Frequency (2016–2017): Season 1, Episode 2 - Signal and Noise - full transcript

My name is Detective Raimy Sullivan.

My father was killed in 1996.

Last night...

- WQ2YV, is...
- Hello?

- Hey.
- I spoke to him.

- Your father?
- Dad?

So you're telling me that in 20 years

I'm gonna be on the
job with my daughter?

No. You die tomorrow.

[gasps]

Dad survived,



but saving his life changed everything.

We've ID'd the remains from the marsh.

I'm sorry, Raimy, it's your mom.

The most wanted serial killer
in New York took my mom.

Now, whatever we do,

however we try and fix things,
history keeps changing.

- Your name is Daniel Lawrence.
- How do you know my name?

- I'm your girlfriend.
- I've never been to Queens,

and I don't know you. I'm sorry.

All I want is to get back what I lost.

[soft dramatic music]

♪ ♪

Female, 28 years old at time of death,

which we can pinpoint at
late 1996 or early 1997,



positively identified as
Julie Elizabeth Sullivan.

♪ ♪

Two sets of rosary beads recovered,

one wrapped around the
ankles, one around the wrists,

leading us to believe that this was,

in fact, a Nightingale homicide.

I can stop there, Detective.

Are you finished?

- No, I just thought...
- Go on.

I'm on the Nightingale Task Force.

If it's Nightingale, I
need to know everything.

Of course.

And then there, the broken hyoid

clearly indicates manual strangulation,

which, again, is consistent
with the Nightingale

and what we've determined to
be the ultimate cause of death.

She's not dead yet.

♪ ♪

Uh, these are the only
personal effects found

with your mother's body.

[dramatic music]

She's not dead yet.

♪ ♪

- Something happened.
- _

You lived, but Mom died.

That do... that doesn't make any sense.

- How's that even possible?
- _

We did something.

Changed something.

I don't know. All I know, is she's gone.

Gone how?

The Nightingale Killer.

Nightingale? He hasn't been caught?

In the world when you died, he stopped.

But then you lived,

and he's killed at least 20 more.

How can you know this?

Because I remember it both ways.

Life when you died and
life when you didn't.

Trust me, I know that sounds crazy,

but everything I had,

everything I lost when history changed,

I remember.

When does he take her?

January 10, 1997.

What's that? It's 11... 11 weeks...

11 weeks from... from right now?

Which means we have a date

and a suspect.

We could stop him.
We... we can find him,

and we can stop him.

♪ ♪

- Dad?
- Yeah.

No, absolutely.

We can do this. Okay?

But there's one thing I can't do.

You need to tell her.

[exhales sharply] What...

what am I supposed to say?

You warn her she's gonna die.

You tell her how and you tell her when.

She needs to know, Frank.

Tell me you can do that.

♪ ♪

[radio static]

♪ ♪

It was a setup.

Stan Moreno's a dirty cop.

That's why he wanted you dead.

There was no sting. It was as setup.

You were never supposed to survive.

You're one lucky guy, Frank.

Needless to say, you're blown, pal.

You're a cop.

And now I have protective detail

and I'm fine, okay? Raimy, you'd ha...

Don't tell me not to
worry. You were shot

and your own guy set you up.

[suspenseful music]

♪ ♪

Excuse me, where's the, uh,
officer posted to this door?

I don't know, but there's
something going on at reception.

Sullivan.

You really gonna make us chase you?

♪ ♪

[cheers and applause]

[Collective Soul's "The World I know"]

♪ ♪

You believe this, Frank?

Yanks are taking the
series, you're the hero.

[chuckles]

♪ So I walk up on high ♪

♪ And I step to the edge ♪

♪ To see my world below ♪

♪ ♪

♪ And I laugh at myself ♪

♪ While the tears roll down ♪

♪ 'Cause it's the world I know ♪

♪ Oh, it's the world I know ♪

- Hey, neighbor.
- _

I've been texting you.

- I gotta go.
- Raim, come on.

I'm sorry about your mom.

Copy that.

Anything else?

Uh, that was pretty much the
biggest item on the agenda.

Are you okay?

The other night, that stuff
you were saying about your dad.

Gordo, I don't have time for this.

Well, can we talk?

Maybe later.

[soft music]

[engine turns over]

♪ ♪

Feeling better already. Thanks.

All right, give me on
minute. Hey, hey, hey.

I thought I told you to take a few days?

- You make the arrangements?
- What arrangements?

How about a funeral?

On it.

Look.

