Great British Railway Journeys (2010–…): Season 2, Episode 2 - Waterloo to Canary Wharf - full transcript

In 1840, one man
transformed travel in Britain.

His name was George Bradshaw,

and his railway guides inspired
the Victorians to take to the tracks.

Stop by stop,
he told them where to travel,

What to see and Where to stay.

Now, 170 years later,

I'm making a series of journeys across
the length and breadth of the country

to see what of Bradshaw's Britain
remains.

Today my ancient Bradshaw's Guide
is going to steer me across London

as I continue my journey
from Brighton to North Norfolk.

I'm astonished that by the 18605,
trains were already fast enough



to enable people to do
even long-distance commuting.

So, city workers could live
in rural or suburban greenery.

And then, each morning
they'd arrive in the capital,

the only city I've ever lived in.

On this journey
I'm travelling along lines

built to allow Britain's middle classes
to shuttle from the suburbs to the city

and to travel beyond.

Each day I'll cover another stretch,

searching for the people and places
written about in my guide.

On today's leg of the route,

I 'll be finding out how even the dead
benefited from the railways...

It was also the terminus

of what was rather irreverently known
as the Stiffs' Express.

...understanding how London became
a great shopping destination...



Part of what's changing is coming about
through the railways.

Suddenly you're getting suburbanites
coming into the centre of London

to walk the streets, to shop.

...and I'll be trying my hand at
one of the oldest trades on the river.

- Would you like to have a little drive?
- I'd love to.

Left hand down a bit?

(man) Left goes left, right goes right.

It's not like tyres on the road,
it's more like tyres on treacle.

Having covered the 56 miles
from Brighton to Crystal Palace,

I'm now heading into London

before following a major commuter line
north into Cambridgeshire.

From there I'll explore the Fens
as I aim for King's Lynn,

then travel on through Norwich

on the way to my final stop, Cromer.

Today I'm starting in Waterloo before
weaving my way to Liverpool Street

and on to the docks at Canary Wharf.

I'm travelling into London
from the south

on a line used by thousands of
Victorians on their way to work, to shop

or just to enjoy the glories
of the capital.

Bradshaw says of this approach
to London,

"The line passes
over viaduct or arches

through a part of the densely populated
parish of Lambeth."

"Over the tops of houses,
past the grounds of Lambeth Palace

and across the river
may be seen the splendid towers

of the new Houses of Parliament."

When I was a kid, we used to take
our annual holiday on the Isle of Wight.

I remember coming back to Waterloo,
generally late at night,

and we would look across the river

and we'd see the beaming face
of the clock tower.

Maybe that's when my infatuation with
that building, with that palace, began.

Waterloo Station opened in 1648

and was designed to bring travellers
close to the heart of London's West End.

What I remember from coming here
as a child is the vastness of Waterloo.

This was the biggest building
in which I had ever set foot.

And even as a child,
I learnt that it is the biggest station

in the United Kingdom
with its 19 platforms.

That's not counting Waterloo East.

It's not counting
the four underground lines beneath us.

It's not counting the now disused
Eurostar terminal.

Waterloo is simply the big daddy
of British railway stations.

My guide says,
"Omnibuses convey passengers

to and from all parts of town.”

"The terminus is a spacious building."”

Today Waterloo sees almost 90 million
passengers pass through each year.

That's more than any other station
in Britain.

Good morning.

I'm using my 19th-century guidebook
to go around on the railways.

I think in days gone by
there would be many more people

dressed as beautifully as you and not
many dressed as scruffily as I am.

Well, I can remember my uncle saying,

"The trouble is, the trains encourage
the common people to travel,"

which probably
is very politically incorrect.

Have a wonderful journey.
Are you travelling first class?

No. No, no. I do it cheaply.

- Have a wonderful journey.
- Thank you.

I haven't come to Waterloo primarily
to spot elegant ladies.

I'm here to find out about one of
the station's lesser-known services

from writer Andrew Martin.

Here you are, Andrew.
Beautifully positioned under the clock.

- Nice to meet you.
- Very good to see you.

My Bradshaw's Guide
tells me that Waterloo

had many railway offices
and departments.

I think you'll tell me about
a rather unusual one.

