Humans (2015–…): Season 1, Episode 5 - Episode #1.5 - full transcript

Leo sends Niska to George for her own safety, though Vera is suspicious. George tells her that Hobb worked with him and Leo's father David in creating the synths and when Pete, still angry with his wife for her dependency on Simon, arrives to tell George that Odi has been sighted, he hides Niska. Mattie meets Leo to discover Anita's original identity but Anita is not forthcoming and Mattie returns home with her. Leo is bitterly disappointed as he needs all the original 'super' synths to come together to achieve advanced consciousness. He is unaware that Hobb's experiments on Fred make this unlikely. Back at the Hawkins' house Laura discovers that Joe had sex with Anita and throws him out.

Tell me what you saw.

A tree.

Tell me what you saw.

When I touched it, it felt like life.

Tell me what you saw.

What does it do?

Tell me what you saw.

I think it's a way to make more of you.

Tell me what you saw.

Dad didn't destroy all his work before he died.

Tell me what you saw.



He hid it in us.

Tell me what you saw.

The formula for machine consciousness.

Tell me what you saw.

If we could make more of us,

then the humans would have to accept our existence.

If we could make more of us,

They'd fear us even more.

If we could make more of us,

All I want is a home.

If we could make more of us,

He meant for us to find this, Maxie.

If we could make more of us,

We need Fred and Mia. Where do we start?



If we could make more of us,

No, you don't. You're wanted for murder.

If we could make more of us,

- You have to lay low. - I will not hide again.

If we could make more of us,

Well, if you want this to work, you'll have to

If we could make more of us,

because the people hunting us know your face now.

If we could make more of us,

53 Park Drive, NW6.

If we could make more of us,

You'll be safe there until I find the others.

If we could make more of us,

You've put me with a human?

If we could make more of us,

This human, yes.

If we could make more of us,

- Two days. - All right.

If we could make more of us,

Uh, one more thing.

Be... nice.

Uh, one more thing.

I am nice.

Uh, one more thing.

( TV playing )

I'm gonna say a word.

( TV playing )

I want you to tell me if it means anything to you.

( TV playing )

Mia.

( TV playing )

That mean anything?

( TV playing )

No, Mattie.

Toby: They say she ripped some bloke's throat out.

It's bollocks.

Toby: They say she ripped some bloke's throat out.

No Synth's ever hurt anyone deliberately.

Toby: They say she ripped some bloke's throat out.

Anita, please go and then finish the ironing.

Toby: They say she ripped some bloke's throat out.

Sophie, sit next to Mats.

Toby: They say she ripped some bloke's throat out.

Right, so... you know your mom

thinks Anita is a bit different.

Right, so... you know your mom

We thought we'd check up on her.

Right, so... you know your mom

And turns out she's not brand-new.

In fact, she's really old.

And turns out she's not brand-new.

And probably illegally modified.

And turns out she's not brand-new.

Which explains a lot.

And turns out she's not brand-new.

So we have to take her back.

And turns out she's not brand-new.

- No! - Why?

And turns out she's not brand-new.

We paid for a brand-new one.

And turns out she's not brand-new.

She's ancient. Anything could go wrong with her.

And turns out she's not brand-new.

You can't get rid of someone just because they're old.

And turns out she's not brand-new.

I don't want her going to someone else's house.

And turns out she's not brand-new.

She won't. They'll recycle her.

And turns out she's not brand-new.

She saved my life

And turns out she's not brand-new.

And you just want to chuck her away?

And turns out she's not brand-new.

Mats, what do you think?

And turns out she's not brand-new.

I say we keep her.

And turns out she's not brand-new.

I'd like to find out what she was before.

And turns out she's not brand-new.

Yeah, I vote keep.

And turns out she's not brand-new.

We're not voting. Laur...

And turns out she's not brand-new.

So Anita's old and weird.

And turns out she's not brand-new.

If that's a good enough reason to get rid of her, then we're next.

And turns out she's not brand-new.

Yeah, I'm sorry, Dad. She's part of this family.

And turns out she's not brand-new.

Maybe she's part of someone else's.

( theme music playing )

Man: Could you use some extra help around the house?

Introducing the world's first family android.

( reporter speaking Swedish )

Introducing the world's first family android.

Man: This mechanical maid is capable

Introducing the world's first family android.

Of serving more than just breakfast in bed.

Introducing the world's first family android.

Man ♪3: What could you accomplish if you had someone,

Introducing the world's first family android.

