Daisy Jones & The Six (2023): Season 1, Episode 1 - Track 1: Come and Get It - full transcript

[sighs]

[sniffs]

Testing, testing.

Hello? I'm good?

You just let me know
when you're ready.

Uh...
How long's this gonna take?

[crowd cheering]

[Daisy singing indistinctly]

- [faint screaming]
- [singing continues]

♪ ♪

Okay.



Let's get this party started.

So Daisy also agreed to this?

[♪ Patti Smith:
"Dancing Barefoot"]

♪ She ♪

♪ Is benediction ♪

♪ She ♪

♪ Is addicted to thee ♪

♪ She ♪

♪ Is the root connection ♪

♪ She ♪

♪ Is connecting with he ♪

♪ Here I go ♪

♪ And I don't know why ♪

♪ I fell so ceaselessly ♪



♪ Could it be he's taking ♪

♪ Over me ♪

♪ I'm dancing barefoot ♪

♪ Heading for a spin ♪

♪ Some strange music ♪

♪ Draws me in ♪

♪ Makes me come on ♪

♪ Like some heroine ♪♪

I don't even know
where to begin.

[interviewer] Start
at the beginning.

When did you first
fall in love with music?

[♪ Violet Hall:
"(All Alone) I Sit and Cry"]

[singing along] ♪ About 1500
miles between me ♪

♪ And the place
I call my home... ♪

[indistinct chatter]

♪ I know you mistreat me, baby ♪

♪ But my home I never roam ♪

♪ So all alone...

The interesting thing
about Daisy is

she was born
with every advantage.

Her father's money,

her mother's beauty.

♪ All alone, I...

Excuse me.

[imitating guitar]

[Jonah] She had anything
and everything at her disposal.

- ♪ Well, my life...
- [music stops]

- Do you ever shut up?
- [Jonah] And yet,

she was completely alone.

[indistinct chatter, laughter]

[whispers] No one wants
to hear your voice.

Swear she was put on this Earth
to embarrass me.

[laughter]

[♪ Strawberry Alarm Clock:
"Incense And Peppermints"]

♪ Good sense, innocence,
cripplin' mankind ♪

♪ Dead kings, many things
I can't define ♪

♪ Occasions,
persuasions clutter ♪

♪ Your mind, incense
and peppermints, the color ♪

♪ Of time,
who cares what games ♪

♪ We choose, little to win ♪

♪ But nothing to lose...

Could I bum one of those?

It's showtime, man.

[♪ The Byrds: "Goin' Back"]

♪ I think I'm going back ♪

♪ To the things
I learned so well ♪

♪ In my youth ♪

♪ I think I'm returning to ♪

♪ Those days
when I was young enough ♪

♪ To know the truth ♪

♪ Now there's more to do ♪

♪ Than watch my sailboat glide ♪

♪ But every day can be ♪

♪ A magic carpet ride...

[Billy] There was two options
for the kids in my town.

There was the mill
or there was the war.

I always dreamed
of something different.

[♪ The Byrds: "Goin' Back"]

- Hey.
- Hey.

[giggles]

[door opens]

[door closes]

Hey, Ma.

He's... [kisses]

...still in the bedroom.

[sighs]

Come on, Peaches.

She's just a girl.
There will be others.

How do you know?

Because you're 14 years old,

and you can play the guitar.

Trust me,

you're gonna have plenty
of girlfriends someday.

[Warren chuckles]

It was Graham's idea
to start a band.

Where's this all
coming from anyway?

- He's trying to get his girlfriend back.
- What?

- No.
- [laughs]

- [Graham] It's not about that.
- Of course not.

No, it's about doing something
I love with my brother

and my three best friends.

- And if girls just happen to notice...
- Wait.

- What did he say?
- Your brother?

Like, as in... Billy Dunne
is gonna be in this band?

[Billy] Yeah, I never agreed
to be in their band.

[laughs]

[Warren] One, two, three,
four, five, six...

[Billy] I said I would listen.

Maybe give them some pointers.

♪ ...in New Orleans ♪

♪ They call ♪

♪ The Rising Sun ♪

♪ And it's been the ruin ♪

♪ For many a poor boy ♪

- ♪ And God, I know...
- Stop.

- Stop, stop.
- [band stops playing]

It's an E major, chief.

[strums chord]

- And you... Thundersticks.
- Yes.

Where'd you get
those tree trunks?

They're my grandfather's.

[Billy] Easy on
those fills, yeah?

