I WANT TO TALK TO HER.
YEAH, I'LL SEE YOU THERE.
HOPE YOU CAN HEAR ME, HUNTER.
HERE GOES.
L-87, YOU IN POSITION?
YEAH, HUNTER, I GOT 'EM.
SHELLY, YOU WERE RIGHT.
IT WAS SO EASY.
NOW, YOU'RE SURE
THE POOR FELLOW'S
GOING TO BE WAKING
UP IN A FEW HOURS?
Shelly: AND HE'LL NEVER
KNOW WHAT HIT HIM.
HE WON'T EVEN HAVE A HEADACHE;
THAT IS, UNTIL HE GOES BACK
TO KANSAS OR WHEREVER
AND TRIES TO EXPLAIN TO HIS WIFE
HOW HE LOST HIS WEDDING RING,
AND SINCE THEY DON'T WANT THEIR
WIVES TO KNOW WHAT HAPPENED,
THEY ALMOST NEVER
REPORT IT TO THE POLICE.
PRETTY GOOD, HUH?
$800 IN CASH, 2,000 IN
TRAVELER'S CHECKS...
PRETTY GOOD FOR
YOUR FIRST TIME OUT.
HERE'S $400 FOR YOU.
THAT OUGHT TO PUT A
DENT IN YOUR MOTEL BILL.
AND THAT'S JUST THE BEGINNING.
WITH THE CREDIT CARDS, RING,
WATCH, AND EVERYTHING ELSE,
YOU'LL GET ANOTHER $3,000...
FOR A HALF-HOUR'S WORK.
YOU DO THIS 3 OR 4 TIMES FOR US,
AND YOU COULD CLEAR 15 GRAND.
GOOD LORD, WHOEVER'S BEHIND
THIS MUST BE MAKING THOUSANDS.
DON'T THINK TOO MUCH
ABOUT THE PEOPLE BEHIND IT.
WELL, SHELLY, IT WAS SO SIMPLE.
DO YOU REALLY THINK WE NEED TO
BE WORKING WITH SOMEBODY ELSE?
LET ME HAVE THE VIAL.
ALL RIGHT.
THERE YOU GO.
THIS IS WHY IT'S NOT SO EASY.
WITHOUT THE SCOPOLAMINE,
IT DOESN'T WORK AT ALL.
YOU CAN'T JUST WALK INTO
A PHARMACY AND BUY IT,
EVEN WITH A PRESCRIPTION.
YOU'VE GOT TO HAVE A SOURCE,
AND THE PERSON THAT
GETS IT FOR US HAS A SOURCE.
BESIDES, YOU'RE NOT THE
ONLY GIRL WORKING FOR US.
IT'S GOT TO BE
ORGANIZED, CONTROLLED.
YOU GOT IT?
I UNDERSTAND.
I JUST WANT YOU TO
KNOW THAT I'M AVAILABLE.
SURE.
UH, BY THE WAY...
AFTER YOU CALLED ME, DID
YOU CALL SOMEONE ELSE?
YES, I DID.
HOW IN THE WORLD
DID YOU KNOW THAT?
THIS IS BIG BUSINESS, HONEY,
AND RISKY.
THE PERSON AT THE TOP
DOESN'T TAKE ANY CHANCES.
WHAT ARE YOU TELLING ME, THAT
THERE WAS SOMEBODY WATCHING ME?
JUST ANSWER THE QUESTION.
WHO DID YOU CALL?
LOOK, SHELLY, I HAVEN'T GONE
AND JOINED A NUNNERY, NOW, HAVE I?
I MET A GUY.
HE SAID HE WANTED TO
TAKE ME OUT TO GET A DRINK,
AND I TOLD HIM I DIDN'T KNOW
WHAT TIME I'D BE GETTING OFF WORK
AND I'D CALL HIM
WHEN I WAS FREE.
HE'S KIND OF CUTE.
WAS I WRONG TO BE CALLING HIM
FROM THE PHONE WHILE I WAS THERE?
NO, IT WASN'T,
BUT I'M SORRY YOU DID.
I WAS GOING TO INVITE
YOU TO A PARTY AT MALIBU.
IN MALIBU?
WILL THERE BE
OTHER MODELS THERE?
MODELS? THE PLACE
WILL BE FULL OF V.I.P.s,
PRODUCERS, ACTORS,
CON MEN, YOU NAME IT.
WELL, THAT SOUNDS
LIKE A LOT MORE FUN.
I'LL TELL YOU WHAT, I'LL
CANCEL OUT ON ME DATE.