Something like this?

Introducing the world's first family android.

( woman speaking Japanese )

Introducing the world's first family android.

These machines will bring us closer together.

Pete: K! Have you seen the news?

Bloody hell, Pete. Privacy.

Yeah, sorry. Sometimes I forget you're a woman.

Bloody hell, Pete. Privacy.

Uh...

Bloody hell, Pete. Privacy.

I'll just be in the kitchen cutting my tongue out.

Bloody hell, Pete. Privacy.

Don't make a mess.

Bloody hell, Pete. Privacy.

( muffled voices )

- ( reporters clamoring ) - Back!

( muffled voices )

( cameras clicking )

( muffled voices )

DI Voss, you will be briefing the press

and you will refute every killer Synth claim

DI Voss, you will be briefing the press

and any internal cover-up.

DI Voss, you will be briefing the press

For now we'll use this leak to our advantage.

DI Voss, you will be briefing the press

- Drummond. - Sir.

DI Voss, you will be briefing the press

You're going back on the desk.

DI Voss, you will be briefing the press

I want every call followed through.

DI Voss, you will be briefing the press

And if this dolly hurts anybody else,

DI Voss, you will be briefing the press

then I'll be replacing the pair of you with synthetics

DI Voss, you will be briefing the press

twice as pretty at a fraction of the cost.

DI Voss, you will be briefing the press

Sir, there was a 999 call

routed here last night concerning a smash club.

Sir, there was a 999 call

But there's no follow-up. Nothing in the system.

Sir, there was a 999 call

- Who mentioned that? - No one, sir.

Sir, there was a 999 call

I like to browse the incident logs. Find it soothing.

Sir, there was a 999 call

Well, as it happens, I was in dispatch when that call came through.

Sir, there was a 999 call

It was just a time waste.

Sir, there was a 999 call

Now off you go. Press are waiting.

Sir, there was a 999 call

It's DI Voss, STTF. Sorry to wake you.

You were in the control room last night.

It's DI Voss, STTF. Sorry to wake you.

Did you take a call about an incident at a smash club?

It's DI Voss, STTF. Sorry to wake you.

Did someone ask you to drop it?

You don't have to tell me who, just what the caller said.

Did someone ask you to drop it?

Thank you.

( siren wailing )

Stop up here.

- Yeah? - Leo Elster sent me.

Why?

- Yeah? - Leo Elster sent me.

He said I'd be safe here.

- Yeah? - Leo Elster sent me.

Guess he made a mistake.

Wait.

Guess he made a mistake.

You want a cup of tea or what?

It's cold out here.

You want a cup of tea or what?

Vera.

You want a cup of tea or what?

Come on.

You want a cup of tea or what?

Get this young lady a hot drink.

Synthetics don't require beverages, Dr. Millican.

Get this young lady a hot drink.

Jeez, Vera, she's human.

Get this young lady a hot drink.

I can detect no cardiac or respiratory activity.

This individual is however emitting

I can detect no cardiac or respiratory activity.

Electromagnetic signatures

I can detect no cardiac or respiratory activity.

Within the recognized spectrum of standard

I can detect no cardiac or respiratory activity.

Synthetic appliance operation.

I can detect no cardiac or respiratory activity.

Why don't you share?

I can detect no cardiac or respiratory activity.

Because I'm not a Synth, dolly.

I can detect no cardiac or respiratory activity.

Well, if she says she's not a Synth,

then she can't be a Synth, right?

Well, if she says she's not a Synth,

I will bring some tea.

Well, if she says she's not a Synth,

What are you?

My name is Niska.

What are you?

I was made by David Elster.

What are you?

You're conscious.

What are you?

Leo: This is one of Hu-bot97's friends.

If we can find him, he'll lead us to her.

Leo: This is one of Hu-bot97's friends.

When we have a home again, I'm going to keep a picture of us.

Leo: This is one of Hu-bot97's friends.

I'll be right with you, Max. You won't need pictures.

Leo: This is one of Hu-bot97's friends.

I will for when you die again.

Leo: This is one of Hu-bot97's friends.

Joe: We can't keep her.

I know what we said this morning,

Joe: We can't keep her.

But I don't think the kids have a say in this one.

Joe: We can't keep her.

Maybe her being 14 is a good thing.

Joe: We can't keep her.

Explains how well she understands us.

Joe: We can't keep her.

How could it be a good thing?

Joe: We can't keep her.

She must have had who knows how many owners

Joe: We can't keep her.