This isn't jazz.

Again, from the top.

Now, hey, Billy.
Why don't you, uh...

sh-show us how it's done?

I mean, I knew
my brother. [chuckles]

[Eddie] By the second practice,

he was basically in the band.
And by the third?

[sighs] It was his.

Fucking guy.

[♪ Jefferson Airplane:
"3/5 of a Mile in 10 Seconds"]

[Daisy] I mean, what a time
to be alive if you loved music.

♪ Do away with people...

[Daisy] I saw Cream
at the PAC Center

and Zeppelin at the Whisky.

Snuck backstage
for The Who at the Shrine.

I was 15 years old,

and the whole world
just seemed so

beautiful and good.

♪ Where I can easily
see my face ♪

♪ Maybe, baby,
I'll say that you were ♪

♪ Kind ♪

♪ Know I love you, baby...

[laughing]

♪ Yes, I do...

Where is everybody?

[music stops]

[lock clicks]

[indistinct chatter]

[Daisy] People say I was naive.

I wasn't naive,

I was a baby.

[indistinct chatter, laughter]

[sniffling]

[Daisy] And I hated
that feeling.

So pathetic

and weak.

So helpless.

I just didn't want
to be that girl anymore.

[rock music playing]

[indistinct chatter, laughter]

[banging on drums]

- [microphone feedback whines]
- Evening.

[Billy clears throat]

[man] Right on.

We're the Dunne Brothers.

For now.

- [whoops]
- [drums playing]

[guitar riff begins]

[Warren] We did ten proms,

20 graduation parties.

I mean, I-I don't even know
how many Sweet 16s. [laughs]

[crowd cheering]

♪ Oh, Suzie Q ♪

♪ Oh, Suzie Q, baby I love you ♪

♪ Suzie Q ♪

♪ I like the way you walk ♪

♪ I like the way you talk ♪

♪ I like ♪

♪ The way you walk,
I like the way you talk ♪

♪ Suzie Q...

[crowd cheering]

[Graham] The band was...

you know, it was
just a distraction.

An escape, you know?

I mean, none of us

ever thought of it
as anything more than that,

not even Billy.

♪ Oh, Suzie Q, baby I ♪

♪ Love you, Suzie Q...

[Graham] And then, one night,
everything changed.

♪ Ah, you're looking nice,
baby, you're...

[laughs]

- Damn, darling, truly...
- [giggles]

- You can dance.
- [whoops]

- [song ends]
- [crowd cheering, applause]

[Hank] Howling
at the moon! Yeah!

[crowd cheering]

Let's go.

Look out, everybody.

[sighs]

Hey, Billy.

He's supposed to be
in Georgia, Graham.

Well, he's not, all right?

I bet he never even
fucking left.

- What's wrong with you guys?
- Hey, not now, Eddie.

You sound great tonight, man.

And you were
fucking ripping in there.

What's going on?

You see the guy in there
in the plaid suit?

Who? The creepster
with the comb-over

and the girl half his age?
[laughs]

Yeah, he's our dad.

[Graham] I mean,
I was four when he left.

So, I never really had a father,

but it was different for Billy.

He worshipped the guy.

I'm gonna say something.

Billy, no. Billy.

- Hey, Billy!
- No, I have to.

[whispers] Come here.

Yeah? Mm-hmm. Wow.

Help you?

Yeah. You know who I am?

Should I?

Yeah, you should.

[panting]

Well, then, of course I do.

I'd recognize
that guitar anywhere.

Anything else?

Hey. He's not worth it,
all right? Let's go home.

Take it.

Go on, take it.

I said fucking take it!

I've got no use for it.

I gave it to you.

Something to remember me by.

There you go, asshole.

[crowd murmuring]

- [grunts]
- [crowd gasps]

Oh! Come on, come on, come on.

[Hank groans]

[Graham exhales]

Guess we're not getting paid
for that gig, huh?

Billy.

You okay, man?

[Graham] You know, I can still
see the look on Billy's face.

I mean, that was the moment
this thing became real.

Guys, come here.

Come here.

- Yeah.
- [clears throat]

You're my brothers. I love you.

We work hard, we stick together,

we're gonna be
the biggest fucking band

in the world someday.

Do you trust me?

Hell yeah.

[Warren] Yeah. You kidding me,
man? [chuckles]

we're family. Come here.

[Billy] I really
believed it, too.

[♪ T. Rex:
"Bang a Gong (Get It On)"]

You know,
even before I met Daisy.

