Criminal Minds (2005–…): Season 4, Episode 7 - Memoriam - full transcript
Driven by his nightmares, Reid stays behind in Las Vegas to find his father in order to find out the truth about Riley Jenkins' murder.
PREVIOUSLY,
ON CRIMINAL MINDS...
GET HIM OFF, MORGAN!
GET HIM OFF ME.
REID! REID!
WAKE UP.
WHAT THE HELL
IS SCARING YOU?
THE NAME "RILEY JENKINS"
MEAN ANYTHING TO YOU?
NO.
HE WAS MURDERED
RIGHT HERE IN LAS VEGAS
WHEN HE WAS 6 YEARS OLD.
YOU WOULD HAVE BEEN
ABOUT 4 AT THE TIME.
HE WAS FOUND IN
THE BASEMENT OF HIS OWN
HOUSE, BEHIND THE DRYER.
HE'D BEEN SEXUALLY
ABUSED AND STABBED.
SPENCER, WHAT ARE
YOU DOING HERE?
DID I KNOW A BOY
NAMED RILEY JENKINS?
I'VE BEEN HAVING
DREAMS ABOUT HIS DEATH
SINCE I WAS VERY LITTLE.
WHY AREN'T YOU HELPING ME?
SPENCER, PAY ATTENTION.
SHOW ME YOUR FACE.
DAD.
COME ON, BABY.
GIVE IT TO ME.
GIVE IT TO ME.
SEE? NUH-UH.
MORGAN, CAN YOU--
PLEASE, CAN YOU--
MY HEAD.
MY BAD. SORRY.
YOU KNOW THESE THINGS
ARE RIGGED, RIGHT?
OHH!
LATE NIGHT?
I HATE VEGAS.
COME ON, PRENTISS.
HOW CAN YOU HATE VEGAS?
THIS IS A GROWN FOLK'S
PLAYGROUND.
ANYONE SEEN REID?
I KNOW HE STAYED
WITH HIS MOM LAST NIGHT.
WELL, HE SHOULD BE
HERE BY NOW.
HE KNOWS
THE DEPARTURE TIME.
OH, THIS THING STILL
HAS CREDIT ON IT.
J.J., I SWEAR TO GOD--
WHAT?
[NO AUDIO]
HA HA HA! OH,
HERE HE COMES RIGHT NOW.
WHAT'D YOU DO?
SLEEP THROUGH YOUR ALARM?
SORRY TO KEEP YOU
GUYS WAITING. I--
HOTCH IS ALREADY
AT THE AIRSTRIP.
HOW FAST CAN YOU PACK?
ACTUALLY, I'M GONNA--
I'M GONNA STAY FOR
A COUPLE OF DAYS.
IS EVERYTHING
ALL RIGHT?
YEAH, I JUST, UM--
I HAVEN'T SEEN MY MOM
FOR A REALLY LONG TIME,
SO I'D LIKE
A FEW MORE DAYS.
YOU SURE?
YEAH.
OK, TAKE
A FEW DAYS. DO WHAT
YOU NEED TO DO.
HEY, UM, TAKE CARE
OF YOURSELF.
YOU, TOO.
BOTH OF YOU.
HI. I'M SPECIAL
AGENT SPENCER REID,
WITH THE FBI.
I'D LIKE TO SEE
EVERYTHING YOU HAVE
ON THE 1984 MURDER
OF A BOY NAMED
RILEY JENKINS.
JUST A SECOND.
THANKS.
THAT WAS
A ROUGH ONE.
DID YOU WORK THE CASE?
YEAH. I WAS 3 OR 4
BLOCKS AWAY
WHEN THE CALL CAME
IN ON THE RADIO.
MY FIRST KID.
YOU DON'T
FORGET THOSE.
LET ME ASK YOU THIS--
WERE THERE ANY SUSPECTS?
THE FAMILY, INITIALLY--
DAD, OLDER BROTHER.
MAKES SENSE.
UH, THE BOY WAS FOUND
IN HIS OWN BASEMENT, RIGHT?
YEAH. AFTER A WHILE, THE
FAMILY GOT DEFENSIVE,
STOPPED COOPERATING.
BIT LIKE THE--
WHAT'S HER NAME?
THE JON-BENET CASE,
I GUESS.
I NEVER LIKED THEM
FOR IT, ANYWAY.
I ALWAYS FIGURED
IT WAS SOMEBODY
OUTSIDE THE HOME.
WHAT'S THE BUREAU'S
INTEREST IN THE CASE?
UM, RESEARCH.
IS THIS EVERYTHING?
THERE MIGHT
BE ANOTHER BOX
DOWN IN RECORDS.
UH, I'D LIKE TO SEE IT ALL,
IF YOU DON'T MIND.
LOTS OF LUCK, EVERYBODY,
LET'S GO.
[CHATTER]
IT'S A HIT!
YEAH!
OK, COME ON NOW.
Man: NICE SHOT!
[TV PLAYING IN BACKGROUND]
WHEN DID YOU KNOW?
Woman: THAT'S IT? THAT
IS THE EXTENT OF YOUR--
WHAT ARE YOU
GUYS DOING HERE?
HEY. WHAT'S IT LOOK
LIKE WE'RE DOING?
UH, BREAKING INTO
MY ROOM
AND WATCHING
DAYS OF OUR LIVES.
YOUNG AND
THE RESTLESS.
AREN'T YOU SUPPOSED
TO BE ON A PLANE
BACK TO D.C.?
YOU'RE SUPPOSED
TO BE HANGING OUT
WITH YOUR MOM.
AND YOU'RE NOT.
RILEY JENKINS?
NO, THAT'S NOT--
THAT'S ACTUALLY NOT
WHY I'M HERE.
REID?
COME ON, MAN.
WHO DO YOU THINK
YOU'RE TALKING TO?
I KNOW WHAT THIS
HAS BEEN DOING TO YOU.
LET US HELP.
MAYBE TOGETHER WE CAN
FIND OUT WHO KILLED HIM.
I THINK I MIGHT
ALREADY KNOW.
SO, TELL US
ABOUT THE SUSPECT.
TRUTH IS,
I DON'T--I DON'T KNOW
ANYTHING ABOUT HIM.
HE'S MY FATHER.
Reid, voice-over:
"WHAT WAS SILENT
IN THE FATHER SPEAKS IN THE SON,
"AND OFTEN I FOUND IN THE SON
THE UNVEILED SECRET
OF THE FATHER."
FREIDRICH NIETZSCHE.
BEFORE WE GO
DOWN THIS ROAD,
YOU NEED TO BE SURE.
HE'S RIGHT.
SOME ROCKS DON'T
NEED LOOKING UNDER.
MY MIND IS
SENDING ME SIGNALS.
I--I CAN'T
IGNORE THEM ANYMORE.
MIXED SIGNALS. THAT'S
WHAT THE SUBCONSCIOUS
IS ALL ABOUT,
YOU KNOW THAT.
REID, YOUR DAD
LEFT YOU.
YOU TAKE IT
TO THE FREUDIAN EXTREME,
YOU COULD SAY THAT HE
KILLED YOUR CHILDHOOD.
COULD EXPLAIN A DREAM
IN WHICH YOU SEE HIM
AS A MURDERER.
I'VE COME THIS FAR.
I'M NOT GOIN' BACK.
OK, THANK YOU.
EMILY, YOU REMEMBER
AGENT TODD?
OH, YEAH.
HI. WELCOME BACK.
THANKS. I'LL BE
SHADOWING J.J.
FOR THE NEXT
COUPLE OF WEEKS.
BIG SHOES TO FILL.
BIG ANKLES, AT LEAST.
COME ON.
YOU LOOK GREAT.
YEAH, THAT'S WHAT
I KEEP TELLING HER.
DO YOU HAVE KIDS,
TOO? OR--
AH, NO. I THINK J.J.
MAY HAVE SNARED
THE LAST VIABLE DONOR.
TELL ME
ABOUT IT.
DONOR FOR
WHAT?
NOTHING. I'M JUST, UH,
REACQUAINTING AGENT TODD
HERE WITH THE LAYOUT.
GOOD TO SEE
YOU AGAIN,
S.S.A. HOTCHNER.
NO, PLEASE.
"HOTCH."
HOTCH.
SO, WHERE'S THE REST
OF THE TEAM?
OH, ANOTHER CASE
CAME UP WHILE
WE WERE IN LAS
VEGAS, AND THEY
STAYED BEHIND
TO LOOK INTO IT.
EXCUSE ME.
I THOUGHT YOU WORK
CASES TOGETHER.
THIS ONE'S DIFFERENT.
RILEY WAS 6
AT THE TIME.
HIS FATHER,
LOU JENKINS,
WAS SUPPOSED
TO PICK HIM UP
FROM T-BALL
PRACTICE AT 4,
BUT HE GOT
DELAYED AT WORK,
PROMPTING RILEY
TO WALK THE
3 BLOCKS HOME.
WHEN HIS MOTHER
GOT HOME IN THE
EARLY EVENING,
SHE FOUND HIM
DEAD IN THE
BASEMENT.
SO, THE OFFENDER
CAME TO THE HOUSE
AFTER THE BOY
ARRIVED HOME.
OR PICKED
HIM UP ON
THE WAY THERE.
COAXES RILEY INTO
THE BASEMENT, WHERE HE
SEXUALLY ASSAULTS HIM.
BOY'S MOUTH
WAS TAPED SHUT.
SYMBOLIC.
THE UNSUB FEARS
RILEY WILL TALK,
PANICS, WEIGHS
HIS OPTIONS...
DECIDES TO MAKE CERTAIN
THAT HE'LL NEVER TALK.
HE FINDS A KNIFE
IN THE FISHING GEAR
UNDER THE STAIRS,
STABS RILEY
9 TIMES IN THE CHEST,
STUFFS HIM BEHIND
THE WASHING MACHINE.
SO, THE UNSUB'S
A WHITE MALE
IN HIS LATE 20s
TO EARLY 30s.
MEANS WE'RE LOOKING
FOR A MAN IN HIS 50s.
LIKELY KNEW THE BOY.
MAYBE BEEN TO HIS HOUSE.
NEIGHBOR.
REID?
WHAT IS IT?
MY FAMILY LIVED LESS
THAN A HALF-MILE
FROM THE JENKINS'.
DO YOU THINK YOUR DAD
KNEW THE BOY?
I DON'T KNOW.
MY MEMORY'S
LACK OF RECALL
JUST REINFORCES
HOW LITTLE I
KNEW ABOUT HIM.
REID, WE'RE GONNA
HAVE TO TRACK HIM DOWN.
YOU DO KNOW THAT?
WE SHOULD TALK
TO MY MOTHER FIRST,
NEIGHBORS.
GET THEIR
IMPRESSIONS.
REID, I DON'T NEED
TO TELL YOU
THAT THIS SIGNATURE
WAS NEED-BASED
AND SEXUAL IN NATURE.
THE MAN WE'RE LOOKING FOR
IS A PEDOPHILE.
SO, I'LL ASK YOU AGAIN.
ARE YOU SURE YOU WANT
TO GO DOWN THIS ROAD?
MOM...
C-CAN I ASK YOU
SOME QUESTIONS
ABOUT DAD?
I'M HAVING, UH--
HAVING TROUBLE
REMEMBERING.
WHAT DO YOU WANT TO KNOW?
DID HE LIKE TO BE
AROUND CHILDREN?
CHILDREN?
WELL, YES.
IF IT WERE UP TO HIM,
YOU'D HAVE A HOUSE FULL
OF BROTHERS AND SISTERS.
SO, YOU DIDN'T
WANT MORE KIDS?
WHY MESS
WITH PERFECTION?
UM,
WHAT ABOUT
OTHER PEOPLE'S
CHILDREN?
HOW--HOW WAS HE
AROUND THEM?
HE WAS GOOD
WITH KIDS, I GUESS.
HE COACHED YOUR
LITTLE LEAGUE TEAM.
Man: GOOD HIT.
YEAH! HEY,
GOOD HIT, RILEY.
SPENCER,
YOU'RE NEXT.
HE WAS ALWAYS TRYING TO PUT YOU
INTO NORMAL ACTIVITIES.
I TRIED TO TELL HIM
YOU'RE NOT NORMAL.
YOU WERE EXCEPTIONAL.
LET ME ASK YOU
THIS, MOM.
DID YOU EVER
GET THE FEELING,
LIKE, ON HIS PART,
THE MARRIAGE WAS...
JUST FOR SHOW?
THESE QUESTIONS ARE
VERY STRANGE, SPENCER.
WHAT IS THIS ABOUT?
IT'S ABOUT
RILEY JENKINS.
RILEY JENKINS?
I TOLD YOU HE WAS
SOMEONE YOU MADE UP.
NO, HE'S NOT
SOMEONE I MADE UP.
HE WAS A REAL BOY
WHO LIVED IN OUR
NEIGHBORHOOD,
AND SOMEBODY
KILLED HIM.
AND, I DON'T KNOW,
I THINK--
I THINK THAT DAD
MIGHT HAVE
HAD SOMETHING
TO DO WITH IT.
HE WAS REAL?
YES. AND...
HE WAS ON THAT
LITTLE LEAGUE
TEAM, TOO.
SO MANY CASES.
HOW DO YOU DETERMINE
WHICH ONES GET PRIORITY?
AH, BASICALLY
MURDER TRIAGE.
I LOOK FOR CASES
WHERE THE THREAT
OF LOSING
ANOTHER LIFE IS
MOST IMMINENT.
WITHOUT THE OTHER
AGENTS GIVING YOU
A WORKING PROFILE?
