Doogie Howser, M.D. (1989–1993): Season 2, Episode 22 - Planet of the Dateless - full transcript

P.A. system: The white zone
is for loading and unloading

- of passengers only.
- (airplane passing overhead)

YOU GOTTA LOVE
THE AIRPORT, DOOG.

HELLO, GOOD-BYE...

I CAN'T THINK OF A HORNIER
PLACE THAN THE WHITE ZONE.

“THE WHITE ZONE IS
FOR LOADING, UNLOADING,

AND TONSIL-SWABBING ONLY.”

WELL, MAYBE I SHOULD
BRING JANINE DOWN HERE.

TELL HER I'M GOING OFF TO JOIN
THE MOUNTIES OR SOMETHING.

THE PROSPECT OF YOU LEAVING THE COUNTRY
MIGHT JUST GET HER IN THE MOOD, VIN.

LOOK WHO'S TALKIN'
ABOUT BEING IN THE MOOD.



ALL I GOT TO DO THESE DAYS
IS MENTION THE NAME “MICHELE,”

AND YOU START DROOLIN'
ALL OVER YOURSELF

LIKE PAVLOV'S DOG.

- WOOF.
- HEY, GUYS.

HI, JACK. HOW'S IT GOIN'?

- GOOD.
- JEEZ, WHAT'D THEY DO,
DRAG YOU BEHIND THE PLANE?

YEAH, GOOD TO SEE YOU TOO, VIN.
THANKS FOR PICKING ME UP, DOOG.

YEAH, NO PROBLEM.
WE'RE ACROSS THE STREET.

- SO, HOW WAS IT?
- INCREDIBLE.

I WENT THINKING I'D SCORE SOME
BROWNIE POINTS WITH CANFIELD.

TURNED OUT TO BE TWO OF THE
MOST AMAZING WEEKS OF MY LIFE.

- YOU GOT TO
DO THIS SOMETIME.
- YEAH, MAYBE.

YOU LAND ON THIS DIRT AIR STRIP IN
THE MIDDLE OF THE MEXICAN RAIN FOREST.

THE MINUTE YOU SET DOWN, YOU UNLOAD
YOUR SUPPLIES AND YOU GET TO WORK.



PEOPLE COME FROM VILLAGES
MILES AWAY TO SEE YOU.

WE DID CLEFT PALATES,

CLEFT LIPS, RE-GRAFTED BURNS...

WE SAW SO MANY PATIENTS, I
BARELY HAD A CHANCE TO SLEEP.

HA! DOESN'T SEEM LIKE YOU HAD
MUCH CHANCE TO BATHE EITHER.

OH, YEAH. SORRY
'BOUT THAT, GUYS.

LAST TIME I WAS AROUND RUNNING
WATER WAS THREE DAYS AGO.

- LUCKY US.
- HELP! HELP! SOMEBODY, PLEASE!

GOD, HELP ME! (screaming)

GOD, HELP ME, PLEASE! HELP ME!

VINNIE, GRAB MY BAG.

- CALL 911.
- WE WERE RUNNING TO
OUR FLIGHT, AND HE COLLAPSED.

- IT'S ALL RIGHT, MA'AM. WE'RE DOCTORS.
- HE HAS A BAD HEART!

- OH, GOD.
- I'M NOT GETTING A PULSE.

- HE'S ARRESTING.
- (woman sobbing)

ONE, AND TWO, AND THREE,

AND FOUR, AND FIVE,
AND ONE, AND TWO...

COME ON, PAL. FOUR, AND FIVE,

AND ONE, AND TWO, AND THREE,

AND FOUR, AND FIVE.

(coughing, gasping)

- (sighs)
- (people chattering)

YOU'RE GONNA BE OKAY, SIR. THE
PARAMEDICS ARE ON THEIR WAY.

(bell dings)

NINETY-SEVEN DEGREES OUTSIDE,
AND A STAGE-THREE SMOG ALERT.

- AH, IT'S GOOD TO BE BACK.
- Curly: OH, DR. HOWSER.

- (women giggling)
- COULD YOU PLEASE
AUTOGRAPH THIS FOR ME?

I'VE NEVER MET A REAL-LIFE HERO.

- WHAT ARE YOU TALKING ABOUT?
- OH, COME ON, MR. MODESTY.

YOU SAVED A GUY'S LIFE
YESTERDAY. YOU MADE THE PAPER.

