Gilmore Girls (2000–2007): Season 1, Episode 21 - Love, Daisies and Troubadours - full transcript

PREVIOUSLY ON GILMORE GIRLS:

I'M DEAN.

I'M MAX MEDINA.
NICE TO MEET YOU.

YOU JUST HAD A DESPERATE
NEED FOR SOME CORNSTARCH?

I HAVE VERY IMPORTANT
THICKENING NEEDS.

I'D LIKE TO SEE YOU SOMETIME.

ARE YOU ASKING ME OUT ON A DATE?

I GOT KISSED,

AND I SHOPLIFTED.

AT SOME POINT IN YOUR LIFE,
YOU'RE GONNA HAVE TO DECIDE

THAT SOME GUY IS WORTH
OPENING THAT FRONT DOOR FOR.

RORY... YEAH.

I LOVE YOU.

I...

WE JUST BROKE UP.

MAYBE WE NEED TO TAKE A LITTLE
TIME AWAY FROM EACH OTHER.

OK.

I'M PLANNING ON DESPISING
EVERYONE WHO SAYS,

"HEY, HOW'S IT GOING?"

YOU'RE ON.

HEY, HOW'S IT GOIN'?

RACHEL.

YOUR RACHEL?

YOU'RE RACHEL?

IS SHE, UM, STAYING?

I DON'T KNOW.

DO YOU WANT HER
TO? I DON'T KNOW.

I'D HATE TO THINK

THAT I RAISED A KID WHO
COULDN'T SAY, "I LOVE YOU."

I REALLY MISS YOU.

DEAR GOD ALMIGHTY
AND MR. MIRKLE!

HEY!

WHAT?

YOU ARE NOT
SLEEPING THROUGH THIS.

THROUGH WHAT?

THE FREAKING BLUE MAN
GROUP IS OUTSIDE OUR HOUSE!

I WAS SLEEPING THROUGH IT.

IT HAD TO HAVE WOKEN YOU UP.

NO, MY INSANE MOTHER, MARGOT
KIDDER GILMORE, WOKE ME UP.

HI.

HI.

HOW ARE YOU TODAY?

GOOD. HOW ARE YOU?

GOOD. GOOD. WHAT ARE YOU DOING?

FIXING YOUR PORCH RAIL.

THAT'S RIGHT. YOU ARE.

YOU'RE FIXING MY PORCH RAIL

AT 6:30 IN THE MORNING!

IT WAS THE ONLY
TIME I COULD DO IT.

WHY? WHY?

IT WAS BROKEN.

I NOTICED LAST TIME I WAS HERE.

IT COULD HURT SOMEBODY.

LUKE, WE SLEEP AROUND HERE, OK?

WE LIKE IT. IT MAKES US PRETTY

AND KEEPS US FROM
KILLING OUR CRAZY FRIENDS!

YOU'RE GONNA WAKE THE NEIGHBORS.

COULD YOU POUND ONE MORE
THING WHILE YOU'RE OUT HERE?

YOUR HEAD!

AND A "FOR SALE"
SIGN ON THE LAWN,

'CAUSE WE'RE MOVING.

THE SIGN AND YOUR HEAD.

AND IN THAT ORDER
'CAUSE OTHERWISE

YOU'LL BE TOO DIZZY
TO DO THE SIGN THING!

AH, SHOOT!

RORY!

YOU'RE LOCKED OUT?

YOU DON'T EXIST.

RORY!

YOU SHOULDN'T HAVE
CLOSED THE DOOR.

AAH!

RORY!

LORELAI, SUGAR!

YOU'RE WAKIN' UP THE ENTIRE
NEIGHBORHOOD. PLEASE!

EXCUSE ME!

I AM OFFICIALLY ANNOYED.

OH. WELL, DON'T
BLAME ME. BLAME LU...

HE WAS RIGHT HERE.

YEAH, I KNOW.

GET HER BACK TO BED, DOLL.

HE WAS BANGING ON THE...

MMM, I KNOW.

IT WAS SOMETHING ON
THE PORCH. IT WAS BROKEN.

I KNOW. I'M NOT CRAZY.

I KNOW.

HE WAS BANGING ON SOMETHING.

I KNOW.

♪ IF YOU'RE OUT ON THE ROAD ♪

♪ FEELIN' LONELY AND SO COLD ♪

♪ ALL YOU HAVE TO
DO IS CALL MY NAME ♪

♪ AND I'LL BE THERE
ON THE NEXT TRAIN ♪

♪ WHERE YOU LEAD,
I WILL FOLLOW ♪

♪ ANYWHERE THAT YOU TELL ME TO ♪

♪ IF YOU NEED ♪

♪ YOU NEED ME TO BE WITH YOU ♪

♪ I WILL FOLLOW ♪

♪ OH ♪

♪ WHERE YOU LEAD ♪

♪ I WILL FOLLOW ♪

♪ ANYWHERE THAT YOU TELL ME TO ♪

♪ IF YOU NEED ♪

♪ YOU NEED ME TO BE WITH YOU ♪

♪ I WILL FOLLOW WHERE YOU LEAD ♪

MICHEL, GET THAT, PLEASE.

I CANNOT.

MICHEL, WE'VE BEEN OVER THIS.

WE ALL COVER THE
PHONE. THAT INCLUDES YOU.

DON'T MISUNDERSTAND.

I WANTED TO ANSWER
IT, I TRULY DID.

BUT TODAY,

TODAY, I'M SUFFERING FROM ENNUI.

ENNUI?

SEVERE ENNUI.

YOU KNOW WHAT ENNUI IS, YES?

YES, UM, WEBSTER'S DEFINES ENNUI

AS A LAZY,
SOON-TO-BE-OUT-OF-WORK

FRENCH CONCIERGE WHO
WON'T ANSWER THE PHONE.

LOOK, I'VE HAD MY
PEACE WITH THE FACT

THAT EVERYONE WHO CALLS
HERE IS A NOTCH ABOVE BRAIN DEAD.

AND THAT THE PENNIES I
AM THROWN EACH WEEK

ARE IN EXCHANGE FOR ME
DEALING WITH THESE PEOPLE

IN A NONVIOLENT MANNER.

AND USUALLY THAT IS FINE,

BUT TODAY, SORRY,
LADY, I HAVE ENNUI.

SO, YOU'RE SLEEPY?

IT'S A METAPHYSICAL ANGST.

SO, YOU... YOU WANT
TO GO BEDDY-BYE?

YOU MAKE LIGHT, IT
INCREASES MY ENNUI.

OK, THAT'S IT.

COME ON, YOU NEED COFFEE.

I NEED COFFEE, EXTRA STRONG.

DOUBLE CAF, TRIPLE
CAF. NO, FORGET THE CAF.

THROW IN THE WHOLE COW, AND
SERVE IT TO THIS MAN RIGHT HERE.

WHAT'S WRONG WITH YOU?

I DON'T KNOW. IT'S...

IT MIGHT SOUND A LITTLE
WEIRD, BUT I THINK I'VE GOT...

OH, NO. ENNUI.

YOU EXPLAINED ENNUI TO HER.

SHE ASKED ME WHAT WAS WRONG
WITH ME EARLIER, SO I TOLD HER.

MICHEL, YOU KNOW THAT
SOOKIE ENDS UP THINKING

SHE'S COMING DOWN WITH WHATEVER
ILLNESS OTHER PEOPLE HAVE.

NO.

OH, NO? WHAT WAS THAT
WHOLE CONVERSATION LAST WEEK

WHEN I HAD TO CONVINCE YOU,
YOU DIDN'T HAVE A PROSTATE?

OH. HOW IS AL?

HELLO?

IS THIS A BAD TIME?

FOR THE HOTEL INDUSTRY,
BUT NOT FOR YOU.

I'VE ONLY GOT A SECOND,
BUT I WANTED TO SAY HI.

HI.

THANK YOU FOR LAST NIGHT.

IT WAS A GOOD NIGHT, WASN'T IT?

SEVERAL NOVELS WILL
BE WRITTEN ABOUT IT.

I SAY WE DO IT AGAIN,

AND NEXT TIME, I'LL
BE THE GYPSY QUEEN.

DO YOU KNOW THE MORE I SEE
YOU, THE MORE I WANT TO SEE YOU.