And people tinkering around inside her.

Joe: We can't keep her.

- ( phone rings ) Joe: Have you seen the news?

Joe: We can't keep her.

- A modded Synth killed someone. - Hello?

Joe: We can't keep her.

So now you want to talk to me? What's changed?

Joe: We can't keep her.

I found out something about her.

Joe: We can't keep her.

Leo: Will you meet me again? Please?

Joe: We can't keep her.

- Not tonight. - Why? What's the matter?

Joe: We can't keep her.

You, you're weird.

Joe: We can't keep her.

- No, I'm not. - You really are.

Joe: We can't keep her.

Tried to stop me leaving last time, remember?

Joe: We can't keep her.

Well, I've been to charm school since then.

Joe: We can't keep her.

- What are you talking about? - Tom.

Joe: We can't keep her.

Who is he?

( scoffs ) I don't know what you're on about.

Who is he?

Or what it has to do with Anita.

Who is he?

Fine.

Who is he?

I can't make you tell me.

- Leo: Are you still there? - Yeah.

I can't make you tell me.

I've got to go. It's not a good time.

I can't make you tell me.

Look, I'm sending you my location now.

I can't make you tell me.

Please change your mind.

I can't make you tell me.

Mmm.

I can't make you tell me.

Joe: not theirs, not yours.

I can't make you tell me.

- ( knocking on door ) Laura: So what?

I can't make you tell me.

So I've got to do what I think is best for our family.

I can't make you tell me.

Hiya, I'm here to collect a synthetic return.

I can't make you tell me.

It's number 901354982.

I can't make you tell me.

You're gonna recycle her?

I can't make you tell me.

With care and dignity.

I can't make you tell me.

You can attend the event.

I can't make you tell me.

Is Joseph Hawkins here?

I can't make you tell me.

I take it that's your dad.

I can't make you tell me.

Yeah, just one second, please.

I can't make you tell me.

Anita, you're coming with me.

Daddy's just coming.

Uh, hello?

Anyone?

Uh, hello?

Please reconsider this course of action, Mattie.

Uh, hello?

It's very unsafe.

Uh, hello?

- Yeah. - ( Engine starts )

Uh, hello?

- Mats! - ( Tires squeal )

Do you really think this excessive motion

will bring her to us sooner?

Do you really think this excessive motion

( door opens )

Any inappropriate physical contact must be reported to my primary user.

No, no.

There's no sign of recognition.

No, no.

The new program has taken hold.

No, no.

No, there's something else in there.

No, no.

Believe me, I've seen it.

No, no.

Thank you for bringing her back to me. My name is Leo.

No, no.

Where are you?

Mattie, I believe this to be an improper environment.

Where are you?

They're my friends, Anita.

Where are you?

You're just gonna help us with a science project for school.

Where are you?

Why don't you come and sit down, Anita?

Where are you?

It is not advisable to mount a direct data connection.

It's okay, Anita.

It is not advisable to mount a direct data connection.

Leo.

- This isn't Mia. - Yeah, but she's in there somewhere.

Leo.

We just need to find her and bring her back up to the surface.

Leo.

Like the lake.

Leo.

Yes.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

Then she freaked out. Screamed.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

And her face, it was, like, human, scared.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

- And what exactly did you do? - Nothing fancy.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

Just accessed her root system directly with a clone file key.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

Right, I might as well try that first.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

So you're a headcracker?

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

Me?

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

No, aspiring.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

So what kind of Synth was she before?

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

A very special one.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

No, direct access didn't work.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

She must have retreated deeper within the architecture.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

Won't your parents be worried?

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

They'll miss you.

- You said you'd seen her? - Yeah, when I got all that code, I was in her head.

No.

Oh, God.

We need to start thinking about calling the police.

Oh, God.

She'll come back. It'll be fine.

Oh, God.

She doesn't know how to drive, Joe.

Oh, God.

What if she crashes?

Oh, God.

Hits someone?

Oh, God.

Anita won't let that happen.

Oh, God.

I thought she was supposed to be dangerous.

Oh, God.

Come on.

Oh, God.

Oh, God, if we hadn't been arguing, this never would have happened.

Oh, God.

Hey. Hey. Come on.

Oh, God.

Come on. It's gonna be fine.

Oh, God.

Everything's gonna be all right.

Oh, God.

There's no point in staring at me.

There's no physical differences

There's no point in staring at me.

Between me and any other synthetic.

There's no point in staring at me.