♪ Well, you're dirty and sweet ♪

♪ Clad in black, don't look back
and I love you ♪

♪ You're dirty and sweet,
oh, yeah ♪

♪ Well, you're slim
and you're weak, you've got ♪

♪ The teeth
of the hydra upon you ♪

♪ You're dirty, sweet
and you're my girl...

Hey, Mikey.

♪ Get it on...

[snorts]

♪ Get it on ♪

♪ Get it on...

[laughs]

[Daisy] Was I out of control?

What does it do?

Probably.

♪ Well,
you're built like a car ♪

♪ You've got a hubcap...

[Daisy] But I was writing, too,

which felt
even better than drugs.

Like I'd found a piece of me
that I didn't know was missing.

♪ Well,
you're an untamed youth ♪

♪ That's the truth,
with your cloak ♪

♪ Full of eagles ♪

♪ You're dirty, sweet
and you're...

I couldn't imagine
a better feeling.

♪ Get it on ♪

♪ Bang a gong, get it on ♪

What are you doing?

These are private.
You don't just come into

somebody's room
and go through their things.

These are mine.

Mom?

Are they any... any good, or...

You're a pretty girl, Margaret.

[door closes]

[Billy clears throat]

[Camila] Uh, excuse me.

- Sorry, um, are you...
- I am, yeah.

Billy Dunne,
pleasure to meet you.

Oh. Um...

I was just gonna say,
"Are you using that basket?"

No, I'm not.

There you go.

Cool. Thanks.

Sure.

So, uh, s-so you don't...
know who I am?

[chuckles] Should I?

Well, I'm in a band.

Cool.

Oh, God. [scoffs]

- What?
- No, it's-it's, uh...

Some people know me,
that's all, and I saw you

looking over. I just... [sighs]

Do you know what? Never mind.
It's-it's fine. [laughs]

Of course I knew who he was,
are you kidding me?

Every girl in Hazelwood
knew Billy Dunne,

and not because
he was in some band.

So, what's a big rock star
like you

doing in the neighborhood
fluff and fold?

Honestly?

- My mom's washer/dryer broke.
- Wow.

- Yeah.
- That's really sweet of you.

Helping your mom out
like that. [sniffs]

Must be a good son.

Well, it's-it's kind of...
my washer/dryer, too.

Right, because you...
still live with your mother.

[both laugh]

- It's going great for me, isn't it?
- Oh...

Okay, all right. Wh... Uh, what
can I do to turn this around?

Oh, man, I really,
I... [exhales]

I don't think there's much...

- you can do, no.
- No? Okay.

Well, how about this...

you give me your number,
and I'll write you a song.

Wow.

Has that line ever worked?

[laughs] Uh, you tell me.

It's... the first time
I'm using it.

[Eddie] I knew Camila
from the neighborhood.

We used to walk
to Sunday school together,

when we were kids.

You couldn't help
but fall in love with her,

even then.

And then she met Billy.

[band playing]

♪ Wow ♪

♪ Have love ♪

♪ Oh, baby, will travel...

[Warren] For that next year,

it felt like all we did
was practice.

♪ Oh, baby, will travel...

[Warren] If my hands were red

and raw by the time
I got to bed,

I knew it was a good day.

♪ Oh, baby, will travel ♪

♪ I said,
if you need loving then ♪

♪ Mm-hmm, I'll travel...

Let's go again.

♪ I said if you need loving...

We had a lot of good days
back then.

♪ Mm-hmm, I'll travel ♪♪

[Billy] Hey.

[Camila] Please tell me

you at least brought the tie
that I picked out?

- I got the tie, I got the tie.
- The tie?

- You're a mess.
- What? [chuckles]

And your button isn't even done.

You have a beautiful home, sir.

[grunts]

Camila tells us you work
in the steel mill.

Uh, yeah. Yeah, I do.

But it's just temporary,
you know?

Oh.

Billy's a musician.

Yeah, I'm in a band called,
uh, the Dunne Brothers.

Yeah, they're really good.

Uh, yeah, I mean,
we're-we're working

hard at it. We're practicing

as much as we can,

and we're playing gigs
every night.

And this pays the bills?

- Uh... Well, not exactly.
- [Camila] It will.

[Billy] Yeah, it will.

[Graham] I never doubted it
for a second.

[scoffs]

Not everyone felt the same.

- [laughing]
- [indistinct chatter]

- God... [laughs]
- There he is.

[Graham] Why's it closed?

