Criminal Minds (2005–…): Season 13, Episode 17 - The Capilanos - full transcript
The BAU is called to Oklahoma to investigate a murderous clown terrorizing the sleepy town of Guymon.
[VEHICLE APPROACHING]
[SLOW COUNTRY-WESTERN
SONG PLAYING]
[MAN SINGING INDISTINCTLY]
♪ ...BUT YOU WOULD HAVE FOUND ♪
♪ THAT YOU ARE ON MY MIND-- ♪
[RADIO SHUTS OFF]
[DOOR OPENS]
[DOOR LATCH CLICKS]
OOH...
[SHOES THUMP ON FLOOR]
THERE YOU GO.
[KISS]
[CLICK]
[HIGH-PITCHED SOUND]
[RUNNING FOOTSTEPS]
[BRUSHING TEETH]
[SPITTING]
[SWISHING WATER IN MOUTH,
SPITTING]
[CLICK]
[SIGHS]
[CLICK]
[KISS]
[EXHALES]
[HIGH-PITCHED NOISE]
REID: "MASKS ARE WONDERFULLY
PARADOXICAL IN THIS WAY.
"WHILE THEY MAY HIDE
THE PHYSICAL REALITY,
THEY CAN SHOW US HOW
A PERSON WANTS TO BE SEEN."
JOANNA SCOTT.
OK, OK. AND BY OK,
I MEAN THE ABBREVIATION
OF THE GREAT STATE
OF OKLAHOMA,
'CAUSE EVERYTHING
I'M GONNA SAY NOW
IS NOT OK.
THE UNSUB WE ARE LOOKING FOR
KILLED LAST WEEK
IN COLORADO
AND THEN AGAIN LAST NIGHT
IN OKLAHOMA.
ROSSI: BIG MISTAKE.
CROSSING STATE LINES
GIVES US JURISDICTION.
ATTACKING IN TWO STATES
IS AMBITIOUS.
MAYBE HE'S A TRUCK DRIVER
OR HAS OTHER WORK IN THE AREA?
I CAN CHECK THE HIGHWAY
SERIAL KILLER DATABASE.
PRENTISS: SO OUR LATEST
VICTIM, MARK WILSON, 35,
WAS BEATEN TO DEATH
IN HIS HOME,
LIKE OUR FIRST VICTIM,
SAM FRANKLIN.
THEY WERE BOTH HARD-WORKING
MIDWESTERN MEN.
BOTH HOMES WERE ROBBED,
AND YOU KNOW THAT
SUPER-SENSITIVE SIDE
OF YOUR MOUTH PART HERE?
ON BOTH OF THEM,
IT WAS CUT.
ARE THEY SMILING?
HOW DID HE DO THAT?
THAT'S AWFUL.
LEWIS: THIS WASN'T ABOUT
INFLICTING MORE PAIN.
I MEAN,
THEY WERE ALREADY DEAD.
HE WAS COMPELLED
TO DO THIS.
ALVEZ: HE'S GOT A TYPE.
STRONG MARRIED MEN
WITH KIDS.
IT COULD BE A SURROGATE.
HE'S GOT PATRICIDAL
TENDENCIES,
SHOWS POWER-ASSERTIVE
BEHAVIOR.
AT FIRST GLANCE, HE FEELS
LIKE A FAMILY ANNIHILATOR
ATTACKING THE HOME,
BUT HE'S NOT KILLING
THE WHOLE FAMILY.
AND HE CHOOSES TO DESTROY
THE HEADS OF HOUSEHOLD
WITHOUT AN AUDIENCE.
THERE COULD BE SOME
MERCY IN HIM AFTER ALL.
GARCIA: WELL, THAT MIGHT BE
TRUE WITH SAM FRANKLIN,
BUT WITH MARK WILSON,
HIS 7-YEAR-OLD SON DYLAN
SAW THE WHOLE THING.
OH, NO.
IS HE TALKING?
WELL, HE WAS,
BUT NOT ANYMORE.
IT'S UNCLEAR WHAT HE SAW,
BUT HE SAYS HIS DAD
WAS KILLED BY A CLOWN.
JJ: MAYBE THE UNSUB
WORE A DISGUISE.
OR HE'S PROJECTING
SOMETHING HE FEARS.
THERE'S A WORD, EVEN THOUGH
IT'S NOT RECOGNIZED
BY ANY DICTIONARY
OR PSYCHOLOGY MANUAL,
FOR THE EXCESSIVE FEAR
OF CLOWNS--COULROPHOBIA.
PRENTISS: WELL, WHATEVER HE SAW,
WE NEED TO FIND OUT
IF IT WAS REAL OR PERCEIVED.
WHEELS UP IN 20.
I GOT OFFICERS SEARCHING
PAWN SHOPS IN THE AREA
BUT CAME UP EMPTY.
SORRY IF YOU GOT
A FEW STARES.
LAST TIME THE FEDS WERE HERE
WAS WHEN THEY CAUGHT McVEIGH.
WE GOT YOU SET UP
OVER HERE.
PRENTISS: THANK YOU.
YEAH, I SAW WHAT
THIS PSYCHO DID
TO THE VIC'S MOUTH.
I FIGURED IT WASN'T
HIS FIRST TIME.
SO THAT'S WHEN I RAN IT
THROUGH ViCAP,
AND IT WAS TIME TO CALL YOU.
ARE YOU THE ONE WHO RESPONDED
TO THE WILSON RESIDENCE?
YEAH. AND, OF COURSE,
I FOUND DYLAN WILSON
HIDING IN HIS BEDROOM.
HE CALLED 911?
YEAH, BUT NOT UNTIL
THE SUN CAME UP.
I'M SURE HE WAS
TOO AFRAID
TO MAKE A SOUND.
TIME OF DEATH WAS MIDNIGHT.
HE WAS IN THAT HOUSE WITH
HIS DEAD FATHER FOR HOURS.
NO WONDER HE ISN'T TALKING.
WOMAN, ON P.A.: OUTPATIENT
PHARMACY, DIAL 621.
OUTPATIENT PHARMACY,
DIAL 621.
HI. MRS. WILSON,
WE'RE AGENTS REID
AND SIMMONS FROM QUANTICO.
HI.
WE'RE SO SORRY
FOR YOUR LOSS.
BEFORE HE STOPPED TALKING,
HE SAID HE WISH HE'D
CALLED FOR HELP SOONER.
IRRATIONAL GUILT,
ESPECIALLY FOR A CHILD,
IS COMMON AFTER
A TRAUMATIC EVENT.
IS HE GONNA TALK AGAIN?
THE DOCTORS HERE
CAN'T TELL ME.
MOST LIKELY,
BUT WHAT HE'S DOING
IS CALLED DISASSOCIATING.
IT'S A PSYCHOLOGICAL FORM
OF SELF-PROTECTION.
YOU MIND IF I TALK
TO HIM?
PLEASE.
HI, DYLAN.
MY NAME'S SPENCER.
I'M REALLY SORRY ABOUT
WHAT HAPPENED TO YOUR DAD.
I CAN'T IMAGINE HOW SCARY
THAT MUST HAVE BEEN.
I HEARD WHO YOU SAW,
AND I WAS HOPING...
MAYBE YOU COULD
DRAW ME A PICTURE?
[LOUD BANGING;
GLASS BREAKING]
[THUD]
[CRASH]
CLOWN: UNH!
UHH!
[PENCIL SCRATCHING PAPER]
SO HE PARKED IN FRONT
OF THE HOUSE
INSTEAD OF THE GARAGE.
IF HE WAS CARRYING
A SLEEPING DYLAN,
IT WOULD HAVE BEEN
THE FASTEST WAY INSIDE.
THAT'S WHY HE MISSED
THE JIMMIED LOCK
ON THE GARAGE DOOR.
UNSUB'S HITTING
SECLUDED HOUSES.
MARK'S ENTRY WOULD HAVE
INTERRUPTED THE ROBBERY.
SO HE WOULD HAVE PUT
DYLAN IN HIS BED
AND THEN HE WOULD HAVE
GONE TO SLEEP HIMSELF.
WHICH MAKES SENSE,
SINCE THE STRUGGLE STARTED
IN THE MASTER BEDROOM.
BUT IT ENDED
IN THE LIVING ROOM.
HE PROBABLY TRIED
TO GET THE VIOLENCE
AS FAR AWAY FROM
DYLAN AS HE COULD.
JUST LIKE THAT FIRST KILL
IN COLORADO,
HE FOUND HIS MURDER
WEAPON ON THE SCENE.
SO THIS GUY'S ORGANIZED,
AND YET HE IS IMPROVISING.
WELL, HE HASN'T
ESTABLISHED A PATTERN
'CAUSE HE'S JUST
GETTING STARTED.
WELL, IF DYLAN SAW HIM,
CHANCES ARE HE SAW DYLAN, TOO,
AND CHOSE TO LET HIM LIVE.
WELL, MAYBE
HE HAS BOUNDARIES
WHEN IT COMES
TO HURTING CHILDREN.
OY, I GOT NADA ON
THE HIGHWAY DATABASE, FYI.
BUT THE OTHER TASK
OF FINDING ADDITIONAL
ROBBERIES
IN THOSE TWO STATES,
BINGO-GO-GO.
I GOT 3 ROBBERIES
ADDITIONALLY IN COLORADO
THAT ARE LINKED
BY A BIZARRE SMILEY FACE
CARVED INTO THE DOORS.
STRANGE HIS SIGNATURE
WOULD EVOLVE
FROM CARVING WOOD
TO CUTTING FACES.
HOMEOWNERS WEREN'T THERE?
GARCIA: HENCE NO HOMICIDES.
THEY'RE ALSO IN EQUALLY
HARD-TO-FIND SPOTS.
I'M SENDING YOU THE TOWNS...NOW.
ROSSI: THE HOUSES
ARE ALL FAR OFF
FROM THE INTERSTATE.
GARCIA: HE MUST HAVE
SCOUTED THEM BEFORE HE
BURGLED THEM, RIGHT?
NOT NECESSARILY.
THEY COULD BE TARGETS
OF OPPORTUNITY.
DARK STREET, DARK HOUSE.
WELL, SOMETHING TRIGGERED HIM
BETWEEN HIS LAST ROBBERY
AND HIS FIRST MURDER.
MAYBE HE'S GOT A CONNECTION
TO THESE TOWNS.
[GEAR SHIFTER CLICKS]
[KEYS JINGLING]
[PENCIL SCRATCHING PAPER]
THANK YOU, DYLAN.
THIS IS REALLY HELPFUL.
I'M GOING TO SHOW IT
TO MY FRIEND, OK?
ALVEZ: LOOKS LIKE
A SIMPLE PLAN.
FIRST HIT HOUSES IN SMALL
TOWNS AND KEEP MOVING.
NOT TOO BRIGHT
TO LEAVE A CALLING CARD
ANNOUNCING HOW MANY
HOUSES THEY'VE ROBBED.
WELL, THE UNSUB
DIDN'T START OUT
LOOKING FOR BLOOD
ON HIS HANDS,
SO WHAT CHANGED HIM?
PRENTISS:
WE SHOULD FOCUS
ON HIS FIRST KILL.
SAM FRANKLIN FROM
CAMPO, COLORADO.
WORKED IN A WAREHOUSE,
HE HAD A WEEKEND SHIFT
WHILE HIS FAMILY
WAS IN DENVER.
ANY SPECULATION
AS TO WHAT HE WAS DOING
THE NIGHT HE WAS KILLED?
WELL, HIS WIFE CLAIMS
THAT HE CALLED HER
ON HIS WAY HOME FROM WORK.
IT WAS ABOUT MIDNIGHT.
HE TOLD HER
HE WAS ALMOST T-BONED,
AND THE DRIVER LOST
HIS MIND ON HIM.
SHE SAID HE WAS
A BIT SHAKEN,
WHICH WASN'T LIKE HIM.
DID HE SAY A CLOWN
WAS DRIVING?
HE DID NOT.
WHICH IS THE FIRST
THING YOU WOULD SAY
IF THAT'S WHAT YOU SAW.
OK, SO DO WE THINK
A CHANCE ENCOUNTER
LED TO MURDER?
MAYBE. AGGRAVATED LETHAL
ROAD RAGE MENTALITY
FITS OUR UNSUB'S PROFILE.
LEWIS: WHAT ABOUT MARK WILSON?
THE HOUSE WAS ALREADY
BROKEN INTO
WHEN HE GOT HOME.
ALVEZ: YEAH, IT LOOKS LIKE
THE UNSUB'S MOVING SOUTH
ALONG SMALL STATE ROADS.
JJ: GIVEN THE
ACCELERATED TIMELINE,
HIS NEED TO LEAVE
A SIGNATURE BEHIND,
IT FEELS LIKE
HE'S ON A MISSION.
