Hill Street Blues (1981–1987): Season 4, Episode 17 - The End of Logan's Run - full transcript

PREVIOUSLY ON
"HILL STREET BLUES"...

GOODBYE, PHIL.

MY GOOD FRIEND.

QUIT IT, GET OFF.

ALL RIGHT, I SAID

ONE PRISONER AT A TIME
GOES ONTO THE BUS.

HOW DO YOU
LIKE IT SO FAR?

CAN'T GET ENOUGH OF IT.

WHERE ARE YOU GOING,
HAIRBAG?

AND NOW, TONIGHT ON
"HILL STREET BLUES"...

IT'S MISAPPLIED MANPOWER.



THE CHIEF WANTS TO HELP OZZIE
MAKE GOOD ON A CAMPAIGN PROMISE.

I DON'T MAKE THE POLICY.

YOU DON'T THINK THE PRESS
SHOULD QUESTION A P.R. STUNT

LIKE OPERATION STOP-AND-COP?

UH, NO COMMENT.

YOU HAVE HURT ME,
FRANK,

AND YOU'RE GOING
TO PAY FOR IT.

OKAY, ITEM 11, MEMO FROM
BUILDING MAINTENANCE,

GUYS, I'M NOT GOING TO MAKE

A BIG DEAL OUT OF THIS,
NOW, THE MEMO SAYS

THAT THEY FOUND
THAT SOME DETERGENT

THEY'VE BEEN USING
ON TOILET SEATS, ET CETERA,

MAY CAUSE SKIN RASHES
ON CERTAIN SENSITIVE SKINS,

SO IF ANYBODY'S BEEN HAVING
SKIN RASHES



ON THOSE GENERAL AREAS --

YEAH, RENKO,
BUT HE DOESN'T HAVE

ANY SKIN THAT'S SENSITIVE.

MAYBE DON'T WORRY,
OR MAYBE WORRY.

ITEM 12, STOP-AND-COP BLOCKS,

THAT'S DECKER
BETWEEN 118th AND 120th,

AN OPERATION AGAINST
THESE DRUG SUPERMARKETS,

BEGINS TODAY.

AND I GUESS LASTS
UNTIL MAYOR CLEVELAND DECIDES

THAT HE'S COVERED
HIS CAMPAIGN PROMISE.

FIRST TARGET WILL BE
THE CATCHILY NAMED

"SEXY CLOTHES BOUTIQUE,"
WHICH WAS PICKED ON THE BASIS

THAT IT HAS THE LAMEST FRONT.

LAST SURVEILLANCE OFFERED

ONE MOTH-EATEN HOUSE DRESS
HUNG ON A RACK

IN THE FRONT ROOM.

WE GOT DETECTIVES LaRUE,
WASHINGTON, BELKER,

FERITAS, KATZ,
AND LIEUTENANT GOLDBLUME

ON THIS OBSERVATION
AND BUST STAKEOUT.

ALL BACK-UPS
WILL BE POSTED UPSTAIRS.

ITEM 13,

LIEUTENANT HUNTER
WILL BE TAKING APPLICATIONS

FOR THE EQUESTRIAN UNITS.

AS OF MAY 1,

THIS PRECINCT WILL HAVE
FOUR HORSES.

WHICH I GUESS MEANS
FOUR HORSEMEN.

LAST ITEM, NEW PARTNERS.

WE HAVE THE TRANSFER OF OFFICERS
PIZER, RALF, AND DONAHUE TO 9th,

SO THAT MAKES
THE FOLLOWING REASSIGNMENTS

ABSOLUTELY NECESSARY --

RICHARDSON,
YOU'LL BE PARTNERED WITH CONVOY,

COFFEY WITH PILSKY,

AND THOSE WILL BE
TILL FURTHER NOTICE.

OKAY, THAT'S ABOUT IT.

HEY, HEY, WAIT A SECOND,
EVERYBODY!

YOU KNOW,
FOR THE LAST 10 DAYS --

I MEAN, SINCE I STARTED
DOING ROLL CALLS,

I FEEL LIKE WHEN I GET
TO THE END OF THESE THINGS

I'M LIKE WALKING ON EGGSHELLS.

I DON'T KNOW HOW TO END THEM.

I MEAN, THE FIRST ONE

I WANTED TO END
THE WAY SARGE DID.

ANYWAY, I GUESS WE GOT OFF
TO THE WRONG START.

WELL, I MISS IT, I MEAN,
I MISS HEARING THOSE WORDS.

AND I THINK MAYBE
SOME OTHER PEOPLE

MISS IT, TOO.

SO, IF THERE ARE
NO OBJECTIONS...

I MEAN, I KNOW
I'M NOT THE SARGE,

I CAN NEVER BE THE SARGE,
I'M ROLL CALL SERGEANT.

ARE THERE ANY OBJECTIONS?

OKAY, THEN LET'S ROLL.

AND LET'S BE CAREFUL OUT THERE.

[ CHEERING ]

COME ON, MOVE!

BELKER.

MOVE!

HILL, RENKO?

HOMICIDE, THE ALLEY BEHIND
VAN BUREN AND DOGWOOD.

ALL RIGHT,
THANKS, LIEUTENANT.

YEAH, AND THEN,
DOES IT HAVE A SUNROOF?

NO, I ORDERED IT, THOUGH.

OKAY, IT WILL BE
A CREDIT UNION CHECK.

OKAY, THANKS A LOT, BYE.

SOCKING THE SALARY BOOST

INTO VEHICULAR TRANSPORT,
SERGEANT?

YEAH.

THIS IS MY FIRST NEW CAR.

GOOD FOR YOU.

THANKS.

HAVE LUNCH WITH ME TODAY.

REALLY, LUNCH?

CELEBRATE WITH
AN AFTERNOON REPAST.

WELL...

I THOUGHT IT WAS
A VACUUM CLEANER, THAT'S ALL.

VACUUM CLEANER?

IT SAYS RIGHT HERE,

"VETROCOM INTERNATIONAL
TELECOMMUNICATIONS SYSTEM."

YOU KNOW WHAT
I THINK THIS IS?

THIS IS PIECE OF PHONE COMPANY
SPACE SATELLITE.

HAIRBALL, YOU COULD BE
IN ALL KINDS OF TROUBLE.

YOU NEVER HAVE
NOTHING BUT TROUBLE

WITH THE PHONE COMPANY.

[ TELEPHONE RINGS ]

BELKER.

HI, MA.

YOU FOUND MY
RIN TIN TIN LUNCHPAIL,

ARE YOU KIDDING?

YEAH.

JUST A SECOND, MA.

HOW WOULD YOU LIKE

A CRUSHED VERTEBRAE?

THAT'S REAL NICE, MA.

YOU KNOW WHAT YOU SHOULD DO?

GIVE IT TO LITTLE...
STEVIE,

THE KID DOWN THE HALL.

NO, NO.

BECAUSE I JUST
USE A BAG NOW.

MA,
I'M IN A HURRY HERE.

I'M SURE I DON'T NEED IT,
GIVE IT TO THE LITTLE KID.

I LOVE YOU, TOO.

GOODBYE.

NAME?

WHAT'S A RIN TIN?

IT'S A TELEVISION SHOW --
"RIN TIN TIN."

I USED TO WATCH IT
WHEN I WAS A KID.

MY MOM JUST FOUND
MY RINNY LUNCHBOX.