WELL,
THAT COMES LATER.
THIS JOB DOES
REQUIRE A LITTLE BIT
OF PROFILING.
JUST DON'T TELL
THEM THAT.
HERE.
LET ME SHOW YOU.
OK, FAMILY IN
ATLANTA, MOTHER,
TWIN DAUGHTERS,
STABBED IN THEIR
SLEEP, AND, UH...
YEAH, SIOUX CITY,
IOWA.
2 MEN WITH NO
APPARENT CONNECTION
BOTH FOUND DROWNED
IN THEIR BATHTUB
EXACTLY
ONE MONTH APART.
WHERE WOULD YOU GO?
I'D HAVE TO
TAKE A CLOSER LOOK.
WHAT DOES YOUR GUT
TELL YOU?
SIOUX CITY LOOKS
LIKE A SERIAL.
ANOTHER VICTIM
COULD DIE WITHIN A MONTH.
WHAT ABOUT ATLANTA?
THAT'S
A FAMILY ANNIHILATOR.
FATHER SNAPS,
TAKES OUT THE FLOCK,
PUTS ANY RELATIVE IN THE AREA
IN IMMEDIATE DANGER.
I'D TAKE THE TEAM
THERE FIRST.
GOOD. NOW,
DO THAT WITH THAT
WHOLE ENTIRE STACK
RIGHT THERE.
OH.
YOU OK?
OH, YEAH.
I'M FINE.
IT'S JUST A THEORY,
MR. JENKINS.
YOU MUST BE
OUT OF YOUR
DAMN MINDS.
WE'RE TRYING TO
GET SOME NEW FACTS.
WELL, YOU'RE
HELL AND GONE
FROM FACTS
IF YOU
THINK WILL REID
KILLED MY SON.
SO, YOU WERE FRIENDS?
WHO THE HELL ARE
YOU TO COME HERE
ASKING THIS?
I'M HIS SON.
SPENCER?
SPENCER,
A G-MAN?
HOW 'BOUT THAT?
I DON'T
UNDERSTAND.
WAS WILLIAM AROUND
YOUR HOUSE OFTEN?
THE OCCASIONAL
BARBECUE,
THAT SORT
OF THING.
WAS RILEY AROUND
ON THESE OCCASIONS?
WHY ARE YOU
DOING THIS?
I NEED TO KNOW.
TAKE IT FROM SOMEONE
WHO DOES KNOW,
HE WAS A GOOD MAN.
THANKS FOR YOUR TIME.
WHERE IS HE,
THESE DAYS?
MY DAD?
IT'S BEEN YEARS,
BUT HE'S PROBABLY
STILL AT THAT SAME
FIRM IN SUMMERLIN.
HE'S BEEN IN TOWN
THIS WHOLE TIME?
FAR AS I KNOW.
YOU KNOW SUMMERLIN?
YEAH.
IT'S, LIKE, 9 MILES
EAST OF HERE,
OFF THE 95.
HE WAS 10 MINUTES
AWAY AND NEVER LET
ME KNOW.
CAN I HELP YOU, GENTLEMEN?
YEAH.
WE'D LIKE
TO SPEAK WITH
WILLIAM REID.
IS HE EXPECTING YOU?
I DON'T THINK SO.
HE'S IN A MEETING RIGHT NOW.
WHY DON'T YOU
HAVE A SEAT, AND I'LL
TELL HIM YOU'RE HERE.
YOU OK?
YEAH.
NO--YEAH--I'M GONNA
GO TO THE BATHROOM.
I'VE NEVER SEEN HIM
LIKE THIS BEFORE.
17 YEARS IS
A LONG TIME TO GO
BETWEEN VISITS.
NOT LONG ENOUGH.
THE KID'S STILL ANGRY.
YEAH, I'M STARTING
TO GET THAT.
I'LL BE RIGHT BACK.
HERE YOU GO.
YOU FROM THE FBI?
YES, SIR.
MR. REID,
I'M AGENT ROSSI.
THIS IS
AGENT MORGAN.
THIS WOULDN'T BE ABOUT
THE, UH, CITY COUNCIL
INVESTIGATION, WOULD IT?
NO, THIS IS,
UH, MORE OF
A PERSONAL MATTER.
IT CONCERNS YOUR SON.
MY SON? DID--
DID SOMETHING HAPPEN?
Spencer:
THAT'S WHAT WE'RE
TRYING TO FIND OUT.
HELLO, DAD.
YOU DON'T LOOK
LIKE ME ANYMORE.
YOU USED TO.
EVERYBODY SAID SO.
THEY SAY SOME PEOPLE
LOOK LIKE THEIR DOGS, TOO.
IT'S ATTRIBUTED TO PROLONGED
MUTUAL EXPOSURE.
ELDERLY COUPLES, ALSO.
THEY UNCONSCIOUSLY MIMIC
THE EXPRESSIONS OF PEOPLE
THEY'VE BEEN AROUND
THEIR WHOLE LIFE.
SO, IT KIND OF--
KIND OF MAKES SENSE
THAT I WOULDN'T REALLY
LOOK LIKE YOU.
I HAVEN'T SEEN YOU
IN 20 YEARS.
SO, ARE YOU
IN TOWN ON WORK?
WE'RE JUST
WRAPPING UP A CASE.
A 5-YEAR-OLD BOY WAS
ABDUCTED AND MURDERED.
I READ
ABOUT THAT.
UH, ETHAN HAYES,
RIGHT?
THAT'S TERRIBLE.
THAT CASE GOT ME THINKING
ABOUT RILEY JENKINS.
YOU REMEMBER
RILEY JENKINS?
OF COURSE.
I'VE BEEN HAVING
DREAMS ABOUT HIM
FOR A REALLY
LONG TIME.
BUT WHEN WE CAME
BACK HERE FOR THIS CASE,
IT JOGGED SOMETHING
AND THE DREAM CHANGED.
I SAW HIS KILLER,
AND HE WAS YOU.
INTERESTING DREAM.
YOU DON'T SEEM
ALL THAT SURPRISED.
I STOPPED BEING SURPRISED
BY SPENCER'S MIND
A LONG TIME AGO.
THERE ARE CERTAIN
CRITERIA WE CONSIDER
WHEN LOOKING
AT THIS TYPE OF SUSPECT.
YOU FIT PARTS
OF THAT PROFILE.
ME?
WE JUST WANT
YOUR COOPERATION.
MY COOPERAT...
YOU'RE NOT ACTUALLY
SAYING YOU THINK
I KILLED RILEY JENKINS?
WE DIDN'T SAY THAT.
GOOD, 'CAUSE THAT'S ABSURD.
WE'D JUST LIKE
PERMISSION TO LOOK
THROUGH YOUR COMPUTER,
ACCESS YOUR RECORDS.
AND WHAT WOULD YOU BE
LOOKING FOR, EXACTLY?
YOU WANT ACCESS
TO MY FILES?
GET A WARRANT.
WE CAN'T GET A WARRANT,
SO WE HAVE TO GO
UNDER THE RADAR
ON THIS ONE, GARCIA.
YOU WANT ME TO HACK
YOUR FATHER'S NETWORK?
YOU'RE SURE ABOUT THIS?
I REALLY WISH PEOPLE
WOULD STOP ASKING ME THAT.
HEY, YOU'RE PRETTY GOOD.
WAS THE ENVELOPE DROPPED OFF
AT THE FRONT DESK FIRST?
NOPE, IT WENT
STRAIGHT TO MY ROOM.
SO, THEY KNEW
WHAT ROOM YOU WERE IN.
I DO HAVE TO ADMIT,
THE TIMING OF THIS IS
A LITTLE SUSPICIOUS.
YEAH. AN HOUR AFTER
I SEE MY FATHER,
WE'RE HANDED
ANOTHER SUSPECT.
YOU THINK
YOU KNEW THIS GUY?
I DON'T KNOW.
I--I THINK SO,
BUT I'M NOT SURE.
I--I--
NO, I DON'T KNOW.
EXPOSED HIMSELF
TO A MINOR.
THAT'S A PRECURSOR
TO MOLESTATION.
AND MURDER. WE SHOULD TAKE
A CLOSER LOOK AT THIS GUY.
[CELLPHONE RINGS]
IT'S GARCIA.
YEAH, TALK TO ME,
BABY GIRL.
I'M NOT INTERRUPTING
BOY TIME AT CRAZY
HORSE 2, AM I?
YOU KNOW THAT'S
NOT MY THING.
I'M MORE FOR IN-ROOM
ENTERTAINMENT.
I CAN'T
HELP YOU THERE,
BUT I DO GIVE
GOOD PHONE.
LET ME HEAR WHAT YOU GOT.
REID, WE'VE BEEN ALL UP
IN YOUR FATHER'S BUSINESS.
WHAT'D YOU FIND?
WELL, LET ME TELL YOU FIRST
WHAT I DID NOT FIND--
NO KIDDIE PORN,
NO MEMBERSHIP
TO ILLICIT WEBSITES,
NO DUBIOUS E-MAILS,
NO CHAT ROOM HISTORY.
WHAT ABOUT HIS FINANCES?
WE WENT BACK 10 YEARS.
NO QUESTIONABLE TRANSACTIONS
THAT WE COULD FIND.
WELL, HE DID BUY A
TICKET TO SEE CELINE
DION 6 MONTHS AGO.
BUT I THINK WE CAN
OVERLOOK THAT.
HE'S SMART. IS IT
POSSIBLE HE KEPT THINGS
UNDER THE TABLE?
WELL, OF COURSE.
BUT FROM WHAT WE CAN TELL, REID,
HE DOESN'T FIT THE PROFILE.
WE CAN TELL YOU
OTHER THINGS ABOUT HIM,
IF YOU WANT TO KNOW.
I'M LISTENING.
UH, HE'S A WORKAHOLIC,
HE ACTUALLY
LOGS MORE HOURS
THAN WE DO.
HE MAKES DECENT MONEY,
BUT HE DOESN'T SPEND
A LOT OF IT.
HE HAS A MODEST HOUSE.
HE DRIVES A HYBRID.
HE DOESN'T TRAVEL MUCH.
HE STAYS AWAY
FROM THE CASINOS.
UM, AND ACCORDING TO
HIS VETERINARY BILLS,
HE HAS A VERY SICK CAT.
HE APPEARS TO SPEND MOST
OF HIS FREE TIME ALONE,
HE GOES TO THE MOVIES
A LOT, AND HE READS.
AND FROM HIS COLLECTION
OF FIRST EDITIONS,
IT SEEMS HIS
FAVORITE AUTHOR IS--
ISAAC ASIMOV.
I REMEMBER THAT ONE.
HE DOES HAVE ONE
OTHER MAJOR INTEREST.
ON HIS HOME COMPUTER,
HE'S ARCHIVED,
LIKE, A KA-JILLION THINGS
ON ONE COMMON SUBJECT.
WHAT?
YOU, KIDDO.
HE'S GOT, LIKE,
EVERYTHING THAT'S
BEEN PUBLISHED ONLINE.
EVERY ARTICLE
YOU'VE BEEN QUOTED IN,
PIECES YOU'VE WRITTEN FOR
BEHAVIORAL SCIENCE JOURNALS,
HE EVEN HAS A COPY
OF YOUR DISSERTATION.
HE'S KEEPING
TABS ON YOU.
THAT'S SAYING
SOMETHING.
YEAH, AND HE GOOGLED ME.
THAT MAKES UP
FOR EVERYTHING.
I'M GOING
TO GET SOME AIR.
YOU GUYS
STILL THERE?
I THOUGHT WE WERE
GIVING HIM GOOD NEWS.
WHAT ELSE CAN WE DO?
YEAH, LOOK UP
A NAME FOR US,
IF YOU WOULD.
UH, GARY BRENDAN
MICHAELS.
DO YOU LIKE
THIS GARY GUY
FOR THE RILEY MURDER?
SOMEBODY DOES.
[BEEPING]
WOW, LOOKS LIKE YOU
GOT A LOOSE ONE.
NO SUCH THING.
THESE MACHINES RUN
ON RANDOM NUMBER GENERATORS.
NO BRAINS, NO BIAS.
BEST ODDS
IN THE HOUSE, THOUGH.
REALLY?
I THOUGHT THAT CRAPS
HAD THE BEST ODDS.
NORMALLY, VIDEO POKER
ODDS ARE SLIGHTLY WORSE
AT .7 PERCENT
IN YOUR FAVOR,
BUT IF YOU EMPLOY
OPTIMAL STRATEGY
AND ALWAYS DRAW
FOR THE ROYAL FLUSH,
YOU CAN PUSH THOSE
ODDS TO 2%.
HMM.
SMART AND HANDSOME.
SO, ARE YOU IN TOWN
FOR THE CONVENTION?
UM, THERE ARE
12 CONVENTIONS
IN TOWN THIS WEEK.
WHICH ONE ARE
YOU TALKING ABOUT?
TAKE YOUR PICK.
6 MINUTES.
EXCUSE ME?
UH, IT WAS SOMETHING
I USED TO SAY TO MY MOM
TO TRY TO GET HER
TO QUIT SMOKING.
A CIGARETTE TAKES
6 MINUTES OFF YOUR LIFE.
SO EVERY TIME SHE'D
LIGHT ONE, I'D SAY,
"IT'S 6 MINUTES LESS
THAT I GET TO SPEND WITH YOU."
AW.
DID IT WORK?
NO.
BECAUSE I'VE TRIED
IT ALL--THE GUM,
THE PATCH.
NOTHING WORKS.
YOU SHOULD TRY HYPNOSIS.
THEY'VE HAD--
HAD A LOT OF SUCCESS IN...