WOW! HE'S NOT
COMPARTMENTALIZING AT ALL.
NOT AT ALL.
REID, OVER PHONE:
DYLAN DEFINITELY SAW A CLOWN.
THE LEVEL OF DETAIL
IN THE COSTUME
SUGGESTS SOMETHING PRECISE,
WHICH MAKES ME FEEL LIKE
THE FACE WOULD MOST LIKELY
BE HAND-PAINTED
VERSUS SOME KIND
OF MASS-DISTRIBUTED MASK.
MAKES SENSE, SINCE THE M.E.
FOUND GREASEPAINT
UNDER THE LATEST
VICTIM'S NAILS.
THIS IS SUCH
A SPECIFIC DISGUISE.
THIS UNSUB MUST HAVE
AN OBSESSION.
ALVEZ: IT SAYS A LOT THAT HE
WENT INTO MARK WILSON'S HOUSE
WITH THIS MAKEUP ON HIM.
I MEAN, IT'S LIKE AN ALTER-EGO.
THAT DISGUISE COULD BE
HELPING HIM FIND
CONFIDENCE.
WON'T BE SURPRISED
IF HE STARTS A SPREE.
MAN: YOU KEEP UP THAT
WINNING STREAK,
AND THEY'RE GONNA WANT
ALL OF US ON THE TEAM.
WOMAN: HA HA!
SCOOT INTO BED.
I WILL LET YOU
SNOOZE ANOTHER 10
IN THE MORNING.
OFF YOU GO.
OH, WAY TOO LATE
FOR A SCHOOL NIGHT.
I KNOW,
BUT THEY'LL SURVIVE.
I'LL TELL YOU WHAT--
YOU MAY NOT BE TIRED,
BUT I AM WIPED.
I'M GOING TO BED.
GOOD NIGHT, SWEETHEART.
GOOD NIGHT, HONEY.
POLICE RADIO:
UNIT 12, UNIT 12.
JJ: HE KILLED BOTH
PARENTS THIS TIME.
WELL, MOM MUST HAVE
TRIED TO STOP IT
AND BECAME
COLLATERAL DAMAGE.
SIMMONS:
WELL, THANKFULLY THE KIDS
DIDN'T WITNESS ANY OF THAT,
BUT SINCE NOBODY
SAW ANYTHING,
WE DON'T KNOW IF HE WAS
WEARING A DISGUISE
THIS TIME.
AND JUST LIKE
MARK WILSON'S HOUSE,
HE WAS HERE
WHEN THEY GOT HOME.
SO I DON'T KNOW
IF HE'S HUNTING THEM
BEFOREHAND
OR JUST GETTING LUCKY
THAT THEY'RE FAMILY MEN.
AN ACCIDENTAL ANNIHILATOR
LEAVING A WAKE
OF ORPHANS BEHIND.
THIS IS THE SECOND TIME
HE SPARED THEIR LIVES
WHEN HE CLEARLY
DIDN'T NEED TO.
STILL, HE'S PUNISHING
THEM, MAKING THEIR WORST
FEARS COME TRUE.
MAYBE HE HAS HIS OWN
ABANDONMENT ISSUES OR...
I DON'T KNOW, MAYBE WE'RE
MISSING SOMETHING HERE.
IF HE HAD A SUBMISSIVE
PARTNER,
THEN THEY COULD BE
THE INFLUENCE
IN KEEPING THE KIDS ALIVE.
SO HE KILLS STRONG
MALE FIGURES
TO PROVE HIS DOMINANCE?
BUT THAT'S NOT ENOUGH,
SO HE FEELS COMPELLED
TO CUT THEIR MOUTHS.
HE WANTS TO MAKE SURE
HE LEAVES THEM
WITH A PERMANENT SCAR.
SO MAYBE HE GREW UP ABUSED.
HE COULD EVEN HAVE
THE SAME SCAR.
AND IF THAT TRAUMA
HAPPENED
WHILE HIS LOVE MAP
WAS FORMING,
HE WOULD THINK
THAT'S THE ONLY WAY
TO GAIN DOMINANCE.
CHIEF: A NEIGHBOR WITNESSED
A GUY DRESSED AS A CLOWN
RUNNING OUT OF THE HOUSE
AND JUMPING IN A VAN.
THING IS, THERE WAS
ANOTHER GUY DRIVING.
THANKS.
POLICE RADIO:
WE BLOCKED OFF 412...
MAN: PULL FORWARD,
PLEASE!
[VEHICLE APPROACHES;
BRAKES SQUEAL]
MAN: OH, NO.
WHAT ARE WE GONNA DO?
THEY GOT A ROADBLOCK.
WE'RE TOTALLY SCREWED.
SECOND MAN:
AH, WHAT KIND OF
NEGATIVE CRAP IS THAT?
WE'RE CHALLENGED.
I TOLD YOU, WE SHOULD
HAVE FINISHED OUR NIGHT
AND GONE BACK.
WHY'D YOU HAVE TO BREAK IN
AGAIN AT NIGHT?
I GOT WOUND UP.
PLUS I HEARD A GUY
TALKING ABOUT THAT SPOT.
[BAG JINGLING]
IT PAID OFF, DIDN'T IT?
DOING THIS TWO NIGHTS
IN A ROW IS CRAZY.
DON'T CALL ME THAT.
I'M SORRY, BUT...
YOU JUST CAN'T GET
SO GREEDY.
WE ARE NOT GONNA
GET CAUGHT.
WHAT THE HELL IS THAT,
BLOOD?
YOU SAID NOBODY GOT HURT.
GUY WAS POPPING OFF
AT THE MOUTH.
I HAD TO SHUT HIM UP.
IN, OUT, ON OUR WAY.
THAT WAS THE DEAL.
NO FIGHTING.
YEAH, WELL,
YOU'RE TOO WEAK
TO BE IN THERE
WITH ME, AREN'T YOU?
GOTTA DO
WHAT I GOTTA DO.
NOW TURN THE VAN AROUND
AND LET'S GO.
[ENGINE STARTS]
WHAT ARE THOSE?
HOPING TO FIND ONE
THAT LOOKS LIKE
DYLAN'S DRAWING.
ARE THOSE CLOWN FACES
PAINTED ON EGGS?
THE TRADITION WAS STARTED
AFTER WORLD WAR II
BY A LONDON CIRCUS CLOWN
CALLED STAN BULT.
HE WANTED
ALL PROFESSIONAL CLOWNS
TO BE ABLE TO COPYRIGHT
THEIR COSTUMES
AND MAKEUP DESIGNS.
THERE'S OVER 300 OF THEM
ON DISPLAY
IN THE ENGLISH VILLAGE
OF WOOKEY HOLE.
I HOPE THEY HELP.
THANK YOU FOR STAYING.
HE SEEMS BETTER
WITH YOU HERE.
I'M JUST GLAD
HE'S FINALLY RESTING.
MMM.
I DON'T KNOW HOW WE'RE
GONNA GET THROUGH THIS.
I MEAN, JUST KNOWING
WHAT HE SAW.
[SIGHS] I WISH I COULD
TRADE PLACES WITH HIM,
BUT I DON'T KNOW...
HOW I'M GONNA GET HIM
THROUGH THIS.
AFTER SOMETHING
TRAUMATIC HAPPENS,
I DON'T KNOW ABOUT YOU,
BUT I FIND
THAT THERE'S ALWAYS THAT...
LITTLE MOMENT
RIGHT WHEN YOU WAKE UP
IN THE MORNING
WHEN EVERYTHING'S GOOD,
BECAUSE YOUR MIND
HAS TEMPORARILY FORGOTTEN
THE BAD STUFF.
YOU EVER HAVE THAT?
AFTER MY DAD DIED, YEAH.
I FEEL LIKE OUR CONSCIOUS
AND SUBCONSCIOUS
MAKE SOME SORT
OF SECRET PACT
TO LET US HAVE
A SPLIT-SECOND OF PEACE.
YOU HAD THAT A LOT?
WHEN THAT RELIEF HAPPENS,
I TRY TO HOLD ONTO IT.
YOU JUST HAVE TO FIGURE OUT
A WAY TO HELP DYLAN DO THAT.
HOW?
LET HIM KNOW
THAT HE'S NOT ALONE
AND THAT HIS HEALING
IS JUST GONNA TAKE TIME.
WHEN HE'S READY TO TALK,
HE WILL.
PRENTISS: PHYSICAL
AND BEHAVIORAL EVIDENCE
POINTS TO A DOMINANT
POWER-ASSERTIVE MALE
ROBBING AND KILLING,
BUT WE ALSO BELIEVE
THERE IS A SUBMISSIVE PARTNER
WHO DRIVES
THE GETAWAY VEHICLE.
WE'RE LOOKING FOR TWO MEN
IN THEIR 30s DRIVING A VAN.
ALVEZ: THE DOMINANT
PARTNER LIKES TO KILL
WITH HIS BARE HANDS,
AND HIS SIGNATURE
IS CUTTING HIS VICTIMS
POSTMORTEM.
CHIEF: ANY CHANCE THE
SUBMISSIVE DOESN'T KNOW
WHAT THE DOMINANT'S DOING?
ABSOLUTELY. IT'S COMMON
FOR CRIMINAL PARTNERS
TO KEEP SECRETS
FROM ONE ANOTHER.
THE KIDS SEEM TO BE
A COMPLEX PART
OF THIS PUZZLE.
THE DOMINANT'S WORKING
ALONE IN THE KILLS,
CHOOSING NOT TO PHYSICALLY
HARM THE CHILDREN.
IT COULD BE
THE SUBMISSIVE'S INFLUENCE.
THERE MIGHT BE
A CHILD IN THEIR LIVES
OR UNRESOLVED ISSUES
FROM THEIR OWN CHILDHOODS.
AND WE CAN'T IGNORE
THE ELEPHANT IN THE ROOM.
MORE THAN ONE EYEWITNESS
HAS TALKED ABOUT
A CLOWN DISGUISE.
NOW, THAT COULD BE A
FORENSIC COUNTERMEASURE,
BUT CHOOSING IT
TELLS US ABOUT HIM.
WHEN UNSUBS WEAR MASKS,
OR IN THIS CASE,
PAINT THEM ON,
IT IS A PREDICTOR
FOR ANTISOCIAL BEHAVIOR.
WE CALL THIS
DEINDIVIDUATION.
IT ALLOWS THE OFFENDER
TO BE ANONYMOUS
AND ACT THEIR WORST.
WE ONLY KNOW
THE DOMINANT
HAS PAINTED HIS FACE,
MOST LIKELY BECAUSE
HE HATES HIS OWN.
CHIEF.
PRENTISS: HE COULD HAVE
A FACIAL DISFIGUREMENT
OR A SPEECH IMPEDIMENT,
SOMETHING HE CAN'T CONTROL
THAT FRUSTRATES HIM.
TWO MEN MATCHING
THE WITNESSES' DESCRIPTION
HAVE JUST BEEN SPOTTED.
CHIEF?
[WHISPERING]
OK, GO OVER IT.
YOU'LL THROW ME OVER
'CAUSE I'M LITTLE,
AND I'LL GET STUCK
ALONE 'CAUSE YOU FATSOS
WON'T MAKE IT.
THEN I'M GONNA BE
THE ONE WHO'S DEAD.
SHUT UP AND DO IT.
IDIOTS, FOLLOW ME.
HOLD IT FOR ME.
THANKS.
BEANS, I'M GONNA
CLOSE IT ON YOU.
HURRY UP, BEANS.
LET'S GO.
BEANS: I WAS HERE
FOR MY GREAT-AUNT
MATTIE'S FUNERAL.
THE CRANK BROKE,
AND THE CASKET FELL
TO THE GROUND.
AND MY BROTHER SAID
THAT WHEN THE LID
POPPED OPEN,
HER BODY WAS ALL LIKE...
SHH.
LOOK.
[SCREAMING]
RUN!
[ALL SCREAMING]
SIMMONS: FBI! HANDS WHERE
WE CAN SEE THEM!
HANDS UP, CLOWN.
THEY TOOK ALL MY STUFF.
OH, YOU'LL GET IT BACK.
BUT YOU'RE GONNA
BE HERE FOR A WHILE.
SO THIS ISN'T YOUR ONLY
TRESPASSING CHARGE.
I GOTTA ASK,
WHY DID YOU DO IT?
I'M A TELEMARKETER.
I CLOCK IN, CLOCK OUT,
AND ALL DAY MAKE CALLS
TO PEOPLE
WHO EITHER REJECT ME
OR ARE TOO LONELY
TO HANG UP.
DRESSING UP
GETS YOU ATTENTION.
WHEN I GO OUT
DRESSED LIKE THIS...
I MAKE A DIFFERENCE
IN SOMEONE'S NIGHT.