MAYBE IF I'D HAD A RINNY
LUNCHBOX WHEN I WAS A KID,

THINGS WOULD BE
A LITTLE DIFFERENT.

MAYBE.

THE THINGS I COULDA BOOSTED
WITH SOMETHING LIKE THAT.

[ GROWLING ]

DISPATCH.
WE HAVE A 911...

ARMED ROBBERY IN PROGRESS.

SURPLUS STORE, CORNER OF...

[ SLOW PIANO MUSIC PLAYS ]

[ MID-TEMPO PIANO MUSIC PLAYS ]

Download MyTotal.TV to watch your favorite TV
www.mytotal.tv THE BEST TV APP

ANY OF YOU PEOPLE
SEE ANYTHING?

ANYBODY SEE THE STABBING?

YES, SIR, I SAW IT ALL.

NOW WHAT'D YOU SEE THERE,
OLD FELLA?

IT WAS THE OLDER ONE,
WILLIE BOY.

OLDER OF WHOM, SIR?

OF THESE HELLFIRE BROTHERS.

I DON'T KNOW
THEIR LAST NAME,

BUT WILLIE BOY
STABBED THAT MAN.

I SAW IT FROM
MY WINDOW UP THERE.

THEY ARGUED,
THEN WILLIE BOY STABBED HIM.

I'VE BEEN LIVING
IN THAT APARTMENT FOR 32 YEARS.

MISTER...
TALBOT.

MR. LIONEL TRAIN TALBOT.

MR. TALBOT,
WOULD YOU BE WILLING

TO COME DOWN TO THE STATION
AND CHECK THROUGH SOME PICTURES?

I'LL IDENTIFY
AND I'LL GIVE A STATEMENT,

BECAUSE I'M SICK AND TIRED
OF BEING SCARED OF WILLIE BOY,

HIS BROTHER, AND THE REST
OF THESE ROUGHNECKS.

I'M CALLING A HALT!

WELL, ALL RIGHT,
WOO WOO LIONEL.

LET'S DO IT, SIR.

DON'T JOKE WITH MY NAME
TILL YOU KNOW ME BETTER.

60% OF A SHIFT'S DETECTIVES

AND WE'LL BE LUCKY
TO MAKE SIX ARRESTS.

MAYBE 50 NICKEL BAGS.

OBVIOUSLY WE HOPE
FOR BETTER NUMBERS THAN THAT.

WELL, UNLESS YOU WANT
A TURNSTILE OPERATION,

THERE AREN'T GOING TO BE
ANY BETTER NUMBERS.

THEN WE'LL LIVE WITH THOSE.

WARREN, QUALITY BUSTS TAKE TIME.

YOU HAVE TO
DOCUMENT OBSERVATION.

IF YOU TRY TO ARREST
DURING COMMISSION --

I KNOW THE CRITERIA, FRANK.

IT'S WHAT THE CHIEF WANTS.

AND IF HE WEREN'T
UNDER THE KNIFE,

HE'D TELL YOU SO HIMSELF.

WHAT THE CHIEF WANTS

IS TO MEND SOME FENCES
WITH OZZIE CLEVELAND.

WHAT HE REALLY WANTS

IS HIS HEMORRHOIDS
HADN'T COME BACK.

FRANK,

THE CHIEF WANTS
TO HELP OZZIE MAKE GOOD

ON A CAMPAIGN PROMISE.

I DON'T SEE
THE VILLAINS THERE.

IT'S MISAPPLIED MANPOWER.

IT'S A P.R. STUNT THAT PUTS
MY PEOPLE AT RISK

AND ERODES MORALE.

AND IT GIVES
A FALSE IMPRESSION

OF OUR ABILITY TO DEAL
WITH THE PROBLEM.

HOW MANY DIFFERENT WAYS
DO YOU WANT IT TO BE WRONG?

YES?

OH, EXCUSE ME,
DEPUTY CHIEF BRISCOE.

PLEASE, DON'T LEAVE
ON MY ACCOUNT.

FOR THE RECORD, FRANK,

THE CHIEF ASKED ME
TO DRIVE BY THERE --

THE STOP-AND-COP OPERATION.

I JUST DIDN'T WANT
YOU TO THINK

I WAS GOING BEHIND
YOUR BACK.

AS OPPOSED TO LOOKING
OVER MY SHOULDER?

NOW, THAT'S IN THE JOB PROFILE
FOR A DEPUTY CHIEF.

LIEUTENANT.

SIR.

WHAT CAN I DO
FOR YOU, HOWARD?

WELL, CANDIDLY, FRANK,
I WAS PASSING BY

AND I OVERHEARD
THE EXCHANGE.

AND?

JUDAS, FRANK,
I LOVE IT.

I LOVE TO HEAR YOU
CHEW OUT THE SUITS.

THAT'S HIM.

MULLINS, WILLIAM.

OKAY.

BEEN MESSING WITH PEOPLE
IN MY NEIGHBORHOOD

AS LONG
AS I CAN REMEMBER.

GOT A BROTHER
NAMED TIMOTHY.

BOTH OF 'EM TRASH.

THEY ROBBED ME TWICE,

AND I WAS
TOO AFRAID TO CALL.

ALL RIGHT, SIR.

NO MORE.

LIONEL TALBOT SAYS,
"ENOUGH IS ENOUGH."

SARGE, WE GOT A SUSPECT
ON THE VAN BUREN HOMICIDE.

GOT AN ADDRESS
OFF A TWO-WEEK-OLD BUST.

OKAY, GO PICK HIM UP,
I'LL GET YOU BACKUPS.

HEY, I'LL GO WITH YOU,
I AIN'T AFRAID TO FACE HIM.

NO, THIS JOB
IS OURS, POPS.

Pilsky:
THE PRINCESS AND THE STALLION.

WHO, US?

YEAH, IT'S THE POLISH PRINCESS
AND THE ITALIAN STALLION.

YEAH.

LOOK, CLARA,
COULD I SAY SOMETHING?

SURE.

YOU PROBABLY HEARD
A LOT OF JOE COFFEY STORIES

AND YOU FIGURE
I'M THIS WAY OR THAT WAY.

YOU HEAR A LOT OF THINGS.

CLARA, I WOULD LIKE
YOU AND I TO START FROM ZERO.

BECAUSE THE KIND
OF GUY I AM --

I FEEL RIGHT NOW

I'M IN THE MIDDLE
OF WORKING THAT OUT.

HEY, WE'RE GONNA
START FROM SCRATCH.

THANKS.

SAME GOES FOR ME.

ALL RIGHT.

I DON'T KNOW, I MEAN,

MAYBE YOU'RE GONNA HEAR
SOME THINGS,

YOU KNOW, ABOUT ME
AND MY LAST PARTNER.

LIKE WHAT?

JUST SOME THINGS
WE USED TO DO.

YOU AND DANNY FRANK?

WHAT DO YOU MEAN,

WHAT KIND OF THINGS
YOU USED TO DO?

I MEAN, WHAT KIND OF THINGS
YOU USED TO DO?

YEAH, 2203.

UNIT 2203, BACK UP 2202
ON SUSPECT ARREST,

1663 EAST UTICA.

2203 RESPONDING.

LET'S GO.

CLARA, THINGS LIKE WHAT?

[ CAMERA SNAPPING PHOTOS ]

GREAT, GREAT, WE GET STUCK
IN THIS ROACH PALACE

TO GET OZZIE CLEVELAND
SOME P.R.

GOTTA HAVE SUSTAINED
OBSERVATION, J.D.