TELL YOU WHAT.
I'LL PUT MINE OUT IF
YOU BUY ME A DRINK.
UH, NOT TODAY,
SWEETHEART.
WE'VE BEEN LOOKING
ALL OVER THE PLACE
FOR YOU. COME ON.
HEY, YOU WON, LIKE,
$2,000 HERE.
KEEP IT.
YOU DO REALIZE YOU
JUST GAVE 2 GRAND
TO A HOOKER?
MUST HAVE BEEN QUITE
A CONVERSATION.
WHAT WAS IT ABOUT?
HOW TO STOP SMOKING.
THANK YOU
FOR SEEING US ON, UH,
SUCH SHORT NOTICE.
WELL, I'M ALWAYS HAPPY
TO ASSIST THE FBI.
IS THERE A WITNESS
YOU WANT ME TO LOOK AT?
UH, YEAH. ME.
I'M TRYING
TO RECOVER MEMORIES
FROM MY CHILDHOOD.
THERE--
THERE WAS A MURDER.
HOW LONG AGO
ARE WE TALKING ABOUT?
I WAS 4.
MEMORIES FROM THAT AGE
CAN BE DIFFICULT TO INTERPRET.
I'M AWARE
OF THE LIMITATIONS
OF HYPNOTHERAPY.
WELL, THEN YOU'RE AWARE
OF SUGGESTION ISSUES.
IF YOU'VE LOOKED
INTO THIS CASE,
YOU MAY HAVE A BIAS.
ARE YOU SAYING WHAT HE
REMEMBERS UNDER HYPNOSIS
MAY NOT BE REAL?
IT'S A POSSIBILITY.
EITHER WAY,
IT'S A TOUGH SELL IN COURT.
WE WON'T BE
USING THIS FOR
EVIDENTIARY PURPOSES.
IT'S--IT'S REALLY
JUST FOR ME.
THE SUPPRESSED MEMORIES
ARE ABOUT MY FATHER.
I'D LIKE TO MONITOR
THIS SESSION,
MAKE SURE YOU GET HIM
TO THE RIGHT PLACE.
YOU WANT TO SIT IN?
I DON'T NORMALLY ALLOW THAT.
IN CASE YOU HAVEN'T
REALIZED, NOTHING
ABOUT THIS IS NORMAL.
I WANT YOU TO HOLD MY WRIST
IN YOUR LEFT HAND,
AND IF YOU SHOULD
FEEL ANY FEAR,
I WANT YOU TO SQUEEZE,
DO YOU UNDERSTAND?
YES.
GO BACK TO THE NIGHT YOU WERE
JUST TELLING ME ABOUT.
YOU'RE AT HOME,
IN YOUR ROOM.
YOU CAN'T SLEEP
BECAUSE YOUR PARENTS
ARE ARGUING.
Diana:
I DON'T KNOW WHAT TO DO.
I HAD TO DO SOMETHING, BUT
I DIDN'T KNOW WHAT TO DO.
William:
I'M NOT GOING TO
DISCUSS IT ANYMORE.
HE'S COMING IN.
WHO?
I KNOW YOU'RE AWAKE,
SPENCER.
IT'S DAD.
WHAT ABOUT HIM,
SPENCER?
WHAT IS HE DOING?
DADDY LOVES YOU.
YOU KNOW THAT?
I DON'T WANT
TO BE HERE.
OK.
IT'S OK, SPENCER.
TAKE US TO WHERE
THE LIGHT IS,
TO THE NEXT MORNING.
THE SUN IS COMING UP.
WHERE ARE YOU, SPENCER?
MOM?
MY MOM,
SHE'S
AT THE WINDOW.
SHE'S THINKING.
SHE'S BEEN
CRYING.
SHE SAW HIM.
WHO?
YOUR FATHER?
DO YOU TALK TO HER?
NO. I WANT--
NO. I WANNA--
I WANNA SEE.
WHAT IS IT, SPENCER?
WHAT ARE YOU SEEING?
THAT'S ENOUGH.
I NEED YOU TO LEAVE
THIS LOCATION NOW, SPENCER.
DAMN IT.
WAKE HIM UP.
I'M GOING TO
COUNT BACKWARD FROM 5.
5, 4, 3, 2, 1,
AND WAKE.
REID.
IT'S OK.
IT'S OK.
IT'S OK.
IT'S OK, REID.
IT'S OK.
WHAT HAPPENED?
WHAT DID YOU SEE?
TRY TO REMEMBER,
MOM.
NO, I CAN'T.
YOU WERE THERE.
YOU WATCHED DAD BURN
THE BLOODY CLOTHES.
YOU HAD A DREAM.
MOM, THIS WAS
NOT A DREAM.
THIS WAS A MEMORY.
IT WAS A MEMORY,
AND I SAW YOU.
YOUR MIND,
OH, SUCH A TREASURE.
EVEN AS A BABY,
YOU KNEW ABOUT THINGS
YOU WEREN'T
SUPPOSED TO KNOW.
THIS IS
NOT ABOUT ME.
THIS IS ABOUT
RILEY JENKINS.
IT WAS ALWAYS ABOUT YOU.
PLEASE, MOM.
PLEASE. PLEASE,
JUST TRY TO REMEMBER.
REMEMBER RILEY. RILEY.
RILEY?
RILEY...
RILEY WAS REAL.
OH, POOR RILEY.
YES, POOR RILEY.
POOR RILEY.
DID DAD
DO SOMETHING TO HIM?
DAD? NO.
THINK. THINK. THINK.
NO, NO.
THAT'S--NO, NO.
NOW YOU'RE
CONFUSING ME, SPENCER.
YOU KNEW. MOM, YOU KNEW
ABOUT DAD, AND YOU
DIDN'T DO ANYTHING.
NO! YOU DON'T KNOW.
NO! NO!
YOU DON'T KNOW!
YOU DON'T--
NO! NO! NO!
MOM. MOM.
[YELLING]
NO! NO! NO!
I'M JUST GOING TO GIVE YOU
SOMETHING TO RELAX.
Diana: NO.
IT COULD HAVE BEEN YOU.
WHAT?
WHAT DID YOU SAY?
IT COULD HAVE BEEN YOU.
SHE'S NOT STABLE, REID.
YOU CAN'T PUT STOCK
IN WHAT SHE SAYS.
I DON'T NEED TO TELL YOU THAT.
AND I DON'T
NEED TO TELL YOU
THIS IS TEXTBOOK.
FATHER REROUTES
COMPULSION TO MOLEST
AWAY FROM HIS OWN
SON TO A SURROGATE.
THE WOMAN THOUGHT
RILEY JENKINS WAS
AN IMAGINARY FRIEND UNTIL
YOU TOLD HER OTHERWISE.
HER MIND'S WAY OF
SUPPRESSING MEMORIES SHE
DOESN'T WANT TO FACE.
YOU'RE LOSING
OBJECTIVITY HERE, KID.
LOOK, I'M NOT TRYING
TO SAY I KNOW
WHAT HAPPENED
O-OR HOW MY DAD'S
INVOLVED, MORGAN.
BUT MY DAD'S
INVOLVED.
WHAT'S HE
DOING HERE?
YOU GOT NO EVIDENCE.
A SUSPECT CAN BE
DETAINED FOR QUESTIONING
FOR 48 HOURS,
REGARDLESS OF EVIDENCE.
I'M NOT IN THE HABIT
OF RUINING PEOPLE'S
REPUTATIONS ON A WHIM.
WHERE'S YOUR CAPTAIN?
I WANT TO TALK
TO YOUR CAPTAIN.
TALK ALL YOU WANT.
THIS IS A LOCAL MURDER,
AND YOUR AUTHORITY
ENDS AT THE STATE LINE.
LOOK...
WHY DON'T YOU JUST HEAD
BACK OVER TO THE FOUNTAIN VIEW
AND HAVE A COUPLE
OF DRINKS BY THE POOL
AND THINK ABOUT THIS.
I HAVE THOUGHT
ABOUT THIS.
GUY'S YOUR FATHER.
WHAT'S YOUR POINT,
DETECTIVE?
MAYBE YOU'RE HERE TO WORK OUT
SOME OTHER ISSUES?
OK, LISTEN, DETECTIVE.
LOOK, WE WOULD CONSIDER IT
A PERSONAL FAVOR
IF YOU HELPED US OUT
WITH THIS.
WE JUST WANT HIM
ON HIS HEELS.
YOU HAVE 24 HOURS.
I APPRECIATE THAT.
REID.
YOU GOTTA KEEP
YOUR HEAD, MAN.
HE COULD'VE JUST AGREED TO IT.
IT HAPPENS ALL THE TIME.
YOU KNOW HOW
THESE GUYS ARE.
THEY JUST WANT
TO FEEL LIKE THEY'RE
THE ONES IN CONTROL.
[CELLPHONE RINGS]
TALK TO ME, GARCIA.
SO, THIS GARY MICHAELS
YOU ASKED ME TO TRACK DOWN
SEEMS TO HAVE PEELED HIMSELF
RIGHT OFF THE GRID.
WHAT'D HE DO?
SKIP TOWN?
FEELS IT. MAYBE EVEN
TOOK A NEW NAME, TOO.
'CAUSE EVERYTHING
IN HIS NAME LAPSED
FROM NON-USE
IN THE YEAR AFTER
THE RILEY JENKINS MURDER.
MAYBE HE DIDN'T WANT
TO STICK AROUND FOR
THE INVESTIGATION.
IN ADDITION TO
THE INDECENT EXPOSURE RAP,
HE ALSO HAD SOME
SEALED JUVENILE STUFF.
LEWD BEHAVIOR, TRESPASSING.
TRESPASSING?
AT A NURSERY SCHOOL.
HARD TO BELIEVE
THE COPS NEVER PEGGED
THIS GUY AS A SUSPECT.
ANY OTHER AVENUES
TO FIND HIM?
YOU BETCHA.
THEY SWABBED HIM IN '85
FOR THE EXPOSURE BEEF,
SO I'M SENDING UP BALLOONS
THROUGH VICAP AND CODIS.
IF HE'S OFFENDED AGAIN
OVER THE PAST 20 YEARS
UNDER
A DIFFERENT NAME...
WHICH, CONSIDERING HIS TYPE,
HE PROBABLY HAS...
HE WILL POP UP SOMEWHERE.
ALL RIGHT.
KEEP ME IN THE LOOP.
LATER.
WHAT'S WITH THE WINCING?
YOU OK?
I'M FINE.
ARE YOU SURE?
I--I NOTICED THIS EARLIER.
EARLIER? HOW OFTEN?
UM, IN THE LAST HOUR,
I'D SAY EVERY 10 MINUTES.
J.J. WHY DIDN'T
YOU TELL ANYONE?
BECAUSE I AM NOT DUE
FOR ANOTHER 3 WEEKS.
NEWSFLASH!
YOU'RE IN LABOR.
NO, NO, NO, NO. NO.
'CAUSE REID NEEDS US RIGHT NOW.
UH-UH. YOU NEED YOU
RIGHT NOW.
COME ON. GET UP.
LADIES AND GENTLEMEN,
I'M NOT A DOCTOR.
I DON'T EVEN PLAY ONE ON
TV, BUT I BELIEVE YOUNG
J.J.'s GOING INTO LABOR.
ARE YOU OK?
I'LL GET THE CAR.
I NEED TO CALL WILL.
FROM THE CAR, HONEY.
BREATHE AND WALK.
BREATHE AND WALK.
AGENT TODD,
I HOPE YOU'RE READY,
BECAUSE YOUR JOB
STARTS RIGHT NOW.
[TELEPHONES RINGING]
YOU STILL THINK
HE DID IT, DON'T YOU?
WHY SHOULDN'T I?
WELL, FOR ONE THING,
GARY MICHAELS FITS THE PROFILE.
FOR ANOTHER, HE FLED TOWN
AFTER RILEY'S MURDER.
HE'S A BETTER SUSPECT
THAN YOUR DAD, REID.
HE'S A CONVENIENT ONE.
SOMEONE SLIPPED THE FILE
UNDER MY DOOR, MORGAN.
WHAT AM I SUPPOSED
TO THINK?
MAYBE THEY'RE
TRYING TO HELP.
MAYBE THEY'RE TRYING
TO PROTECT HIM.
YOU'RE TALKING ABOUT
SOMEONE HELPING
TO COVER UP THE
MURDER OF A CHILD.
WHO WOULD DO THAT?
DO YOU REMEMBER
HOW RESISTANT
DETECTIVE HYDE WAS
WHEN I ASKED HIM
TO BRING IN MY FATHER?
SO, WHAT? YOU'RE
ACCUSING A COP NOW?
IT WAS A POLICE FILE.
IT WAS A VERY OLD
POLICE FILE.
ANYBODY COULD
HAVE ACCESSED IT.
HE TOLD ME TO GO BACK
TO THE FOUNTAIN VIEW,
HAVE A DRINK
BY THE POOL, AND
THINK ABOUT THINGS.
YOU CAN'T POSSIBLY
STILL BE MAD ABOUT THAT.
I'M NOT MAD.
I'M CONFUSED.
I NEVER TOLD HIM
WE WERE STAYING
AT THE FOUNTAIN VIEW.
[BEEPING]
IT'S A SIMPLE
QUESTION.
HOW DID THE BLOOD
GET ON THE CLOTHES?
I TOLD YOU, I'M NOT GOING
TO TALK WITHOUT COUNSEL.
IF YOU DON'T HAVE
ANYTHING TO HIDE,
YOU DON'T NEED A LAWYER.
SPENCER, PLEASE.