MY BUDDY AND I,
WE GO TOGETHER
SO IT'S DOUBLE
THE SCARE.
AND YOU KNOW WHAT?
THOSE KIDS TONIGHT--
THEY'LL REMEMBER ME.
[SIGHS] WE HAVE A MAN
WHO IS DRESSING UP LIKE A CLOWN
AND KILLING PEOPLE.
HE'S CLEARLY
A VERY SICK MAN.
MM-HMM.
ALL WE HAVE TO GO BY
IS THIS KID'S DRAWING
OF WHO HE SAW.
MY PARTNER THINKS
IT'S A TWIST
ON A CHARACTER CLOWN
FROM THE 1950s.
YOU EVER SEEN HIM?
NO, I'D REMEMBER
A GUY LIKE THAT.
[BLOWING]
[BALLOON SQUEAKING]
THEY CLOSED THE ROAD
AND THE GIG WENT LATE
IS WHY I DIDN'T
MAKE IT HOME LAST NIGHT.
WHERE DID YOU STAY?
IN THE VAN.
SO DO YOU REALLY THINK
YOU'VE MADE ENOUGH
FOR US TO, YOU KNOW,
CALL IT A DAY AND HEAD SOUTH?
YEAH. I'M READY
FOR THE FLORIDA SUN.
HOW ABOUT YOU?
MY PARENTS CALLED.
THEY SAID THEY FOUND US
A LITTLE TRAILER,
UNDER 500 A MONTH.
GREAT SCHOOL FOR MIKEY.
WELL, WE GOT ENOUGH
FOR THE FIRST COUPLE MONTHS,
UNTIL WE FIND A NEW GIG.
[CHUCKLES]
[DISGUISED VOICE]
HIYA, MONKEY.
HE IS MAGIC.
MIKEY: CAN I TRY ONE?
PICK A COLOR, ANY COLOR.
MM-HMM.
MM...GREEN.
GIVE IT A BIG BLOW, OK?
[BOTH TAKE DEEP BREATH]
[BLOWING, SQUEAKING SOUND]
YOU SHOULD STRETCH IT OUT.
I SHOULD HAVE HAD YOU
STRETCH IT.
GIVE IT A BIG STRETCH.
[MAKES STRETCHING SOUND]
[MAKES STRETCHING SOUND]
YEAH, LIKE THAT.
[MUSIC ON TV]
MAN: WE INTERRUPT
OUR CURRENT PROGRAMMING
WITH BREAKING NEWS.
WOMAN: THIS IS THE SECOND
HOME INVASION IN GUYMON.
EACH TIME THE CHILDREN
WERE HOME
TO FIND THEIR PARENTS DEAD.
OH, THAT IS AWFUL!
HEY, THAT WAS IN GUYMON.
MAYBE THAT'S WHY
THE ROADS WERE CLOSED.
YOU OK, BABE?
I THINK IT WAS JUST
THE SANDWICH.
I NEED SOME AIR.
[BLOWING]
TONE!
YOU KILLED THOSE PEOPLE?
WHEN THAT GUY CAME HOME
WITH HIS SLEEPING KID,
YOU SAID THAT YOU TIED
HIM UP AND THAT WAS IT.
AND THE FAMILY LAST NIGHT?
[EXHALES]
HOW MANY?
3.
HUH?
4. 4.
WHAT THE HELL
IS THE MATTER WITH YOU?
JUST LISTEN TO ME
FOR A SECOND.
JUST--
LISTEN.
I'M SORRY.
GIVE ME MY HALF.
RIGHT NOW.
HERE'S THE THING.
AFTER WORK AND PAWN SHOPS,
WE HAD ABOUT 3,200.
3,800.
YEAH.
SO I HAD A LEAD.
OH, GOD, WE SHOULD BE
RIDING HIGH RIGHT NOW,
BUT DON'T WORRY,
WE'RE GONNA GET IT ALL BACK.
YOU LOST IT?
GAMBLING?
WE'VE BEEN AT THIS
FOR WEEKS.
YOU LOST IT?
I GOT A PLAN, TONE.
DO YOU REMEMBER
THE RANCH OWNER
FROM THE OTHER NIGHT,
THE BIG GUY WITH
THE SHINY CONVERTIBLE?
I'M NOT DRIVING YOU
TO KILL ANYBODY.
I WON'T HURT ANYBODY
EVER AGAIN, OK?
WE NEED TO GET
OUR MONEY BACK.
AND THIS GUY,
HE'S LOADED.
HE'S NOT EVEN
GONNA MISS IT.
YOU WANT TO GET MIKEY
DOWN TO FLORIDA, RIGHT?
THEN WHAT CHOICE
IS THERE IN THIS, MAN?
WOMAN, ON P.A.: CHARGE
NURSE ON DUTY TO CCU.
CHARGE NURSE ON DUTY TO CCU.
HI, DYLAN.
THAT PICTURE YOU DREW
REALLY HELPED US A LOT.
IS THERE ANYTHING ELSE
YOU REMEMBER ABOUT HIM?
DID HE SAY ANYTHING
TO YOU?
HE WAS WEARING
A SHIRT LIKE THAT.
LIKE--LIKE--LIKE DENIM?
YEAH. HE ALSO SMELLED
LIKE HORSES.
OH, BABY.
[KISS]
OHH...
I SHOULD JUST WAIT
IN THE CAR.
HEY. WE'LL GET TWICE AS MUCH
WITH YOU HELPING ME.
AND NOBODY GETS HURT.
I ALREADY PROMISED.
SEE? NOBODY'S EVEN HOME.
HA HA HA!
WELCOME TO THE BIG LEAGUES,
TONY CAPILANO!
[COCKS SHOTGUN]
[GRUNTS]
[SHOTGUN BLAST]
SIMMONS: THE OWNER IS
IN CRITICAL CONDITION,
TOOK A GUNSHOT WOUND
TO THE SHOULDER.
NOW, IT LOOKS LIKE THEY FOUGHT,
BUT THE UNSUBS GOT SCARED OFF.
ROSSI, OVER PHONE:
NOTHING STOLEN?
NO, NO. THEY DIDN'T MAKE IT
PAST THE THRESHOLD.
PRENTISS: YOU SAID
THERE WAS SOME
KIND OF SECURITY.
YEAH. I'M WORKING ON
GETTING THAT FOOTAGE NOW.
CALL YOU BACK.
THESE GUYS HAVE REMAINED
LOW-TECH SO FAR.
THEY HAVEN'T CHOSEN HOUSES
WITH SECURITY SYSTEMS.
JJ: CHOOSING THIS
HOUSE, ESPECIALLY
IN THE DAYLIGHT,
IT'S A RISK.
THEY'RE IN A HURRY.
MAYBE THEY'RE FINALLY
GETTING OUT OF TOWN
AND THEY'RE SLOPPY
ABOUT IT.
THEN THEY'LL BE MORE
HAPHAZARD
NOW THAT WE'LL
HAVE IMAGES OF THEM.
[CELL PHONE RINGS]
HEY, SPENCE.
GREAT NEWS. DYLAN IS TALKING
AND HE'S REMEMBERING
MORE DETAILS.
HE SAID THE UNSUB
WAS WEARING DENIM
AND SMELLED LIKE HORSES.
THAT'S SPECIFIC.
REID: IF I BROUGHT HIM
IN TO THE STATION,
I THINK IT MIGHT HELP
WITH HIS HEALING.
THAT'S A GREAT IDEA.
HEY, HOLD ON.
LUKE JUST WALKED IN.
SO, THE M.E. CONFIRMED
THAT THE GREASE
UNDER THE VICTIM'S
FINGERNAILS
IS A PROFESSIONAL-GRADE
STAGE MAKEUP.
ROSSI: DOESN'T SEEM LIKE
THAT WOULD BE EASY TO FIND.
SO THEY'RE NOT AMATEURS.
WELL, PSYCHOLOGICALLY,
MOST CLOWNS BELIEVE
IT'S NOT JUST A JOB,
IT'S WHO THEY ARE.
THAT'S A PROBLEM,
CONSIDERING
CIRCUSES ARE
GOING OUT OF BUSINESS.
ALL RIGHT,
MATT JUST SENT OVER
THE SECURITY FOOTAGE.
SPENCE, I'LL FORWARD IT TO YOU.
SEE, NOW, FACED
WITH A SURPRISE,
THESE GUYS ARE INCREDIBLY
UNSOPHISTICATED.
AND NO SURPRISE
THE SUBMISSIVE'S
INSTINCT IS FLIGHT,
THE DOMINANT'S IS FIGHT.
IF THEY GREW UP
IN THIS CLOWN CULTURE,
THESE COULD BE THE ROLES
THEY'VE ALWAYS PLAYED.
SO MAYBE THEY HAVEN'T
LEFT THE AREA
BECAUSE THEY FOUND SOME
KIND OF CIRCUS WORK HERE.
PRENTISS: HEY, GARCIA?
LITTLE BOY IS TALKING AGAIN?
THANK THE STARS.
YES. HE'S MADE
SOME PROGRESS.
SO HAVE WE.
CAN YOU CROSS
THE GEO-PROFILES
FROM THE INITIAL CRIMES
IN COLORADO AND OKLAHOMA,
SEE IF ANY TRAVELING
CIRCUSES OR CARNIVALS
WENT THROUGH THOSE TOWNS?
I LOVE A CARNIVAL.
IF IT WASN'T FOR THE WHOLE
NEFARIOUS PEOPLE
ARE PROBABLY WORKING THERE,
THIS WOULD BE
A MOST ENJOYABLE SEARCH.
NEFARIOUS RUINS EVERYTHING.
I'LL HIT YOU BACK.
MAN: W-WHY'D YOU HAVE
TO SHOOT HIM?
OUR FACES ARE GONNA BE
ALL OVER THE NEWS.
WE GOTTA GET OUT OF HERE!
[KEYS JINGLING]
WHERE ARE WE GONNA GO?
WE DON'T HAVE ANY MONEY,
REMEMBER?
ENOUGH WITH THE "WE."
Y-YOU MESSED THIS UP.
NOT "WE."
I HAVE A WIFE
AND A KID
TO TAKE CARE OF,
AND YOU DON'T.
I'VE BEEN YOUR FAMILY
ALL YOUR LIFE,
AND NOW, WHAT?
I LET DAD
BEAT ON ME INSTEAD.
I GOT--I GOT THIS
SO YOU WOULDN'T HAVE TO.
GOOD LUCK.
ONCE A RINGLING BROS.
CLOSED,
A LOT OF THE SMALLER ONES
FOLDED, TOO.
BUT IT TURNS OUT THIS WAS
A HUGE FAMILY BUSINESS,
GENERATIONS BORN AND RAISED
IN THIS WORLD.
IT'S DYING OFF. I DON'T REALLY
HAVE ANYTHING TO OFFER YOU.
OK, WELL, LOOK, THINK
ABOUT THEIR TIMELINE.
THEY'RE WEARING DENIM,
THEY HAVE MADE-UP FACES,
SMELLING LIKE HORSES.
WHAT IF IT'S LESS ABOUT
WEARING THE MASKS
AS A FORENSIC COUNTERMEASURE
AND MORE ABOUT CONVENIENCE?
I MEAN, WHAT IF THEY
JUST FINISHED SOME KIND
OF GIG CLOSE BY?
THEY COULD BE CLOWNS
AT A RODEO.
PRENTISS: EMILY, HAVE I
COMPLIMENTED YOU
AS OF LATE ON YOUR ASSERTIVE
YET LOVING WAY
OF POINTING OUT PATHS
I DON'T THINK TO GO DOWN?
OH, WOW.
THERE'S A WHOLE CIRCUIT.
BIG DEAL THINGS
AT CIVIC CENTERS,
SMALLER ONES, TOO.
THERE WERE A WHOLE BUNCH
LAST WEEK IN COLORADO
WHERE OUR FIRST VICTIM
WAS KILLED,
AND THERE'S ONE SCHEDULED
TONIGHT IN GUYMON.
I'M SENDING YOU THE INFO NOW.
[HORSE NICKERS]
THESE RODEOS CAN EMPLOY
HUNDREDS OF PEOPLE.
YEAH. I HOPE
THIS IS OUR GUYS.
CAN I HELP YOU?
YEAH, UH, AGENTS JAREAU
AND SIMMONS.
WELL, EVERYBODY'S
LEGAL HERE, MA'AM.
GLAD TO HEAR.
WE'RE WONDERING
IF YOU--IF YOU EVER
EMPLOYED THESE MEN.
WE THINK THEY
MAY BE RELATED.
WELL, THEY'RE BROTHERS.
IT'S THE CAPILANOS.
THAT ONE THERE
GOT IN A FIGHT
WITH ONE OF
MY BULL RIDERS.
TRIED TO CUT HIS FACE.
SO THEY'RE BANNED
FROM WORKING HERE.
