Hanna (2019–…): Season 3, Episode 1 - Episode #3.1 - full transcript

The third season of HANNA continues the journey of an extraordinary young woman, played by Esmé Creed-Miles, who was created by the sinister organization Utrax and trained to be an assassin. Hanna (Creed-Miles) is now secretly trying to destroy Utrax from the inside and free herself from its grasp with the help of her previous nemesis, former-CIA agent Marissa Wiegler (Mireille Enos). Together they have coerced high-ranking Utrax agent John Carmichael (Dermot Mulroney) into aiding their mission, but her fellow young assassins, Sandy (Áine Rose Daly) and Jules (Gianna Kiehl), as well as new foes are starting to suspect Hanna's plot. As Hanna moves closer to her goal, she begins to uncover not only a world-changing agenda but the true power behind Utrax that stands between her and freedom.

♪ Do not sleep, my starling ♪

♪ Sleep, my doe ♪

♪ She is wrapped in curtains ♪

♪ Laid in snow ♪

♪ She will bury you ♪

♪ Inside her fur ♪♪

I wanted
to bring you together today

to tell you
about a covert operation

that we've conducted
in the last few weeks.

It's not possible.

What?



An attempt was made
by an American whistleblower

to sabotage our operation

and expose you all
to great danger.

I'm happy to say that
three of our operatives

worked together
in London and Barcelona

to eliminate the threat
and retrieve the intelligence.

Mia,

Jules, Sandy,
please step forward.

Sandy took out the whistleblower
with expert skill,

Jules neutralized the intended
recipient of the intelligence,

and Mia went deep undercover
within the operation

that tried to bring us down,
at great risk to herself,

and destroyed them.

However, this operation
did not come without a cost.



Leo Garner was killed in action
in Barcelona.

And Clemency Jones
also sacrificed her life.

Both are mourned and celebrated
here today.

They have fallen...

but remain with us.

They have fallen but remain.

This is Williams at 1300 hours.

I'm going to lunch.
Returning at 1355 precisely.

- How are you?
- Yeah, good, thank you.

Just the usual table, please.

Thank you.

How was it, sir?

Yeah, good, thank you.
Can I get the check, please?

- The bill
has been taken care of.
- Excuse me?

Somebody just paid.
Lucky you.

Don't leave.

Dessert is lovely here.

What?

My name is Marissa Wiegler.

You're looking at a list
of targets for assassination

by a rogue CIA unit.

All the other names
on the list are young,

politically motivated,
socially conscious,

but they're civilians.

You're a CIA analyst

that works across central
and eastern Europe.

Why is your name on the list?

I'm not CIA.

I just work back-office
at the embassy.

Ethan, I know who you are.

I head up Paris station.

Code Vesuvius.
You can look me up.

Look... I just do
standard data trawls,

- some deep-drill coverage...
- Did you get involved

in anything off-grid
in the last two years?

Why should I trust you?

You have a girlfriend
in the city.

She's expecting a child.

Consider what
your best options are.

I'll call you on this phone.

Get me everything you know.

Mia, you must be
really proud of yourself.

- Congratulations.
- That was really cool.

Thanks, guys.

Hi.

Why didn't you say something?

You know how it works, Sandy.
I was just following orders.

You guys are amazing.

- Thanks.
- Well, you did a damn good job.

We're gonna be here for a while.

We want to be sure
that the run-up

to operational green-light
goes to plan.

That's fine with me.

I assume everything's ready
in the Pumphouse.

We'll need full access
to all CCTV.

No problem.

You didn't inform us

you were sending Mia Wolff
undercover.

I didn't know who to trust.

Someone in Washington leaked
the target list to Gelder.

Could have been anyone.

Could have been you.

And you're sure Wiegler's dead?

Mia shot her in Barcelona.
I disposed of her body.

Well, don't ever leap the chain
of command again, okay?

Do they suspect us?

I don't think so.

You lie well.

Thank you.

Everything okay?

Yeah.

- We have visitors.
- Yeah, I thought you might.

- Where are you?
- - I'm in the Bavarian countryside.

- This network is secure.
- Are you alone?

Yes, I'm alone.

I looked you up.
The CIA file

- says you're dead.
- And we want to keep it
that way.

So what do you have for me?

I don't have a lot of time.

I'm sending
some material through.

Two years ago,
this woman flew into Vienna.