I'M NOT STUPID.
I'M PROUD OF YOU.
YOU KNOW THAT?
I'M NOT STUPID
EITHER.
NO. YOU'VE--YOU'VE
DONE A LOT OF GOOD.
I MEAN, OTHER PEOPLE
WITH YOUR TALENTS,
THEY MIGHT HAVE SOUGHT
DIFFERENT OPPORTUNITIES,
THE PRIVATE SECTOR.
MY GOD, YOU COULD HAVE
MADE A FORTUNE.
BUT YOU CHOSE
TO HELP PEOPLE.
I CHOSE TO STUDY
MURDERERS.
WHY DO YOU THINK
THAT IS?
I DIDN'T DO THIS, SPENCER.
WHY CAN'T YOU BELIEVE ME?
LIKE YOU SAID, I DO
HAVE SPECIAL TALENTS.
ONE OF THEM
IS BEING ABLE TO TELL
WHEN SOMEBODY'S
HIDING SOMETHING.
YOU'RE ANGRY THAT I LEFT.
AND YOU'RE RIGHT TO BE.
YOU WANT TO
MAKE IT UP TO ME?
TELL ME THE TRUTH.
I DIDN'T KILL THAT BOY.
BUT I KNOW WHO DID.
GARY MICHAELS?
HOW'D YOU KNOW THAT?
THAT WAS THE WHOLE
IDEA, WASN'T IT?
SO, WHERE IS GARY
MICHAELS NOW, DAD?
SPENCER, PLEASE. FORGET IT.
YOU DON'T WANT
TO GO DOWN THIS ROAD.
EVERYTHING'S FINE.
WE'RE CHECKING HER IN NOW.
AND I GOT A THING
BACK FROM CALIFORNIA
ON YOUR CODIS QUERY.
THEY FIND
GARY MICHAELS?
UH, SOME OF HIM.
HE'S DEAD?
THEY DUG HIM UP 7 YEARS AGO
WHEN SOME NEW CONSTRUCTION
BROKE GROUND IN THE DESERT.
WHOEVER KILLED HIM WAS
SMART ENOUGH TO BURY HIM
ACROSS STATE LINES.
VEGAS P.D. NEVER MADE
THE CONNECT.
HOW WAS HE KILLED?
JUDGING FROM THE FRACTURES,
THEY THINK HE WAS BEATEN
WITH SOMETHING, PIPE, MAYBE.
OR A BAT.
BAT?
MAYBE IT WASN'T
RILEY'S BLOOD
ON THOSE CLOTHES
YOUR DAD WAS BURNING.
BEEN RUMORS A BODY'S BURIED
UP AT THE BARKER RANCH
FOR YEARS.
ON ACCOUNT OF THAT'S
WHERE CHUCK MANSON
HAD HIS HIDEOUT.
WHEN WE DUG THIS ONE UP,
WE WENT AHEAD AND
HAD HIM TYPED,
THOUGHT MAYBE IT
COULD BE RELATED.
IT'S A GOOD
THING YOU DID.
MIGHT NEVER
HAVE I.D.ed HIM
OTHERWISE.
SO, WHY ALL THE FUSS
OVER A DEAD PERVERT?
WE THINK HE MAY
HAVE KILLED A BOY
IN VEGAS
OVER 20 YEARS AGO.
IS THAT HOW HE ENDED UP
IN THE GROUND? REVENGE?
POSSIBLY.
IT SAYS HERE YOU HAVE
A FINGERPRINT IN EVIDENCE,
LIFTED FROM THE VICTIM'S
BROKEN GLASSES.
WE RAN IT UP
THE FLAGPOLE
A COUPLE OF TIMES.
NOTHING EVER CAME UP.
THAT WAS THEN.
NOW WE HAVE SOMEONE
TO COMPARE IT TO.
HMM. SUSPECT?
WELL, WE'RE GONNA WANT TO
RUN IT THROUGH AFIS, TOO.
THAT'S A LOT
OF TAXPAYER DOLLARS
BEING SPENT TO SOLVE
A PUBLIC SERVICE MURDER.
IF YOU ASK ME,
THE GUY GOT JUST
WHAT HE DESERVED.
HE'S RIGHT, YOU KNOW.
WE DON'T HAVE TO RUN
THIS PRINT.
OF COURSE WE DO.
WHATEVER MICHAELS DID,
HE DESERVED A FAIR TRIAL.
REID, YOU WANTED TO
KNOW IF YOUR FATHER
KILLED RILEY.
ALL SIGNS
POINT TO "NO."
YOU GOT
WHAT YOU NEED.
WHAT I NEED
IS THE TRUTH.
IF THIS PRINT
BELONGS TO YOUR DAD,
HE COULD GO AWAY
FOR A LONG TIME.
YOU'RE JUST
DETERMINED
TO NAIL HIM,
AREN'T YOU?
DOESN'T EVEN MATTER
WHAT FOR.
IF YOU DON'T WANT
TO RUN IT, I WILL.
I'M TOLD YOU'RE
REFUSING MEDICATION.
I'M JUST HOLDING OFF
FOR A LITTLE WHILE,
IF YOU DON'T MIND.
YOU KNOW WHAT WILL HAPPEN.
TREMORS, PANIC,
THEN THE VOICES.
BUT BEFORE THAT,
WHEN THE FOG LIFTS,
A WINDOW OF CLARITY.
I REALLY NEED THAT
RIGHT NOW.
I CAN GIVE YOU
SOME LATITUDE HERE.
JUST TELL ME WHY.
I WANT TO REMEMBER.
[CELLPHONE RINGS]
[RING]
[RING]
YEAH, AGENT MORGAN.
YOU DID?
YOU'RE 100% CERTAIN?
OK. THANK YOU.
WE'RE GOING TO HAVE TO
GET AN ARREST WARRANT.
IT WAS A MATCH?
YEAH.
BUT IT WASN'T
YOUR DAD.
WE GOT COMPANY.
WHAT'S HE DOING HERE?
WE NOTIFIED YOUR CAPTAIN
ABOUT THIS, DETECTIVE.
IT'S ALL LEGIT.
I'M NOT TRYING
TO STOP YOU.
I JUST WANT TO BE
THE ONE TO BRING HIM IN.
IT'LL GO EASIER.
HE'S MY FRIEND.
YEAH, WE FIGURED
THAT MUCH.
YOU, LOU, MY FATHER.
YOU SLIPPED US
THE MICHAELS FILE,
DIDN'T YOU?
YOU WERE AFTER
THE WRONG GUY.
BUT YOU KNEW
WHO THE RIGHT GUY
WAS ALL ALONG?
AND WHAT LOU
DID TO HIM.
THERE WASN'T ANY EVIDENCE.
DID YOU EVEN LOOK?
YOU WANT TO LINK HIM
UP, GO AHEAD.
BUT HE
RIDES IN WITH US.
APPRECIATE THAT.
WHO ELSE WAS WITH YOU?
NO ONE.
YOU'RE SAYING YOU
KILLED GARY MICHAELS
BY YOURSELF, ALL ALONE.
THAT'S RIGHT.
AND WILLIAM REID
WASN'T A PARTY TO THIS?
NO.
YOU'RE LYING.
I'M NOT LYING.
HE WAS BURNING
BLOODY CLOTHES.
I SAW HIM.
WHAT MAKES YOU THINK
GARY MICHAELS KILLED YOUR BOY?
HE ADMITTED IT.
YOU BEAT A GUY
WITH A BASEBALL BAT,
HE'S GONNA ADMIT
TO A LOT OF THINGS.
HOW DO YOU KNOW
HE WAS THE RIGHT GUY?
I KNOW.
HE APPROACHED
ANOTHER KID
IN THE NEIGHBORHOOD.
HEY, YOU'RE PRETTY GOOD.
AND HOW DO
YOU KNOW THAT?
I WAS TOLD BY
A CONCERNED PARTY.
WHO?
ANOTHER PARENT?
MIND IF I PLAY?
THAT'S ALL
I'M GOING TO SAY
ON THE SUBJECT.
WHO WAS IT?
I TOLD YOU THAT'S
ALL I'M GONNA SAY
ON THE SUB--
WHO WAS IT?
AGENT REID?
DO NOT INTERFERE WITH THIS
INTERROGATION, DETECTIVE.
THIS IS NOT
YOUR CASE ANYMORE.
SPENCER, IT WAS ME.
I'D SEEN HIM AROUND
AT YOUR BALLGAMES,
AT THE PARK.
YOU USED TO
PLAY CHESS THERE,
DO YOU REMEMBER?
YOU PLAYED
WITH HIM ONCE.
WITH GARY MICHAELS?
I DIDN'T KNOW
THAT WAS HIS
NAME BACK THEN,
BUT IT WASN'T
UNUSUAL FOR YOU TO
PLAY WITH ADULTS.
AND YOU'D WIN, TOO.
DID HE DO
SOMETHING TO ME?
OH, NO. GOD, NO.
IT NEVER GOT
TO THAT POINT.
BUT WHEN I SAW
THE WAY HE LOOKED
AT YOU,
I KNEW WHAT HE WAS.
I COULD JUST TELL.
A MOTHER KNOWS.
YES.
SO, YOU TOLD RILEY'S DAD.
2 NIGHTS LATER,
LOU CALLED THE HOUSE.
HE WAS AGITATED.
HE SAID HE NEEDED ME
TO MEET HIM.
IS THAT HIM?
YES.
HIS NAME
IS GARY MICHAELS.
HE HAS A HISTORY.
HISTORY?
HE'S DONE THINGS
TO KIDS.
HOW DO YOU KNOW?
YOU SHOULD GO NOW.
WHAT ARE YOU
GOING TO DO?
GO HOME, DIANA.
I SAT THERE.
I COULDN'T MOVE.
IT WAS LIKE A DREAM.
THAT PARALYSIS
IN THE FACE OF
SOMETHING TERRIBLE.
WHAT HAPPENED AFTER THAT?
[CLEARS THROAT]
IT'S OK, DIANA.
GO ON.
AT SOME POINT, I
FOUND MYSELF WALKING
TOWARDS THE HOUSE.
OH, MY GOD.
LOU, WHAT DID YOU DO?
AND THE REST...
UHH, IT'S ALL DARK
AFTER THAT.
YOU CAME HOME.
SHE COULDN'T TALK AT FIRST.
BUT EVENTUALLY
I CAME TO UNDERSTAND
WHAT HAD HAPPENED.
AND I KNEW THAT NOBODY
COULD EVER KNOW.
SO, YOU NEVER
TOLD ANYONE?
NO. SHE COULD
HAVE BEEN IMPLICATED.
AND I HAD TO PROTECT HER.
YOU WERE BURNING
HER BLOODY CLOTHES.
BUT THE KNOWING,
YOU CAN'T BURN THAT AWAY.
IT CHANGES EVERYTHING.
IS THAT WHY YOU LEFT?
I TRIED TO KEEP US TOGETHER,
SPENCER. I SWEAR TO YOU,
BUT THE WEIGHT OF
THAT KNOWLEDGE WAS--
IT WAS TOO MUCH.
YOU COULD HAVE COME BACK.
COULD HAVE STARTED OVER.
I DIDN'T KNOW HOW TO TAKE
CARE OF YOU ANYMORE.
WHEN I LOST THAT CONFIDENCE,
THERE WAS NO GOING BACK.
WHAT'S DONE IS DONE.
AT LEAST NOW YOU
KNOW THE TRUTH.
I WAS WRONG
ABOUT EVERYTHING. I'M SORRY.
I AM, TOO, SPENCER.
Spencer: "THERE IS
NO REFUGE FROM MEMORY
AND REMORSE IN THIS WORLD.
"THE SPIRITS OF OUR
FOOLISH DEEDS HAUNT US
WITH OR WITHOUT REPENTANCE."
GILBERT PARKER.
WELL, HE LOOKS
JUST LIKE YOU.
LET'S HOPE HE
GROWS OUT OF THAT.
JUST AS LONG
AS HE DOESN'T
INHERIT THE ACCENT.
[KNOCK ON DOOR]
IS THERE ROOM
FOR ONE MORE IN HERE?
SPENCE, HI.
WELCOME BACK.
WOW.
CONGRATULATIONS.
THANK YOU.
HOW IS IT THAT I JUST WENT
THROUGH 15 HOURS OF LABOR
AND YOU LOOK
WORSE THAN I DO?
DON'T BE RIDICULOUS.
YOU LOOK BEAUTIFUL.
WELL, I COULD
SURE USE, UH,
SOME COFFEE.
ANYONE ELSE?
SURE.
MY TREAT.
[BABY CRIES]
YOU OK?
WOW.
YEAH, YEAH. YOU?
YEAH, YEAH, YOU SURE?
'CAUSE THERE'S--THERE'S
SOMETHING I WANTED TO
ASK YOU, BUT IT CAN WAIT.
WHAT IS IT?
WILL AND I WERE
TALKING, AND, UM...
WE WANT YOU TO BE
HENRY'S GODFATHER.
I DON'T
EVEN KNOW--
I DON'T KNOW--
HERE. DO YOU
WANT TO HOLD HIM?
UM...
IT'S OK.
HERE YOU GO.
OK.
WATCH HIS HEAD.
HI.
THERE YOU GO.
HELLO, HENRY.
IF ANYTHING
SHOULD HAPPEN TO US,
IT'S UP TO YOU
AND GARCIA TO MAKE SURE
THIS BOY GETS INTO YALE.
PHEW. YALE. YALE?
YOU WANT TO GO
TO YALE, HENRY?
THAT WAS
YOUR GODFATHER'S
SAFETY SCHOOL.
