Deadliest Catch (2005–…): Season 4, Episode 12 - Deadliest Catch - full transcript

>> SEAS ARE WAY TOO BIG AND
UNPREDICTABLE RIGHT NOW.
IT ONLY TAKES ONE HIT, AND WE

UNPREDICTABLE RIGHT NOW.
IT ONLY TAKES ONE HIT, AND WE
ARE TOAST.

IT ONLY TAKES ONE HIT, AND WE
ARE TOAST.
[ CRASHING ]

ARE TOAST.
[ CRASHING ]
>> GET OUT OF THE WAY!

[ CRASHING ]
>> GET OUT OF THE WAY!
>> Narrator: FOUR WEEKS INTO THE

>> GET OUT OF THE WAY!
>> Narrator: FOUR WEEKS INTO THE
OPILIO CRAB SEASON...

>> Narrator: FOUR WEEKS INTO THE
OPILIO CRAB SEASON...
A SERIES OF ROGUE WAVES CRASHED

OPILIO CRAB SEASON...
A SERIES OF ROGUE WAVES CRASHED
THROUGH THE FLEET.

A SERIES OF ROGUE WAVES CRASHED
THROUGH THE FLEET.
[ ALARMS BLARING ]

THROUGH THE FLEET.
[ ALARMS BLARING ]
>> YOU ALL RIGHT?

[ ALARMS BLARING ]
>> YOU ALL RIGHT?
YOU ALL RIGHT, MAN?



[ MID-TEMPO ROCK MUSIC PLAYS ]

>> WHOO!

>> YEAH!

>> AAH!

>> Narrator: IN THE AFTERMATH OF
THE HURRICANE, CREWS WERE
BATTERED WITH FREEZING SPRAY...

THE HURRICANE, CREWS WERE
BATTERED WITH FREEZING SPRAY...
40-FOOT SEAS...

BATTERED WITH FREEZING SPRAY...
40-FOOT SEAS...
AND 70-KNOT WINDS.

40-FOOT SEAS...
AND 70-KNOT WINDS.
>> IT'S STARTING TO ICE UP.

AND 70-KNOT WINDS.
>> IT'S STARTING TO ICE UP.
>> Narrator: THREE FIERCE ARCTIC

>> IT'S STARTING TO ICE UP.
>> Narrator: THREE FIERCE ARCTIC
STORMS CONVERGED ON THE GROUNDS.

>> Narrator: THREE FIERCE ARCTIC
STORMS CONVERGED ON THE GROUNDS.
>> HOLY [BLEEP]

STORMS CONVERGED ON THE GROUNDS.
>> HOLY [BLEEP]
LOOK AT THE SIZE OF THESE

>> HOLY [BLEEP]
LOOK AT THE SIZE OF THESE
[BLEEP]

LOOK AT THE SIZE OF THESE
[BLEEP]
>> [ SHOUTS INDISTINCTLY ]



[BLEEP]
>> [ SHOUTS INDISTINCTLY ]
>> ANOTHER HOUR AND THIS

>> [ SHOUTS INDISTINCTLY ]
>> ANOTHER HOUR AND THIS
[BLEEP] MIGHT BE 50 FEET TALL.

>> ANOTHER HOUR AND THIS
[BLEEP] MIGHT BE 50 FEET TALL.
>> Narrator: INTO THE NIGHT...

[BLEEP] MIGHT BE 50 FEET TALL.
>> Narrator: INTO THE NIGHT...
CREWS BRAVED MOTHER NATURE'S

>> Narrator: INTO THE NIGHT...
CREWS BRAVED MOTHER NATURE'S
WRATH...

CREWS BRAVED MOTHER NATURE'S
WRATH...
UNTIL THEIR SKIPPERS ORDERED

WRATH...
UNTIL THEIR SKIPPERS ORDERED
THEM TO STOP.

UNTIL THEIR SKIPPERS ORDERED
THEM TO STOP.
>> SECURE EVERYTHING AND GET OFF

THEM TO STOP.
>> SECURE EVERYTHING AND GET OFF
DECK AS QUICK AS YOU CAN.

>> SECURE EVERYTHING AND GET OFF
DECK AS QUICK AS YOU CAN.
ALL RIGHT?

>> THAT'S IT, GUYS.
COME IN.

>> Narrator: AFTER 12 HOURS, THE
STORM FINALLY BREAKS.
>> WHAT AM I LOOKING AT?

STORM FINALLY BREAKS.
>> WHAT AM I LOOKING AT?
I'M LOOKING AT DESTRUCTION.

>> Narrator: ON THE
NORTHWESTERN...

>> IF THAT WASN'T 90 DEGREES, I

DON'T KNOW WHAT IT WAS.

BECAUSE EVERYTHING WENT FLYING.

EVERYTHING IN THE CUPBOARDS CAME

OUT, VCR WENT FLYING...

ALL OUR MOVIES, EVERYTHING.

EVERYTHING IN THE CUPBOARDS IS

ON THE FLOOR.

>> IT'S NOT GOOD.
>> Narrator: 55 MILES TO THE
NORTHEAST ON THE

>> Narrator: 55 MILES TO THE
NORTHEAST ON THE
NORTH AMERICAN...

>> WOW.

HOLY [BLEEP]

>> LOOKS LIKE D-DAY OUT HERE.

>> MAN, LOOKS LIKE SOME WAR.

>> NO, THIS IS TERRIBLE.
JUST RIPPED -- RIPPED UP BOLTS.
IT BROKE STEEL AND EVERYTHING.

THE STEEL -- THE STEEL PLATING

HERE IS ALL CRACKED, WHICH

ALLOWED BOARDS TO JUST POP OUT.

UNBELIEVABLE.
MAN.
THERE'S NO WAY THE GUYS CAN WORK

MAN.
THERE'S NO WAY THE GUYS CAN WORK
ON A DECK LIKE THIS.

THERE'S NO WAY THE GUYS CAN WORK
ON A DECK LIKE THIS.
WELL, THIS WILL TAKE SOME TIME.

ON A DECK LIKE THIS.
WELL, THIS WILL TAKE SOME TIME.
>> Narrator: THE MONSTER SEAS

WELL, THIS WILL TAKE SOME TIME.
>> Narrator: THE MONSTER SEAS
LEFT A PATH OF DESTRUCTION IN

>> Narrator: THE MONSTER SEAS
LEFT A PATH OF DESTRUCTION IN
HER WAKE.

LEFT A PATH OF DESTRUCTION IN
HER WAKE.
FOR THE NORTH AMERICAN, NEARLY

HER WAKE.
FOR THE NORTH AMERICAN, NEARLY
$5,000 IN DAMAGES.

FOR THE NORTH AMERICAN, NEARLY
$5,000 IN DAMAGES.
BUT ON THE CORNELIA MARIE...

$5,000 IN DAMAGES.
BUT ON THE CORNELIA MARIE...
>> UNH!

BUT ON THE CORNELIA MARIE...
>> UNH!
>> Narrator: ...THE SKIPPER TOOK

>> UNH!
>> Narrator: ...THE SKIPPER TOOK
THE HARDEST HIT OF THEM ALL.

>> Narrator: ...THE SKIPPER TOOK
THE HARDEST HIT OF THEM ALL.
>> [ COUGHING ]

THE HARDEST HIT OF THEM ALL.
>> [ COUGHING ]
[ GRUNTS ]

>> [ COUGHING ]
[ GRUNTS ]
AAH!

[ GRUNTS ]
AAH!
[BLEEP]

AAH!
[BLEEP]
>> CHILL OUT.

>> [ PANTING ]

WELL, WHEN WE HIT THAT WAVE,

THIS BENCH CAME FLYING ON OUT OF

HERE.

I CAME FLYING OUT OF BED AND

LANDED UP AGAINST THAT.

AND I BROKE OR CRACKED MY RIBS.

AND I MUST HAVE DONE A FEW OF

THEM BECAUSE I'M HAVING A HARD

TIME TRYING TO BREATHE.

I CAN'T BREATHE.
I CAN'T BREATHE.

I JUST CAN'T CATCH MY BREATH.

>> Narrator: 350 MILES NORTHWEST

OF DUTCH HARBOR, AS EARLY DAWN

CAPTAIN RICK FEHST JOGS A FEW

MILES FROM HIS GEAR, A STUNNED

CREW SLOWLY BEGINS PICKING

THROUGH THE CARNAGE.

>> I GOT MY GUYS OUT THERE RIGHT
NOW TRYING TO GATHER UP WHAT WE
CAN, AND I'M TRYING TO HOLD THE

NOW TRYING TO GATHER UP WHAT WE
CAN, AND I'M TRYING TO HOLD THE
BOAT STEADY INTO THE SEA HERE

CAN, AND I'M TRYING TO HOLD THE
BOAT STEADY INTO THE SEA HERE
WITHOUT ANOTHER ONE KNOCKING THE

BOAT STEADY INTO THE SEA HERE
WITHOUT ANOTHER ONE KNOCKING THE
PANTS OFF OF THOSE GUYS.

WE JUST TOOK A MASSIVE WAVE.

IT CAME OVER THE SIDE, THE

STARBOARD.

IT TOOK MY BOILER OUT, SMASHED
MY BAIT BIN, AND ALL MY CODFISH
WAS THROWN ALL OVER THE DECK.

MY BAIT BIN, AND ALL MY CODFISH
WAS THROWN ALL OVER THE DECK.
I'M NOT SURE HOW MUCH I LOST OUT

WAS THROWN ALL OVER THE DECK.
I'M NOT SURE HOW MUCH I LOST OUT
THERE.

I'M NOT SURE HOW MUCH I LOST OUT
THERE.
>> BOILER GOT RIPPED OUT LIKE A

THERE.
>> BOILER GOT RIPPED OUT LIKE A
FRICKIN' BAD TOOTH.

>> BOILER GOT RIPPED OUT LIKE A
FRICKIN' BAD TOOTH.
[ CHUCKLES ]

FRICKIN' BAD TOOTH.
[ CHUCKLES ]
>> LOOK AT THE SIZE OF THOSE

[ CHUCKLES ]
>> LOOK AT THE SIZE OF THOSE
WAVES.

>> LOOK AT THE SIZE OF THOSE
WAVES.
THOSE ARE EASY 20-, 25-FOOTERS.

WAVES.
THOSE ARE EASY 20-, 25-FOOTERS.
NO PROBLEM.

THOSE ARE EASY 20-, 25-FOOTERS.
NO PROBLEM.
ALL THERE RIGHT NOW.

NO PROBLEM.
ALL THERE RIGHT NOW.
>> ACCORDING TO THE FORECAST,

ALL THERE RIGHT NOW.
>> ACCORDING TO THE FORECAST,
THIS IS JUST THE BEGINNING.

>> ACCORDING TO THE FORECAST,
THIS IS JUST THE BEGINNING.
AND NOW 10:00 IN THE MORNING,

THIS IS JUST THE BEGINNING.
AND NOW 10:00 IN THE MORNING,
WE'RE LOOKING AT 45, MAYBE EVEN

AND NOW 10:00 IN THE MORNING,
WE'RE LOOKING AT 45, MAYBE EVEN
GUSTING 50.

WE'RE LOOKING AT 45, MAYBE EVEN
GUSTING 50.
WE CAN SEE THIS FOR ANOTHER

GUSTING 50.
WE CAN SEE THIS FOR ANOTHER
24 HOURS HERE.

WE CAN SEE THIS FOR ANOTHER
24 HOURS HERE.
>> Narrator: AS ANOTHER ARCTIC

24 HOURS HERE.
>> Narrator: AS ANOTHER ARCTIC
SQUALL IS FORECAST TO HIT THE

>> Narrator: AS ANOTHER ARCTIC
SQUALL IS FORECAST TO HIT THE
GROUNDS WITHIN THE HOUR, THE

SQUALL IS FORECAST TO HIT THE
GROUNDS WITHIN THE HOUR, THE
CREW HAS LIMITED TIME TO FIX

GROUNDS WITHIN THE HOUR, THE
CREW HAS LIMITED TIME TO FIX
THE DECK.

>> THIS IS NOT VERY APPETIZING

AT ALL.

QUITE FRANKLY, IT MAKES ME SICK

TO THE STOMACH, BUT THIS IS MY

LIFE.

>> YEAH, BABY.
NASTY.
>> THIS IS GONNA HURT.

NASTY.
>> THIS IS GONNA HURT.
>> HOLY [BLEEP]

>> THIS IS GONNA HURT.
>> HOLY [BLEEP]
WE'RE GONNA TAKE A BIG ONE HERE.

AND I NEED THE SEAS TO DROP DOWN
TO ABOUT 14 FEET, 15 FEET, YOU
KNOW?

TO ABOUT 14 FEET, 15 FEET, YOU
KNOW?
THAT'S A SAFE, WORKING SEA.

KNOW?
THAT'S A SAFE, WORKING SEA.
BUT THIS -- THIS IS PRETTY MUCH

THAT'S A SAFE, WORKING SEA.
BUT THIS -- THIS IS PRETTY MUCH
DOUBLE WHAT I CONSIDER A SAFE

BUT THIS -- THIS IS PRETTY MUCH
DOUBLE WHAT I CONSIDER A SAFE
WORKING SEA.