- REALLY?
- WHAT?

“SEVENTEEN-YEAR-OLD
DOCTOR SAVES MAN'S LIFE.”

- IT WAS AT THE AIRPORT.
- INCREDIBLE. I WAS THERE
TOO, YOU KNOW.

YEAH, HE WAS. WE
BOTH SAVED THAT GUY.

OH, NO, WAIT. THERE'S HIS
HAIR. YEAH, RIGHT THERE.

- (women giggling)
- OH, YEAH.

THAT'S FUNNY, I DON'T THINK THEY
MENTIONED YOU AT ALL IN THE ARTICLE, JACK.

HERE. LAST PARAGRAPH...

“ALSO ON THE SCENE
WAS DR. ZACH AGUIRE.”

(all chuckling)

I GUESS THAT'S YOU.

SORRY.

THIS IS SO TYPICAL. IT'S ALWAYS
“HOWSER THIS” AND “HOWSER THAT.”

IT'S LIKE NO ONE ELSE
EXISTS AROUND HERE.

OH, COME ON. THAT'S NOT TRUE.

- GOOD MORNING, ZACH.
- (all chuckling)

(theme music playing)

DOOGIE.

- DOOGIE, HI, UM...
- MICHELE.

- DO YOU HAVE A MINUTE?
- YEAH, SURE.

UM, I'M GLAD YOU FOUND ME. I
NEED TO TALK TO YOU, ACTUALLY.

NEXT WEEKEND IS EASTMAN'S
BOARD OF DIRECTORS' ANNUAL DANCE.

YEAH, I KNOW, I KNOW. UM...

LOOK, I... I KIND OF NEED
TO TALK TO YOU FIRST.

- OKAY.
- WELL, UM...

YOU KNOW HOW WHEN WE
FIRST STARTED GOING OUT,

AND, YOU KNOW, WE DECIDED
THAT WE'D STILL SEE OTHER PEOPLE?

- YEAH.
- WELL, I'VE... I'VE BEEN
THINKING ABOUT IT,

AND... I JUST...

I DON'T THINK IT'S
WORKING FOR ME ANYMORE.

I MEAN, I GUESS I'M THE
KIND OF PERSON THAT

NEEDS SOMETHING A
LITTLE MORE... EXCLUSIVE.

REALLY?

YEAH.

WELL, WE...

WE HAVEN'T BEEN
GOING OUT THAT LONG,

BUT... OKAY.

I GUESS. SURE.

YOU KNOW, TO BE HONEST, I HAVEN'T
BEEN GOING OUT WITH ANYONE ANYWAY.

OH, NO, NO, NO. DOOGIE,
YOU DON'T UNDERSTAND.

I MEAN, I HAVE GONE
OUT WITH SOMEONE ELSE,

AND I WANT TO BE
EXCLUSIVE WITH HIM.

WHAT?

GOSH, I'M... I'M SORRY, I...

WAIT A MINUTE, MICHELLE. THAT STUFF I
SAID ABOUT GOING OUT WITH OTHER PEOPLE...

THAT'S JUST A FIGURE OF SPEECH...
YOU AREN'T ACTUALLY SUPPOSED TO DO IT.

WELL, I WISH YOU WOULD HAVE TOLD
ME SOONER. I MEAN, I DIDN'T KNOW,

AND I MEAN, NOW I'M KIND
OF INVOLVED WITH VIC, AND...

I'M REALLY SORRY.

“VIC”?

DURING JULIE'S RHINOPLASTY, WE
REMOVED THE DORSAL NASAL BUMP,

THE NASAL TIP WAS REDUCED,

AND SHE HAD LATERAL
OSTEOTOMIES TO NARROW THE NOSE.

WE ALSO DID A GENIOPLASTY
WITH A SLIDING OSTEOTOMY

BY WAY OF AN
INTRA-ORAL APPROACH.

SHE'S DOING WELL, AND WE'RE PLANNING
ON DISCHARGING HER TOMORROW.

- DO YOU HAVE ANY
QUESTIONS, JULIE?
- UH, YEAH.

IS THE SWELLING GONNA GO DOWN, OR
AM I GONNA HAVE TO JOIN THE CIRCUS?

JUST GIVE IT SOME TIME.
YOU'RE GONNA LOOK GREAT.

NOW, IF YOU HAVE ANY
DISCOMFORT, YOU LET ME KNOW.