YEAH. BAD LUCK
FOLLOWS THEM AROUND.
I HEAR THEY GOT CANNED
UP IN COLORADO LAST WEEK,
BUT I'M NOT SURPRISED
WITH THAT ONE'S TEMPER.
DO YOU HAVE ANY IDEA
WHERE WE MIGHT BE ABLE
TO FIND THEM?
ALL US OWNERS, WE TALK,
SO THEIR NAMES
ARE NO GOOD AROUND HERE.
I'M SURE THEY'VE
MOVED ON BY NOW.
EXCUSE ME. I GOT
A SHOW TO GET READY.
UH, JUST
ONE MORE THING.
IF THEY ARE BLACKLISTED
FROM THE LEGITIMATE
CIRCUIT, ANY CHANCE
THEY'D FIND WORK
SOMEWHERE OFF THE RADAR,
LIKE AT A COLEADERO?
A MIGRANT RODEO.
THEY'RE UNREGULATED.
SURE. IF THOSE BOYS
ARE DESPERATE ENOUGH,
THEY CAN WORK.
ANY IDEA WHERE
WE COULD FIND ONE?
WELL, THEY KEEP
MOVING THEIR SPOTS.
THEY DON'T WANT
THE COPS TO CATCH 'EM.
ALL RIGHT, WELL,
THANKS FOR YOUR HELP.
UH, HEY.
DON'T TELL THEM
I SENT YOU.
WE WON'T.
MA'AM.
[CHUCKLES]
OH, MY GOD.
DO YOU REMEMBER THIS?
THE DAY WE FOUND OUT
WE WERE PREGNANT.
HA HA.
I JUST WISH HE COULD
GROW UP LIKE WE DID...
THE MAGIC OF THE BIG TOP.
YOU KNOW?
I KNOW, BUT IT'S GONE.
I THINK IT'S TIME THAT
WE DREAMED A NEW DREAM.
THIS IS ALL I KNOW.
NO, YOU'VE GOT
SO MANY OTHER SKILLS
THAT'LL TRANSFER TO WORK,
AND--AND I'M A GOOD ACROBAT.
I COULD TEACH GYMNASTICS
DOWN IN FLORIDA,
AND WE'D FIND SOMETHING
THERE FOR YOU, TOO.
THIS IS WHERE YOU GUYS
HAVE BEEN GOING?
THIS AND OTHERS LIKE IT.
I HAVEN'T BEEN BACK
TO THIS ONE
SINCE SAL GOT US
KICKED OUT.
ARE YOU SURE
THIS IS SAFE?
YEAH, I'LL BE CAREFUL.
I KNOW THE BOSS.
I CAN MAKE 50 BUCKS,
GET US ANOTHER 300 MILES
CLOSER TO FLORIDA.
OK.
[COUNTRY-WESTERN MUSIC PLAYING]
MAN: ♪ THERE IS NO MOON,
JUST A DARK SKY ♪
♪ THAT FITS RIGHT IN MY ROOM ♪
♪ OF BROKEN DREAMS,
A TROUBLED MIND... ♪
HEY, LENNY.
YOUR BASTARD BROTHER WITH YOU?
NO, I'M DONE WITH HIM.
GOOD.
I NEED A GIG.
FULL UP.
ANYTHING.
MY WIFE AND KID
ARE IN THE VAN.
WE NEED GAS MONEY.
IT'S THE LAST TIME
I'LL BE HERE.
I'LL TAKE WHATEVER
Y-YOU CAN SPARE.
ALL RIGHT.
I'LL FIND YOU SOMETHING.
THANK YOU.
LET'S GO.
[MAN TALKING INDISTINCTLY]
[BANGING]
GET OUT OF MY VAN.
YOU'RE HURTING ME. STOP!
OWW!
THIS IS ALL YOUR FAULT!
SHUT UP. MIKEY'S SLEEPING.
YOU TOOK TONY
AWAY FROM ME.
WOW. ARE YOU DRUNK?
THE CAPILANO BROTHERS!
TONY HAS A FAMILY.
SO IT'S NOT ALL
ABOUT YOU ANYMORE.
LET GO OF ME!
[GASPS]
MAMA?
HEY, BUDDY.
HEY, I'M JUST LOOKING
FOR YOUR OLD MAN.
GO BACK TO SLEEP, OK?
ALL RIGHT, WE'RE LOOKING
AT A DOZEN POSSIBILITIES HERE.
WE NEED HELP.
WELL, WE'RE HEADED SOUTH,
SO WE SHOULD ONLY
CONSIDER RANCHES
IN THAT DIRECTION.
GARCIA: I WISH THERE WAS A PAPER
TRAIL FOR STUFF LIKE THIS.
IT'S LIKE THE FIGHT CLUB
OF RODEOS.
THEY'RE ALL LIKE,
THE FIRST RULE
OF UNDERGROUND RODEOS--
DON'T TALK ABOUT
UNDERGROUND RODEO.
EXACTLY.
THE UNSUB'S LAST TARGET
WAS ABOUT 20 MILES
OUT OF TOWN,
SO THEY COULDN'T
HAVE GONE FAR.
OK, I'VE GOT TWO RANCHES
JUST SOUTH OF THERE.
SENDING YOU GPS PINS NOW.
THANKS.
PRENTISS: AS EXPECTED,
SAL AND TONY CAPILANO
HAVE ONLY KNOWN
THE CIRCUS LIFE.
AFTER A SLOW DEATH
OF THE CIRCUS,
THEY LOST THEIR
JOBS FOR GOOD
A FEW MONTHS AGO.
IF IT WAS ALL THEY KNEW,
LOSING THEIR WORK WAS LIKE
LOSING THEIR IDENTITY.
ADDED UP TO ONE HELL
OF A STRESSOR.
AS IF THEY NEEDED
ANY MORE,
IT'S JUST LIKE WE THOUGHT.
DAD WAS AN ABUSIVE DRUNK
WHO KILLED THEIR MOM,
THEN ABANDONED THEM.
THEY WERE RAISED
BY THEIR WORK FAMILY
AFTER THAT.
THEY WERE ORPHANS, JUST LIKE
THEIR VICTIMS' KIDS.
THEIR CIRCUS WAS NEVER THRIVING
BUT HELD TO TRADITIONS.
TONY WAS A BELOVED CLOWN
A LA THE CLASSIC 1950s,
BUT SAL CAPILANO
NEVER WANTED THAT LIFE.
HE WAS A DAREDEVIL,
WANTED TO BE LIKE HIS DAD.
SAL'S DAREDEVIL OUTLET
DRIES UP,
BUT HE'S STILL CHASING
THAT ADRENALINE RUSH.
AFTER THEY WERE FIRED,
HE STARTED KILLING
SURROGATES
FOR THEIR FATHER.
[OPERATIC VOICE]
♪ YOU SHOULD SEE THE OTHER GUY ♪
WHAT DID YOU DO?
OHH. WHAT,
ARE YOU WORRIED NOW?
DIDN'T SEEM TO CARE
MUCH WHEN YOU JUST
LEFT ME BEHIND,
DIANA AND I.
SHE'S NOT EVEN FAMILY!
SHE'S MY WIFE.
MY FAMILY.
WHAT AM I?
YOU'RE DRUNK.
I'M GETTIN' ON THE BULL.
NO, DON'T DO THAT.
COME ON, NOT AGAIN.
YOU'RE NOT GOOD AT IT.
UNLIKE YOU, I DON'T GIVE UP.
SEE, I TOLD LENNY,
I SAID, MY KID BROTHER
AND HIS FAMILY
ABANDONED ME
AFTER ALL I DID
FOR THEM!
I'M GETTING IN THERE
'CAUSE I NEED THE MONEY.
SO DO I.
LENNY: TOLD TOLD YOU
NEVER TO COME BACK HERE, SAL.
SEE, THAT'S NOT GONNA HAPPEN.
ALL RIGHT, YOU CAN
GIVE ME MY MONEY
THE HONEST WAY,
OR I CAN TAKE IT
FROM YOU, LENNY.
[GUNSHOT]
[LENNY SCREAMING]
HA HA HA!
PUT IT DOWN, SAL.
SEE, THAT AIN'T
GONNA HAPPEN.
YOU KNOW HE'S GOT AT LEAST
A COUPLE GRAND IN HIS SAFE.
HE NEEDS HELP.
YEAH, RIGHT.
COME WITH ME.
WHAT ARE YOU GONNA DO?
YOU GONNA CALL THE COPS?
WELL, HOW YOU GONNA
EXPLAIN IT, TONE?
I'M GONNA TELL THEM
WHAT YOU DID.
[LAUGHS]
THEY WOULD PUT YOU AWAY, TOO.
ALL RIGHT, GO AHEAD.
YOU GO AHEAD.
YOU KEEP MAKING 50 BUCKS
EVERY COUPLE OF DAYS
SO YOU CAN BARELY SURVIVE.
YOU THINK
THAT WIFE OF YOURS
IS GONNA STAY WITH YOU?
HA HA HA!
SHE WON'T!
HELL, YOU COULD MAKE
WAY MORE THAN 50 A DAY
IF YOU JUST RENT HER OUT
TO ALL THE GUYS.
[GRUNTING]
[LAUGHING]
SAL CAPILANO, FBI!
HANDS WHERE WE CAN
SEE THEM!
PUT THE GUN DOWN!
OH...
UH-UH, TONY, NO, NO.
YOU DON'T WANT TO DO THIS.
HE KILLED SO MANY PEOPLE.
JJ: THAT WAS HIS CHOICE.
NOW, YOU HAVE ONE, TOO,
RIGHT NOW.
DON'T DO THIS.
GO AHEAD, TONE.
YOU AIN'T GOT
THE G-G-G-G-G-G-GUTS.
[COCKS GUN]
HA HA. OH...
JJ: DON'T BE LIKE HIM
OR YOUR FATHER.
YOU'RE A DAD NOW, TONY.
YOUR SON IS WAITING
FOR YOU, AND YOUR WIFE.
TONY, SHE'S SO WORRIED.
DON'T YOU WANT TO
SEE THEM?
[LAUGHING]
[HIGH-PITCHED LAUGHING]
SAL CAPILANO, YOU'RE
CHARGED WITH THE MURDERS
OF SAM FRANKLIN--GET UP--
MARK WILSON...
[LAUGHING]
BELLA AND JOHN
RICHARDSON.
YOU HAVE THE RIGHT
TO REMAIN SILENT.
[LAUGHING]
[CONTINUES LAUGHING]
DO YOU WANT TO COLOR?
SURE.
WHAT'S YOUR NAME?
DYLAN. WHAT'S YOURS?
MIKEY.
HOW LONG IS TONY
GONNA BE AWAY?
DEPENDS.
OK.
OH. THIS, WITH MIKEY,
YOU KNOW, THESE PAST
7 YEARS HAVE GONE BY
SO FAST.
AND EVEN IF TONY'S
GONE ONLY A YEAR,
IT'S GONNA SEEM LIKE
A LIFETIME.
YOU KNOW, TONY WOULDN'T
HURT ANYONE,
AND HE DIDN'T.
IT WAS ALL SAL.
HIS ENTIRE LIFE
SAL HAS CAUSED TROUBLE,
AND NOW TONY'S
GONNA GET PUNISHED, TOO.
HEY. TONY WANTS TO TALK
TO YOU AND MIKEY.
YEAH. YEAH.
HEY, MIKEY, BUDDY.
BYE, DYLAN.
BYE.
HEY.
I'M SO SORRY, BUDDY.
I GOTTA GO AWAY
FOR A LITTLE WHILE,
BUT YOU AND YOUR MOM
ARE GONNA GO HAVE FUN
IN FLORIDA.
NO, WE'RE GONNA STAY
RIGHT HERE
OR WHEREVER YOU GO.
IT'S JUST GONNA
HOLD YOU BACK.
WHAT ARE YOU SAYING?
I COULD DO 5, 10 YEARS
FOR THIS,
MAYBE MORE.
HE'LL BE IN HIGH SCHOOL
BY THEN.
AND I DON'T WANT HIM TO
SEE ME LIKE THIS AGAIN.
[CRYING]
YOU JUST MAKE SURE THAT
HE DOESN'T FORGET ME.
OK?
NO.
[BLOWING]
HEY!
THAT'S IT, BUDDY.
YOU GOT THIS.
[LAUGHING AND CRYING]
I'M SO PROUD OF YOU.
THERE HE IS.
I MADE THIS FOR YOU.
THANKS.
HE'S ON AN ADVENTURE
TO FIND HIS FAMILY
IN THE FOREST.
MIKEY: HOW MUCH FARTHER
DOES HE HAVE TO GO?
DYLAN: HE DOESN'T KNOW.
REID: CHRISTOPHER MARLOWE SAID,
"IT LIES NOT IN OUR POWER
TO LOVE OR HATE.