GOTTA HAVE
DOCUMENTED TRANSACTIONS.

I HATE THESE THINGS!

OH, HEY, DON'T LOOK INTO
THE LENS, BELKER, IT'LL CRACK.

HEY, IF YOU WANT
TO BUST A FLY,

YOU GOTTA SHOW HIM
GETTING HIGH, BABE.

YOU THERE, FAY?

HEY, I'M GETTING TIRED
OF THIS DAMN MACHINE.

I KNOW YOU'RE THERE,
PICK UP THE PHONE

SO WE CAN TALK.

YOU HEAR ME?

AND...IF YOU'RE NOT THERE,
JUST PLEASE HAVE

THE SIMPLE COURTESY
TO CALL ME BACK.

DAMN MACHINES.

I ALWAYS WONDERED ABOUT HER.

WHO?

CAPTAIN'S EX.

I ALWAYS WONDERED
WHAT SHE WAS LIKE.

YOU'VE MET FAY,
YOU KNOW WHAT SHE'S LIKE.

SURE, SURE.

YOU'VE GOT THE MIND
OF A PIG, LaRUE.

HEY, YOU GOT
THE BREATH OF A GOAT, BELKER.

HEY, HEY,
COME ON, YOU GUYS.

I THINK IT'S ABOUT TIME
WE MADE SOME ARRESTS.

ALL RIGHT, ABOUT TIME
TO GET SOME FRESH AIR.

YOU GOT ENOUGH PHOTOS, NEAL?

YOU GOT WASHINGTON
ON THE SHUTTER, BABY.

ALL RIGHT, ALL UNITS,

WE'RE MOVING ON TARGETS,
LET'S GO.

[ SIRENS ]

COME ON OUT FROM THERE!

ASSUME THE POSITION,
DIRTBAG.

Man: UNIT 24, YOU'RE WITHOUT
CHARGE BEFORE QUESTIONING.

FREEZE!

HERE, CHECK THIS OUT, BABY.

"EBONY AND IVORY,"
HEY, THEY NAMED ONE AFTER US.

HEY, WE GOT YOU
ON FILM, BABY.

YOU ARE BUSTED.

WE'RE SO ADVANCED,
WE'RE SIMPLE.

NOW, YOU GOT THE RIGHT
TO REMAIN SILENT,

YOU GOT --

COMING AT YOU, MAN!

WHERE ARE YOU GOING,
HAIRBAG?

OH, MAN,
FOSTER JUST GOT CUT BAD.

WHAT'S DOIN'?

YOU WILLIAM MULLINS?

COULD BE.

GET BACK!

DON'T MOVE!

HOLD IT RIGHT THERE!

YOU GOT A WARRANT, MAN?

GET ON OUTTA HERE
WHILE WE SEARCH THE PLACE!

GET ON OUT!

HEY, PAL,
YOU TAKE IT EASY

OR YOU'RE GONNA
TAKE IT HARD, YOU HEAR ME?

LET'S GO.

LEO, WE GOT A MR. MULLINS HERE
FOR HOMICIDE.

FUTURE PHARMACISTS
OF AMERICA, LEO.

TAKE THESE GENTLEMEN,
PLEASE.

STOP-AND-COP?

YEAH, WE GET
A COUPLE OF LAME BUSTS

AND FOSTER GETS CUT UP
LIKE A THANKSGIVING TURKEY.

WHERE DID THEY
TAKE HIM?

MERCY HOSPITAL,
HE'S OKAY, CAPTAIN.

YEAH, IF YOU DON'T
COUNT BLOOD LOSS.

COME HERE, J.D.

LOOK, J.D., I'M NO FAN
OF THIS OPERATION,

BUT BITCHING AND MOANING
WON'T HELP MORALE.

OKAY, I'M SORRY,
CAPTAIN, OKAY?

I JUST
DON'T LIKE SHILLING

FOR OZZIE CLEVELAND'S
STREET GAMES.

YOU'RE ENTITLED TO YOUR OPINION,
BUT OFF-DUTY, OKAY?

GOT IT.

WHO'S TAKING ARRAIGNMENTS?

ME AND NEAL.

FERITAS
AND KATZ AND BELKER

ARE ON THE SECOND STAKEOUT.

OH, ABOUT MORALE,
CAPTAIN,

GET IN A ROOM
WITH BELKER SOMETIME,

HIS BREATH IS ENOUGH
TO CROSS YOUR EYES.

COUNSELOR.

PIZZA MAN.

HOW'S YOUR DAY GOING?

NOWHERE CLOSE
TO MY NIGHT.

DEXTER SAWYER,
CAPTAIN FURILLO.

PLEASED TO MEET YOU,
CAPTAIN.

HOW ARE YOU?

DEXTER JUST JOINED
OUR OFFICE.

GOOD.

CRAM ORIENTATION COURSE.

WHO'S IN MY FUTURE,
LIEUTENANT?

WILLIAM MULLINS,
HOMICIDE, INTERROGATION.

OKAY.

GENTLEMEN.

WHO IS THE KID?

NEW P.D.

I DON'T LIKE HIM.

IF YOU DON'T MIND,

MR. SAWYER'S GOING
TO LISTEN TO OUR DISCUSSION.

ALL CLIENT-ATTORNEY
PRIVILEGES APPLY.

THAT MEANS
HE'S MY LAWYER, TOO?

YES.

OKAY.

YOU'VE GOT AN IMPRESSIVE LIST
OF PRIORS, MR. MULLINS.

ARMED ROBBERY, POSSESSION,
AGGRAVATED ASSAULT,

ASSAULT WITH A DEADLY WEAPON.

ALL MULTIPLE COUNTS.

MAN DOES WHAT HE HAS TO DO.

PRESENTLY WE'RE
TALKING ABOUT HOMICIDE,

WHICH PUTS YOU IN
A WHOLE NEW TAX BRACKET.

THAT'S IF I'M GUILTY,
WHICH WHO'S TO SAY?

YOU'RE A SUSPECT
IN THE MURDER

OF CECIL GIBBONS.

IN A FEW MINUTES
A WITNESS IS GOING

TO SEE IF HE
RECOGNIZES YOU.

SO?

HE CLAIMS HE SAW YOU
COMMIT THE CRIME.

HE SAYS HE CAN
IDENTIFY YOU.

SO I KILLED HIM,
SO WHAT?

SUCKA CHALLENGED ME.

AND THE NEXT FOOL
THAT CHALLENGE ME,

I'LL ICE HIM, TOO.

SO, MS. LADY,
YOU JUST GET ME

BACK ON THE STREETS,
YOU WON'T HAVE TO WORRY

ABOUT NO WITNESS
AND NO CHARGE.

IF YOU'RE IDENTIFIED
IN A LINEUP,

YOU'RE NOT GOING TO GET
ON THE STREET, MR. MULLINS.

MURDER
IS A CAPITAL CRIME,

THE JUDGE WILL SET
A HIGH BAIL.

THAT'S WHY A MAN
HAS FRIENDS.

GET YOUR HEADS UP,
GENTLEMEN.

STEP TO YOUR LEFT,
NUMBER THREE.

THAT'S HIM, NUMBER FOUR.

WILLIAM MULLINS,
HE STABBED HIM.

TAKE YOUR TIME,
MR. TALBOT,

WE WANT YOU
TO BE ABSOLUTELY SURE.

I DON'T NEED TO TAKE MY TIME,
I KNOW WHO KILLED CECIL GIBBONS.