ARE YOU SURE? MM-HMM.
ALL RIGHT.
LET ME GIVE YOU THE ADDRESS.
I'D HAVE YOU FOLLOW ME, BUT I
HAVE TO DROP OFF THE STUFF FIRST.
NOW, LISTEN, YOU'LL HAVE
NO PROBLEM WITH THIS.
IT'S RIGHT OFF THE
COAST HIGHWAY.
McCall: ALL RIGHT.
I'LL GO HOME AND
CHANGE MY CLOTHES,
AND I'LL CANCEL MY ENGAGEMENT.
I'LL SEE YOU THERE.
L-87, SUSPECT'S
HEADING YOUR WAY.
IF SHE TURNS ON
WILSHIRE, I'LL TAKE HER.
I GOT HER. PICK HER UP ON
SANTA MONICA BOULEVARD.
WILL DO.
PICK HER UP NOW,
WE'RE COMING TO BUNDY.
HI.
SHE STOPPED AT 1357 A.P.C.H.
GO A LITTLE NORTH OF THERE
AND THROW OUT THE ANCHOR.
THIS IS L-56, OPERATOR, COME IN.
Operator: GO AHEAD, L-56.
PATCH ME THROUGH
TO 555-6861, PLEASE.
HELLO?
Hunter: HOW YA DOING?
HUNTER, WHERE ARE YOU?
DID SHE DROP OFF THE STUFF?
NO, BUT I'VE GOT
IT NARROWED DOWN
TO ABOUT 200 OR 300 PEOPLE
OUT ON PACIFIC COAST HIGHWAY.
YEAH, AND I'M ON THE LITTLE
GUEST LIST FOR THAT CLAMBAKE.
YEAH, I KNOW THAT.
DO YOU NEED A DATE?
YEAH. YOU GOT SOMEBODY IN MIND
WHO DOESN'T LOOK LIKE A COP?
WAIT A MINUTE, NOW.
YOU LOOK MORE
LIKE A COP THAN I DO.
HUNTER, IF YOU LOOKED
ANY MORE LIKE A COP,
THEY'D GIVE YOU A TV SERIES
WHERE YOU GOT TO PLAY ONE.
EXCUSE ME, BUT YOU HAVE
MISSED THE POINT ENTIRELY.
THIS IS NOT A PAINTING
ABOUT VIETNAM.
THIS...
THIS IS ABOUT THE
REBIRTH OF LOVE
IN A TECHNOLOGICAL SOCIETY.
I'LL TELL YOU WHAT IT'S ABOUT.
IT'S ABOUT 60 GRAND,
AND HE BOUGHT IT A
FEW MONTHS AGO FOR 5.
Shelly: PATRICIA!
HOW WONDERFUL, YOU MADE IT!
THANK YOU FOR INVITING ME.
SO, WHAT DO YOU THINK?
WELL, IT... IT'S JUST LIKE HOME.
HAVE YOU MET MATTHEW?
NO.
THIS IS HIS HOUSE.
HIS MOTHER IS FILTHY RICH,
AND HIS FATHER
OWNS A MOVIE STUDIO.
SOME PEOPLE HAVE ALL THE LUCK.
COME ON, LET ME INTRODUCE YOU.
YOU KNOW, I COME
HERE ALL THE TIME,
BUT I HAVEN'T SEEN HALF
OF THESE PEOPLE BEFORE.
EXCUSE ME.
MATTHEW, I'D LIKE YOU TO
MEET PATRICIA O'CARROLL.
SHE'S ONE OF THE NEW
GIRLS AT THE AGENCY.
HOW DO YOU DO?
SO HOW DOES IT FEEL TO BE
ONE OF THE WORLD'S
MOST BEAUTIFUL WOMEN?
OH, I WISH IT WERE TRUE.
SHELLY, YOU WOULDN'T MIND GETTING
ME ANOTHER DRINK, WOULD YOU?
NO.
WELL, YOU... YOU SURELY
THROW A FINE PARTY.
Matthew: ACTUALLY, I HAD
NOTHING TO DO WITH THIS.
OH, I'M SORRY. I MISUNDERSTOOD,
I THOUGHT IT WAS YOUR HOME.
THINGS AREN'T ALWAYS
WHAT THEY APPEAR, PATRICIA.
FOR INSTANCE,
THIS ISN'T MY HOME.
THIS IS MY MOTHER'S.