SAME HERE.

IT'S LIKE A VICIOUS CIRCLE.

IT'S AN ACHY FEELING.

LIKE WITHDRAWAL PAINS.

TOTALLY DISTRACTING.

AND COMPLETELY WONDERFUL.

UH, I GOTTA GO.

NO, DON'T.

OK.

I GOTTA GO.

DON'T. OK.

THIS WOULD BE ANOTHER
EXAMPLE OF A VICIOUS CIRCLE.

SO WE SHOULD BOTH GO.

WE DEFINITELY SHOULD.

SO...

HANG UP. NO, YOU HANG UP.

VICIOUS CIRCLE.

BYE. BYE.

YOU LOOK HAPPY.

OH, WELL...

WHAT'S THE OPPOSITE OF ENNUI?

OFF-UI.

HEY, I'M CURED!

I HAD THE WEIRDEST
DREAM LAST NIGHT.

WE WERE IN OUR HOUSE,

BUT IT WASN'T OUR HOUSE. IT
WAS A KENTUCKY FRIED CHICKEN.

I'M HOOKED.

I HAD TO GET DRESSED, BUT
MY CLOTHES WERE IN THE BACK.

AND THE GUY MANNING THE GIANT
OIL VAT WOULD NOT LET ME THROUGH.

OH, MY GOD! THAT'S SO WEIRD!

WHEN YOU SAID "OIL VAT,"
THAT JUST REMINDED ME,

I HAD THIS DREAM LAST NIGHT.

WE WERE SWIMMING IN A
POOL, ONLY IT WASN'T WATER.

IT WAS OIL OR HONEY
OR SOMETHING.

HEY. WHAT?

YOU TOTALLY DID THE THING.

WHAT THING?

THE THING WHERE ONE PERSON
IS DESCRIBING THEIR DREAM

AND IT REMINDS THE OTHER
PERSON ABOUT THEIR DREAM,

AND SUDDENLY IT'S
ALL ABOUT THEIR DREAM.

AND THE FIRST PERSON IS LIKE,
"HEY, MAN, WHAT ABOUT MY DREAM?"

I'M SORRY. THE OIL-VAT
GUY WAS BEING MEAN.

YES, AND WE KNEW HIM.

HE USED TO LIVE IN TOWN.

HE WAS THAT GUY WHO USED
TO RUN THE AUTO BODY SHOP

BEFORE MAYBIN HEWES
BOUGHT IT. REMEMBER HIM? NO.

OF COURSE YOU DO.
HE WAS REALLY SKINNY.

PETER STRINGBEAN? NO.

THAT WAS THE TALL
CIRCUS-FREAKY GUY

WHO WORKED FOR HIM.
THIS WAS THE OWNER GUY.

WHAT WAS HIS NAME? I DON'T KNOW.

YES, YOU DO. COME ON.
IT'S GONNA BUG ME ALL DAY.

HE WAS SHORT AND
FAT AND HIS NAME WAS...

JOHNNY McSHORT-AND-FAT?

OH, NOW. DON'T MOCK.

HEY, WHO WAS THE GUY WHO
USED TO RUN THE AUTO BODY SHOP?

THAT STRETCH CUNNINGHAM GUY?

NO, THE DICK TRACY GUY.

BIG, ALWAYS HAD A
HALF-SMOKED CIGAR IN HIS MOUTH?

YES, HIM. WHAT WAS HIS NAME?

IT WAS JIM SOMETHING-OR-OTHER.

HE ALWAYS HAD
AN "ING" AT THE END.

YES, UH, BANNING. LANNING.

DUNNING. THAT'S IT.

OH, OOH!

HEY, JIM DUNNING WAS
THE DICK TRACY GUY.

JIM DUNNING, THAT'S
THE DICK TRACY GUY.

OH. THE DEAN BOX.

OK.

I KNOW I WAS SUPPOSED
TO THROW IT AWAY

BUT I COULDN'T.

I MEAN, YOU'RE YOUNG,
AND YOUR HEAD'S ALL WEIRD,

AND YOU DON'T HAVE
ANY PERSPECTIVE

BECAUSE OF THAT WHOLE
YOUNG, WEIRD-HEADED THING,

SO JUST PLEASE LISTEN
TO ME BEFORE YOU GET MAD.

YOU'RE GONNA WANT
THAT STUFF ONE DAY,

WHEN YOU'RE OLD AND MARRIED
AND LOOKING BACK AND THINKING:

"I CERTAINLY HAD
AN INTERESTING LIFE."

AND THEN YOU CAN PULL OUT
ALL YOUR OLD-BOYFRIEND BOXES,

WHICH IS GOOD,

BECAUSE I THREW AWAY
STUFF I'D KILL TO HAVE TODAY.

LOOK, I PUT IT IN
WITH THE MAX BOX

SO THEY COULD CHAT AND
KEEP EACH OTHER COMPANY

AND COMMISERATE ABOUT
HOW THEY HAD A GILMORE GIRL

AND LOST A GILMORE GIRL AND...

SORRY.

THANKS.

WHAT I WANTED TO SAY WAS:

"JANIE FERTMAN, YOU
ARE A VACUOUS BIMBO

"WHO'LL BE TURNING LETTERS
AS A PROFESSION ONE DAY.

"THE ONLY WAY YOU'LL
KNOW WHICH ONE TO TURN

"IS WHEN IT DINGS AND LIGHTS UP.

AND I HAVE NO DESIRE TO
STOP AND TALK TO YOU EVER."

BUT WHAT I SAID
WAS, "WHAT, JANIE?"

AND THEN SHE GOES,

"YOU'RE CHEERLEADER MATERIAL."

CHEERLEADER
MATERIAL! JUST LIKE THAT.

I COULDN'T BELIEVE IT. I ALMOST
WENT FULL MATRIX ON HER.

HAVE YOU HEARD A WORD I'VE SAID?

NOPE. I RESENT THAT.

I'M A WITTY CONVERSATIONALIST.

WHAT?

I'M GOING IN.

YOU CAN'T. I'M GOING IN.

IT'S THURSDAY AFTERNOON. I KNOW.

HE WORKS ON THURSDAY
AFTERNOONS. I KNOW.

WE'RE TALKING YOU-KNOW-WHO.

I KNOW.

OH, MY GOD!

CALM DOWN. OH, MY GOD!

YOU'RE MAKING A SPECTACLE.

YOU'RE GETTING BACK WITH DEAN!

IF YOU KEEP JUMPING
LIKE THAT, I'LL VIDEOTAPE IT

AND SEND IT TO JANIE FERTMAN
AS YOUR CHEERLEADER AUDITION.

WHEN DID THIS HAPPEN?
NOTHING'S HAPPENED.

I DON'T EVEN KNOW
WHAT I'M DOING EXACTLY.

OR WHAT HE'S THINKING

OR WHETHER HE'S BURNED
ALL MY LETTERS AND PICTURES

OR HATES ME OR
WHAT. BUT I'M GOING IN.

I SO ENCOURAGE THIS. I LOVE YOU.

BUT YOU'VE BEEN MOPEY, DOPEY,

AND ABOUT 12 OTHER MELANCHOLY
DWARVES, FOR THE PAST 5 WEEKS,

AND I MISS THE OLD RORY.

I MISS THE OLD ME, TOO.

I'VE BEEN FEELING
BAD FOR THE NEW RORY.

WELL, SHE'S STAGING A COMEBACK.

MAY IT BE MORE SUCCESSFUL
THAN PETER FRAMPTON'S.

WISH ME LUCK.

LUCK.

RORY?

OH, TAYLOR, YOU SCARED ME.

WHAT ARE YOU DOING?
YOU'RE WALKING AROUND LIKE...

LIKE WHAT?

DARE I SAY, LIKE A SHOPLIFTER.

I'M NOT HERE TO SHOPLIFT.

WELL, YOU CURRENTLY FIT 4
OF THE 8 CHARACTERISTICS.

I DO?

YOU'RE ALONE. YOU LOOK NERVOUS.

YOU'RE MEANDERING
IN AN AIMLESS FASHION.

AND YOU'RE WEARING A BAGGY COAT.

OH, I TEND TO RUN COLD.