DON'T WORRY I CAN
GET YOU INTO CALTECH
WITH ONE PHONE CALL.
ON CRIMINAL MINDS...
GET HIM OFF, MORGAN!
GET HIM OFF ME.
REID! REID!
WAKE UP.
WHAT THE HELL
IS SCARING YOU?
THE NAME "RILEY JENKINS"
MEAN ANYTHING TO YOU?
NO.
HE WAS MURDERED
RIGHT HERE IN LAS VEGAS
WHEN HE WAS 6 YEARS OLD.
YOU WOULD HAVE BEEN
ABOUT 4 AT THE TIME.
HE WAS FOUND IN
THE BASEMENT OF HIS OWN
HOUSE, BEHIND THE DRYER.
HE'D BEEN SEXUALLY
ABUSED AND STABBED.
SPENCER, WHAT ARE
YOU DOING HERE?
DID I KNOW A BOY
NAMED RILEY JENKINS?
I'VE BEEN HAVING
DREAMS ABOUT HIS DEATH
SINCE I WAS VERY LITTLE.
WHY AREN'T YOU HELPING ME?
SPENCER, PAY ATTENTION.
SHOW ME YOUR FACE.
DAD.
COME ON, BABY.
GIVE IT TO ME.
GIVE IT TO ME.
SEE? NUH-UH.
MORGAN, CAN YOU--
PLEASE, CAN YOU--
MY HEAD.
MY BAD. SORRY.
YOU KNOW THESE THINGS
ARE RIGGED, RIGHT?
OHH!
LATE NIGHT?
I HATE VEGAS.
COME ON, PRENTISS.
HOW CAN YOU HATE VEGAS?
THIS IS A GROWN FOLK'S
PLAYGROUND.
ANYONE SEEN REID?
I KNOW HE STAYED
WITH HIS MOM LAST NIGHT.
WELL, HE SHOULD BE
HERE BY NOW.
HE KNOWS
THE DEPARTURE TIME.
OH, THIS THING STILL
HAS CREDIT ON IT.
J.J., I SWEAR TO GOD--
WHAT?
[NO AUDIO]
HA HA HA! OH,
HERE HE COMES RIGHT NOW.
WHAT'D YOU DO?
SLEEP THROUGH YOUR ALARM?
SORRY TO KEEP YOU
GUYS WAITING. I--
HOTCH IS ALREADY
AT THE AIRSTRIP.
HOW FAST CAN YOU PACK?
ACTUALLY, I'M GONNA--
I'M GONNA STAY FOR
A COUPLE OF DAYS.
IS EVERYTHING
ALL RIGHT?
YEAH, I JUST, UM--
I HAVEN'T SEEN MY MOM
FOR A REALLY LONG TIME,
SO I'D LIKE
A FEW MORE DAYS.
YOU SURE?
YEAH.
OK, TAKE
A FEW DAYS. DO WHAT
YOU NEED TO DO.
HEY, UM, TAKE CARE
OF YOURSELF.
YOU, TOO.
BOTH OF YOU.
HI. I'M SPECIAL
AGENT SPENCER REID,
WITH THE FBI.
I'D LIKE TO SEE
EVERYTHING YOU HAVE
ON THE 1984 MURDER
OF A BOY NAMED
RILEY JENKINS.
JUST A SECOND.
THANKS.
THAT WAS
A ROUGH ONE.
DID YOU WORK THE CASE?
YEAH. I WAS 3 OR 4
BLOCKS AWAY
WHEN THE CALL CAME
IN ON THE RADIO.
MY FIRST KID.
YOU DON'T
FORGET THOSE.
LET ME ASK YOU THIS--
WERE THERE ANY SUSPECTS?
THE FAMILY, INITIALLY--
DAD, OLDER BROTHER.
MAKES SENSE.
UH, THE BOY WAS FOUND
IN HIS OWN BASEMENT, RIGHT?
YEAH. AFTER A WHILE, THE
FAMILY GOT DEFENSIVE,
STOPPED COOPERATING.
BIT LIKE THE--
WHAT'S HER NAME?
THE JON-BENET CASE,
I GUESS.
I NEVER LIKED THEM
FOR IT, ANYWAY.
I ALWAYS FIGURED
IT WAS SOMEBODY
OUTSIDE THE HOME.
WHAT'S THE BUREAU'S
INTEREST IN THE CASE?
UM, RESEARCH.
IS THIS EVERYTHING?
THERE MIGHT
BE ANOTHER BOX
DOWN IN RECORDS.
UH, I'D LIKE TO SEE IT ALL,
IF YOU DON'T MIND.
LOTS OF LUCK, EVERYBODY,
LET'S GO.
[CHATTER]
IT'S A HIT!
YEAH!
OK, COME ON NOW.
Man: NICE SHOT!
[TV PLAYING IN BACKGROUND]
WHEN DID YOU KNOW?
Woman: THAT'S IT? THAT
IS THE EXTENT OF YOUR--
WHAT ARE YOU
GUYS DOING HERE?
HEY. WHAT'S IT LOOK
LIKE WE'RE DOING?
UH, BREAKING INTO
MY ROOM
AND WATCHING
DAYS OF OUR LIVES.
YOUNG AND
THE RESTLESS.
AREN'T YOU SUPPOSED
TO BE ON A PLANE
BACK TO D.C.?
YOU'RE SUPPOSED
TO BE HANGING OUT
WITH YOUR MOM.
AND YOU'RE NOT.
RILEY JENKINS?
NO, THAT'S NOT--
THAT'S ACTUALLY NOT
WHY I'M HERE.
REID?
COME ON, MAN.
WHO DO YOU THINK
YOU'RE TALKING TO?
I KNOW WHAT THIS
HAS BEEN DOING TO YOU.
LET US HELP.
MAYBE TOGETHER WE CAN
FIND OUT WHO KILLED HIM.
I THINK I MIGHT
ALREADY KNOW.
SO, TELL US
ABOUT THE SUSPECT.
TRUTH IS,
I DON'T--I DON'T KNOW
ANYTHING ABOUT HIM.
HE'S MY FATHER.
Reid, voice-over:
"WHAT WAS SILENT
IN THE FATHER SPEAKS IN THE SON,
"AND OFTEN I FOUND IN THE SON
THE UNVEILED SECRET
OF THE FATHER."
FREIDRICH NIETZSCHE.
BEFORE WE GO
DOWN THIS ROAD,
YOU NEED TO BE SURE.
HE'S RIGHT.
SOME ROCKS DON'T
NEED LOOKING UNDER.
MY MIND IS
SENDING ME SIGNALS.
I--I CAN'T
IGNORE THEM ANYMORE.
MIXED SIGNALS. THAT'S
WHAT THE SUBCONSCIOUS
IS ALL ABOUT,
YOU KNOW THAT.
REID, YOUR DAD
LEFT YOU.
YOU TAKE IT
TO THE FREUDIAN EXTREME,
YOU COULD SAY THAT HE
KILLED YOUR CHILDHOOD.
COULD EXPLAIN A DREAM
IN WHICH YOU SEE HIM
AS A MURDERER.
I'VE COME THIS FAR.
I'M NOT GOIN' BACK.
OK, THANK YOU.
EMILY, YOU REMEMBER
AGENT TODD?
OH, YEAH.
HI. WELCOME BACK.
THANKS. I'LL BE
SHADOWING J.J.
FOR THE NEXT
COUPLE OF WEEKS.
BIG SHOES TO FILL.
BIG ANKLES, AT LEAST.
COME ON.
YOU LOOK GREAT.
YEAH, THAT'S WHAT
I KEEP TELLING HER.
DO YOU HAVE KIDS,
TOO? OR--
AH, NO. I THINK J.J.
MAY HAVE SNARED
THE LAST VIABLE DONOR.
TELL ME
ABOUT IT.
DONOR FOR
WHAT?
NOTHING. I'M JUST, UH,
REACQUAINTING AGENT TODD
HERE WITH THE LAYOUT.
GOOD TO SEE
YOU AGAIN,
S.S.A. HOTCHNER.
NO, PLEASE.
"HOTCH."
HOTCH.
SO, WHERE'S THE REST
OF THE TEAM?
OH, ANOTHER CASE
CAME UP WHILE
WE WERE IN LAS
VEGAS, AND THEY
STAYED BEHIND
TO LOOK INTO IT.
EXCUSE ME.
I THOUGHT YOU WORK
CASES TOGETHER.
THIS ONE'S DIFFERENT.
RILEY WAS 6
AT THE TIME.
HIS FATHER,
LOU JENKINS,
WAS SUPPOSED
TO PICK HIM UP
FROM T-BALL
PRACTICE AT 4,
BUT HE GOT
DELAYED AT WORK,
PROMPTING RILEY
TO WALK THE
3 BLOCKS HOME.
WHEN HIS MOTHER
GOT HOME IN THE
EARLY EVENING,
SHE FOUND HIM
DEAD IN THE
BASEMENT.
SO, THE OFFENDER
CAME TO THE HOUSE
AFTER THE BOY
ARRIVED HOME.
OR PICKED
HIM UP ON
THE WAY THERE.
COAXES RILEY INTO
THE BASEMENT, WHERE HE
SEXUALLY ASSAULTS HIM.
BOY'S MOUTH
WAS TAPED SHUT.
SYMBOLIC.
THE UNSUB FEARS
RILEY WILL TALK,
PANICS, WEIGHS
HIS OPTIONS...
DECIDES TO MAKE CERTAIN
THAT HE'LL NEVER TALK.
HE FINDS A KNIFE
IN THE FISHING GEAR
UNDER THE STAIRS,
STABS RILEY
9 TIMES IN THE CHEST,
STUFFS HIM BEHIND
THE WASHING MACHINE.
SO, THE UNSUB'S
A WHITE MALE
IN HIS LATE 20s
TO EARLY 30s.
MEANS WE'RE LOOKING
FOR A MAN IN HIS 50s.
LIKELY KNEW THE BOY.
MAYBE BEEN TO HIS HOUSE.
NEIGHBOR.
REID?
WHAT IS IT?
MY FAMILY LIVED LESS
THAN A HALF-MILE
FROM THE JENKINS'.
DO YOU THINK YOUR DAD
KNEW THE BOY?
I DON'T KNOW.
MY MEMORY'S
LACK OF RECALL
JUST REINFORCES
HOW LITTLE I
KNEW ABOUT HIM.
REID, WE'RE GONNA
HAVE TO TRACK HIM DOWN.
YOU DO KNOW THAT?
WE SHOULD TALK
TO MY MOTHER FIRST,
NEIGHBORS.
GET THEIR
IMPRESSIONS.
REID, I DON'T NEED
TO TELL YOU
THAT THIS SIGNATURE
WAS NEED-BASED
AND SEXUAL IN NATURE.
THE MAN WE'RE LOOKING FOR
IS A PEDOPHILE.
SO, I'LL ASK YOU AGAIN.
ARE YOU SURE YOU WANT
TO GO DOWN THIS ROAD?
MOM...
C-CAN I ASK YOU
SOME QUESTIONS
ABOUT DAD?
I'M HAVING, UH--
HAVING TROUBLE
REMEMBERING.
WHAT DO YOU WANT TO KNOW?
DID HE LIKE TO BE
AROUND CHILDREN?
CHILDREN?
WELL, YES.
IF IT WERE UP TO HIM,
YOU'D HAVE A HOUSE FULL
OF BROTHERS AND SISTERS.
SO, YOU DIDN'T
WANT MORE KIDS?
WHY MESS
WITH PERFECTION?
UM,
WHAT ABOUT
OTHER PEOPLE'S
CHILDREN?
HOW--HOW WAS HE
AROUND THEM?
HE WAS GOOD
WITH KIDS, I GUESS.
HE COACHED YOUR
LITTLE LEAGUE TEAM.
Man: GOOD HIT.
YEAH! HEY,
GOOD HIT, RILEY.
SPENCER,
YOU'RE NEXT.
HE WAS ALWAYS TRYING TO PUT YOU
INTO NORMAL ACTIVITIES.
I TRIED TO TELL HIM
YOU'RE NOT NORMAL.
YOU WERE EXCEPTIONAL.
LET ME ASK YOU
THIS, MOM.
DID YOU EVER
GET THE FEELING,
LIKE, ON HIS PART,
THE MARRIAGE WAS...
JUST FOR SHOW?
THESE QUESTIONS ARE
VERY STRANGE, SPENCER.
WHAT IS THIS ABOUT?
IT'S ABOUT
RILEY JENKINS.
RILEY JENKINS?
I TOLD YOU HE WAS
SOMEONE YOU MADE UP.
NO, HE'S NOT
SOMEONE I MADE UP.
HE WAS A REAL BOY
WHO LIVED IN OUR
NEIGHBORHOOD,
AND SOMEBODY
KILLED HIM.
AND, I DON'T KNOW,
I THINK--
I THINK THAT DAD
MIGHT HAVE
HAD SOMETHING
TO DO WITH IT.
HE WAS REAL?
YES. AND...
HE WAS ON THAT
LITTLE LEAGUE
TEAM, TOO.
SO MANY CASES.
HOW DO YOU DETERMINE
WHICH ONES GET PRIORITY?
AH, BASICALLY
MURDER TRIAGE.
I LOOK FOR CASES
WHERE THE THREAT
OF LOSING
ANOTHER LIFE IS
MOST IMMINENT.
WITHOUT THE OTHER
AGENTS GIVING YOU
A WORKING PROFILE?
WELL,
THAT COMES LATER.
THIS JOB DOES
REQUIRE A LITTLE BIT
OF PROFILING.