IT WAS NUMBER FOUR,
WILLIAM MULLINS.

YOU WANT A PROFILE?

I'M AS SURE
AS I'M SITTING HERE.

Goldblume: ALL RIGHT, THAT'S IT,
MOVE TO THE DOOR.

I'M LOOKING
FOR WILLIAM MULLINS.

HE'S UNAVAILABLE.

THAT'S MY BROTHER.

HE'S IN A LINEUP.

I GUESS YOU CAN TAKE A SEAT
OVER THERE AND WAIT,

THEY SHOULD KNOW
WHAT THEY'RE GOING

TO DO WITH HIM
IN A FEW MINUTES.

BOBBY,
PUBLIC DISTURBANCE

IN FRONT OF
THIS GUY'S BUSINESS.

YOU AND RENKO
GO CHECK IT OUT.

AH, BIG GIRL, WE WERE ABOUT
TO GO GET SOMETHING TO EAT.

CAN'T YOU GIVE IT
TO SOMEBODY ELSE?

NO, I CANNOT.

ALL RIGHT,
ROLL IT, BROTHER.

ALL RIGHT.

HEY, POPS.

HI, OFFICER.

MR. TALBOT?

YEAH.

MY NAME
IS JOYCE DAVENPORT,

I'M REPRESENTING
WILLIAM MULLINS.

WELL, THIS IS ONE CASE
YOU GONNA LOSE.

I'D LIKE TO ASK YOU
SOME QUESTIONS.

CAN'T NOW, BECAUSE I GOT
TO GO TO THE CLINIC.

I'D LIKE TO MAKE IT
PRETTY SOON

WHILE YOUR MEMORY'S
STILL FRESH.

I AIN'T TRYING
TO DUCK YOU,

JUST GOT HYPERTENSION

AND I GOT TO GO
TO THE CLINIC.

NOW, THIS IS MY ADDRESS.

NOW, I SHOULD BE
HOME BY 2:00.

YO, LIONEL.
THANK YOU, SIR.

YOU WANNA SAID
YOU SEEN ME?

YOU AIN'T SEEN NOTHING, MAN!

YOU AIN'T SEE ME DO NOTHING!

YOU MADE A MISTAKE, MAN!

YOU THE ONE MADE A MISTAKE!

YOU LIABLE
TO GET ICED!
WILLIAM, WILLIAM!

YOU GONNA GET COLD
REAL QUICK!

I SAW YOU WHEN
YOU STABBED THAT MAN.

HEY, TIMOTHY, HEY, BRO,
HE MADE A MISTAKE!

I AIN'T AFRAID OF YOU
OR YOUR BROTHER!

I SEEN YOU WHEN YOU
STABBED THAT MAN.

OKAY.

HEY, YOUR BROTHER'S
GONNA BE CHARGED,

YOU GOT ANY OTHER
BUSINESS HERE?

NO, NOT HERE.

WELL THEN,
TAKE A HIKE.

AND DON'T EVEN CONSIDER
INTIMIDATING ANYBODY.

YOU'LL END UP IN A CELL.

[ DRUNKEN SINGING ]

YOU SEE WHAT I MEAN?

HE'S BEEN DOING THAT
ALL MORNING.

IT'S SCARING
ALL MY CUSTOMERS AWAY.

YOUR DADDY'S

RICH

AND YOUR MOTHER'S
GOOD-LOOKING

HEY, BUDDY, HEY, LOOK --

HUSH, BABY,
DON'T YOU CRY

LOOK, YOU'RE CAUSING
A DISTURBANCE,

YOU'RE JUST GONNA HAVE
TO LEAVE.

ONE OF THESE MORNINGS

YOU'RE GONNA
WAKE UP SINGING

HEY.

YOU'RE GONNA SPREAD YOUR WINGS
AND YOU'LL TAKE TO THE SKY

UNTIL THAT MORNING,
YOU GOT NOTHING CAN HARM YOU

'CAUSE YOUR MOMMY AND DADDY
ARE STANDING BY

ALL RIGHT,
NOW YOU LISTEN TO ME, PAL.

YOU SHUT UP
AND WALK AWAY FROM HERE,

OR THE NEXT SONG
YOU'RE GONNA BE SINGING

IS THE JAILHOUSE ROCK,

YOU UNDERSTAND ME?

JUST WALK AWAY, RENEE

YOU DON'T HAVE
TO FOLLOW ME BACK HOME

THE EMPTY SIDEWALK
ON MY STREET IS NOT THE SAME

YOU'RE NOT TO BLAME

FOUR TOPS, 1968?

HOW THE HELL WOULD I KNOW
ANYTHING ABOUT THAT?

NO, LISTEN,
ALL WE GOT IS THE DEMON.

AH, HE AIN'T GOT
NO DOCTOR MONSTER, MAN?

SAID WE AIN'T GOT IT,
BROTHER.

NOW GET BEHIND
THE DEMON.

DEMON DELIVERS.

NO, MAN, FORGET THAT.

OH, GET STUFFED TOO, MAN.

YES, SIR?

YOU GOT FOUR TREY BAGS,
MAN, PLEASE?

WELL, STEP RIGHT
TO THE DOOR, MY MAN,

THEY'LL TAKE CARE OF YOU.

YOU WILLING TO SELL
ME SOME SMACK, HUH?

I AIN'T STANDING HERE
LOOKING FOR A DATE, COOL.

MAYBE YOU'RE LOOKING
TO DO SOME TIME!

A BUST, BUST MAN!

RED DOG, YOU GOT THREE
COMING YOUR WAY.

[ SIREN ]

POLICE, FREEZE!

[ GUNFIRE ]

WHAT ARE YOU DOING HERE?

PHONE COMPANY
WOULDN'T PRESS CHARGES.

WE GOT A SHOOTING
VICTIM HERE.

435 NORTH POLK.

NOW LOOK WHAT
THE PHONE COMPANY --

SHUT UP!

YOU'RE NOT GOING
TO DIE ON ME,

YOU UNDERSTAND?

LOGAN.

WHAT?

MY NAME'S JIM LOGAN.

CAMDEN, NEW JERSEY.

YOU CALL MY MOMMA.

SAY HER BABY LOGAN, OKAY?

NO...NO...NO!

COME BACK.

COME BACK HERE!

DON'T DO THIS TO ME!

IN THE BOX SEAT,
THERE'S A WEASEL.

IN THE BOX SEAT,
THERE'S A FRAUD.

AND LET ME TELL YOU
ANOTHER THING,

IF HE TRIES TO PUT
THE CLAW ON ME,

I'M GONNA RIP OFF HIS ARM
AND BEAT HIM TO DEATH WITH IT.

VON HIMMEL,

LAST TIME YOU MET THE SHEIK,
IT WAS WAR, IT WAS CHAOS,

IT WAS THE WORST THING
THAT EVER HAPPENED

IN THE HISTORY OF WRESTLING.

WHAT DO YOU GOT
TO SAY ABOUT THAT TONIGHT?

VINNIE, I'M TELLING YOU,
THE MAN HIT ME WITH A CHAIR.

I GOT NO RESPECT
FOR THIS MAN FOR THAT.

THAT'S TONIGHT,
8:30, MUNICIPAL AUDITORIUM.

VON HIMMEL
VERSUS THE SHEIK,

THE LEOPARD KING VERSUS
JERRY THE BULLDOG, BE THERE!

