Flashpoint (2008–2012): Season 5, Episode 3 - Run To Me - full transcript

A criminal picks up homeless teenagers and forces them to commit bank robberies for him. Leah Kerns returns to Team One.

Spike, how close
are we to the girl?

Halfway across town,
like fifteen minutes, tops.

But, guys, if she starts
moving again--

She's heading south,
down to the Lake.

Highway's right there,

Island Airport's
across the way.

The only anonymous
travel these days is by car.

Long term parking
lot's anonymous.

By the time we get there...

It could be too late.

Oh, there you are.



_

I'm feeling good.

It's a beautiful morning,
the family's all together,

everything in its right place.

What about you?
Everything set?

Cards? Bike? Bag?

And a positive attitude,
that's key.

You know, looking back,

I was right about all of this,
wasn't I?

So maybe next time
you'll think twice

before you question me.

All right.
Control, commitment, courage.

Luck is for losers.

I will see you after work.



Thank you.

Next please.

If you could hold both
backpacks and the canteens,

that'd be great.

You'll still be open
around five?

Okay. Sweet.
No, I'll pay cash.

Yeah, it's a--
I'm pretty stoked.

It's our first big
road trip ever.

We're just gonna head south,

and keep going
till we see the desert.

I can't wait.

Okay, thanks. Bye.

Whoa! Hey! Watch it!

Do you even know
what you're doing?

My dad is George Lowell, okay?

He's on the board.

Oh, he's on the board,
you should have said so.

Your asses
are gonna be so sued.

Huh. Boss,
what do you think?

I think a little less
"entitled rich kid,"

a little more "I'll tell you
whatever you wanna know

about our suppliers."

Lot of drugs, all product,

no precursor traces--

must be a lab offsite.

I've never seen
that before in my life.

Yeah.

Heads up!

Whoa... think he plays?

What, he a running back?

Too big. Defense.

Ungh!

Oof!

That kid didn't have a chance.

Good to have you back, Leah.

Good to be back, Sarge.

Thank you.

Next, please.

Welcome to City Central,
what can I do for you today?

_

Nice tackle.

Thought I'd be rusty
after a year.

Yeah, well, it's not
like you've been slacking.

How's your family?

Rebuilding,
like the rest of Haiti.

You know, I always felt bad
the way I had to leave,

but when I got the call
from Port Au Prince...

Hey, none of us would've done
any different.

Hey, listen, we're
going to a game tonight--

it's the playoffs--
you wanna come?

Yeah, you, me, Jules and Spike,

just off center ice,
game of the year.

It's not like he's
excited or anything.

I'd love to.

Team one, hot call.

We got a bank robbery
in progress.

City Central,
College and Bathurst.

Winnie, we're two blocks away.

Could be the
business card bandit.

That's the fifth bank
in two weeks.

Let's move!

All right, let's go!

♪ Everybody
wants to let it go ♪

♪ but you can't
get away from... ♪

You want another till?

♪ everywhere you turn ♪

♪ there she is ♪

♪ just can't stand
in the way, no-- ♪

Everybody get out!
This is a robbery!

Right now! Move it!
Move! Out! Out!

You! Out of the back!

Out of the back now!
Move it!

You, down!
Down on the floor!

Spike, Leah,
take the front of the bank;

boss, Jules,
take the west side;

Sam and I have the east.

Copy that!

No eyes from outside.

After the last robbery,

every bank in the downtown core
gave us remote access

to their security cams.

Yeah? How much was
the service charge?

Sir?

Okay, we got
sunglasses, ball cap...

that's a match on
the business card bandit.

Hostage is a teenage female,
hooded jacket.

Business card bandit's
been at large a month.

MO is he walks in at opening,
hands over a business card,

and takes one till.

He knows they're
gonna hit the alarm,

but he's always gone
within the three minutes

it takes to respond.

So what happened this time?

Let's just get
the hostages safe.

We'll figure it out later.

Spike, what's the layout?

Rear fire doors, no windows.

I'll work on the security lock.

