Egypt's Unexplained Files (2019–…): Season 1, Episode 8 - Lost City of the Sun Cult - full transcript

When experts unearth a mysterious lost city built by an infamous pharaoh, they find clues of a grisly catastrophe. New discoveries reveal the apocalyptic events that turned this place into hell on earth, offering more clues to Egy...

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Narrator: Pyramids, temples, tombs...

These ancient wonders
promise even greater secrets

still to be found under the sands of egypt.

Now cutting-edge science finally decodes

the mysterious land of the pharaohs.

With modern technology,
we are gaining an insight

into the way the ancient egyptians lived

and the manner of which they died.

Narrator: This time,

the mysteries behind
the rise of a superpower.

Can a new discovery at last explain



how the ancient egyptians
built the pyramids?

The papyrus gives us
the final piece in the jigsaw.

Narrator: Will reconstruction technology

reveal the true face

of egypt's powerful queen, cleopatra?

Oh, my gosh. She is not
this most-amazing beauty.

Narrator: Can modern dna analysis

finally uncover the surprising origins

of egypt's ancient people?

This is something we've never seen before.

This changes everything.

Narrator: Ancient clues unearthed...

Long-lost evidence re-examined...

Precious artifacts brought
into the light of the 21st century.



These are... Egypt's unexplained files.

125 miles east of cairo,

archaeologists dig on
the shores of the red sea.

They unearth perhaps

the greatest egyptian
discovery of the 21st century...

A handwritten diary
that's over 4,500 years old.

These are the oldest
papyri we have to date.

It's probably the closest
thing we're going to get

to having a time machine.

Narrator: Experts
believe the ancient scrolls

could finally solve one of egypt's

most enduring mysteries...

How the ancients transport
vast quantities of stone

to build the great pyramid
in the isolation of a desert.



Naunton: Why build at giza?

The papyrus gives us
the final piece in the jigsaw.



Narrator: The great pyramid.

A masterful feat of engineering...

Designed to provoke awe
and wonder in all who behold it.

The great pyramid at
giza is 50 stories high,

and for the ancient egyptians,
it's meant to be sunlight,

sunlight translated into stone.

Narrator: Egyptologists
now know what we see today

is the monument's inner structures.

Cooney: When the outer casing
stone was on these pyramids,

they were bright white,

and they would have
been blinding to look upon

when the sun was shining on them.

Narrator: Under the orders
of the great pharaoh khufu,

construction begins around 2580 bce...

And takes decades to complete.

There were probably 20,000 to 30,000 people

involved with building the great pyramid.

It's beyond belief.

It's still the largest stone
structure in the world.

It is the great pyramid.



Narrator: Within sight of the
great pyramid lie two others.

All three built within just 70 years.

Cooney: Looking up at these
three mountains of stone,

they seem impossible to have built.

It's something that can't
possibly exist in this world.

Narrator: It makes egyptologists question

how the ancients are able to build

these vast and complex structures

in a desert wilderness.

Naunton: Why is it that they
come to be built so far away

in such an inhospitable environment?

This is one of the driest,
hottest places on earth.

Narrator: The quest for an answer

triggers decades of research,

yet a mystery remains.

Archaeologists have long
known that some of the rock

used in the construction of the pyramids

is sourced from two remote sites...

Tura, about 15 miles from the pyramids,

and aswan, a phenomenal 500 miles away.



Experts doubt the ancients
could drag sleds across the desert,

so they investigate how
else they could transport

vast amounts of stone hundreds of miles.

Clues emerge using a
new archaeological tool...

Images captured from high
above the earth of the river nile.



Naunton: Satellite imagery is proving

to be something of a revelation.

We had been thinking that
the river nile is where it is

and that that is where it always was,

but the satellite images

are showing us that that's not the case

and that actually it might
have moved over time.

If that river is moving hundreds of meters,

then how we understand the relationship

between archaeological
monuments and the river

is completely transformed.

Narrator: Egyptologists begin to consider

an astonishing possibility...

The stones of the great pyramid at giza

could be transported vast distances by boat

along the nile.



To explore this remarkable new theory,

scientists peer beneath
the sands of the giza plateau.

