Have Gun - Will Travel (1957–1963): Season 2, Episode 3 - The Man Who Wouldn't Talk - full transcript

THE LADY WANTS ME
TO LET YOU GO, JEFF.

YOU'D BETTER TAKE
ADVANTAGE OF IT AND LEAVE

BEFORE SOMEONE COMES
UP WITH A BETTER IDEA.

POOR CHRISTIAN...

HE LOVES ROXANNE
AND JUST CAN'T TELL HER.

IMAGINE CYRANO QUITTING A GIRL
FOR ANOTHER MAN, IT'S LAUGHABLE.

LAUGHABLE? AT THE PARIS PREMIER
THE TEARS OF THE LADIES IN THE BOXES

DRENCHED THE PEOPLE SITTING
IN THE ORCHESTRA BELOW THEM.

DARLING, PLEASE TELL US HOW
IT ENDS. BE A DEAR, PALADIN.

IT ENDS AS ALL GOOD PLAYS SHOULD

EARLY ENOUGH TO LEAVE
SOME OF THE EVENING FOR TALK,



AND SOME FOR WINE...

AND SOME FOR ONE
THING OR ANOTHER.

WHY, MR. PALADIN...

EXCUSE ME.

MY NAME IS CHRIS
SORENSON, AND I'M DIRECT.

I NOTICED.

I COULD USE A MAN LIKE YOU.
I'M DIRECT TOO, WHAT FOR?

LOOK, YOU COULD
TEACH ME SOMETHING...

THE WAY YOU TALK
TO THE LADIES...

AS IF THEY WERE... HOW
DO YOU TALK TO THE LADIES?

OH, I DON'T. I CAN TALK
WITH MY FISTS AND GUNS...

BUT I CAN'T USE EITHER
OF THOSE ON MARIA.

WOMEN DO INHIBIT A MAN.

YOU SEE MARIA...



SHE JUST CAME OVER FROM SPAIN,
AND INHERITED THE RANCH NEXT TO MINE.

I FOLLOWED HER HERE
TONIGHT HOPING, YOU KNOW...

I'M DOING JUST AS BADLY IN THE
CITY AS I DID BACK AT THE RANCH.

YOUR PROBLEM IS NOT A
UNIQUE ONE. I WISH YOU LUCK.

I'LL PAY YOU A $1000 DOLLARS YOU
TEACH ME HOW TO TALK TO HER AND...

TEACH ME HOW
TO... WELL YOU KNOW.

IS THAT MARIA? YEAH.

I'M SORRY, I'D LIKE TO HELP YOU, BUT
IT'S REALLY NOT IN MY LINE, YOU SEE...

I DIDN'T KNOW YOU WERE A
PROFESSIONAL GUNFIGHTER.

WELL, DOGGONE IT, I'VE
GOT TO DO SOMETHING.

IF YOUR PAIN IS THAT ACUTE, I SUPPOSE
THE LEAST I CAN DO IS GET YOU STARTED.

EXCUSE ME.

SEÑORA...?

I STILL CAN'T GET OVER THE
WAY YOU WALTZED RIGHT UP

TO SEÑORITA DE CASTRO
AND INVITED HER TO DINNER.

THAT WAS FOR YOU. YOU WERE
SUPPOSED TO TAKE OVER AT THAT POINT.

I NEVER KNOW WHAT TO SAY TO HER.

WITH YOU ALONG, EVERYTHING
IS GOING TO BE FINE.

HEY, WHERE IS EVERYBODY?!

CLEM, I WANT YOU
TO MEET MR. PALADIN.

BUD, THIS IS MR. PALADIN. BUD.

IT'S ABOUT TIME YOU'RE BACK, CHRIS.
SOMETHING HAPPENED ON THE ROUNDUP THAT...

IT CAN WAIT. WE'VE GOT
COMPANY FOR DINNER TONIGHT.

THE DE CASTRO'S. THE
LAGER IS KIND OF LOW...

WE DROVE PAST ENOUGH RAW MATERIAL
TO COOK A BANQUET FIT FOR A QUEEN.

ALL I'VE GOT IS
BEANS AND BISCUITS.

THERE'S A SWAMP BACK THERE
THAT'S BURSTING WITH WILD RICE.

THAT STUFF'S FIT
ONLY FOR THE INDIANS.

INDIANS ARE THE ONLY
ONES WHO CAN AFFORD IT.