THANKS, DR. McGUIRE.

DR. McGUIRE, I
DIDN'T GET A CHANCE

TO COMPLIMENT YOU ON YOUR
WORK IN SURGERY THIS MORNING.

- YOU HAVE VERY GOOD HANDS.
- THANK YOU.

AND THE PATIENT CERTAINLY SEEMED
TO APPRECIATE YOUR BEDSIDE MANNER.

WELL, HE'S DONE A LOT OF IN-DEPTH
RESEARCH IN THAT AREA, DR. MICHAELS.

SO I'VE HEARD. I UNDERSTAND
YOU'LL BE PUBLISHING SOON.

YEAH, IN THE NEW ENGLAND
JOURNAL OF NOOKIE.

SERIOUSLY,
DR. McGUIRE, IF YOU EVER

CONSIDER SPECIALIZING
IN PLASTIC SURGERY,

COME VISIT MY
OFFICE IN THE MARINA.

YOU MIGHT LIKE WHAT YOU SEE.

- I'LL THINK ABOUT IT.
- (bell dings)

GOOD. DOCTORS.

“I'LL THINK ABOUT IT”? YOU'RE
UNBELIEVABLE, McGUIRE.

THE GUY PRACTICALLY BEGGED
YOU TO COME TO WORK FOR HIM,

- AND YOU TELL HIM
YOU'LL THINK ABOUT IT?
- THAT'S RIGHT.

DR. MICHAELS HAS THE
HOTTEST PRACTICE IN L.A., JACK.

HE IS PUBLISHED IN THE JOURNAL OF PLASTIC
AND RECONSTRUCTIVE SURGERY ALL THE TIME.

I CAN'T BELIEVE YOU'RE
NOT EXCITED ABOUT THIS.

YOU KNOW, THE LAST GUY HE TOOK
ON STARTED OUT MAKING SIX FIGURES

AND NOW HAS A
BEACH HOUSE IN MALIBU!

I HEAR THEY'VE DONE EVERY
BEAUTIFUL ACTRESS IN TOWN.

IT'S THE JACK McGUIRE DREAM JOB!

WHAT THE HELL IS THAT
SUPPOSED TO MEAN?

NOTHIN'. WE JUST THOUGHT
IT SOUNDED PRETTY GOOD.

WHAT IT SOUNDS LIKE
IS A WASTE OF MY TIME.

I DIDN'T SPEND THE LAST
SEVEN YEARS OF MY LIFE

PREPARING TO GIVE BIGGER
BREASTS TO BIMBO ACTRESSES

OR NOSE JOBS TO
SPOILED COLLEGE GIRLS.

COME ON, JACK, THEY
DO A LOT MORE THAN THAT.

OH, PLEASE. COSMETIC SURGERY
IS ABOUT AS INSIGNIFICANT

AS MOST OF WHAT WE DO HERE.

LOOK AT US... USING
ALL OUR FANCY

HIGH-TECH MEDICINE TO TREAT
COLD SORES AND TENNIS ELBOW.

SO DON'T GO INTO PLASTIC SURGERY,
JACK... IT'S NOT THAT IMPORTANT TO US.

I'LL TELL YOU SOMETHING ELSE. I'M SICK OF
THIS CONDESCENDING ATTITUDE TOWARD ME...

EVERYBODY THINKING
I'M JUST A PRETTY BOY

WHO ONLY HAS TO
FLASH WOMEN A SMILE,

AND THEY'RE BEGGING ME
TO HAVE THEIR HIPS REDUCED.

GOD FORBID SOMEBODY GIVES ME A
LITTLE CREDIT FOR HAVING ANY TALENT.

WHAT ARE YOU TALKING ABOUT?
WE KNOW YOU'RE A GOOD DOCTOR.

BUT NOT AS GOOD AS THE
RESIDENT GENIUS, RIGHT?

THAT'S NOT WHAT
WE'RE SAYING, JACK.

NOBODY HAS TO.

WHAT THE HELL GOT INTO HIM?

HONEY! I'M HOME. ARE YOU BACK?

(humming)

HEY, DAD.

WHAT ARE YOU DOING
HOME, DOUGLAS?

IT'S SATURDAY NIGHT.

I DECIDED TO HANG OUT
WITH YOU AND MOM TONIGHT.

- OH.
- YEAH.

WE REALLY DON'T GET TO
SPEND ENOUGH TIME TOGETHER.