SHE LETS ME USE IT,
SOMETIMES FOR ONE MONTH,
SOMETIMES FOR 6,
DEPENDING ON HOW SHE FEELS
OR HOW LONG IT TAKES
THE POLICE TO ARRIVE.
YOU KNOW WHAT I MEAN?
OH, HEY, MAN, WATCH YOUR BACK.
OH, MATTHEW, I SAID, IT'S
SURE GOOD TO BE BACK.
BACK, SPORTY? I
DIDN'T KNOW YOU LEFT.
SPORTY?
DO YOU TWO KNOW EACH OTHER?
NO, WE HAVEN'T HAD
THE MUTUAL PLEASURE,
BUT WHENEVER I ENCOUNTER
A RAPTUROUS BEAUTY
OF THIS MAGNITUDE,
GETTING TO KNOW HER IS
THE FIRST THING ON MY AGENDA.
PATRICIA O'CARROLL,
THIS IS SPORTY JAMES.
HE'S IN THE
INFORMATION BUSINESS.
PLEASURE MEETING
YOU, MISS O'CARROLL.
MATTHEW, I GOT
TO HAND IT TO YOU,
YOU ARE MAINTAINING YOUR USUAL
HIGH LEVEL OF GOOD TASTE IN WOMEN.
CIAO, NOW.
INTERESTING CHARACTER.
CAN'T ARGUE WITH THAT.
ALL RIGHT. GIVE IT TO
ME STRAIGHT, SERGEANT,
WHEN'S THE BUST COMING DOWN?
THERE IS NO BUST, SPORTY.
JUST TAKE IT EASY,
AND RELAX, OK?
SOMETHING'S WRONG.
THERE'S SOMETHING
ABOUT THIS GIRL
THAT DOESN'T RING TRUE.
LIKE WHAT? EVERYTHING
WENT SMOOTH AS SILK.
OH, YEAH? WELL, WHAT
ABOUT THE SECOND PHONE CALL
SHE MADE FROM THE HOTEL ROOM?
I HIT HER WITH THAT.
SHE GAVE ME A STRAIGHT ANSWER,
SHE WAS CALLING HER BOYFRIEND.
YEAH, WELL, YOU MAY THINK
THAT'S A STRAIGHT ANSWER,
BUT I DON'T LIKE IT,
AND NOW SHE AND SPORTY JAMES,
THEY LOOK AT EACH
OTHER, AND THEY FREEZE.
THEY KNOW EACH OTHER,
AND THEY TRIED TO COVER IT UP.
YOU KNOW WHAT I THINK?
I THINK YOU'VE BEEN
DOING SO MUCH COKE
YOU'RE A LITTLE PARANOID.
YOU'RE DAMN RIGHT I'M PARANOID!
LOOK, 2 WEEKS AGO, ONE OF OUR
MARKS ENDS UP IN THE MORGUE.
NOW, UP UNTIL THEN, WE WERE
ONLY A LITTLE BIT VULNERABLE,
BUT NOW WE ARE
ACCESSORIES TO MURDER.
SO NOW, FROM NOW ON,
AND UNTIL I DECIDE TO GET
US OUT OF THIS RACKET...
WE HAVE TO REMAIN PARANOID.
GIVE ME THAT STUFF.
ALL RIGHT, TAKE THIS.
WHAT'S THIS FOR?
JUST STAY HERE.
I'LL BE RIGHT BACK.
Sporty: SO, LOOK, FORGET
ABOUT THIS PARTY.
I MEAN, MY PARTY IS GOING TO BE
THE BADDEST PARTY YOU EVER SEEN.
THIS PARTY HERE,
IT AIN'T NOTHING,
THIS PARTY'S LIKE
SUNDAY SCHOOL, OK?
NOT NOW, MAN.
I GOT TO TALK TO YOU, SPORTY.
UH, CAN'T IT WAIT?
THIS IS BUSINESS.
OH, WELL, WHY DIDN'T YOU SAY SO?
BECAUSE SPORTY JAMES ENTERPRISES
IS OPEN FOR BUSINESS
24 HOURS A DAY.
I WAS HOPING YOU'D SAY THAT.
IF HE MOVES, SHOOT HIM.
"SHOOT... SHOOT HIM"?
SHOOT ME?
ARE YOU CRAZY, MAN?
HEY, I'M YOUR MAIN MAN,
BABY, SPORTY JAMES.
NOW, WHY DON'T YOU TELL
ME ABOUT YOU AND PATRICIA?
COME ON, SPORTY, I SAW YOU
TWO WHEN I INTRODUCED YOU,
AND THEN YOU STEP OUTSIDE
FOR A LITTLE CONVERSATION.