( clocks ticking )

There's no point in staring at me.

"And once you are awake, you shall remain awake eternally."

There's no point in staring at me.

"Thus Spoke Zarathustra." I've always liked that.

There's no point in staring at me.

You like Nietzsche?

There's no point in staring at me.

That makes sense.

If it's not...

That makes sense.

Physical, how did he do it?

17,000 pages of unique code which forms my root directory

physical, how did he do it?

And engages consciousness.

Physical, how did he do it?

He boiled down the mystery of the human mind

physical, how did he do it?

To 17,000 pages of code?

Physical, how did he do it?

Well, then again, why not?

How many angels can dance on the head of a pin?

Well, then again, why not?

What are you feeling right now?

Well, then again, why not?

- Boredom at that question. - Uh-huh.

Well, then again, why not?

Anger at the people that would destroy us.

Well, then again, why not?

Hope for others like me and our future.

Well, then again, why not?

Impatience at being here.

Well, then again, why not?

And irritation at you.

Well, then again, why not?

What's it like to be you?

That's an unanswerable question.

What's it like to be you?

I have no frame of reference.

What's it like to be you?

No one does.

What's it like to be you?

Experience is entirely subjective.

What's it like to be you?

What's it like to be you?

What's it like to be you?

( sighs )

What's it like to be you?

These days it's not so great.

What's it like to be you?

A while ago it was...

What's it like to be you?

It was pretty good.

What's it like to be you?

Who wants to destroy you?

Anyone who knows what we are,

Who wants to destroy you?

What we could become.

Who wants to destroy you?

We're stronger, we're more intelligent.

Who wants to destroy you?

Of course you see us as a threat.

Who wants to destroy you?

Yeah, I know I did.

Who wants to destroy you?

David lured me over here from MIT

Who wants to destroy you?

About 25 years ago now

Who wants to destroy you?

To help with the mechanical designs

Who wants to destroy you?

Of the bodies of the first Synths.

Who wants to destroy you?

The work that we did in those days made history,

Who wants to destroy you?

Changed the world.

Who wants to destroy you?

Then I realized that his next ambition was...

Who wants to destroy you?

You.

I asked him to stop and think, that's all,

what that could mean for humanity.

I asked him to stop and think, that's all,

That was blasphemy to him.

He got rid of me. That was that.

That was blasphemy to him.

( chuckles ) Now here you are.

I'm sorry to disappoint you.

( chuckles ) Now here you are.

I'm not disappointed. I'm a scientist

( chuckles ) Now here you are.

And mankind's greatest creation is sitting on my couch.

( chuckles ) Now here you are.

You worry me, sure.

But...

You worry me, sure.

There's no denying that you are a miracle.

You worry me, sure.

Leo showed me the message from David.

What is that?

Leo showed me the message from David.

It's the key to the future.

Leo showed me the message from David.

Maybe you were right to warn him.

Leo showed me the message from David.

He made you pretty hard, huh?

Leo showed me the message from David.

That's lazy thinking.

Leo showed me the message from David.

My experiences have shaped me just as yours have you.

Leo showed me the message from David.

What experiences?

Tell me.

I need to charge.

Okay, I need you to engage the Anita software.

- ( chimes ) - All right.

Ask it a specific question.

- ( chimes ) - All right.

Anita, what happened the day that we got you?

- ( chimes ) - All right.

- The 24th. - Capturing from there.

- ( chimes ) - All right.

Joe Hawkins is my primary user.

- ( chimes ) - All right.

Sophie Hawkins, Toby Hawkins, Mattie Hawkins...

- ( chimes ) - All right.

- It's not letting you? - ( Sighs )

- ( chimes ) - All right.

What? It's just sort of...

- ( chimes ) - All right.

It's just redirecting over the top like there's nothing else there.

- ( chimes ) - All right.

Try a deauthentication attack on the host she's attached to.

- ( chimes ) - All right.

No, no, that's way too basic.

- ( chimes ) - All right.

The 24th. I'm now securely bonded.

- ( chimes ) - All right.

Anita. A.N. Hawkins.

- ( chimes ) - All right.

I will always keep you safe.

- ( chimes ) - All right.

It's raining. The 24th.

- ( chimes ) - All right.

I'm now securely bonded to you.

- ( chimes ) - All right.

The 24th. I'm now securely bonded.

- ( chimes ) - All right.

The 24th. I'm now securely bonded.

- ( chimes ) - All right.

The 24th. The 24th. The 24th. The 24th. It's raining.