I MEAN, BEFORE YOU KNOW IT, I'LL BE
OUT OF THE HOUSE, LIVING ON MY OWN.

I'D HATE TO LOOK BACK
AND REGRET THAT WE LET

THIS OPPORTUNITY SLIP
THROUGH OUR FINGERS.

- COULDN'T GET A DATE
AGAIN, HUH?
- NO.

I'M BACK, DAVID, AND I GOT IT.

DOOGIE. YOU'RE HOME. WHY?

I JUST THOUGHT MAYBE WE
COULD ALL DO SOMETHING

TOGETHER AS A FAMILY.

I MEAN, ISN'T THAT
WHAT FAMILIES DO...

SIT AROUND, ENJOY
EACH OTHER'S COMPANY?

- WE COULD JUST TALK.
- COULDN'T GET A DATE AGAIN?

WHAT IS IT WITH YOU TWO?

A SON WANTS TO SPEND THE
EVENING WITH HIS PARENTS.

INSTEAD, HE GETS INTERROGATED.

(scoffs) WELL, I'M ALL
FOR WATCHING A MOVIE.

WHAT'D YOU GET?

MOM, COME ON. WHAT'D YOU GET?

EMMANUELLE IN BANGKOK.

(clears throat)

ALL RIGHT, I'M OUT OF HERE.

- UH, LOOK HONEY...
- SON...

I STILL HAVE SARAH
NEWMAN'S NUMBER.

SHE JUST MOVED HERE. HER MOTHER
SAID SHE'S HARDLY MET ANYONE.

WHY DON'T YOU GIVE HER A CALL?

IF I REMEMBER, DOUGLAS, SHE
WAS AN AWFULLY CUTE CHILD.

OH, PLEASE, THE LAST TIME YOU
SAW HER, SHE WAS FOUR YEARS OLD.

AN AWFULLY CUTE CHILD CAN TURN
INTO A PRETTY GRUESOME 18-YEAR-OLD.

NEED I REMIND YOU ABOUT
ADORABLE DEBBIE HOFFMAN?

OH, MAN'S GOT A
POINT, KATHERINE.

OKAY. I ONLY SUGGESTED IT AGAIN

BECAUSE I KNEW YOU STILL NEEDED
A DATE FOR EASTMAN'S DANCE.

MOM, I'M NOT A GEEK,
THANK YOU VERY MUCH.

I STILL HAVE PLENTY OF
PEOPLE I COULD CALL. PLENTY.

HELLO, WANDA, IT'S DOOGIE.
I'M REALLY SORRY ABOUT THIS,

AND I PROMISE IT'LL BE THE ONLY
TIME THIS EVER HAPPENS EVER,

BUT I WAS WONDERING IF NEXT SATURDAY NIGHT
YOU COULD GO TO EASTMAN'S DANCE WITH ME.

IT'S THIS BIG-DEAL DANCE, AND I
DON'T WANT TO SHOW UP ALONE.

I MEAN, NOT THAT I'D HAVE TO GO ALONE.
THERE ARE A MILLION GIRLS I COULD ASK.

I JUST THOUGHT I'D ASK YOU,
YOU KNOW, FOR OLD TIMES' SAKE.

OH.

OH, NO, NO, I...
NO, I UNDERSTAND.

YOU PROMISED MAGGIE.

YEAH, SURE. SURE.

WELL, UH,

I'LL... I'LL TALK TO
YOU SOMETIME, THEN.

BYE.

- MOM...
- Katherine: SARAH NEWMAN.

555-7323.

McGuire: OKAY, JULIE.
NOW, REMEMBER,

THERE'S STILL SOME SWELLING

AND YOU'RE GONNA
BE A BIT BRUISED,

BUT THAT'LL GO AWAY
BEFORE YOU KNOW IT.

WANT TO TAKE A LOOK?

DO I HAVE A CHOICE?

I'M PRETTY.

(sobbing)

McGuire: HEY, DOOG.

- YOU GOT A MINUTE?
- SURE.

UH, LOOK...

THIS MORNING, I TOOK OFF

JULIE KELLOGG'S BANDAGES,

AND I WAS REMINDED OF
HOW MUCH OF A DIFFERENCE

WE CAN MAKE AROUND HERE.

AND I JUST WANTED TO APOLOGIZE
FOR SOME OF THE STUFF I SAID.