Sam, Leah, with me;

boss, Jules, Spike,
take the front.

Let's move!

That's weird.

Business card bandit's
never taken a hostage

or pulled a gun before.

Yeah, that's because he's
never been cornered before.

Active shooter.

We're losing our eyes.

Spike, the lock.

Working on it.

I'll approach the front.
Stay on my six,

in case this guy tries
to make a run for it.

Copy that.

Team one, I got a 911
from inside the bank.

I'll take it.

Hello? Is anybody there?

This is Julianna Callaghan

with the Strategic
Response Unit.

Who am I speaking with?

It's Sarah.
He's got a gun,

and he says if you don't do
what he says,

that he's gonna kill us.
Oh my God...

Okay, I want
you to calm down, all right?

Calm down.

No joy.

Okay, I know you're
scared, but we're here,

all right?

Okay.

All right, that's good.

Ed, I keep trying to override
the lock using the phone line,

but the alarm relay
keeps scrambling everything;

you need to open it
from the inside.

There's gotta be
another way in here.

Or we just knock
a little louder.

Strip charges, all right.

Good thinking, Leah.

Okay, we can try and
get him a car, Sarah,

but that's gonna take time.

Listen, can you ask him again

if we can talk with him
directly?

I'll try.

Boss, it'd be good to
know where this guy is

before we get in.

He won't.

He says if you don't get
the car here in ten minutes,

that he's gonna kills us.

Oh my God!

Okay, Sarah, we're trying.

I know he's near you,

but I'm gonna start listing off
areas in the bank

and I want you to tell me

when I get to the one
that he's at, all right?

I want you to say,
"that's right."

And if he asks you
what we're talking about,

you just say, "we're going over
the demands."

Can you do that for me, Sarah?

Okay.

Good. Front of the bank,

behind the teller,
main office--

That's right.

Main office, west wall.

Let's go! Let's go!

Oh God.

Sarah, what's going on?

Oh my God, he has a man!

What does he want?

He has a man
and he's gonna kill him!

He's taking him
to the back room.

Sarah, stay with me.

Sarah!

I lost her.

He's escalating.

We're going in.

Eddie, we're
coming through the front.

Hold your ground; he
might run to the door.

Let's move!

Direct to threat.

They're rushing the door.

- It's okay! Come on, let's go!
- Come on! This way!

- Stay calm! Keep walking!
- You're all right! You're okay!

- Come on, keep moving!
- Go this way!

- Come on, let's go!
- Come this way!

Stay sharp; he
might be in the crowd.

Negative.
He's still shooting inside.

Police! SRU!

Clear! It's handgun shells, Ed.
The fire set them off.

Boss, he's not here,
he might be in disguise.

Check the crowd.

I got a ball cap
and sunglasses;

he must've ditched 'em.

What about the hostage?

Did he see
where the bandit went?

There was no hostage--
who gave us that intel?

It's the girl.

We're looking for a girl
in a green jacket,

- Named Sarah.
- Jules!

Nine o'clock.

Sarah!

Both subjects on the move!

"Both subjects?"

Heading eastbound
into an alley.

Stop!

Business card bandit
wasn't alone.

No.

And "he" is a "she."

No matching
motorcycle on any highway cams.

They're still nearby.

Guys, let's make a grid,
twenty square blocks.

Leah, cover north
and south routes,

one street at a time.

Copy that.

I'll take east/west.

Boss and I'll
cover the perimeter.

Anybody gets an eye
on the subject,

do not engage.

We'll regroup,
we'll form a rolling roadblock.

Look at this.

She's just standing there,

and then, all of a sudden,
she's singing,

and then the bandit comes over
right before we get there.

A signal?

I don't know how
she did it, boss,

but I think this girl
tipped our bandit

that something was up.

Business card bandit
always knew when to get out.

One till, never got greedy,
she's a pro.

Hold on, Sarge,

I'm looking at the tape
right now.

She took two tills.

Maybe it isn't the same pro.

Copycat?

Might explain
why she freaked out

and grabbed a hostage.

But if the girl signaled her,

why didn't she run
before we got there?

