Hawaii Five-O (1968–1980): Season 7, Episode 22 - The Hostage - full transcript

A paranoid Korean War veteran, thinking a policeman is about to arrest him for a crime he didn't commit, grabs the officer's gun and shoots him. More cops appear, so the vet pulls the wounded officer's ammunition belt free and runs into an apartment occupied by a teenage girl, locking himself and the girl inside. McGarrett and HPD's SWAT team arrive at the same time, and the leader of the SWAT team wants to blast his way into the apartment and take down the gunman, who blazes away at targets all over the place. Because somehow the gunman hasn't killed anybody yet, and because McGarrett thinks the gunman might be better off in a mental hospital, McGarrett butts heads with the HPD officer and stalls to buy time to negotiate a peaceful surrender -- although the media circus surrounding the hostage situation immensely complicates the negotiation.

(cries out)

LORD: This is Jack Lord
inviting you to be with us next for:

(gunshots)

"The Hostage."

You got a complaint, captain?

Me? I just got my own opinion
and 23 years' experience.

Well, you're a
little short, captain.

Yeah, I know. You boys over
at Five-0 make all the seminars.

Look, whoever
that guy is up there,

he's got a problem,
but more than that,

he's got a young
girl hostage up there.



We're gonna try to
get through to him,

that's the operational
procedure.

Clear? Clear.

( ominous theme playing)

Next, "Hostage."

Be here. Aloha.

( upbeat surf theme playing)

( mysterious theme playing)

MAN: Yes, I have your
view on the subject,

and, uh, we will... Sure, sure,

I will be glad to do that.

Sergeant Cooper. He knows me.

Thank you very much, ma'am.

Uh,



Colonel Chadway is
not in his apartment.

Perhaps you'd, uh,

like to leave a message, sir?

Colonel Chad...

Look, did you tell him
it was Jesse Cooper?

Well, I just spoke
to Mrs. Chadway.

Colonel Chadway is not in now,

but I told Mrs. Chadway,

uh, Sergeant Cooper, right?

Look, you must have
called the wrong room

because I saw him. I was
coming up from the street.

If you'd care to
leave a message, sir...

Hey, 503. Go
on, try it, will you?

Tell him it's Jesse
Cooper. Come on, 503!

Colonel Chadway lives in 403.

I'm... I'm afraid
you're a bit confused.

Uh, try back later, okay?

Uh, call first.

Uh, Mr. Cooper, just a minute.

You can't go up there.

Mr. Cooper, you...
You can't go up there.

Look, he was my CO.

Uh, Colonel Chadway
is not in his apartment.

Look, why don't you
just come with me?

Get away from me,
will you? All right!

If you'd rather
talk to the police...

Stumblebum.

(siren blaring)

(tires screeching)

Well, I didn't want to get into
a knockdown-dragout thing.

He's harmless, I think.

Just old and, uh,
kind of stubborn.

Cooper, Sergeant
Cooper. You say that tenant

Colonel Chadway knows him?

That's what Cooper says.

Was he agitated?

No, uh...

I'd say unstable.
What can I tell you?

I'll take it, Frank.
Friendly persuasion.

Room 403.

Yes, well, the colonel
must be visiting.

He has a lot of
friends in this building.

Look. I'm Sergeant Cooper.

I know who you are, sergeant.

I know he's in the building.

I saw him walking in
the door from the street.

Well, you must be mistaken.

COOPER: No, I'm not.

He told me I could come
here anytime and talk to him.

Sergeant Cooper.
Well, he's not home.

Sarge, you don't
think the lady's lying?

Look, I got to
talk to the colonel!

Come on, sarge.

Will you talk to him? I
am sick and tired of it.

(screaming)

( action theme playing)

(both grunting)

(gunshot)

Shot!

The stairs! It's
faster! Take the stairs!

(panting)

(breathing agitatedly)

MAN: Officer! Hold your fire!

Officer, I'm coming out.

Where is he?

He's not on this floor.

Call an ambulance.
I already have.

(gunshot)

(gunshots)

Wha...? Shh.

(sirens blaring)

(tires screeching)

MAN (over radio): Albermarle
Apartments, 1109 Euclid.

Gunman may be holding hostage.

Hawaii Five-0, 1109 Euclid.

(siren blaring)

(tires screeching)

Mr. Morrison? Stay
in your apartment

and please don't come
out in the hall. Thank you.