BUD, WILL YOU GIVE THIS TO YOUR BEST
SHOT, ASK HIM TO BRING DOWN SOME PHEASANT.

SEND SOMEBODY TO PICK THE MUSHROOMS
THAT GROW OUT AT THE FOOT OF THE MOUNTAIN.

CLEM, WE'RE GOING TO NEED
FLOWERS, LOTS OF FLOWERS.

WELL, YOU HEARD WHAT
HE SAID, AND FROM NOW ON...

MR. PALADIN IS A
RAMROD AROUND HERE.

AND YOU START POLISHING UP
YOUR MANNERS THE WAY I TOLD YOU.

SEÑORITA DE CASTRO...

WELL, COME ON...

COME OFF IT, WILL YA, CHRIS?

SEÑORITA, MI CASA... CHRIS!

CHRIS, WILL YOU LISTEN
TO ME! I GOTTA TALK TO YOU.

IF IT'S ABOUT BUSINESS...
IT IS ABOUT BUSINESS.

WHILE YOU WERE OFF CHASING THAT GIRL,
WE RAN INTO SOME TROUBLE ON OUR ROUNDUP.

WHATEVER IT IS, YOU HANDLE
IT. I WOULD IF I KNEW HOW.

LOOK, YOU KNOW WE HAD A PRETTY
FAIR IDEA OF HOW MANY HEAD WE'D FIND.

WHAT'S THE TROUBLE, WE COME
UP SHORT? NO, THAT'S THE TROUBLE.

THERE'S ABOUT 300 MORE
STEERS THAN WE FIGURED ON.

YOU CALL THAT TROUBLE? IT IS!

BECAUSE THE DE CASTRO OUTFIT CLAIMS
THEY'VE BEEN MISSING ABOUT 300 HEAD.

BUD, FORGET IT!

FOR THE FIRST TIME IN MY LIFE,
I FOUND ME SOMEBODY I WANT.

EVERYTHING ELSE CAN GO HANG UNTIL
SHE SETTLES WITH ME ONE WAY OR ANOTHER.

SO JUST FORGET IT.

WE GOTTA DO SOMETHING ABOUT HIM.

MI CASA ES SUYA. BIENVENIDOS.

APPARENTLY HE CAN'T WORRY ABOUT
MORE THAN ONE PROBLEM AT A TIME.

WELL, THIS WHOLE CATTLE PROBLEM
IS GONNA BLOW UP IN HIS FACE.

JEFF BREWER TRIED
INSPECTING OUR HERD.

IF I HADN'T STEPPED IN, THERE'D
HAVE BEEN SOME SHOOTING.

[SPEAKING POOR SPANISH]

CHRIS.

BUD'S WORRIED.

HE'S ALWAYS WORRIED.

THERE'S ONE THING
WORRYING ME NOW THOUGH...

WHEN YOU DECOY THE AUNT
OUTSIDE, AND MARIA AND I ARE ALONE,

WHAT DO I DO? TALK
ABOUT THE PLAY.

WHAT PLAY?

CYRANO DE BERGERAC. THE
ONE YOU SAW IN SAN FRANCISCO.

THEN WHAT?

YOU SIT BACK, RELAX, AND LISTEN.

SHE'LL TELL YOU EVERYTHING.
IT WORKS LIKE MAGIC.

ALL YOU HAVE TO DO IS NOD
YOUR HEAD AND SMILE... UH-HUH...

AND SHE'LL THINK YOU'RE THE
SMARTEST MAN IN THE WHOLE WORLD.

HO!

IT'S NOT TOO LATE TO TURN BACK.

WHY ARE YOU SO ANXIOUS FOR ME
NOT TO ATTEND THIS DINNER PARTY?

SORENSON'S RANCH IS A
PIGSTY, NOT FIT FOR LADIES.

INVITING YOU LIKE THIS SHOWS
HE'S GOT SOMETHING UP HIS SLEEVE.

I'M SURE HE KNOWS
ABOUT OUR MISSING CATTLE.

PLEASE MARIA, LET US TAKE
MR. BREWER'S ADVICE AND GO BACK.

AUNT ANNA, I AM PAYING MR. BREWER
TO RUN MY RANCH, NOT MY SOCIAL LIFE.

[SHOUTS TO HORSES]

[KNOCKING]

WELL, GO AHEAD! YOU CAN'T
KEEP HER WAITING OUT THERE.