They almost got us.

Oh my God, look at my hands.

It's okay. Stay focused,
stay sharp.

You did a good job, Sarah.

No, that was just way
too close, Maddie.

Can we just go now?
Can we please just--

That is not an option.
That is adrenaline talking.

Listen to me,

you wanna live
the rest of your life in fear?

- Just--
- Not being able to sleep at night?

- Do you?!
- Maddie...

'Cause that is what
we're looking at

if we don't finish this.

Sarah, look up.
Look up!

What do you see?

I see the sky.

Good girl.

Okay.

Take that.

Five o'clock sharp

It's your only one.

Just take it. Go!

Maddie!

Maddie! Just...
Just take this, okay?

Just take it.

Go. Go!

_

Guys, I think I figured out

how our girl tipped
her partner off.

Her mp3 player,
it's jail-broken, rooted,

it's got this heavy duty
police scanner app

programmed into it--

she heard us coming.

Spike, I thought our channels
were encrypted.

No, it's encoded--
big difference.

We use what's called
voice inversion scrambling.

It means the band for speech

is split into two frequencies
and flipped.

It sounds like noise
on a normal scanner,

but if you get
the right programming

from the right hacker,

you can flip it right back.

This is a serious operation,
guys.

Yeah? If it's such
a serious operation,

how come she used
her real name?

You sure about that, Jules?

When I called her
name, she turned around--

couldn't help herself.

Gut instinct.

Well, I took a chance

and I ran through
the local juvenile records

for ever "Sarah,"
15 to 18-years-old,

with brown hair,
and I found her picture.

Sarah Catherine Porter, 16.

No criminal record,

but she shows up
half a dozen times

in missing child reports
from local foster homes.

Mother died,
father out of the picture.

She's been in and out
of the system for years;

she's a runner.

Sounds like she's
had a lot of practice, too.

Team one, we just got a report.

Car stolen,
Sherbourne and Shuter.

Subject description,

teenage female
in a green hoodie.

Winnie, get us a make and model
on that car.

Our girl's running again.

I'm on it.

Blue Ford, license plate
number Alpha Yankee Victor Lima 924.

Subject spotted
eastbound on Shuter.

All right, let's
cover those alleys.

Spike, Leah, take the first.
Sam and Jules, the second!

Sarge and I are
right behind you.

Jules, she's
coming right at you!

She's not stopping!

Ahhhhhh!

Show us your hands!

Show us your hands now!

Sarah, where's your partner?

Yeah?

Pete? I'm so sorry.

Uh, the cops were
right there somehow,

and Sarah's gone.

I don't... I don't know
how this happened,

but I did stash the cash
and I'm back downtown.

It's okay, Maddie,
we're here for you.

We'll meet you at the corner.
You know where?

Yeah.

Good. Be right there.

You got something to say?

You know,
this is what happens, boys.

You let down your guard,
and then you trust people,

and then you get soft.

And that's what makes it
so much harder...

to cut the cord.

Sarah, do you understand
what I just said to you?

Look, I'm guessing

the last thing in the world
you want to do

is turn on your friend.

You want to keep her safe.
You want to protect her.

Believe it or not,

that's exactly what
we're trying to do here.

You guys had a solid run,

but now there's officially
a firearm involved.

We know your partner's a girl.

Every cop in the city
is looking for her.

It's just a matter of time

before the situation escalates
and someone gets hurt.

Sarah, that's the third time
you looked at my watch.

- Somewhere you gotta be?
- No.

She speaks.

No. Okay? I don't speak.
I can't speak.

You think you get it
and you don't.

You don't know Pete.

Who's Pete?

I can't...

You don't know what he'll do.

Okay.

Let's just start with a name.

Pete Joris.

Good. That's good.
Pete Joris.

You get that, Spike?

J-O-R-I-S.

Can you tell me about him?

He takes care of us--

me, Maddie, a few other guys.

We all live together.

Maddie.

Does he know about
the bank robberies?

Does he know about them?

Who do you think
makes us do them?