- Hey, hey, hey, hey, hey.
- Hey, man.

Chucky!

What's up, man?

Why's the garage door closed?

[Chuck] Look, I don't know
how to say this,

so I'm just gonna say it.

I got into college.

[chuckles] All right.

Bro, we didn't even know
you applied.

[Warren] [stammers]
Was this, like,

before or after I spent
all my money on this van?

I know, I'm sorry. It's just...

they have a really good
dental program.

So, what?
You're gonna be a dentist now?

I don't know. I guess so.

Chuck, come on.

All right, please don't do this.
All right? Not now.

Right? Not when things
are starting to happen.

What do you mean,
"just starting to happen"?

Dude, we open for
the Winters on Thursday,

and that's-that's
just the beginning.

This is a real opportunity.

- So is this.
- [Chuck] Billy, I know this is your dream, man,

but just because you want
something to happen

doesn't mean it's going to.

Do you really think
that there's a future here?

Well, yeah, Chuck, I do.

You're out of your fucking mind.

Great cardigan, Chuck,

- very dentist-like.
- [door closes]

[Eddie] We got to cancel
the gig.

No, man. We're not cancelling.

Yeah? What are we gonna do?

- We don't have our bassist, Billy.
- We're not cancelling.

Eddie, you switch over to bass.

[chuckles] No.

[sighs]

For how long?

[Billy] Thanks, man.
We owe you.

Let's go.

[♪ The Stone Poneys:
"Different Drum"]

♪ You and I ♪

[Daisy singing along] ♪ Travel
to the beat ♪

♪ Of a different drum ♪

♪ Oh, can't you tell
by the way I run ♪

♪ Every time
you make eyes at me? ♪

♪ Oh, oh ♪

♪ You cry and moan and say ♪

♪ It'll all work out ♪

- [knocking]
- ♪ But ♪♪

Man, you got some serious pipes
on you, girl. [chuckles]

How did I not know that
about you?

I'll be out in a second.

[door closes]

[door opens]

[siren wails in distance]

[strumming lightly]

[door closes]

♪ Stumbled on sublime
until the signal's weak ♪

♪ Stumbled on sublime
until you can't speak ♪

♪ She stumbled on sublime ♪♪

[door opens]

[sighs]
Please don't look at that.

You know, these...
these ain't half bad.

You've got...

I know, I know.

♪ She's all around your head ♪

♪ Dancing at the edges
of your mind ♪♪

That... It... That...
It doesn't go like that.

Okay. How's it go?

[inhales sharply]
Uh, it's just...

[sighs]

♪ She's all around your head ♪

♪ And she's dancing
in the corners of your mind ♪

♪ Stumbled on sublime
until you can't speak ♪

♪ Stumbled on sublime
until the signal's weak ♪♪

Sing that again.

- No.
- Come on, what'd you... You said something like,

- "Something out there with the..."
- I don't remember.

You're gonna have to write
your own fucking song.

- I'm being serious.
- [Daisy laughs]

[Daisy] And the worst part
is that I let him

take that song from me.

I mean, that is how little

I thought of myself
at the time.

Thank God I met Simone
when I did.

[interviewer] Daisy says
you changed her life.

Do you remember how you met?

[Simone] We were at some party
in the hills, I think.

And I had just finished
performing at Gazzarri's,

so she must have seen me there.

She knew everything about me.

In fact, she knew everything
about everything.

So he gets this idea
that he can swim

from one neighbor's pool
to the next,

which sounds totally crazy,
but in the context of the film

- it makes...
- Sorry, what's your name again?

Daisy.

I'm a huge fan of yours.

I don't know what
you're doing, though,

singing backup for
Penny fucking Richardson.

There you are.
I was looking for you.

Penny fucking Richardson.

Excuse me?

Daisy Jones.
Huge fan.

Let's get out of here.
I'm tired.

- Penny, we talked about this.
- No, you talked.

And you know what, Simone?
I'm fucking done.

- Ah, would you excuse me? Just one second.
- Yeah. Sure.

[indistinct conversation]

It's not what you think.

All I think is that you're
way too cool for that chick.

[chuckles]

[Simone] We started talking

and we just never stopped.

It's temporary.

When the album comes out,
I'll buy a place in the hills.

- Two stories.
- You didn't tell me you were recording an album.

Mm-hmm. [chuckles]

So, no more singing backup then?

I sure as hell hope not.

You sing, Daisy?

Uh, no, not-not really.

I just took piano lessons
as a kid.