SO, WHAT ARE YOU HERE FOR?

I'M LOOKING FOR
YOUR CHECKOUT BOY.

I HAD A QUESTION, AND I
DIDN'T WANT TO BOTHER YOU.

WELL, HE'S, UH, STACKING
ON 6. OVER HERE, PLEASE.

MIKEY, THIS IS MISS GILMORE.
SHE NEEDS SOME HELP.

UH, TAKE CARE, RORY. WATCH HER.

YEAH?

HI, UM...

I WAS JUST WONDERING,
DO YOU LIKE WORKING HERE?

WHAT?

I MEAN, DO YOU ENJOY
THE WHOLE BOX-BOY TRADE

AS A PROFESSION?

NO.

NO? OK, GOOD.

SO, I'M JUST GONNA
CROSS THAT OFF MY LIST.

THANK YOU FOR YOUR TIME.

WELL?

HE'S NOT THERE.

BUT HE ALWAYS WORKS THURSDAYS.

I GUESS HE'S TAKING THURSDAY
AFTERNOONS OFF NOW.

THAT'S NOT GOOD.

HOW'S THAT NOT GOOD?

BECAUSE THAT
MEANS HE'S MOVED ON.

WHAT ARE YOU TALKING ABOUT?

OBVIOUSLY, HE'S MET ONE OF
THOSE THURSDAY-AFTERNOON GIRLS.

WHAT'S A
THURSDAY-AFTERNOON GIRL?

THEY'RE THOSE SLUTTY GIRLS
THAT GET GUYS TO SWITCH

THEIR THURSDAY AFTERNOONS
WITH ANOTHER CHECKOUT GUY

SO THEY CAN GO DO SLUTTY
THURSDAY-AFTERNOON THINGS.

OK, YOU'RE READING
WAY TOO MUCH INTO THIS.

I SHOULDN'T HAVE GONE IN.

IT WAS GOOD TO GO IN.

TAYLOR THINKS I'M CASING THE
PLACE. LIKE I'D EVER SHOPLIFT THERE.

YOU HAVE SHOPLIFTED THERE.

LANE, I'M GONNA
ASK YOU A QUESTION,

AND I WANT YOU TO BE
MORE HONEST WITH ME

THAN YOU'VE EVER BEEN
BEFORE IN YOUR LIFE.

HAVE YOU EVER SEEN HIM
WITH ANOTHER GIRL AT SCHOOL?

NO. LANE.

NO. YOU'D TELL ME, RIGHT?

YES.

NO, I WOULDN'T BECAUSE IT WOULD
BREAK YOUR HEART. BUT I HAVEN'T.

YOU SWEAR ON THE LIFE OF
THE LEAD SINGER OF BLUR?

ON THE SOUL OF
NICO, I SWEAR TO YOU

THAT I HAVE NOT SEEN
DEAN WITH ANOTHER GIRL.

OK.

HE'S MISERABLE.

FINE.

SUICIDAL. GOOD.

AND IN DESPERATE
NEED OF A HAIRCUT.

THANK YOU.

♪ HONEY DON'T THINK ♪

♪ ABOUT IT TOO LONG NOW ♪

YOU SHOULD DECORATE THIS THING.

I DID.

I MEAN, WITH SOMETHING

OTHER THAN A BUNCH OF
DEAD, BLACK AND WHITE WOMEN.

WHAT, LIKE CURTAINS?

YOU KNOW WHAT I
MEAN. I DID MINE UP.

YEAH, I SAW THAT.

THE, UH, NAKED PICTURE
OF THE SIAMESE TWINS

IS PARTICULARLY CLASSY.

YOU KNOW WHAT THESE ARE?

THEY LOOK LIKE TICKETS.

TO P.J. HARVEY.

WOW, YOU HAVE GOOD
TASTE. I'LL GIVE YOU THAT.

YOU'RE INTO P.J. HARVEY, RIGHT?

YEAH. HOW'D YOU KNOW?

WELL, I'M ALL-KNOWING.

HOW GODLIKE OF YOU.

ONE OF THESE IS FOR YOU.

OH, I DON'T THINK WE SHOULD
GO TO A CONCERT TOGETHER.

REASON?

IT WOULD SEEM LIKE A DATE.

WELL, IT WOULD SEEM LIKE A DATE

BECAUSE IT WOULD BE A DATE.

I CAN'T DATE YOU, TRISTIN.

WELL, I GIVE YOU PERMISSION.

AND ON THAT HUMBLE NOTE...

OH, RORY, FAVOR, BIG ONE.

LOOK AT THE FACE.

SURE. WHAT?

CAN I GET YOUR BIOLOGY
NOTES FROM TUESDAY? I WAS OUT.

TO LUNCH. PLEASE.

SURE, I HAVE THEM AT HOME.
I CAN BRING THEM LATER.

THANK YOU. THANK YOU. THANK YOU.

ONE MORE, AND YOU'RE DONE.

THANK YOU.

SO, I'VE DECIDED

I'M NOW COMPLETELY
INTO JUDY GARLAND.

DID YOU SEE THE T.V.
MOVIE? PRETTY INTENSE.

I THINK THEY USED MY MOTHER'S
MEDICINE CABINET IN THAT.

SHE WAS THE COURTNEY
LOVE OF HER DAY.

SHOW ME A TREND, AND
I'LL SHOW YOU MADELINE.

JUDY GARLAND IS TRENDY?

COMPLETELY.

SHE'S NEO-ADDICT RETRO CHIC.

NO ONE TELLS ME THESE THINGS.

HI. HEY.

OOH, WHAT ARE THOSE?

OH, P.J. HARVEY TICKETS.

REALLY? COOL.

WHO ARE YOU GOING WITH? RORY.

WHAT? RORY'S GOING OUT WITH YOU?

YES, SHE IS.

WOW, I DIDN'T
THINK SHE LIKED HIM.

NEITHER DID I.

HMM, DO YOU THINK SHE'S MAD?

WHAT ARE YOU TWO WAITING
FOR, A TRAM? LET'S MOVE.

OH, YEAH. SHE'S MAD.

FLUTTER. FLUTTER. QUICK.

QUICK. FLUTTER. FLUTTER.

QUICK. QUICK.

AND YOUR HEARTS ARE BROKEN.

YOUR PRINCE HAS BETRAYED YOU.

YOU'VE BEEN SHOT WITH AN ARROW

AND NOW, YOU'RE DEAD.

HI, PATTY.

LORELAI.

HEY, RACHEL.

HAVE YOU SEEN LUKE AROUND?

OH, HE'S PROBABLY AT THE DINER.

NOPE. HE WAS SUPPOSED TO
BE AT THE DINER, BUT HE'S NOT.

OH, UH, WELL...

WE WERE SUPPOSED TO MEET
FOR LUNCH, BUT HE DIDN'T SHOW.

OH. AGAIN.

AH. I MADE TUNA.

NICE. YEAH.

HE USUALLY COMES BACK UPSTAIRS

FOR A LITTLE BREAK
BETWEEN LUNCH AND DINNER.

BUT RECENTLY, HE'S
BEEN OTHER PLACES,

UH, YOUR PLACE, ACTUALLY.

OH. YEAH.

WELL, RACHEL, HE'S
JUST FIXING SOME THINGS.

I KNOW.

THE PORCH RAIL, A
COUPLE ROOF SHINGLES,

THEN THE PORCH RAIL AGAIN

AFTER HE FELL OFF THE
ROOF ONTO THE PORCH RAIL.

YEAH, YEAH, HE'S
BEEN TELLING ME.

GOOD.

LOOK, IF YOU SEE HIM,
COULD YOU TELL HIM TO JUST...

I DON'T KNOW, CHECK IN?

YES. WILL DO.

THANKS. BYE. THANKS. BYE.

♪ SHAKE OFF THE SADNESS SOOT ♪

♪ YEAH, IT'S DOING ME GOOD ♪

♪

HELLO?

HOLD IT RIGHT THERE! OH, OH!

IT'S ONLY ME.

YOU SCARED ME HALF TO DEATH!

WHO'D YOU THINK IT WAS?

WELL, I DON'T KNOW!