OFFICER (through horn): Attention,
all tenants of the Albermarle Apartments,

please stay in your apartments.

This is Captain Glover of the
Honolulu Police Department.

There is no immediate danger.

Attention, all tenants of
the Albermarle Apartments,

please stay in your apartments

to avoid any chance of accident.

Please stay in your apartments.

Captain, we think the kid
is saying, "Ruth," not "roof."

Officer Bailey,

check the apartments
directly below.

Sir, that could mean the
suspect is holding a hostage.

No one has seen a hostage.

No one has seen the
suspect with a hostage.

What do we got?

Cop shooter.
Five-twenty-three, top floor.

The window way on the right.

Is he holding somebody?
My guess, a teenage girl.

We don't know that.

Captain, you got things
nicely staked out here.

Good work.

We know how to
handle these things.

Now, what I don't want

is this kook thinking
he's on top of us.

Gets a little confidence,
he'll be ego-tripping

how he pinned down the whole
Honolulu Police Department.

I'm going to give
him an ultimatum.

Five minutes, I
lay down the flak.

Attention... Captain,

we check out the hostage first.

Right? That's for openers.

Danno, Officer Pearson,

get him up there. Right.

Chin, remember that pole bit?

See if you can try that
from the adjacent apartment.

See if it works. Yeah.

McGarrett.

Have us patched in to
the apartment switchboard.

How's officer Wade?

Critical.

What about ammo?
Does he have anything

beside what was in Wade's .38?

I'll check it. Thank
you, captain.

This is McGarrett.

Ben, her name was Ruthie?

And Ruthie went
upstairs with the man?

Ah, good boy, Benny. Good boy.

Sir, I think a girl was
babysitting for him.

I don't know her. She
doesn't live in the building.

What about the boy's parents?

Well, I'll try to
locate his mother.

She's, uh, kind of a flake.

All right, check
all the families

in the buildings who have kids.

See if they know a
baby-sitter named Ruthie.

Yes, sir.

Here's the flak vest.
I don't need that.

You gotta wear it.
It's too restrictive.

No choice. He's armed.

Okay, you're right.

Fit all right? Good.

McGARRETT: Chin?

To the left, just a little.

Yeah. That's good.
Now, down and tip it.

Can you see anything?

That should be just about it.

Chin, have you got anything yet?

Ahh. He can't
make the right angle.

Oh, damn it.

Gentlemen, I'm Colonel Chadway.

McGarrett, Five-0.

I want to talk to you, but...

would you check
Army Records Center?

We have a tentative
ID on a Jesse Cooper.

That's your man. I was his CO.

Okay.

I want his personnel jacket.

Will you get on the
phone and have it sent?

Certainly. Good idea.

Danno, is Pearson ready?

DANNO: Ready, Steve.

Remember, Chuck, we
don't want any heroics.

Just find out whether or not

that babysitter's in
there or not, huh?

You know it.

(people murmuring)

PEARSON (over radio):
There's a young girl in there.

She's okay. She's
looking right at me.

( menacing theme playing)

(people screaming)

(gun clicking)

Chuck, you okay? Yeah, I'm okay.

I saw her. She
looked right at me.

It hit? Yeah.

Steve, Chuck's hit, but not bad.

Listen, he saw the girl.
She seems to be okay.

Okay, Danno. Listen,

I want to set up in the hall.

DANNO: Okay, Steve.

Captain,

see if a couple of your
men can get a heavy table

and get it up to Danny
Williams on the fifth floor.

Look, McGarrett, he's
got a hostage up there.

Let's not diddle around with
him, if you know what I mean.

Duke, get a couple
of extra flak suits

and bring them up to
Danny on the fifth floor.

Now, take it easy.

We don't wanna ruffle this guy.

Oh, no, let's not offend him.

That's right, captain.

We're going to try
to communicate.

Now there's a word
for you, communicate.

This is gonna be
great. Group therapy.

You got a complaint, captain?

Me? Not me.

Officer Wade's
got a bullet in him.

He's got a complaint. Me?
I just got my own opinion

and 23 year" experience.

Well, you're a
little short, captain.

We're going on the
experience of a lot of smart cops

all over the country
who have been to school

on this sort of thing.

Yeah, I know. You
boys over at Five-0

make all the...

Look, whoever
that guy is up there,

he's got a problem,
but more than that,

he's got a young
girl hostage up there.