ARE YOU GUYS
GOING TO THIS?

YEAH, WE ALL GOING.

JOEY, YOU GOING?

YEAH, I'M GONNA TAKE SANDY,
SHE'S NEVER BEEN.

WHAT A CLASSY GUY,

HE TAKES HIS GIRLS
TO WRESTLING MEETS.

IT'S A BROADENING EXPERIENCE.

YEAH, RIGHT.

HEY, YOU GOT
ANY EXTRA TICKETS?

AH, WELL WE GOT
SIX TICKETS.

YEAH, BUT THEY'RE ALL
COUNTED FOR, LUCE.

YOU KNOW, I BET YOU COULD
GET SOME AT THE DOOR,

I'M SURE YOU CAN.

YEAH, YEAH, YOU COULD.

WELL, I SORTA GOT PLANS
ANYWAY, WHAT THE HECK.

YOU WANNA CHECK OUT
THIS DISTURBANCE,

DECKER AND 39th.

ANYTHING WE CAN DO
FOR THE SARGE.

MRS. SARA BETH LOGAN, PLEASE.

MRS. LOGAN, MY NAME
IS MICHAEL BELKER,

I'M CALLING WITH REFERENCE
TO YOUR SON, JAMES.

YES.

I'M AFRAID JAMES
HAS BEEN IN AN ACCIDENT

AND I'M AFRAID THAT HE'S DEAD.

UH, MRS. LOGAN?

I HAVE SOME PHONE NUMBERS

WITH REFERENCE
TO JAMES' REMAINS AND SO FORTH.

YES.

I DON'T REALLY KNOW.

I DON'T REALLY KNOW
ALL THE DETAILS.

NO.

NO, MY BEST INFORMATION

IS HE WASN'T DOING
ANYTHING WRONG.

HE JUST GOT CAUGHT
IN THE SWITCHES, I BELIEVE.

HE GOT CAUGHT IN SOME SWITCHES
AND THERE WAS A SHOOTING.

THAT'S RIGHT,
THAT'S ABSOLUTELY RIGHT.

THEY AREN'T SAFE TO WALK.

WELL, WE WERE.

I'D SAY WE WERE FRIENDS.

AND HE WAS DOING ALL RIGHT,
HE ALWAYS HAD SOMETHING GOING.

AT ANY RATE, MRS. LOGAN,

I WAS WITH HIM AND HE SAID

TO TELL YOU
THAT HE LOVES YOU.

AND I'LL,

I'LL WRITE YOU A LETTER

AND SEND YOU THE PHONE NUMBERS
AND SO FORTH.

I'M VERY SORRY FOR YOUR LOSS.

HE'S BACK HERE.

HE WON'T TALK OR NOTHING.

ALL RIGHT,
WE'LL TAKE CARE OF IT, SIR.

SOUNDS LIKE VIC THE MOANER
AGAIN, DON'T IT?

YEAH.

HEY, BUD, I THOUGHT
I TOLD YOU TO STOP SINGING

OR I WAS GONNA
TAKE YOU TO JAIL.

LORD DONE STABBED ME, BABY

LORD DONE STABBED ME

HEY, BUDDY,
COME ON, BUDDY,

LET'S HELP YOU
UP FROM THERE, COME ON.

OHHH!

OH, MY GOD!

CALL AN AMBULANCE, RIGHT NOW,
CALL THEM, GET ON IT!

WHEN DID IT HAPPEN?

MUST BE 20 MINUTES AGO NOW

HURRY UP!

THEY STABBED ME
WITH A KNIFE

THIS IS NICE, LIEUTENANT.

OH, PLEASE,

CALL ME HOWARD.

OKAY.

I BET YOU'RE REAL EXCITED

ABOUT YOUR
EQUESTRIAN UNIT, HUH?

OH, YEAH.

I FIND EQUINE PULCHRITUDE
UNSURPASSED.

THE GRACE OF MOVEMENT,
THE POWER,

AND YET, A DELICACY
THAT TRANSCENDS SIZE.

NOT AT ALL
UNLIKE THE CHARACTERISTICS

THAT I ADMIRE IN YOURSELF.

ARE YOU SAYING
THAT I LOOK LIKE A HORSE?

WELL, ONLY IN THE MOST
COMPLIMENTARY SENSE.

THAT IS, I MEAN,

THERE IS A CERTAIN EVOCATION
OF THE FLOWING MANE,

THE DEEP BREAST,

THE SUPPLE HAUNCHES.

THE HAUNCHES?

I'M NOT SURE
I'M MAKING MYSELF CLEAR.

THE POINT IS,

DAMN IT, LUCY,
YOU INTEREST ME.

I'M VERY FLATTERED,
LIEUTENANT.

THESE PAST TWO MONTHS
IN THERAPY

I'VE COME TO REALIZE

THAT I'M READY
TO SHARE MY LIFE.

THAT I'M READY
FOR A RELATIONSHIP.

I DON'T WANT
TO BE ISOLATED ANYMORE.

WELL, LIEUTENANT,

I DON'T KNOW
WHERE THIS IS LEADING,

BUT YOU'RE A VERY NICE MAN,

BUT I SHOULD TELL YOU

THAT I TRY TO KEEP
MY SOCIAL LIFE

AND MY WORK LIFE SEPARATE.

WELL, THAT'S PROBABLY
VERY PRUDENT.

I THINK SO.

WHAT I HAD IN MIND
WAS ENTIRELY INNOCENT.

I MEAN,
I HAVE THESE TWO TICKETS

TO THE PHILHARMONIC'S
UPCOMING RENDITION

OF MAHLER'S FOURTH.

KASAKOWSKY'S CONDUCTING.

LIKE I SAID, I CAN'T.

WELL, IF YOUR TASTES
AREN'T OF THE CLASSICS,

WE COULD GO TO A MOVIE.

LIEUTENANT, THIS IS NOT
SOMETHING I MADE UP.

YOU KNOW, I'VE THOUGHT
ABOUT THIS A LONG TIME,

AND IT'S SOMETHING
I WOULD LIKE TO STICK WITH.

SO...

MAYBE WE SHOULD
JUST ORDER.

DO YOU BOWL?

JUST KIDDING.

I HEARD A COP GOT CUT

IN THAT STOP-AND-COP
OPERATION.

YEAH -- FOSTER.

WILL HE BE OKAY?

YEAH.

I'M GETTING AS BAD AS YOU,
WORRYING ALL THE TIME.

WHAT?

NOTHING.

NO, SOMETHING'S WRONG,
WHAT IS IT?

I THINK WE SHOULDN'T
SEE EACH OTHER ANYMORE,

I THINK WE SHOULD STOP.

I'M SORRY.

ARE YOU SERIOUS?

I'M VERY SORRY.

MICK, I THINK WE OUGHT
TO TALK ABOUT IT.

NOPE, IT'S GOT
TO BE THIS WAY.

PLEASE EXCUSE ME.

MICK?

I GOTTA GO, ROBIN.

WHAT ARE OUR CHOICES,
CAPTAIN?

YOU TREAT US LIKE
THREE YEAR OLDS

THE MOMENT
YOU HIT SANCTUARY --

NOW, LET'S PRETEND THERE'S
A LINE HERE AND LET'S NOT

CROSS THAT LINE.

THIS IS A POLICE PRECINCT,
NOT A PRESS ROOM.

YOU DON'T THINK THE PRESS
SHOULD QUESTION A P.R. STUNT

LIKE OPERATION
STOP-AND-COP?