BIENVENIDOS. BUENOS NOCHES.

MI CASA ES SUYA.

MAY I ASSIST YOU IN REMOVING
YOUR WRAPS? THANK YOU.

THIS IS CHARMING.

BUT WE WERE TOLD... MY AUNT
DIDN'T EXPECT TO SEE SUCH

EXQUISITE TASTE ON THE PRAIRIE.

WELL, IT'S A...

AH, IT'S...

STRANGE THINGS GROW IN
STRANGE PLACES, DON'T THEY CHRIS?

YEAH, THAT'S RIGHT.

ORCHIDS GROW ON SWAMPY JUNGLES.

HOW CLEVER OF YOU, MR. SORENSON.

I NEVER THOUGHT OF
ORCHIDS THAT WAY.

OH!

OH, VERY AMUSING, MR. SORENSON.

OH, WAIT A MINUTE CLEM...

HOW MANY TIMES
HAVE I GOT TO TELL YOU?

RED WINE IS FOR BEEF, AND
THE WHITE WINE IS FOR FOUL.

NOW YOU GO BACK TO THE KITCHEN
AND FETCH THE PROPER BOTTLE.

WILL YOU LADIES EXCUSE
ME FOR A MOMENT, PLEASE?

JEFF BREWER AND A COUPLE
OF HIS BOYS ARE OUT IN BACK

TALKIN' UP TROUBLE.

I TELL YA, PALADIN, THEY'RE
JUST BEGGING FOR IT.

WELL, CHRIS IS BUSY.

IT'S EASY ENOUGH TO GET A
JOB ON THE SORENSON SPREAD.

ALL YOU NEED IS TO GET YOURSELF A RUNNIN'
IRON AND STICK IT IN YOUR HIP POCKET.

THEN IF YOU'RE THE KIND OF MAN
WHO DON'T MIND ALTERING A BRAND,

YOU CUT THE FENCE BETWEEN
YOUR NEIGHBOR'S RANCH...

SORT OF HELP A FEW CATTLE
THROUGH TO YOUR SIDE.

THAT'S ENOUGH.

IF YOU HAVE ANY COMPLAINTS, COME
BACK TOMORROW AND WE'LL HEAR THEM.

WHO ARE YOU? MY NAME IS PALADIN.

WE'RE HAVING A DINNER PARTY
AND WE DON'T WANT ANY TROUBLE.

WELL, THAT'S TOO BAD, MISTER.
WE DIDN'T MAKE THIS TROUBLE.

BUT WE DON'T FIGURE
TO BACK A WAY FROM IT.

THAT'S FINE, BUT COME
BACK IN THE MORNING.

I DON'T WANT TO
BE PUT OFF AGAIN.

THIS OUTFIT'S BEEN MAKING FREE
AND EASY WITH A RUNNING IRON.

I'M NOT POLITE TO A
CROWD OF RUSTLERS.

PALADIN, I'M NOT
GONNA TAKE IT... WHOA.

ALL RIGHT. BREWER.

ALL RIGHT.

ALL RIGHT, BUD, PUT
THEM IN THE WAGON AND SIT

ON THEM UNTIL THE
LADIES ARE READY TO LEAVE.

I DON'T WANT ANYTHING TO
DISTURB MR. SORENSON'S PARTY.

WHAT'S THE NAME OF THAT DARN
PLAY? CYRANO, CYRANO DE BERGERAC.

CYRANO DE BERGERAC.

THAT'S RIGHT. JUST ASK HER WHAT SHE THINKS
OF IT, THAT'S ALL. SHE'LL DO THE TALKING.

BREATH OF AIR? IT'D GO
WELL AFTER THAT DINNER.

AND I'D LIKE VERY MUCH
TO HEAR THE NEWS OF SPAIN.

I HAVEN'T BEEN
THERE FOR FIVE YEARS.

NOT SO FAR, THANK YOU.

I DO HAVE MY CHARGE.

AND YOU'RE NOT THE KIND TO
SHIRK YOUR RESPONSIBILITY.

STILL I WOULD LIKE TO
HEAR THE NEWS FROM SPAIN.

THERE WAS SOMETHING
I WANTED TO SAY...

CHRIS?

OH... WHAT DID YOU THINK OF
THE CYRANO DE BERGERAC PLAY?

WILL YOU EXCUSE ME?