WHO IS SHE?
HEY, MAN, LOOK,
I WAS TRYING TO
HIT ON THE BROAD,
AND SHE TURNED ME OFF, YOU KNOW?
LOOK, DON'T GIVE ME THAT,
NOW, I WANT TO KNOW WHO SHE IS,
'CAUSE I THINK I
SMELL A COP HERE.
COP, MAN, ARE YOU CRAZY, MAN?
THAT CHICK IS TOO
GOOD-LOOKING TO BE A COP, MAN.
HEY, LOOK, ONE THING YOU
KNOW ABOUT COPS, MAN,
IS THAT THEY ARE ALL UGLY.
HEY, LOOK, YOU KNOW WHAT?
I THINK YOU'RE LETTING THAT
IRISH ACCENT GET YOU CONFUSED.
THANKS, SPORTY.
YOU'VE BEEN VERY HELPFUL.
LIKE I WAS SAYING, IF HE
MOVES, YOU SHOOT HIM.
I MEAN IT!
SO YOU SEE, AT THE
INCEPTION OF ANY WORK,
THE ARTIST MUST FIRST BE ABLE
TO GO WITHIN HIMSELF
AND DRAW OUT...
EXCUSE ME, DINO.
CAN I TALK TO YOU FOR A MINUTE?
SURE.
YOU NEVER MENTIONED
YOU WERE INTERESTED IN ART.
AS A MATTER OF FACT, I AM.
YOU HAVE A FINE COLLECTION.
WELL, IN THAT CASE,
LET ME SHOW YOU
A LITTLE SOMETHING
I JUST PICKED UP.
I THINK YOU'LL FIND
IT VERY INTERESTING.
SHELLY, WHAT'S GOING ON?
HEY, MATTHEW, I TOLD YOU...
Matthew: SHUT UP, I GOT
ALL I NEED FROM YOU.
McCall: SHELLY, I DON'T
UNDERSTAND WHAT'S HAPPENING.
WHAT WAS THAT LITTLE ENCOUNTER
YOU TWO HAD ON THE BALCONY?
WELL...
I DON'T UNDERSTAND WHAT
YOU'RE TALKING ABOUT, MATTHEW,
WHAT'S GOING ON?
WELL, WHAT DO YOU
KNOW, YOU ARE A COP.
WAY TO GO, SHELLY,
YOU BROUGHT ME A COP!
Hunter: POLICE! GET
OUT OF THE WAY!
SPORTY?
McCALL, MAN. I THINK
THEY GOT McCALL.
Devane: WE'RE
COVERING THE AIRPORTS,
THE BUS AND TRAIN STATIONS,
AND EVERY HIGHWAY OUT OF TOWN,
AND THE COAST GUARD'S
COVERING THE MARINA FOR US.
THERE'S NO WAY THEY'RE
GOING TO GET OUT OF THIS CITY.
DID YOU GET ANYTHING
FROM SPORTY?
NO, THE HOSPITAL
WOULDN'T LET ME TALK TO HIM.
WELL, I'M GOING TO ASSIGN
CAUSLAN TO HELP YOU
UNTIL WE FIND McCALL.
CHARLIE, COME ON,
I'D RATHER DO THIS BY MYSELF.
I DON'T NEED CAUSLAN.
ALL RIGHT.
YES, I'LL WAIT.
THANK YOU.
YOUR FRIEND'S IN INTENSIVE CARE.
MAYBE WE SHOULD'VE
JUST LEFT HER THERE.
MAYBE YOU SHOULDN'T
HAVE SHOT SPORTY JAMES.
FOR GOD SAKES, MATTHEW,
YOU HAD ME
POINTING A GUN AT HIM,
AND HE JUMPED ME!
WHAT THE HELL WAS
I SUPPOSED TO DO?
SO YOU SHOT HIM IN THE CHEST!?
IF HE DIES, YOU'RE GOING
DOWN FOR THAT ONE, NOT ME.
I CAN'T BELIEVE YOU.
I'VE DONE EVERYTHING
THAT YOU'VE ASKED
SINCE THE DAY WE STARTED THIS.
I'VE ALWAYS LOVED YOU, MATTHEW.
I'D DONE ANYTHING FOR YOU.
ANYTHING!
YEAH, YOU CERTAINLY TOOK
GOOD CARE OF ME THERE, SHELL.
ONE OF OUR MARKS DROPS
DEAD IN THE HOTEL ROOM,
AND YOU CALL ME PARANOID,
AND THEN YOU GO OUT,
AND YOU RECRUIT A COP,
A DAMN COP!