I HEARD THUDDING UPSTAIRS,

AND RORY WEIGHS,
LIKE, 10 OUNCES,

AND IT EITHER HAD BE
AN ESCAPED ELEPHANT

OR SOME STRANGE, LARGE MAN

WHO SHOULD NOT BE IN THE HOUSE.

HOW DID YOU GET IN HERE, ANYWAY?

THROUGH THE BACK DOOR.

THE BACK DOOR'S LOCKED.

NO. THAT'S WHY I CAME. THE
BACK DOOR LOCK WAS BROKEN.

THE BACK DOOR LOCK
WAS FINE. IT WAS CHEAP.

THE BACK DOOR LOCK CAME WITH
THE HOUSE. IT'S BEEN A FINE LOCK.

IT'S THE KIND OF LOCK
BURGLARS LOOK FOR.

WHY DO BURGLARS
LOOK FOR THAT LOCK?

BECAUSE IT'S EASY TO
BREAK INTO. I PROVED THAT.

YOU PROVED THAT BY... BREAKING
IN THROUGH THE BACK DOOR..

OH, MY GOD!

IT'S THE ONLY WAY
I COULD GET IN.

YOU HAVE CROSSED OVER
INTO THE DARK SIDE, LUKE.

IT'S NOT THAT BIG A DEAL.

OH, YOU BROKE INTO MY HOUSE!

I'M GONNA FIX IT.

STEP AWAY FROM THAT LOCK. WHAT?

GET OFF. COME, SIT DOWN.

YOU HAVE ALMOST NO FREE TIME
WITH ALL YOUR WORK AT THE DINER.

AND LATELY, EVERY SPARE
MOMENT HAS BEEN SPENT...

NOT WITH RACHEL.
THAT'S NOT TRUE.

SHE WAS LOOKING FOR YOU TODAY.

AND SHE DIDN'T KNOW
WHERE YOU WERE.

I'M NOT HIDING FROM HER.

I DIDN'T SAY THAT.
YOU WERE IMPLYING IT.

WELL, SOMEONE'S SENSITIVE
ABOUT THE ACCUSATION.

I THINK I'M HIDING FROM HER.

I THINK YOU ARE, TOO.

IT'S JUST A LITTLE WEIRD
HAVIN' HER IN MY PLACE.

I THOUGHT THAT'S
WHAT YOU WANTED.

IT WAS... IS.

I'M... I'M JUST...

I'VE JUST BEEN
LIVING ALONE SINCE...

FOREVER. AND I GOT USED TO

PUTTING THE MILK
SOMEPLACE IN THE FRIDGE

AND FINDING IT IN
THE EXACT SAME SPOT,

YOU KNOW WHAT I MEAN.

WE DON'T KEEP MILK IN THE HOUSE.

WELL, THEN, COOKIES.

COOKIES NEVER MAKE
IT OUT OF THE CAR.

YOU KNOW WHAT I MEAN. YEAH.

WELL, MAYBE YOU CAN TRAIN
RACHEL TO USE A MAGIC MARKER

TO MARK THE MILK
EXACTLY WHERE YOU LEFT IT.

IT'S NOT JUST ABOUT MILK.

I'M NOT USED TO
SOMEONE EXPECTING ME.

EXPECTING YOU TO...

COME HOME, DO
THINGS, BE WITH HER.

AW. MOST PEOPLE WOULD KILL
TO HAVE THAT IN THEIR LIVES.

I KNOW. BUT I'M
DIFFERENT. I'M A LONER.

OH, NO. NO, NO.

I DON'T WANT TO HEAR ABOUT
THE ROMANCE OF BEING A LONER.

SOME GUYS ARE JUST
NATURALLY LONERS.

YES, LONELY GUYS.

INDEPENDENT GUYS. SAD GUYS.

MAVERICK GUYS.

LEE HARVEY OSWALD. JOHN MUIR.

THE UNABOMBER.
HENRY DAVID THOREAU.

EVERY ONE OF THESE,
SAD AND LONELY GUYS.

IT'S JUST NOT WHAT I
THOUGHT IT WOULD BE LIKE

HAVING RACHEL BACK.

YOU KNOW, IT'S...
IT'S NOT THE FANTASY

I WAS TOTING AROUND
ALL THESE YEARS.

WELL, LUKE, LIFE
IS NOT A FANTASY.

MAYBE YOU HAVE TO LOWER
YOUR EXPECTATION BAR A LITTLE BIT.

SO YOU'RE SAYING THAT LIFE IS...

JUST SETTLING FOR
WHATEVER COMES ALONG?

WOW, YOU THINK HAVING
RACHEL IS SETTLING?

NO, I DIDN'T MEAN
THAT. RACHEL'S GREAT.

AND SHE'S CRAZY ABOUT YOU.

AND IF HER WORST TRAIT
IS SHE'S A MILK WHORE,

YOU HAVE IT PRETTY GOOD.

YEAH.

AND YOU JUST NEED TO GIVE
THIS SITUATION A... A FAIR CHANCE.

I KNOW.

AND THAT STARTS
WITH CEASING WORK

ON THE WINCHESTER
MYSTERY HOUSE HERE.

YEAH.

THANKS.

YOU'RE WELCOME.

HI. OH, HI.

UM, HOW ARE YOU TODAY?

FINE.

GOOD. GOOD.

ARE YOU HERE TO SEE MY BROTHER?

OH, NO, NO, NOT AT ALL.

I'M, UH, WITH THE GIRL SCOUTS.

I'M GONNA BE A GIRL
SCOUT SOMEDAY.

I'M A BROWNIE NOW.

OH, WELL, GOOD. THAT'S, UH, THAT'S
AN EXCELLENT STEPPING STONE.

HMM, WHERE'S YOUR UNIFORM?

OH, WE ARE NOT DOING
UNIFORMS ANYMORE.

YOU KNOW, WE'RE
TRYING TO BLEND IN,

RELATE BETTER TO
THE AVERAGE PERSON.

IT WAS A VERY SUCCESSFUL
STRATEGY FOR THE HARE KRISHNAS. SO...

YOU LOOK LIKE SOMEONE. I DO?

YOU'RE THE GIRL IN THE PICTURES.

WHAT PICTURES?

THE ONES DEAN HAS IN HIS ROOM.

DEAN HAS PICTURES IN HIS ROOM?

THERE'S A FUNNY ONE OF YOU
STICKING OUT YOUR TONGUE.

HE HAD A LOT.

WAIT, WAIT, HAS OR HAD? WHAT?

YOU WENT FROM "HAS" TO
"HAD." THAT'S A BIG DIFFERENCE.

IT IS? YEAH.

WHAT'S YOUR NAME? CLARA.

YOU'RE A PRETTY GIRL, CLARA.

THANKS. NOW, IS IT HAS OR HAD?

I DON'T KNOW. YOU
DO KNOW, CLARA.

"HAD" IS PAST-TENSE, "HAS"
IS PRESENT. NOW THINK.

I'M TRYING.

CAN YOU GO TO HIS ROOM NOW?

HE DOESN'T LIKE ME IN HIS ROOM.

SNEAK IN, HE'LL NEVER KNOW.

OH, NO, NO, NO,
CLARA, DON'T CRY.

OH, I DIDN'T MEAN
TO MAKE YOU CRY.

I'M A NICE PERSON.
I'M A GIRL SCOUT.

CLARA.

BYE.

WHAT'S THE MATTER?

SHE SCARED ME.

WHO?

THE GIRL SCOUT.

OK, WE'VE GOT FOOD,
DRINK, READING MATERIAL

CHOCOLATE-COVERED
ESPRESSO BEANS.

HAVE I LEFT ANYTHING
OUT? THAT ABOUT COVERS IT.

YOU'RE SUCH A GOOD PROVIDER.

I TRY MY BEST.

SURE YOU WANT TO
GO TO THIS THING?

YOU'VE BEEN TALKING ABOUT
THESE TOWN MEETINGS FOR MONTHS.

I'VE TO SEE ONE FOR MYSELF.

WELL, THEY'RE NEVER DULL.

AND IF YOU'RE LUCKY,
YOU'LL SEE A CRAZY LADY

THROWING FRENCH FRIES AT PEOPLE
SHE DISAGREES WITH, LIKE LAST TIME.

SO, WERE THEY COLD?

NO, I WAS JUST FULL.