We're using remote-sensing techniques,

including drill coring.

It's a kind of keyhole-surgery
form of archaeology

which allows us to see
deep beneath the ground

in areas where water would have been.

Narrator: The analysis confirms

that the ancient path of the river nile

runs close to the pyramids.



In areas which are completely
dry in the 21st century,

we now know would
have been filled with water

in the old kingdom at the
time of building of the pyramids.



Narrator: When archaeologists dig

to find physical evidence of a harbor,

they discover something
on a truly grand scale.



A marina estimated at over 1,500 feet long

and 1,300 feet wide.

Dash: It was really
waterfront property back then.

The harbor at giza was probably

the largest harbor in
the world at its time.

Naunton: The idea that
there's a harbor at giza

is so far removed from the idea
we previously would have had.

We now know they would
have arrived on water, on boats.



Narrator: Yet, if all this is true,

another riddle emerges...

Precisely how did the pyramid boatmen

transport stone sometimes
weighing up to 10 tons

hundreds of miles along the nile?



In 2013 comes the
final piece of the puzzle.

Excavating more than 30 honeycombed caves

on the banks of the red sea,

archaeologists uncover
beautifully preserved scrolls,

the oldest-known papyri in the world.

Manuelian: You may have gold statues

or colossal figures in other places,

and so scraps of papyri
may not seem that exciting,

but it's the words...
It's what they tell us

that brings so much.

Narrator: Translating the writings,

experts conclude this is the
diary of a man named merer,

a transport inspector

in charge of a team of 40 boatmen

working on the great pyramid.

These are really day-to-day
records of a person

who clearly participated in
the construction of the pyramids.

It's really remarkable and not something

that would have been expected.

Narrator: Merer's diaries
reveal in intricate detail

how the pyramid stones

make their long journey from the quarry.

Naunton: Merer is traveling

from the red sea westwards towards giza,

and he stops in the area of tura,

which is a place
well-known for the quarrying

of the very finest kind of limestone

to provide the final layer,
the casing on the pyramids.

It confirms that it is the nile

that allows the stone to
be conveyed to the site,

and that explains why giza is chosen

as the place for pyramid building.

Narrator: As the only known
firsthand record in existence

of how the pyramids are constructed,

the scrolls prove that
without the waters of the nile,

one of the world's
greatest architectural feats

would not have been possible.



Cleopatra.

Ancient egypt's most famous queen

and ultimate seductress.

She is this extraordinary femme fatale.

Narrator: Now
facial-reconstruction technology

may finally shed light

on a discovery that
baffles experts for decades,

to reveal the real cleopatra...

A great beauty or hardened leader.

Fletcher: We have these two opposing faces.

So which one is the real cleopatra?



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Narrator: She is the
name on everybody's lips,

immortalized by the world's
most glamorous actress.

Cleopatra, for us, is elizabeth taylor,

a very glamorous, sensual woman.

Played fast and loose with the hearts

of any roman who happens to pass by.

But is that how she really looked?



Narrator: A twist of fate
means, for egyptologists,

this is not an easy question to answer.

We don't know what cleopatra looks like

because we don't have her body.

We've never found her.

Narrator: To explore the
truth behind the legend,

experts first trace the origin

of cleopatra's image as a seductress

and find it stems from roman writings

detailing her relationship

with two of rome's most infamous men...

The emperor julius caesar

and mark antony, a military general.

These historical records

describe cleopatra as a great beauty,

yet egyptologists are reluctant

to rely upon roman testimony as unbiased.

We have to remember
that history is written by men.

There's a roman propaganda
campaign against her

to just frame her as a seductress.

Narrator: And then, by complete chance,

another clue to cleopatra's
appearance emerges,

one which leads researchers
in an entirely different direction.

Experts rediscover a hoard of roman coins

long forgotten in a bank
vault in newcastle, England.

Johnston: In amongst that
huge collection of coins,

there is a coin, a silver denarius.

Narrator: The coin dates back to 32 bce.

It is minted in armenia
when under the control

of the roman general mark antony.

On one side, it shows mark antony,

but on the reverse, we
have a representation

of queen cleopatra.

- She has a hooked nose.
- And a pugnacious chin.