Now, there's a life in danger.

Maybe many lives, yours
and mine and his included.

Now, we're going to
try to get through to him!

That's the
operational procedure!

Clear? Clear!

Okay, the table up
there on the double!

Yes, sir!

Danno, table coming up.

I talked with Army
Records in St. Louis.

They gave me some information.

Citations, Silver
Star with clusters,

Purple Heart, court-martial.

They're telexing the
rest of the records over.

Is this right? He
was in combat at 15?

He lied about his age,
but he was a great soldier.

Psycho?

Oh, no, no.

He was more like a...
Well, a natural soldier.

Quiet. Respectful.

Actually, if I may
make a suggestion,

he still looks upon
me as his CO.

I know if I gave him an order...

Well, what I mean
is, I'm someone

who can communicate
with Sergeant Cooper.

I see.

Were you in your apartment
when he called up from the desk?

Yes, but, the guy had been
coming down to my health club,

hanging around, mooching money.

I got tired of it!

It wasn't the money.

Just that, well, Sergeant Cooper

always a little, uh...

A little what? Unstable?

Excitable.

All right, uh...

I'll tell you what I'd
like you to do now.

About these battles
that you were in together,

I'd like you to write down
every detail that comes to mind.

Things that he might remember.

Things that involve Cooper.

Certainly, but you don't
want me to talk to him?

Let's suppose that he
was in serious trouble.

He comes to you
as a last resort.

Now, if he feels that you

deliberately turned
your back on him...

That could really
set him off this time.

You said that he was excitable.

Yes, but I don't think...
Now, listen, colonel!

He shot a policeman.

Now, if he goes
over the line this time,

he could take it out on
that little girl up there.

I understand, but I was
in the Army for 25 years.

I've got to tell you!

Okay, colonel, you
had your chance

to talk to Sergeant Cooper
when he came to your door.

Now, if you'll excuse
me, I have work to do.

Sir?

Could I turn on the TV? No!

Now, you quit your whining!

I'm not whining.

Besides, there's nothing
good on TV now anyway.

Will you shut up?

CHIN: Steve.

This is Mrs. Martin. Her
daughter's the hostage.

Sorry, Mrs. Martin.

Very pretty girl.
What can you tell us?

She's a lovely child, really.

Very bright for her age.

Is she emotionally stable?
Is she cool in crises?

Well, yes, I think so.

She's a competitive swimmer.

She's on the debating
team at school.

That's good. That's good.

They've told you we've seen her?

Yes.

How is the officer?
The one who was shot?

We don't know yet.

What is it? Get a
load of this, will you?

This guy wants a
parachute, an Army plane,

clothes, suit, tie, shoes,
and 500 bucks cash.

He's nuts!

Chin, stay on communications.

Did you talk to him? We tried.

The door is sprung.

He shot off the lock,
and it won't stay shut.

He's got that chair
propped against it.

Yeah, I see. ( snapping fingers)

Let's see if he wants to talk.

Sergeant!

Sergeant Cooper?

Jesse Cooper?

Jesse Cooper?

Is he calling you?

I know, I know!

McGARRETT: Jesse Cooper,

this is Steve McGarrett,
Hawaii Five-0.

I'd like to talk to you.

Look, you just bring
me what I asked for!

That's all! No talk!

McGARRETT: Okay, Jesse,
we're working on it. We'll get it.

Wish we could get a look
in there, see what's going on.

If I could get on the hinge side
of that door there, you know,

I could push it a
little farther open.

Yeah, maybe.

Maybe we could
open it a little more.

Let me try.

Okay, get yourself a short pole.

Be careful. Right.

Hey, Jesse, this
is Steve McGarrett!

McGARRETT: You okay?

Jesse, we put in a
call to the Air Force.

We don't know how
long it's going to take

to round up a plane.

You've had a lot more experience

with the Armed Forces
than any of us have.

(sighs)

He's just your average
conversationalist.

No big words, no little words.

(radio beeping)

Williams.

Steve, you better take this.

It's the head of your fan club.

(sighs)

McGarrett. Captain Glover?
GLOVER: Hello, McGarrett?

Listen, I got a young fellow
down here named Holden.

Richard Holden. He's
an applicant for H.P.D.

Now, he wants to volunteer
to be a substitute hostage

if Cooper'll go for it.