STUNT? MAYBE YOU'D BETTER
GO OVER TO MERCY GENERAL.

ONE OF OUR STUNTMEN
IS BEING OPERATED ON

FOR A STAB WOUND
OVER THERE.

ARE YOU SAYING THAT
A COP'S GETTING WOUNDED

JUSTIFIES ANY ACTIVITY
HE'S INVOLVED IN?

I'M SAYING EVERYBODY
HAS A JOB TO DO.

PART OF YOURS MAY BE
TO PROVOKE A STORY

WITH CAT AND MOUSE
WORD GAMES.

WHAT'S CAT AND MOUSE

ABOUT QUESTIONING
THE UTILITY OF STOP-AND-COP?

BECAUSE IT'S
A QUESTION IN A VOID.

YOU WANT TO SOLVE
THE DRUG PROBLEM?

THEN LEGALIZE HEROIN

AND THEN DISPENSE IT
ON A CONTROLLED BASIS.

PUT A COP
ON EVERY STREET CORNER

AND THAT'S THE END
OF YOUR PROBLEM.

BUT NOW YOU'VE NARCOTIZED
A PORTION OF THE POPULATION,

AND WHAT YOU DO
IS RISK A POLICE STATE.

WELL, WHAT WOULD
YOU DO, CAPTAIN?

I DON'T MAKE POLICY.

IF YOU DID?

MAYBE I'D PAY

LESS ATTENTION TO TRANSIENT
POLITICAL CONCERNS.

I MEAN, I JUST LEFT A COP

WHO'S GOING TO BE
WEARING A SCAR

LONG AFTER POLITICIANS
ARE ONTO OTHER TRENDY ISSUES.

YOU INCLUDE MAYOR CLEVELAND
IN THAT CATEGORY?

WELL, UH, I THINK
MAYOR CLEVELAND

IS PROBABLY
DOING HIS BEST TO DELIVER

ON CAMPAIGN PROMISES
HE MADE IN GOOD FAITH.

WELL, IS THAT
A YES OR A NO?

NO, UH, NO COMMENT.

Man: OKAY,
HERE'S THE DEAL, GUYS.

NOW, YOUR CLIENT, MR. FLORES,

NOW, BECAUSE HE'S A SELLER,
HE'S GOT TO DO TIME.

ALL RIGHT, 90 DAYS.

YOUR CLIENT, MR. GOMEZ,
HE PLEADS,

HE GETS PROBATION
WITH A DRUG PROGRAM, OKAY.

AH-HA, THE ARRESTING OFFICERS.

AL?

PLEASE, DETECTIVE, "YOUR HONOR."

LIKE MY ROBES?

OKAY, FELLAS,
GIVE ME A MINUTE

WITH A COUPLE
OLD TRENCHMEN, HUH?

GO TO YOUR GUYS.

IT'S KIND OF A SURPRISE,
YOUR HONOR.

I OWE IT ALL TO THIS BOOK, J.D.

"BROTHERS KARAMAZOV."

YOU OWE YOUR JOB
TO THE BROTHERS KARAMAZOV?

NO, NOT MY JOB.

MY JOB I OWE, OF COURSE,

TO EIGHT YEARS' UNSTINTING
SERVICE THROUGH PSYCHIC CRISIS

AND OTHERWISE TO THE 23rd WARD
DEMOCRATIC COMMITTEE.

BUT MY METHOD...

ARE YOU FAMILIAR
WITH THE TEACHING

OF THE GRAND INQUISITOR?

AH, NOT EXACTLY.

SEE, MEN GABBLE
ABOUT FREEDOMS AND RIGHTS.

IN TRUTH, THEY CRAVE
THREE THINGS ONLY --

MIRACLE, MYSTERY,

AND AUTHORITY.

ALL RIGHT, STEP BACK,
DETECTIVES,

AND WATCH
A MASTER JURIST AT WORK.

ARE THESE PLEA BARGAINS
ACCEPTABLE TO YOUR CLIENTS?

N.G., JUDGE.

N.G., MR. FLORES?

GOMEZ HERE GETS A PROGRAM,
WHY DO I GOTTA DO TIME?

UH, JUDGE, MR. GOMEZ
ALSO HAS A PROBLEM.

HE SAYS DRUG PROGRAMS
DON'T REALLY HELP HIM.

HE'D PREFER PROBATION

AND HE PROMISES
TO QUIT DRUGS ON HIS OWN.

OH, I SEE.

INGRATES.

PIPSQUEAKS.

I'M A FORMER
PUBLIC DEFENDER MYSELF,

AND I AM ONTO YOUR

HEROIN GUZZLING ZOMBIE TRICKS.

YOU KNOW WHAT I'M TEMPTED TO DO?

HOLD YOU IN CONTEMPT
TILL YOU ROT.

I'LL GIVE YOU A GOOD DOSE
OF MACE RIGHT NOW.

UNFORTUNATELY,
THE RULE OF LAW PREVENTS ME.

BUT I CAN FIND YOU
GUILTY AS CHARGED.

MR. GOMEZ?

FOURTEEN MONTHS.

MR. FLORES, SEVEN YEARS.

AND BELIEVE ME, SIR,

IF I COULD,

I WOULD THROW THE BOOK AT YOU.

REMAND
TO CUSTODY.
Woman:
YOUR HONOR?

THIS IS JUST AN ARRAIGNMENT,
THERE HASN'T BEEN A TRIAL.

I KNOW EXACTLY
WHAT I'M DOING.

I'M JUST KIDDING.

SAME OLD AL.

YOUR HONOR, MY CLIENT FEELS

THAT THE DRUG PROGRAM
ORIGINALLY OFFERED HIM

IS NOW IN HIS BEST INTEREST.

MR. FLORES
WILL TAKE HIS 90 DAYS.

I AM DELIGHTED.

HERE YOU GO.

WHAT A PIT.

IT AIN'T THE RITZ.

EXCUSE ME, THE NAME'S
ARE OFF THE BOXES,

WHICH APARTMENT
IS LIONEL TALBOT'S?

WHO'RE YOU FROM?

WE'RE PUBLIC DEFENDERS,
HE'S NOT IN ANY TROUBLE.

TRAIN LIVES FIRST ROOM
TO YOUR LEFT,

TOP OF THE STAIRS.

THANK YOU.

YOU KNOW,
THIS ISN'T GOING TO BE

MY MOST FAVORITE
PART OF THE JOB.

IT ISN'T ANYONE'S.

YOU GET USED TO IT.

WHEN MR. TALBOT
ANSWERS THE DOOR,

I WANT YOU
TO VERIFY

WHETHER HE'S
WEARING HIS GLASSES OR NOT.

THAT'S PRETTY CAGEY.

[ GUNSHOT ]

I CALLED THE COPS,
GET THE HELL OUT OF HERE.

Goldblume: EITHER OF YOU
GET A CLEAR LOOK?

COULD YOU GET
A DESCRIPTION?

NO, I'M SORRY.

I'M SORRY,
I WAS JUST SO AFRAID.

Davenport:
HE LOOKED LIKE THE BROTHER.

THE BROTHER
OF THE MAN --

MULLINS, TIMOTHY MULLINS?

BROTHER OF WILLIAM MULLINS,

CALL IT IN, GET A PICTURE,
GET A DESCRIPTION OUT.

HE POINTED THE GUN AT ME,
I DON'T KNOW.