DOUBLE WHAT I CONSIDER A SAFE
WORKING SEA.
>> Narrator: AND JUST BEFORE THE

WORKING SEA.
>> Narrator: AND JUST BEFORE THE
SEAS ECLIPSE 35 FEET, THE CREW

>> Narrator: AND JUST BEFORE THE
SEAS ECLIPSE 35 FEET, THE CREW
MANAGES TO SECURE THE LAST LOOSE

SEAS ECLIPSE 35 FEET, THE CREW
MANAGES TO SECURE THE LAST LOOSE
PIECES OF THE BROKEN DECK.

MANAGES TO SECURE THE LAST LOOSE
PIECES OF THE BROKEN DECK.
>> ALL RIGHT.

PIECES OF THE BROKEN DECK.
>> ALL RIGHT.
THE GUYS ARE COMING IN.

>> ALL RIGHT.
THE GUYS ARE COMING IN.
NOW IT'S UP TO MOTHER NATURE TO

THE GUYS ARE COMING IN.
NOW IT'S UP TO MOTHER NATURE TO
SETTLE DOWN A LITTLE BIT HERE.

NOW IT'S UP TO MOTHER NATURE TO
SETTLE DOWN A LITTLE BIT HERE.
OH, IS IT GONNA HURT?

SETTLE DOWN A LITTLE BIT HERE.
OH, IS IT GONNA HURT?
>> OH, YEAH.

OH, IS IT GONNA HURT?
>> OH, YEAH.
>> THE BERING SEA LIKES TO EAT

>> OH, YEAH.
>> THE BERING SEA LIKES TO EAT
BOATS, SMASH CREW MEMBERS.

>> THE BERING SEA LIKES TO EAT
BOATS, SMASH CREW MEMBERS.
IT HAS NO QUALMS ABOUT KNOCKING

BOATS, SMASH CREW MEMBERS.
IT HAS NO QUALMS ABOUT KNOCKING
THE DAMN LIVING HELL OUT OF US.

IT HAS NO QUALMS ABOUT KNOCKING
THE DAMN LIVING HELL OUT OF US.
>> Narrator: JOGGING ON THE

THE DAMN LIVING HELL OUT OF US.
>> Narrator: JOGGING ON THE
GEAR, 190 MILES TO THE EAST,

>> Narrator: JOGGING ON THE
GEAR, 190 MILES TO THE EAST,
CORNELIA MARIE CAPTAIN

GEAR, 190 MILES TO THE EAST,
CORNELIA MARIE CAPTAIN
PHIL HARRIS HAS SPENT THE LAST

CORNELIA MARIE CAPTAIN
PHIL HARRIS HAS SPENT THE LAST
SIX HOURS IN BED.

PHIL HARRIS HAS SPENT THE LAST
SIX HOURS IN BED.
>> [ COUGHING ]

SIX HOURS IN BED.
>> [ COUGHING ]
>> Narrator: THE SETBACKS KEEP

>> [ COUGHING ]
>> Narrator: THE SETBACKS KEEP
PILING UP FOR THE AILING

>> Narrator: THE SETBACKS KEEP
PILING UP FOR THE AILING
SKIPPER.

PILING UP FOR THE AILING
SKIPPER.
PHIL'S LOST A FULL WEEK OF

SKIPPER.
PHIL'S LOST A FULL WEEK OF
FISHING FROM $60,000 OF

PHIL'S LOST A FULL WEEK OF
FISHING FROM $60,000 OF
MECHANICAL FIXES...

FISHING FROM $60,000 OF
MECHANICAL FIXES...
A HURRICANE...

MECHANICAL FIXES...
A HURRICANE...
>> THIS IS TOO ROUGH, MAN.

A HURRICANE...
>> THIS IS TOO ROUGH, MAN.
THAT'S PRETTY MUCH IT TILL IT

>> THIS IS TOO ROUGH, MAN.
THAT'S PRETTY MUCH IT TILL IT
COMES DOWN.

THAT'S PRETTY MUCH IT TILL IT
COMES DOWN.
AAH!

COMES DOWN.
AAH!
>> Narrator: ...AND NOW POSSIBLY

AAH!
>> Narrator: ...AND NOW POSSIBLY
SOME BROKEN RIBS.

>> Narrator: ...AND NOW POSSIBLY
SOME BROKEN RIBS.
WHILE THE RESTLESS CREW AWAITS

SOME BROKEN RIBS.
WHILE THE RESTLESS CREW AWAITS
ORDERS, IN THE CAPTAIN'S

WHILE THE RESTLESS CREW AWAITS
ORDERS, IN THE CAPTAIN'S
STATEROOM, JOSH REBANDAGES HIS

ORDERS, IN THE CAPTAIN'S
STATEROOM, JOSH REBANDAGES HIS
DAD.

STATEROOM, JOSH REBANDAGES HIS
DAD.
>> I DIDN'T THINK IT WAS ANY BIG

DAD.
>> I DIDN'T THINK IT WAS ANY BIG
DEAL, I MEAN, UNTIL I CAME DOWN

>> I DIDN'T THINK IT WAS ANY BIG
DEAL, I MEAN, UNTIL I CAME DOWN
AND LAID DOWN.

DEAL, I MEAN, UNTIL I CAME DOWN
AND LAID DOWN.
AND I -- I --

AND LAID DOWN.
AND I -- I --
WHEN YOU TRY TO TAKE A BREATH,

AND I -- I --
WHEN YOU TRY TO TAKE A BREATH,
YOU KNOW, IT -- IT -- IT, LIKE,

WHEN YOU TRY TO TAKE A BREATH,
YOU KNOW, IT -- IT -- IT, LIKE,
SHOCKS YOU, YOU KNOW?

YOU KNOW, IT -- IT -- IT, LIKE,
SHOCKS YOU, YOU KNOW?
YOU CAN FEEL IT.

SHOCKS YOU, YOU KNOW?
YOU CAN FEEL IT.
I SMOKED TWO CIGARETTES SINCE

YOU CAN FEEL IT.
I SMOKED TWO CIGARETTES SINCE
LIKE 10:00 'CAUSE IF I HAD A

I SMOKED TWO CIGARETTES SINCE
LIKE 10:00 'CAUSE IF I HAD A
SMOKE, I HAD TO COUGH.

LIKE 10:00 'CAUSE IF I HAD A
SMOKE, I HAD TO COUGH.
I-I COULDN'T GO THROUGH IT.

SMOKE, I HAD TO COUGH.
I-I COULDN'T GO THROUGH IT.
THANKS, JOSH.

I-I COULDN'T GO THROUGH IT.
THANKS, JOSH.
>> Narrator: INJURED OR NOT,

THANKS, JOSH.
>> Narrator: INJURED OR NOT,
WITH 34,000 POUNDS LEFT TO

>> Narrator: INJURED OR NOT,
WITH 34,000 POUNDS LEFT TO
CATCH, PHIL DRAGS HIMSELF BACK

WITH 34,000 POUNDS LEFT TO
CATCH, PHIL DRAGS HIMSELF BACK
TO THE WHEEL.

CATCH, PHIL DRAGS HIMSELF BACK
TO THE WHEEL.
>> HURTS LIKE HELL.

TO THE WHEEL.
>> HURTS LIKE HELL.
BUT, YOU KNOW, WHAT ARE YOU

>> HURTS LIKE HELL.
BUT, YOU KNOW, WHAT ARE YOU
GOING TO DO?

BUT, YOU KNOW, WHAT ARE YOU
GOING TO DO?
I MEAN, WE'RE OUT HERE.

GOING TO DO?
I MEAN, WE'RE OUT HERE.
WE'RE IN THE MIDDLE OF A TRIP.

I MEAN, WE'RE OUT HERE.
WE'RE IN THE MIDDLE OF A TRIP.
I GOT TO GET THIS [BLEEP] DONE

WE'RE IN THE MIDDLE OF A TRIP.
I GOT TO GET THIS [BLEEP] DONE
WITH, MAN.

>> ♪ I'M LIVING OFF THE CATCH
OF DEADLY WATER ♪
♪ NOT EVERYONE WHO GAMBLES

OF DEADLY WATER ♪
♪ NOT EVERYONE WHO GAMBLES
WILL SURVIVE ♪

♪ NOT EVERYONE WHO GAMBLES
WILL SURVIVE ♪
♪ THE OCEAN CALLS TO ME

WILL SURVIVE ♪
♪ THE OCEAN CALLS TO ME
OUT ACROSS THE BERING SEA ♪

♪ OH, I PRAY I MAKE IT

OUT ALIVE ♪

♪ THESE BOATS ARE CUTTING

THROUGH THE ICY WATER ♪

♪ THE WAVES ARE CRASHING

DOWN... ♪

♪ IT'S A DANGEROUS GAME

TO PLAY ♪

♪ WE DON'T LIVE FOR YESTERDAY ♪

♪ WE'RE ALL GAMBLERS

OFF THE NORTH PACIFIC SHORE ♪

[ MUSICAL INTERLUDE PLAYS ]

>> [ COUGHING ]

>> LET'S MOVE THIS TRAY NOW.
>> ♪ IT'S A DANGEROUS GAME
TO PLAY... ♪

>> ♪ IT'S A DANGEROUS GAME
TO PLAY... ♪
>> Narrator: THE GOOD NEWS --

TO PLAY... ♪
>> Narrator: THE GOOD NEWS --
PHIL'S AVERAGING OVER 700 OPIES

>> Narrator: THE GOOD NEWS --
PHIL'S AVERAGING OVER 700 OPIES
A POT.

PHIL'S AVERAGING OVER 700 OPIES
A POT.
>> [ COUGHING ]

A POT.
>> [ COUGHING ]
>> ♪ OFF THE NORTH PACIFIC

>> [ COUGHING ]
>> ♪ OFF THE NORTH PACIFIC
SHORE ♪

>> ♪ OFF THE NORTH PACIFIC
SHORE ♪
>> Narrator: THE BAD NEWS...

SHORE ♪
>> Narrator: THE BAD NEWS...
>> SO I SPIT INTO A PAPER TOWEL,

>> Narrator: THE BAD NEWS...
>> SO I SPIT INTO A PAPER TOWEL,
AND IT LOOKS LIKE IT'S BLEEDING.

>> SO I SPIT INTO A PAPER TOWEL,
AND IT LOOKS LIKE IT'S BLEEDING.
THAT'S THE LAST [BLEEP] THING I

AND IT LOOKS LIKE IT'S BLEEDING.
THAT'S THE LAST [BLEEP] THING I
NEED.

>> THERE YOU GO, CHIEF.
HOW YOU DOING?

>> THANKS.
>> Narrator: PHIL KEEPS HIS SON
IN THE DARK ABOUT THE BLOOD.

>> Narrator: PHIL KEEPS HIS SON
IN THE DARK ABOUT THE BLOOD.
>> AND PLEASE DON'T SAY ANYTHING

IN THE DARK ABOUT THE BLOOD.
>> AND PLEASE DON'T SAY ANYTHING
TO MY KIDS.

>> AND PLEASE DON'T SAY ANYTHING
TO MY KIDS.
OKAY?

TO MY KIDS.
OKAY?
>> WHY?

OKAY?
>> WHY?
>> BECAUSE I DON'T WANT THEM

>> WHY?
>> BECAUSE I DON'T WANT THEM
THINKING ABOUT ANYTHING ELSE

>> BECAUSE I DON'T WANT THEM
THINKING ABOUT ANYTHING ELSE
THAN THAT.

THINKING ABOUT ANYTHING ELSE
THAN THAT.
OR ONE OF THEM WILL GET HURT.

THAN THAT.
OR ONE OF THEM WILL GET HURT.
[ COUGHS, HACKS ]

MY HEALTH RIGHT NOW IS ON THE
BACK BURNER.
WE'VE GOT A LOT TO GET DONE

BACK BURNER.
WE'VE GOT A LOT TO GET DONE
HERE, AND THESE GUYS ARE ALL

WE'VE GOT A LOT TO GET DONE
HERE, AND THESE GUYS ARE ALL
COUNTING ON IT, AND CHANCES ARE

HERE, AND THESE GUYS ARE ALL
COUNTING ON IT, AND CHANCES ARE
THIS IS NOTHING.

COUNTING ON IT, AND CHANCES ARE
THIS IS NOTHING.
[ COUGHING ]

>> Narrator: 242 MILES NORTHWEST

OF DUTCH HARBOR ON THE WIZARD.

>> COME ON, HERE WE GO.
WHOO! YEAH!
YEAH!

WHOO! YEAH!
YEAH!
>> Narrator: CAPTAIN

YEAH!
>> Narrator: CAPTAIN
KEITH COLBURN IS ON THE CRAB.

>> Narrator: CAPTAIN
KEITH COLBURN IS ON THE CRAB.
>> ALL RIGHT.

KEITH COLBURN IS ON THE CRAB.
>> ALL RIGHT.
THERE'S A POT RIGHT THERE.

LET'S COUNT THEM.
>> 500.
>> 500?

>> 500.
>> 500?
>> Narrator: AND WITH 500s AND A

>> 500?
>> Narrator: AND WITH 500s AND A
SMALL SORT, KEITH HAS DECIDED TO

>> Narrator: AND WITH 500s AND A
SMALL SORT, KEITH HAS DECIDED TO
SET BACK.