Yes, it was also the terminus

of what was rather irreverently known
as the Stiffs' Express,

a line that carried dead bodies to the
largest cemetery in the British Empire

at Brookwood in Surrey.

And you could have a whole funeral
service based around this railway line.

The service could be conducted at
this end or at the end of the cemetery.

But either way,
you put your relative onto the train

and they had a one-way ride
to Brookwood.

You yourself as a mourner
had a return ticket.

The all-inclusive service was run
by the London Necropolis Company,

which was set up in the 1850s.

They had discreet offices

and even their own funeral platform
just next door to the station.

(Andrew) Waterloo would have been
a very railway-haunted area.

The constant rattle and clatter
of the trains

coming in and going out every minute
over the viaducts, over the high level.

Even in death they were trying
to fit you into a railway timetable.

(Michael) This façade, this splendid
façade, is the Necropolis Station.

(Andrew) This is what survives
of the whole Necropolis complex.

Why were they sending
all these bodies out of London?

They thought it was
a good business proposition,

but it was also a response to a genuine
crisis, a shortage of burial space.

In the first half of the 19th century,
the population of London doubled.

There were bits of skeletons
lying about in churchyards.

They needed space to bury bodies.

And it had been discussed
since the 1840s

that there ought to be a big cemetery
safely far away from London

so that cholera would not be an issue.

The bodies would be transported there

on this newfangled invention,
the train.

At its busiest,
each train carried up to 48 bodies,

along with the various funeral parties.

At the cemetery,
there were two purpose-built stations,

one for Anglicans
and one for other denominations.

You've brought me up
quite a long staircase,

up to the level of the railway viaduct.

(Andrew) We're now behind the office
part of the Necropolis complex.

The hearse would come sweeping in
through this archway.

Then the bodies would be lifted
by an electrical lift

up to the actual Necropolis Station
on the viaduct there.

What sort of carriages
did they travel in?

The carriages were funeral carriages
and passenger carriages.

Both were divided
into first, second and third class.

Sorry. I have to stop you there.

You're telling me the bodies
went first, second or third class?

You might think why would you send
your maiden aunt first class?

You could easily save a bit of money
sending her third.

She wouldn't know the difference.

But they took more care
with your coffin if you went first.

Whether you bought a first-, second-
or third-class ticket for the corpse

would correspond to the type
of funeral that you bought.

If you bought a fancier funeral package,
a first-class ticket would go with that.

Before long it wasn't just the dead

who were taking advantage
of the third-class fares.

A lot of people
would sneak onto the funeral service

even if they weren't burying anyone,
especially golfers.

There was a good golf course
near Brookwood Cemetery.

Now I have an idea of golfers dressed
in black pretending to be mourners.

I'm assuming that golfers

did not wear garish yellow
checked jumpers in those days.

I don't think they could have
masqueraded as being in mourning.

And what they did with their golf clubs,
I don't know.

The business ran successfully
for almost a century.

But today, just hints
of the line remain.

And so when did the last Stiff Express
puff out of here?

(Andrew) April 1941.

Later in that month
there was a big bombing raid

and not only was most of
the Necropolis complex here destroyed

but the funeral train was blown up
into the bargain.

That was really curtains.

It's time for me
to make my way from Waterloo

across town
to my next destination, Piccadilly,

using London's famous underground.

It was in embryonic form
when Bradshaw published my guide.

The first line opened in 1863
and was eventually followed by ten more.

The Bakerloo line was one of the first

of the new generation
of deep railway lines, tubes.

Before that it had been cut-and-cover
close to the surface

and you could hardly use steam engines
with the smoke deep underground.

This railway had been first planned
in the 1850s

but at last in 1908, powered by
electricity, the Bakerloo line opened.

In the 19th century
the tubes and railways

made it much easier
to travel around the city.

The middle classes flocked into town

and London's famous cultural
and commercial centre began to grow.

I'm only going three stops,

getting out at Piccadilly Circus,
gateway to London's West End.

"Bradshaw's" has pages
about the West End,

so I'm following it on my tour,

aware that many of the Victorians'
favourite haunts are mine too.

Now we're at the place where
on the left I buy my swimming trunks

and on the right I buy my macaroons.

This is Burlington Arcade.

Bradshaw's says,
"The prettiest gallery in London,

it's a facsimile of a portion
of the Palais-Royal,

but the tradesmen who occupy these shops
are of a less wealthy class."