Fletcher: Masculine, if you like.

Johnston: It's not the cleopatra
that we've come to learn

from films and television series.

Oh, my gosh. She is not
this most-amazing beauty.



Narrator: Egyptologists believe

cleopatra's unflattering depiction

may be evidence she demands a quality

with her male counterpart,

an image of her own creation.

Fletcher: So, on one side,
you have mark antony,

the famous soldier.

On the other, you have cleopatra,

the equally famous soldier.

Johnston: Represented as equals.

She portraying herself

as the correct and genuine ruler of egypt.



Narrator: The coin not only suggests

the modern stereotype of cleopatra

as a seductress is deeply flawed,

but that she is a master of political spin.

Still, experts have a problem.



Neither the historical records
nor her image on coins

can be fully trusted.

So egyptologists devise an innovative way

to investigate the face of
egypt's most famous queen.

They examine records of cleopatra's family.

One tragic sibling stands out.

We know that cleopatra's sister, arsinoe,

is murdered in ephesus.



Narrator: Historical records reveal

arsinoe is buried in turkey.

Some experts believe her tomb resembles

the great lighthouse of alexandria

in her native egypt.

If archaeologists can pinpoint her remains,

they may be able to determine

what arsinoe looks like from her skull

and, from there, paint a reliable picture

of her older sister, cleopatra.



Experts re-examine a tomb in turkey.

Although the bones within
are discovered decades before,

only recently have experts considered

the potential importance of the find.

Johnston: In 1926, in ephesus,

we find a skeleton of a girl

who is between 15 and 18 years of age.

Narrator: The tomb appears
to match the descriptions

of arsinoe's final resting place.

Fletcher: And because the tomb

has certain architectural features

that relate to egyptian architecture,

they assume the person
buried inside must be egyptian.

Narrator: Many researchers
believe the grave yields

an incredible link to egypt's
most enigmatic queen.

This may well be the sister of cleopatra.

It may well be arsinoe.

Narrator: But there is a
problem with the skeleton.

Sadly, we no longer have the skull.

Narrator: Archaeologists search the records

collected at the time of the dig,

hoping to uncover information
about the missing skull.

Johnston: We do have photographs,

we do have measurements that were taken

at the time of its discovery.

Narrator: From these measurements,

scientists generate a likeness of the woman

they believe is cleopatra's sister.

Johnston: Using facial reconstruction,

we're able to build up the
layers of muscle on the bone,

we're able to get a clearer indication

of how to flesh up that skull

so that we can see what the
face might have looked like.

Narrator: If researchers are right

and this is the face
of cleopatra's sibling,

then this process will reveal

the most accurate
likeness of cleopatra yet.



Johnston: You see a face
which is much younger,

much more feminine

than the coin portrait
that we have of cleopatra.

It's hard to see any resemblance at all.

Narrator: It is so different, in fact,

that some egyptologists
are skeptical of its accuracy.



Fletcher: The experts who
are reconstructing the face

have to work with the limited
data that they do have...

A set of measurements of the skull...

And they can only hope
to create a partial likeness.



Narrator: Others believe there
can be an even bigger problem,

a question surrounding
the identity of the remains.

Anthony: The skeleton, the
body that was found there

was that of a 15-year-old girl.

And there is a slight
problem in that we understand

that arsinoe was probably in
her mid-20's when she died.

Narrator: Egyptologists remain divided.

Johnston: I think it's
safe to say, at this time,

the question of cleopatra's appearance

still waits to be answered.

Narrator: 2,000 years after her death,

the legend of the most
famous queen in history lives on.



Built by the iconic pharaoh akhenaten,

the utopian city of amarna is legendary.

Akhenaten wants it
to be an incredible city,

something that people
are going to remember.

Narrator: Now a new discovery
could explain why the city

is abandoned less than two
decades after its construction,

to reveal a deeply sinister
side to akhenaten's paradise.

Was amarna a glorious
revolution or was it hell on earth?



Narrator: 1350 bce.

A new pharaoh ascends the throne of egypt,

his name, amenhotep iv.

Amenhotep iv comes in, and he says,

"we're going to completely
change things up."

narrator: He constructs a new order,

starting with his own persona.