SMALL SORT, KEITH HAS DECIDED TO
SET BACK.
>> YEAH, THIS WILL PUT HIM IN A

SET BACK.
>> YEAH, THIS WILL PUT HIM IN A
GOOD MOOD.

>> YEAH, THIS WILL PUT HIM IN A
GOOD MOOD.
I KNOW HE DOESN'T LIKE SETTING

GOOD MOOD.
I KNOW HE DOESN'T LIKE SETTING
GEAR BACK.

I KNOW HE DOESN'T LIKE SETTING
GEAR BACK.
YOU KNOW, YOU CAN MOVE THIS OVER

GEAR BACK.
YOU KNOW, YOU CAN MOVE THIS OVER
A QUARTER MILE AND GET THE SAME

YOU KNOW, YOU CAN MOVE THIS OVER
A QUARTER MILE AND GET THE SAME
NUMBER OR YOU CAN THROW IT BACK

A QUARTER MILE AND GET THE SAME
NUMBER OR YOU CAN THROW IT BACK
OVER WHERE IT'S AT AND YOU'RE

NUMBER OR YOU CAN THROW IT BACK
OVER WHERE IT'S AT AND YOU'RE
TAKING A CHANCE OF INSTEAD OF

OVER WHERE IT'S AT AND YOU'RE
TAKING A CHANCE OF INSTEAD OF
GETTING A 600, PULLING A 300 OR

TAKING A CHANCE OF INSTEAD OF
GETTING A 600, PULLING A 300 OR
400.

GETTING A 600, PULLING A 300 OR
400.
>> Narrator: BUT SETTING BACK

400.
>> Narrator: BUT SETTING BACK
REQUIRES THE GREENHORNS TO WORK

>> Narrator: BUT SETTING BACK
REQUIRES THE GREENHORNS TO WORK
DOUBLE-TIME.

>> YOU KNOW WHAT?
WE NEED TO FIND SOMEBODY THAT
CAN CLEAN A POT OUT, OKAY?

WE NEED TO FIND SOMEBODY THAT
CAN CLEAN A POT OUT, OKAY?
THESE GUYS ARE SLEEPING IN THE

CAN CLEAN A POT OUT, OKAY?
THESE GUYS ARE SLEEPING IN THE
[BLEEP] THING.

THESE GUYS ARE SLEEPING IN THE
[BLEEP] THING.
>> Narrator: FOR THE LAST SIX

[BLEEP] THING.
>> Narrator: FOR THE LAST SIX
MONTHS, KEITH'S TRIED TO MOLD

>> Narrator: FOR THE LAST SIX
MONTHS, KEITH'S TRIED TO MOLD
MOI INTO A RELIABLE DECKHAND,

MONTHS, KEITH'S TRIED TO MOLD
MOI INTO A RELIABLE DECKHAND,
BUT IN THE END...

MOI INTO A RELIABLE DECKHAND,
BUT IN THE END...
>> MOI'S A KNOW-IT-ALL --

BUT IN THE END...
>> MOI'S A KNOW-IT-ALL --
A 35-YEAR-OLD KNOW-IT-ALL.

>> MOI'S A KNOW-IT-ALL --
A 35-YEAR-OLD KNOW-IT-ALL.
HE THINKS HE KNOWS WHAT HE'S

A 35-YEAR-OLD KNOW-IT-ALL.
HE THINKS HE KNOWS WHAT HE'S
DOING, AND HE DOESN'T KNOW

HE THINKS HE KNOWS WHAT HE'S
DOING, AND HE DOESN'T KNOW
[BLEEP]

DOING, AND HE DOESN'T KNOW
[BLEEP]
>> Narrator: MOI CONSISTENTLY

[BLEEP]
>> Narrator: MOI CONSISTENTLY
CONTINUES TO BREAK KEITH'S

>> Narrator: MOI CONSISTENTLY
CONTINUES TO BREAK KEITH'S
RULES, LIKE TALKING BACK.

CONTINUES TO BREAK KEITH'S
RULES, LIKE TALKING BACK.
>> I'LL TELL YOU WHAT RIGHT NOW.

RULES, LIKE TALKING BACK.
>> I'LL TELL YOU WHAT RIGHT NOW.
GET OUT OF MY [BLEEP] WHEELHOUSE

>> I'LL TELL YOU WHAT RIGHT NOW.
GET OUT OF MY [BLEEP] WHEELHOUSE
NOW!

GET OUT OF MY [BLEEP] WHEELHOUSE
NOW!
I DON'T NEED TO HEAR A [BLEEP]

NOW!
I DON'T NEED TO HEAR A [BLEEP]
WHINY LITTLE GREENHORN IN MY

I DON'T NEED TO HEAR A [BLEEP]
WHINY LITTLE GREENHORN IN MY
[BLEEP] WHEELHOUSE RIGHT NOW.

WHINY LITTLE GREENHORN IN MY
[BLEEP] WHEELHOUSE RIGHT NOW.
I CAN'T TOLERATE A GUY COMING

[BLEEP] WHEELHOUSE RIGHT NOW.
I CAN'T TOLERATE A GUY COMING
IN THE WHEELHOUSE AND GETTING

I CAN'T TOLERATE A GUY COMING
IN THE WHEELHOUSE AND GETTING
IN YOUR FACE.

>> I HAVE TO VOICE MY FEELINGS

AND WHAT I'M THINKING NO MATTER

WHAT IT IS.

>> IT'S A PROBLEM THAT I NEED
OFF MY BOAT.
>> Narrator: SINCE KEITH IS

OFF MY BOAT.
>> Narrator: SINCE KEITH IS
COMING CLOSER TO REPLACING MOI,

>> Narrator: SINCE KEITH IS
COMING CLOSER TO REPLACING MOI,
HE CALLS HIS YOUNGER BROTHER

COMING CLOSER TO REPLACING MOI,
HE CALLS HIS YOUNGER BROTHER
MONTE TO THE WHEELHOUSE TO HELP

HE CALLS HIS YOUNGER BROTHER
MONTE TO THE WHEELHOUSE TO HELP
PORE OVER RéSUMéS THEY'VE SAVED

MONTE TO THE WHEELHOUSE TO HELP
PORE OVER RéSUMéS THEY'VE SAVED
OVER THE YEARS.

PORE OVER RéSUMéS THEY'VE SAVED
OVER THE YEARS.
I'M ACTUALLY GONNA DIG THROUGH

OVER THE YEARS.
I'M ACTUALLY GONNA DIG THROUGH
THESE RéSUMéS.

I'M ACTUALLY GONNA DIG THROUGH
THESE RéSUMéS.
THERE'S ONE GUY IN HERE WHO'S

THESE RéSUMéS.
THERE'S ONE GUY IN HERE WHO'S
A ROCK-CLIMBER AND SEEMS TO BE

THERE'S ONE GUY IN HERE WHO'S
A ROCK-CLIMBER AND SEEMS TO BE
RELATIVELY FIT.

A ROCK-CLIMBER AND SEEMS TO BE
RELATIVELY FIT.
BUT THIS GUY'S GOT TOO MUCH

RELATIVELY FIT.
BUT THIS GUY'S GOT TOO MUCH
EXPERIENCE -- YOU KNOW, POPEYE.

BUT THIS GUY'S GOT TOO MUCH
EXPERIENCE -- YOU KNOW, POPEYE.
OH, HERE'S A KEEPER, MOUSE.

EXPERIENCE -- YOU KNOW, POPEYE.
OH, HERE'S A KEEPER, MOUSE.
THIS GUY'S USING HIS BAIL

OH, HERE'S A KEEPER, MOUSE.
THIS GUY'S USING HIS BAIL
BONDSMAN AND HIS PAROLE OFFICER

THIS GUY'S USING HIS BAIL
BONDSMAN AND HIS PAROLE OFFICER
FOR CHARACTER REFERENCES.

BONDSMAN AND HIS PAROLE OFFICER
FOR CHARACTER REFERENCES.
[ LAUGHS ]

FOR CHARACTER REFERENCES.
[ LAUGHS ]
I THINK THAT ONE NEEDS TO GO

[ LAUGHS ]
I THINK THAT ONE NEEDS TO GO
RIGHT OUT THE WINDOW.

I THINK THAT ONE NEEDS TO GO
RIGHT OUT THE WINDOW.
>> Narrator: AS KEITH AND MONTE

RIGHT OUT THE WINDOW.
>> Narrator: AS KEITH AND MONTE
BEGIN SIFTING THROUGH THE STACK

>> Narrator: AS KEITH AND MONTE
BEGIN SIFTING THROUGH THE STACK
OF RéSUMéS FROM FISHERMEN AND

BEGIN SIFTING THROUGH THE STACK
OF RéSUMéS FROM FISHERMEN AND
EX-CONS, THE COUNTDOWN TO MOI'S

OF RéSUMéS FROM FISHERMEN AND
EX-CONS, THE COUNTDOWN TO MOI'S
TIME LEFT ON THE WIZARD

EX-CONS, THE COUNTDOWN TO MOI'S
TIME LEFT ON THE WIZARD
OFFICIALLY BEGINS.

>> HE WON'T BE MISSED.

>> Narrator: AN HOUR BEFORE
SUNSET, 243 MILES TO THE
NORTHEAST.

SUNSET, 243 MILES TO THE
NORTHEAST.
THE CORNELIA MARIE CREW HAVE

NORTHEAST.
THE CORNELIA MARIE CREW HAVE
MOVED THROUGH MOST OF PHIL'S

THE CORNELIA MARIE CREW HAVE
MOVED THROUGH MOST OF PHIL'S
NORTHERN STRING, AND THEY'RE

MOVED THROUGH MOST OF PHIL'S
NORTHERN STRING, AND THEY'RE
AVERAGING ABOUT 700 KEEPERS.

NORTHERN STRING, AND THEY'RE
AVERAGING ABOUT 700 KEEPERS.
>> THAT LOOKS GOOD.

AVERAGING ABOUT 700 KEEPERS.
>> THAT LOOKS GOOD.
REAL GOOD.

>> THAT LOOKS GOOD.
REAL GOOD.
>> Narrator: UP IN THE

REAL GOOD.
>> Narrator: UP IN THE
WHEELHOUSE, CAPTAIN PHIL SUFFERS

>> Narrator: UP IN THE
WHEELHOUSE, CAPTAIN PHIL SUFFERS
WITHOUT COMPLAINT.

WHEELHOUSE, CAPTAIN PHIL SUFFERS
WITHOUT COMPLAINT.
>> [ COUGHING ]

>> [ COUGHING ]
[ HACKING ]

MURRAY, CALL ME ON THE PHONE
RIGHT NOW.
>> YEAH.

RIGHT NOW.
>> YEAH.
>> I GOT A LITTLE PROBLEM GOING

>> YEAH.
>> I GOT A LITTLE PROBLEM GOING
ON HERE, AND, UH, I'VE BEEN

>> I GOT A LITTLE PROBLEM GOING
ON HERE, AND, UH, I'VE BEEN
COUGHING UP BLOOD.

ON HERE, AND, UH, I'VE BEEN
COUGHING UP BLOOD.
THERE VERY WELL COULD BE A HOLE

COUGHING UP BLOOD.
THERE VERY WELL COULD BE A HOLE
IN MY LUNG.

THERE VERY WELL COULD BE A HOLE
IN MY LUNG.
AND PLEASE DON'T SAY ANYTHING TO

IN MY LUNG.
AND PLEASE DON'T SAY ANYTHING TO
MY KIDS.

AND PLEASE DON'T SAY ANYTHING TO
MY KIDS.
>> YEAH.

MY KIDS.
>> YEAH.
YEAH, YEAH, YEAH, YEAH.

>> YEAH.
YEAH, YEAH, YEAH, YEAH.
>> THANKS.

YEAH, YEAH, YEAH, YEAH.
>> THANKS.
>> [BLEEP]

>> THANKS.
>> [BLEEP]
>> I DON'T GET FLIPPED OUT ABOUT

>> [BLEEP]
>> I DON'T GET FLIPPED OUT ABOUT
[BLEEP] BUT I'VE NEVER COUGHED

>> I DON'T GET FLIPPED OUT ABOUT
[BLEEP] BUT I'VE NEVER COUGHED
UP BLOOD IN MY LIFE.

[BLEEP] BUT I'VE NEVER COUGHED
UP BLOOD IN MY LIFE.
I CAN TASTE IT IN MY MOUTH.

UP BLOOD IN MY LIFE.
I CAN TASTE IT IN MY MOUTH.
>> COUGHING UP BLOOD, THERE'S A

I CAN TASTE IT IN MY MOUTH.
>> COUGHING UP BLOOD, THERE'S A
GOOD CHANCE THAT HE'S PUNCTURED

>> COUGHING UP BLOOD, THERE'S A
GOOD CHANCE THAT HE'S PUNCTURED
HIS LUNG OR HE'S GOT SOMETHING

GOOD CHANCE THAT HE'S PUNCTURED
HIS LUNG OR HE'S GOT SOMETHING
INTERNAL.

HIS LUNG OR HE'S GOT SOMETHING
INTERNAL.
THERE'S OBVIOUSLY AN INTERNAL

INTERNAL.
THERE'S OBVIOUSLY AN INTERNAL
INJURY GOING ON RIGHT NOW.