"The place is considered
as the fashionable gentlemen's lounge."

I'd never thought of it that way,

but in that spirit
I'm going to revisit it today.

Built by Lord Cavendish in 1819,

this was Britain's first
modern shopping arcade,

complete with its own security force.

They still patrol
the 200-yard strip of shops today.

Excuse me.
You're what's known as the head beadle.

(beadle) I am.
I'm the head beadle of the arcade.

(Michael) You're on patrol.

(beadle) I'm making sure that
everything is OK in the arcade.

Everybody that walks through is happy,
safe and here to enjoy the environment.

This is pretty unusual to have...
what are you? A kind of police force?

The beadles in the arcade predate
the Metropolitan Police by ten years.

Before you had police forces
round the country,

you had beadles
patrolling certain parishes.

A beadle would have been in charge
of about ten constables.

They would have been nightwatchmen.

They would have collected
little fines imposed by people.

(Michael) Any special rules?

(Beadle) You mustn't sell smelly produce
within the arcade.

You must also not whistle
within the arcade

because in 1809 you could no longer
be hung for pickpocketing.

So therefore we had a big increase
in pickpocketing in London at that time.

The pickpockets would whistle signals
to one another.

Lord Cavendish
originally designed the arcade

as an exclusive retreat
where his wife could shop.

By the 1860s, it had become
a popular destination

for a new generation
of bourgeois shoppers

arriving by train
to enjoy a taste of the good life.

(beadle) When the arcade was built,
Lord Cavendish made sure

that where we are now
is a slight incline which goes up.

It's about ten feet higher
at Burlington Gardens than Piccadilly.

He wanted his wife to be able to walk
with her friends up and down

and to shop in peace

without the interruption
of having to walk up any steps.

I've walked up here any number of times.
I've noticed the slope

but I've never thought about
how you don't have to climb steps.

(beadle) It's one reason why
when people come in from Piccadilly

or from Burlington Gardens,
they escape the hurly-burly of London.

It would have been the same
in Regency and Victorian London.

Next I'm heading for Regent Street,

an elegant sweep
of terraced architecture

which "Bradshaw's" describes as "one of
the greatest thoroughfares in London".

"On each side
are a collection of brilliant shops

filled with the most costly articles,

attesting at once to the wealth,
luxury and refinement of the land.”

The description resonates even today.

I'm meeting urban historian
Professor David Gilbert

to find out how Regent Street

became one of the greatest
shopping enclaves the world.

- David? Michael.
- Hi, Michael.

Good to see you.
Who were the early shoppers

and how did they change over time?

When it started in the 1820s and 1830s
this was very much for the elite.

They'd come up in their carriages,

get out and be shown into the shops
and shown the wares.

It's very much in that kind of way.

But by the time of your guidebook,
this street is changing.

Part of what's changing
is coming about through the railways.

Suddenly you're getting suburbanites
coming into the centre of London

to walk the streets, to shop.

Completed in the 1820s,

architect John Nash laid out
Regent Street as a series of colonnades.

Like the Burlington Arcade,

these covered walkways
were designed to provide a safe haven

to linger and shop out of the rain.

- Was Regent Street safe?
- It was safe during the day.

That's part of it. You had public space
that was safe during the shopping hours.

After dark, Regent Street
became a very different kind of place.

I think one of the reasons
for that is if we think about

where it is in the geography of London,

it's a great fault line,
a great dividing line between,

to the west,
the big aristocratic estates,

and to the east, you've got Soho,

which is going rapidly downmarket,

has a kind of reputation for vice,
a reputation for violence.

Here's the place
where those two worlds meet.

At night, crime and prostitution

sheltered in the shadows
of the colonnades.

In 1848 they were torn down

and gradually replaced
by a new kind of shop

with large glass windows
facing directly onto the street.

- Plate glass itself was quite new.
- (David) Plate glass was very new.

This area we're in, there were tensions
between the architects

who wanted sort of fine architectural
colonnades along there

and the shopkeepers
who wanted to display their wares.

Increasingly as the century goes on,
they want people to window shop,

to shop in what is
an identifiably modern kind of way.

We think of this as one of the great
triumphs of town planning in London.

But it's also of course about profit,

about making the most out of the way
that the street works.