AH.

OH, OH, I FORGOT.

ONE FOR YOU...

AND ONE FOR YOU.

WHAT ARE THESE?

THOSE ARE RINGS,
AND THE DIAMONDS

ARE ACTUALLY CANDY
SO YOU CAN EAT IT.

MAX, THAT'S VERY
SWEET, BUT WE'RE NOT 8.

WHAT DO YOU GOT? GRAPE. YOURS?

RED. TRADE YOU.

YES!

ENOUGH OF THIS ARGUING.

IT'S TIME TO PUT THIS TO A VOTE.

ALL RIGHT, NOW, LET'S
SEE A SHOW OF HANDS.

ALL THOSE IN FAVOR...

OH, RATS, IT STARTED ALREADY.

ALL THOSE OPPOSED?

LORELAI, YOU DON'T EVEN
KNOW WHAT WE'RE VOTING ON.

YEAH, BUT I'M AGIN IT!

ALL RIGHT, THE NAYS HAVE IT.
LET THE RECORD REFLECT IT.

LORELAI, I HOPE THAT'S
NOT FOOD IN THOSE BAGS.

FOOD IS NOT ALLOWED
AT TOWN MEETINGS.

NO, TAYLOR, IT IS... IT'S, UM,
DIAPERS FOR THE LITTLE ONES.

THE WHAT?

DORSAL FINS AND CUCAMONGA.

WHAT DID SHE SAY?

I CONFUSE HIM TILL HE
LOSES HIS TRAIN OF THOUGHT.

THEN HE MOVES ON. OH.

ALL RIGHT, I'D LIKE TO
OPEN THE MEETING UP

FOR MISCELLANEOUS ISSUES.

I HAVE AN ISSUE.

WHO ARE YOU?

THE TOWN TROUBADOUR.

THE WHAT?

YOU'VE SEEN HIM,
TAYLOR, WITH HIS GUITAR.

RIGHT, THE GUITAR.

YES, HE PLAYS ON ALL
THE STREET CORNERS.

HE LOITERS ON STREET CORNERS.

WE ARE 2 PEAS IN A POD, LUKE.

SCARY THOUGHT, TAYLOR.

GO ON, HONEY.

THANK YOU.

I'VE BEEN THE TOWN
TROUBADOUR FOR 6 MONTHS NOW,

AND I THINK I'VE DONE A
PRETTY GOOD JOB. AND THEN

HE SHOWS UP.

HI.

AND THERE'S NO ROOM FOR A
SECOND TROUBADOUR IN STARS HOLLOW.

CLEARLY.

THIS IS, HANDS DOWN, THE
SILLIEST THING I HAVE EVER HEARD.

HEAR THEM OUT,
TAYLOR. IT CAN'T HURT.

THESE ARE NOT FRIES.

THEY ARE FAHRVENUGEN
SOOGAN DUGAN.

I OPENED THE FLOOR
FOR ISSUES OF SUBSTANCE.

THIS DOES NOT QUALIFY.

DON'T BE UNCOOL, TAYLOR.
MUSIC IS SUBSTANCE.

WATCH OUT, MOREY.

AFTER THAT ANATOMICALLY
EXPLICIT EPITHET

YOUR WIFE YELLED AT ME EARLIER
YOU'RE BOTH ON PROBATION.

ALL I'M ASKING IS THAT THE TOWN
TROUBADOUR LAWS BE ENFORCED.

THERE ARE NO TOWN
TROUBADOUR LAWS.

THERE OUGHT TO BE SOMETHING.

I'VE GOT THE TOWN
HANDBOOK RIGHT HERE.

I DON'T GET THIS, PEOPLE.

THIS MAN IS
PRACTICALLY A VAGRANT.

WHERE DO YOU EVEN LIVE?
WHAT DO YOU DO FOR A LIVING?

I DON'T WANT PEOPLE
TO KNOW THOSE THINGS.

WHY NOT?

BECAUSE THAT'S PART
OF BEING A TROUBADOUR.

WHAT IS PART OF
BEING A TROUBADOUR?

THE MYSTIQUE.

OH, THIS IS
ABSOLUTELY RIDICULOUS!

DO YOU SUBSCRIBE TO THIS,
UH, UH, TROUBADOUR MYSTIQUE?

I RUN A KINKO'S IN GROTON.

YOU SEE? THAT PROVES IT.

HE DOESN'T RESPECT THE CODE.
YOU'RE NOT SUPPOSED TO TALK,

YOU'RE NOT SUPPOSED
TO RUN A KINKO'S.

YOU ARE SUPPOSED TO
SPEAK THROUGH YOUR MUSIC.

THAT'S THE WHOLE POINT.

WHAT IS YOUR SCAM, BUDDY?

MY SCAM?

BECAUSE IF YOU ARE USING THE
FINE PEOPLE OF STARS HOLLOW

TO MAKE A QUICK BUCK...

NO, TAYLOR, HE
DOESN'T ACCEPT MONEY.

I KNOW, I TRIED.

HE MAY NOT NOW, BUT HE WILL.

THIS TROUBADOUR ACT IS
A MONEY-MAKING SCHEME.

WHY ELSE WOULD HE BE DOING IT?

BECAUSE SOMETIMES YOU
HAVE SOMETHING TO SAY

BUT YOU CAN'T BECAUSE
THE WORDS WON'T COME OUT,

OR YOU GET SCARED,
OR YOU FEEL STUPID. SO...

IF YOU COULD WRITE
A SONG AND SING IT,

THEN YOU COULD SAY
WHAT YOU NEED TO SAY,

AND IT WOULD BE BEAUTIFUL,
AND PEOPLE WOULD LISTEN

AND YOU WOULDN'T MAKE A
COMPLETE IDIOT OUT OF YOURSELF.

BUT ALL OF US CAN'T
BE SONGWRITERS,

SO SOME OF US WILL NEVER BE
ABLE TO SAY WHAT WE'RE THINKING,

OR WHAT WE WANT OTHER PEOPLE
TO KNOW THAT WE'RE THINKING,

SO WE'LL NEVER GET THE CHANCE
TO MAKE THINGS RIGHT AGAIN, EVER.

SO, GIVE THIS GUY A LICENSE.

WELL, I LIKED THAT
LITTLE SPEECH.

THAT'S THE GIRL SCOUT.

IN THE INTEREST OF NOT TALKING

ABOUT THIS SUBJECT
FOR ANOTHER SECOND,

I HEREBY DESIGNATE, UH,
UH, MYSTIQUE GUY OVER HERE

THE OFFICIAL TOWN TROUBADOUR.

AND NO OTHER TROUBADOUR
MAY USURP HIS TERRITORY,

MEANING THIS OTHER GUY.

DO YOU WANT SOME
FRIES? WE HAVE EXTRA.

NO, RACHEL'S MINDING THE STORE,

SO I SHOULD PROBABLY GET GOING.

YEAH, I AGREE.

I KNEW YOU WOULD.

OH, YOU'RE BACK.

YEAH, THERE'S NOTHING MUCH
PRESSING AT THE TOWN MEETING.

OK, WELL, THE, UH, BREAD
THE SHIPMENT'S ALL PUT AWAY,

AND I... I SENT CAESAR HOME
SINCE IT WAS PRETTY DEAD.

GOOD. GOOD CALL.

THANKS.

SO YOU'RE LEAVING, HUH?

YEAH.

WERE YOU EVEN GONNA TELL ME?

I WAS WAITING FOR
YOU TO GET BACK

SO I COULD SAY GOODBYE.

YEAH, YOU AT LEAST
ALWAYS DO THAT.

SO, GO.

DON'T YOU EVEN WANT TO KNOW WHY?

I KNOW WHY.

I DON'T THINK YOU DO.

IT'S JUST LIKE ALL THE
OTHER TIMES, RACHEL.

YOU'RE THE "ANYWHERE
BUT HERE" GIRL.

YOU'RE RESTLESS, YOU'RE BORED.

IT IS WHAT IT IS.

THAT'S NOT IT.

THEN WHAT IS IT? IS
THERE ANOTHER GUY?

NO. THEN WHAT?

IT'S ANOTHER GIRL.

WHAT?

YOU'RE TELLING ME...