FOR WILL IN US
IS OVERRULED BY FATE."
[SLOW COUNTRY-WESTERN
SONG PLAYING]
[MAN SINGING INDISTINCTLY]
♪ ...BUT YOU WOULD HAVE FOUND ♪
♪ THAT YOU ARE ON MY MIND-- ♪
[RADIO SHUTS OFF]
[DOOR OPENS]
[DOOR LATCH CLICKS]
OOH...
[SHOES THUMP ON FLOOR]
THERE YOU GO.
[KISS]
[CLICK]
[HIGH-PITCHED SOUND]
[RUNNING FOOTSTEPS]
[BRUSHING TEETH]
[SPITTING]
[SWISHING WATER IN MOUTH,
SPITTING]
[CLICK]
[SIGHS]
[CLICK]
[KISS]
[EXHALES]
[HIGH-PITCHED NOISE]
REID: "MASKS ARE WONDERFULLY
PARADOXICAL IN THIS WAY.
"WHILE THEY MAY HIDE
THE PHYSICAL REALITY,
THEY CAN SHOW US HOW
A PERSON WANTS TO BE SEEN."
JOANNA SCOTT.
OK, OK. AND BY OK,
I MEAN THE ABBREVIATION
OF THE GREAT STATE
OF OKLAHOMA,
'CAUSE EVERYTHING
I'M GONNA SAY NOW
IS NOT OK.
THE UNSUB WE ARE LOOKING FOR
KILLED LAST WEEK
IN COLORADO
AND THEN AGAIN LAST NIGHT
IN OKLAHOMA.
ROSSI: BIG MISTAKE.
CROSSING STATE LINES
GIVES US JURISDICTION.
ATTACKING IN TWO STATES
IS AMBITIOUS.
MAYBE HE'S A TRUCK DRIVER
OR HAS OTHER WORK IN THE AREA?
I CAN CHECK THE HIGHWAY
SERIAL KILLER DATABASE.
PRENTISS: SO OUR LATEST
VICTIM, MARK WILSON, 35,
WAS BEATEN TO DEATH
IN HIS HOME,
LIKE OUR FIRST VICTIM,
SAM FRANKLIN.
THEY WERE BOTH HARD-WORKING
MIDWESTERN MEN.
BOTH HOMES WERE ROBBED,
AND YOU KNOW THAT
SUPER-SENSITIVE SIDE
OF YOUR MOUTH PART HERE?
ON BOTH OF THEM,
IT WAS CUT.
ARE THEY SMILING?
HOW DID HE DO THAT?
THAT'S AWFUL.
LEWIS: THIS WASN'T ABOUT
INFLICTING MORE PAIN.
I MEAN,
THEY WERE ALREADY DEAD.
HE WAS COMPELLED
TO DO THIS.
ALVEZ: HE'S GOT A TYPE.
STRONG MARRIED MEN
WITH KIDS.
IT COULD BE A SURROGATE.
HE'S GOT PATRICIDAL
TENDENCIES,
SHOWS POWER-ASSERTIVE
BEHAVIOR.
AT FIRST GLANCE, HE FEELS
LIKE A FAMILY ANNIHILATOR
ATTACKING THE HOME,
BUT HE'S NOT KILLING
THE WHOLE FAMILY.
AND HE CHOOSES TO DESTROY
THE HEADS OF HOUSEHOLD
WITHOUT AN AUDIENCE.
THERE COULD BE SOME
MERCY IN HIM AFTER ALL.
GARCIA: WELL, THAT MIGHT BE
TRUE WITH SAM FRANKLIN,
BUT WITH MARK WILSON,
HIS 7-YEAR-OLD SON DYLAN
SAW THE WHOLE THING.
OH, NO.
IS HE TALKING?
WELL, HE WAS,
BUT NOT ANYMORE.
IT'S UNCLEAR WHAT HE SAW,
BUT HE SAYS HIS DAD
WAS KILLED BY A CLOWN.
JJ: MAYBE THE UNSUB
WORE A DISGUISE.
OR HE'S PROJECTING
SOMETHING HE FEARS.
THERE'S A WORD, EVEN THOUGH
IT'S NOT RECOGNIZED
BY ANY DICTIONARY
OR PSYCHOLOGY MANUAL,
FOR THE EXCESSIVE FEAR
OF CLOWNS--COULROPHOBIA.
PRENTISS: WELL, WHATEVER HE SAW,
WE NEED TO FIND OUT
IF IT WAS REAL OR PERCEIVED.
WHEELS UP IN 20.
I GOT OFFICERS SEARCHING
PAWN SHOPS IN THE AREA
BUT CAME UP EMPTY.
SORRY IF YOU GOT
A FEW STARES.
LAST TIME THE FEDS WERE HERE
WAS WHEN THEY CAUGHT McVEIGH.
WE GOT YOU SET UP
OVER HERE.
PRENTISS: THANK YOU.
YEAH, I SAW WHAT
THIS PSYCHO DID
TO THE VIC'S MOUTH.
I FIGURED IT WASN'T
HIS FIRST TIME.
SO THAT'S WHEN I RAN IT
THROUGH ViCAP,
AND IT WAS TIME TO CALL YOU.
ARE YOU THE ONE WHO RESPONDED
TO THE WILSON RESIDENCE?
YEAH. AND, OF COURSE,
I FOUND DYLAN WILSON
HIDING IN HIS BEDROOM.
HE CALLED 911?
YEAH, BUT NOT UNTIL
THE SUN CAME UP.
I'M SURE HE WAS
TOO AFRAID
TO MAKE A SOUND.
TIME OF DEATH WAS MIDNIGHT.
HE WAS IN THAT HOUSE WITH
HIS DEAD FATHER FOR HOURS.
NO WONDER HE ISN'T TALKING.
WOMAN, ON P.A.: OUTPATIENT
PHARMACY, DIAL 621.
OUTPATIENT PHARMACY,
DIAL 621.
HI. MRS. WILSON,
WE'RE AGENTS REID
AND SIMMONS FROM QUANTICO.
HI.
WE'RE SO SORRY
FOR YOUR LOSS.
BEFORE HE STOPPED TALKING,
HE SAID HE WISH HE'D
CALLED FOR HELP SOONER.
IRRATIONAL GUILT,
ESPECIALLY FOR A CHILD,
IS COMMON AFTER
A TRAUMATIC EVENT.
IS HE GONNA TALK AGAIN?
THE DOCTORS HERE
CAN'T TELL ME.
MOST LIKELY,
BUT WHAT HE'S DOING
IS CALLED DISASSOCIATING.
IT'S A PSYCHOLOGICAL FORM
OF SELF-PROTECTION.
YOU MIND IF I TALK
TO HIM?
PLEASE.
HI, DYLAN.
MY NAME'S SPENCER.
I'M REALLY SORRY ABOUT
WHAT HAPPENED TO YOUR DAD.
I CAN'T IMAGINE HOW SCARY
THAT MUST HAVE BEEN.
I HEARD WHO YOU SAW,
AND I WAS HOPING...
MAYBE YOU COULD
DRAW ME A PICTURE?
[LOUD BANGING;
GLASS BREAKING]
[THUD]
[CRASH]
CLOWN: UNH!
UHH!
[PENCIL SCRATCHING PAPER]
SO HE PARKED IN FRONT
OF THE HOUSE
INSTEAD OF THE GARAGE.
IF HE WAS CARRYING
A SLEEPING DYLAN,
IT WOULD HAVE BEEN
THE FASTEST WAY INSIDE.
THAT'S WHY HE MISSED
THE JIMMIED LOCK
ON THE GARAGE DOOR.
UNSUB'S HITTING
SECLUDED HOUSES.
MARK'S ENTRY WOULD HAVE
INTERRUPTED THE ROBBERY.
SO HE WOULD HAVE PUT
DYLAN IN HIS BED
AND THEN HE WOULD HAVE
GONE TO SLEEP HIMSELF.
WHICH MAKES SENSE,
SINCE THE STRUGGLE STARTED
IN THE MASTER BEDROOM.
BUT IT ENDED
IN THE LIVING ROOM.
HE PROBABLY TRIED
TO GET THE VIOLENCE
AS FAR AWAY FROM
DYLAN AS HE COULD.
JUST LIKE THAT FIRST KILL
IN COLORADO,
HE FOUND HIS MURDER
WEAPON ON THE SCENE.
SO THIS GUY'S ORGANIZED,
AND YET HE IS IMPROVISING.
WELL, HE HASN'T
ESTABLISHED A PATTERN
'CAUSE HE'S JUST
GETTING STARTED.
WELL, IF DYLAN SAW HIM,
CHANCES ARE HE SAW DYLAN, TOO,
AND CHOSE TO LET HIM LIVE.
WELL, MAYBE
HE HAS BOUNDARIES
WHEN IT COMES
TO HURTING CHILDREN.
OY, I GOT NADA ON
THE HIGHWAY DATABASE, FYI.
BUT THE OTHER TASK
OF FINDING ADDITIONAL
ROBBERIES
IN THOSE TWO STATES,
BINGO-GO-GO.
I GOT 3 ROBBERIES
ADDITIONALLY IN COLORADO
THAT ARE LINKED
BY A BIZARRE SMILEY FACE
CARVED INTO THE DOORS.
STRANGE HIS SIGNATURE
WOULD EVOLVE
FROM CARVING WOOD
TO CUTTING FACES.
HOMEOWNERS WEREN'T THERE?
GARCIA: HENCE NO HOMICIDES.
THEY'RE ALSO IN EQUALLY
HARD-TO-FIND SPOTS.
I'M SENDING YOU THE TOWNS...NOW.
ROSSI: THE HOUSES
ARE ALL FAR OFF
FROM THE INTERSTATE.
GARCIA: HE MUST HAVE
SCOUTED THEM BEFORE HE
BURGLED THEM, RIGHT?
NOT NECESSARILY.
THEY COULD BE TARGETS
OF OPPORTUNITY.
DARK STREET, DARK HOUSE.
WELL, SOMETHING TRIGGERED HIM
BETWEEN HIS LAST ROBBERY
AND HIS FIRST MURDER.
MAYBE HE'S GOT A CONNECTION
TO THESE TOWNS.
[GEAR SHIFTER CLICKS]
[KEYS JINGLING]
[PENCIL SCRATCHING PAPER]
THANK YOU, DYLAN.
THIS IS REALLY HELPFUL.
I'M GOING TO SHOW IT
TO MY FRIEND, OK?
ALVEZ: LOOKS LIKE
A SIMPLE PLAN.
FIRST HIT HOUSES IN SMALL
TOWNS AND KEEP MOVING.
NOT TOO BRIGHT
TO LEAVE A CALLING CARD
ANNOUNCING HOW MANY
HOUSES THEY'VE ROBBED.
WELL, THE UNSUB
DIDN'T START OUT
LOOKING FOR BLOOD
ON HIS HANDS,
SO WHAT CHANGED HIM?
PRENTISS:
WE SHOULD FOCUS
ON HIS FIRST KILL.
SAM FRANKLIN FROM
CAMPO, COLORADO.
WORKED IN A WAREHOUSE,
HE HAD A WEEKEND SHIFT
WHILE HIS FAMILY
WAS IN DENVER.
ANY SPECULATION
AS TO WHAT HE WAS DOING
THE NIGHT HE WAS KILLED?
WELL, HIS WIFE CLAIMS
THAT HE CALLED HER
ON HIS WAY HOME FROM WORK.
IT WAS ABOUT MIDNIGHT.
HE TOLD HER
HE WAS ALMOST T-BONED,
AND THE DRIVER LOST
HIS MIND ON HIM.
SHE SAID HE WAS
A BIT SHAKEN,
WHICH WASN'T LIKE HIM.
DID HE SAY A CLOWN
WAS DRIVING?
HE DID NOT.
WHICH IS THE FIRST
THING YOU WOULD SAY
IF THAT'S WHAT YOU SAW.
OK, SO DO WE THINK
A CHANCE ENCOUNTER
LED TO MURDER?
MAYBE. AGGRAVATED LETHAL
ROAD RAGE MENTALITY
FITS OUR UNSUB'S PROFILE.
LEWIS: WHAT ABOUT MARK WILSON?
THE HOUSE WAS ALREADY
BROKEN INTO
WHEN HE GOT HOME.
ALVEZ: YEAH, IT LOOKS LIKE
THE UNSUB'S MOVING SOUTH
ALONG SMALL STATE ROADS.
JJ: GIVEN THE
ACCELERATED TIMELINE,
HIS NEED TO LEAVE
A SIGNATURE BEHIND,
IT FEELS LIKE
HE'S ON A MISSION.
WOW! HE'S NOT
COMPARTMENTALIZING AT ALL.
NOT AT ALL.