This is what he does.

He... he takes kids off
the street,

makes them work for him--

steal, run scams.

Rob banks?

Maddie says he has eyes
everywhere.

Friends on the force,
the courts, the street.

You can't go against him,
you can't run.

Once you're in his family,
you're his.

Now, are we sure
we're gonna buy this

after the bank routine?

Well, Pete Joris
is definitely for real.

Check your PDA's.

"Fraud,"
"aggravated assault."

Okay, here we go.
Nine years ago,

"contributing to
the delinquency of a minor."

Sounds like his
MO checks out too.

Well, there's more.

He was up on charges
two years ago.

"Amanda
Turner, seventeen years old,

found shot in the Don river.

Joris is accused of killing her

after she threatened
to go to police

about a debit card swiping
operation of his."

"Anonymous sources
claim that Joris shot her

in front of his own crew,

and made them watch
as she bled out, as a warning."

But it looks like he walked.

Lack of evidence;

no one was willing
to come forward.

Oh no.

What is it, Sarah?

You scanned it in.

He's... he's gonna see it
on his scanner.

He's gonna know
that I ratted on him!

Sarah, as long as
you're with us,

you are safer than anybody else
in this city.

He's gonna kill Maddie!

Tell us where Pete
is and we will go get him.

There's a dead drop
that we use,

in case we're followed
and we need to hand stuff off.

Maddie will have dropped
the stuff off by now

and Pete will be on his way
to pick it up.

Where is it?

It's by the underpass,
near Madison Park--

in an abandoned hydro box
on the east side.

Let's move.

Madison Park, let's go.

We'll get intel on the way.

We need someone
to hand Sarah off

to Children's Services,

while the rest of us
try to intercept Pete.

No problem.

Let me drive.

What're you thinking?

I don't know.

Maybe I can get her to talk.

Keys.

So, you blow the job
and you ditched your partner.

Is this how I taught you,
Maddie?

I didn't ditch her,
the cops ID'd us as a pair.

I told Sarah to split up,
we'd meet at the getaway later.

Which is what the getaway's
for, right--

gassed up, ready to go,
passports, everything--

in case we ever needed
to disappear?

Is this you talking back again?

This is me trying
to be smart, Pete,

like how you taught us.

We got almost double
this time--

ten thousand dollars at least.

We can go get the money
right now.

We're fine.

Yup, we can get the money.

But Madeleine, we are not fine.

Okay, guys, just got
off the phone with Vice.

They've had Joris
on their radar for a while

and he's been using kids
for years,

like Sarah said.

Makes sense;
they're vulnerable, needy.

And they can't get charged
as adults.

Any idea how long
Maddie's been with him?

That's where
it gets interesting.

Remember the contributing
to delinquency charge?

Well, the minor in question
was Madeleine Sullivan.

She was seventeen at the time.

She was put in
a diversion program,

given a second chance.

Guess she didn't take to it.

She went back to him.

What would keep her there--
or any of them?

You heard Sarah.

Pete locks you in
with paranoia.

But it's more than that.

He gets these kids young,
he gives them survival skills,

gives them sustenance.

The guy gives them a family.

That can run pretty deep.

Copy that.
Switching off now.

When we get to the park,

you're gonna go
with Children's Services.

They're gonna bring you
to juvenile booking.

Is there anybody
you want us to contact?

You mean someone out there
who cares?

Aw, gee, let me think.

No.

Sarah, I know you've gone
through a lot of foster homes.

Why do you keep running?

I have issues.

Oh yeah?
What kind?

Issues with
physical discipline--

the carrot and the stick,
only not so much the carrot.

And the next house, it was...

issues with my foster brother's
grabby hands.

You get it?

I get it.

Is that a polycarbonate?

Excuse me?

Your watch.

I saw it before.

It's glow in the dark,
waterproof.

Expensive.

So what about Maddie?

What about her?

Just seems like you guys
are a good team.

What do you mean?
I never said that.

I'm just saying,

it seems like she's got
a place in your life.

Yeah, well...
she's all right.

How'd you guys meet?