He changes his name to akhenaten.

Fletcher: The name
change is like a complete

rebranding of the pharaoh.

Narrator: His new name

makes him chief
representative to the sun god.



With his wife, nefertiti, at his side,

he revolutionizes egypt's religion

by eliminating every god
his people hold dear, bar one.

In this radical step,

akhenaten rewrites a
nation's entire belief system.

Mcginn: Akhenaten announces to everyone

that they're going to
completely change the religion,

and they're going to change
from worshipping hundreds of gods

to just worshipping one.



Narrator: He builds an entire city

dedicated to the worship
of this one god, the sun,

a new spiritual epicenter.

One of the major physical manifestations

of his religious revolution

is moving the religious
capital of egypt from thebes

to a city now called amarna.

This is a massive operation.

Maca: He was moving thousands of people

to a completely new area of egypt,

hundreds of miles away
from traditional capitals.

Narrator: For over a decade,

amarna flourishes, a thriving utopia.

And then records show
it mysteriously collapses.

Now egyptologists are trying to figure out

what disaster may have taken place here.



Searching for clues, they dig in
the ruins of the abandoned city.

Over a century, they unearth
evidence of great wealth...

Opulence that is off the scale.

Darnell: We know that the elites,

they're building very large villas

and probably maintained
a very lavish lifestyle.

Absolutely no expense is being spared

in the building of this city.



Narrator: The findings seem to confirm

the lives of the people of amarna

are exactly how the legend suggests.

Fletcher: We know from the
texts and the images from the time,

akhenaten and nefertiti are giving hundreds

and hundreds of individual offerings

to the sun god on a daily basis...

The best food, the best
wine, the best of everything.

Akhenaten wants it
to be an incredible city,

something that people
are going to remember.

Narrator: But something
puzzles archaeologists.

It is common for pharaohs to display

their military conquests
in carvings and paintings,

but depictions in amarna appear to show

a very different military presence.

When you start to look at the
art that's created at amarna,

you're very struck by
the number of soldiers.

This is a royal couple who have to maintain

a very high military presence
to guard against rebellion.

These are people who need their bodyguards.

Narrator: It suggests akhenaten

may be at risk from his own people.

Darnell: There could be
some religious reasons for this,

but it could've also
been purely for security,

that he was not beloved
by much of his population.

Narrator: If this theory is correct,

then life for regular egyptians

is starkly different from
akhenaten's legend...

And amarna is not the
utopia he proclaims it to be.

Maca: Akhenaten re-creates
egyptian society in amarna,

a utopian society.

But were the people treated

as well as a utopian society intends?

Narrator: In 2006, archaeologists

begin to dig at a cemetery in amarna.

They know the bones may yield vital clues

to the living conditions of the people.

Human remains are an
extremely effective way

to truly understand

how people lived their
lives in the ancient past.

Everything they did
shows up in their bones.

Narrator: Archaeologists uncover

hundreds of partially intact skeletons

preserved by the dry desert heat.

But the graves are not what experts expect.



Mcginn: The bones are found
buried directly in the sand.

It becomes clear to the archaeologists

working at this site

that they are finding the
bones of very poor people,

because the rich would
have been buried in tombs.



Narrator: Finding intact
remains of everyday people

is extremely rare.

When experts examine the condition

of the bones and teeth,

they find evidence of catastrophe.

Not a natural disaster, famine, or drought,

but something far more ominous.

The bones at amarna
really tell us a horrific story.

Mcginn: We can see from these bones

that the working-class people of amarna

are doing hard manual
labor day in and day out.

Maca: These people didn't have enough food.

Mcginn: They had
dental abscesses, cavities,

so the diet was poor.

There were high levels of anemia.

Children were sick.
Malnutrition was prevalent.



Narrator: Then, in one
of akhenaten's temples,

archaeologists examine the remains

of 1,700 ritual offering tables,

once seen as evidence of the
tremendous wealth in the city.

Now the food altars point
to a very different reality.



Fletcher: Hundreds of altars

open to the sun, to the open air,

crammed with the finest
cuts of meat, bread, beer...