THE OTHER GIRL ISN'T
FOR ME, LUKE, IT'S FOR YOU.

OK. NOW, THAT'S CRAZY.

YEAH? YEAH.

YOU FEEL YOU NEED A
DIFFERENT EXCUSE THIS TIME

TO MIX THINGS UP A LITTLE. FINE.

BUT YOU ARE NOT
LEAVING BECAUSE OF ME.

I'M SURE YOU TRIED, LUKE.

BUT ADMIT IT. YOUR
HEART WASN'T IN IT.

MY HEART WAS IN IT. I
WAS HERE. I DIDN'T LEAVE.

I DON'T GET THIS. WHAT'RE
YOU TALKING ABOUT?

ANOTHER GIRL? WHAT OTHER GIRL?

OH, RACHEL, NO.

YOU DON'T MEAN...

SHE AND I ARE JUST FRIENDS.

I... I TOLD YOU THAT
A THOUSAND TIMES.

NO. YOU TOLD IT TO ME ONCE.

AND YOU COULD
BARELY GET IT OUT THEN.

OK, THIS IS CRAZY.

YOU'VE GOT IT WRONG HERE.

IT'S NOT...

SHE AND I ARE, UH...

I'M GONNA GO.

I'LL MISS YOU.

STAY IN TOUCH.

RACHEL, COME ON.

SO DON'T WAIT TOO LONG, OK?

TO WHAT?

TO TELL HER.

HEY, MADELINE, I GOT
THE NOTES YOU WANTED.

NO, THANKS.

NO, THESE ARE THE
ONES YOU ASKED FOR.

THE BIOLOGY NOTES FROM
TUESDAY. THE OTHER DAY...

NO, THANKS.

BUT...

WHAT'S WRONG WITH HER?

NOTHING'S WRONG WITH HER, MARY.

MARY? OH, NO, NOT THIS
VIRGIN MARY THING AGAIN.

NOT VIRGIN. TYPHOID.

WHAT?

WHEN WE MET AT THE BEGINNING
OF THE YEAR I DIDN'T LIKE YOU.

BECAUSE I THOUGHT YOU WERE
SOME RUBE FROM THE STICKS.

AND I'VE NO PATIENCE FOR
RUBES. HOW VERY ENLIGHTENING.

BUT THEN I DISCOVERED
THAT YOU'RE NOT SO DUMB.

YOU EVEN SEEMED MODESTLY
INTERESTING AT TIMES.

THAT'S WHEN I MADE
A VERY BIG MISTAKE.

I LET MY GUARD DOWN.
THAT WON'T HAPPEN AGAIN.

WHAT IS ALL THIS ABOUT?

IT'S ABOUT USING PEOPLE
FOR YOUR OWN SICK ENDS.

IT'S ABOUT MAKING ENEMIES WHERE
YOU SHOULD'VE MADE FRIENDS.

HOW DID I MAKE YOU MY ENEMY?

OH, I THINK YOU KNOW.

WHAT? WAS IT SETTING YOU UP
WITH TRISTIN? I'M SORRY ABOUT THAT.

I THOUGHT I WAS JUST
BEING NICE. OH, SURE YOU DID.

I HELPED YOU GET READY.

I LOANED YOU MY
MOTHER'S CLOTHES,

WHICH I STILL HAVEN'T GOT BACK.

OH, MY GOD, YOU'RE RIGHT.

I HOPE SKIPPY DIDN'T
HAVE HER PUPPIES ON THEM.

I'LL CHECK WHEN I GET HOME.

TELL ME WHAT I DID.

PARIS!

THINK ABOUT IT AT P.J. HARVEY.

IS THAT WHAT THIS IS ABOUT?

I'M NOT GOING TO P.J. HARVEY.

TRISTIN SAYS YOU ARE.

WELL, THEN HE LIED.

I SAW THE TICKETS.

HE BOUGHT THEM ON HIS OWN.

LOOK, I'M OVER TRISTIN. SO
DON'T BACK OUT ON MY ACCOUNT.

THERE'S NOTHING TO BACK OUT OF.

I DON'T HAVE TIME FOR
THINGS LIKE CONCERTS ANYWAY.

I'M ALREADY LINING UP MY
EXTRACURRICULARS FOR NEXT YEAR.

BY THE WAY, ARE YOU STILL
GOING OUT FOR THE SCHOOL PAPER?

YOU KNOW, I AM.

YOU'LL NEED A FACULTY
RECOMMENDATION.

I THINK I CAN SWING IT.

AND THE SUPPORT OF THE
STUDENT EDITOR. I'M NOT WORRIED.

WORRY. I JUST GOT THE JOB.

OH.

CONGRATULATIONS.

THANK YOU.

AND DON'T WORRY.
YOU'LL HAVE SOME ROLE.

HOW'S COVERING THE NEW
PARKING LOT LANDSCAPING SOUND?

PEACHY.

TOO BAD I ALREADY FILLED
THE SLOT FOR MUSIC COVERAGE.

YOU KNOW, RECORD
REVIEWING AND SUCH.

YOU'D HAVE BEEN PERFECT FOR IT.

I GAVE THE JOB TO LOUISE.

LOUISE OWNS 2 CDS.

YEAH.

WELL, GOT TO GO.

HAVE A REALLY GOOD SUMMER.

YOU'RE ANNOYINGLY ON TIME AGAIN!

OK. STAIRS, THEN SHOES.

STAIRS, THEN SHOES.

OH! HI. HEY.

HEY, YOU'RE ALL DRESSED UP.

OH, I'M GOING OUT.

OH, SORRY. UH, I
FORGOT MY TOOLBOX,

SO I JUST THOUGHT
I'D COME PICK IT UP.

OH, YEAH, IT'S RIGHT OVER HERE.

RORY AND I COULDN'T LIFT IT OR
WE'D HAVE BROUGHT IT TO YOU.

AND THEN WE GOT USED TO HAVING
IT HERE, SO WE NAMED IT BERT.

AND WE'D SAY,
"GOOD NIGHT, BERT,"

AND IT'D SAY,
"GOOD NIGHT, GIRLS."

AND WE SPEND TOO
MUCH TIME HOME ALONE.

WELL, THANKS FOR
TAKING CARE OF HIM.

OUR PLEASURE.

SO, RACHEL LEFT.

WHAT?

LAST NIGHT SHE LEFT. FOR GOOD.

OH, NO, LUKE, I'M SO SORRY.

WHAT HAPPENED?

IT'S... IT'S HARD TO EXPLAIN.

I CAN'T BELIEVE IT. I
THOUGHT SHE WAS REALLY IN IT

FOR THE LONG HAUL THIS TIME.

YEAH, WELL, SHE HAD HER REASONS.

REALLY? WHAT?

HELLO. I TRIED TO BE LATE.

OH, AND AN UTTER FAILURE
AT ONE MINUTE PAST.

UM, SO, UH, MAX MEDINA,
THIS IS LUKE DANES.

LUKE OWNS THE DINER. HE
HAS THE GREATEST COFFEE.

OH, RIGHT, I SAW YOU
AT THE TOWN MEETING.

I SAW YOU, TOO.

NICE TO MEET YOU. UH-HUH.

SO, WE SHOULD
BE GOING. OH, YEAH.

YEAH, I'M GONNA GET GOING.

I JUST LEFT MY TOOLBOX

FROM WHEN I WAS HERE
EARLIER, FIXING THINGS.

I... I DO A LOT OF LITTLE THINGS
AROUND HERE FOR LORELAI.

YEAH, YOU'RE VERY HANDY.
SO, LUKE, WE'LL TALK LATER.

YES, WE WILL.

ALTHOUGH PROBABLY NOT TONIGHT.

WE WON'T BE BACK UNTIL LATE.

NO, I MEANT NOT TONIGHT.

OH. I MISUNDERSTOOD.

I MEANT TOMORROW. SO, TOMORROW.

ABSOLUTELY. WE SEE EACH
OTHER MOST EVERY DAY.

WELL, SURE. YOU'VE
GOT THE COFFEE.

AND SHE NEEDS THE COFFEE.

SO I'LL SEE YOU TOMORROW,
SAME TIME AS ALWAYS.

I'D COUNT ON A LITTLE LATER.