GLOVER: Should I send him up?

A substitute hostage?

That's all we need.

Uh, captain, leave
him on the bench.

Sit tight, Holden. Yes, sir.

"Leave him on the bench."

This ought to do it.

Yeah, that looks good.

Danno, got a pen? Yeah.

Look.

Here's the hall that we're in.

Here's the barricade.

Here's the elevator
shaft. Here's the plant.

Okay.

Here's the open door, Frank.

Now, Frank, this is
what you have to look for.

There's a mirror
in the apartment

right about here.

But be careful.

Now, you'll have to
crawl right along this wall.

Right.

What about a distraction?
How about ringing the phone?

Yeah, that's a good idea. Do it.

Chin, have the
switchboard ring the room.

If he answers...

How do you want to
handle the situation?

Uh, Chin, call him
by his first name,

tell him we're
working on his clothes,

and keep him cool.

Got that, Chin? Right.

Wait till the
phone rings, Frank.

Careful.

(phone ringing)

(phone ringing)

(ringing continues)

Should I answer it?

(ringing continues)

Aren't you going to answer it?

(gunshot)

(gunshot)

Close the door!

( dramatic theme playing)

You okay? Still in one piece.

Did you get a look at the girl?

Yeah, she's okay.
Didn't even look scared.

How about our friend Jesse?

Now, him, he did look scared.

Well, that figures.

What's next?

We got to keep him talking.

(radio beeps)

Go ahead, Chin.

Good. Have him
leave it on Landing 5.

Officer Rau is there.

They got the parachute

and some of the clothing.

Maybe that will open him up.

Jesse!

This is Steve McGarrett.
We've got your chute

and some of the clothing coming.

How do you want us to handle it?

Jesse, if you let us know,
we'll try to do it your way.

Jesse, do you want us to leave
the stuff in front of the door?

He's trying to be nice to you.

McGARRETT: Do you want us
to try to push it inside the room?

Okay, but don't
try anything funny.

See if they got any
coffee in the kitchen.

Go on.

Jesse, this is Steve McGarrett.

We've got the clothes you want.

We're gonna put them inside
the door. Is that okay with you?

(door opens) Hey!

Hey, get down.

Sorry, sorry.

Who are you?
Richard Holden, sir.

What are you doing up here?

Captain Glover told me I
could substitute for the hostage.

He sent you up here? No, sir.

I figured something
was going to happen,

so if you want me to
substitute for the girl...

Do you want to get
your head blown off?

Danno, get a sound
technician on the roof,

and one in the
apartment directly below.

See if you can pick
up the exact position

of Jesse and the girl
with directional mikes.

All right. I'll be back
as soon as I can.

Let's go.

My mother does this at home

when the coffee
in the jar gets hard.

It's good.

Thanks.

You're welcome.

Now, keep him out of here.

What have we got?

Here's six pages.
I could do 20 more.

Looks good.
Names, places, dates.

That's exactly what I want.

All came back, just like
it happened yesterday.

It was an important time.

Yeah, colonel, I guess it was.

Thank you.

Chin, this looks like
it's getting out of hand.

Clear the area. Everybody.

Mr. McGarrett,

you don't think
she's been molested?

Molested?

I don't think he's the type.
He hasn't bothered her so far.

Every minute, her
chances get better.

We study these hostage
situations very carefully.

Our whole effort
is to get the girl out.

Well, it's just that...

I mean, I don't think that way,

but someone said he...

He has a record of sex offense.

Who said that?

I said. It's true.

You want to know who
you're dealing with, don't you?

What charge, captain?

I don't know.

Well, find out.

Yes, sir. One suggestion.

You keep talking to this nut

as long as you think
you're doing good.

But I'm telling you to bore
some holes in that table,

let me send a
sharpshooter up there.

At that distance,
my man could shoot

the freckles off Cooper's ear.

That's unless you don't want
to see her daughter get raped.

Sorry.

How's it going, Danno?

Charlie's right below him.

He can practically
hear Cooper breathing.

Ruth.

McGARRETT: Ruth.

You know that Jesse
was a hero in the war?

It's true. He got a
medal for saving the lives

of three other
American soldiers.

He really did.

Hey, you really did?

Steve. Yeah?

Girl said, "Hey,
you really did?""

Her position in the
room, right here.

That's good. Okay.

Ruth, that's true, you know.