Brianna Stapleton.

Said she was with covert ops
in Langley.

She recruited myself
and a computer programmer

I worked with to a new project.

The programmer's name?

Max Kaplan.

Our spec was to create
a database

of potentially subversive
civilians.

People under 30 years of age
who, based on current analysis,

might become a problem to
U.S. interests in the future.

Max and I got access to millions
of social media feeds,

emails, even school projects.

We started to generate the list.

And then what happened?

I didn't feel comfortable.

We were heading
way beyond the protocols.

Spying on kids as young as 13

because the CIA thought
they might become dangerous

in 20 years' time.

That's not what I signed up for.

So I quit.

Anything else?

I did some digging.

Turns out Stapleton wasn't
with covert ops.

She was from a group
called Pioneer.

It was run by one man.

In her private emails,

she referred to him
as the Chairman.

- The Chairman?
- Yeah.

Then I got scared
and stopped digging into it.

Max went back stateside,
and the whole thing

went quiet.
That was a year ago.

Okay, good.

Do you always eat lunch

- at the same restaurant?
- Yeah.

If I pay for your food again,

it means
you may be in some danger.

Meet your partner
and call me immediately.

That's her.

The visitor.

Did you know about any of this?

I was given a kill list.
I didn't know how they made it.

Well, now you know.

Who is the Chairman?

I don't know.

Someone in government?
Public figure?

I manage the trainees, Marissa.

I don't come close
to that kind of information.

Okay, listen, I need the first
five assassinations in Europe.

I need Hanna in Paris,

and I need her given
the first target: Abbas Naziri.

- I'm not sure
I can achieve that.
- Do you want them to know

that you nearly blew
their operation wide open?

Just make it happen.

I want to know
who Stapleton's reporting to.

Who the Chairman is.

Whatever you find out
stays between us.

Okay.

Hey.

Are you okay?

I'm fine. Why wouldn't I be?

Well, you're
in that place alone.

Yeah. I'm used to it.

I don't have any expectations.

You should. You're still young.

You know that
if we're successful

you could have
whatever life you want.

Marissa, even if you gave me
the life I always wanted,

I wouldn't know
what to do with it.

I only know how to fight.

Okay, folks,

I want to talk to you today
about what'll happen

in a few weeks' time.

You're going out
into the wide world,

and you won't be coming back.
You're ready.

- But I want to say this...
- But I want to say this:

your targets will be ready, too.

They won't hesitate to kill you
given the chance.

So you have to surprise them,
and you have to be ruthless.

You're soldiers,
but, unlike normal soldiers,

you don't have to fight
by the rules.

In this war...

anything goes.

Go!

- Hey! Hey! Hey!
- Withdraw! Withdraw!

Uh, I'll discuss that
with the Chairman.

That's all.

Hey.

Hi.

You took a risk not telling us
what was going on.

They could've killed you
in London.

In your dreams.

What's up?

Just not sleeping.

Keep seeing that journalist I...

killed.

It's funny, they...

they tell you so much about
what you're supposed to do

before you do it.

Forensic preparation.

And...

not one word
about what happens after.

By the way,
Sandy's still suspicious of you.

She thinks you're playing us.

Well, soon we'll be leaving,

and Sandy and I won't have
to see each other, so...

Why don't you try talking
to her?

If you're really with us,
what have you got to lose?

I don't have to prove myself
to anybody.

No, you never did.

That's why you're alone.

Meeting's going on longer.

- She wants coffee now.
- I can take it.

Well, leave it outside the door.
They don't want to be disturbed.

I mean, look at that map.

That's got to be 40 miles.

- Couldn't do that in a day.
- You'd be surprised

at what those girls can do.

I guess the terrain's
pretty good back there.

Over there, it's like...

- Let's do it.
- Sounds good.

From the logistics side.

These girls are something, man.

Army of shadows.

Think you could take her?

Well,
I don't want to have to try.

I want the first wave
of 20 missions

to be completed within a year.

That's fast.

Is it achievable?

It should be,
assuming nothing goes wrong.

How's John Carmichael?

He's adapting to orders.

And what he says happened
in Barcelona, you believe him?

Don't you trust him?

I don't trust anybody, Brianna.

You should know that by now.

We've waited a long time
for this.

Let's make sure
we're not making any mistakes.

Shh.

What is that?

It's just that cat.

I thought
we were getting rid of it.