I know your mom has
been gone for 20 years,

and I'm not gonna
tell you how to grieve.

I appreciate that.

But I don't want you to regret

not giving her a proper good-bye.

And I'd really like to
focus on finding the bastard

who did this to her.

All right.

Thank you.

[soft dramatic music]

♪ ♪

He's not creepy. He's South African.

He's an architect.

- Who was your patient in the ER, Ma.
- _

It's creepy on so many levels.

All I'm saying is meet him.

What's his name?

[attempts South African accent] Daniel?

You have no clue how a South
African accent actually sounds,

- do you?
- Oh, what, 'cause you do?

[dramatic music]

♪ ♪

[Weezer's "Say It Ain't So"]

[indistinct chatter]

♪ ♪

Detective Sullivan, working undercover

to dismantle a notorious
New York City drug gang,

barely survived the
shootout while attempting

to bring in key members of the gang.

In recognition for his service,

today, Detective Sullivan
received the Combat...

[exhales]

You know... [sighs]

you should really try smiling, Sullivan.

- There's a party going on.
- [scoffs]

[chuckles]

Look, man, forget that hero nonsense.

You're home now.

That's what you wanted, right?

I heard the Task Force needs bodies.

The Nightingale Task Force?

Yeah, we do,

but we can wait.

Frank, you've been
undercover for two years.

You can take a week.

[chuckles]

And New York needs more heroes

like Detective Frank Sullivan.

[soft music]

♪ ♪

Hey, Raims.

Look at you.

Have you ever tried meteor scatter?

Uh... I'm sorry, what now?

You know, how to bounce
signals off the moon, right?

You can do the same
thing with meteor trails.

Come on. Where'd you learn that?

The library. Want me to show you?

Yeah. [laughs]

♪ ♪

Did you talk to the lady on the ham?

I did.

She was nice.

Yeah, well, she has her issues,

but, yeah, she is, isn't she?

Does this mean you and Mommy
are gonna live together again?

♪ ♪

You okay?

It's been a while since you
had your boy back in the house.

Great.

Really.

I'm great.

[footsteps approaching]

♪ ♪

She goes to bed so much later now.

- She's... she's eight, Frank.
- Yeah.

A lot's happened in two years.

I, um... I just brought
some blankets and pillows.

I figured maybe you'd...

maybe you'd be more
comfortable down here.

Yeah... [clears throat]

Of course.

And I wanted to, um...
I wanted to thank you.

You know, I know today wasn't easy.

- You don't have to thank me.
- No, really, I didn't...

I didn't mean to just
land here. You know?

I-I know that we got a lot to discuss.

I know I've caused you and Raims
all kinds of pain, and it...

And I appreciate you
saying that. I do. Okay?

Come on, please.

[soft dramatic music]

Okay. All right, you wanna talk?

Wanna... wanna tell me

how long the cops are
gonna be outside our house?

It's a protective detail. Okay?

As soon as we get the guy that
did this to me, they go home.

You're scaring your daughter,

and it's... it's freaking me out too.

You know that the Nightingale
Killers still out there, right?

I mean, this is the
safest place you can be.

Thank you, Frank, because
I needed to be more freaked.

He's killing nurses.

They think.

I mean, what, there's been two?

I need to know that you're
taking this seriously.

I am. Of course I am.

I just... I can't be all
cop talk all of the...

[exasperated sigh] [chuckles]

You know, it's just
been a long couple days

for all of us. Frank, I'm tired.

♪ ♪

Raimy is...

so excited to have you back.

♪ ♪

Me too.

♪ ♪

[Sheryl Crow's "Everyday
Is a Winding Road]

- Good night! [laughs]
- _

♪ ♪

♪ I get a little bit closer ♪

♪ Everyday is a faded sign ♪

[dramatic music]

♪ ♪

- Hey, are you okay?
- I'm fine.

- My friends are in the bar.
- Here, let me help you.

[suspenseful music]

That marsh

where my mother was
found, I did some digging.

Please tell me you went home last night.

There was a sexual assault
case in the same marsh in 1994.

Two years before my mom was abducted.

And what, you think they're linked?

That marsh is out of the way.

You gotta know it's
there to know it's there.

Okay, so maybe he liked
the scenery in '94,

then decided to use it as a
dumping ground two years later?

What's the file say?

There is no file.

The charges were dropped.
The case was expunged.

I found an article in
some newspaper archives.

So who's our guy?

Thomas Goff. College student, early 20s.

- And now?
- Investment banker,

- two kids, lives in Jersey.
- Whoa...