AND THEN YOU LOSE IT,
AND YOU PROBABLY NOT
ONLY KILL SPORTY JAMES,
BUT YOU SHOOT ME
WHILE YOU'RE AT IT!
MATTHEW, PLEASE STOP IT!
THIS ISN'T WHAT WE PLANNED.
WE'VE GOT TO GIVE UP.
MAYBE IF WE GO TO
THE POLICE RIGHT NOW...
WHAT?
ARE YOU CRAZY?
MATTHEW, SHE'S RIGHT.
OH, IS THAT A FACT?
WHY DON'T YOU
TELL ME ABOUT THAT?
IF YOU GIVE UP NOW,
YOU WILL ONLY BE
LOOKING AT 4 TO 8 YEARS,
AND INVOLUNTARY MANSLAUGHTER
FOR THE GUY IN THE HOTEL.
YOU WILL BE OUT IN 3.
YEAH? AND WHAT ABOUT SPORTY?
NOW, YOU CORRECT ME IF
I'M WRONG THERE, SARGE,
BUT IF WE TURN OURSELVES
IN AND SPORTY DIES,
WE'RE LOOKING AT
THE GAS CHAMBER.
HE'S IN INTENSIVE CARE.
THEY DIDN'T SAY HE
WAS GOING TO DIE.
LOOK, I CAN'T TAKE THAT CHANCE!
Shelly: WELL, WHAT ARE
WE SUPPOSED TO DO,
SIT AROUND HERE AND JUST WAIT
FOR THE POLICE TO COME
KNOCKING AT THE DOOR?
SHUT UP! SHUT UP! BOTH OF YOU!
I CAN'T TAKE THIS.
I GOT TO THINK.
Man: TELL YOU THE
TRUTH, SERGEANT,
I HAVEN'T SEEN MATTHEW
SINCE I CUT OFF HIS
ALLOWANCE A YEAR AGO.
WELL, COULD HE
BE SOMEPLACE ELSE,
LIKE ANOTHER HOME
IN THE MOUNTAINS
OR IN PALM SPRINGS?
NO.
AND HIS MOTHER CUT HIM OFF
6 MONTHS AGO WHEN SHE REMARRIED,
BUT SHE SPOILED HIM
ROTTEN UP UNTIL THEN.
IF YOU WANT INFORMATION
ABOUT MY SON,
MAYBE YOU SHOULD TALK TO HER.
WHERE CAN I FIND HER?
THEY HAVE A PLACE
IN HOLMBY HILLS.
MY SECRETARY WILL
GIVE YOU THE ADDRESS.
OK, THANK YOU VERY MUCH.
MAY I HELP YOU, PLEASE?
YES, I'M LOOKING FOR MRS. ADLER.
UH, MRS. ADLER IS NOT HERE.
SHE'S GONE FOR 6 MONTHS.
DO YOU MIND IF I COME IN
AND TAKE A LOOK AROUND?
OK. COME IN.
OK. I HOPE THAT SATISFIES YOU.
YES, IT DOES, LUPE.
THANKS VERY MUCH.
IS MATTHEW HERE?
MATTHEW?
YOU KNOW, MATTHEW?
MRS. ADLER'S SON?
OH! NO, HE DOESN'T LIVE HERE.
WELL, DOES HE COME BY HERE?
HAS HE SHOWN UP HERE BEFORE?
NO. HE DOESN'T COME AROUND HERE.
OK. WELL, UH, LOOK...
TAKE MY CARD...
AND GIVE ME A CALL...
IF, IN FACT, YOU SEE HIM.
OK.
BUT, I TELL YOU,
HE DOESN'T COME
AROUND HERE AT ALL.
I HAVEN'T SEEN HIM
SINCE SHE'S BEEN GONE.
EXCUSE ME, PLEASE.
TUNA! WOODROW!
TUNA! WOODROW! COME!
UH, BUT HE CALLS SOMETIMES.
YEAH, OK.
IF HE CALLS, SHOULD I TELL
HIM YOU ARE LOOKING FOR HIM?
NO, JUST... JUST MAKE
SURE HE GIVES ME A CALL
AT THIS PHONE NUMBER
RIGHT HERE, LUPE, OK?
THANK YOU. I'LL LET MYSELF OUT.
ALL RIGHT. COME ON. LET'S GO.
WE'RE GOING TO THAT
PLACE IN ENSENADA.
MEXICO?