JUST DON'T TELL
THEM THAT.
HERE.
LET ME SHOW YOU.
OK, FAMILY IN
ATLANTA, MOTHER,
TWIN DAUGHTERS,
STABBED IN THEIR
SLEEP, AND, UH...
YEAH, SIOUX CITY,
IOWA.
2 MEN WITH NO
APPARENT CONNECTION
BOTH FOUND DROWNED
IN THEIR BATHTUB
EXACTLY
ONE MONTH APART.
WHERE WOULD YOU GO?
I'D HAVE TO
TAKE A CLOSER LOOK.
WHAT DOES YOUR GUT
TELL YOU?
SIOUX CITY LOOKS
LIKE A SERIAL.
ANOTHER VICTIM
COULD DIE WITHIN A MONTH.
WHAT ABOUT ATLANTA?
THAT'S
A FAMILY ANNIHILATOR.
FATHER SNAPS,
TAKES OUT THE FLOCK,
PUTS ANY RELATIVE IN THE AREA
IN IMMEDIATE DANGER.
I'D TAKE THE TEAM
THERE FIRST.
GOOD. NOW,
DO THAT WITH THAT
WHOLE ENTIRE STACK
RIGHT THERE.
OH.
YOU OK?
OH, YEAH.
I'M FINE.
IT'S JUST A THEORY,
MR. JENKINS.
YOU MUST BE
OUT OF YOUR
DAMN MINDS.
WE'RE TRYING TO
GET SOME NEW FACTS.
WELL, YOU'RE
HELL AND GONE
FROM FACTS
IF YOU
THINK WILL REID
KILLED MY SON.
SO, YOU WERE FRIENDS?
WHO THE HELL ARE
YOU TO COME HERE
ASKING THIS?
I'M HIS SON.
SPENCER?
SPENCER,
A G-MAN?
HOW 'BOUT THAT?
I DON'T
UNDERSTAND.
WAS WILLIAM AROUND
YOUR HOUSE OFTEN?
THE OCCASIONAL
BARBECUE,
THAT SORT
OF THING.
WAS RILEY AROUND
ON THESE OCCASIONS?
WHY ARE YOU
DOING THIS?
I NEED TO KNOW.
TAKE IT FROM SOMEONE
WHO DOES KNOW,
HE WAS A GOOD MAN.
THANKS FOR YOUR TIME.
WHERE IS HE,
THESE DAYS?
MY DAD?
IT'S BEEN YEARS,
BUT HE'S PROBABLY
STILL AT THAT SAME
FIRM IN SUMMERLIN.
HE'S BEEN IN TOWN
THIS WHOLE TIME?
FAR AS I KNOW.
YOU KNOW SUMMERLIN?
YEAH.
IT'S, LIKE, 9 MILES
EAST OF HERE,
OFF THE 95.
HE WAS 10 MINUTES
AWAY AND NEVER LET
ME KNOW.
CAN I HELP YOU, GENTLEMEN?
YEAH.
WE'D LIKE
TO SPEAK WITH
WILLIAM REID.
IS HE EXPECTING YOU?
I DON'T THINK SO.
HE'S IN A MEETING RIGHT NOW.
WHY DON'T YOU
HAVE A SEAT, AND I'LL
TELL HIM YOU'RE HERE.
YOU OK?
YEAH.
NO--YEAH--I'M GONNA
GO TO THE BATHROOM.
I'VE NEVER SEEN HIM
LIKE THIS BEFORE.
17 YEARS IS
A LONG TIME TO GO
BETWEEN VISITS.
NOT LONG ENOUGH.
THE KID'S STILL ANGRY.
YEAH, I'M STARTING
TO GET THAT.
I'LL BE RIGHT BACK.
HERE YOU GO.
YOU FROM THE FBI?
YES, SIR.
MR. REID,
I'M AGENT ROSSI.
THIS IS
AGENT MORGAN.
THIS WOULDN'T BE ABOUT
THE, UH, CITY COUNCIL
INVESTIGATION, WOULD IT?
NO, THIS IS,
UH, MORE OF
A PERSONAL MATTER.
IT CONCERNS YOUR SON.
MY SON? DID--
DID SOMETHING HAPPEN?
Spencer:
THAT'S WHAT WE'RE
TRYING TO FIND OUT.
HELLO, DAD.
YOU DON'T LOOK
LIKE ME ANYMORE.
YOU USED TO.
EVERYBODY SAID SO.
THEY SAY SOME PEOPLE
LOOK LIKE THEIR DOGS, TOO.
IT'S ATTRIBUTED TO PROLONGED
MUTUAL EXPOSURE.
ELDERLY COUPLES, ALSO.
THEY UNCONSCIOUSLY MIMIC
THE EXPRESSIONS OF PEOPLE
THEY'VE BEEN AROUND
THEIR WHOLE LIFE.
SO, IT KIND OF--
KIND OF MAKES SENSE
THAT I WOULDN'T REALLY
LOOK LIKE YOU.
I HAVEN'T SEEN YOU
IN 20 YEARS.
SO, ARE YOU
IN TOWN ON WORK?
WE'RE JUST
WRAPPING UP A CASE.
A 5-YEAR-OLD BOY WAS
ABDUCTED AND MURDERED.
I READ
ABOUT THAT.
UH, ETHAN HAYES,
RIGHT?
THAT'S TERRIBLE.
THAT CASE GOT ME THINKING
ABOUT RILEY JENKINS.
YOU REMEMBER
RILEY JENKINS?
OF COURSE.
I'VE BEEN HAVING
DREAMS ABOUT HIM
FOR A REALLY
LONG TIME.
BUT WHEN WE CAME
BACK HERE FOR THIS CASE,
IT JOGGED SOMETHING
AND THE DREAM CHANGED.
I SAW HIS KILLER,
AND HE WAS YOU.
INTERESTING DREAM.
YOU DON'T SEEM
ALL THAT SURPRISED.
I STOPPED BEING SURPRISED
BY SPENCER'S MIND
A LONG TIME AGO.
THERE ARE CERTAIN
CRITERIA WE CONSIDER
WHEN LOOKING
AT THIS TYPE OF SUSPECT.
YOU FIT PARTS
OF THAT PROFILE.
ME?
WE JUST WANT
YOUR COOPERATION.
MY COOPERAT...
YOU'RE NOT ACTUALLY
SAYING YOU THINK
I KILLED RILEY JENKINS?
WE DIDN'T SAY THAT.
GOOD, 'CAUSE THAT'S ABSURD.
WE'D JUST LIKE
PERMISSION TO LOOK
THROUGH YOUR COMPUTER,
ACCESS YOUR RECORDS.
AND WHAT WOULD YOU BE
LOOKING FOR, EXACTLY?
YOU WANT ACCESS
TO MY FILES?
GET A WARRANT.
WE CAN'T GET A WARRANT,
SO WE HAVE TO GO
UNDER THE RADAR
ON THIS ONE, GARCIA.
YOU WANT ME TO HACK
YOUR FATHER'S NETWORK?
YOU'RE SURE ABOUT THIS?
I REALLY WISH PEOPLE
WOULD STOP ASKING ME THAT.
HEY, YOU'RE PRETTY GOOD.
WAS THE ENVELOPE DROPPED OFF
AT THE FRONT DESK FIRST?
NOPE, IT WENT
STRAIGHT TO MY ROOM.
SO, THEY KNEW
WHAT ROOM YOU WERE IN.
I DO HAVE TO ADMIT,
THE TIMING OF THIS IS
A LITTLE SUSPICIOUS.
YEAH. AN HOUR AFTER
I SEE MY FATHER,
WE'RE HANDED
ANOTHER SUSPECT.
YOU THINK
YOU KNEW THIS GUY?
I DON'T KNOW.
I--I THINK SO,
BUT I'M NOT SURE.
I--I--
NO, I DON'T KNOW.
EXPOSED HIMSELF
TO A MINOR.
THAT'S A PRECURSOR
TO MOLESTATION.
AND MURDER. WE SHOULD TAKE
A CLOSER LOOK AT THIS GUY.
[CELLPHONE RINGS]
IT'S GARCIA.
YEAH, TALK TO ME,
BABY GIRL.
I'M NOT INTERRUPTING
BOY TIME AT CRAZY
HORSE 2, AM I?
YOU KNOW THAT'S
NOT MY THING.
I'M MORE FOR IN-ROOM
ENTERTAINMENT.
I CAN'T
HELP YOU THERE,
BUT I DO GIVE
GOOD PHONE.
LET ME HEAR WHAT YOU GOT.
REID, WE'VE BEEN ALL UP
IN YOUR FATHER'S BUSINESS.
WHAT'D YOU FIND?
WELL, LET ME TELL YOU FIRST
WHAT I DID NOT FIND--
NO KIDDIE PORN,
NO MEMBERSHIP
TO ILLICIT WEBSITES,
NO DUBIOUS E-MAILS,
NO CHAT ROOM HISTORY.
WHAT ABOUT HIS FINANCES?
WE WENT BACK 10 YEARS.
NO QUESTIONABLE TRANSACTIONS
THAT WE COULD FIND.
WELL, HE DID BUY A
TICKET TO SEE CELINE
DION 6 MONTHS AGO.
BUT I THINK WE CAN
OVERLOOK THAT.
HE'S SMART. IS IT
POSSIBLE HE KEPT THINGS
UNDER THE TABLE?
WELL, OF COURSE.
BUT FROM WHAT WE CAN TELL, REID,
HE DOESN'T FIT THE PROFILE.
WE CAN TELL YOU
OTHER THINGS ABOUT HIM,
IF YOU WANT TO KNOW.
I'M LISTENING.
UH, HE'S A WORKAHOLIC,
HE ACTUALLY
LOGS MORE HOURS
THAN WE DO.
HE MAKES DECENT MONEY,
BUT HE DOESN'T SPEND
A LOT OF IT.
HE HAS A MODEST HOUSE.
HE DRIVES A HYBRID.
HE DOESN'T TRAVEL MUCH.
HE STAYS AWAY
FROM THE CASINOS.
UM, AND ACCORDING TO
HIS VETERINARY BILLS,
HE HAS A VERY SICK CAT.
HE APPEARS TO SPEND MOST
OF HIS FREE TIME ALONE,
HE GOES TO THE MOVIES
A LOT, AND HE READS.
AND FROM HIS COLLECTION
OF FIRST EDITIONS,
IT SEEMS HIS
FAVORITE AUTHOR IS--
ISAAC ASIMOV.
I REMEMBER THAT ONE.
HE DOES HAVE ONE
OTHER MAJOR INTEREST.
ON HIS HOME COMPUTER,
HE'S ARCHIVED,
LIKE, A KA-JILLION THINGS
ON ONE COMMON SUBJECT.
WHAT?
YOU, KIDDO.
HE'S GOT, LIKE,
EVERYTHING THAT'S
BEEN PUBLISHED ONLINE.
EVERY ARTICLE
YOU'VE BEEN QUOTED IN,
PIECES YOU'VE WRITTEN FOR
BEHAVIORAL SCIENCE JOURNALS,
HE EVEN HAS A COPY
OF YOUR DISSERTATION.
HE'S KEEPING
TABS ON YOU.
THAT'S SAYING
SOMETHING.
YEAH, AND HE GOOGLED ME.
THAT MAKES UP
FOR EVERYTHING.
I'M GOING
TO GET SOME AIR.
YOU GUYS
STILL THERE?
I THOUGHT WE WERE
GIVING HIM GOOD NEWS.
WHAT ELSE CAN WE DO?
YEAH, LOOK UP
A NAME FOR US,
IF YOU WOULD.
UH, GARY BRENDAN
MICHAELS.
DO YOU LIKE
THIS GARY GUY
FOR THE RILEY MURDER?
SOMEBODY DOES.
[BEEPING]
WOW, LOOKS LIKE YOU
GOT A LOOSE ONE.
NO SUCH THING.
THESE MACHINES RUN
ON RANDOM NUMBER GENERATORS.
NO BRAINS, NO BIAS.
BEST ODDS
IN THE HOUSE, THOUGH.
REALLY?
I THOUGHT THAT CRAPS
HAD THE BEST ODDS.
NORMALLY, VIDEO POKER
ODDS ARE SLIGHTLY WORSE
AT .7 PERCENT
IN YOUR FAVOR,
BUT IF YOU EMPLOY
OPTIMAL STRATEGY
AND ALWAYS DRAW
FOR THE ROYAL FLUSH,
YOU CAN PUSH THOSE
ODDS TO 2%.
HMM.
SMART AND HANDSOME.
SO, ARE YOU IN TOWN
FOR THE CONVENTION?
UM, THERE ARE
12 CONVENTIONS
IN TOWN THIS WEEK.
WHICH ONE ARE
YOU TALKING ABOUT?
TAKE YOUR PICK.
6 MINUTES.
EXCUSE ME?
UH, IT WAS SOMETHING
I USED TO SAY TO MY MOM
TO TRY TO GET HER
TO QUIT SMOKING.
A CIGARETTE TAKES
6 MINUTES OFF YOUR LIFE.
SO EVERY TIME SHE'D
LIGHT ONE, I'D SAY,
"IT'S 6 MINUTES LESS
THAT I GET TO SPEND WITH YOU."
AW.
DID IT WORK?
NO.
BECAUSE I'VE TRIED
IT ALL--THE GUM,
THE PATCH.
NOTHING WORKS.
YOU SHOULD TRY HYPNOSIS.
THEY'VE HAD--
HAD A LOT OF SUCCESS IN...
TELL YOU WHAT.
I'LL PUT MINE OUT IF
YOU BUY ME A DRINK.