She found me.

The last foster home
I ran away from,

they didn't even bother
come looking for me.

I lost my bus pass
and I'm trying to get home.

If you have any change,
I would really...

thank you, thank you.

Excuse me, I lost my pass...

have a nice day.

Excuse me, I lost my bus pass

and if you have
any change at all--

Sweetie, that line's so old
it has flies on it.

Well, you have talent,

I just think you need to work
a little on your presentation.

You know, some eye contact.

If you wanna make real money...

So she knows what
she's talking about.

Maddie knows about everything.

Does she work with Pete?

She brought me to him.

Hot meals, a bed, a roof,

I was thinking,
"this is too good to be true."

Nice.
You could do a little better,

but this is looking good.
This is looking good.

Bobby, Walt, Stu.

Give me a little somethin'.

You should have seen them.

Serve it up.
That's what I like about this.

When Pete was proud of you,

you feel like
you can do anything.

I'm on my way out.

And Maddie...
she was his golden girl.

My God!

He said to me,
"you watch and learn

'cause she will teach you
everything you need to know."

'Kay, see you later.

- Be safe.
- Bye, Mads.

So she hid everything
in her belly?

Yeah. A special opening.
You can only...

wait...

you're not gonna bust me
for this, are you?

Sarah, I think a "bank robbery"

is enough to worry
about right now.

Grab the money
and be right back.

The boys can get it.

Make sure
it's all there, Bobby.

You don't trust me?

Get in the front.

When is the last time
we had a good little chat,

just you and me?

You said something about
"too good to be true."

Was that Pete?

Yeah.

Pete is your best friend,

your biggest fan,

so long as you do exactly
what he says.

The business card bandit--
was that his idea?

He said it was gonna be
the biggest jackpot ever!

You're gonna be
the lookout, Sarah,

Maddie's the lead.

You'll time it out
with stopwatches--

Pete?

Can I talk to you for a sec?

We can talk here,
we're all family.

Yeah, no, it's good,
and I'm totally up for it,

I just...

there is a gun involved now

and I'm not totally sure
that we should be putting Sarah

in the middle of this.

I have faith.

Yeah, faith is good.

Um, it just kinda seems
like we're the ones

always risking our asses,

whereas you're not really
doing much--

- Ungh!

I'm sorry,
did you have something to say?

She's just a kid--

Come here.

It's okay, kid.

It's okay.

You see, she just doesn't
have the same faith in you

that I do.

I give you food,
shelter, clothing,

and career training.

And what do I get?

I get back-talk
and bad attitudes,

just like I got from Amanda.

Let's not forget what it took
to clean that mess up.

No!

That's awful, Sarah.

I'm sorry.

Did you and Maddie ever think
about getting away?

She said she was sorry.

Sorry for what?

For everything--

for getting me
into all of this;

bringing me to Pete;

for finding me
in the first place.

And I said to her
that I wasn't sorry

and I never would be.

I said that we could run
the scam.

We could do the moves,

we could work the stopwatch
just like Pete said...

I'm sorry.

And that we'd be okay

as long as we were together.

Why are you sorry?

And then she asked me
if I'd ever seen the stars.

What stars?

Like the real stars.

Not like the ones in the city.

The ones...
the ones in the desert

that spread
right across the sky.

She promised me
that we'd see them

and that we'd see them
together.

You know what, Sarah?
Maddie's right.

You are special.

You're smart, you're loyal,

you're tough.

But you should know
that after this is over

you guys are gonna be apart
for a while.

What I'm trying to say is...

have you thought about life
without Maddie?

What you want?
Where you're going?

Please stop talking now.

So I bet you think
this proves you right, huh?

When you said
Sarah wasn't ready;

that she didn't have it
in her or whatever.

The hardest thing is knowing

when your kids have to be helped
and when they have to be pushed.

Pete, we're not your kids,

we're not family.
We never were.

We are what I say we are!

We're at the west end!

Hydro box is 400 meters
past the park,

heading east.

Stealth approach;
fast and quiet.

All right, let's fan out.