The Army said he
was wounded himself,

but he held off a whole
squad of enemy soldiers.

He held them off a couple
of hours as a matter of fact

till a helicopter came
and rescued them.

You did? Really?

( soft theme playing)

Jesse,

you know, I met a
guy from the 191st

at some convention in L.A.

Maybe you know him. His
name was, uh, Art Flores.

Do you know Art?

Art was my buddy.

We worked in construction
after the war on the mainland.

Common laborers.

I... I...

You know, Art went to
college, but I couldn't get in

because I never w-went
through high school.

So I got married.

I came back to the islands.

Hey, Art... Art had a
mother, such a nice lady.

She used to make
some kind of pancakes,

you know, wrapped around
some kind of green stuff.

I tell you, it was the
best food I ever tasted.

Hey, McGarrett.

Yeah.

COOPER: Do you
know that a bullet

once went through
Art's helmet liner?

Right through the liner.

You talk about close, it
never even touched him.

Is that right? You
know, that happened

to a buddy of
mine once in Korea.

It almost scalped him.

Hey, you in the Army?

No, no, I was in the Navy.

Oh, Navy.

Hey, you guys had it
soft. You know, you had...

You sleep in sheets, and, uh,

you had dry clothes
and hot food, movies.

Yeah.

Yeah, I agree with you, Jesse.

We really had it soft.

Until the ship went
down, and then...

you wish you were in a foxhole.

Yeah.

Yeah, I guess nobody
had it soft. Not in the war.

Except maybe civilians.

Not even them anymore.

They're going to buy it too.

Huh?

McGARRETT: Did you ever
hear the story about Einstein?

Somebody said to him,

"what weapon will be
used in World War III?"

And he said he
couldn't answer that.

But he could say what weapon
would be used in World War IV.

Stones.

Stones?

Stones!

Yeah, hey, that's
pretty good. I get it.

How about something to eat?

Oh, that would be nice, Steve.

I'm getting tired of
the stale coffee in here.

Good. Good, Jesse. I'll
send some hamburgers up.

You got him talking. Yeah.

Danno, take over
here. I'll be right back.

(inaudible speech)

McGARRETT: Excuse me, please.

She asked if you were here

and if she could
have a hamburger.

But not in that order?

(McGarrett laughs)

No. No, the
hamburger came first,

but you ran a close second.

She's cool.

Yeah.

A psychiatrist at the
Veteran's Administration

has been seeing Cooper.
He said he's had a history

of emotional and
family problems,

but he's never seen
any sign of violence.

Now, what we have to do
is keep him calm and talking.

If nobody triggers him,
we're gonna make it.

You're doing good.

So are you, hon.

So are you.

McGarrett.

I don't think we've met, Steve.

I'm Wiley Sheppard,
anchorman on the late news.

This is Mrs. Cooper.

And I am the Reverend Craighill.

Now, we've
interviewed Mrs. Cooper,

and she guarantees
us her husband

has never been involved
in anything like this.

Mrs. Cooper believes if
she had the opportunity...

Excuse me.

Captain, what about that
charge you mentioned?

I got a bum report.

He was drunk and disorderly.

He took his
clothes off in public.

Mrs. Cooper admits
there's a problem of alcohol.

Yeah, drunk.
What is it you want?

Let Mrs. Cooper
talk to her husband.

Live and in living color

exclusively on your
station you mean, huh?

Our first consideration,
believe me,

is that the girl
should not be hurt.

Sure. Sure.

We can get right up
there on the fifth floor.

One camera.

Let Jesse see he's not been
abandoned by his loved ones.

Mrs. Cooper, how
long has it been

since you've lived with
Jesse as husband and wife?

Huh?

Reverend, when's the last time

you tried to counsel
Jesse, tried to help him?

You ever tried to
get him to A.A.?

Has he been in
your church lately?

SHEPPARD: Hey,
McGarrett, come on.

They want to cooperate
with H.P.D., communicate.

Why, these two people are
closer to that poor guy up there

than anybody else in the world.

Mr. Sheppard, if these two
people could communicate,

he may not be that
poor guy up there.

(gunshots)

Those are shots! Get back!

( suspenseful theme playing)

What in God's name
happened? What were the shots?

I was on the intercom, I
looked up, here comes Holden

waltzing down that
side passageway,

saying, "Let the girl
go. I'll be your hostage."