- OH, FORGET IT.
- NO, REALLY, I'M SORRY.

IT'S JUST THAT I'VE BEEN FEELING
A LITTLE DISSATISFIED LATELY,

LIKE I DON'T BELONG
HERE ANYMORE.

WHAT ARE YOU TALKING ABOUT,
JACK? OF COURSE YOU BELONG HERE.

NO, YOU DON'T UNDERSTAND, DOOG.

WHEN I WAS IN
MEXICO, I FELT THIS

INCREDIBLE SENSE OF FULFILLMENT.

IT WAS LIKE FOR THE
FIRST TIME, I EXPERIENCED

WHAT BEING A DOCTOR
WAS ALL ABOUT,

AND I FINALLY REALIZED
THAT THE BIG BUCKS

AND THE PRIVATE PRACTICE
AREN'T SO IMPORTANT ANYMORE.

THAT'S WHY I'VE DECIDED
TO LEAVE EASTMAN.

- WHAT?
- I JUST GAVE CANFIELD
MY RESIGNATION.

WHAT?

I'VE SIGNED UP WITH THE FLYING
PHYSICIANS SERVICE FOR THE NEXT YEAR.

I LEAVE MONDAY.

(scoffs) MONDAY?

WHAT'S THE RUSH? DON'T YOU
THINK YOU SHOULD THINK ABOUT THIS?

THERE'S NOTHING
LEFT TO THINK ABOUT.

IT'S WHAT I WANT TO DO.

IT'S A CHANCE FOR ME TO
HAVE A... A REAL IMPACT.

- YOU HAVE AN IMPACT HERE, JACK. I...
- MAYBE.

BUT I'LL NEVER HAVE
THE IMPACT YOU WILL.

I DON'T KNOW WHAT TO SAY.

JUST SAY “GOOD LUCK,” DOOGIE.

GOOD LUCK, DOOGIE.

I'M TELLING YOU, DOOG,
BLIND DATES WERE INVENTED

BY MOTHERS OF UGLY CHILDREN.

YOU CAN'T DO THIS. I MEAN,
TAKE IT FROM SOMEBODY

WHO'S BEEN DESPERATE
THE GREATER PART OF HIS LIFE.

IT'S A DONE DEAL,
VIN. I'M GOING.

ALL RIGHT, ALL RIGHT.

YOU NEED AN EMERGENCY PLAN.

- WHAT TIME ARE YOU
PICKIN' HER UP?
- 7:00.

FINE.

AT 8:00, I CALL YOUR BEEPER.

IF SHE'S A HUNCHBACK, YOU BAIL.

LOOK, MY PARENTS SAID SHE
WAS REALLY CUTE AS A CHILD.

DOOG, I ONLY GOT
TWO WORDS FOR YOU...

DEBBIE HOFFMAN.

NEED I SAY MORE, MASTER?

THATTABOY.

I DON'T KNOW WHAT POSSESSED
YOU TO DO THIS IN THE FIRST PLACE.

LOOK, I'VE TALKED TO PLENTY
OF PEOPLE AT THE HOSPITAL

WHO HAVE HAD FABULOUS
EXPERIENCES ON BLIND DATES.

WE WENT TO THE BEACH.

I'VE NEVER SEEN A MAN WITH
SO MUCH HAIR ON HIS BODY.

IT WAS LIKE SWIMMING
WITH A MATTED CARPET.

I AM NOT SAYING THAT
THE GIRL WAS A DOG,

BUT WHEN WE WENT FOR A DRIVE,
SHE STUCK HER HEAD OUT THE WINDOW.

SHE WORE SO MUCH MAKE-UP,

FOR A MOMENT

I THOUGHT SHE WAS
A KABUKI DANCER.

THIS WOMAN WAS
ENORMOUS! (laughing)

I MEAN, THE FIRST THING SHE
ASKED ME WHEN I PICKED HER UP WAS,

“DO MY SHOES MATCH?”

(howling)

I CAN'T...

- OH. HI.
- SARAH?

NO, I'M APRIL. SARAH,
YOUR DATE'S HERE.

SHE'LL BE RIGHT HERE.

Vinnie's voice: COMING, MASTER.
JUST POWDERING MY HUMP.

Woman: HI. DOOGIE?

I'M READY.

(exhales) YES!

(slow jazz playing)

- (song ends)
- (people applauding)

OH, I LOVE THESE!