Since Bradshaw's day,

the West End has been geared to
accommodate thousands of shoppers.

Regent Street, cutting through
its centre, remains globally recognised

as an outstanding location
for retail therapy.

Now I'm travelling from the West End
to the East End using the Central line

which travels due west-east along
the lines of Oxford Street and Holborn.

This line was opened in 1900 and had
a flat fare of two old pence per mile.

Because of the shape of the tunnels,
it became known as the Tuppenny Tube.

Well, the flat fare went long ago

but the word "tube" has stuck with us
to the present day.

I'm travelling a couple of miles
towards the City,

to one of my favourite London stations.

I do like Liverpool Street.
When I was Minister of Transport,

they were completing
a modernisation project

which involved bringing some lines
that used to stop short

right up to the terminus.

The result is very successful because
it has the space of an air terminal

inside Victorian cathedral windows

and beneath a roof
suspended on beautiful columns.

Just outside the station
is the former Great Eastern Hotel,

where I'll be spending the night.

This Victorian landmark was built
in 1884 by the Great Eastern Railway,

which ran lines from East Anglia.

A nightly goods train
brought coal for the hotel

and took away its rubbish.

Over the years
the hotel gradually declined.

But in 1996, it was given
an extensive makeover,

during which the builders discovered
a secret room behind a false wall.

After checking in, I'm heading
deeper inside to find out more.

My goodness.

Nigel, thank you for coming.

I know you've come
to explain this to me.

Yes, indeed.

Nigel Brown is the Grand Secretary
of the Freemasons.

I know it's a Masonic Temple,

but what on earth was the origin
of such a splendid place?

(Nigel) The key reason
that this was built

was because the railways
were doing so well at that time.

The Great Eastern Railway Company,

chaired by a chap
called Lord Claud Hamilton,

who was also a Mason,

wanted to show to the world
how successful they were.

Therefore they produced a really,
almost over-the-top, opulent room.

With 12 different types
of Italian marble,

the room cost the equivalent
of £4 million to build.

It was closed off in the 1990s when it
became too expensive to maintain.

After redevelopment,

the magnificent room was opened
for hire to the public to earn its keep.

(Nigel) The room was designed
as a meeting room.

It's extremely over the top.

You won't find this is a typical Masonic
meeting room, I can assure you of that.

But here you would have regular meetings

and the lodge would meet
three or four times a year.

Purely the business of the lodge
would be conducted

before they then went on
to have a jolly good dinner.

That sounds like a fine idea for me
before I turn in for the night.

Next morning, my "Bradshaw's" leads me
into the throng of London's rush hour.

Never having worked in the City
and now having discarded

the suit and tie
of my previous employment,

there's quite a satisfaction seeing
all these commuters streaming by

with deadlines to meet
while I have none.

Whilst they head for their offices,

I'm on my way to Tower Gateway Station
to meet railway expert Alex Werner.

- Alex, morning.
- Hello.

Today, Alex is taking me out of the City
on the Docklands Light Railway,

built in the 1980s.

It follows the route of
the old London & Blackwall Railway,

which dates
from early Victorian times.

Back then the easiest place to build
the line was up above the city streets.

This railway is built on viaducts,
over arches.

Bradshaw celebrates the fact
that these arches soar above the houses.

They must have had a huge impact
on London.

The viaducts cut their way
through the city.

It was already
a very densely inhabited place.

The viaduct was the solution to linking
the railways in the inner-city area.

If you had a sort of causeway
that you had to cut

there would be so much property
that you would need to acquire.

It was relatively cheap
to build a viaduct in conjunction

with also all the sort of
station building along the line.

The trains travelling along
these viaducts

were part of
an integrated transport system.

Ships brought their cargo and passengers
up the Thames to the docks

to be whisked by train
all around the country.

Bradshaw was impressed by
the sheer scale of the docks, writing,

"Situated at the East End of London,

they are the storehouses
of the widest commerce of the world."

We've come to West India Dock,
now part of Canary Wharf,

to understand what
so captivated Bradshaw.

My Bradshaw's Guide
talks about this place in the 1860s.

204 acres of water,
600 ships can berth here

with cargoes of 200 and 300 tons each.
Must have been quite a scene.

It was an incredibly busy dock,

ships coming from all over the world
by the 1850s and '60s.