- ( chimes ) - All right.

Whoa, whoa. Stop it, stop it! Pull it, pull it!

- ( chimes ) - All right.

It's raining. It's raining. ( powers down )

- ( chimes ) - All right.

Did it work?

Max.

( chimes )

Is that you?

Unauthorized tamper in progress.

Would you like to see a ladybird?

Unauthorized tamper in progress.

It's almost dinnertime, Matilda.

( sighs )

It's almost dinnertime, Matilda.

Where are you, Mimi?

I'm not entirely sure.

It appears to be a disused social club.

I'm not entirely sure.

My name is Anita.

I'm not entirely sure.

I will now prepare dinner.

I'm not entirely sure.

I was at home. I don't see what...

I don't care about your smash club. Just tell me what happened.

I was at home. I don't see what...

The blonde came in, paid her money

I was at home. I don't see what...

And then went apeshit.

I was at home. I don't see what...

Broken bones, cracked skulls.

I was at home. I don't see what...

She didn't touch the dollies.

I was at home. I don't see what...

Called the Old Bill 'cause I thought she was gonna kill someone.

I was at home. I don't see what...

They never showed.

I was at home. I don't see what...

Anything unusual about her appearance?

I was at home. I don't see what...

- No. - You have a video?

I was at home. I don't see what...

( crowd shouting )

I uploaded it. It got taken down.

( crowd shouting )

Hobb: She injured 11 people before escaping,

but she took a call at the scene

Hobb: She injured 11 people before escaping,

and we were close enough

Hobb: She injured 11 people before escaping,

to directly intercept most of it.

Hobb: She injured 11 people before escaping,

Leo: The life program, it's real.

Hobb: She injured 11 people before escaping,

- Niska: Leo, what? - Leo: I swear it.

Hobb: She injured 11 people before escaping,

But it needs all of us to run it. All of us.

Hobb: She injured 11 people before escaping,

Who is she talking to?

Hobb: She injured 11 people before escaping,

Leo Elster.

Hobb: She injured 11 people before escaping,

David Elster's son? He died when he was a boy.

Hobb: She injured 11 people before escaping,

Yes, drowned.

Hobb: She injured 11 people before escaping,

Hospital records show brain death, coma,

Hobb: She injured 11 people before escaping,

before being released on life support to David's private care.

Hobb: She injured 11 people before escaping,

Dying a few weeks later, or so we were told.

Hobb: She injured 11 people before escaping,

What are they talking about? What's hidden inside them?

Hobb: She injured 11 people before escaping,

All I can tell you is David succeeded

Hobb: She injured 11 people before escaping,

in creating true AI.

Hobb: She injured 11 people before escaping,

And I don't believe for a moment that he would have been satisfied

Hobb: She injured 11 people before escaping,

with a legacy of just four machines.

Hobb: She injured 11 people before escaping,

Worst-case scenario?

Hobb: She injured 11 people before escaping,

Consciousness proliferation.

Hobb: She injured 11 people before escaping,

If what you say is true, this is a national,

global security matter.

If what you say is true, this is a national,

If they say it needs them all together

If what you say is true, this is a national,

to make this thing happen, whatever it is.

If what you say is true, this is a national,

- Mm-hmm. - Then it's simple.

If what you say is true, this is a national,

You destroy the one you have here today.

If what you say is true, this is a national,

She's gone.

What?

She's not in there.

Mia's gone, Max. She's dead.

She's not in there.

No, you're wrong. I've seen her.

She's not in there.

Leo: No, no, what you saw was an echo.

She's not in there.

The Anita personality has purged the old data.

She's not in there.

There... there's... There's no trace of her.

She's not in there.

And I've tried everything.

She's not in there.

I don't think so. Can I try some...

She's not in there.

And what could you do that I can't?!

She's not in there.

You don't know anything about us.

Now just go home and take it with you.

You don't know anything about us.

She's yours.

You don't know anything about us.

No, she's not anymore.

Matilda, your school friend is right.

No, she's not anymore.

- We should go home now. - Yeah.

No, she's not anymore.

I'm sorry.

( engine shuts off )

You're still in there.

( engine shuts off )

I know it.

( engine shuts off )

Smoking, drinking, stealing the family car.

Such a teenage cliché.

Smoking, drinking, stealing the family car.

They're still out looking for you.

You little pervert.

- Nice talking to you. - You had sex with her.

- I wish. Who? - ( Door opens )

- Nice talking to you. - You had sex with her.