NO, THANKS. I'M A VEGETARIAN.

OH, I'M NOT MUCH OF A
BIG MEAT-EATER MYSELF.

YOU KNOW, THIS IS THE FIRST
BLIND DATE I'VE EVER GONE ON.

KIND OF DOING THIS AS A FAVOR TO MY
MOM. REMIND ME TO THANK HER LATER.

(pager beeping)

- WHAT WAS THAT?
- NOTHING. IT'S 8:00.

- OH.
- McGuire: HEY, DOOGIE.

JACK, I'M GLAD
YOU COULD MAKE IT.

WELL, I FIGURED IT WAS THE
BEST WAY TO SEE EVERYBODY.

YEAH. SARAH NEWMAN,
THIS IS JACK McGUIRE.

- HI.
- HI.

JACK'S LEAVING TOWN ON MONDAY. HE'S
DOING THE FLYING PHYSICIANS SERVICE.

REALLY? WHAT IS THAT?

IT'S A GROUP OF DOCTORS WHO DO
VOLUNTEER WORK AROUND THE WORLD.

- WHERE DO YOU GO?
- WELL, NEXT WEEK I LEAVE
FOR LESOTHO, SOUTH AFRICA,

AND I JUST GOT BACK FROM
TWO WEEKS IN MEXICO AND BELIZE.

OH, YOU'RE KIDDING! I'M
INVOLVED WITH A GROUP

TRYING TO SAVE THE
RAIN FOREST IN BELIZE.

OH, THAT'S TERRIFIC.

I'VE SEEN FIRSTHAND
WHAT YOUR WORK IS DOING.

OH. (chuckles) THANKS.

DID YOU KNOW THAT WE LOSE
ONE AND A HALF ACRES PER SECOND

AT THE CURRENT RATE
OF DEFORESTATION?

- IT'S AWFUL.
- YEAH.

OH! IT MUST HAVE BEEN JUST AN
INCREDIBLE EXPERIENCE FOR YOU.

- SIR?
- UH, NO, THANKS. I'VE GIVEN UP MEAT.

YOU CAN'T IMAGINE.

IT'S CHANGED THE WAY
I THINK ABOUT MEDICINE.

UH, LOOK. I COULD GO ON FOREVER,

BUT I'VE GOT SOME PEOPLE
I'VE GOT TO SAY GOOD-BYE TO.

- (slow jazz resumes playing)
- WILL YOU EXCUSE ME?

- SURE.
- IT WAS NICE
MEETING YOU, SARAH.

- YOU TOO, JACK.
- LATER, DOOG.

GOOD-BYE.

- OH. WOULD YOU
LIKE TO DANCE?
- SURE.

- (groaning)
- ARE YOU OKAY?

NO. NO, I DON'T THINK SO.

I THINK I ATE TOO MANY OF
THOSE LITTLE WEINER THINGS.

- MAYBE WE SHOULD GO HOME.
- NO.

NO, WE'RE ALREADY HERE,
AND, UH, YOU LOOK GREAT.

UH, I'VE GOT A BETTER IDEA.

I'M GONNA MISS YOU, McGUIRE.

YEAH, ME TOO, CURLY.
TAKE CARE OF YOURSELF.

- GOOD LUCK, JACK.
- THANKS, DR. CANFIELD.

EXCUSE ME, JACK?

CAN I TALK TO YOU FOR A MINUTE?

EXCUSE ME.

- WHAT'S UP?
- WELL, I'M NOT
FEELING TOO WELL,

AND I WAS HOPING YOU
COULD DO ME A FAVOR.

- SURE.
- SARAH AND I WERE TALKING,

AND I WAS WONDERING IF YOU COULD
SEE THAT SHE GETS HOME ALL RIGHT.

WELL, O-OKAY.

- IF IT'S OKAY WITH YOU.
- YEAH, WELL, IF IT'S
OKAY WITH YOU. I MEAN...

- YOU DON'T MIND, DO YOU?
- NO, NO, NO, I DON'T MIND.

- OKAY.
- OKAY.

THANKS, JACK. GOOD NIGHT, SARAH.

- YEAH. FEEL BETTER, DOOGIE.
- THANKS.

TAKE CARE OF YOURSELF, DOOG.

YOU TOO.

(chattering indistinctly)

(theme music playing)

(orchestra playing
Vivaldi's "Four Seasons")