All the standard offerings
...all left out in the sun

for the sun to absorb their goodness...

And yet the workers who built this place

are receiving so very little.

You would think that
he's almost going to create

a kind of utopian society
and treat his people very well.

But that's not what the evidence shows.



Narrator: The finds at
amarna are rewriting the story

of akhenaten and his legendary utopia.

Fletcher: Modern archaeology,

it's revealing akhenaten
for the man he was...

A dictator, a brutal, brutal king

who worked his people almost to death.

It must have been hell on earth.

Narrator: And now
egyptologists have an explanation

for why, when akhenaten dies,

his city is abandoned by his people,

allowing amarna's tragic secrets

to lie hidden beneath the
sand for over 3,000 years.



The mighty pyramids at giza

hide an enduring secret
about the men who build them.

Who did the labor? Who
actually moved the stones?

Narrator: Now a set of
remarkable discoveries

may finally shed light on the mystery

to reveal if the pyramids are built

by tormented slaves or willing artisans.



Narrator: It is a powerful image
made popular by hollywood.

Thousands of pyramid
builders toil under the desert sun,

slaves to an oppressive pharaoh.



Egyptologists trace
this idea of slave labor

to an ancient greek historian,

writing about the fourth
dynasty pharaoh khufu,

the king who commissions the great pyramid.

Darnell: Herodotus tells us

2,000 years after the
great pyramid is built

that 100,000 people

participated in its construction.

Dash: Herodotus was the first historian.

He's called the father of history.

He lived during in the
golden age of greece.

He traveled the world
and then would write stories

about what he had seen.

Cooney: He talks about
khufu as being wicked,

almost evil, and exploiting his own people,

living so long and demanding
such a large structure,

that he pushed them too far.

And when we look at that structure today,

it's no surprise that slavery
might pop into our head.



Narrator: In 2002,
archaeologists uncover something

that could shed light
on the popular belief.

They dig on the giza plateau,

uncovering walls and outlines of buildings.

Egyptologists believe
it is a workers' village

just 1,300 feet from the pyramids.

Darnell: On the giza plateau itself,

archaeologists have discovered
the administrative structures

where the workmen who
constructed the pyramids

both lived and constructed their own tombs.



Narrator: They also
unearth artifacts that reveal

the workers' diet and lifestyle,
evidence of how they live.

The most common
pottery types we find at giza

are bread molds and beer jars.

We find thousands of them.

So they were eating
bread and drinking beer.

Narrator: Along with beer jars,

archaeologists find something
entirely unexpected...

Fragments of over 150,000 animal bones

from fish, birds, and,
remarkably, from cattle.

Dash: At the city of the pyramid builders,

we have found enough cattle bone

to have fed 7,000 people
meat every day for 20 years.

Darnell: Beef would have been

a fairly expensive meat in ancient egypt.

And the fact that that's one of the things

that they were eating

shows that this is a major
state-sponsored activity,

and they intended the workers

who constructed the
pyramids to be well-fed.

Narrator: The evidence
from the workers' village

suggests a new theory...

That the pyramid builders
aren't slaves at all...

But are living in tailor-made housing,

getting paid in beer and bread
and the finest cuts of meat.



Then, inside the great pyramid,
more evidence emerges.

Archaeologists study writings in
a chamber above the king's tomb.

While it's common practice

for explorers to leave their names,

creating a unique record of exploration,

among the modern marks are strange symbols.



Written on one of the massive roof slabs...

A hieroglyph from 4,500 years ago.

Red markings denote
which crew was responsible

for dragging that giant block.

Narrator: This hieroglyph reveals

the workers' relationship to the pharaoh.

It is a crew name...
"the friends of khufu."



It suggests a crew united in their task,

working for the king.

Darnell: We should really
imagine these work crews

with a spirit of togetherness.

And you get more of that sense

of highly organized, concentrated labor

as opposed to our imaginings
of slaves being whipped

as they bring stones up
the ramps to the pyramids.



Narrator: It leads egyptologists
to a final conclusion

about the pyramid workers,
disproving the long-held belief

that the pyramids are built by slaves...

And part of a growing body of evidence

that suggests they are
highly specialized artisans.