Stay out of sight
till we get to the drop off.

That's the one.

Do a fast count.

300... 2...

So when we find Maddie,
I'll get you a message, okay?

Come here.

Listen,

when I was a kid
I was pretty messed up too,

but I had this friend
who used to say,

"if you're gonna run,
run straight to me."

So the next time
you feel like taking off

and Maddie's not around,

you can call me.

In the meantime,

never hurts to know
what time it is.

Nine grand...

all right.

Let's get back
before Pete freaks out anymore.

Police! Stop right there!

Go! Go! Go!

Right there! Stop!

Stop!

Do not make her go after you,
pal.

Trust me on this.

Stop now!

Spike, take him down!

Less lethal.

Son, I'm really tired
of runnin'!

Really tired!

I want a lawyer.

Where's Maddie and Pete?

Look, we know about Pete,

we know about the bank scam,

we know about Maddie and Sarah.

Now where are they?

You know, don't think
I haven't noticed.

You've changed
since Sarah joined us.

There's a lack of discipline
and focus.

It reminds me
of when we lost Amanda,

why we had to go there.

What the hell is going on?

Jules, what's Sarah's status?

In custody
with Children Services.

We got Sarah in custody.

Now where's Maddie, huh?

Where's Maddie?
Pete do anything to her?

Pete didn't do anything
to Maddie.

Maddie called Pete,
brought us here for the money.

It was her idea.

Her idea?

If it was her idea
to bring Pete the money,

why stash it here?

Wait... unless they planned
the whole thing.

Well, the police scanner,
the disguise, the getaway--

that was the plan.

No, that was the old plan.

They changed their MO.

They took two tills

when they knew we were coming.

Here, sit down.

Why not just run?

Unless they wanted
to get caught.

What, they botched the heist
on purpose?

A calculated risk.

Botch the heist,
stage an escape,

split up and then drive around
until we catch Sarah.

Maddie's taking Pete
to the exact same spot.

So we can get Pete off
their back once and for all.

That's why she opened up to us,

that's why she kept
checking my watch;

they timed it--
the whole thing.

They both played us.

Cops are here.

They're gonna find the money,

find you,
and put it all together.

You could have just let her go.

Maddie, this is a big mistake.

I have friends everywhere

and they'll find both of you.

You know what happens
if you turn rat.

Yeah, I guess I do.

This is for Amanda.

Shots fired!

Coming from the north.
Let's move!

Let's go!

Eyes on one individual,

car has the same description
as Pete's vehicle.

Open the door and
step out slowly,

hands where we can see 'em!

Get out of the car now!

We need a medic!
We need a medic now!

Maddie, we're getting you help,

but we need to know
if it was Pete

who did this to you.

He shot me...

She's bleeding internally--
we need to get her out of here!

Pete knows...

What does Pete know?

Sarah, where she's gonna go.

Where is Sarah going?

The getaway.

She's going into shock.
Move! Move!

Definite struggle--
two shots fired.

One round went
through the window,

the other one hit her
in the chest.

We found this on her.

Spike, when can
we get Sarah back?

- She's gone.
- Gone?

Children's Services says
the first stop they got to,

she was out of her cuffs
and out the door.

There was a hairclip
in the back seat

with a custom attachment.

So Pete knows where
she's gone but we don't.

We might.
I gave her my watch

and it has a GPS
micro-tracker in it.

Spike?

On it.

How we doing, Spike?

One more second.

You knew she
was going to do this?

I knew she'd eventually
run; that's what she does.

But I had no idea
that her and Maddie

had that planned out
from the start.

Impressive girl.

Sixteen-- her
and her partner

used a bank robbery
to con the cops

to take down their own boss.

Impressive or not,

that sixteen-year-old
is a target now,

and she has no idea.

We have Maddie's cell.

If she still has hers,
she might take the call.

Yeah, but if she finds out

that her best friend's
been shot,

we have no idea
how she's gonna react.

If we don't warn her

and Joris gets to her
before we do...

We're getting her location.

But we don't have his.