This is our Nightingale?

That sexual assault Vic?

She was a nursing student.

[exhales]

Go home. Get some sleep.

Take a shower. Feed yourself.

Then you can work it.

[Aurora's "Through the Eyes of a Child"]

♪ Hey oh-ah ♪

♪ Ay ♪

♪ Oh ay... ♪

Why would Stan sell me out?

Because Stan Moreno would be

the first Narcotics cop to go Dark Side?

Maybe he was in bed with Little Jay.

♪ Ah-ah ay... ♪

[growls]

[laughs]

♪ Oh ay... ♪

So what now? Now I rat out Stan?

I don't care what you
do. You gotta quash it.

We got bigger things.

You have to tell Mom.

[both laugh]

Ah, there he is.

Frank Sullivan, Tom Cuccinelli, F.O.P.

IAB's gonna get to us
in just a heartbeat,

so, uh, sit tight. Okay, my friend?

- No problem.
- Okay.

[clears throat]

Holy mother, Frank.

You look like a cop.

[Chuckles]

Yeah, well...

it's about time, right?

[laughs]

So, uh, where we at with Little Jay?

Uh, you know, pedal to the metal.

Slippery son of a bitch.

I might be able to help out.

Might know a few places he'd hole up.

Always charging that hill.
That's why I love you, Frank.

[laughs]

You get yourself good. We got this.

These things are a bitch, right?

Just relax.

Everything'll be fine.

October 22, 1996.

In your capacity as an
undercover Narcotics officer,

you were involved in a gunfight
with up to four individuals

from a suspected criminal
gang, were you not?

That's correct.

You've previously
described this encounter

as a sting operation gone bad.

Is that correct.

Exactly.

Let's park ourselves
right there for a sec.

Let's talk a moment off
the record, Detective.

Okay.

We've already interviewed Stan Moreno

as well as the other men
in his direct command.

To a man they testified
there was no sting that night,

nor were you led to believe there was.

There's no records.

There's nothing in the log books.

Which means it's your word

against the word of
three decorated cops.

[soft dramatic music]

I mean, you're Captain freaking America

in this town right now, Frank.

This goes right, you've
got your pick of posts.

Nightingale Task Force, huh?

Whatever you want.

♪ ♪

Let's start again.

[tense music]

♪ ♪

[tires crunching gravel]

♪ ♪

[children laughing] All
right. Right here, Dad.

Good catch. All right, throw it back.

- Go on.
- Thomas Goff?

I'm sorry, I'm just trying
to wrap my mind around this.

Well, I appreciate you

taking the time to
speak to me, Mr. Goff.

You're talking about something
that happened 20 years ago.

A youthful indiscretion.

Is that how you would describe
what happened in that marsh?

I don't wanna be a
roadblock here, Detective.

I really don't. But
if you know the case,

you know it was expunged.

Doesn't that tell you
everything you need to know?

Ask Lisa. She'll say the same thing.

Lisa Boyle, the woman
who filed the charges?

Who dropped the charges.

We were friends, we
were drunk. It was a...

stupid night.

Why that marsh?

Why take her there?

She took me.

Said the marsh was a
nice place to take a walk,

so we took a walk,

and I'll regret it for
the rest of my life.

[soft dramatic music]

Raims, what you doing?

- Reading.
- Books?

Okay, Raim, wanna put that away now?

Join planet Earth?

[sighs]

Gordo wore a Yankees
cap to school today.

Shut your face. Was he killed?

They won the World Series, Mom,

and I'm gonna wear one too.

Really? Hmm.

Have fun growing up in the sewer

with the alligators.

Who's gonna buy you this hat?

Nuh-uh, don't look at me.

One lousy World Series

and your daughter
turns over to the enemy.

Guys, it's just a hat.

Fine.

Buy me a guitar then.

[both laugh]

There it is.

Oh, good. Nice one.

So, you, um... you working graveyard?

Yeah, yeah.

Susie's coming over.
She's gonna watch Raim.

Wh... what? Why?

[whispers] Please.

Okay.

Yeah, I'll call her.

[soft music]

♪ Dream a little dream of me ♪

♪ Just hold me tight ♪

♪ Tell me you'll miss me ♪

♪ When I'm alone ♪

♪ Blue as can be ♪

♪ ♪

♪ Dream a little dream of me ♪

[radio static]

CQ, this is WQ2YV.

Dad?

♪ ♪

Nothing on Nightingale.

- You are nowhere.
- I'm working on that.