IT DOESN'T MATTER
WHAT TIME IT IS.

I'LL ALWAYS BE AROUND.

BYE.

SO, ARE WE GOING?

UH, YEAH. JUST
WANTED TO MAKE SURE

YOU TWO WERE FINISHED
SWINGING THOSE THINGS AROUND.

SOMEONE'S BOUND TO LOSE AN EYE.

WHAT ARE YOU TALKING ABOUT?

NOTHING. I'LL GET MY PURSE.

SO, NOT TO BE BLUNT,
BUT IS THAT OVER?

IS WHAT OVER?

WHATEVER'S GOING ON
THAT I JUST WALKED IN ON.

OH, MAX, COME ON, THAT'S LUKE.

I KIND OF PICKED
SOMETHING UP THERE.

OK, WELL, DROP IT BACK ON THE
GROUND AND KICK IT UNDER THE COUCH,

BECAUSE THERE IS
NO "THERE" THERE.

HEY, IT'S OK.

AND WE WERE APART
FOR QUITE A WHILE.

I NEVER ASSUMED YOU
JOINED A CONVENT. MAX.

I MEAN, IT'S NOT LIKE I DIDN'T
DATE WHILE WE WERE APART.

YOU DATED?

A LITTLE.

A LITTLE PERSON?

NO, I DATED A LITTLE.

OK. WELL, I DIDN'T EXPECT
YOU TO JOIN A MANVENT,

OR WHATEVER THE MALE
EQUIVALENT OF THAT IS CALLED.

WHO DID YOU DATE?

A MONASTERY.

YOU DATED A MONASTERY?

NO, A MONASTERY IS THE MALE
EQUIVALENT OF A CONVENT.

THANK YOU. I'LL MAKE A
NOTE FOR THE QUIZ ON FRIDAY.

I DIDN'T KNOW IF I'D
EVER SEE YOU AGAIN.

I GET IT. YES, WE WERE APART.

AND, UH, YOU KNOW, I DIDN'T
EXACTLY REMAIN INACTIVE.

SO YOU DID DATE LUKE?

NO, I DID NOT DATE LUKE.

WELL, YOU CAN TELL ME.

I DID NOT DATE LUKE.

THERE WAS A VIBE.

THERE WAS NO VIBE. WHAT
IS WITH THE QUESTIONING?

YOU WON'T TELL ME WHO YOU DATED.

THERE'S NO ONE YOU KNOW.

OK, WELL, DID YOU DATE LIKE
CASUAL, NOTHING-TYPE DATING

OR DID YOU DATE GET-DOWN,
SOUL-TRAIN KIND OF A DATING?

WELL, I WOULDN'T
PHRASE IT THAT WAY,

BUT TO BE HONEST,
IT... IT WAS THE LATTER.

GOOD, GOOD. OK, WELL,
I LIKE YOUR HONESTY,

BECAUSE, I MEAN, YOU COULD'VE
LIED AND... AND LEFT THAT PART OUT

TO SPARE MY FEELINGS WHICH
WOULD'VE BEEN UNNECESSARY.

SO, THANK YOU. THAT WAS GOOD.

I SLEPT WITH RORY'S DAD.

LET'S CHANGE THE SUBJECT.

ON MY PARENTS' BALCONY.

I WANT TO CHANGE THE SUBJECT.

OK, WELL, YOU STARTED IT.

I DID NOT MEAN
FOR THIS TO BECOME

A WHO-SLEPT-WITH-WHOM CONTEST.

WELL, HOW'D IT GET THAT WAY?

I DON'T KNOW.

WHY DO WE DO THIS? WHY DO
WE LET IT GET WEIRD BETWEEN US

JUST WHEN IT'S
GETTING GOOD AGAIN?

I DON'T KNOW.

I DON'T LIKE IT. I DON'T EITHER.

AND I'M SICK OF
IT. WELL, SO AM I.

WE CAN'T KEEP GETTING THIS CLOSE

JUST TO HAVE SOMETHING
COMPLETELY DERAIL US AGAIN.

AND FRANKLY, THERE'S ONLY
ONE THING I COULD THINK OF

THAT, UH, COULD SOLVE IT.

BREAK UP.

I'M NOT INTERESTED IN A
MURDER-SUICIDE KIND OF THING.

WE SHOULD GET MARRIED.

GIVE ME A CLUE

AS TO WHETHER
YOU'RE KIDDING OR NOT.

I AM NOT KIDDING.

GOOD CLUE.

WHAT DO YOU SAY?

NOTHING.

MAX, YOU DID NOT
JUST PROPOSE TO ME.

YES, I DID.

NO. A PROPOSAL HAS
TO BE SOMETHING MORE

THAN THE DESPERATE DESIRE
TO END A BICKERING MATCH.

IT WAS MORE THAN THAT.

OH, IT HAS TO BE PLANNED.

IT... IT SHOULD BE MAGICAL.

THERE SHOULD BE MUSIC
PLAYING, AND ROMANTIC LIGHTING

AND... AND... AND
A SUBTLE BUILDUP

TO THE POPPING OF
THE BIG QUESTION.

THERE SHOULD BE A
THOUSAND YELLOW DAISIES

AND CANDLES AND A HORSE.

AND I DON'T KNOW WHAT
A HORSE IS DOING THERE

UNLESS YOU'RE RIDING IT, WHICH
SEEMS A LITTLE OVER THE TOP.

BUT, I JUST... IT SHOULD
BE MORE THAN THIS.

YOU'RE RIGHT.

I AM RIGHT.

I'M SORRY.

IT'S OK.

LET'S START THE EVENING OVER.

DING-DONG.

NOW I'M 5 MINUTES LATE.

WELL, YOU'RE MAKING
GOOD PROGRESS.

LET'S GO?

BYE-BYE, BERT.

SO I'M A LITTLE TIRED OF
THIS GAME. WHAT GAME?

ARE WE MEETING THERE?
WHAT ARE YOU TALKING ABOUT?

THE CONCERT'S TONIGHT.

WELL, I HOPE YOU AND THE
EMPTY SEAT HAVE A LOT OF FUN.

I'M STARTING TO GET
A LITTLE IRRITATED.

SO AM I.

WHAT ARE YOU MAD ABOUT?

YOU'RE TELLING EVERYONE
I'M GOING WITH YOU.

JUST A COUPLE. YOU TOLD PARIS.

PARIS AND I HAD JUST
STARTED GETTING ALONG.

AND NOW SHE HATES ME AGAIN.

WELL, IF THE DAMAGE IS DONE,

YOU MIGHT AS WELL GO WITH ME.

NEVER, NEVER.

I AM NEVER GOING
ANYWHERE WITH YOU EVER.

YOU KNOW, THESE TICKETS
COST ME A FORTUNE.

THEY COST YOUR DADDY A FORTUNE.

I DON'T KNOW ANYBODY ELSE
WHO'S EVEN INTO THIS STUPID GUY.

P.J. HARVEY'S A WOMAN.

WHAT ARE YOU DOING?

YOU'LL GET THEM BACK WHEN
YOU AGREE TO GO WITH ME.

YOU'RE PATHETIC, TRISTIN.
KEEP THE BOOKS. I'M LEAVING.

DEAN?

DEAN.

WHAT ARE YOU DOING HERE?

I'M LEAVING.

DON'T GO. I SHOULDN'T HAVE COME.

NO, WAIT!

I FEEL LIKE AN IDIOT. WHY?

I COME ALL THE WAY OUT
HERE, AND I SEE YOU WITH HIM.

IT'S JUST GREAT.

NO, TRISTIN WAS
JUST... I DON'T CARE.

NO... HE'S GOT YOUR BOOKS, RORY.

BUT HE TOOK THEM. HE
WOULDN'T GIVE THEM BACK.

PLEASE, JUST TELL
ME WHY YOU'RE HERE.

I DON'T EVEN KNOW.

YES, YOU DO.

'CAUSE I THOUGHT YOU...

FORGET IT. NO, SAY IT.

I THOUGHT YOU WERE
TRYING TO TALK TO ME.

I MEAN, YOU CAME TO MY HOUSE.

THAT WASN'T ME.

IT WAS YOU.

IT MUST'VE BEEN SOMEONE
THAT LOOKED LIKE ME.