WE HAVE NOTHING BUT TROUBLE.

EXCUSE ME, SEÑORA.

SHE BEAT ME TO THE PUNCH, AND
ASKED ME ABOUT THE PLAY FIRST.

TAKE IT EASY. WHAT AM I
GOING TO TALK ABOUT NOW?

TALK ABOUT YOUR GUNS, HOW
YOU SHOT ALL THOSE TROPHIES.

WHY COULDN'T I THINK OF THAT?

I SHOULD BE REALLY
INSIDE WITH MARIA.

SEÑORA, YOU WERE SPEAKING OF
TROUBLE. TROUBLE ON YOUR RANCH?

HUNTING BUFFALO NOW.

WELL THERE AIN'T MUCH...

THERE ISN'T MUCH DANGER IN THAT.

IT'S A...

SEE THAT BIG BROWN BEAR?

WHEN YOU HUNT THESE,
IT'S VERY DANGEROUS.

SEÑORA, CAN YOU
BE MORE SPECIFIC?

WHAT THINGS GO WRONG?

EVERYTHING.

FENCES BREAKING, CATTLE
DISAPPEAR INTO THIN AIR.

HERE.

YOU JUST FEEL THE
WEIGHT OF THIS ONE.

THAT IS HEAVY.

EVERY DAY BRINGS
ANOTHER TROUBLE.

[GUNSHOT]

WHAT DID YOU DO TO HER?

THE GUN WAS LOADED.

HE KICKED BACK LIKE A HORSE.
I'M SURE CHRIS CAN EXPLAIN.

IT WAS AN ACCIDENT.

GENTLEMEN DO NOT HUNT IN HOUSES!

WE NEVER SHOULD HAVE SET
FOOT IN THIS TERRIBLE PLACE.

WE ARE GOING HOME AT ONCE!

CHRIS SORENSON
APPEARS LOW, MR. PALADIN.

MAYBE IF YOU TALKED TO
THAT GAL FOR CHRIS. NO...

I TRIED THAT ONCE IN DODGE CITY, BUD,
AND ALMOST HAD TO MARRY THE GIRL MYSELF.

BESIDES, CHRIS AND
MARIA ARE PROUD.

IF I SPOKE FOR CHRIS, THEY'D
END UP HATING ME AND EACH OTHER.

NO, HE'S GONNA HAVE TO
LEARN TO TALK FOR HIMSELF.

THE ONLY TIME I EVER HEAR CHRIS REALLY
SOUND OFF, IS WHEN HE GETS RILED UP.

MORNIN', CHRIS. MORNIN'.

IT'S TOO BAD ABOUT LAST NIGHT.

YEAH, WELL, HERE'S
YOUR MONEY, PALADIN.

THANKS FOR THE
TRY. WAIT A MINUTE.

THE JOB'S NOT DONE. NO USE
TRYING TO WHIP A DEAD HORSE.

FIRST MAKE SURE THE HORSE IS DEAD.
WE GOTTA GET YOU BACK IN SHAPE.

BUD, WHAT NEEDS DOING?

WELL, SOME FENCES
NEED MENDING. GOOD.

CHRIS, TAKE CARE
OF THOSE FENCES.

WHAT ARE YOU GOING TO BE DOING?

I'LL BE OVER AT THE DE CASTRO RANCH.
SOME FENCES OVER THERE NEED MENDING.

YOU RIDE BEAUTIFULLY. I COULD
RIDE BEFORE I COULD WALK.

YOU MUST HAVE HEARD OF CASTILIAN
HORSES? BEST IN THE WORLD.

ARE THOSE SUPERB
CASTILIAN HORSES.

SO FIERY, DIFFICULT TO MANAGE.
I'VE NEVER BEEN THROWN.

NOW LOOK OVER THERE.

THE VASTNESS...

THE QUIET, THE BEAUTY.

I THINK EVERYTHING IS PERFECT.

HOLD ON, MARIA! RUNAWAY!

[HORSE WHINNIES]

ARE YOU ALL RIGHT? THAT
WAS WONDERFUL, WILD!

WHY DID YOU STOP
ME? YOU LOOKED PALE.

DO I?

YOU'RE SURE YOU'RE
ALL RIGHT? OF COURSE.

VERY WELL, LET'S BE
ON OUR WAY, SHALL WE?

DID YOU HAVE A NICE RIDE?