Darnell: Our modern
archaeological discoveries

have established beyond a shadow of a doubt

that the pyramids were
constructed by laborers,

paid by the state...

Masons, specialists, quarrymen,

overseers, architects.

Narrator: It means experts
can now consider the pyramids

as more than tombs for a king.

They're time-tested monuments

to the ingenuity and skill
of the men who build them.

Darnell: The workers who
participated in the pyramids

knew that their labors would
be seen for thousands of years,

and that sense of pride in creating

both immortality for the king

and a monument that would
stand for thousands of years,

it is all really remarkable.

Narrator: The people of ancient egypt

are perhaps the most fabled on earth.

Now analysis of 3,000-year-old remains

may shed light on their origins,
answering an age-old question...

What is the ancestry of
the ancient egyptians?

Ancient dna is actually providing us clues

that are opening the door on
who these people really were.



Narrator: How did this
group of remarkable people

spark the rise to a superpower nation?

Bard: Over 100 years
ago, there were theories

that ancient egyptian civilization

did not originate in the nile valley,

but was introduced from somewhere outside.



Narrator: Some believe
this outside influence

may originate with the
oldest civilization on earth...

Mesopotamia in modern-day iraq,

over 800 miles from egypt.

There was a suggestion that
individuals from mesopotamia

came into egypt and were the catalysts

that enabled the egyptians
to create themselves.

Narrator: The theory suggests
this eastward migration

takes place even before egypt is created,

over 5,000 years ago.

The problem is, egyptologists can find

no archaeological evidence to support it.

Bianchi: In the intervening years,

the theory about the
mesopotamians coming over

has been discounted.



Narrator: Another theory emerges

when experts investigate
a more recent dynasty.

They examine the upper nile valley

and egypt's southern border.

Bianchi: In the '60s and '70s,

there was a renewed interest in nubia.

Narrator: Ancient nubia
is on the southern side

of the sahara desert from egypt.



Experts study nubian hieroglyphs
that date to around 700 bce,

searching for evidence

that these people may
have migrated to egypt.

Bianchi: We have hieroglyphic inscriptions,

and they discuss the conquest
of egypt by the nubians...

When black africans from nubia ruled egypt

as pharaohs in their own right.

Narrator: The inscriptions
show that ancient egyptians

have strong connections
to sub-saharan africa,

but without biological evidence,

experts cannot yet prove an ancestral link.



In 2017, scientists
explore ancient genetic ties

using the latest
technology for dna testing.

They investigate mummies
found in the 19th century

in the northern egyptian
village of abusir el-meleq.

Buckley: This study involves
looking at 150 mummies

from this one site and
looking at their dna.

Narrator: Because the mummies' age range

spans nearly 2,000 years,
beginning in 1380 bce,

it provides scientists
with a broad sample size.

It's really the first
scientifically credible study

that's telling us
something about the origins

of who the ancient egyptians were.

Narrator: But there is a nagging problem.

When the mummies are discovered,

the genetic code is
not properly understood.

Archaeologists could not have imagined

the mummies would
be tested 100 years later.

As a result, they're transported
to europe unprotected.

Now experts believe
they may be contaminated.

At that time, for sure, nobody
was thinking about dna testing.

Everybody who's touching the mummy

leaves his dna traces.

Narrator: Contaminated
samples could introduce

other genetic profiles to the study,

tainting the results.

Despite the difficulties,

scientists isolate what they believe

is ancient genetic code
from the cells' nuclei.

Buckley: Out of 150 mummies studied,

they recovered dna from 90 of those,

but only from three of those
did they get the full genome,

the nuclear dna.

Narrator: Extracting the full
genome from the three mummies

is an incredible scientific feat,

an ancient egyptian first,

and the results prove astonishing.

Buckley: These results certainly show

population over a long time period,

originated in what is now

turkey, syria, israel, palestine.

So these are people coming
from the near east, down into egypt.

Narrator: It means the
mummies from abusir el-meleq

have their deepest genetic links

with mediterranean neighbors to the east.

But there is a fundamental issue.

Because all the mummies
come from a single town,

making any large-scale
conclusions is impossible.