THERE'S OBVIOUSLY AN INTERNAL
INJURY GOING ON RIGHT NOW.
RIGHT IN THIS AREA RIGHT HERE?

INJURY GOING ON RIGHT NOW.
RIGHT IN THIS AREA RIGHT HERE?
OKAY.

RIGHT IN THIS AREA RIGHT HERE?
OKAY.
[ SPEAKS INDISTINCTLY ]

OKAY.
[ SPEAKS INDISTINCTLY ]
OKAY, START GOING AROUND.

>> WHY DO YOU LIKE IT TIGHT?
>> BECAUSE IT FEELS BETTER WHEN
IT'S TIGHT.

>> Narrator: AFTER GRITTING HIS
TEETH THROUGH A DAY OF PAIN,
PHIL FINISHES HIS NORTHERN SET

TEETH THROUGH A DAY OF PAIN,
PHIL FINISHES HIS NORTHERN SET
AND MAKES AN HOUR RUN TO HIS

PHIL FINISHES HIS NORTHERN SET
AND MAKES AN HOUR RUN TO HIS
WESTERN STRINGS

AND MAKES AN HOUR RUN TO HIS
WESTERN STRINGS
>> IT'S DIFFERENT WHEN IT'S

WESTERN STRINGS
>> IT'S DIFFERENT WHEN IT'S
YOURSELF AND YOU'RE SITTING

>> IT'S DIFFERENT WHEN IT'S
YOURSELF AND YOU'RE SITTING
HERE.

YOURSELF AND YOU'RE SITTING
HERE.
BELIEVE ME.

HERE.
BELIEVE ME.
THIS ISN'T LIKE A CREW MEMBER

BELIEVE ME.
THIS ISN'T LIKE A CREW MEMBER
GETTING HURT.

THIS ISN'T LIKE A CREW MEMBER
GETTING HURT.
I GOT AN OBLIGATION TO THE

GETTING HURT.
I GOT AN OBLIGATION TO THE
PEOPLE I WORK FOR...

I GOT AN OBLIGATION TO THE
PEOPLE I WORK FOR...
TO THESE GUYS, THEIR FAMILIES.

PEOPLE I WORK FOR...
TO THESE GUYS, THEIR FAMILIES.
YOU KNOW, THE WHOLE BALL OF WAX

TO THESE GUYS, THEIR FAMILIES.
YOU KNOW, THE WHOLE BALL OF WAX
IS RIDING ON MY SHOULDERS.

YOU KNOW, THE WHOLE BALL OF WAX
IS RIDING ON MY SHOULDERS.
YEAH, I GOT AN OBLIGATION TO

IS RIDING ON MY SHOULDERS.
YEAH, I GOT AN OBLIGATION TO
THEM.

YEAH, I GOT AN OBLIGATION TO
THEM.
OUR WHOLE SEASON IS DEPENDING ON

THEM.
OUR WHOLE SEASON IS DEPENDING ON
THIS.

OUR WHOLE SEASON IS DEPENDING ON
THIS.
[ COUGHING ]

THAT AIN'T VERY GOOD, IS IT?

[ COUGHING RESUMES ]
I THOUGHT THAT THIS WAS GONNA
GET BETTER, BUT IT'S JUST

I THOUGHT THAT THIS WAS GONNA
GET BETTER, BUT IT'S JUST
GETTING WAY WORSE.

GET BETTER, BUT IT'S JUST
GETTING WAY WORSE.
>> Narrator: FINALLY, 24 HOURS

GETTING WAY WORSE.
>> Narrator: FINALLY, 24 HOURS
AFTER HIS INJURY, PHIL PLACES

>> Narrator: FINALLY, 24 HOURS
AFTER HIS INJURY, PHIL PLACES
A PRIVATE CALL TO A HOSPITAL IN

AFTER HIS INJURY, PHIL PLACES
A PRIVATE CALL TO A HOSPITAL IN
ANCHORAGE.

A PRIVATE CALL TO A HOSPITAL IN
ANCHORAGE.
>> HI, MY NAME IS PHIL HARRIS.

ANCHORAGE.
>> HI, MY NAME IS PHIL HARRIS.
I'M ON A CRAB BOAT OUT ON THE

>> HI, MY NAME IS PHIL HARRIS.
I'M ON A CRAB BOAT OUT ON THE
BERING SEA, AND I GOT A QUESTION

I'M ON A CRAB BOAT OUT ON THE
BERING SEA, AND I GOT A QUESTION
FOR YOU.

BERING SEA, AND I GOT A QUESTION
FOR YOU.
WE WERE IN A STORM YESTERDAY,

FOR YOU.
WE WERE IN A STORM YESTERDAY,
AND I GOT SLAMMED UP A WALL, AND

WE WERE IN A STORM YESTERDAY,
AND I GOT SLAMMED UP A WALL, AND
I FEEL LIKE I BROKE SOME RIBS.

AND I GOT SLAMMED UP A WALL, AND
I FEEL LIKE I BROKE SOME RIBS.
TODAY I'M COUGHING UP A LITTLE

I FEEL LIKE I BROKE SOME RIBS.
TODAY I'M COUGHING UP A LITTLE
BIT OF BLOOD.

TODAY I'M COUGHING UP A LITTLE
BIT OF BLOOD.
YEAH.

BIT OF BLOOD.
YEAH.
WELL, I CAN'T GET IN.

YEAH.
WELL, I CAN'T GET IN.
I CAN'T GET IN TO THE BEACH FOR

WELL, I CAN'T GET IN.
I CAN'T GET IN TO THE BEACH FOR
A COUPLE OF DAYS.

I CAN'T GET IN TO THE BEACH FOR
A COUPLE OF DAYS.
YOU KNOW, WE ARE OUT HERE.

A COUPLE OF DAYS.
YOU KNOW, WE ARE OUT HERE.
YOU KNOW, I'M JUST TRYING TO

YOU KNOW, WE ARE OUT HERE.
YOU KNOW, I'M JUST TRYING TO
FIND OUT IF IT'S SOMETHING

YOU KNOW, I'M JUST TRYING TO
FIND OUT IF IT'S SOMETHING
SERIOUS.

FIND OUT IF IT'S SOMETHING
SERIOUS.
BUT I'M JUST STRUGGLING TALKING

SERIOUS.
BUT I'M JUST STRUGGLING TALKING
TO YOU.

[BLEEP]

[BLEEP]
I NEED TO FIND A NEW HOSPITAL TO
TALK TO.

I NEED TO FIND A NEW HOSPITAL TO
TALK TO.
I DIDN'T LIKE WHAT THEY SAID.

TALK TO.
I DIDN'T LIKE WHAT THEY SAID.
>> WHAT DID THEY SAY?

I DIDN'T LIKE WHAT THEY SAID.
>> WHAT DID THEY SAY?
>> SHE SAID, "GET INTO THE

>> WHAT DID THEY SAY?
>> SHE SAID, "GET INTO THE
EMERGENCY ROOM RIGHT NOW."

>> SHE SAID, "GET INTO THE
EMERGENCY ROOM RIGHT NOW."
I SAID, "LADY, I'M OUT IN THE

EMERGENCY ROOM RIGHT NOW."
I SAID, "LADY, I'M OUT IN THE
MIDDLE OF THE [BLEEP]

I SAID, "LADY, I'M OUT IN THE
MIDDLE OF THE [BLEEP]
BERING SEA."

MIDDLE OF THE [BLEEP]
BERING SEA."
SHE SAYS, "YOU GOT TO BE IN

BERING SEA."
SHE SAYS, "YOU GOT TO BE IN
THE HOSPITAL."

>> Narrator: IN ST. PAUL

HARBOR, 70 MILES EAST OF THE

FISHING GROUNDS, THE TIME BANDIT

FINALLY ARRIVED TO OFFLOAD

135,000 POUNDS.

>> OH, WE ARE IN ST. PAUL,

ALASKA...

ISLAND OUT IN THE MIDDLE OF

THE BERING SEA.

>> PARADISE IN THE MIDDLE OF

NOWHERE -- THE ASS OF THE

UNIVERSE.

>> ALSO KNOWN AS THE PLACE WHERE

HELL FROZE OVER.

>> Narrator: THE TIME BANDIT'S
CATCH IS WORTH 220,000 BUCKS.
THAT'S ANOTHER $12,000 FOR EACH

CATCH IS WORTH 220,000 BUCKS.
THAT'S ANOTHER $12,000 FOR EACH
MAN.

THAT'S ANOTHER $12,000 FOR EACH
MAN.
>> NOW WHAT'S THE DEAL?

MAN.
>> NOW WHAT'S THE DEAL?
IS THERE A GUY FLYING IN?

>> NOW WHAT'S THE DEAL?
IS THERE A GUY FLYING IN?
>> Narrator: FOR

IS THERE A GUY FLYING IN?
>> Narrator: FOR
NEAL HILLSTRAND, TODAY IT IS A

>> Narrator: FOR
NEAL HILLSTRAND, TODAY IT IS A
TIME TO CELEBRATE.

NEAL HILLSTRAND, TODAY IT IS A
TIME TO CELEBRATE.
AFTER 18 YEARS WORKING FOR HIS

TIME TO CELEBRATE.
AFTER 18 YEARS WORKING FOR HIS
FAMILY, BIG BROTHERS ANDY AND

AFTER 18 YEARS WORKING FOR HIS
FAMILY, BIG BROTHERS ANDY AND
JOHNATHAN ARE FINALLY GIVING

FAMILY, BIG BROTHERS ANDY AND
JOHNATHAN ARE FINALLY GIVING
NEAL HIS DUE.

JOHNATHAN ARE FINALLY GIVING
NEAL HIS DUE.
>> YEAH, I PUT SOME [BLEEP]

NEAL HIS DUE.
>> YEAH, I PUT SOME [BLEEP]
YEARS ON THIS [BLEEP]

>> YEAH, I PUT SOME [BLEEP]
YEARS ON THIS [BLEEP]
IT TAKES A TOLL ON YOUR BODY.

YEARS ON THIS [BLEEP]
IT TAKES A TOLL ON YOUR BODY.
>> Narrator: HE WILL REMAIN THE

IT TAKES A TOLL ON YOUR BODY.
>> Narrator: HE WILL REMAIN THE
BOAT'S ENGINEER BUT WILL NO

>> Narrator: HE WILL REMAIN THE
BOAT'S ENGINEER BUT WILL NO
LONGER BE REQUIRED TO BRAVE THE

BOAT'S ENGINEER BUT WILL NO
LONGER BE REQUIRED TO BRAVE THE
HARSH CONDITIONS ON DECK.

LONGER BE REQUIRED TO BRAVE THE
HARSH CONDITIONS ON DECK.
>> I CAN'T WAIT TILL MY BACK

HARSH CONDITIONS ON DECK.
>> I CAN'T WAIT TILL MY BACK
HURTS WORSE.

>> LOOK WHAT HAPPENED TO ME.
I JUST WOUNDED MYSELF BAD.
>> Narrator: THE HILLSTRANDS,

I JUST WOUNDED MYSELF BAD.
>> Narrator: THE HILLSTRANDS,
NOW ALL OVER 40, HAVE DECIDED TO

>> Narrator: THE HILLSTRANDS,
NOW ALL OVER 40, HAVE DECIDED TO
PASS THE DIRTY WORK OVER TO THE

NOW ALL OVER 40, HAVE DECIDED TO
PASS THE DIRTY WORK OVER TO THE
YOUNG GUNS.

PASS THE DIRTY WORK OVER TO THE
YOUNG GUNS.
>> IT'S A YOUNG GUY'S GAME OUT

YOUNG GUNS.
>> IT'S A YOUNG GUY'S GAME OUT
THERE, MAN.

>> IT'S A YOUNG GUY'S GAME OUT
THERE, MAN.
YOU DON'T SEE TOO MANY GUYS OUR

THERE, MAN.
YOU DON'T SEE TOO MANY GUYS OUR
AGE GOT TO [BLEEP] ARM.

YOU DON'T SEE TOO MANY GUYS OUR
AGE GOT TO [BLEEP] ARM.
>> I KNOW.

AGE GOT TO [BLEEP] ARM.
>> I KNOW.
I GOT A [BLEEP] OR TWO, BROTHER.

>> I KNOW.
I GOT A [BLEEP] OR TWO, BROTHER.
>> MY BACK DOESN'T HAVE A

I GOT A [BLEEP] OR TWO, BROTHER.
>> MY BACK DOESN'T HAVE A
MILLION-POUND SEASON IN IT.

>> MY BACK DOESN'T HAVE A
MILLION-POUND SEASON IN IT.
I COULD DO IT, BUT I'D BE

MILLION-POUND SEASON IN IT.
I COULD DO IT, BUT I'D BE
FRICKIN' -- JUST GONNA MAKE ME

I COULD DO IT, BUT I'D BE
FRICKIN' -- JUST GONNA MAKE ME
CRIPPLE.

FRICKIN' -- JUST GONNA MAKE ME
CRIPPLE.
>> YOU'RE OUR THIRD BOAT OWNER.