Give me a minute.

I need excellence here, Brianna.

I think you know
I don't like disappointment.

Hafeez?
This is Rachelle Sarrault.

You made some passports
for me a while back.

Yes, fine. I need another favor.

I got to say,
Mia's pretty special.

She tops all the stats.

And she's killed before.

You want to put her up first?

That's your choice.

Where do you suggest
we send her?

Berlin, maybe.

No. She's been there before.

There's too many memories.
It's too risky.

Yes, of course.

Paris, then?

Keep it close.

Oh, one thing
I have been wondering, John.

Um, you were in on Utrax
right from the beginning,

and yet, all these years later

you're still a middle-ranking
delivery guy. Why?

When you reach the top,
it's a long way to fall.

Oh, of course.
You drank for a while, huh?

Um...

that was a long time ago.

I was your age, maybe younger.

I let the pressure get to me.

Now I just do my job.

You're
on first mission. Paris.

Abbas Naziri.

Hanna.

What did Marissa talk
to you about when we met?

She was just checking
after my welfare.

She thought
I was maybe struggling...

emotionally.

And are you?

I don't think so.

Do you?

Well...

This is the moment
we've all been waiting for.

And I have to say
I'm very proud.

Tomorrow you will be entering
a period of service.

This is the chance for you
to live the life you've created

here at the Meadows.

You'll be deep undercover,
with minimum contact home.

You'll inhabit your role fully
and in plain sight.

You will learn your target,
their patterns,

how they live, how they operate.

Trust no one.

We're counting on you.

Do you agree
with how society works?

Have you ever thought about it?

Because if you've never thought
about it, then you're asleep,

in a coma
or completely brainwashed.

You gotta re-examine your
thoughts. Your every thought.

What's true, what's good for me?

You gotta learn to think
for yourself.

Because if you go along without
thinking then you are complicit.

Or some pre-established beliefs.

Are your thoughts your own?

Did you believe
what your parents told you,

or did you have
your own beliefs?

Were you free, or did you think

just like your community
thought?

Good evening, everyone.

I represent the government
of the United States of America.

I wanted to say a few words
on this, your last night

at the Meadows.

First of all, to thank you
for what you're doing

in service of your country.

You will not meet again
after tonight.

You will complete your years
of service alone,

in different places
in the world.

At present we do not know
how long that service will last.

But when you complete it,
you will be free

to live the life
you have created for yourself.

That is the reward for the years
of service you offer us.

And, uh, who knows,
maybe in those future days

a class reunion will
at some time be possible.

But for now,
it's time to say our goodbyes.

So...

enjoy tonight.

Have a few beers on us.

Your future begins tomorrow.

Everybody has to down one shot
for every letter of their name!

Unlucky for you, Savannah!

One, two, three, "H"!

You got this,
you got this, you got this.

♪ Queen, queen, queens ♪

♪ Queen, queen,
queens ♪

♪ Queen, queen, queens ♪

♪ Queen, queen... queens ♪

♪ Queen, queen, queens,
queen, queen, queens ♪

♪ Queen, queen, queens,
queen, queen ♪

♪ Queens... ♪

♪ Educated, advocated,
levitated ♪

♪ Manifest to stack my stashes
and invest it ♪

♪ I've been trying
to get out and tested ♪

♪ Cut my losses,
count my blessings ♪

♪ Love the flow,
so learn my lessons ♪

♪ Learn the pulse
but not through pressure ♪

♪ Feel the prophet,
spread the message ♪

♪ Try to violate,
you played yourself, no chess ♪

♪ Played yourself no chess,
no checkers ♪

♪ I've been out here too long,
queens ♪

♪ We've been out here
too strong, queens ♪

♪ Don't you step
on our throne, queens ♪

♪ Love the fact that we own,
queens ♪

♪ Don't you step on our throne,
queens ♪

♪ Love the fact that we own,
queens ♪

♪ Love the fact that we,
love the fact that we ♪

♪ Love the fact that we own,
queens...

♪ Queen, queen, queens ♪

♪ Queen, queen,
queens ♪

♪ Queen, queen, queens ♪

♪ Queen, queen,
queens ♪

♪ Queen, queen, queens ♪

♪ Queen, queen,
queens ♪♪

Are you proud?

These are your creations.

What happens to 'em
when this is all done?

Do they really get a reunion?