And what about Mom? Did you tell her?

- Raimy...
- So that's a no too.

Do you even understand what
the hell is going on here?

- Of course I do, but...
- I am all over the city.

I am in Jersey. I have got this Goff guy

who stinks of something
and I'm... I'm at a dead end

and I need your help and
you have done nothing.

You have to understand
that... that things are...

are complicated with your mother.

You know, I-I can't go
telling her the truth

unless she's ready to listen.

- You don't have time.
- One night!

I just wanted one night! Okay?

I just wanted...

one dinner.

One bedtime. I...

I just wanted one night.

♪ ♪

I tried to tell her.

But what?

You didn't wanna blow things
up, come off like a crazy person?

Been there.

Two years.

Two years you did whatever
the hell you wanted

because that's what
you do, and you still

can't do the right thing by your wife.

You're way out of line here.

You're worried about blowing up bedtime?

My world has been blown to hell.

You still can't stop being selfish.

Why do you think I'm
doing what I'm doing, huh?

Do it better.

[soft dramatic music]

♪ ♪

Look, we will save your mother, okay?

But I can't do this if
Stan Moreno wants me dead.

So the answers Little Jay?

The guy whose criminal empire,

you just spent two years taking down?

The only guy who can
corroborate my story,

and prove that Stan Moreno is dirty.

Now, look, Raimy, if I
can get to Little Jay

before Stan does, if I
can just talk to him,

I'm gonna make him understand

that we either work
together against Stan,

or we both go down.

Fine.

Do it fast.

♪ ♪

[gun cocks]

If you care about Little Jay,

you're gonna get him this message.

Are you insane?

Come on, Jonah, you know me.

I knew you.

Cop.

[door opens]

Little Jay, half the NYPD
is looking for you right now.

Including your friends. Who,
trust me, are not your friends,

so if you keep running,
you're gonna die.

Like it or not, I'm all you've got.

If you come in with me,

at least you got a shot.

[dramatic music]

[soft dramatic music]

♪ ♪

- Hey.
- Hi.

Uh, Raimy.

Uh, Daniel. Hi.

- Sorry, did I miss something?
- Daniel.

The... the one who went
through the car window.

That's... no... is that
how you describe me?

The ER patient I told you
I didn't have time to meet.

Uh, that's not how I remember it, honey.

Really?

How is it humanly possible to
watch "Glory" over 100 times?

"Give 'em hell, 54th."
Are you... are you serious?

- Hey, I cried.
- Thank you.

What? I cried.

[quietly] Not 100 times.

[both chuckle]

All right, fair enough.

- [soft music]
- ♪ Sweet sister... ♪

Can I ask what's in the locket?

It's, um... my mum wears one.

- Of course.
- No.

- What?
- No, no, no.

It's... it's a picture of me and Raimy

when she was a little girl.

I never take it off because
I never wanna forget.

Mom...

No, no, no, no. Forget what?

I won't get into it.

Let's just say it's a single mom thing.

It was a very hard,

but very special time.

[soft dramatic music]

And we got through it.

♪ ♪

Well, it wasn't a total horror show.

It was not.

Do you wanna go out for
a drink with me some time?

Yes.

Good.

And do I invite the
wingman or is that you?

She'll be fine.

[dramatic music]

♪ ♪

Thomas and I were friends.

We went to school together.

That's about as much as I can say.

I spoke to Thomas.

He assured me that you would be happy

to backup his version of that night.

Was that because he knew you
wouldn't say anything at all?

He also told me that
what happened that night

was nothing more than a
"youthful indiscretion."

You understand what a
"youthful indiscretion" is,

- don't you?
- I do.

This was not.

What was it then?

[soft dramatic music]

Were you paid for your
silence, Ms. Boyle?

♪ ♪

What if I told you there were more?

Women?

♪ ♪

Ask me anything you want.

[dramatic music]

♪ ♪

You know me. I'm all
about gut instincts.

You know, hunches.

Right up to the point
where I find my ass

right here with you in Jersey.

So... [grunts]

I'm gonna need you to
break it down for me.

Dude had a quashed sex
assault charge two years ago,

which I don't even
know how you know about

because the case was wiped.

Look, the woman he was
assaulting was a nurse.

If... if the case was quashed,
that means nobody talked to him.

Nobody thought to,

so we're running two vics
off this Nightingale guy.

Do we really need more than that?

We? You've been on the Task Force

for what, five minutes?

You even unpack your toothbrush yet?

Can we do this, please?

Absolutely.