WE CAN'T GET HER
ACROSS THE BORDER.
WHY DON'T WE JUST
LEAVE HER HERE?
WE'RE NOT LEAVING HER HERE!
WE NEED HER FOR INSURANCE.
WHEN WE GET TO THE BORDER,
WE'LL FIGURE OUT
WHAT TO DO WITH HER.
MATTHEW, I DON'T THINK
THAT'S A GOOD IDEA.
YOU'RE TOO HIGH.
YOU CAN'T DRIVE.
WE'RE SAFE HERE!
WE'RE SAFE? HOW LONG DO
YOU THINK IT'S GOING TO TAKE
BEFORE THEY FIND THIS HOUSE?
LET'S GO. COME ON, LET'S GO!
GET UP! LET'S GO!
Matthew: MOVE IT!
MATTHEW, THIS IS INSANE!
SHUT UP!
GET IN THE BACK SEAT.
LET'S GO!
MATTHEW, PLEASE, WE...
SHUT UP! SHUT UP!
THIS IS L-56. I'M IN HOT PURSUIT
OF A SUSPECT HOLDING A
POLICE OFFICER HOSTAGE.
HE'S HEADED WEST ON MULRAY
BOULEVARD AT BEVERLY GLEN.
REQUEST AN IMMEDIATE BACKUP.
SUSPECT IS DRIVING
A GRAY BMW. OUT.
STOP THE CAR, MATTHEW!
WOULD YOU SHUT UP!
I AM SO TIRED OF YOUR
SCREAMING! JUST SHUT UP!
THIS IS L-56, ALL
AVAILABLE UNITS
RESPOND IMMEDIATELY
TO MULRAY AND HILGARD.
SUSPECT APPROACHING AT
HIGH SPEED IN GRAY BMW. OUT.
YOU'RE GOING TO GET
US ALL KILLED, MATTHEW,
STOP THE CAR!
DAMN IT, STOP THE CAR!
I SWEAR I'LL KILL
YOU IF I HAVE TO!
SHELLY, DON'T!
IF YOU SHOOT HIM, WE'LL ALL DIE!
DON'T SHOOT!
GO AHEAD, SHELLY, DO IT!
COME ON, GO AHEAD, SHOOT!
DO IT!
WHERE YOU TAKING THEM?
TO COUNTY GENERAL, SERGEANT.
Sporty: THERE I WAS,
BOUND AND GAGGED,
WITH 5 OF THE NASTIEST HANDGUNS
YOU EVER SAW IN YOU LIFE
POINTED DIRECTLY AT MY FACE.
NOW, I KNEW I HAD TO
DO SOMETHING, RIGHT?
SO YOU CALCULATED THE ODDS...
WHICH WERE NOT IN MY FAVOR!
AND YOU WENT FOR THE GUN.
SPORTY, THE LAST TIME
YOU TOLD THE STORY,
THERE WERE ONLY 3 GUNS.
HELL, 3, 5!
I DON'T KNOW, THERE COULD'VE
BEEN 7 OR 8 GUNS THERE!
YOU KNOW, THE LIGHTS WAS DARK!
HOW DO YOU DO?
WHAT ROOM MIGHT I
FIND SERGEANT McCALL IN?
McCall, with Irish accent: WOULD YOU
BE LOOKING FOR SERGEANT McCALL?
WELL, NOW THAT YOUR
MODELING DAYS ARE OVER,
MAYBE YOU SHOULD TAKE UP ACTING.
WHAT DO YOU MEAN
MY MODELING DAYS ARE OVER?
AS FAR AS I'M CONCERNED,
THEY'VE JUST BEGUN.
WELL, I HATE TO BE THE BEARER
OF BAD NEWS, HONEY, BUT, UH...
AFTER ALL I DID FOR HER.
OH, SHE'S VERY APPRECIATIVE
OF THE FACT THAT YOU
BUSTED MATTHEW AND SHELLY.
OH, THIS IS FOR YOU.
YOU.
I KNOW, BUT DON'T
CALL US, WE'LL CALL YOU.
THAT'S CORRECT.
SO IN VIEW OF YOUR
MODELING DEMISE,
I THOUGHT I'D GIVE YOU
A PRESENT YOU MIGHT LIKE.
YOU'RE KIDDING. WHAT IS IT?
YOU'LL LIKE IT.
WELCOME TO THE WONDERFUL
WORLD OF BOWLING.
THANKS.
YOU KNOW, YOU'RE
A VERY STRANGE MAN.
YOU'RE VERY STRANGE.