OF COURSE, THANKS TO MY ESCORT.

I'M GLAD YOU ARE BACK.

MR. BREWER MADE US ANOTHER
OFFER TO BUY THE RANCH,

AND I THINK YOU
SHOULD SELL IT TO HIM.

BUT I'M NOT SURE WHETHER
I WANT TO SELL OR NOT.

IT'S A FAIR PRICE, MA'AM. JUST YOU SIGN
AT THE BOTTOM AND THE DEAL IS CLOSED.

PLEASE MARIA, THIS
WILDERNESS IS NO PLACE FOR YOU.

MAY I SEE MR. BREWER'S OFFER?

IF YOU HAVE ANY OBJECTIONS,
MR. BREWER, SPEAK UP.

NO, GOT NOTHING TO
HIDE. SUIT YOURSELF.

YOU GOT ANY DOUBTS... I DON'T KNOW
THE PRICE OF RANCHES IN THIS AREA.

SUPPOSE I ASK CHRIS
SORENSON, HE'D KNOW.

WELL, PERHAPS THAT'S SOMETHING
MR. SORENSON MIGHT BE GOOD FOR.

I'LL BE BACK THIS
EVENING WITH HIS OPINION.

I DON'T MEAN TO BE PRESSING,

BUT YOU KNOW, AS WELL AS I DO, THAT
THIS RANCH HAS BEEN PLAGUED BY TROUBLE.

I'M SURE EVERYTHING YOU
SAY IS CORRECT, MR. BREWER.

BUT, I WOULD NOT LIKE TO DISCUSS IT
ANYMORE UNTIL MR. PALADIN RETURNS.

AUNT ANA...

START A FIRE. WE'RE SEEDING OUR NEIGHBOR'S
HERD WITH MORE STOLEN CATTLE TONIGHT.

TOMORROW, WE'RE GONNA FIND SOME
CATTLE WITH FRESH ALTERED BRANDS

IN THE SORENSON HERD.

YOU THINK THEY'LL FIGHT THIS
TIME? WE'LL PUSH THEM REAL HARD.

THEN LEAD THEM ON TO THE DE
CASTRO RANCH AND SHOOT IT OUT.

THAT'LL SCARE THE LADIES
INTO SELLING... QUICK.

YOU'RE THE BOSS. I
WILL BE. GET THAT WOOD.

JUST WHERE DO YOU GET THE GALL TO
COME BACK HERE, AFTER WHAT YOU DID?

WHAT DID YOU SAY? I SAW
YOU TODAY WITH MARIA.

DID YOU?

I TRUSTED YOU, I THOUGHT
YOU WERE MY FRIEND.

THAT WAS SOME SNEAKY
TRICK YOU PULLED.

WHAT ARE YOU
GOING TO DO ABOUT IT?

WELL, NOTHING!

YOU'RE THE KIND OF MAN
MARIA WANTS? ALL RIGHT!

I CAN'T BE LIKE YOU, SO I QUIT.

AND YOU CAN GET OUT
OF HERE ANYTIME! CHRIS!

I THOUGHT THAT GIRL MEANT SOMETHING
TO YOU. DON'T YOU SAY NOTHING NOW.

IT WOULDN'T TAKE MUCH MORE. WE GOT
NOTHING MORE TO SAY TO EACH OTHER.

I CAN'T AFFORD TO WASTE ANY TIME STANDING
AROUND HERE MAKING CONVERSATION WITH YOU.

I'VE GOT A DATE.

YOU SEEIN' HER TONIGHT?
WELL, I'M SEEING SOMEBODY.

NINE O'CLOCK, AND TONIGHT,
AUNT ANA WON'T BE THERE.

NOW HOLD ON, JUST A MINUTE NOW.

MARIA 'S NOT THE KIND OF A...

WOULD YOU INTEND TO MARRY HER?

MARRY?

WELL, SHE'S A VERY
PRETTY GIRL, BUT...

HMMPH! HA HA!

[CATTLE LOW]

HEY, WHAT ARE YOU PUTTIN'
MY BRAND ON YOUR CATTLE FOR?

THANKS VERY MUCH, CHRIS,
YOU SAVED ME A LOT OF TROUBLE.

YOU KNEW WHAT THEY
WERE GOING TO DO?

WELL, I KNEW THEY WERE TRYING
TO STIR UP ENOUGH TROUBLE

FOR MARIA TO SELL THE RANCH.