What? What do you wanna hear?

Okay. Last night was awkward.

I'm on the couch, but it was...

it was good.

It's probably the
first time in two years

I've felt like a normal person, so...

[soft music]

Okay, we good? Everybody happy?

[both laugh]

[knocks on door]

- Can I help you?
- Detective Sullivan.

This is Detective Satch Reyna. NYPD.

We're looking for Thomas Goff.

He's my son.

What is this about?

Um, it's a private matter, ma'am.

Because I know you're
not here to talk about

that expunged assault charge.

We're just looking for a
few minutes, that's all.

Why don't I get you the
number of our lawyer.

He'd be more than
happy to explain to you

why that would be the worst
career mistake of your life.

[door closes firmly]

You this smooth when you
were undercover, Frank?

[soft dramatic music]

[scoffs]

[metal grinding]

You hear that?

[dramatic music]

♪ ♪

[dramatic music]

♪ ♪

Think he's home?

Does it matter?

Detectives.

This is our attorney.
He's more than happy

to speak with you and your supervisors.

Anything else you need?

♪ ♪

A woman named Maya Gowen
went missing in '96.

She lived in the same Jersey town,

went to the same Jersey
college as Thomas Goff.

♪ ♪

- Gowen was never found.
- [door closes]

You know, your dad and I looked at Goff.

Hello there.

- You Thomas Goff?
- Can I help you?

No, Thomas, you cannot. They're leaving.

In '96, they thought Nightingale

only abducted women in New York.

A missing woman from Jersey

wouldn't have made it into the file.

I'm Detective Sullivan.

This is Detective Reyna. NYPD.

Mind if we ask you a few questions?

- Absolutely.
- Thomas.

- Ask me anything you like.
- No.

- Absolutely not.
- Mom?

Didn't you speak with him yesterday?

And Lisa Boyle, the woman he raped,

I believe her.

You and my dad talked to Goff.

Yeah, but there was nothing there.

This is our attorney.
It's his direct line.

We're done here.

What if Gowen was his first,

and before he'd settled on an MO?

Close to home, couldn't resist.

Liked how it felt,
moved up to the big city.

I'm going back out there.

[exciting music]

♪ ♪

[both grunting]

[screams]

[grunts]

[grunts]

Stop you bitch!

[crying softly]

[dramatic music]

♪ ♪

What did you do?

Help me, Mother.

[sobbing] You have to help me.

♪ ♪

Hi, there.

Uh, Detective Raimy Sullivan. NYPD.

- Is Thomas home?
- Who?

Thomas Goff.

There's no one by that name here.

[soft dramatic music]

This is his house.

He lived here yesterday.

You know, there was a Goff family

that lived here up until the mid-90s,

but they haven't lived
her in almost 20 years.

CQ?

CQ, calling WQ2YV.

Frank?

Frank, are you there?

Hey.

Who's Frank?

What?

It's nothing.

- You need to go.
- What?

Go.

No.

You're my best friend.

Your mother's remains were just found

20 years after she was
abducted, and that's awful,

and that woman
practically raised me too,

and you shouldn't have
to bear any of this alone.

Come on, Raim, when have you not
been able to tell me anything.

You can't possibly understand

how complicated my life is right now.

Trust me.

My window's been
looking into your window

for the past 28 years.

You're not that complicated.

[quietly] Get out.

- Raim...
- Get out.

Get out!

[crying]

[quietly] Get out.

♪ ♪

Okay.

♪ ♪

[quietly] Get out.

[phone rings]

- Sullivan.
- He's coming in.

Who? Little Jay?

- When?
- Just be there.

♪ ♪

Burning the midnight oil already, Frank?

Actually, I, uh... just heading out.

Me too. Grab a drink?

Next time.

Ah, I'm gonna hold you to
that, Frank. You know I am.

How'd it go with IAB?

Sounds like we're all on the same page.

Like to hear that.

Strength of the wolf is in the pack.

[dramatic music]

Hey, Stan.

What was the story gonna be?

[chuckles]

Help me out here, buddy.

Some corrupt undercover cop,

he goes off the reservation,
he gets himself shot.

Is that it?

Not to start a brushfire here,

but if Little Jay had taken you out,

what difference would
any story make to you?

♪ ♪

Two years.

I put myself on the line
for you for two years,

and you can't tell me
why... why I got shot?

Whoa.

What makes you so sure I got answers?

Somebody does.

♪ ♪

[engine turns over]

♪ ♪

But more answers just
mean more questions.