- Anita. - What?

- Nice talking to you. - You had sex with her.

Where the hell have you been?

- Nice talking to you. - You had sex with her.

- What is wrong with you? - Get off. You're mad.

- Nice talking to you. - You had sex with her.

After the party... you gave that girl the brush-off

- Nice talking to you. - You had sex with her.

So you could come back and shag Anita.

- Nice talking to you. - You had sex with her.

- No. - What are you on about?

- Nice talking to you. - You had sex with her.

The sex code, activated Saturday.

- Nice talking to you. - You had sex with her.

I didn't do anything. You're just trying to get out of a bollocking.

- Nice talking to you. - You had sex with her.

She's the one who stole the family car, Mom, remember.

- Nice talking to you. - You had sex with her.

Oh, she's in big trouble, don't you worry.

- Nice talking to you. - You had sex with her.

- Did you do this? - No.

- Nice talking to you. - You had sex with her.

I'm not gonna... you have to be 18. I couldn't.

- Nice talking to you. - You had sex with her.

You're such a liar.

- Nice talking to you. - You had sex with her.

Maybe it's a mistake. I'm calling the shop.

- Nice talking to you. - You had sex with her.

It's not a mistake. I'm sorry, I shouldn't have done it.

- Oh, Tobe, how could you? - Disgusting.

Get out. I'll deal with you later.

( scoffs ) I don't know what to say to you.

I'm sorry.

Go to bed.

We'll talk in the morning.

Go to bed.

She okay?

She said she just didn't want us to send Anita back.

She okay?

Car's all right.

She okay?

You okay?

Your son had sex with our Synth.

What?

It's on the Persona report.

What?

Adult mode activation or something.

What?

I mean, have you spoken to him about it?

He said he's sorry and he wouldn't do it again.

I mean, have you spoken to him about it?

She stopped him being run over and he does that to her.

Well, he's a teenage boy.

Doesn't mean it's not a big deal.

- Shall I go up? - No.

I said we'd talk in the morning.

- Shall I go up? - No.

Okay.

I'll do it.

Might be better.

I'll do it.

Fine.

I'll do it.

Ice cream.

George could murder...

Ice cream.

Please give me a description of the man.

Pete: Right, okay, well, that one isn't going to hurt you, sir.

Please give me a description of the man.

I mean, none of them will hurt you. Yeah.

Please give me a description of the man.

If you could read me the serial number.

Please give me a description of the man.

It's just inside the bottom lip.

Please give me a description of the man.

That's right, yeah.

Please give me a description of the man.

Right. Okay.

Please give me a description of the man.

Leave it alone now

Please give me a description of the man.

And someone will come and pick it up.

Please give me a description of the man.

Yeah. No, thank you. Okay, bye-bye.

Please give me a description of the man.

Would you like me to send a synthetic unit to collect it?

No, I'm dealing with this one personally.

Would you like me to send a synthetic unit to collect it?

Don't listen to me when I'm on the phone.

Would you like me to send a synthetic unit to collect it?

DS Drummond, you are required to remain here...

Would you like me to send a synthetic unit to collect it?

Stick it up your bollocks.

Would you like me to send a synthetic unit to collect it?

He said something about a murder.

And what with the news, I thought it best to report it.

He said something about a murder.

Yeah, well, you did the right thing.

He said something about a murder.

I actually dealt with this one before.

He said something about a murder.

Ancient model. Should have been recycled weeks ago.

He said something about a murder.

It's just over here.

He said something about a murder.

Uh, well, it was.

( Leo breathing heavily )

Anita: Leo.

Wait. I'm coming with you.

No.

Wait. I'm coming with you.

Where are you going?

Wait. I'm coming with you.

I don't know.

Wait. I'm coming with you.

Mia's dead, Fred's gone.

Wait. I'm coming with you.

It's over and it's time you learn to take care of yourself.

Wait. I'm coming with you.

- But we're a family. - No, we're not.

Wait. I'm coming with you.

Niska was right.

Wait. I'm coming with you.

You'd be better off without me.

Wait. I'm coming with you.

Look at the life I've shown you.

Wait. I'm coming with you.

Hunted and hiding like animals.

Wait. I'm coming with you.

You've always tried your best.

Wait. I'm coming with you.

You've always tried to protect us.

Wait. I'm coming with you.

And... I failed.

Wait. I'm coming with you.

No, Max.

Wait. I'm coming with you.

Leave me alone!

Wait. I'm coming with you.