REID, OVER PHONE:
DYLAN DEFINITELY SAW A CLOWN.
THE LEVEL OF DETAIL
IN THE COSTUME
SUGGESTS SOMETHING PRECISE,
WHICH MAKES ME FEEL LIKE
THE FACE WOULD MOST LIKELY
BE HAND-PAINTED
VERSUS SOME KIND
OF MASS-DISTRIBUTED MASK.
MAKES SENSE, SINCE THE M.E.
FOUND GREASEPAINT
UNDER THE LATEST
VICTIM'S NAILS.
THIS IS SUCH
A SPECIFIC DISGUISE.
THIS UNSUB MUST HAVE
AN OBSESSION.
ALVEZ: IT SAYS A LOT THAT HE
WENT INTO MARK WILSON'S HOUSE
WITH THIS MAKEUP ON HIM.
I MEAN, IT'S LIKE AN ALTER-EGO.
THAT DISGUISE COULD BE
HELPING HIM FIND
CONFIDENCE.
WON'T BE SURPRISED
IF HE STARTS A SPREE.
MAN: YOU KEEP UP THAT
WINNING STREAK,
AND THEY'RE GONNA WANT
ALL OF US ON THE TEAM.
WOMAN: HA HA!
SCOOT INTO BED.
I WILL LET YOU
SNOOZE ANOTHER 10
IN THE MORNING.
OFF YOU GO.
OH, WAY TOO LATE
FOR A SCHOOL NIGHT.
I KNOW,
BUT THEY'LL SURVIVE.
I'LL TELL YOU WHAT--
YOU MAY NOT BE TIRED,
BUT I AM WIPED.
I'M GOING TO BED.
GOOD NIGHT, SWEETHEART.
GOOD NIGHT, HONEY.
POLICE RADIO:
UNIT 12, UNIT 12.
JJ: HE KILLED BOTH
PARENTS THIS TIME.
WELL, MOM MUST HAVE
TRIED TO STOP IT
AND BECAME
COLLATERAL DAMAGE.
SIMMONS:
WELL, THANKFULLY THE KIDS
DIDN'T WITNESS ANY OF THAT,
BUT SINCE NOBODY
SAW ANYTHING,
WE DON'T KNOW IF HE WAS
WEARING A DISGUISE
THIS TIME.
AND JUST LIKE
MARK WILSON'S HOUSE,
HE WAS HERE
WHEN THEY GOT HOME.
SO I DON'T KNOW
IF HE'S HUNTING THEM
BEFOREHAND
OR JUST GETTING LUCKY
THAT THEY'RE FAMILY MEN.
AN ACCIDENTAL ANNIHILATOR
LEAVING A WAKE
OF ORPHANS BEHIND.
THIS IS THE SECOND TIME
HE SPARED THEIR LIVES
WHEN HE CLEARLY
DIDN'T NEED TO.
STILL, HE'S PUNISHING
THEM, MAKING THEIR WORST
FEARS COME TRUE.
MAYBE HE HAS HIS OWN
ABANDONMENT ISSUES OR...
I DON'T KNOW, MAYBE WE'RE
MISSING SOMETHING HERE.
IF HE HAD A SUBMISSIVE
PARTNER,
THEN THEY COULD BE
THE INFLUENCE
IN KEEPING THE KIDS ALIVE.
SO HE KILLS STRONG
MALE FIGURES
TO PROVE HIS DOMINANCE?
BUT THAT'S NOT ENOUGH,
SO HE FEELS COMPELLED
TO CUT THEIR MOUTHS.
HE WANTS TO MAKE SURE
HE LEAVES THEM
WITH A PERMANENT SCAR.
SO MAYBE HE GREW UP ABUSED.
HE COULD EVEN HAVE
THE SAME SCAR.
AND IF THAT TRAUMA
HAPPENED
WHILE HIS LOVE MAP
WAS FORMING,
HE WOULD THINK
THAT'S THE ONLY WAY
TO GAIN DOMINANCE.
CHIEF: A NEIGHBOR WITNESSED
A GUY DRESSED AS A CLOWN
RUNNING OUT OF THE HOUSE
AND JUMPING IN A VAN.
THING IS, THERE WAS
ANOTHER GUY DRIVING.
THANKS.
POLICE RADIO:
WE BLOCKED OFF 412...
MAN: PULL FORWARD,
PLEASE!
[VEHICLE APPROACHES;
BRAKES SQUEAL]
MAN: OH, NO.
WHAT ARE WE GONNA DO?
THEY GOT A ROADBLOCK.
WE'RE TOTALLY SCREWED.
SECOND MAN:
AH, WHAT KIND OF
NEGATIVE CRAP IS THAT?
WE'RE CHALLENGED.
I TOLD YOU, WE SHOULD
HAVE FINISHED OUR NIGHT
AND GONE BACK.
WHY'D YOU HAVE TO BREAK IN
AGAIN AT NIGHT?
I GOT WOUND UP.
PLUS I HEARD A GUY
TALKING ABOUT THAT SPOT.
[BAG JINGLING]
IT PAID OFF, DIDN'T IT?
DOING THIS TWO NIGHTS
IN A ROW IS CRAZY.
DON'T CALL ME THAT.
I'M SORRY, BUT...
YOU JUST CAN'T GET
SO GREEDY.
WE ARE NOT GONNA
GET CAUGHT.
WHAT THE HELL IS THAT,
BLOOD?
YOU SAID NOBODY GOT HURT.
GUY WAS POPPING OFF
AT THE MOUTH.
I HAD TO SHUT HIM UP.
IN, OUT, ON OUR WAY.
THAT WAS THE DEAL.
NO FIGHTING.
YEAH, WELL,
YOU'RE TOO WEAK
TO BE IN THERE
WITH ME, AREN'T YOU?
GOTTA DO
WHAT I GOTTA DO.
NOW TURN THE VAN AROUND
AND LET'S GO.
[ENGINE STARTS]
WHAT ARE THOSE?
HOPING TO FIND ONE
THAT LOOKS LIKE
DYLAN'S DRAWING.
ARE THOSE CLOWN FACES
PAINTED ON EGGS?
THE TRADITION WAS STARTED
AFTER WORLD WAR II
BY A LONDON CIRCUS CLOWN
CALLED STAN BULT.
HE WANTED
ALL PROFESSIONAL CLOWNS
TO BE ABLE TO COPYRIGHT
THEIR COSTUMES
AND MAKEUP DESIGNS.
THERE'S OVER 300 OF THEM
ON DISPLAY
IN THE ENGLISH VILLAGE
OF WOOKEY HOLE.
I HOPE THEY HELP.
THANK YOU FOR STAYING.
HE SEEMS BETTER
WITH YOU HERE.
I'M JUST GLAD
HE'S FINALLY RESTING.
MMM.
I DON'T KNOW HOW WE'RE
GONNA GET THROUGH THIS.
I MEAN, JUST KNOWING
WHAT HE SAW.
[SIGHS] I WISH I COULD
TRADE PLACES WITH HIM,
BUT I DON'T KNOW...
HOW I'M GONNA GET HIM
THROUGH THIS.
AFTER SOMETHING
TRAUMATIC HAPPENS,
I DON'T KNOW ABOUT YOU,
BUT I FIND
THAT THERE'S ALWAYS THAT...
LITTLE MOMENT
RIGHT WHEN YOU WAKE UP
IN THE MORNING
WHEN EVERYTHING'S GOOD,
BECAUSE YOUR MIND
HAS TEMPORARILY FORGOTTEN
THE BAD STUFF.
YOU EVER HAVE THAT?
AFTER MY DAD DIED, YEAH.
I FEEL LIKE OUR CONSCIOUS
AND SUBCONSCIOUS
MAKE SOME SORT
OF SECRET PACT
TO LET US HAVE
A SPLIT-SECOND OF PEACE.
YOU HAD THAT A LOT?
WHEN THAT RELIEF HAPPENS,
I TRY TO HOLD ONTO IT.
YOU JUST HAVE TO FIGURE OUT
A WAY TO HELP DYLAN DO THAT.
HOW?
LET HIM KNOW
THAT HE'S NOT ALONE
AND THAT HIS HEALING
IS JUST GONNA TAKE TIME.
WHEN HE'S READY TO TALK,
HE WILL.
PRENTISS: PHYSICAL
AND BEHAVIORAL EVIDENCE
POINTS TO A DOMINANT
POWER-ASSERTIVE MALE
ROBBING AND KILLING,
BUT WE ALSO BELIEVE
THERE IS A SUBMISSIVE PARTNER
WHO DRIVES
THE GETAWAY VEHICLE.
WE'RE LOOKING FOR TWO MEN
IN THEIR 30s DRIVING A VAN.
ALVEZ: THE DOMINANT
PARTNER LIKES TO KILL
WITH HIS BARE HANDS,
AND HIS SIGNATURE
IS CUTTING HIS VICTIMS
POSTMORTEM.
CHIEF: ANY CHANCE THE
SUBMISSIVE DOESN'T KNOW
WHAT THE DOMINANT'S DOING?
ABSOLUTELY. IT'S COMMON
FOR CRIMINAL PARTNERS
TO KEEP SECRETS
FROM ONE ANOTHER.
THE KIDS SEEM TO BE
A COMPLEX PART
OF THIS PUZZLE.
THE DOMINANT'S WORKING
ALONE IN THE KILLS,
CHOOSING NOT TO PHYSICALLY
HARM THE CHILDREN.
IT COULD BE
THE SUBMISSIVE'S INFLUENCE.
THERE MIGHT BE
A CHILD IN THEIR LIVES
OR UNRESOLVED ISSUES
FROM THEIR OWN CHILDHOODS.
AND WE CAN'T IGNORE
THE ELEPHANT IN THE ROOM.
MORE THAN ONE EYEWITNESS
HAS TALKED ABOUT
A CLOWN DISGUISE.
NOW, THAT COULD BE A
FORENSIC COUNTERMEASURE,
BUT CHOOSING IT
TELLS US ABOUT HIM.
WHEN UNSUBS WEAR MASKS,
OR IN THIS CASE,
PAINT THEM ON,
IT IS A PREDICTOR
FOR ANTISOCIAL BEHAVIOR.
WE CALL THIS
DEINDIVIDUATION.
IT ALLOWS THE OFFENDER
TO BE ANONYMOUS
AND ACT THEIR WORST.
WE ONLY KNOW
THE DOMINANT
HAS PAINTED HIS FACE,
MOST LIKELY BECAUSE
HE HATES HIS OWN.
CHIEF.
PRENTISS: HE COULD HAVE
A FACIAL DISFIGUREMENT
OR A SPEECH IMPEDIMENT,
SOMETHING HE CAN'T CONTROL
THAT FRUSTRATES HIM.
TWO MEN MATCHING
THE WITNESSES' DESCRIPTION
HAVE JUST BEEN SPOTTED.
CHIEF?
[WHISPERING]
OK, GO OVER IT.
YOU'LL THROW ME OVER
'CAUSE I'M LITTLE,
AND I'LL GET STUCK
ALONE 'CAUSE YOU FATSOS
WON'T MAKE IT.
THEN I'M GONNA BE
THE ONE WHO'S DEAD.
SHUT UP AND DO IT.
IDIOTS, FOLLOW ME.
HOLD IT FOR ME.
THANKS.
BEANS, I'M GONNA
CLOSE IT ON YOU.
HURRY UP, BEANS.
LET'S GO.
BEANS: I WAS HERE
FOR MY GREAT-AUNT
MATTIE'S FUNERAL.
THE CRANK BROKE,
AND THE CASKET FELL
TO THE GROUND.
AND MY BROTHER SAID
THAT WHEN THE LID
POPPED OPEN,
HER BODY WAS ALL LIKE...
SHH.
LOOK.
[SCREAMING]
RUN!
[ALL SCREAMING]
SIMMONS: FBI! HANDS WHERE
WE CAN SEE THEM!
HANDS UP, CLOWN.
THEY TOOK ALL MY STUFF.
OH, YOU'LL GET IT BACK.
BUT YOU'RE GONNA
BE HERE FOR A WHILE.
SO THIS ISN'T YOUR ONLY
TRESPASSING CHARGE.
I GOTTA ASK,
WHY DID YOU DO IT?
I'M A TELEMARKETER.
I CLOCK IN, CLOCK OUT,
AND ALL DAY MAKE CALLS
TO PEOPLE
WHO EITHER REJECT ME
OR ARE TOO LONELY
TO HANG UP.
DRESSING UP
GETS YOU ATTENTION.
WHEN I GO OUT
DRESSED LIKE THIS...
I MAKE A DIFFERENCE
IN SOMEONE'S NIGHT.
MY BUDDY AND I,
WE GO TOGETHER
SO IT'S DOUBLE
THE SCARE.
AND YOU KNOW WHAT?