Sam, Leah,
let's get ready to move.

All right, you know Sarah
better than any of us, Jules.

Your decision.

Anodyne Marketing,
how can I direct your call?

Sarah, don't hang up,

this is Officer
Jules Callaghan.

_

Oh my God...
Oh my God...

Sarah, don't hang up.
Maddie's been shot.

She's still alive,
but it doesn't look good;

that's the truth.
We gotta come get you.

No...

Sarah, I know that she
planned the whole thing.

The getting caught,
bringing Pete to the park--

it was all for you.

Who did this?
Did you--?

No. It was Pete,
and he's still out there.

That means you're at risk.
You get that, right?

Maddie said he knows
where you're going--

something about a getaway
or something?

Where is that?

A place that we could go
if we need to get away fast.

Sarah, tell us where that is.
We're gonna come get you.

No...

- Sarah!
- No!

Sarah, you need us to stop him.

He is armed, and he's a killer.

If you try to confront him,
I promise you--

Can you promise me
that Maddie will be okay?

Can you promise me
that you'll kill Pete?

Sarah, tell us where he's going

and we're gonna stop him.

No. We promised
to protect each other,

and as long as
he's out there--

Sarah, no!

Sorry.
I forgot a few things.

No problem.

I'll-I'll take one
of those hunting knives.

Spike, how close
are we to this girl?

Halfway across town,

like fifteen minutes, tops.

But guys,
if she starts moving again...

We need to know where
the getaway is.

She's heading south,
down to the lake.

Highway's right there,
Island Airport across the way.

They know we'd flag the
flights if they're on the run...

The only anonymous way
to travel these days

is by car.

Long-term parking lot's
anonymous,

and it's got like five different
highway entrances.

How many lots do
we have to choose from?

Seven.

Spike, where's that signal?

Thompson lot, left
at the next lights.

But guys,
it's a multi-story lot.

GPS is only gonna give us
the location in two dimensions.

By the time we get there...

It could be too late.

Okay. Me and the boss
have levels three and four.

Spike and Leah
take levels five and six.

Jules and Sam, you've got
levels seven and eight.

Oh, there you are.

Shots fired!

Where from?

Hard to tell--
sounded far.

Upper levels!

Aghhhhhhh!

You bitch!

Come here, bitch!

Sam...

Driving as fast as I can!

Wait a minute!
Stop! Stop the car!

You can look if you want.

Subject down.

Sarah... Sarah.

It's okay.

Everything is okay.

I couldn't do it.

You couldn't do what?

I couldn't kill him.
I had him.

I had him,

but I couldn't do it for her.

You know what that means?

- What?
- You can go to see Maddie now.

Okay?

Come on.

Okay.

♪ When all the stars ♪

♪ they fade into black ♪

♪ and leave you without
a way back ♪

♪ Well, hang on ♪

♪ there's always a road ♪

♪ It just takes some time ♪

♪ to trust in a dream ♪

♪ There's light in a place... ♪

You all right?

Sarah was lucky
you were there today.

Yeah.

What's wrong?

I was just thinking about
when I was sixteen

and uh, it was after
my mom died,

I was a little lost.

There was this one night

when I drank all my dad's beer

and took his truck.

About five miles out of town,

I get pulled over by this cop,

Officer Mary Fallon,

and she didn't arrest me.

She brought me home,
didn't wake up my dad.

She just sat me down
at the kitchen table

and she talked to me
until the sun came up.

She made a difference.

She really did.

I wouldn't be here.

So now you're wondering
what she would do

in your shoes?

Yeah.

I think she'd go see Sarah,

let her know she was there.

That's what I'm thinkin'.

Come on, I'll take you.

You have the playoffs.

Ahh, playoffs happen
every year.

♪ Days to recall ♪
♪ Days to recall ♪

♪ Yeah, those those days
to recall ♪

♪ Days to recall ♪

♪ They're awaiting us ♪

♪ all those days ♪

♪ those days to recall ♪

♪ To recall ♪

♪ Awaiting us ♪

♪ all those days to recall ♪