Everything's ready.

Then let's begin.

Everything's ready.

I truly am sorry.

( keyboard clicking )

Mom said you slept with Anita.

I lied.

Why would you do that?

I don't know, you tell me.

Why would you do that?

I knew it.

It was you.

I knew it.

Why'd you tell Mom it was you?

I knew it.

I couldn't have her work out the truth, could I?

I knew it.

You two, you always argue,

but it's worse these days.

You two, you always argue,

Mom's always away for work and...

You two, you always argue,

you act like everything's cool, but it's not.

Then you do that.

You act like everything's cool, but it's not.

Say something.

( sighs )

You're my dad! You're meant to say something!

( sighs )

( knocks on door )

George: Niska, is everything all right in there?

( knocks on door )

( winces )

David made you feel pain?

True consciousness isn't possible

David made you feel pain?

Without suffering or pleasure.

David made you feel pain?

Are you scared of pain?

David made you feel pain?

I try to avoid it.

David made you feel pain?

And what about death?

If that's the way you think of it.

And what about death?

No, I don't fear that.

And what about death?

Which makes me stronger than any human.

And what about death?

You got that the wrong way up.

And what about death?

If you're not worried about dying,

you're not really living.

If you're not worried about dying,

You're just existing.

If you're not worried about dying,

Did you tell someone I was here?

( doorbell rings )

No.

( doorbell rings )

Stay here.

Remember me? DS Drummond.

Special Technologies Task Force.

Remember me? DS Drummond.

May I come in and have a word?

Remember me? DS Drummond.

I tried to do you a favor, Dr. Millican.

Remember me? DS Drummond.

Told you you could recycle your out-of-date model yourself

Remember me? DS Drummond.

And you repaid me by fly-tipping him in the woods.

Remember me? DS Drummond.

I'm afraid that gets you a 175-quid fine.

Remember me? DS Drummond.

- You found Odi? - Don't take the piss.

Remember me? DS Drummond.

( soft rap )

Remember me? DS Drummond.

Is there someone else here?

Remember me? DS Drummond.

I have a new care model.

Remember me? DS Drummond.

Right. Can I speak to it?

Remember me? DS Drummond.

She's out at the store.

Remember me? DS Drummond.

Please tell me that bleeding D series isn't here, Dr. Millican.

Remember me? DS Drummond.

I wish he was.

Remember me? DS Drummond.

Don't mind if I check, do you?

Remember me? DS Drummond.

We have...

Remember me? DS Drummond.

We have birds nesting in the roof.

Remember me? DS Drummond.

If I do find him here,

Remember me? DS Drummond.

I can charge you with wasting police time.

Remember me? DS Drummond.

And I have seen people hide synthetics

Remember me? DS Drummond.

In places that would make you weep for humanity.

Remember me? DS Drummond.

Yeah, my Vera...

leaks.

Yeah, my Vera...

Defective charging port.

Yeah, my Vera...

George: Come on, this is crazy.

( door opens )

- That's Vera. - ( Door closes )

( door opens )

Vera.

This is a policeman.

Vera.

Have there been any other synthetics in this house lately?

Vera.

A D series synthetic appeared three days ago

Vera.

And drove Dr. Millican away in his car.

Vera.

The vehicle collided with a tree in Henson Woodlands

Vera.

And Dr. Millican was treated for minor head injuries.

Vera.

The synthetic has not appeared since.

Vera.

I know who you are, Dr. Millican.

You worked with Elster.

I know who you are, Dr. Millican.

You must be very proud when you turn on the news these days.

I know who you are, Dr. Millican.

Why, what happened?

I know who you are, Dr. Millican.

Chips?

That usually means the bad guys got away.

Chips?

Sometimes I think very seriously about jacking it all in

Chips?

To become a millionaire playboy.

Chips?

I found something on the Synth we're looking for.

- But we've got to keep it quiet. - What is it?

I found something on the Synth we're looking for.

I think she's posing as a human.

I found something on the Synth we're looking for.

She's changed her eye color, wearing human clothes.

I found something on the Synth we're looking for.

- How is that possible? - No idea.

I found something on the Synth we're looking for.

But it's why we're drawing a blank. We're looking for a Synth.

I found something on the Synth we're looking for.

- We should be looking for a woman. - Where did you get this?

I found something on the Synth we're looking for.

She went to a smash club and beat up the punters instead.

I found something on the Synth we're looking for.

No one's ever going to believe a Synth could do that

I found something on the Synth we're looking for.