This time next week we'll all be

on different sides
of the planet.

Do you think
we'll ever see each other again?

Sure we will.

After our period of service,
when we have normal lives,

we can travel to see each other
whenever we want.

How will we find each other?

You ever heard
of social media, Jessie?

Our whole fucking lives are
on there.

Literally.

Man, I'll never forget
this place.

Helen, you're so sentimental.

But we've all become

someone different here,
haven't we?

Don't you feel that, Mia?

Uh, maybe.

I think it's different for me.

- Why?
- I don't know.

I do.

Hey, Sandy.

You owe us five shots
of tequila.

I'm not in the mood
for drinking.

Why not?
It's our last night.

I don't know.
Something's bothering me.

Sandy, what is this?

Maybe I'm trying
to figure out why,

if Mia was undercover, she shot
three bullets at my skull

in that Spanish hotel room.

Or maybe I want to know
who you met last night.

Over there by the offices.

What's wrong?

Cat got your tongue?

What's going on?

Who did you meet
last night, Mia?

Uh, whoa.

I didn't meet anyone.

I just needed a walk.

- In the middle of the night?
- Yes. I've not been sleeping.

Why?
Why can't you sleep?

Talk.

- Sandy!
- Keep out of this.

Who did you meet?

- I want the truth.
- Sandy, just give her

- a fucking break.
- - Jessie, keep out of this.

You're planning to betray us?

Who did you meet?!

I met no one.

I told you, I can't sleep.

I go to the place
where I secretly met Clemency.

Why? Why would you do that?

Because I killed her.

In Barcelona.

I shot her in the back of
the head as she fled the villa.

She was the traitor, Sandy.

She was working with Wiegler
the whole time, not me.

I didn't want to speak about it.

Dishonor her name.

Not even to Carmichael?

- You could have told us.
- No.

Because she was my friend.

I didn't want to,
but they made me do it.

- And it's none
of your business!
- That's bullshit.

Sandy, why are you
so angry with me?

All I ever did
was try to help you.

I helped you belong here.

Helped you grieve
for your sister.

Don't bring my fucking sister
into this.

I have a past.

A real past.

I can't change that.

And it's not my fault
that you don't.

But trust me, if I'd shot
at your skull in Barcelona,

I would have hit it.

I'll see you at the reunion.

Okay.

I think we're good.

♪ Do you see me
like I see you? ♪

♪ You couldn't
if you wanted to ♪

♪ You lust, lust
because you must ♪

♪ It's all good
for girls like us ♪

♪ Now all my friends
are enemies ♪

♪ And this place
means nothing to me ♪

♪ I don't know
who you think I am ♪

♪ No one will ever understand ♪

♪ I think I've gone mad,
but it was fun ♪

♪ I think I've gone mad ♪

♪ But it was fun ♪

♪ I think I've gone mad,
but it was fun ♪

♪ I think I've gone mad ♪

♪ But it was fun ♪

♪ Whoo! ♪

- ♪ Oh ♪
- ♪ Whoo! ♪♪

Okay. We'll talk tomorrow.

Okay.

I love you, sweetheart.

- Excuse me. Excuse me.
- I love you very much.

- Sorry.
- Wait. Wait,
I'll call you back, sweetie.

Sorry, I'm looking
for a student house.

It's on, uh, Boulevard Dreyfus.
Do you know?

- Uh, yeah, it's up there.
- Okay. Thank you.

I can... I can show you,
if you want.

- Really?
- Yeah. I'm going there.

Thanks.

What are you doing here?

Um, I'm a student.
I'm studying politics.

My name's Mia, by the way.

- I'm Abbas. Nice to meet you.
- Nice to meet you.

Sorry to interrupt your call.

No, no problem.

So, what are you reading?

Uh, we're reading Fanon.

He says,
"Each generation must discover

its mission,"
its reason to exist.

Fanon? Strong words, huh?

Yeah.

Growing up, my father
showed me everything...

Fanon, Arendt...

And, uh, their words,
they make sense to me,

- so that's why...
- Why do they make sense
to you?

I don't know,
I guess they give...

they give me that reason, yeah?

To exist, huh?

Okay, it's just up there.

Okay. Thank you.

Hey, Mia.

I was, uh...

Do you want
to maybe get a drink someday?

Uh... yeah.

Oh, yeah? Can you...

can you give me your number?

Okay.

- Thanks.
- Well, see you around.