UH, NOT TODAY,
SWEETHEART.
WE'VE BEEN LOOKING
ALL OVER THE PLACE
FOR YOU. COME ON.
HEY, YOU WON, LIKE,
$2,000 HERE.
KEEP IT.
YOU DO REALIZE YOU
JUST GAVE 2 GRAND
TO A HOOKER?
MUST HAVE BEEN QUITE
A CONVERSATION.
WHAT WAS IT ABOUT?
HOW TO STOP SMOKING.
THANK YOU
FOR SEEING US ON, UH,
SUCH SHORT NOTICE.
WELL, I'M ALWAYS HAPPY
TO ASSIST THE FBI.
IS THERE A WITNESS
YOU WANT ME TO LOOK AT?
UH, YEAH. ME.
I'M TRYING
TO RECOVER MEMORIES
FROM MY CHILDHOOD.
THERE--
THERE WAS A MURDER.
HOW LONG AGO
ARE WE TALKING ABOUT?
I WAS 4.
MEMORIES FROM THAT AGE
CAN BE DIFFICULT TO INTERPRET.
I'M AWARE
OF THE LIMITATIONS
OF HYPNOTHERAPY.
WELL, THEN YOU'RE AWARE
OF SUGGESTION ISSUES.
IF YOU'VE LOOKED
INTO THIS CASE,
YOU MAY HAVE A BIAS.
ARE YOU SAYING WHAT HE
REMEMBERS UNDER HYPNOSIS
MAY NOT BE REAL?
IT'S A POSSIBILITY.
EITHER WAY,
IT'S A TOUGH SELL IN COURT.
WE WON'T BE
USING THIS FOR
EVIDENTIARY PURPOSES.
IT'S--IT'S REALLY
JUST FOR ME.
THE SUPPRESSED MEMORIES
ARE ABOUT MY FATHER.
I'D LIKE TO MONITOR
THIS SESSION,
MAKE SURE YOU GET HIM
TO THE RIGHT PLACE.
YOU WANT TO SIT IN?
I DON'T NORMALLY ALLOW THAT.
IN CASE YOU HAVEN'T
REALIZED, NOTHING
ABOUT THIS IS NORMAL.
I WANT YOU TO HOLD MY WRIST
IN YOUR LEFT HAND,
AND IF YOU SHOULD
FEEL ANY FEAR,
I WANT YOU TO SQUEEZE,
DO YOU UNDERSTAND?
YES.
GO BACK TO THE NIGHT YOU WERE
JUST TELLING ME ABOUT.
YOU'RE AT HOME,
IN YOUR ROOM.
YOU CAN'T SLEEP
BECAUSE YOUR PARENTS
ARE ARGUING.
Diana:
I DON'T KNOW WHAT TO DO.
I HAD TO DO SOMETHING, BUT
I DIDN'T KNOW WHAT TO DO.
William:
I'M NOT GOING TO
DISCUSS IT ANYMORE.
HE'S COMING IN.
WHO?
I KNOW YOU'RE AWAKE,
SPENCER.
IT'S DAD.
WHAT ABOUT HIM,
SPENCER?
WHAT IS HE DOING?
DADDY LOVES YOU.
YOU KNOW THAT?
I DON'T WANT
TO BE HERE.
OK.
IT'S OK, SPENCER.
TAKE US TO WHERE
THE LIGHT IS,
TO THE NEXT MORNING.
THE SUN IS COMING UP.
WHERE ARE YOU, SPENCER?
MOM?
MY MOM,
SHE'S
AT THE WINDOW.
SHE'S THINKING.
SHE'S BEEN
CRYING.
SHE SAW HIM.
WHO?
YOUR FATHER?
DO YOU TALK TO HER?
NO. I WANT--
NO. I WANNA--
I WANNA SEE.
WHAT IS IT, SPENCER?
WHAT ARE YOU SEEING?
THAT'S ENOUGH.
I NEED YOU TO LEAVE
THIS LOCATION NOW, SPENCER.
DAMN IT.
WAKE HIM UP.
I'M GOING TO
COUNT BACKWARD FROM 5.
5, 4, 3, 2, 1,
AND WAKE.
REID.
IT'S OK.
IT'S OK.
IT'S OK.
IT'S OK, REID.
IT'S OK.
WHAT HAPPENED?
WHAT DID YOU SEE?
TRY TO REMEMBER,
MOM.
NO, I CAN'T.
YOU WERE THERE.
YOU WATCHED DAD BURN
THE BLOODY CLOTHES.
YOU HAD A DREAM.
MOM, THIS WAS
NOT A DREAM.
THIS WAS A MEMORY.
IT WAS A MEMORY,
AND I SAW YOU.
YOUR MIND,
OH, SUCH A TREASURE.
EVEN AS A BABY,
YOU KNEW ABOUT THINGS
YOU WEREN'T
SUPPOSED TO KNOW.
THIS IS
NOT ABOUT ME.
THIS IS ABOUT
RILEY JENKINS.
IT WAS ALWAYS ABOUT YOU.
PLEASE, MOM.
PLEASE. PLEASE,
JUST TRY TO REMEMBER.
REMEMBER RILEY. RILEY.
RILEY?
RILEY...
RILEY WAS REAL.
OH, POOR RILEY.
YES, POOR RILEY.
POOR RILEY.
DID DAD
DO SOMETHING TO HIM?
DAD? NO.
THINK. THINK. THINK.
NO, NO.
THAT'S--NO, NO.
NOW YOU'RE
CONFUSING ME, SPENCER.
YOU KNEW. MOM, YOU KNEW
ABOUT DAD, AND YOU
DIDN'T DO ANYTHING.
NO! YOU DON'T KNOW.
NO! NO!
YOU DON'T KNOW!
YOU DON'T--
NO! NO! NO!
MOM. MOM.
[YELLING]
NO! NO! NO!
I'M JUST GOING TO GIVE YOU
SOMETHING TO RELAX.
Diana: NO.
IT COULD HAVE BEEN YOU.
WHAT?
WHAT DID YOU SAY?
IT COULD HAVE BEEN YOU.
SHE'S NOT STABLE, REID.
YOU CAN'T PUT STOCK
IN WHAT SHE SAYS.
I DON'T NEED TO TELL YOU THAT.
AND I DON'T
NEED TO TELL YOU
THIS IS TEXTBOOK.
FATHER REROUTES
COMPULSION TO MOLEST
AWAY FROM HIS OWN
SON TO A SURROGATE.
THE WOMAN THOUGHT
RILEY JENKINS WAS
AN IMAGINARY FRIEND UNTIL
YOU TOLD HER OTHERWISE.
HER MIND'S WAY OF
SUPPRESSING MEMORIES SHE
DOESN'T WANT TO FACE.
YOU'RE LOSING
OBJECTIVITY HERE, KID.
LOOK, I'M NOT TRYING
TO SAY I KNOW
WHAT HAPPENED
O-OR HOW MY DAD'S
INVOLVED, MORGAN.
BUT MY DAD'S
INVOLVED.
WHAT'S HE
DOING HERE?
YOU GOT NO EVIDENCE.
A SUSPECT CAN BE
DETAINED FOR QUESTIONING
FOR 48 HOURS,
REGARDLESS OF EVIDENCE.
I'M NOT IN THE HABIT
OF RUINING PEOPLE'S
REPUTATIONS ON A WHIM.
WHERE'S YOUR CAPTAIN?
I WANT TO TALK
TO YOUR CAPTAIN.
TALK ALL YOU WANT.
THIS IS A LOCAL MURDER,
AND YOUR AUTHORITY
ENDS AT THE STATE LINE.
LOOK...
WHY DON'T YOU JUST HEAD
BACK OVER TO THE FOUNTAIN VIEW
AND HAVE A COUPLE
OF DRINKS BY THE POOL
AND THINK ABOUT THIS.
I HAVE THOUGHT
ABOUT THIS.
GUY'S YOUR FATHER.
WHAT'S YOUR POINT,
DETECTIVE?
MAYBE YOU'RE HERE TO WORK OUT
SOME OTHER ISSUES?
OK, LISTEN, DETECTIVE.
LOOK, WE WOULD CONSIDER IT
A PERSONAL FAVOR
IF YOU HELPED US OUT
WITH THIS.
WE JUST WANT HIM
ON HIS HEELS.
YOU HAVE 24 HOURS.
I APPRECIATE THAT.
REID.
YOU GOTTA KEEP
YOUR HEAD, MAN.
HE COULD'VE JUST AGREED TO IT.
IT HAPPENS ALL THE TIME.
YOU KNOW HOW
THESE GUYS ARE.
THEY JUST WANT
TO FEEL LIKE THEY'RE
THE ONES IN CONTROL.
[CELLPHONE RINGS]
TALK TO ME, GARCIA.
SO, THIS GARY MICHAELS
YOU ASKED ME TO TRACK DOWN
SEEMS TO HAVE PEELED HIMSELF
RIGHT OFF THE GRID.
WHAT'D HE DO?
SKIP TOWN?
FEELS IT. MAYBE EVEN
TOOK A NEW NAME, TOO.
'CAUSE EVERYTHING
IN HIS NAME LAPSED
FROM NON-USE
IN THE YEAR AFTER
THE RILEY JENKINS MURDER.
MAYBE HE DIDN'T WANT
TO STICK AROUND FOR
THE INVESTIGATION.
IN ADDITION TO
THE INDECENT EXPOSURE RAP,
HE ALSO HAD SOME
SEALED JUVENILE STUFF.
LEWD BEHAVIOR, TRESPASSING.
TRESPASSING?
AT A NURSERY SCHOOL.
HARD TO BELIEVE
THE COPS NEVER PEGGED
THIS GUY AS A SUSPECT.
ANY OTHER AVENUES
TO FIND HIM?
YOU BETCHA.
THEY SWABBED HIM IN '85
FOR THE EXPOSURE BEEF,
SO I'M SENDING UP BALLOONS
THROUGH VICAP AND CODIS.
IF HE'S OFFENDED AGAIN
OVER THE PAST 20 YEARS
UNDER
A DIFFERENT NAME...
WHICH, CONSIDERING HIS TYPE,
HE PROBABLY HAS...
HE WILL POP UP SOMEWHERE.
ALL RIGHT.
KEEP ME IN THE LOOP.
LATER.
WHAT'S WITH THE WINCING?
YOU OK?
I'M FINE.
ARE YOU SURE?
I--I NOTICED THIS EARLIER.
EARLIER? HOW OFTEN?
UM, IN THE LAST HOUR,
I'D SAY EVERY 10 MINUTES.
J.J. WHY DIDN'T
YOU TELL ANYONE?
BECAUSE I AM NOT DUE
FOR ANOTHER 3 WEEKS.
NEWSFLASH!
YOU'RE IN LABOR.
NO, NO, NO, NO. NO.
'CAUSE REID NEEDS US RIGHT NOW.
UH-UH. YOU NEED YOU
RIGHT NOW.
COME ON. GET UP.
LADIES AND GENTLEMEN,
I'M NOT A DOCTOR.
I DON'T EVEN PLAY ONE ON
TV, BUT I BELIEVE YOUNG
J.J.'s GOING INTO LABOR.
ARE YOU OK?
I'LL GET THE CAR.
I NEED TO CALL WILL.
FROM THE CAR, HONEY.
BREATHE AND WALK.
BREATHE AND WALK.
AGENT TODD,
I HOPE YOU'RE READY,
BECAUSE YOUR JOB
STARTS RIGHT NOW.
[TELEPHONES RINGING]
YOU STILL THINK
HE DID IT, DON'T YOU?
WHY SHOULDN'T I?
WELL, FOR ONE THING,
GARY MICHAELS FITS THE PROFILE.
FOR ANOTHER, HE FLED TOWN
AFTER RILEY'S MURDER.
HE'S A BETTER SUSPECT
THAN YOUR DAD, REID.
HE'S A CONVENIENT ONE.
SOMEONE SLIPPED THE FILE
UNDER MY DOOR, MORGAN.
WHAT AM I SUPPOSED
TO THINK?
MAYBE THEY'RE
TRYING TO HELP.
MAYBE THEY'RE TRYING
TO PROTECT HIM.
YOU'RE TALKING ABOUT
SOMEONE HELPING
TO COVER UP THE
MURDER OF A CHILD.
WHO WOULD DO THAT?
DO YOU REMEMBER
HOW RESISTANT
DETECTIVE HYDE WAS
WHEN I ASKED HIM
TO BRING IN MY FATHER?
SO, WHAT? YOU'RE
ACCUSING A COP NOW?
IT WAS A POLICE FILE.
IT WAS A VERY OLD
POLICE FILE.
ANYBODY COULD
HAVE ACCESSED IT.
HE TOLD ME TO GO BACK
TO THE FOUNTAIN VIEW,
HAVE A DRINK
BY THE POOL, AND
THINK ABOUT THINGS.
YOU CAN'T POSSIBLY
STILL BE MAD ABOUT THAT.
I'M NOT MAD.
I'M CONFUSED.
I NEVER TOLD HIM
WE WERE STAYING
AT THE FOUNTAIN VIEW.
[BEEPING]
IT'S A SIMPLE
QUESTION.
HOW DID THE BLOOD
GET ON THE CLOTHES?
I TOLD YOU, I'M NOT GOING
TO TALK WITHOUT COUNSEL.
IF YOU DON'T HAVE
ANYTHING TO HIDE,
YOU DON'T NEED A LAWYER.
SPENCER, PLEASE.
I'M NOT STUPID.
I'M PROUD OF YOU.
YOU KNOW THAT?