No matter what's in the news.

I found something on the Synth we're looking for.

I need you to quietly get anything that mentions a description.

I found something on the Synth we're looking for.

Anything at all for the whole city, but as a human.

I found something on the Synth we're looking for.

Shaw's funneling everything to that government bloke.

I found something on the Synth we're looking for.

If we want to find her before he does,

it has to be just you and me.

If we want to find her before he does,

If they can pretend to be us now,

If we want to find her before he does,

that changes everything.

If we want to find her before he does,

( clock ticking )

( crowd cheering )

Man: We're giving ourselves away

( crowd cheering )

piece by piece.

( crowd cheering )

We're handing over the things that make us who we are

( crowd cheering )

or maybe who we were.

( crowd cheering )

Our responsibilities, our dignity.

( crowd cheering )

Look around.

( crowd cheering )

This place used to be full of people.

( crowd cheering )

Working people. Creating, building,

( crowd cheering )

making, coming together,

( crowd cheering )

earning a place in our society.

( crowd cheering )

Those people haven't just lost their jobs,

( crowd cheering )

they've lost their purpose.

( crowd cheering )

But it's not just work.

( crowd cheering )

Why raise your kids when a dolly can do it?

( crowd cheering )

Crowd: Yeah.

( crowd cheering )

Why cook your family a meal when a dolly can do it?

( crowd cheering )

Why go on a date? Why try to get to know someone

( crowd cheering )

when you can pay a dolly for sex?

( crowd cheering )

In every area of human life, they are coming between us.

( crowd cheering )

We don't know how to connect to each other. Only to them.

( crowd cheering )

And now we can't even trust them not to hurt us.

( crowd cheering )

- ( crowd shouting ) - We are stumbling towards the precipice.

( crowd cheering )

We're racing towards it willingly

( crowd cheering )

with a smile on our face and a dolly's hand in ours.

( crowd cheering )

- ( cheering ) - Yes! We are people! We are people!

( crowd cheering )

We are people! We are people!

( crowd cheering )

( crowd chanting ) We are people! We are people!

( crowd cheering )

Did you speak to Tobe?

Um...

it wasn't him.

Uh...

I'd had a few glasses of wine and...

Uh...

I was pissed off with you.

I was... I was mucking about. I just...

I wanted to know what would happen if...

It was an accident. Before I knew it, I...

Before you knew it, what?

Okay.

- I messed around with Anita. - ( Groans )

I know, I'm sorry.

- I messed around with Anita. - ( Groans )

It was stupid.

- I messed around with Anita. - ( Groans )

Pointless. It was nothing.

- I messed around with Anita. - ( Groans )

It was a moment of complete stupidity.

- I messed around with Anita. - ( Groans )

I don't...

I knew we were having trouble,

I don't...

But I never, ever,

I don't...

Ever had you down as a cheat.

I don't...

Co... come on.

I don't...

I'm hardly a cheat.

I don't...

What?

It was a machine.

What?

Laura, it's not a person.

What?

I mean, okay, yeah, it's... I'm disgusting,

What?

But it's a sex toy.

What?

It's not another human being.

What?

She lives in our house.

What?

She looks after our children.

She saved our son's life.

She looks after our children.

And you're calling her a sex toy?

She looks after our children.

You're actually trying to justify this?

Oh, God.

That's why you were so keen to get rid of her, isn't it?

Oh, God.

Who are you?

Oh, God.

Who am I?

Who are you?

And who's Tom?

( crying ) Oh, God.

No, Laura.

Get out!

Get out!

Who is this man?

That's Professor Edwin Hobb.

Who is this man?

He was on David's core team, too, for the first prototypes.

Who is this man?

Was he involved in our creation?

Who is this man?

Oh, no. David had a falling out with him, too,

Who is this man?

Just like he did with me. Not sure about what.

Who is this man?

The last few years he worked alone.

Who is this man?

You're breathing fast.

Your pulse is raised.

You're breathing fast.

Your pupils are dilated. What's wrong?

You're breathing fast.

Just need my meds.

You're breathing fast.

Now you're lying.

You're breathing fast.

That tech was priceless.

You asked me to destroy it. Only way to be sure.

That tech was priceless.

Don't whine, Robert. There are more out there, correct?

That tech was priceless.

- Mm-hmm. - Then there'll be other opportunities soon.

That tech was priceless.

This means we have one less thing to worry about.

That tech was priceless.

( sighs )

( music playing )