CRIPPLE.
>> YOU'RE OUR THIRD BOAT OWNER.
>> I DON'T WANT TO SEE YOU GET

>> YOU'RE OUR THIRD BOAT OWNER.
>> I DON'T WANT TO SEE YOU GET
[BLEEP] UP ANY MORE THAN YOU

>> I DON'T WANT TO SEE YOU GET
[BLEEP] UP ANY MORE THAN YOU
ALREADY ARE.

[BLEEP] UP ANY MORE THAN YOU
ALREADY ARE.
AND IF YOU WANT TO GO OUT THERE

ALREADY ARE.
AND IF YOU WANT TO GO OUT THERE
FOR A STRING, YOU CAN GO OUT

AND IF YOU WANT TO GO OUT THERE
FOR A STRING, YOU CAN GO OUT
THERE, BUT YOU DON'T HAVE TO GO

FOR A STRING, YOU CAN GO OUT
THERE, BUT YOU DON'T HAVE TO GO
OUT THERE.

THERE, BUT YOU DON'T HAVE TO GO
OUT THERE.
>> SOUNDS GOOD.

OUT THERE.
>> SOUNDS GOOD.
>> I LIKE IT NOT HAVING ANY

>> SOUNDS GOOD.
>> I LIKE IT NOT HAVING ANY
HILLSTRANDS ON DECK.

YOU'RE GONNA BLEED, YOU'RE GONNA

HURT, AND YOU'RE GONNA WANT TO

BE 25 YEARS OLD IF YOU WORK ON

THIS BOAT.

WE'RE GONNA GET SCOTTY TO GET

HIS FRIEND TO COME OUT HERE.

>> IS THIS AARON?

HEY, THIS IS JOHNATHAN,

TIME BANDIT.

YOU WANT GO FISHING?

>> YEAH, IT FEELS GOOD.

I FEEL LIKE A BOAT OWNER NOW.

>> Narrator: WITH THE GREENHORN
EXPECTED TO ARRIVE LATER IN THE
EVENING AND OTHER BOAT'S IN LINE

EXPECTED TO ARRIVE LATER IN THE
EVENING AND OTHER BOAT'S IN LINE
TO OFFLOAD, THE TIME BANDIT

EVENING AND OTHER BOAT'S IN LINE
TO OFFLOAD, THE TIME BANDIT
HEADS OUT TO SEA TO CIRCLE THE

TO OFFLOAD, THE TIME BANDIT
HEADS OUT TO SEA TO CIRCLE THE
ISLAND.

HEADS OUT TO SEA TO CIRCLE THE
ISLAND.
>> WELL, YOU GOT YOUR CRAB

ISLAND.
>> WELL, YOU GOT YOUR CRAB
UNLOADED.

>> WELL, YOU GOT YOUR CRAB
UNLOADED.
YOU'RE WAITING FOR ONE GUY SO

UNLOADED.
YOU'RE WAITING FOR ONE GUY SO
YOU CAN GO OUT AND MAKE MORE

YOU'RE WAITING FOR ONE GUY SO
YOU CAN GO OUT AND MAKE MORE
MONEY.

YOU CAN GO OUT AND MAKE MORE
MONEY.
WE DON'T LIKE SITTING AROUND

MONEY.
WE DON'T LIKE SITTING AROUND
LIKE THIS.

WE DON'T LIKE SITTING AROUND
LIKE THIS.
>> Narrator: ANDY MAY BE

LIKE THIS.
>> Narrator: ANDY MAY BE
ENERGIZED TO GET BACK TO THE

>> Narrator: ANDY MAY BE
ENERGIZED TO GET BACK TO THE
GROUNDS, BUT THE CREW TAKES THE

ENERGIZED TO GET BACK TO THE
GROUNDS, BUT THE CREW TAKES THE
TIME FOR A LITTLE "R" AND "R."

>> TIME BANDIT -- CHANNEL 14.
1-4.
>> ROGER, CHANNEL 14.

1-4.
>> ROGER, CHANNEL 14.
>> YEAH, IT'S CLOSED AT THIS

>> ROGER, CHANNEL 14.
>> YEAH, IT'S CLOSED AT THIS
TIME -- BREAKING TOO MUCH IN

>> YEAH, IT'S CLOSED AT THIS
TIME -- BREAKING TOO MUCH IN
FRONT AND A REAL BAD SURGE IN

TIME -- BREAKING TOO MUCH IN
FRONT AND A REAL BAD SURGE IN
THE HARBOR.

FRONT AND A REAL BAD SURGE IN
THE HARBOR.
>> JUST [BLEEP]

THE HARBOR.
>> JUST [BLEEP]
WE'RE FORCED TO SIT AROUND

>> JUST [BLEEP]
WE'RE FORCED TO SIT AROUND
'CAUSE THIS IS WHAT OUR CARDS

WE'RE FORCED TO SIT AROUND
'CAUSE THIS IS WHAT OUR CARDS
HAVE DEALT US.

'CAUSE THIS IS WHAT OUR CARDS
HAVE DEALT US.
WE GOT TO HAVE OUR CREW MEMBER

HAVE DEALT US.
WE GOT TO HAVE OUR CREW MEMBER
SHOW UP.

WE GOT TO HAVE OUR CREW MEMBER
SHOW UP.
>> Narrator: FISHING 165 MILES

SHOW UP.
>> Narrator: FISHING 165 MILES
TO THE SOUTHWEST, WIZARD CAPTAIN

>> Narrator: FISHING 165 MILES
TO THE SOUTHWEST, WIZARD CAPTAIN
KEITH COLBURN'S DECISION TO SET

TO THE SOUTHWEST, WIZARD CAPTAIN
KEITH COLBURN'S DECISION TO SET
BACK IS PAYING OFF.

KEITH COLBURN'S DECISION TO SET
BACK IS PAYING OFF.
>> IT'S BEEN A LONG TIME SINCE

BACK IS PAYING OFF.
>> IT'S BEEN A LONG TIME SINCE
WE FILLED THE BOAT.

>> IT'S BEEN A LONG TIME SINCE
WE FILLED THE BOAT.
I'M GONNA BE ONE HAPPY GUY WHEN

WE FILLED THE BOAT.
I'M GONNA BE ONE HAPPY GUY WHEN
THAT THING TOPS OFF.

I'M GONNA BE ONE HAPPY GUY WHEN
THAT THING TOPS OFF.
>> LIVING THE DREAM, BABY!

THAT THING TOPS OFF.
>> LIVING THE DREAM, BABY!
WHOO!

>> LIVING THE DREAM, BABY!
WHOO!
>> Narrator: AND ALTHOUGH

WHOO!
>> Narrator: AND ALTHOUGH
GREENHORN MOI HAS PICKED UP THE

>> Narrator: AND ALTHOUGH
GREENHORN MOI HAS PICKED UP THE
PACE...

GREENHORN MOI HAS PICKED UP THE
PACE...
KEITH'S MADE HIS DECISION.

PACE...
KEITH'S MADE HIS DECISION.
>> WELL, I'M SEEING MOI DOING

KEITH'S MADE HIS DECISION.
>> WELL, I'M SEEING MOI DOING
HIS BEST.

>> WELL, I'M SEEING MOI DOING
HIS BEST.
YOU KNOW, I MEAN, HE'S HUSTLING

HIS BEST.
YOU KNOW, I MEAN, HE'S HUSTLING
AND SCRAMBLING, BUT HE STILL

YOU KNOW, I MEAN, HE'S HUSTLING
AND SCRAMBLING, BUT HE STILL
DOESN'T HAVE A CLUE.

AND SCRAMBLING, BUT HE STILL
DOESN'T HAVE A CLUE.
I'M SO DONE WITH MOI.

DOESN'T HAVE A CLUE.
I'M SO DONE WITH MOI.
I JUST WANT TO GET THROUGH THE

I'M SO DONE WITH MOI.
I JUST WANT TO GET THROUGH THE
TRIP.

I JUST WANT TO GET THROUGH THE
TRIP.
IT'S NOT WORTH IT TRYING TO

TRIP.
IT'S NOT WORTH IT TRYING TO
TRAIN HIM AT THIS POINT BECAUSE

IT'S NOT WORTH IT TRYING TO
TRAIN HIM AT THIS POINT BECAUSE
HE'S NOT COMING BACK ANYWAYS.

TRAIN HIM AT THIS POINT BECAUSE
HE'S NOT COMING BACK ANYWAYS.
[ DIALING ]

HE'S NOT COMING BACK ANYWAYS.
[ DIALING ]
HELLO, JOSHUA.

[ DIALING ]
HELLO, JOSHUA.
HI, MY NAME IS KEITH COLBURN.

HELLO, JOSHUA.
HI, MY NAME IS KEITH COLBURN.
I'M THE OWNER AND THE CAPTAIN OF

HI, MY NAME IS KEITH COLBURN.
I'M THE OWNER AND THE CAPTAIN OF
A BOAT CALLED THE WIZARD.

I'M THE OWNER AND THE CAPTAIN OF
A BOAT CALLED THE WIZARD.
WE WORK IN THE BERING SEA.

A BOAT CALLED THE WIZARD.
WE WORK IN THE BERING SEA.
WE'RE CRAB FISHERMEN.

WE WORK IN THE BERING SEA.
WE'RE CRAB FISHERMEN.
I'M CURIOUS.

WE'RE CRAB FISHERMEN.
I'M CURIOUS.
THINK YOU CAN GET UP HERE IN A

I'M CURIOUS.
THINK YOU CAN GET UP HERE IN A
FEW DAYS?

THINK YOU CAN GET UP HERE IN A
FEW DAYS?
>> I'M GONNA HAVE TO TALK TO MY

FEW DAYS?
>> I'M GONNA HAVE TO TALK TO MY
WIFE.

>> I'M GONNA HAVE TO TALK TO MY
WIFE.
>> HELLO.

WIFE.
>> HELLO.
THIS IS KEITH ON THE WIZARD.

>> HELLO.
THIS IS KEITH ON THE WIZARD.
I'M A CRAB FISHERMAN UP IN THE

THIS IS KEITH ON THE WIZARD.
I'M A CRAB FISHERMAN UP IN THE
BERING SEA.

I'M A CRAB FISHERMAN UP IN THE
BERING SEA.
TELL ME THIS -- WHY DO YOU WANT

BERING SEA.
TELL ME THIS -- WHY DO YOU WANT
TO CRAB FISH?

TELL ME THIS -- WHY DO YOU WANT
TO CRAB FISH?
>> WELL, UH, SINCE I WAS A KID,

TO CRAB FISH?
>> WELL, UH, SINCE I WAS A KID,
MY DAD WAS ALWAYS TELLING ME,

>> WELL, UH, SINCE I WAS A KID,
MY DAD WAS ALWAYS TELLING ME,
UM...

MY DAD WAS ALWAYS TELLING ME,
UM...
>> I'M OVER HERE JUST CRYING

UM...
>> I'M OVER HERE JUST CRYING
LAUGHING.

>> I'M OVER HERE JUST CRYING
LAUGHING.
I'M THINKING, "GOD, THIS IS

LAUGHING.
I'M THINKING, "GOD, THIS IS
SICK."

I'M THINKING, "GOD, THIS IS
SICK."
>> I'M TRYING TO GET AHOLD OF

SICK."
>> I'M TRYING TO GET AHOLD OF
COOPER WEATHERBY.

>> I'M TRYING TO GET AHOLD OF
COOPER WEATHERBY.
>> YEAH, THIS IS

COOPER WEATHERBY.
>> YEAH, THIS IS
COOPER WEATHERBY.

>> YEAH, THIS IS
COOPER WEATHERBY.
>> LET ME ASK YOU A COUPLE OF

COOPER WEATHERBY.
>> LET ME ASK YOU A COUPLE OF
QUESTIONS.

>> LET ME ASK YOU A COUPLE OF
QUESTIONS.
HOW OLD ARE YOU?

QUESTIONS.
HOW OLD ARE YOU?
>> I'M 21 YEARS OLD.

HOW OLD ARE YOU?
>> I'M 21 YEARS OLD.
>> OKAY, UM...

>> I'M 21 YEARS OLD.
>> OKAY, UM...
ANY PHYSICAL DISABILITIES?

>> OKAY, UM...
ANY PHYSICAL DISABILITIES?
YOU GOT A BAD BACK, KNEE, ELBOW,

ANY PHYSICAL DISABILITIES?
YOU GOT A BAD BACK, KNEE, ELBOW,
ANYTHING WEIRD?

YOU GOT A BAD BACK, KNEE, ELBOW,
ANYTHING WEIRD?
>> NO, I'M A FIREFIGHTER.

ANYTHING WEIRD?
>> NO, I'M A FIREFIGHTER.
>> OH, YOU'RE A FIREFIGHTER?

>> NO, I'M A FIREFIGHTER.
>> OH, YOU'RE A FIREFIGHTER?
OKAY, SO YOU ARE IN GOOD SHAPE.

>> OH, YOU'RE A FIREFIGHTER?
OKAY, SO YOU ARE IN GOOD SHAPE.
RIGHT NOW I REALLY NEED TO GET

OKAY, SO YOU ARE IN GOOD SHAPE.
RIGHT NOW I REALLY NEED TO GET
A GUY FLOWN IN HERE, AND SO,

RIGHT NOW I REALLY NEED TO GET
A GUY FLOWN IN HERE, AND SO,
UH...