I'M NOT STUPID
EITHER.
NO. YOU'VE--YOU'VE
DONE A LOT OF GOOD.
I MEAN, OTHER PEOPLE
WITH YOUR TALENTS,
THEY MIGHT HAVE SOUGHT
DIFFERENT OPPORTUNITIES,
THE PRIVATE SECTOR.
MY GOD, YOU COULD HAVE
MADE A FORTUNE.
BUT YOU CHOSE
TO HELP PEOPLE.
I CHOSE TO STUDY
MURDERERS.
WHY DO YOU THINK
THAT IS?
I DIDN'T DO THIS, SPENCER.
WHY CAN'T YOU BELIEVE ME?
LIKE YOU SAID, I DO
HAVE SPECIAL TALENTS.
ONE OF THEM
IS BEING ABLE TO TELL
WHEN SOMEBODY'S
HIDING SOMETHING.
YOU'RE ANGRY THAT I LEFT.
AND YOU'RE RIGHT TO BE.
YOU WANT TO
MAKE IT UP TO ME?
TELL ME THE TRUTH.
I DIDN'T KILL THAT BOY.
BUT I KNOW WHO DID.
GARY MICHAELS?
HOW'D YOU KNOW THAT?
THAT WAS THE WHOLE
IDEA, WASN'T IT?
SO, WHERE IS GARY
MICHAELS NOW, DAD?
SPENCER, PLEASE. FORGET IT.
YOU DON'T WANT
TO GO DOWN THIS ROAD.
EVERYTHING'S FINE.
WE'RE CHECKING HER IN NOW.
AND I GOT A THING
BACK FROM CALIFORNIA
ON YOUR CODIS QUERY.
THEY FIND
GARY MICHAELS?
UH, SOME OF HIM.
HE'S DEAD?
THEY DUG HIM UP 7 YEARS AGO
WHEN SOME NEW CONSTRUCTION
BROKE GROUND IN THE DESERT.
WHOEVER KILLED HIM WAS
SMART ENOUGH TO BURY HIM
ACROSS STATE LINES.
VEGAS P.D. NEVER MADE
THE CONNECT.
HOW WAS HE KILLED?
JUDGING FROM THE FRACTURES,
THEY THINK HE WAS BEATEN
WITH SOMETHING, PIPE, MAYBE.
OR A BAT.
BAT?
MAYBE IT WASN'T
RILEY'S BLOOD
ON THOSE CLOTHES
YOUR DAD WAS BURNING.
BEEN RUMORS A BODY'S BURIED
UP AT THE BARKER RANCH
FOR YEARS.
ON ACCOUNT OF THAT'S
WHERE CHUCK MANSON
HAD HIS HIDEOUT.
WHEN WE DUG THIS ONE UP,
WE WENT AHEAD AND
HAD HIM TYPED,
THOUGHT MAYBE IT
COULD BE RELATED.
IT'S A GOOD
THING YOU DID.
MIGHT NEVER
HAVE I.D.ed HIM
OTHERWISE.
SO, WHY ALL THE FUSS
OVER A DEAD PERVERT?
WE THINK HE MAY
HAVE KILLED A BOY
IN VEGAS
OVER 20 YEARS AGO.
IS THAT HOW HE ENDED UP
IN THE GROUND? REVENGE?
POSSIBLY.
IT SAYS HERE YOU HAVE
A FINGERPRINT IN EVIDENCE,
LIFTED FROM THE VICTIM'S
BROKEN GLASSES.
WE RAN IT UP
THE FLAGPOLE
A COUPLE OF TIMES.
NOTHING EVER CAME UP.
THAT WAS THEN.
NOW WE HAVE SOMEONE
TO COMPARE IT TO.
HMM. SUSPECT?
WELL, WE'RE GONNA WANT TO
RUN IT THROUGH AFIS, TOO.
THAT'S A LOT
OF TAXPAYER DOLLARS
BEING SPENT TO SOLVE
A PUBLIC SERVICE MURDER.
IF YOU ASK ME,
THE GUY GOT JUST
WHAT HE DESERVED.
HE'S RIGHT, YOU KNOW.
WE DON'T HAVE TO RUN
THIS PRINT.
OF COURSE WE DO.
WHATEVER MICHAELS DID,
HE DESERVED A FAIR TRIAL.
REID, YOU WANTED TO
KNOW IF YOUR FATHER
KILLED RILEY.
ALL SIGNS
POINT TO "NO."
YOU GOT
WHAT YOU NEED.
WHAT I NEED
IS THE TRUTH.
IF THIS PRINT
BELONGS TO YOUR DAD,
HE COULD GO AWAY
FOR A LONG TIME.
YOU'RE JUST
DETERMINED
TO NAIL HIM,
AREN'T YOU?
DOESN'T EVEN MATTER
WHAT FOR.
IF YOU DON'T WANT
TO RUN IT, I WILL.
I'M TOLD YOU'RE
REFUSING MEDICATION.
I'M JUST HOLDING OFF
FOR A LITTLE WHILE,
IF YOU DON'T MIND.
YOU KNOW WHAT WILL HAPPEN.
TREMORS, PANIC,
THEN THE VOICES.
BUT BEFORE THAT,
WHEN THE FOG LIFTS,
A WINDOW OF CLARITY.
I REALLY NEED THAT
RIGHT NOW.
I CAN GIVE YOU
SOME LATITUDE HERE.
JUST TELL ME WHY.
I WANT TO REMEMBER.
[CELLPHONE RINGS]
[RING]
[RING]
YEAH, AGENT MORGAN.
YOU DID?
YOU'RE 100% CERTAIN?
OK. THANK YOU.
WE'RE GOING TO HAVE TO
GET AN ARREST WARRANT.
IT WAS A MATCH?
YEAH.
BUT IT WASN'T
YOUR DAD.
WE GOT COMPANY.
WHAT'S HE DOING HERE?
WE NOTIFIED YOUR CAPTAIN
ABOUT THIS, DETECTIVE.
IT'S ALL LEGIT.
I'M NOT TRYING
TO STOP YOU.
I JUST WANT TO BE
THE ONE TO BRING HIM IN.
IT'LL GO EASIER.
HE'S MY FRIEND.
YEAH, WE FIGURED
THAT MUCH.
YOU, LOU, MY FATHER.
YOU SLIPPED US
THE MICHAELS FILE,
DIDN'T YOU?
YOU WERE AFTER
THE WRONG GUY.
BUT YOU KNEW
WHO THE RIGHT GUY
WAS ALL ALONG?
AND WHAT LOU
DID TO HIM.
THERE WASN'T ANY EVIDENCE.
DID YOU EVEN LOOK?
YOU WANT TO LINK HIM
UP, GO AHEAD.
BUT HE
RIDES IN WITH US.
APPRECIATE THAT.
WHO ELSE WAS WITH YOU?
NO ONE.
YOU'RE SAYING YOU
KILLED GARY MICHAELS
BY YOURSELF, ALL ALONE.
THAT'S RIGHT.
AND WILLIAM REID
WASN'T A PARTY TO THIS?
NO.
YOU'RE LYING.
I'M NOT LYING.
HE WAS BURNING
BLOODY CLOTHES.
I SAW HIM.
WHAT MAKES YOU THINK
GARY MICHAELS KILLED YOUR BOY?
HE ADMITTED IT.
YOU BEAT A GUY
WITH A BASEBALL BAT,
HE'S GONNA ADMIT
TO A LOT OF THINGS.
HOW DO YOU KNOW
HE WAS THE RIGHT GUY?
I KNOW.
HE APPROACHED
ANOTHER KID
IN THE NEIGHBORHOOD.
HEY, YOU'RE PRETTY GOOD.
AND HOW DO
YOU KNOW THAT?
I WAS TOLD BY
A CONCERNED PARTY.
WHO?
ANOTHER PARENT?
MIND IF I PLAY?
THAT'S ALL
I'M GOING TO SAY
ON THE SUBJECT.
WHO WAS IT?
I TOLD YOU THAT'S
ALL I'M GONNA SAY
ON THE SUB--
WHO WAS IT?
AGENT REID?
DO NOT INTERFERE WITH THIS
INTERROGATION, DETECTIVE.
THIS IS NOT
YOUR CASE ANYMORE.
SPENCER, IT WAS ME.
I'D SEEN HIM AROUND
AT YOUR BALLGAMES,
AT THE PARK.
YOU USED TO
PLAY CHESS THERE,
DO YOU REMEMBER?
YOU PLAYED
WITH HIM ONCE.
WITH GARY MICHAELS?
I DIDN'T KNOW
THAT WAS HIS
NAME BACK THEN,
BUT IT WASN'T
UNUSUAL FOR YOU TO
PLAY WITH ADULTS.
AND YOU'D WIN, TOO.
DID HE DO
SOMETHING TO ME?
OH, NO. GOD, NO.
IT NEVER GOT
TO THAT POINT.
BUT WHEN I SAW
THE WAY HE LOOKED
AT YOU,
I KNEW WHAT HE WAS.
I COULD JUST TELL.
A MOTHER KNOWS.
YES.
SO, YOU TOLD RILEY'S DAD.
2 NIGHTS LATER,
LOU CALLED THE HOUSE.
HE WAS AGITATED.
HE SAID HE NEEDED ME
TO MEET HIM.
IS THAT HIM?
YES.
HIS NAME
IS GARY MICHAELS.
HE HAS A HISTORY.
HISTORY?
HE'S DONE THINGS
TO KIDS.
HOW DO YOU KNOW?
YOU SHOULD GO NOW.
WHAT ARE YOU
GOING TO DO?
GO HOME, DIANA.
I SAT THERE.
I COULDN'T MOVE.
IT WAS LIKE A DREAM.
THAT PARALYSIS
IN THE FACE OF
SOMETHING TERRIBLE.
WHAT HAPPENED AFTER THAT?
[CLEARS THROAT]
IT'S OK, DIANA.
GO ON.
AT SOME POINT, I
FOUND MYSELF WALKING
TOWARDS THE HOUSE.
OH, MY GOD.
LOU, WHAT DID YOU DO?
AND THE REST...
UHH, IT'S ALL DARK
AFTER THAT.
YOU CAME HOME.
SHE COULDN'T TALK AT FIRST.
BUT EVENTUALLY
I CAME TO UNDERSTAND
WHAT HAD HAPPENED.
AND I KNEW THAT NOBODY
COULD EVER KNOW.
SO, YOU NEVER
TOLD ANYONE?
NO. SHE COULD
HAVE BEEN IMPLICATED.
AND I HAD TO PROTECT HER.
YOU WERE BURNING
HER BLOODY CLOTHES.
BUT THE KNOWING,
YOU CAN'T BURN THAT AWAY.
IT CHANGES EVERYTHING.
IS THAT WHY YOU LEFT?
I TRIED TO KEEP US TOGETHER,
SPENCER. I SWEAR TO YOU,
BUT THE WEIGHT OF
THAT KNOWLEDGE WAS--
IT WAS TOO MUCH.
YOU COULD HAVE COME BACK.
COULD HAVE STARTED OVER.
I DIDN'T KNOW HOW TO TAKE
CARE OF YOU ANYMORE.
WHEN I LOST THAT CONFIDENCE,
THERE WAS NO GOING BACK.
WHAT'S DONE IS DONE.
AT LEAST NOW YOU
KNOW THE TRUTH.
I WAS WRONG
ABOUT EVERYTHING. I'M SORRY.
I AM, TOO, SPENCER.
Spencer: "THERE IS
NO REFUGE FROM MEMORY
AND REMORSE IN THIS WORLD.
"THE SPIRITS OF OUR
FOOLISH DEEDS HAUNT US
WITH OR WITHOUT REPENTANCE."
GILBERT PARKER.
WELL, HE LOOKS
JUST LIKE YOU.
LET'S HOPE HE
GROWS OUT OF THAT.
JUST AS LONG
AS HE DOESN'T
INHERIT THE ACCENT.
[KNOCK ON DOOR]
IS THERE ROOM
FOR ONE MORE IN HERE?
SPENCE, HI.
WELCOME BACK.
WOW.
CONGRATULATIONS.
THANK YOU.
HOW IS IT THAT I JUST WENT
THROUGH 15 HOURS OF LABOR
AND YOU LOOK
WORSE THAN I DO?
DON'T BE RIDICULOUS.
YOU LOOK BEAUTIFUL.
WELL, I COULD
SURE USE, UH,
SOME COFFEE.
ANYONE ELSE?
SURE.
MY TREAT.
[BABY CRIES]
YOU OK?
WOW.
YEAH, YEAH. YOU?
YEAH, YEAH, YOU SURE?
'CAUSE THERE'S--THERE'S
SOMETHING I WANTED TO
ASK YOU, BUT IT CAN WAIT.
WHAT IS IT?
WILL AND I WERE
TALKING, AND, UM...
WE WANT YOU TO BE
HENRY'S GODFATHER.
I DON'T
EVEN KNOW--
I DON'T KNOW--
HERE. DO YOU
WANT TO HOLD HIM?
UM...
IT'S OK.
HERE YOU GO.
OK.
WATCH HIS HEAD.
HI.
THERE YOU GO.
HELLO, HENRY.
IF ANYTHING
SHOULD HAPPEN TO US,
IT'S UP TO YOU
AND GARCIA TO MAKE SURE
THIS BOY GETS INTO YALE.
PHEW. YALE. YALE?
YOU WANT TO GO
TO YALE, HENRY?
THAT WAS
YOUR GODFATHER'S
SAFETY SCHOOL.
DON'T WORRY I CAN
GET YOU INTO CALTECH
WITH ONE PHONE CALL.