It's only from one site in northern egypt,

so it doesn't necessarily
inform us on what the population

may be like further south
in egypt, for example.

Narrator: Despite the complications,

it's a hopeful beginning.

And as geneticists sample more mummies

from every corner of egypt,

the results will give a precise picture

of the migration patterns of the ancients,

answering the question
of ancient egypt's ancestry

once and for all.



Near the necropolis of thebes,

archaeologists uncover a
hoard of ancient records.

Manning: Something like
100,000 documents or so.

It's perhaps the best-documented village

not only from ancient egypt,

but for the entire bronze age, globally.

Narrator: The documents
show egyptian workers

hold the world's first labor strike

and reveal if they were
successful or crushed.



Narrator: 1170 bce.

Pharaoh ramesses iii

rules egypt during the
tumultuous 20th dynasty.

It's not a quiet reign.

He has several attempted invasions of egypt

from various places... from the libyans

and from a confederation
of mediterranean people

we call "the sea people."

and he's quite proud of fending them off.

He seems to have been a very
powerful and successful pharaoh.



Narrator: Experts wonder

if his extraordinary
military success abroad

may come at a cost at home in egypt.

Enmarch: But we also know
that towards the end of his life,

economic problems began to gather in egypt.

Narrator: As egyptologists investigate

how a failing economy
affects ordinary egyptians,

new evidence emerges.



Deep in the valley of the kings,

buried in the arid desert sands,

archaeologists unearth a
previously untouched village

dating to the 20th dynasty.

What they discover inside

is immaculately preserved
by the desert's dry heat.

Darnell: The community at deir el-medina

was further out into the desert

than your standard egyptian village.

Cooney: It was on the west bank,

the land of the dead, deep in the desert.

And the reason that it's so special

is because it preserves things

that aren't preserved
anywhere else on the planet.

Narrator: Buried in the
ruins of deir el-medina,

archaeologists find tens
of thousands of documents,

from work records to intimate letters.

But the most intriguing?

Court files giving a window
into the everyday conflicts

and concerns of the ancients.



Among the documents,
experts uncover records

that suggest the men living here

are employed directly by
the pharaoh ramesses iii,

constructing tombs in the
royal cemetery of thebes

less than a mile away.

The documents show the high social status

of these important craftsmen.

Cooney: They knew the
greatest elites of thebes

because they built coffins for them

and finished tombs for them, as well.

So these men were really hanging out

with the very wealthiest of thebans

even though they were craftsmen themselves.

Narrator: Further research
reveals something unexpected.

Some documents point
to a strained relationship

between the craftsmen and their bosses.

Darnell: During the reign of ramesses iii,

we have evidence that the
workmen at deir el-medina

were not being paid on time.

Manning: And, of course, if
you're not paid in bread and beer,

which is the normal salary,
literally, in ancient egypt,

how can you work? How
can anything else happen?

Narrator: So the craftsmen
take matters into their own hands.

Nonpayment leads to the
first recorded strike in history.

They demand payment.

Cooney: The documents are pretty clear

that they didn't go on strike just once.

This happened repeatedly
over time... this nonpayment

and the refusal to work
because of the nonpayment.

Narrator: What the documents
reveal next is remarkable.



Darnell: They're not fired.
They're not punished.

They seem to be successful.

And the pharaoh does relent and paid them.

Narrator: Egyptologists believe
this extraordinary evidence

calls into question whether
the 20th dynasty pharaoh

rules like a dictator.

Manning: The king is actually

constitutionally
constrained by the society,

so the limits of royal power were very real

even in a place like ancient egypt,

despite the perceptions of the king

being this absolute kind of monarch.

Narrator: The cache of
documents found at deir el-medina

provides a vivid snapshot

of the people who build ancient egypt.

Manning: Even though the
ancient egyptian world is different

than ours in a lot of ways,
they are human beings,

and human struggles, human emotions,

human worries about daily life,

about making a living,
about feeding your family,

about love interests all come
to life in these documents.

Narrator: It is a discovery
that reframes the relationship

between the ordinary
working man and his pharaoh...

And recasts this egyptian superpower

as a functioning nation

complete with conflicts and conquests,

just like any nation today.



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