SOMEBODY YELLED AND I DIDN'T
KNOW IF HE WAS GOING TO SHOOT.

JOYCE,
IT'S ALL RIGHT.

HE WAS GOING TO SHOOT,
AND THEN HE JUST RAN AWAY.

OH, FRANK.

2203, DECKER AND REISIN
ARE CLEAR, NORTH ON DECKER.

2202, KING AND 116'S CLEAR.

WEST ON 116.

WAIT A MINUTE, THERE.

NO, NO.

WEST ON 116.

2203.

[ SIREN ]

SUBJECT'S RUNNING WEST
ON FREDERICK, WE'RE IN PURSUIT.

HOLD IT!

[ HORN HONKS ]
FREEZE!

COME ON,

UP AGAINST
THE WALL, CREEP!

LET'S MOVE IT!

HEY, WE GOT
TIMOTHY MULLINS.

HEY, I WANT TO TALK
TO MY BRO.

LEO?

HIS BROTHER'S DOWNSTAIRS,
KEEP HIM UPSTAIRS.

Leo: OKAY, MR. MULLINS,

YOU HAVE THE SAME ADDRESS
AS YOUR BOTHER?

HEY, I AIN'T SAYING NOTHING
TILL I SEE WILLIAM.

PUT DOWN THAT IT IS, LEO.

YOU AIN'T GONNA SAY
NOTHING AT ALL IN A MINUTE.

HEY, I DIDN'T DO NOTHING,
MY BROTHER DONE NOTHING.

ALL THE WAY TO THE END.

FOUR, STAND UP STRAIGHT.

I'M NOT SURE.

TURN TO YOUR RIGHT,
PLEASE, PROFILE.

I'M SORRY, I CAN'T MAKE
A POSITIVE IDENTIFICATION.

WE'RE NOT LOOKING
FOR LEGAL CERTAINTY HERE.

I UNDERSTAND
WHAT YOU'RE LOOKING FOR,

I CAN'T BE SURE IT'S HE.

WHICH ONE AREN'T YOU SURE OF?

ANY OF THEM.

JOYCE?

WHAT, I COULDN'T
BE SURE, FRANK.

THEN YOU DID
THE RIGHT THING.

BUT LET ME BE SURE
I UNDERSTAND HERE --

YOU MEAN, YOU REALLY
COULDN'T IDENTIFY HIM,

OR YOU'RE JUST DISTRAUGHT

AND MAYBE WE SHOULD
TRY AGAIN TOMORROW?

WHAT DO YOU WANT ME
TO SAY, FRANK?

IS THAT WHAT
YOU WANT ME TO SAY?

MAYOR CLEVELAND'S HERE,
CAPTAIN,

HE'S IN YOUR OFFICE.

I'LL SEE YOU AT HOME.

SHE AFRAID
THE OTHER BROTHER'S

GONNA TAKE CARE OF HER
THE WAY THIS ONE DID TALBOT?

SHE COULDN'T I.D.,
HENRY.

WHAT DO WE DO WITH HIM,
LET HIM GO?

HOLD FOR ARRAIGNMENT
TOMORROW MORNING.

GOT A CHARGE?

RESISTING, CONSPIRING.

WHAT ABOUT THE BROTHER?

D.A. WON'T CHARGE,
GUARANTEE YOU,

HE'LL BE OUT TOMORROW.

JUST WHO THE HELL
DO YOU THINK YOU ARE?

ROLL THAT BACK, OZZIE.

IT'S MAYOR CLEVELAND.

MAYOR.

YOU SUGGEST
WE LEGALIZE HEROIN?

OZ--

THAT WE PUT A COP
ON EVERY STREET CORNER?

I'M NOT SURE
THE THIRD REICH

HAD THAT KIND
OF COMPLIMENTS.

THAT'S NOT AT ALL
WHAT I SUGGESTED.

IT WAS ON THE DAMNED
AFTERNOON NEWS.

YOU WERE ON
THE DAMN CAMERA.

WHAT I WAS TRYING
TO SAY THERE

WAS THAT YOU HAVE TO PUT
THE PROBLEM IN A LARGER CONTEXT.

I CAN'T BE RESPONSIBLE
FOR THEIR EDITING.

"TRANSIENT POLITICAL CONCERNS.

POLITICIANS MOVING ONTO
OTHER TRENDY ISSUES."

THAT'S OUT OF CONTEXT.

BULL.

YOU HAVE HURT ME, FRANK,

AND YOU'RE GOING
TO PAY FOR IT.

FIRST WE'LL SEE ABOUT
MINIMIZING THE DAMAGE.

HAVE A STATEMENT READY
BY 9:00 TOMORROW MORNING.

WHAT FOR?

A PRESS CONFERENCE.

WE'RE GOING TO SEE HOW MUCH
OF THIS YOU CAN EAT.

CAPTAIN,
DO YOU HAVE A MINUTE?

SURE, LUCE.

YOU WANT
TO TALK PRIVATELY?

I GUESS I'M JUST FEELING
OUT IN LEFT FIELD.

WHAT DO YOU MEAN?

WELL,

I'M NOT REALLY
ON THE STREET ANYMORE.

I'M NOT A STREET COP

AND I DON'T FEEL
LIKE A SERGEANT YET.

IT'S ONLY BEEN
TWO WEEKS, LUCE.

ACTUALLY
I DON'T MEAN THE JOB.

I MEAN, THAT PART,
IT'S GOING OKAY.

IT'S LIKE...

I JUST GOT A CAR,

A NEW CAR, A COMPACT.

YOU DON'T KNOW HOW LONG
I'VE BEEN PROMISING MYSELF

THAT SOMEDAY I WAS GONNA
BUY NEW WHEELS.

I FELT GREAT ABOUT IT.

SO, THAT'S GOOD.

SEE, I DIDN'T HAVE
ANYBODY TO TELL.

I MEAN, IF I TOLD
JOE, BOBBY, OR EVEN ANDY,

IT'S LIKE I'M RUBBING
THEIR NOSES IN IT.

YOU KNOW WHAT I MEAN?

YEAH, I DO.

BESIDES, I MISS THE ACTION,

I JUST MISS BEING
OUT ON THE STREET.

IT'S NOT AN EASY
TRANSITION, LUCE.

FOR EVERYTHING YOU GAIN,
YOU HAVE TO GIVE UP SOMETHING.

YEAH,

I'M GLAD
I GOT THE PROBLEM.

YOU'RE NOT WEARING
YOUR STRIPES.

JUST HAVEN'T HAD THE TIME
TO PUT 'EM ON.

PUT 'EM ON, LUCE.

HI.

HI.

THIS IS KIND OF LIKE
A NIGHTMARE, MICK.

PLEASE,
YOU GOTTA SAY WHY.

I SAID.

WHAT?

I DON'T WANT US
TO SEE EACH OTHER ANYMORE.

THAT'S NOT
A REASON, MICK.

'CAUSE I THINK
IT'S BETTER,

'CAUSE I DON'T
HAPPEN TO THINK

WE'RE GOOD
FOR EACH OTHER, OKAY?

WELL, YOU DON'T GET TO SAY
WHAT YOU ARE FOR ME.

COME ON, DON'T CRY.

BECAUSE, I LOVE YOU,

AND WE'RE IN LOVE,

AND WE'RE THE BEST THING

THAT EVER HAPPENED
FOR EACH OTHER.

EVERYONE DIES.

EVERYBODY
THAT I TOUCH DIES.