But I am in love
with this record.

- [♪ Carole King: "Goin' Back"]
- ♪ I think I'm goin' back ♪

♪ To the things I learned...

What do you love about it?

I mean, she wrote all these
songs for other people.

"Up on the Roof,"
"Pleasant Valley Sunday,"

"One Fine Day."
And they're all great songs.

But this is different, you know.
I mean, she...

she chose to sing these songs
in her own voice

because they meant something
to her.

It's just personal.
You know?

That's you, isn't it?

[chuckles] I've seen you,
too, honey.

Gazzarri's. The Whisky.
All over the Strip.

Most of them girls are
just there for drugs, sex,

stories to tell their friends.

♪ Is no sin...

But not you.

You're there for the music.
I've seen you.

♪ To win...

Question is,

what are you doing in the crowd

and not on that stage,
where you want to be?

♪ Well, I wasn't ashamed
to reach out to ♪♪

♪ I will be an ordinary guy...

Far out. [laughs]

♪ They just never know ♪

Can you believe this?

♪ How to spot an angel
in the snow ♪

♪ I will show you
something true ♪

♪ If you really want me to...

Keep dreaming, Peaches.

[smooching]

♪ And it's always nice
with her ♪

♪ But it isn't me and you ♪

♪ There's nobody here ♪♪

[indistinct chatter]

Hey, you guys were
rocking up there.

- Sounded good.
- Burt Reynolds.

Hey, you sounded great
up there.

Oh. Thanks, man.

I'm Graham.

Karen.

You know of a good place

to get a bite around here,
Graham?

You're not gonna stick around,

check us out?

It's gonna be a good show.

Um, maybe next time.

Try Peppi's.
It's right around the corner.

Best burger in town.

[♪ "Have Love, Will Travel"]

♪ Yeah, have love ♪

♪ Oh, baby, will travel ♪

♪ Uh-huh, have love ♪

♪ Pretty baby, will travel...

Put Mick Jagger in a lineup,
and a person who's

never heard of
the Rolling Stones could still

point to Jagger and say,
"That one.

He's the rock star."

Billy Dunne had that in spades.

♪ I'll travel ♪♪

Obviously, you got to write
your own material.

Well, I-I mean, I do.

Most of it's
not good enough yet.

What are you writing about?

I have this one song
called "Nevermore,"

- about the Catonsville Nine...
- No.

Oh! [sighs]

A-Are you Bob Dylan?

Are you Buffy Sainte-Marie?

Uh...

Enough with the political shit.
It's a new decade.

No one needs reminding
that the world is a mess.

People want to feel good again.
They want to feel hope.

You can write a love song,
can't you?

Rod had a lot of ideas.

You need to cool it
with the solos, brother.

Nobody cares about your
technical guitar skills.

They want to sing.
They want to dance.

Rod told me to wear
low-cut shirts.

I told Rod to eat shit,
and that was that.

The last thing I'll say,
and this is key.

You need to get the fuck
out of Pittsburgh.

You want to be signed
to a label,

you want to work with
Jimmy Miller, Tom Dowd,

Teddy Price...

- You know Teddy Price?
- Yeah, man.

I know everybody, and they're
all in L.A. now.

Not London, not New York.

California, my friend.

That is the place
you got to be.

- I'm in.
- Yeah?

- Yeah, me, too.
- Yes.

Guess I better
gas up the van.

- You think she's gonna make it?
- [laughter]

[Eddie] I think she's
gonna make it.

What are you guys
talking about?

Uh...

You could come with us.

And do what? Huh?

Follow you around?

I have a job, Billy.
I'm going to school.

You know, I can't just
follow some boy

- across the country because...
- Some boy?

- I mean, yeah.
- Some boy. I'm not some boy.

I mean, well,
what is this, then?

Come here.

Come here, come on.

So that's it, then?
It's over?

You still owe me
that song, Billy Dunne.

Camila?

[speaking Spanish]
He's moving away.

I'm sorry, my love.

Maybe this is a blessing.

He asked me to go with him.

Where?

California.

California?

- You can't, your family is here.
- I know, I know, I know.

I know.

Nothing's more important
than that.

You never turn your back
on family.

You did.

[Billy] It's not enough
just to meet the right person.

You, uh, you have to meet them
at the right time as well.

[Eddie] It's getting dark, guys.

Let's get a move on.

- Got room for one more?
- Oh!

Whoa, look who it is.

Hey, hey!