MY SISTER RECOGNIZED YOU
FROM THE PICTURES IN MY BOX.

IN WHAT BOX?

THE BOX OF STUFF I HAVE OF US.

PICTURES AND... AND LETTERS,
AND EVERYTHING FROM YOU.

YOU HAVE A RORY BOX?

AND WHAT WAS GOING
ON AT THE TOWN MEETING,

ALL THAT STUFF
ABOUT WRITING A SONG?

I DON'T KNOW WHAT I
WAS TALKING ABOUT.

THAT HAD NOTHING TO DO WITH ME?

WELL, I MUST HAVE
IMAGINED IT ALL THEN.

YOUR BOYFRIEND'S WAITING.

HE'S NOT MY
BOYFRIEND. I HATE HIM.

WHATEVER.

DEAN. WHAT?

STOP! WHY?

BECAUSE I LOVE YOU, YOU IDIOT.

♪

♪ DO YOU REMEMBER
THE FIRST KISS? ♪

♪ STARS SHOOTING
ACROSS THE SKY ♪

♪ TO COME TO SUCH
A PLACE AS THIS ♪

♪ YOU NEVER LEFT MY MIND ♪

DO YOU UNDERSTAND
WHAT I'M SAYING?

DO YOU SPEAK ENGLISH?
ARE YOU LISTENING TO ME?

AH, WHAT TOOK YOU?

SORRY. I GOT HERE AS
QUICKLY AS I COULD. HI.

DO NOT ADDRESS
HIM. HE'S A SCOUNDREL.

I'M JUST DOING MY
JOB. WHAT'S GOING ON?

AM I NOT THE HEAD MAN IN
CHARGE OF FLORAL DELIVERIES?

YES, AND ONE OF THE FEW MEN
WHO WOULD PROUDLY DECLARE THAT.

I'M JUST DOING MY
JOB. STOP SAYING THAT.

THIS HAS TO DO WITH
FLOWERS WE ORDERED?

FLOWERS WE DID NOT ORDER.

I'M JUST DOING MY JOB.

SAY THAT ONCE MORE
AND I'LL PUNCH YOUR NOSE.

IT MUST BE A MISTAKE. NO.

I DID NOT ORDER THESE FLOWERS.

IT SAYS THAT YOU HAVE TO BE HERE

TO PERSONALLY ACCEPT THEM.

I HAVE TO BE HERE?
WELL, THAT'S...

I AM HEAD MAN IN
CHARGE OF FLOWERS.

I JUST DO WHAT I'M TOLD.

I WARN YOU TO STOP SAYING THAT.

IT'S NOT WHAT I SAID BEFORE.

IT'S A LITTLE VARIATION THAT WILL
STILL LEAD TO A PUNCH ON THE NOSE.

DAISIES, NO LESS.

AS IF I WOULD ORDER
THESE PITIFUL LITTLE THINGS.

FOUL THINGS, THESE DAISIES.

JUST A NOTCH UP FROM WEEDS.

AND LOOK HOW MANY. I MEAN,
THERE MUST BE AT LEAST...

A THOUSAND OF THEM.

A THOUSAND YELLOW DAISIES.

THAT'S RIGHT, THERE'S
EXACTLY A THOUSAND OF THEM.

ORDER STATES THAT THERE'S
TO BE EXACTLY A THOUSAND.

NOT 1,001, NOT 999, BUT 1,000.

YOU ASK FOR
1,000, I BRING 1,000.

I DON'T QUESTION THE
ORDERS. I MERELY FILL THEM.

A JOB WELL DONE,
MR. ADOLPH EICHMANN.

I COULDN'T FIND A HORSE.

YOU DIDN'T HAVE TO...

DON'T SAY ANYTHING, OK.

PLEASE.

YOU WERE RIGHT LAST NIGHT.

I SHOULDN'T HAVE
PROPOSED TO YOU LIKE THAT.

IT WAS STUPID.

IT WAS THE WRONG PLACE
AND THE WRONG TIME.

AND I KICKED MYSELF THE
ENTIRE NIGHT FOR DOING IT.

BUT YOU WERE WRONG
ABOUT SOMETHING, TOO.

I DIDN'T PROPOSE TO YOU
BECAUSE WE WERE FIGHTING.

I... I PROPOSED
BECAUSE I LOVE YOU.

WE'RE IN A BAD PATTERN, LORELAI,

AND WE HAVE TO BREAK IT.

AND OTHER THAN THAT MURDER-SUICIDE
THING YOU WERE TALKING ABOUT,

WHICH WOULD BE
ILLEGAL AND MESSY,

I CAN ONLY THINK
TO BE IMPETUOUS.

MAX.

NO, LISTEN. I WOKE
UP THIS MORNING

AND I REALIZED
THAT I HAVE STUDIED

AND TAUGHT THE GREAT
LITERATURE ALL MY LIFE.

AND THOSE STORIES ARE REPLETE

WITH CHARACTERS THAT
LET OPPORTUNITIES SLIP BY.

BUT WHAT I TEACH IS MORE
THAN JUST LITERATURE.

IT'S LESSONS IN LIFE.

AND IF I DON'T FOLLOW THE
TENETS OF THOSE LESSONS,

I'M NOT THE MAN I THOUGHT I WAS,

THE MAN I WANT TO BE.

GOD, YOU TALK SO GOOD.

I DON'T WANT AN ANSWER
NOW. I'VE THOUGHT ABOUT THIS.

I WANT YOU TO DO THE SAME.

I LOVE YOU, LORELAI GILMORE.

AND I KNOW THIS TO BE TRUE.

I'LL TALK TO YOU LATER.

OH, MY.

♪ THAT WHICH YOU
TRULY GAVE TO ME ♪

♪ YOU NEVER MADE
ME STAND OUTSIDE ♪

♪ YOU ALWAYS OFFERED SANCTUARY ♪

♪ EVERYBODY NEEDS
A LITTLE SANCTUARY ♪

♪

♪ EVERYBODY NEEDS
A LITTLE SANCTUARY ♪

RORY!

JEEZ, YOU MADE ME SPILL.

SORRY. UH, SHE'S NOT HERE?

NO. WHAT'S THE MATTER?

I MESSAGED HER TO
MEET ME HERE AT 7:00.

AND SHE'S SUPPOSED TO BE HERE.

SO WHAT TIME IS IT? 7:00.

I'M DAMP.

OH, WHERE IS SHE?

CALM DOWN. IS EVERYTHING OK?

YES. MAYBE. I THINK
SO. I DON'T KNOW.

WHAT'S GOING ON?

BIG THINGS, BIG POTENTIALLY
LIFE-CHANGING THINGS.

GET A PROMOTION?

THEY MADE ME HEAD SALESMAN
OF NORTHWEST TERRITORIES.

NO, I RUN AN INN. THERE'S
NO PLACE TO PROMOTE ME TO.

SO IT'S NOTHING TO DO WITH WORK?

WHERE'S SHE? HAVE SOME
COFFEE WHILE YOU WAIT.

NO, I COULDN'T TAKE COFFEE.

BIG HOLE THROUGH
THE ROOF, VERY BAD.

YOU'RE SAYING NO
TO COFFEE? THIS IS BIG.

CAN'T TELL ME WHAT IT IS?

I JUST... I REALLY NEED
TO TELL RORY FIRST.

BUT YOU'RE HAPPY
ABOUT THIS NEWS?

I... I MIGHT BE. I... MAYBE.

IT'S JUST KIND OF A "WOW, I CAN'T
BELIEVE THIS IS HAPPENING TO ME"

KIND OF A MIND-BLOWING MOMENT.

OH, THERE SHE
IS. I-I'M GONNA GO.

THE WHOLE TOWN GETS ONE TODAY.

BYE.

♪

♪ AND IF YOU CARE TO STAY ♪

♪ IN OUR LITTLE
CORNER OF THE WORLD ♪

♪ WE COULD HIDE AWAY ♪

HE JUST... I JUST...

YOU FIRST!

ME FIRST!

♪ WE ALWAYS KNEW ♪

♪ THAT WE'D FIND
SOMEONE LIKE YOU ♪

♪ SO WELCOME TO ♪

♪ OUR LITTLE CORNER
OF THE WORLD ♪