I COULDN'T STAND IT
IF ANYTHING HAPPENED TO YOU.

IT WOULD KILL ME.

WELL, THEY DON'T DIE
BECAUSE YOU LOVE THEM, MICK.

THEY DO.

NO, SOME THINGS DIE
'CAUSE IT'S THEIR TIME.

LIKE YOUR POP,
OR LIKE THE SARGE.

HE WAS TOO YOUNG.

HE WAS TOO YOUNG.

BUT IT WAS HIS TIME.

AND THE OTHERS,

EVERYONE ON THE STREET
WHO'S HURT,

IF THEY'VE GOT GUTS
OR THEY'RE A LITTLE WEIRD,

YOU REACH OUT TO THEM.

AND THE THING IS,
THEY'RE HURT.

AND SOME HURT THINGS DIE.

BUT IT'S NOT 'CAUSE
YOU TOUCHED THEM.

YOU TOUCHING THEM,

IT'S A GOOD THING
IN THEIR LIVES.

I'M SO AFRAID SOMETHING
WILL HAPPEN TO YOU.

I DON'T KNOW WHAT I'D DO.

I'M NOT GOING
ANYPLACE, MICK.

YOU CAN'T LOSE ME
FOR ANYTHING.

E.A.T.s!
E.A.T.s!

E.A.T.s!
E.A.T.s!

E.A.T.s!
E.A.T.s!

ALL RIGHT, RELAX.

ALL RIGHT, THE NEXT THING
WE'RE GOING TO DO,

WE'RE GOING TO DO A BACKHAND
STRIKE WITH THE RIGHT HAND.

I'LL SHOW YOU
HOW WE DO THAT.

TAKE A STEP FORWARD,

WE'RE GOING TO STRIKE
AN IMAGINARY OBJECT UP HERE.

ALL RIGHT, DOWN, TOES TURNED IN,

SNAP THE ARM BACK,
ALL RIGHT?

E.A.T.s!

ALL RIGHT, YOU WANNA TRY THAT?

ALL RIGHT, TOES IN,
ALL THOSE GOOD FISTS.

E.A.T.s! E.A.T.s!

BACK, ONE MORE, FROM THE GUT.

E.A.T.s! E.A.T.s!

BACK, GOOD, REAL GOOD.

READY POSITION.

YOU DID REAL GOOD,
I'LL SEE YOU ALL NEXT TUESDAY.

BOW.

THANK YOU.

FAY?

DAMNIT, FAY.

EVERYTHING ALL RIGHT,
MS. FURILLO?

HEY, GO WATCH
A BRUCE LEE MOVIE.

GOOD IDEA.

VERY MACHO, HENRY.

10 DAYS OF MESSAGES,
THREE NOTES IN YOUR MAILBOX.

I THOUGHT THE RETURN
MESSAGE WAS VERY CLEAR.

I DIDN'T GET
A RETURN MESSAGE.

THAT'S THE MESSAGE.

WE BROKE UP.

I WAS UNDER THE IMPRESSION
THAT WE PARTED FRIENDS.

I RECONSIDERED.

WHEN?

THE NEXT MORNING.

YOU SEE, I DON'T PUT
THE SAME PREMIUM

ON BEING REASONABLE
AS YOU DO.

YOU KNOW, YOU WERE
THE ONE WHO SUGGESTED

THAT MAYBE WE SHOULD
STOP SEEING ONE ANOTHER.

AND AS I RECALL, YOUR EXACT
WORDS WERE "SOUNDS RIGHT TO ME."

CAN'T WE TALK ABOUT IT,
AT LEAST?

NO, NO, I CHOOSE
TO GO ON WITH MY LIFE.

I DO NOT CHOOSE
TO REHASH OLD BUSINESS.

FAY, THIS BUSINESS
HAS NOT BEEN HASHED YET.

PLEASE.

OKAY.

YOU BET I'M ANGRY.

I'M ANGRY BECAUSE YOU WEREN'T
MORE ATTRACTED TO ME.

I'M ANGRY BECAUSE
YOU WOULDN'T JUST ADMIT IT.

AND I'M ANGRY BECAUSE YOU
MADE ME FEEL LIKE

THERE WAS SOMETHING
WRONG WITH ME BECAUSE OF IT.

AND I'M ANGRY BECAUSE

YOU WOULDN'T FIGHT HARDER
TO TRY AND FIND IT.

I WAS ATTRACTED
TO YOU, FAY,

BUT I SEEM
TO RECOLLECT YOU SAYING

WE BRING ADULT BAGGAGE
TO THE RELATIONSHIP.

DON'T KICK ME
OUT OF YOUR LIFE

BECAUSE THE RELATIONSHIP
DIDN'T GIVE YOU

EVERYTHING YOU WANTED.

MAYBE YOU'RE RIGHT,

MAYBE I DIDN'T
FIGHT HARD ENOUGH.

YOU, THE BABY,
AND FRANK JR.,

YOU'VE BEEN THE BEST THINGS
IN MY LIFE THIS PAST YEAR.

MAYBE UNCONSCIOUSLY I FELT

IF WE FIGHT,
THAT'S JEOPARDIZED,

SO I PULLED BACK.

I DON'T KNOW.

YOU'VE BEEN THE BEST THING
IN OUR LIVES, TOO, HENRY.

YOU KNOW, FRANK JR.
ASKS ABOUT JOSH ALL THE TIME.

AND YOU.

I DON'T WANT
TO LOSE ALL OF IT, FAY.

I DON'T WANT TO, EITHER.

BUT I MEAN,

TO HELL WITH THE REASONS,

IF WE CAN'T BE LOVERS,

CAN'T WE AT LEAST
BE LOVING FRIENDS?

AT LEAST THAT.

I'M TRYING TO THINK
OF 20 DIFFERENT WAYS

I COULD EAT HUMBLE PIE
AT OZZIE'S PRESS CONFERENCE.

LET'S TALK ABOUT IT.

IS THAT THE CAPTAIN TALKING
OR MY HUSBAND?

THAT'S NOT FAIR.

'CAUSE I SURE HAD
THE FEELING

THAT WAS THE CAPTAIN'S ARM ON ME
OUTSIDE THAT LINEUP ROOM.

I HAVE A LINE
TO WALK, TOO.

THE CAPTAIN NEEDS
TO MAKE THIS CASE,

THE CAPTAIN CAN'T DO THAT
WITHOUT YOUR TESTIMONY.

IT DOESN'T MEAN
I DON'T UNDERSTAND

WHAT YOU'RE GOING THROUGH.

FRANK, I KNOW
WHAT MY DUTY IS.

HOW DO YOU THINK
IT MAKES ME FEEL

KNOWING THAT
I CAN'T DO IT?

JOYCE, I ALMOST
LOST YOU TODAY.

I DON'T WANT
THAT FEELING AGAIN.

TO BE PERFECTLY HONEST,
I DON'T WANT

A COUPLE OF SOCIOPATHS
ANGRY WITH YOU,

BUT I KNOW
WE CAN PROTECT YOU.

I WANT YOU TO KNOW THAT.

I KNOW THAT WAS
A TWO-WAY MIRROR,

NO WAY MULLINS
COULD SEE ME.

BUT...

IT SEEMS LIKE
HIS EYES NEVER LEFT ME,

HE WAS LOOKING
RIGHT INTO MY EYES.
STOP.

AN OFFICER OF THE COURT.

AMONG OTHER THINGS.