A GUY FLOWN IN HERE, AND SO,
UH...
>> I CAN BE THERE WHENEVER YOU

UH...
>> I CAN BE THERE WHENEVER YOU
WANT ME TO BE THERE.

>> I CAN BE THERE WHENEVER YOU
WANT ME TO BE THERE.
>> WE'LL TAKE CARE OF THE

WANT ME TO BE THERE.
>> WE'LL TAKE CARE OF THE
AIRLINE RESERVATIONS,

>> WE'LL TAKE CARE OF THE
AIRLINE RESERVATIONS,
EVERYTHING.

AIRLINE RESERVATIONS,
EVERYTHING.
ALL YOU GOT DO IS BASICALLY SHOW

EVERYTHING.
ALL YOU GOT DO IS BASICALLY SHOW
UP AT THE AIRPORT.

ALL YOU GOT DO IS BASICALLY SHOW
UP AT THE AIRPORT.
>> I'LL DO THAT.

UP AT THE AIRPORT.
>> I'LL DO THAT.
>> ALL RIGHT.

>> I'LL DO THAT.
>> ALL RIGHT.
YOU SOUND GUNG-HO, AND THAT'S A

>> ALL RIGHT.
YOU SOUND GUNG-HO, AND THAT'S A
START.

YOU SOUND GUNG-HO, AND THAT'S A
START.
SO I'LL BE IN TOUCH WITH YOU

START.
SO I'LL BE IN TOUCH WITH YOU
HERE SHORTLY, OKAY?

SO I'LL BE IN TOUCH WITH YOU
HERE SHORTLY, OKAY?
>> Narrator: WITH A REPLACEMENT

HERE SHORTLY, OKAY?
>> Narrator: WITH A REPLACEMENT
ON THE WAY, MOI'S FATE IS

>> Narrator: WITH A REPLACEMENT
ON THE WAY, MOI'S FATE IS
OFFICIALLY SEALED.

>> THAT'S MY SECOND TANK ON THE
STARBOARD SIDE TOPPING OFF.
MAN, JUST ONE POT LATER.

STARBOARD SIDE TOPPING OFF.
MAN, JUST ONE POT LATER.
>> WHOO-HOO!

MAN, JUST ONE POT LATER.
>> WHOO-HOO!
>> [ SPEAKS INDISTINCTLY ]

>> WHOO-HOO!
>> [ SPEAKS INDISTINCTLY ]
>> TOMORROW WE'RE GONNA GO TO

>> [ SPEAKS INDISTINCTLY ]
>> TOMORROW WE'RE GONNA GO TO
THE OTHER SIDE.

>> TOMORROW WE'RE GONNA GO TO
THE OTHER SIDE.
>> Narrator: UP NEXT...

THE OTHER SIDE.
>> Narrator: UP NEXT...
>> I ALWAYS HAD A DREAM THAT I

>> Narrator: UP NEXT...
>> I ALWAYS HAD A DREAM THAT I
WOULD DIE OUT HERE.

>> I ALWAYS HAD A DREAM THAT I
WOULD DIE OUT HERE.
I JUST HAVE ALWAYS HAD THAT

WOULD DIE OUT HERE.
I JUST HAVE ALWAYS HAD THAT
DREAM THAT THAT WOULD HAPPEN.

>> Narrator: DAWN BREAKS

280 MILES NORTH OF DUTCH HARBOR

ON THE CORNELIA MARIE.

>> [ COUGHING ]
>> Narrator: CAPTAIN PHIL HAS
DECIDED TO IGNORE THE

>> Narrator: CAPTAIN PHIL HAS
DECIDED TO IGNORE THE
PHYSICIAN'S ADVICE TO SEEK

DECIDED TO IGNORE THE
PHYSICIAN'S ADVICE TO SEEK
IMMEDIATE MEDICAL ATTENTION.

PHYSICIAN'S ADVICE TO SEEK
IMMEDIATE MEDICAL ATTENTION.
>> WE GOT A LOT TO GET DONE

IMMEDIATE MEDICAL ATTENTION.
>> WE GOT A LOT TO GET DONE
HERE, AND WE ARE IN THE MIDDLE

>> WE GOT A LOT TO GET DONE
HERE, AND WE ARE IN THE MIDDLE
OF A TRIP.

HERE, AND WE ARE IN THE MIDDLE
OF A TRIP.
I GOT TO KEEP THINGS ROLLING.

>> NOT EVEN A CUP OF COFFEE OR
NOTHING THIS MORNING?
>> Narrator: WHILE THE CREW

NOTHING THIS MORNING?
>> Narrator: WHILE THE CREW
PREPARES FOR FISHING,

>> Narrator: WHILE THE CREW
PREPARES FOR FISHING,
MURRAY GAMRATH, THE ONLY MAN

PREPARES FOR FISHING,
MURRAY GAMRATH, THE ONLY MAN
ON BOARD WHO KNOWS THE EXTENT OF

MURRAY GAMRATH, THE ONLY MAN
ON BOARD WHO KNOWS THE EXTENT OF
HIS OLD FRIEND'S INJURIES, HANGS

ON BOARD WHO KNOWS THE EXTENT OF
HIS OLD FRIEND'S INJURIES, HANGS
BACK.

HIS OLD FRIEND'S INJURIES, HANGS
BACK.
>> [ COUGHS ]

BACK.
>> [ COUGHS ]
I DON'T KNOW WHAT THE HELL'S

>> [ COUGHS ]
I DON'T KNOW WHAT THE HELL'S
GOING ON WITH ME.

I DON'T KNOW WHAT THE HELL'S
GOING ON WITH ME.
I...

GOING ON WITH ME.
I...
I DON'T FEEL BAD.

I...
I DON'T FEEL BAD.
>> IT'S TIME TO GO GET CHECKED

I DON'T FEEL BAD.
>> IT'S TIME TO GO GET CHECKED
OUT.

>> IT'S TIME TO GO GET CHECKED
OUT.
[BLEEP] MAN.

OUT.
[BLEEP] MAN.
I MEAN, IT IS JUST GETTING

[BLEEP] MAN.
I MEAN, IT IS JUST GETTING
WORSE.

I MEAN, IT IS JUST GETTING
WORSE.
IT'S GONNA GET TO THE POINT

WORSE.
IT'S GONNA GET TO THE POINT
WHERE PRETTY SOON I'M NOT GONNA

IT'S GONNA GET TO THE POINT
WHERE PRETTY SOON I'M NOT GONNA
BE ABLE TO GET YOU OFF THIS

WHERE PRETTY SOON I'M NOT GONNA
BE ABLE TO GET YOU OFF THIS
[BLEEP] BOAT, YOU KNOW?

BE ABLE TO GET YOU OFF THIS
[BLEEP] BOAT, YOU KNOW?
YOU KNOW?

>> I KNOW YOU DO.
THE BOAT WILL BE FINE, OKAY?
>> I KNOW IT WILL.

>> I KNOW.
I KNOW THAT.
>> I ALWAYS HAD A DREAM THAT I

I KNOW THAT.
>> I ALWAYS HAD A DREAM THAT I
WOULD DIE OUT HERE.

>> I ALWAYS HAD A DREAM THAT I
WOULD DIE OUT HERE.
I JUST HAVE ALWAYS HAD THAT

WOULD DIE OUT HERE.
I JUST HAVE ALWAYS HAD THAT
DREAM THAT THAT WOULD HAPPEN.

I JUST HAVE ALWAYS HAD THAT
DREAM THAT THAT WOULD HAPPEN.
WHAT A [BLEEP] UP MESS THIS IS.

DREAM THAT THAT WOULD HAPPEN.
WHAT A [BLEEP] UP MESS THIS IS.
ALL RIGHT, GO DO YOUR THING,

WHAT A [BLEEP] UP MESS THIS IS.
ALL RIGHT, GO DO YOUR THING,
MAN.

THAT WAS SKINNIEST POT SO FAR.

>> Narrator: ON A RUN BETWEEN
STRINGS, MURRAY DECIDES TO
DISOBEY DIRECT ORDERS FROM HIS

STRINGS, MURRAY DECIDES TO
DISOBEY DIRECT ORDERS FROM HIS
CAPTAIN...

...AND FINALLY CONFIDES TO
PHIL'S SONS.

>> WHAT IS GOING THROUGH THAT
HEAD OF YOURS TO KEEP YOU OUT
HERE FISHING?

HEAD OF YOURS TO KEEP YOU OUT
HERE FISHING?
WE DON'T NEED TO BE HERE.

HERE FISHING?
WE DON'T NEED TO BE HERE.
WHAT IF THERE AIN'T A [BLEEP]

WE DON'T NEED TO BE HERE.
WHAT IF THERE AIN'T A [BLEEP]
TOMORROW?

WHAT IF THERE AIN'T A [BLEEP]
TOMORROW?
>> THERE ISN'T.

TOMORROW?
>> THERE ISN'T.
[BLEEP] GO SIT DOWN, PLEASE.

>> THERE ISN'T.
[BLEEP] GO SIT DOWN, PLEASE.
DON'T MAKE THIS HARDER ON ME

[BLEEP] GO SIT DOWN, PLEASE.
DON'T MAKE THIS HARDER ON ME
THAN IT IS, OKAY?

DON'T MAKE THIS HARDER ON ME
THAN IT IS, OKAY?
>> WELL, [BLEEP]

THAN IT IS, OKAY?
>> WELL, [BLEEP]
HOW DO YOU THINK I FEEL?

>> WELL, [BLEEP]
HOW DO YOU THINK I FEEL?
TRY BEING IN MY POSITION, DAD.

HOW DO YOU THINK I FEEL?
TRY BEING IN MY POSITION, DAD.
BECAUSE I GUARANTEE YOU, [BLEEP]

TRY BEING IN MY POSITION, DAD.
BECAUSE I GUARANTEE YOU, [BLEEP]
WE WOULD BE SITTING IN FRONT OF

BECAUSE I GUARANTEE YOU, [BLEEP]
WE WOULD BE SITTING IN FRONT OF
[BLEEP] ST. PAUL RIGHT NOW IF

WE WOULD BE SITTING IN FRONT OF
[BLEEP] ST. PAUL RIGHT NOW IF
THIS WAS HAPPENING TO ME.

[BLEEP] ST. PAUL RIGHT NOW IF
THIS WAS HAPPENING TO ME.
>> GO HAVE A CIGARETTE.

THIS WAS HAPPENING TO ME.
>> GO HAVE A CIGARETTE.
I NEED TO JUST SIT AND BE BY

>> GO HAVE A CIGARETTE.
I NEED TO JUST SIT AND BE BY
MYSELF FOR A MINUTE, OKAY?

I NEED TO JUST SIT AND BE BY
MYSELF FOR A MINUTE, OKAY?
I LOVE YOU DEARLY, JOSH, BUT

MYSELF FOR A MINUTE, OKAY?
I LOVE YOU DEARLY, JOSH, BUT
JUST GO SIT DOWN, PLEASE.

I LOVE YOU DEARLY, JOSH, BUT
JUST GO SIT DOWN, PLEASE.
>> YEAH.

JUST GO SIT DOWN, PLEASE.
>> YEAH.
>> THANKS.

YOU ARE A VERY, VERY SMART
PERSON AT A LOT OF THINGS, DAD.
THIS -- YOU AND YOUR [BLEEP]

PERSON AT A LOT OF THINGS, DAD.
THIS -- YOU AND YOUR [BLEEP]
HEALTH IS NOT ONE OF THEM.

THIS -- YOU AND YOUR [BLEEP]
HEALTH IS NOT ONE OF THEM.
IT'S DEFINITELY NOT.

HEALTH IS NOT ONE OF THEM.
IT'S DEFINITELY NOT.
THE FACT IS, IS THAT YOU ARE

IT'S DEFINITELY NOT.
THE FACT IS, IS THAT YOU ARE
[BLEEP] YOURSELF UP MORE AND

THE FACT IS, IS THAT YOU ARE
[BLEEP] YOURSELF UP MORE AND
MORE AND MORE.

[BLEEP] YOURSELF UP MORE AND
MORE AND MORE.
AND YOU'RE, "OH, YEAH.

MORE AND MORE.
AND YOU'RE, "OH, YEAH.
WE WILL BE FINE.

AND YOU'RE, "OH, YEAH.
WE WILL BE FINE.
WE WILL BE FINE."

WE WILL BE FINE.
WE WILL BE FINE."
WELL, FINE, YOU KNOW.

WE WILL BE FINE."
WELL, FINE, YOU KNOW.
YOU KNOW WHAT FINE IS --

WELL, FINE, YOU KNOW.
YOU KNOW WHAT FINE IS --
IT'S [BLEEP] UP, INSECURE,

YOU KNOW WHAT FINE IS --
IT'S [BLEEP] UP, INSECURE,
NEUROTIC, AND EMOTIONAL.

IT'S [BLEEP] UP, INSECURE,
NEUROTIC, AND EMOTIONAL.
I MEAN, THAT'S [BLEEP] FINE TO

NEUROTIC, AND EMOTIONAL.
I MEAN, THAT'S [BLEEP] FINE TO
ME.