THOSE KIDS TONIGHT--
THEY'LL REMEMBER ME.
[SIGHS] WE HAVE A MAN
WHO IS DRESSING UP LIKE A CLOWN
AND KILLING PEOPLE.
HE'S CLEARLY
A VERY SICK MAN.
MM-HMM.
ALL WE HAVE TO GO BY
IS THIS KID'S DRAWING
OF WHO HE SAW.
MY PARTNER THINKS
IT'S A TWIST
ON A CHARACTER CLOWN
FROM THE 1950s.
YOU EVER SEEN HIM?
NO, I'D REMEMBER
A GUY LIKE THAT.
[BLOWING]
[BALLOON SQUEAKING]
THEY CLOSED THE ROAD
AND THE GIG WENT LATE
IS WHY I DIDN'T
MAKE IT HOME LAST NIGHT.
WHERE DID YOU STAY?
IN THE VAN.
SO DO YOU REALLY THINK
YOU'VE MADE ENOUGH
FOR US TO, YOU KNOW,
CALL IT A DAY AND HEAD SOUTH?
YEAH. I'M READY
FOR THE FLORIDA SUN.
HOW ABOUT YOU?
MY PARENTS CALLED.
THEY SAID THEY FOUND US
A LITTLE TRAILER,
UNDER 500 A MONTH.
GREAT SCHOOL FOR MIKEY.
WELL, WE GOT ENOUGH
FOR THE FIRST COUPLE MONTHS,
UNTIL WE FIND A NEW GIG.
[CHUCKLES]
[DISGUISED VOICE]
HIYA, MONKEY.
HE IS MAGIC.
MIKEY: CAN I TRY ONE?
PICK A COLOR, ANY COLOR.
MM-HMM.
MM...GREEN.
GIVE IT A BIG BLOW, OK?
[BOTH TAKE DEEP BREATH]
[BLOWING, SQUEAKING SOUND]
YOU SHOULD STRETCH IT OUT.
I SHOULD HAVE HAD YOU
STRETCH IT.
GIVE IT A BIG STRETCH.
[MAKES STRETCHING SOUND]
[MAKES STRETCHING SOUND]
YEAH, LIKE THAT.
[MUSIC ON TV]
MAN: WE INTERRUPT
OUR CURRENT PROGRAMMING
WITH BREAKING NEWS.
WOMAN: THIS IS THE SECOND
HOME INVASION IN GUYMON.
EACH TIME THE CHILDREN
WERE HOME
TO FIND THEIR PARENTS DEAD.
OH, THAT IS AWFUL!
HEY, THAT WAS IN GUYMON.
MAYBE THAT'S WHY
THE ROADS WERE CLOSED.
YOU OK, BABE?
I THINK IT WAS JUST
THE SANDWICH.
I NEED SOME AIR.
[BLOWING]
TONE!
YOU KILLED THOSE PEOPLE?
WHEN THAT GUY CAME HOME
WITH HIS SLEEPING KID,
YOU SAID THAT YOU TIED
HIM UP AND THAT WAS IT.
AND THE FAMILY LAST NIGHT?
[EXHALES]
HOW MANY?
3.
HUH?
4. 4.
WHAT THE HELL
IS THE MATTER WITH YOU?
JUST LISTEN TO ME
FOR A SECOND.
JUST--
LISTEN.
I'M SORRY.
GIVE ME MY HALF.
RIGHT NOW.
HERE'S THE THING.
AFTER WORK AND PAWN SHOPS,
WE HAD ABOUT 3,200.
3,800.
YEAH.
SO I HAD A LEAD.
OH, GOD, WE SHOULD BE
RIDING HIGH RIGHT NOW,
BUT DON'T WORRY,
WE'RE GONNA GET IT ALL BACK.
YOU LOST IT?
GAMBLING?
WE'VE BEEN AT THIS
FOR WEEKS.
YOU LOST IT?
I GOT A PLAN, TONE.
DO YOU REMEMBER
THE RANCH OWNER
FROM THE OTHER NIGHT,
THE BIG GUY WITH
THE SHINY CONVERTIBLE?
I'M NOT DRIVING YOU
TO KILL ANYBODY.
I WON'T HURT ANYBODY
EVER AGAIN, OK?
WE NEED TO GET
OUR MONEY BACK.
AND THIS GUY,
HE'S LOADED.
HE'S NOT EVEN
GONNA MISS IT.
YOU WANT TO GET MIKEY
DOWN TO FLORIDA, RIGHT?
THEN WHAT CHOICE
IS THERE IN THIS, MAN?
WOMAN, ON P.A.: CHARGE
NURSE ON DUTY TO CCU.
CHARGE NURSE ON DUTY TO CCU.
HI, DYLAN.
THAT PICTURE YOU DREW
REALLY HELPED US A LOT.
IS THERE ANYTHING ELSE
YOU REMEMBER ABOUT HIM?
DID HE SAY ANYTHING
TO YOU?
HE WAS WEARING
A SHIRT LIKE THAT.
LIKE--LIKE--LIKE DENIM?
YEAH. HE ALSO SMELLED
LIKE HORSES.
OH, BABY.
[KISS]
OHH...
I SHOULD JUST WAIT
IN THE CAR.
HEY. WE'LL GET TWICE AS MUCH
WITH YOU HELPING ME.
AND NOBODY GETS HURT.
I ALREADY PROMISED.
SEE? NOBODY'S EVEN HOME.
HA HA HA!
WELCOME TO THE BIG LEAGUES,
TONY CAPILANO!
[COCKS SHOTGUN]
[GRUNTS]
[SHOTGUN BLAST]
SIMMONS: THE OWNER IS
IN CRITICAL CONDITION,
TOOK A GUNSHOT WOUND
TO THE SHOULDER.
NOW, IT LOOKS LIKE THEY FOUGHT,
BUT THE UNSUBS GOT SCARED OFF.
ROSSI, OVER PHONE:
NOTHING STOLEN?
NO, NO. THEY DIDN'T MAKE IT
PAST THE THRESHOLD.
PRENTISS: YOU SAID
THERE WAS SOME
KIND OF SECURITY.
YEAH. I'M WORKING ON
GETTING THAT FOOTAGE NOW.
CALL YOU BACK.
THESE GUYS HAVE REMAINED
LOW-TECH SO FAR.
THEY HAVEN'T CHOSEN HOUSES
WITH SECURITY SYSTEMS.
JJ: CHOOSING THIS
HOUSE, ESPECIALLY
IN THE DAYLIGHT,
IT'S A RISK.
THEY'RE IN A HURRY.
MAYBE THEY'RE FINALLY
GETTING OUT OF TOWN
AND THEY'RE SLOPPY
ABOUT IT.
THEN THEY'LL BE MORE
HAPHAZARD
NOW THAT WE'LL
HAVE IMAGES OF THEM.
[CELL PHONE RINGS]
HEY, SPENCE.
GREAT NEWS. DYLAN IS TALKING
AND HE'S REMEMBERING
MORE DETAILS.
HE SAID THE UNSUB
WAS WEARING DENIM
AND SMELLED LIKE HORSES.
THAT'S SPECIFIC.
REID: IF I BROUGHT HIM
IN TO THE STATION,
I THINK IT MIGHT HELP
WITH HIS HEALING.
THAT'S A GREAT IDEA.
HEY, HOLD ON.
LUKE JUST WALKED IN.
SO, THE M.E. CONFIRMED
THAT THE GREASE
UNDER THE VICTIM'S
FINGERNAILS
IS A PROFESSIONAL-GRADE
STAGE MAKEUP.
ROSSI: DOESN'T SEEM LIKE
THAT WOULD BE EASY TO FIND.
SO THEY'RE NOT AMATEURS.
WELL, PSYCHOLOGICALLY,
MOST CLOWNS BELIEVE
IT'S NOT JUST A JOB,
IT'S WHO THEY ARE.
THAT'S A PROBLEM,
CONSIDERING
CIRCUSES ARE
GOING OUT OF BUSINESS.
ALL RIGHT,
MATT JUST SENT OVER
THE SECURITY FOOTAGE.
SPENCE, I'LL FORWARD IT TO YOU.
SEE, NOW, FACED
WITH A SURPRISE,
THESE GUYS ARE INCREDIBLY
UNSOPHISTICATED.
AND NO SURPRISE
THE SUBMISSIVE'S
INSTINCT IS FLIGHT,
THE DOMINANT'S IS FIGHT.
IF THEY GREW UP
IN THIS CLOWN CULTURE,
THESE COULD BE THE ROLES
THEY'VE ALWAYS PLAYED.
SO MAYBE THEY HAVEN'T
LEFT THE AREA
BECAUSE THEY FOUND SOME
KIND OF CIRCUS WORK HERE.
PRENTISS: HEY, GARCIA?
LITTLE BOY IS TALKING AGAIN?
THANK THE STARS.
YES. HE'S MADE
SOME PROGRESS.
SO HAVE WE.
CAN YOU CROSS
THE GEO-PROFILES
FROM THE INITIAL CRIMES
IN COLORADO AND OKLAHOMA,
SEE IF ANY TRAVELING
CIRCUSES OR CARNIVALS
WENT THROUGH THOSE TOWNS?
I LOVE A CARNIVAL.
IF IT WASN'T FOR THE WHOLE
NEFARIOUS PEOPLE
ARE PROBABLY WORKING THERE,
THIS WOULD BE
A MOST ENJOYABLE SEARCH.
NEFARIOUS RUINS EVERYTHING.
I'LL HIT YOU BACK.
MAN: W-WHY'D YOU HAVE
TO SHOOT HIM?
OUR FACES ARE GONNA BE
ALL OVER THE NEWS.
WE GOTTA GET OUT OF HERE!
[KEYS JINGLING]
WHERE ARE WE GONNA GO?
WE DON'T HAVE ANY MONEY,
REMEMBER?
ENOUGH WITH THE "WE."
Y-YOU MESSED THIS UP.
NOT "WE."
I HAVE A WIFE
AND A KID
TO TAKE CARE OF,
AND YOU DON'T.
I'VE BEEN YOUR FAMILY
ALL YOUR LIFE,
AND NOW, WHAT?
I LET DAD
BEAT ON ME INSTEAD.
I GOT--I GOT THIS
SO YOU WOULDN'T HAVE TO.
GOOD LUCK.
ONCE A RINGLING BROS.
CLOSED,
A LOT OF THE SMALLER ONES
FOLDED, TOO.
BUT IT TURNS OUT THIS WAS
A HUGE FAMILY BUSINESS,
GENERATIONS BORN AND RAISED
IN THIS WORLD.
IT'S DYING OFF. I DON'T REALLY
HAVE ANYTHING TO OFFER YOU.
OK, WELL, LOOK, THINK
ABOUT THEIR TIMELINE.
THEY'RE WEARING DENIM,
THEY HAVE MADE-UP FACES,
SMELLING LIKE HORSES.
WHAT IF IT'S LESS ABOUT
WEARING THE MASKS
AS A FORENSIC COUNTERMEASURE
AND MORE ABOUT CONVENIENCE?
I MEAN, WHAT IF THEY
JUST FINISHED SOME KIND
OF GIG CLOSE BY?
THEY COULD BE CLOWNS
AT A RODEO.
PRENTISS: EMILY, HAVE I
COMPLIMENTED YOU
AS OF LATE ON YOUR ASSERTIVE
YET LOVING WAY
OF POINTING OUT PATHS
I DON'T THINK TO GO DOWN?
OH, WOW.
THERE'S A WHOLE CIRCUIT.
BIG DEAL THINGS
AT CIVIC CENTERS,
SMALLER ONES, TOO.
THERE WERE A WHOLE BUNCH
LAST WEEK IN COLORADO
WHERE OUR FIRST VICTIM
WAS KILLED,
AND THERE'S ONE SCHEDULED
TONIGHT IN GUYMON.
I'M SENDING YOU THE INFO NOW.
[HORSE NICKERS]
THESE RODEOS CAN EMPLOY
HUNDREDS OF PEOPLE.
YEAH. I HOPE
THIS IS OUR GUYS.
CAN I HELP YOU?
YEAH, UH, AGENTS JAREAU
AND SIMMONS.
WELL, EVERYBODY'S
LEGAL HERE, MA'AM.
GLAD TO HEAR.
WE'RE WONDERING
IF YOU--IF YOU EVER
EMPLOYED THESE MEN.
WE THINK THEY
MAY BE RELATED.
WELL, THEY'RE BROTHERS.
IT'S THE CAPILANOS.
THAT ONE THERE
GOT IN A FIGHT
WITH ONE OF
MY BULL RIDERS.
TRIED TO CUT HIS FACE.
SO THEY'RE BANNED
FROM WORKING HERE.
YEAH. BAD LUCK
FOLLOWS THEM AROUND.