I SPOILED IT FOR YA, DIDN'T
I? I FOLLOWED YOU HERE...

AND I WAS THE ONE WHO CAUGHT THEM
WHILE YOU LAY OFF IN THE DARK BACK THERE.

YOU DIDN'T... YES, HE DID.

YES YOU DID, CHRIS.

DO YOU THINK MARIA
WILL EVER BELIEVE YOU?

WELL WE'LL JUST SEE.

GET ON YOUR HORSES!

GET ON YOUR HORSES!

MARIA, THERE'S SOMETHING
YOU GOTTA KNOW. CHRIS!

YOU'VE BEEN HURT, WHAT HAPPENED?

WELL, THESE FELLAS HERE...

WELL... THEY A...

THEY WERE A...

WELL, THEY WERE...
PALADIN HERE... HE...

BREWER'S THE CAUSE OF YOUR
TROUBLE, MARIA. NOW THAT'S A BLACK LIE.

HERE'S THE BRANDING
IRON I CAUGHT THEM USING.

THEY WERE PUTTING SORENSON'S BRAND ON
YOUR CATTLE HOPING TO PROVOKE A GUN FIGHT.

AND THAT WOULD SCARE YOU
ENOUGH TO LEAVE THE PLACE.

IS THAT THE TRUTH, BREWER, OR
WOULD YOU LIKE TO CALL ME A LIAR AGAIN?

NO.

NO, IT'S THE TRUTH.

I CAN TURN THEM OVER TO
THE SHERIFF, IF YOU'D LIKE.

NO, JUST TELL THEM TO GO.

THE LADY CHOSES TO BE LENIENT, BREWER.
I'D TAKE ADVANTAGE OF THAT IF I WERE YOU,

BEFORE SOMEBODY COMES
UP WITH A BETTER IDEA.

NOW, IS THERE ANYTHING
ELSE I CAN DO FOR YOU LADIES?

MR. PALADIN, I CANNOT THANK YOU
ENOUGH FOR WHAT YOU'VE DONE ALREADY.

OH, BUT YOU CAN, MARIA.

FOR SINCE I FIRST SAW YOU, I'VE BEEN
LONGING TO SAY SOMETHING TO YOU.

MR. PALADIN!

MARIA, SINCE THE FIRST TIME I SET
EYES ON YOU I WANTED TO TELL YOU

YOU'RE THE MOST BEAUTIFUL
WOMAN I'VE EVER SEEN.

I'VE LONGED TO TAKE YOU IN MY ARMS
AND SAY THE GENTLE, TENDER THINGS,

THAT A MAN SHOULD
SAY TO A WOMAN.

YOU STAY AWAY FROM HER.

WHO'S GONNA STOP ME?

I AM! OH?

EXCUSE ME.

I'VE GOT THE WHOLE STORY, MARIA.

I COULD MARRY YOU, SETTLE
DOWN, SPEND THE REST OF MY LIFE...

DON'T YOU BELIEVE HIM. HE'S
JUST A PROFESSIONAL GUNFIGHTER.

HE'S TRYING TO SMOOTH-TALK
YOU. I HIRED HIM IN SAN FRANCISCO

TO TEACH ME HOW TO TELL
YOU HOW MUCH I LOVE YOU,

THAT I WANT YOU TO BE MY WIFE.

CHRIS!

CHRIS!

YOU'RE TALKING!

CHRIS!

OH, CHRIS...

OH MARIA, I LOVE YOU.

OH CHRIS, I LOVE YOU TOO.

TELL HIM TO SEND MY
FEE TO SAN FRANCISCO.

HE HIRED ME TO TEACH
HIM HOW TO TALK TO HER.

NOW HE'S STARTED,
AND IF HE STOPS,

YOU SEND FOR ME.

♪ HAVE GUN, WILL TRAVEL ♪

♪ READS THE CARD OF A MAN ♪

♪ A KNIGHT WITHOUT ARMOR ♪

♪ IN A SAVAGE LAND ♪

♪ HIS FAST GUN FOR HIRE ♪

♪ HEEDS THE CALLING WIND ♪

♪ A SOLDIER OF FORTUNE ♪

♪ IS THE MAN CALLED... ♪

♪ PALADIN ♪

♪ PALADIN, PALADIN ♪

♪ WHERE DO YOU ROAM ♪