I MEAN, THAT'S [BLEEP] FINE TO
ME.
[BLEEP] LIE TO ME ALL YOU WANT,

ME.
[BLEEP] LIE TO ME ALL YOU WANT,
BUT CAN YOU REALLY [BLEEP] LIE

[BLEEP] LIE TO ME ALL YOU WANT,
BUT CAN YOU REALLY [BLEEP] LIE
TO YOURSELF?

BUT CAN YOU REALLY [BLEEP] LIE
TO YOURSELF?
I CAN SEE RIGHT THROUGH THE

TO YOURSELF?
I CAN SEE RIGHT THROUGH THE
[BLEEP] SMOKESCREEN.

I CAN SEE RIGHT THROUGH THE
[BLEEP] SMOKESCREEN.
>> DON'T MAKE THIS HARDER THAN

[BLEEP] SMOKESCREEN.
>> DON'T MAKE THIS HARDER THAN
IT IS.

>> DON'T MAKE THIS HARDER THAN
IT IS.
>> YEAH, THIS IS [BLEEP] PISSING

IT IS.
>> YEAH, THIS IS [BLEEP] PISSING
ME OFF.

>> YEAH, THIS IS [BLEEP] PISSING
ME OFF.
[BLEEP]

ME OFF.
[BLEEP]
SOME BERING SEA FISHERMAN.

[BLEEP]
SOME BERING SEA FISHERMAN.
YEAH, HE CAN CATCH AND KILL

SOME BERING SEA FISHERMAN.
YEAH, HE CAN CATCH AND KILL
CRAB, BUT HE'S A [BLEEP] IDIOT.

>> Narrator: MOMENTS LATER,
WIZARD CAPTAIN KEITH COLBURN
HAILS PHIL FOR ADVICE ON THE

WIZARD CAPTAIN KEITH COLBURN
HAILS PHIL FOR ADVICE ON THE
GROUNDS.

HAILS PHIL FOR ADVICE ON THE
GROUNDS.
>> HELLO, CORNELIA.

GROUNDS.
>> HELLO, CORNELIA.
THIS IS THE WIZARD.

>> HELLO, CORNELIA.
THIS IS THE WIZARD.
IS THIS PHIL?

THIS IS THE WIZARD.
IS THIS PHIL?
>> YEAH. HEY, CHIEF.

IS THIS PHIL?
>> YEAH. HEY, CHIEF.
>> HOW YOU DOING?

>> YEAH. HEY, CHIEF.
>> HOW YOU DOING?
>> I AIN'T DOING SO GREAT,

>> HOW YOU DOING?
>> I AIN'T DOING SO GREAT,
CHIEF.

>> I AIN'T DOING SO GREAT,
CHIEF.
THIS MORNING WHEN I GOT UP, I

CHIEF.
THIS MORNING WHEN I GOT UP, I
JUST -- EVERYTHING I COUGHED UP

THIS MORNING WHEN I GOT UP, I
JUST -- EVERYTHING I COUGHED UP
WAS JUST SOLID BLOOD, SO...

>> YOU DID WHAT?
DID YOU SAY YOU PUNCTURED A
LUNG?

DID YOU SAY YOU PUNCTURED A
LUNG?
>> I THINK SO, YEAH.

LUNG?
>> I THINK SO, YEAH.
I MEAN, WE'RE NOT TALKING ABOUT

>> I THINK SO, YEAH.
I MEAN, WE'RE NOT TALKING ABOUT
A LITTLE BIT OF BLOOD HERE.

I MEAN, WE'RE NOT TALKING ABOUT
A LITTLE BIT OF BLOOD HERE.
>> HEY, PHIL, YOU GOT ME A

A LITTLE BIT OF BLOOD HERE.
>> HEY, PHIL, YOU GOT ME A
LITTLE WORRIED.

>> HEY, PHIL, YOU GOT ME A
LITTLE WORRIED.
YOU NEED TO CALL THE COASTIES,

LITTLE WORRIED.
YOU NEED TO CALL THE COASTIES,
CALL THE COASTIES.

YOU NEED TO CALL THE COASTIES,
CALL THE COASTIES.
MAKE THE CALL IF YOU NEED TO

CALL THE COASTIES.
MAKE THE CALL IF YOU NEED TO
MAKE THE CALL, ALL RIGHT?

MAKE THE CALL IF YOU NEED TO
MAKE THE CALL, ALL RIGHT?
DON'T BE SHY.

MAKE THE CALL, ALL RIGHT?
DON'T BE SHY.
ALL RIGHT, GOOD LUCK.

DON'T BE SHY.
ALL RIGHT, GOOD LUCK.
SMOOTH SAILING.

ALL RIGHT, GOOD LUCK.
SMOOTH SAILING.
>> HEY, THANKS, KEITH.

SMOOTH SAILING.
>> HEY, THANKS, KEITH.
I APPRECIATE IT, MAN.

>> HEY, THANKS, KEITH.
I APPRECIATE IT, MAN.
BYE-BYE.

I APPRECIATE IT, MAN.
BYE-BYE.
[ BEEP ]

BYE-BYE.
[ BEEP ]
I GOT KEITH CALLING ON THE

[ BEEP ]
I GOT KEITH CALLING ON THE
RADIO.

I GOT KEITH CALLING ON THE
RADIO.
I GOT FIVE GUYS DOWN THERE THAT

RADIO.
I GOT FIVE GUYS DOWN THERE THAT
ARE CONCERNED WHETHER I'M GOING

I GOT FIVE GUYS DOWN THERE THAT
ARE CONCERNED WHETHER I'M GOING
TO KEEL OVER AND DROP DEAD RIGHT

ARE CONCERNED WHETHER I'M GOING
TO KEEL OVER AND DROP DEAD RIGHT
NOW.

TO KEEL OVER AND DROP DEAD RIGHT
NOW.
EVERYBODY I'VE TALKED TO SAYS I

NOW.
EVERYBODY I'VE TALKED TO SAYS I
HAVE A PUNCTURED LUNG.

EVERYBODY I'VE TALKED TO SAYS I
HAVE A PUNCTURED LUNG.
WE'RE IN THE MIDDLE OF A TRIP.

HAVE A PUNCTURED LUNG.
WE'RE IN THE MIDDLE OF A TRIP.
YES, MY HANDS ARE FULL.

WE'RE IN THE MIDDLE OF A TRIP.
YES, MY HANDS ARE FULL.
I'M A LITTLE STRESSED.

YES, MY HANDS ARE FULL.
I'M A LITTLE STRESSED.
I CAN HARDLY SIT HERE BECAUSE MY

I'M A LITTLE STRESSED.
I CAN HARDLY SIT HERE BECAUSE MY
GUTS ARE JUST KILLING ME.

I CAN HARDLY SIT HERE BECAUSE MY
GUTS ARE JUST KILLING ME.
>> KEEP AN EYE ON HIM FOR ME.

GUTS ARE JUST KILLING ME.
>> KEEP AN EYE ON HIM FOR ME.
>> I AM.

>> KEEP AN EYE ON HIM FOR ME.
>> I AM.
>> AND THAT'S -- I MEAN,

>> I AM.
>> AND THAT'S -- I MEAN,
SERIOUSLY KEEP AN EYE ON HIM FOR

>> AND THAT'S -- I MEAN,
SERIOUSLY KEEP AN EYE ON HIM FOR
ME.

>> OH, I AM.

>> IF YOU SEE THAT HE'S STARTING

TO COUGH UP A LOT MORE BLOOD,

YOU COME [BLEEP] LET ME KNOW

A.S.A.P., OKAY?

I MEAN, I'M SERIOUS ABOUT THAT.

>> OKAY, I WILL. YEAH.

>> THIS IS STARTING TO GET TO
ME, MAN.

BIG TOUGH GUY, HUH?
AIN'T SO TOUGH.

BIG TOUGH GUY THAT AIN'T SO
TOUGH.
[ SIGHS ]

>> Narrator: THE WIZARD TAKES A
COMMANDING LEAD.

>> Narrator: 280 MILES TO THE

NORTH OF DUTCH HARBOR ABOARD

THE CORNELIA MARIE...

CAPTAIN PHIL HARRIS HAS SPENT
TWO DAYS IN EXCRUCIATING
PHYSICAL PAIN.

TWO DAYS IN EXCRUCIATING
PHYSICAL PAIN.
>> ♪ I'M LIVING OFF THE CATCH

PHYSICAL PAIN.
>> ♪ I'M LIVING OFF THE CATCH
OF DEADLY WATER ♪

>> ♪ I'M LIVING OFF THE CATCH
OF DEADLY WATER ♪
>> Narrator: AND WRESTLING WITH

OF DEADLY WATER ♪
>> Narrator: AND WRESTLING WITH
HIS OWN MORTALITY HAS

>> Narrator: AND WRESTLING WITH
HIS OWN MORTALITY HAS
BEEN NOTHING BUT MENTAL

HIS OWN MORTALITY HAS
BEEN NOTHING BUT MENTAL
TORTURE.

BEEN NOTHING BUT MENTAL
TORTURE.
>> BIG TOUGH GUY THAT AIN'T SO

TORTURE.
>> BIG TOUGH GUY THAT AIN'T SO
TOUGH.

>> BIG TOUGH GUY THAT AIN'T SO
TOUGH.
[ SIGHS ]

TOUGH.
[ SIGHS ]
>> Narrator: NOW PHIL'S FINALLY

[ SIGHS ]
>> Narrator: NOW PHIL'S FINALLY
PREPARED TO COME TO TERMS.

>> Narrator: NOW PHIL'S FINALLY
PREPARED TO COME TO TERMS.
>> AND I'M REALLY WORRIED ABOUT

PREPARED TO COME TO TERMS.
>> AND I'M REALLY WORRIED ABOUT
THAT.

>> AND I'M REALLY WORRIED ABOUT
THAT.
WE CAN FISH ANOTHER DAY.

THAT.
WE CAN FISH ANOTHER DAY.
>> NO, WE'RE NOT GONNA DO THAT.

WE CAN FISH ANOTHER DAY.
>> NO, WE'RE NOT GONNA DO THAT.
>> IF SOMETHING BREAKS ON THE

>> NO, WE'RE NOT GONNA DO THAT.
>> IF SOMETHING BREAKS ON THE
BOAT, YOU CAN FIX IT.

>> IF SOMETHING BREAKS ON THE
BOAT, YOU CAN FIX IT.
BUT YOUR HEALTH, YOU CAN'T.

THAT'S THE CONSENSUS NOT JUST

WITH ME.

THAT'S EVERYBODY DOWN THERE.

>> Narrator: THE TORMENTED
SKIPPER CONCEDES AFTER PRESSURE
FROM HIS SON AND A GOOD FRIEND.

BUT THE NEAREST EMERGENCY CLINIC
IS 80 MILES AWAY ON
ST. PAUL ISLAND.

IS 80 MILES AWAY ON
ST. PAUL ISLAND.
PHIL SETS A COURSE.

ST. PAUL ISLAND.
PHIL SETS A COURSE.
[ DIALING ]

PHIL SETS A COURSE.
[ DIALING ]
>> YOU KNOW WHAT'S GOING ON

[ DIALING ]
>> YOU KNOW WHAT'S GOING ON
HERE?

>> YOU KNOW WHAT'S GOING ON
HERE?
>> YEAH.

HERE?
>> YEAH.
IT'S CLOSED AT THIS TIME --

>> YEAH.
IT'S CLOSED AT THIS TIME --
A REAL BAD SURGE IN THE HARBOR.

IT'S CLOSED AT THIS TIME --
A REAL BAD SURGE IN THE HARBOR.
>> THANK YOU.

A REAL BAD SURGE IN THE HARBOR.
>> THANK YOU.
BYE.

>> THANK YOU.
BYE.
SUPERINTENDENT AT THE ISLAND WAS

BYE.
SUPERINTENDENT AT THE ISLAND WAS
ON THE PHONE LETTING ME THE

SUPERINTENDENT AT THE ISLAND WAS
ON THE PHONE LETTING ME THE
HARBOR IS CLOSED.

ON THE PHONE LETTING ME THE
HARBOR IS CLOSED.
YOU CAN'T GET IN THERE.

HARBOR IS CLOSED.
YOU CAN'T GET IN THERE.
THERE IS NOT EVEN A PLACE TO

YOU CAN'T GET IN THERE.
THERE IS NOT EVEN A PLACE TO
ANCHOR UP RIGHT NOW.

>> Narrator: THE
CORNELIA MARIE ARRIVES AT
ST. PAUL JUST BEFORE MIDNIGHT.

CORNELIA MARIE ARRIVES AT
ST. PAUL JUST BEFORE MIDNIGHT.
BUT THE INJURED SKIPPER IS

ST. PAUL JUST BEFORE MIDNIGHT.
BUT THE INJURED SKIPPER IS
FORCED TO CIRCLE THE ISLAND,

BUT THE INJURED SKIPPER IS
FORCED TO CIRCLE THE ISLAND,
WAITING FOR A WEATHER OPENING.

FORCED TO CIRCLE THE ISLAND,
WAITING FOR A WEATHER OPENING.
>> WE USUALLY ANCHOR UP OUT

WAITING FOR A WEATHER OPENING.
>> WE USUALLY ANCHOR UP OUT
FRONT.