I HEAR THEY GOT CANNED
UP IN COLORADO LAST WEEK,
BUT I'M NOT SURPRISED
WITH THAT ONE'S TEMPER.
DO YOU HAVE ANY IDEA
WHERE WE MIGHT BE ABLE
TO FIND THEM?
ALL US OWNERS, WE TALK,
SO THEIR NAMES
ARE NO GOOD AROUND HERE.
I'M SURE THEY'VE
MOVED ON BY NOW.
EXCUSE ME. I GOT
A SHOW TO GET READY.
UH, JUST
ONE MORE THING.
IF THEY ARE BLACKLISTED
FROM THE LEGITIMATE
CIRCUIT, ANY CHANCE
THEY'D FIND WORK
SOMEWHERE OFF THE RADAR,
LIKE AT A COLEADERO?
A MIGRANT RODEO.
THEY'RE UNREGULATED.
SURE. IF THOSE BOYS
ARE DESPERATE ENOUGH,
THEY CAN WORK.
ANY IDEA WHERE
WE COULD FIND ONE?
WELL, THEY KEEP
MOVING THEIR SPOTS.
THEY DON'T WANT
THE COPS TO CATCH 'EM.
ALL RIGHT, WELL,
THANKS FOR YOUR HELP.
UH, HEY.
DON'T TELL THEM
I SENT YOU.
WE WON'T.
MA'AM.
[CHUCKLES]
OH, MY GOD.
DO YOU REMEMBER THIS?
THE DAY WE FOUND OUT
WE WERE PREGNANT.
HA HA.
I JUST WISH HE COULD
GROW UP LIKE WE DID...
THE MAGIC OF THE BIG TOP.
YOU KNOW?
I KNOW, BUT IT'S GONE.
I THINK IT'S TIME THAT
WE DREAMED A NEW DREAM.
THIS IS ALL I KNOW.
NO, YOU'VE GOT
SO MANY OTHER SKILLS
THAT'LL TRANSFER TO WORK,
AND--AND I'M A GOOD ACROBAT.
I COULD TEACH GYMNASTICS
DOWN IN FLORIDA,
AND WE'D FIND SOMETHING
THERE FOR YOU, TOO.
THIS IS WHERE YOU GUYS
HAVE BEEN GOING?
THIS AND OTHERS LIKE IT.
I HAVEN'T BEEN BACK
TO THIS ONE
SINCE SAL GOT US
KICKED OUT.
ARE YOU SURE
THIS IS SAFE?
YEAH, I'LL BE CAREFUL.
I KNOW THE BOSS.
I CAN MAKE 50 BUCKS,
GET US ANOTHER 300 MILES
CLOSER TO FLORIDA.
OK.
[COUNTRY-WESTERN MUSIC PLAYING]
MAN: ♪ THERE IS NO MOON,
JUST A DARK SKY ♪
♪ THAT FITS RIGHT IN MY ROOM ♪
♪ OF BROKEN DREAMS,
A TROUBLED MIND... ♪
HEY, LENNY.
YOUR BASTARD BROTHER WITH YOU?
NO, I'M DONE WITH HIM.
GOOD.
I NEED A GIG.
FULL UP.
ANYTHING.
MY WIFE AND KID
ARE IN THE VAN.
WE NEED GAS MONEY.
IT'S THE LAST TIME
I'LL BE HERE.
I'LL TAKE WHATEVER
Y-YOU CAN SPARE.
ALL RIGHT.
I'LL FIND YOU SOMETHING.
THANK YOU.
LET'S GO.
[MAN TALKING INDISTINCTLY]
[BANGING]
GET OUT OF MY VAN.
YOU'RE HURTING ME. STOP!
OWW!
THIS IS ALL YOUR FAULT!
SHUT UP. MIKEY'S SLEEPING.
YOU TOOK TONY
AWAY FROM ME.
WOW. ARE YOU DRUNK?
THE CAPILANO BROTHERS!
TONY HAS A FAMILY.
SO IT'S NOT ALL
ABOUT YOU ANYMORE.
LET GO OF ME!
[GASPS]
MAMA?
HEY, BUDDY.
HEY, I'M JUST LOOKING
FOR YOUR OLD MAN.
GO BACK TO SLEEP, OK?
ALL RIGHT, WE'RE LOOKING
AT A DOZEN POSSIBILITIES HERE.
WE NEED HELP.
WELL, WE'RE HEADED SOUTH,
SO WE SHOULD ONLY
CONSIDER RANCHES
IN THAT DIRECTION.
GARCIA: I WISH THERE WAS A PAPER
TRAIL FOR STUFF LIKE THIS.
IT'S LIKE THE FIGHT CLUB
OF RODEOS.
THEY'RE ALL LIKE,
THE FIRST RULE
OF UNDERGROUND RODEOS--
DON'T TALK ABOUT
UNDERGROUND RODEO.
EXACTLY.
THE UNSUB'S LAST TARGET
WAS ABOUT 20 MILES
OUT OF TOWN,
SO THEY COULDN'T
HAVE GONE FAR.
OK, I'VE GOT TWO RANCHES
JUST SOUTH OF THERE.
SENDING YOU GPS PINS NOW.
THANKS.
PRENTISS: AS EXPECTED,
SAL AND TONY CAPILANO
HAVE ONLY KNOWN
THE CIRCUS LIFE.
AFTER A SLOW DEATH
OF THE CIRCUS,
THEY LOST THEIR
JOBS FOR GOOD
A FEW MONTHS AGO.
IF IT WAS ALL THEY KNEW,
LOSING THEIR WORK WAS LIKE
LOSING THEIR IDENTITY.
ADDED UP TO ONE HELL
OF A STRESSOR.
AS IF THEY NEEDED
ANY MORE,
IT'S JUST LIKE WE THOUGHT.
DAD WAS AN ABUSIVE DRUNK
WHO KILLED THEIR MOM,
THEN ABANDONED THEM.
THEY WERE RAISED
BY THEIR WORK FAMILY
AFTER THAT.
THEY WERE ORPHANS, JUST LIKE
THEIR VICTIMS' KIDS.
THEIR CIRCUS WAS NEVER THRIVING
BUT HELD TO TRADITIONS.
TONY WAS A BELOVED CLOWN
A LA THE CLASSIC 1950s,
BUT SAL CAPILANO
NEVER WANTED THAT LIFE.
HE WAS A DAREDEVIL,
WANTED TO BE LIKE HIS DAD.
SAL'S DAREDEVIL OUTLET
DRIES UP,
BUT HE'S STILL CHASING
THAT ADRENALINE RUSH.
AFTER THEY WERE FIRED,
HE STARTED KILLING
SURROGATES
FOR THEIR FATHER.
[OPERATIC VOICE]
♪ YOU SHOULD SEE THE OTHER GUY ♪
WHAT DID YOU DO?
OHH. WHAT,
ARE YOU WORRIED NOW?
DIDN'T SEEM TO CARE
MUCH WHEN YOU JUST
LEFT ME BEHIND,
DIANA AND I.
SHE'S NOT EVEN FAMILY!
SHE'S MY WIFE.
MY FAMILY.
WHAT AM I?
YOU'RE DRUNK.
I'M GETTIN' ON THE BULL.
NO, DON'T DO THAT.
COME ON, NOT AGAIN.
YOU'RE NOT GOOD AT IT.
UNLIKE YOU, I DON'T GIVE UP.
SEE, I TOLD LENNY,
I SAID, MY KID BROTHER
AND HIS FAMILY
ABANDONED ME
AFTER ALL I DID
FOR THEM!
I'M GETTING IN THERE
'CAUSE I NEED THE MONEY.
SO DO I.
LENNY: TOLD TOLD YOU
NEVER TO COME BACK HERE, SAL.
SEE, THAT'S NOT GONNA HAPPEN.
ALL RIGHT, YOU CAN
GIVE ME MY MONEY
THE HONEST WAY,
OR I CAN TAKE IT
FROM YOU, LENNY.
[GUNSHOT]
[LENNY SCREAMING]
HA HA HA!
PUT IT DOWN, SAL.
SEE, THAT AIN'T
GONNA HAPPEN.
YOU KNOW HE'S GOT AT LEAST
A COUPLE GRAND IN HIS SAFE.
HE NEEDS HELP.
YEAH, RIGHT.
COME WITH ME.
WHAT ARE YOU GONNA DO?
YOU GONNA CALL THE COPS?
WELL, HOW YOU GONNA
EXPLAIN IT, TONE?
I'M GONNA TELL THEM
WHAT YOU DID.
[LAUGHS]
THEY WOULD PUT YOU AWAY, TOO.
ALL RIGHT, GO AHEAD.
YOU GO AHEAD.
YOU KEEP MAKING 50 BUCKS
EVERY COUPLE OF DAYS
SO YOU CAN BARELY SURVIVE.
YOU THINK
THAT WIFE OF YOURS
IS GONNA STAY WITH YOU?
HA HA HA!
SHE WON'T!
HELL, YOU COULD MAKE
WAY MORE THAN 50 A DAY
IF YOU JUST RENT HER OUT
TO ALL THE GUYS.
[GRUNTING]
[LAUGHING]
SAL CAPILANO, FBI!
HANDS WHERE WE CAN
SEE THEM!
PUT THE GUN DOWN!
OH...
UH-UH, TONY, NO, NO.
YOU DON'T WANT TO DO THIS.
HE KILLED SO MANY PEOPLE.
JJ: THAT WAS HIS CHOICE.
NOW, YOU HAVE ONE, TOO,
RIGHT NOW.
DON'T DO THIS.
GO AHEAD, TONE.
YOU AIN'T GOT
THE G-G-G-G-G-G-GUTS.
[COCKS GUN]
HA HA. OH...
JJ: DON'T BE LIKE HIM
OR YOUR FATHER.
YOU'RE A DAD NOW, TONY.
YOUR SON IS WAITING
FOR YOU, AND YOUR WIFE.
TONY, SHE'S SO WORRIED.
DON'T YOU WANT TO
SEE THEM?
[LAUGHING]
[HIGH-PITCHED LAUGHING]
SAL CAPILANO, YOU'RE
CHARGED WITH THE MURDERS
OF SAM FRANKLIN--GET UP--
MARK WILSON...
[LAUGHING]
BELLA AND JOHN
RICHARDSON.
YOU HAVE THE RIGHT
TO REMAIN SILENT.
[LAUGHING]
[CONTINUES LAUGHING]
DO YOU WANT TO COLOR?
SURE.
WHAT'S YOUR NAME?
DYLAN. WHAT'S YOURS?
MIKEY.
HOW LONG IS TONY
GONNA BE AWAY?
DEPENDS.
OK.
OH. THIS, WITH MIKEY,
YOU KNOW, THESE PAST
7 YEARS HAVE GONE BY
SO FAST.
AND EVEN IF TONY'S
GONE ONLY A YEAR,
IT'S GONNA SEEM LIKE
A LIFETIME.
YOU KNOW, TONY WOULDN'T
HURT ANYONE,
AND HE DIDN'T.
IT WAS ALL SAL.
HIS ENTIRE LIFE
SAL HAS CAUSED TROUBLE,
AND NOW TONY'S
GONNA GET PUNISHED, TOO.
HEY. TONY WANTS TO TALK
TO YOU AND MIKEY.
YEAH. YEAH.
HEY, MIKEY, BUDDY.
BYE, DYLAN.
BYE.
HEY.
I'M SO SORRY, BUDDY.
I GOTTA GO AWAY
FOR A LITTLE WHILE,
BUT YOU AND YOUR MOM
ARE GONNA GO HAVE FUN
IN FLORIDA.
NO, WE'RE GONNA STAY
RIGHT HERE
OR WHEREVER YOU GO.
IT'S JUST GONNA
HOLD YOU BACK.
WHAT ARE YOU SAYING?
I COULD DO 5, 10 YEARS
FOR THIS,
MAYBE MORE.
HE'LL BE IN HIGH SCHOOL
BY THEN.
AND I DON'T WANT HIM TO
SEE ME LIKE THIS AGAIN.
[CRYING]
YOU JUST MAKE SURE THAT
HE DOESN'T FORGET ME.
OK?
NO.
[BLOWING]
HEY!
THAT'S IT, BUDDY.
YOU GOT THIS.
[LAUGHING AND CRYING]
I'M SO PROUD OF YOU.
THERE HE IS.
I MADE THIS FOR YOU.
THANKS.
HE'S ON AN ADVENTURE
TO FIND HIS FAMILY
IN THE FOREST.
MIKEY: HOW MUCH FARTHER
DOES HE HAVE TO GO?
DYLAN: HE DOESN'T KNOW.
REID: CHRISTOPHER MARLOWE SAID,
"IT LIES NOT IN OUR POWER
TO LOVE OR HATE.
FOR WILL IN US
IS OVERRULED BY FATE."