About me.

About you.

Sure you wanna go there, Frank?

[engine revs, tires squeal]

Take the win.

Go home, hug your wife.

Put this behind you.

[tires squeal]

And we all live to fight another day.

[phone ringing]

You gonna answer that?

[exhales]

Little Jay was killed in a gang hit?

That's what they're saying.

Where'd you hear that?

Your protective detail.

They left an hour ago.

I know you don't wanna hear this...

but you really, really need to, Jules.

Your life is in danger.

And... and we got... we gotta start...

we gotta start taking precautions.

We got to make changes, you
know, so that we can insu...

in... [sighs]

Point is,

is that I can't protect you.

I-I can't help you

if you don't believe me. Okay?

[soft dramatic music]

I do...

and I'll do just like I
have for the past two years.

- I'll figure it out.
- No, no, no, no.

See, no, we're gonna...
we're gonna figure it out.

You need to leave, Frank.

♪ ♪

You can stay here
tonight, but that's all.

Did you hear what I just said?

Did you hear what I just said?

No, I'm not leaving you.

- Not now.
- Not now?

You already left, Frank.

You made this choice. You chose the job.

Yeah, and I got shot for you
trying to make my way back.

I know.

I saw the plaque.

Do you think that I did that for me?

No, I-I did that

because I was trying
to do something good.

I was trying to do something...

something for you, something for Raimy.

Something that would make you proud.

And I understand you've
been through a lot.

I do.

♪ ♪

There was a reason

for every single birthday, for
everything that I've missed.

I'm sure there is,

but you know what?

You never once,

not once,

bothered to share those reasons with me.

What're you saying here?

I don't know. Okay?

I just know that you can't stay here.

- We'll tell Raimy that I...
- You gotta listen to me.

I need you to see the
bigger picture here.

I think I am.

Your life is in immediate
danger right now.

This Nightingale, he is gonna come,

- and he is gonna take you.
- You need to stop saying that.

Frankie, what the hell happened to you?

You gotta come to the garage.

Why?

♪ ♪

CQ?

CQ, this is WQ2YV.

Raimy?

Raimy, you there? This is Frank.

[radio static]

♪ ♪

Raimy?

Raimy, I got your mother here,
and I've told her everything,

and I think she needs
to hear it from you.

Raimy, I need you to talk
to you mother right now.

♪ ♪

Will you j... will you
say hello to her, please?

- Me?
- Yeah, I mean, I...

maybe if she heard your
voice, maybe she'd ans...

I-I don't know what's going
on, but if... if she just...

- if she heard your voice maybe...
- Frank...

Will you, please, just say hello?

Please.

Look, just please say hello,

and I-I'll do anything you want.

♪ ♪

Please.

Hello?

Raimy...

it's your mom.

♪ ♪

[radio static]

I get it.

I do.

It's too much.

Everything we do

messes up something else.

You live, Mom dies.

Goff lived in Jersey and now he's gone.

I mean, what happens if we tell Mom?

Maybe we save her,

maybe she dies tomorrow.

Goff.

We have to find Goff.
Goff is the answer.

We will, but you and me,

we gotta square a few things away.

I didn't know Mom was
gonna kick you out.

How could you?

You were eight.

I remember that dinner.

Alligators in the sewer.

She was funny, right?

She is.

Look, you and I, we... we...

we don't know each other
that well yet, kiddo.

Not really, but...

but I want you to know
that I'm gonna do everything

in my power to save her.
I want you to know that.

♪ ♪

After that, I don't really
care what happens to me.

[Reuben and the Dark's "Bow and Arrow"]

I do.

♪ You're a bow and arrow ♪

♪ A broken guitar ♪

♪ While the rainwater
washes away who you are ♪

♪ We go over the mountains
and under the stars ♪

♪ Won't you fold my hands ♪

♪ Over my heart? ♪

♪ And I want you to close my eyes ♪

♪ When it grows dark ♪

♪ ♪

♪ Oh-oh-oh ♪

♪ Oh-oh-oh ♪

♪ Oh-oh-oh ♪

♪ I want you to fold my hands ♪

♪ Over my heart ♪

♪ And I want you to close my eyes ♪

♪ When it goes dark ♪

♪ You're a bow... ♪

Everything we do messes
up something else.

♪ While the rainwater
washes away who you are ♪

♪ We go over the mountains
and under the stars ♪

♪ We go over the mountains
and under the stars ♪

♪ ♪

[wood thumps]

[dramatic music]

♪ ♪

[radio static]