Before I could stop him, he had
the door open, Jesse shot him.

Is the girl all right?
As far as we can tell.

That was just the trigger
I was worried about.

Where is he? Right over there.

So you finally tried it, huh?

I tried.

Get him out of here.

Come on. Get him out of here.

Police departments
all over the world

pool their intelligence,
their experience.

We spend weeks in seminars

learning the various
kinds of hostage situations.

Then you get to the
scene, you turn your back,

and some idiot tries some
stupid kind of home remedy.

Count on it,

given the chance, some idiot
will blow it for you every time!

I should have locked
that nut up myself.

Did you see the look on
his face after he was shot?

He loved it. He loved it. Yeah.

We better cool it for a minute.

Hey. Get in the closet.

Come on. In the closet.

(door shuts)

One of them seems to
have left the room, Danny.

The TV set has been turned on.

McGarrett hasn't talked to
Mr. Cooper since the shooting.

Have you heard
from the hospital?

Have you heard
how Officer Wade is?

He'll be coming out of
surgery in about a half an hour.

(TV chatter through headphones)

He's got the TV on.

Having a hard time
picking up any movement.

Here, Danno, count
the money again.

Make sure it's right. It's
one of those little things

that could really
set him off again.

Let's see if he's cooled off.

Jesse, it's Steve
McGarrett here.

You okay?

How is Ruth? Can she talk?

We may have lost him.

Money's all here.

Jesse, we've got your
money. I counted it.

We're gonna put it by the door.

(music on TV)

McGARRETT: Jesse,
I've got your money

and I'm unarmed.

I'm coming down.

It's all here, Jesse.

I'm going to put it
in front of the door.

I understand. I just want
to check with Mr. McGarrett.

I don't see what's
wrong with that.

If McGarrett didn't
want you on the tube,

he would have told you.

Don't you think I
want to cooperate?

This is a public service.

I just want to
check. Do you mind?

(music on TV continues)

Come here.

Now, get down on
your belly like a soldier.

Go on.

Go on, get the money.

COOPER: Go ahead.

I got it, Steve! I got it!

It's all there, Jesse, isn't it?

Yep. 500 clams.

You're in the money.

Hey, did you ever hear
about inflation, huh?

Yeah, I heard.
Believe me, I heard.

You know, Steve,
this kid doesn't cry.

She's worth a lot
more than 500 bucks.

COOPER: Now, both my kids cried.

Both of them, even the boy.

But this kid, she's
a real soldier.

McGARRETT: That's
what her mother said.

You know, I didn't whine.

When I was her age,
I was out in the war

getting my butt shot
off, but I didn't whine.

You know, me and Art
Flores and the rest of the guys,

guys that never came back.
Guys that never came back

and made the world a
better place to live in!

But I was getting
my butt shot off!

I was putting my
life on the line!

You did fine, Jesse.

You did fine. You were a hero.

So why couldn't I get a job?

Maybe it's the booze, Jesse.

Booze?

Those who have known you best,

those who have
loved you longest,

Louella, your pretty wife

and Sharon, your
lovely daughter.

Mr. Cooper, your wife's on TV.

And there's a man, says he's
talking to you heart-to-heart.

This devil's
disease, alcoholism,

you could not find it in
your heart to purposely hurt

another fellow human being.

Brother Cooper...

Phony!

(glass shattering)

Jesse!

Let's put the guns down, Jesse.

Ruth, go outside.

Is it okay?

Goodbye, Mr. Cooper.

McGARRETT: Jesse,
give me the gun.

Give me the gun, Jesse.

Okay, then. Let's go.

Why?

Oh, come on, Jesse,
we've both had a...

We've both had a very hard day.

Let's call it quits, huh?

How... How's the cop
on the floor below?

You know, the one who was shot?

Officer Wade?

He's coming out of surgery.
He's going to be okay.

Gee, I hope you're not
just... Just saying that.

I really hope so.

He was just a kid, you know?

He's all right, Jesse, honestly.

He's going to be all right.

Come on, give me the gun.

Come on, Jesse.

( ominous theme playing)

Mama!

Mama!

Oh, Ruth, thank God!

(both sobbing)

Congratulations, McGarrett.

It's not my style, but
what the hell, it worked.

Coming from you,
captain, that's high praise.

Come on, Cooper.

Wait.

( heroic theme playing)

Let's go.

( upbeat surf theme playing)