>> WE USUALLY ANCHOR UP OUT
FRONT.
BUT RIGHT NOW, THE SWELL IS SO

FRONT.
BUT RIGHT NOW, THE SWELL IS SO
BIG, IT WOULD JUST RIP THE

BUT RIGHT NOW, THE SWELL IS SO
BIG, IT WOULD JUST RIP THE
ANCHOR WINCH RIGHT OFF THE BOAT.

BIG, IT WOULD JUST RIP THE
ANCHOR WINCH RIGHT OFF THE BOAT.
I CAN GET RIGHT TO THE FRONT

ANCHOR WINCH RIGHT OFF THE BOAT.
I CAN GET RIGHT TO THE FRONT
DOOR, BUT IT'S LOCKED.

I CAN GET RIGHT TO THE FRONT
DOOR, BUT IT'S LOCKED.
I CAN'T GET THROUGH IT.

DOOR, BUT IT'S LOCKED.
I CAN'T GET THROUGH IT.
UNTIL THIS WEATHER CHANGES, I'M

I CAN'T GET THROUGH IT.
UNTIL THIS WEATHER CHANGES, I'M
[BLEEP]

UNTIL THIS WEATHER CHANGES, I'M
[BLEEP]
>> Narrator: WORD OF PHIL'S

[BLEEP]
>> Narrator: WORD OF PHIL'S
CONDITION BEGINS TO SPREAD

>> Narrator: WORD OF PHIL'S
CONDITION BEGINS TO SPREAD
THROUGH THE FLEET.

CONDITION BEGINS TO SPREAD
THROUGH THE FLEET.
>> YOU KNOW, I FOUND OUT HE WAS

THROUGH THE FLEET.
>> YOU KNOW, I FOUND OUT HE WAS
DEFINITELY COUGHING UP BLOOD.

>> YOU KNOW, I FOUND OUT HE WAS
DEFINITELY COUGHING UP BLOOD.
I HAVEN'T HEARD ANYTHING SINCE,

DEFINITELY COUGHING UP BLOOD.
I HAVEN'T HEARD ANYTHING SINCE,
SO...

I HAVEN'T HEARD ANYTHING SINCE,
SO...
>> IF YOU'RE [BLEEP] COUGHING

SO...
>> IF YOU'RE [BLEEP] COUGHING
UP BLOOD, THAT'S BAD.

>> IF YOU'RE [BLEEP] COUGHING
UP BLOOD, THAT'S BAD.
>> THEY SAID LIKE A QUARTER TO

UP BLOOD, THAT'S BAD.
>> THEY SAID LIKE A QUARTER TO
50-CENT-PIECE CHUNKS OF BLOOD.

>> THEY SAID LIKE A QUARTER TO
50-CENT-PIECE CHUNKS OF BLOOD.
>> [BLEEP]

50-CENT-PIECE CHUNKS OF BLOOD.
>> [BLEEP]
MAN, THAT'S CANCER.

>> [BLEEP]
MAN, THAT'S CANCER.
THAT'S BAD.

MAN, THAT'S CANCER.
THAT'S BAD.
>> HEAR ABOUT PHIL?

THAT'S BAD.
>> HEAR ABOUT PHIL?
HE WAS COUGHING UP BLOOD.

>> HEAR ABOUT PHIL?
HE WAS COUGHING UP BLOOD.
[ BEEPING ]

HE WAS COUGHING UP BLOOD.
[ BEEPING ]
>> YEAH, THAT'S SCARY STUFF,

[ BEEPING ]
>> YEAH, THAT'S SCARY STUFF,
MAN.

>> YEAH, THAT'S SCARY STUFF,
MAN.
>> YEAH, SCARY STUFF.

MAN.
>> YEAH, SCARY STUFF.
[ BEEP ]

>> YEAH, SCARY STUFF.
[ BEEP ]
>> OH, [BLEEP] ME.

[ BEEP ]
>> OH, [BLEEP] ME.
>> Narrator: THE FLEET REACHES

>> OH, [BLEEP] ME.
>> Narrator: THE FLEET REACHES
OUT TO THEIR INJURED BROTHER.

>> Narrator: THE FLEET REACHES
OUT TO THEIR INJURED BROTHER.
[ BEEP ]

OUT TO THEIR INJURED BROTHER.
[ BEEP ]
>> YOU OUT THERE, PHIL?

[ BEEP ]
>> YOU OUT THERE, PHIL?
CORNELIA?

>> YOU OUT THERE, PHIL?
CORNELIA?
>> Narrator: BUT PHIL IS IN NO

CORNELIA?
>> Narrator: BUT PHIL IS IN NO
MOOD TO REACH BACK.

>> Narrator: BUT PHIL IS IN NO
MOOD TO REACH BACK.
[ BEEP ]

MOOD TO REACH BACK.
[ BEEP ]
>> CORNELIA?

[ BEEP ]
>> CORNELIA?
PHIL, ARE YOU ON THIS ONE?

>> CORNELIA?
PHIL, ARE YOU ON THIS ONE?
IT'S KEITH, WIZARD.

PHIL, ARE YOU ON THIS ONE?
IT'S KEITH, WIZARD.
[ BEEP ]

IT'S KEITH, WIZARD.
[ BEEP ]
>> CORNELIA?

[ BEEP ]
>> CORNELIA?
NORTHWESTERN.

>> CORNELIA?
NORTHWESTERN.
ARE YOU THERE?

NORTHWESTERN.
ARE YOU THERE?
>> Narrator: FOR PHIL, IT'S A

ARE YOU THERE?
>> Narrator: FOR PHIL, IT'S A
TIME TO ISOLATE.

>> Narrator: FOR PHIL, IT'S A
TIME TO ISOLATE.
>> I'M SURE HE AIN'T GONNA CALL

TIME TO ISOLATE.
>> I'M SURE HE AIN'T GONNA CALL
US.

>> I'M SURE HE AIN'T GONNA CALL
US.
HE'S A TOUGH GUY.

US.
HE'S A TOUGH GUY.
TOUGH GUY'S GONNA [BLEEP] JUST

HE'S A TOUGH GUY.
TOUGH GUY'S GONNA [BLEEP] JUST
DISAPPEAR ON US.

TOUGH GUY'S GONNA [BLEEP] JUST
DISAPPEAR ON US.
SAID A LITTLE PRAYER FOR PHIL.

DISAPPEAR ON US.
SAID A LITTLE PRAYER FOR PHIL.
HOPEFULLY HE'S GONNA BE OKAY.

SAID A LITTLE PRAYER FOR PHIL.
HOPEFULLY HE'S GONNA BE OKAY.
>> NOW WHEN THIS IS GOING ON,

HOPEFULLY HE'S GONNA BE OKAY.
>> NOW WHEN THIS IS GOING ON,
YOU REALLY DO FEEL LIKE, YOU

>> NOW WHEN THIS IS GOING ON,
YOU REALLY DO FEEL LIKE, YOU
KNOW -- YOU FEEL ALONE.

YOU REALLY DO FEEL LIKE, YOU
KNOW -- YOU FEEL ALONE.
IT'S KIND OF A WEIRD FEELING.

KNOW -- YOU FEEL ALONE.
IT'S KIND OF A WEIRD FEELING.
I'VE NEVER BEEN ALONE BEFORE.

I THINK EVERYBODY WANTS A
LEGACY, YOU KNOW?
AFTER I'M DEAD AND GONE...

LEGACY, YOU KNOW?
AFTER I'M DEAD AND GONE...
THERE'S JUST A LOT OF THINGS

AFTER I'M DEAD AND GONE...
THERE'S JUST A LOT OF THINGS
THAT I'VE TAKEN FOR GRANTED IN

THERE'S JUST A LOT OF THINGS
THAT I'VE TAKEN FOR GRANTED IN
MY LIFE THAT I NEED TO START

THAT I'VE TAKEN FOR GRANTED IN
MY LIFE THAT I NEED TO START
ADDRESSING, YOU KNOW?

MY LIFE THAT I NEED TO START
ADDRESSING, YOU KNOW?
IF SOMETHING HAPPENED TO ME

ADDRESSING, YOU KNOW?
IF SOMETHING HAPPENED TO ME
RIGHT NOW, WHAT WOULD HAPPEN

IF SOMETHING HAPPENED TO ME
RIGHT NOW, WHAT WOULD HAPPEN
WITH, YOU KNOW, THE BOYS?

RIGHT NOW, WHAT WOULD HAPPEN
WITH, YOU KNOW, THE BOYS?
JUST WHAT WOULD HAPPEN IF I FELL

WITH, YOU KNOW, THE BOYS?
JUST WHAT WOULD HAPPEN IF I FELL
OFF THE FACE OF THE EARTH RIGHT

JUST WHAT WOULD HAPPEN IF I FELL
OFF THE FACE OF THE EARTH RIGHT
NOW?

ST. PAUL HARBORMASTER --
CORNELIA MARIE, CHANNEL 16.

YEAH, MORNING.
COULD I GET PERMISSION TO COME
INTO THE HARBOR?

THANK YOU.
>> Narrator: FINALLY, NEARLY
60 HOURS AFTER HIS INITIAL

>> Narrator: FINALLY, NEARLY
60 HOURS AFTER HIS INITIAL
INJURY, PHIL PULLS IN TO

60 HOURS AFTER HIS INITIAL
INJURY, PHIL PULLS IN TO
ST. PAUL HARBOR.

INJURY, PHIL PULLS IN TO
ST. PAUL HARBOR.
>> OH, GOD, THAT HURTS.

[ MONITOR BEEPING ]

HERE WE GO.
[ SIGHS ]
>> RELAX AND BREATHE.

[ SIGHS ]
>> RELAX AND BREATHE.
WHAT WE'RE LOOKING FOR IS

>> RELAX AND BREATHE.
WHAT WE'RE LOOKING FOR IS
FRACTURE, AND I DON'T SEE NO

WHAT WE'RE LOOKING FOR IS
FRACTURE, AND I DON'T SEE NO
FRACTURE RIGHT NOW.

FRACTURE, AND I DON'T SEE NO
FRACTURE RIGHT NOW.
DOWN HERE THERE'S SOME WHITE

FRACTURE RIGHT NOW.
DOWN HERE THERE'S SOME WHITE
STUFF.

RIGHT HERE COULD BE BRONCHITIS.

IT COULD BE PNEUMONIA.

>> YOU DON'T HAVE TO DIAGNOSE

IT, BUT DO YOU SEE A PROBLEM

HERE?

>> YEAH.

>> YEAH, I'M NERVOUS.

[ BEEP ]

>> IT DIDN'T HAPPEN ON THAT

BOAT, OKAY?

>> IS IT FROM SMOKING?

>> IT PROBABLY COULD BE FROM

SMOKING.

>> IS IT CANCER?

[ BEEP ]

>> YOU KNOW, PHIL, UM...

[ BEEP ]

...YOU NEED TO BE SEEN BY A

SPECIALIST, OKAY?

IT DIDN'T LOOK GOOD.

>> Narrator: ON THE NEXT
"DEADLIEST CATCH"...
THE NORTHWESTERN RUNS INTO A

"DEADLIEST CATCH"...
THE NORTHWESTERN RUNS INTO A
SNAG THAT ALMOST SWALLOWS THE

THE NORTHWESTERN RUNS INTO A
SNAG THAT ALMOST SWALLOWS THE
BOAT.

SNAG THAT ALMOST SWALLOWS THE
BOAT.
>> I WOULD SLACK UP ON THE BOOT!

BOAT.
>> I WOULD SLACK UP ON THE BOOT!
SLACK UP ON THE BOOT!

>> I WOULD SLACK UP ON THE BOOT!
SLACK UP ON THE BOOT!
PULL IT ON THE BLOCK!

SLACK UP ON THE BOOT!
PULL IT ON THE BLOCK!
OH [BLEEP]

PULL IT ON THE BLOCK!
OH [BLEEP]
OH, MY.

OH [BLEEP]
OH, MY.
OH [BLEEP] YOU GUYS.

OH, MY.
OH [BLEEP] YOU GUYS.
>> Narrator: EMERGENCY ON THE

OH [BLEEP] YOU GUYS.
>> Narrator: EMERGENCY ON THE
WIZARD...

>> Narrator: EMERGENCY ON THE
WIZARD...
[ ALARM BLARING ]

WIZARD...
[ ALARM BLARING ]
>> WHERE'S MY OTHER SET?!

[ ALARM BLARING ]
>> WHERE'S MY OTHER SET?!
HANDS!

>> WHERE'S MY OTHER SET?!
HANDS!
>> Narrator: AND FOR

HANDS!
>> Narrator: AND FOR
CAPTAIN PHIL, AN UNKNOWN FATE.

>> Narrator: AND FOR
CAPTAIN PHIL, AN UNKNOWN FATE.
>> I'M NOT SUPPOSED TO TELL YOU

CAPTAIN PHIL, AN UNKNOWN FATE.
>> I'M NOT SUPPOSED TO TELL YOU
WHAT I SEE EXACTLY.

>> I'M NOT SUPPOSED TO TELL YOU
WHAT I SEE EXACTLY.
>> TRYING TO GET HIM ON A LIFE

WHAT I SEE EXACTLY.
>> TRYING TO GET HIM ON A LIFE
FLIGHT OUT OF HERE.

>> TRYING TO GET HIM ON A LIFE
FLIGHT OUT OF HERE.
IT'S GETTING WORSE.