See you, bye.

Okay,
everyone, thanks for coming!

I hope you found it okay.

And a thank you
to the university security

for looking after us!

Our speaker today is writer
and activist Abbas Naziri

who will ask "What Is Resistance
in a Globalized World?"

Good evening.

Bonsoir.

Resistance.

The word is rich in meaning,
rich in history

in this country of France
where I was born.

Resistance against the Nazis.
Against Vichy.

Benson?

I'm outside.
Ready and waiting.

The word is even richer
in meaning

in the country of Algeria
where my father was born.

Resistance
against colonial oppression.

But how do we resist now?

In order to find a place for
resistance, the right place,

we must first identify the power
structures that dominate us.

These structures are hidden
everywhere.

They are hidden in the
government, in the universities,

in the banks, in the mass media,

in what you eat, in what
you drink, in what you breathe,

in your telephone,
in your computer,

in your social media account.

Many people say to me:
I don't do politics.

I'm not political.

But everything is politics

including the meat
on your plate.

Saying I don't do politics

is to accept and submit
to these structures

and to let them decide
your life and destiny for you.

We grow up and we are told
what to learn and how to learn,

what to say and how to say it.

We are told to believe
in the wisdom of authority

but, in reality,
wisdom is not in authority.

And so the most dangerous place
of all... is here.

The first resistance today
must be against ourselves.

Against our mind.

But the question we must ask is:
can we do it?

Are we brave enough?

That was great!

You liked it? Thank you.

- You know Mia, right?
- Mm-hmm.

I'm glad you came.

I really liked what you said.

Oh, thank you.

They're on their way.

Copy that.

Taxi!

A-Abbas, Mia?

No, she's coming with me.

I have my motorcycle.

Mia, you sure?

No, it's okay. I'll go with him.

Okay. Bonsoir.

Watching brief only.

♪ I'm the perfect girl ♪

You've ridden before?

- Uh, just once.
- Mm.

♪ You're the nightmare ♪

C'est bon?

- ♪ I'm the dream ♪
- Let's go.

♪ It's a perfect world ♪

♪ I'm the perfect girl ♪

♪ It's the darkest hour ♪

♪ In our forest home ♪

♪ You climbed the tree
to my heart ♪

♪ And you came alone ♪

♪ It's a perfect world ♪

♪ I'm the perfect girl ♪

♪ It's a perfect world ♪

♪ And I'm the dream ♪

♪ I'm the perfect girl ♪♪

I have eyes on her.

Stay back.

Not too close.

You stay clean until she's done.

Roger that.

Not too fast for you?

No, it was not too fast.
I don't scare so easy, no.

Okay, that I can believe.

What is it?

Nothing. Let's go.

What is going on?

She's going in.

Could you loan me a cigarette?

Sure, yeah.

You want to go find
a rooftop or something?

Okay, Mia, let's do this.

You sure you're okay?

Yes. Why?

I don't know, you seem nervous.

No.

Let's smoke first.

You know, I don't try
to kiss every girl,

- if that's what you think.
- I don't think that.

Then what, you're just a stoner?

No.

- What is it?
- I don't know.
Did you hear something?

- No.
- Someone's there.

- No.
- What are you doing?

- You're lying to me.
- No.

What happened?

We've-we've lost audio.

Benson, get in there.

Shh. Shh.

Benson, status report.

I can't see them.

Listen very carefully.

What is going on?

I've lost visual.

Moving in.

Did you hear that?

She's done it.

What the fuck? It's Naziri!

Light him up! Do it. Do it.

Wait.
Something's happening.

We've got locals on the scene.

Jesus.

They're burning him.

Get out of there, both of you.

Copy that.

♪ I can remember
I was dreaming ♪

♪ In the moonlight ♪

♪ Gently, I was floating ♪

♪ I didn't know
that I was sinking ♪

♪ In my lonely bedsheets ♪

♪ I was dying ♪

♪ When you're away ♪

♪ I think that I'll escape ♪

♪ You're a king,
but you're a slave ♪

♪ This love will end today ♪

♪ I wanna watch you
fall in love ♪

♪ You'll love me like a kid ♪

♪ You needed someone close ♪

♪ And I never really did ♪

♪ I find you on your knees ♪

♪ And you beg for me to be ♪

♪ The woman on your throne ♪

♪ But I'd rather be alone ♪♪