Traditionally it was
the West India trade,

carrying sugar and rum
from the Caribbean.

But by the mid-19th century, goods
were coming from all over the world.

Each of the docks
specialised in particular cargoes.

St Katherine's Dock took
in marble, sugar and brandy

while the Surrey Docks dealt in timber.

(Alex) This is where all the cargoes
of the world were being stored.

This was London as the port of empire.
Incredibly active space.

Where we're standing
there would have been a transit shed.

The ships would moor,
unload their cargo into transit

and then they would be taken off
into the warehouses.

As well as describing each dock,
Bradshaw writes about the people, too.

"A busy army of 20,000 workmen
are employed here

in loading, unloading and storing.”

He was talking about watermen
who rode passengers ashore

and lightermen who took cargo.

There are no watermen left,

but the descendants
of some of the lightermen remain,

men like Cornelius Andrews
and his grandson.

Do you remember the docks
that were behind you?

We had a boat in every dock.
In their heyday, marvellous.

Full up with ships and barges.
It was like Piccadilly Circus.

It was fantastic.

(Michael) Was there a lot of comradeship
on the river?

Yeah. Lovely. Especially in the pubs.

(Michael) I'm going to go out now
with your grandson on the river.

You'll love him, he's a good kid.

- Hello, James.
- Hello, Michael.

Very good to see you.
You'll take me on the river?

Yes, certainly.

James Andrews has been a lighterman
for 17 years

and today hauls cargo with a tug boat
rather than with oars.

The lightermen had a reputation
for being an aristocracy of the river.

Is that true now?

(James) Up until maybe the '90s,

I think the London waterman
or lighterman was well renowned.

I know a long time ago, Nelson himself
insisted that every ship of the line

had a London waterman on board.

(Michael) I've been following
a 19th-century guidebook

and it talks about 20,000 people
working in the docks.

Have you any idea how many people
are working on the river?

I think at the last count there was
between 400 and 500 licence holders.

When you're coming down
from 20,000 men, it's a big drop.

Although there aren't many lightermen
on the river,

they still play a vital role,

not least removing London's refuse
on barges.

And today we're carrying rubbish.
Where is it going to?

It is going ultimately to a place
in Essex called Mucking.

- Mucking?
- Rather appropriately named.

- Would you like to have a little drive?
- I'd love to.

- Left hand down a bit?
- Left goes left and right goes right.

It's not like tyres on the road,
it's more like tyres on treacle.

It's definitely the longest vehicle
I've ever steered.

And it's all delayed reaction.

You push the wheel
and nothing seems to happen,

and then after about 30 seconds
a lot happens.

Holding the wheel is one thing,

but I think I'll leave parking
this 80-foot convoy to the expert.

That was the niftiest bit of steering
I've ever seen.

I think I might have to practise
quite a long time

before I could do that.

This part of the river is no longer
the busy thoroughfare it once was.

In the 1970s, new docks were built
further downstream

to handle large container ships.

The East London docks
lay unused for years

until they were transformed
into a new financial district

called Canary Wharf,
housing the tallest building in Britain.

The key to Canary Wharf's success
was of course a railway,

the Jubilee line extension,

for which as a minister,
I fought tooth and nail.

George Bradshaw
would enjoy this statistic.

The station is so vast

that the box underground,
under water in which it sits

would be big enough to accommodate
the Canary Wharf tower

lying on its side.

In Bradshaw's day, London
was revitalised by the railways.

And that story continues today.

The old tracks are constantly
re-used and extended

as the city reinvents itself.

The age of railway building began
before the Victorian era,

but it hasn't ceased yet.

London is all business and bustle,

from department stores in the west
to investment banks in the east.

And now, shopping is all the rage
and shipping has ceased.

But before the railways came to town,
the river was the permanent way.

The speed of travel was limited
to how fast a man could row.

On the next leg of the journey,

I'll be seeing how the trains changed
the fortunes of Newmarket...

It's a sign of a smart town

to have one station for people from
the North, one for people from the South

- and one for the horses.
- Absolutely.

...looking back on my student days...

That's where my
all-important cocktail bar was.

I probably had a desk as well,
but I don't remember.

...and finding out that Cambridge
has a surprising claim to fame.

One could say it was the birthplace
of the modern game of football.