[laughs]

- You sure about this?
- Mm-hmm.

- You're coming?
- Mm-hmm.

[over radio] ♪ Stumbled
on sublime ♪

♪ Gettin' through the day
was always such a chore ♪

♪ Come on now, man ♪

♪ Let yourself live
a little more ♪

♪ Stumbled on sublime
until the signal's weak...

[Daisy] "Stumbled on Sublime"
was number one

for, what, four straight weeks?

And that son of a bitch
still claims

he wrote the whole fucking song.

And this was becoming a pattern.

Well, see, I took a benny
to wake up this morning.

So then if I just have
the coffee

I'll be way too amped.
Hence the champagne.

And I call it an "up and down."

[Gary] [chuckles] That's funny.

I'm gonna use that
in a script one day.

♪ I smoke an apple,
I get a grip...

What makes you think
that I'm not gonna use that

in a something one day?

I meant that as a compliment.

There's no need to be cross.

You'd be like...

like my muse or something.

♪ Round this way again ♪

♪ Stumbled on sublime ♪

♪ I'm stumbled on sublime ♪♪

Daisy.

Daisy.

Where are you going?
Hey. Hey!

- What did I say?
- What?

You said I'm your
fucking muse.

Like, what, I'm just inspiration

for your next great idea.

Yeah. What is wrong with that?

Look, I'm not interested
in being anybody's muse, Gary.

Okay? Not yours,
not anybody's.

- I didn't mean it like that.
- I'm not the muse, okay?

I'm the somebody.

[laughs]

Okay, okay.
You're the somebody. Got it.

You're the somebody. [laughs]

What the fuck?!

Did you just push me?

Daisy.

- [engine starts]
- Daisy.

Fucking crazy.

No matter how confident
you pretend to be,

how much you think
you can give,

if enough people tell you
you're shit...

you believe 'em.

[indistinct chatter]

I just couldn't
take it anymore.

Would you mind if I...?

I had to find out

if everyone else
was right about me...

...or if I was.

[indistinct chatter continues]

[playing "By Myself" on piano]

♪ I've been burned
on the altar ♪

♪ Of the rising sun ♪

♪ It's alarming to see ♪

♪ How far I can run ♪

♪ But I wind up the same
as I always ♪

♪ Crying in a heap
in some hallway ♪

♪ Crumpled and blue ♪

♪ I gotta try something new...

[Graham] That keyboardist
really added

something to the mix,
didn't she?

Who, Karen?

Yeah. Yeah, Karen.

Yeah, she did.

♪ I could tell by the waves
you couldn't see me ♪

♪ People may try
and they'll try to ♪

♪ I'm gonna do till I die to ♪

♪ And give it hell ♪

♪ And I don't need
anyone's help ♪

♪ I can do this
with nobody else ♪

♪ I can ruin this night
by myself ♪

♪ I can peel off
these soldiers alone ♪

♪ I can write down
my miserable poem ♪

♪ I can drink to
my own bloody health ♪

♪ I can ruin this night
by myself ♪♪

[scattered applause]

[indistinct chatter]

[♪ Carole King:
"I Feel the Earth Move"]

♪ I feel the earth move
under my feet ♪

♪ I feel the sky tumblin' down ♪

♪ I feel my heart
start to tremblin' ♪

- [chanting]
- ♪ Whenever you're around ♪

[shouting]

♪ Ooh, baby,
when I see your face ♪

♪ Mellow as the month of May ♪

♪ Oh, darling,
I can't stand it ♪

♪ When you look at me that way ♪

♪ I feel the earth ♪

♪ Move under my feet ♪

♪ I feel the sky tumblin' down ♪

♪ I feel my heart start
to tremblin' ♪

♪ Whenever ♪

♪ You're around ♪

♪ ♪

♪ Ooh, darling,
when you're near me ♪

♪ And you tenderly
call my name ♪

♪ I know that my emotions ♪

♪ Are something
I just can't tame ♪

♪ I just got to have you, baby ♪

♪ Uh-uh-uh ♪

♪ Uh-uh-uh, yeah ♪

♪ I feel the earth move
under my feet ♪

♪ I feel the sky tumblin' down ♪

♪ A-tumblin' down ♪

♪ I feel the earth move ♪

♪ Under my feet ♪

♪ I feel the sky tumblin' down ♪

♪ A-tumblin' down,
a-tumblin' down ♪

♪ A-tumblin' down, a-tumblin'
down ♪

♪ Tumblin' down ♪♪