Chicago Fire (2012–…): Season 6, Episode 13 - Hiding Not Seeking - full transcript

The firefighters help the police track down a bombing suspect.

.

- This Zach guy
is really cool.

But you are so special to me.

It'll clear up a lot of things,

once I move out.

- I don't want you to leave.

[dramatic music]

- I'm so excited
to be here today

with Sergeant Trudy Platt.

[explosions]

- Medic!



- Eric Mitchell.
- Yeah?

- This could be the start
of a bombing campaign.

- We think that
Eric and Sheri were targeted

for reporting
on the same story.

- Didn't Eric run
the Larry Shepard story?

- White male, 40s, beard.

It matches.

- So you guys blew up
your reporter's career

based on fake news?

- He never forgave us for that.

- This guy's living
in the dark.

I don't know how
we're gonna find him.

- There comes a time
when people pay,

when their actions matter.



- I got a guy who might know
where Shepard bought his C-4.

- George Lehr.

- We finally got a lead
to Shepard.

We need to get inside Lehr's
house to clone his laptop.

We need your paramedics
to get us in the door.

- You are not endangering
my paramedics.

- Look, I'm just telling you
like it is, Chief.

The city is in
imminent danger.

And if I thought there was
a better way to find this guy,

I wouldn't be here.

- We want to do this, Chief,
no hesitation.

- Yeah, we've been
in this man's house.

He doesn't seem like a danger.

- So they do their jobs
like they always do.

Adam Ruzek goes
in the back door.

While George Lehr
is distracted,

Ruzek installs a cloning
device on Lehr's laptop.

- Which was in his office last
time we were there, I remember.

we'll just make sure that we
keep him in the living room.

- Bing bang boom. Ruzek's out
of there in 10 minutes.

- Why is this laptop
so important?

- Shepard's in contact
with Lehr.

Once we clone the laptop,
we'll have access

to incoming
and outgoing e-mail.

- Yeah, when Shepard
reaches out, we set a trap.

- What if the computer's
not in the office?

- We'll improvise.
It's what we do.

- Look, if there's
even a hint of menace,

we'll be right outside
in a surveillance van

with a go team ready.

[dramatic music]

*

- I have to be in the van too.

- Fine by me.

- When do you want to do this?

- Today. Now.

*

- We'll go get ready.

*

- I won't let anything
happen to them.

- You can't promise me that,
Antonio,

and you know that.

- We know what we're doing,
Chief.

All right, we'll be back
in 30 minutes to pick you up.

*

- If it were us
the Chicago PD needed,

we'd both step forward.

- Yeah.

*

- You gonna be careful
or do I need to worry?

- Antonio's gonna be right
outside. I'll be fine.

- I wish I felt
as good as you do.

- Yeah. What can go wrong?

- Has the latest for us
in our ongoing coverage

of the serial bombings that--

- They have any updates?

- Nonstop reporting,
but no real details.

- That scene was chaos.

How's Trudy?

- Unstoppable.

- Voight and Antonio
were just here.

- Bomb related?

- They're trying
to rope Brett and Dawson

into some sting.

- What?

Where are they?

- Locker room?

- But we will keep you
up to date

as information comes--

- Hey, the rumor
running around

is that you're going undercover

for Voight and Antonio.

- They want us
to distract a patient of ours

while they plant
something on his computer.

It's simple.
- No.

It is not simple!

Sylvie, you don't know
these guys the way that I do.

They will chew you up and spit
you out without even thinking.

- Antonio is a part of this.

He's not going to do anything
to put his sister

or me in danger.

- Leon wore a wire for them
and he had to move to Florida

for three years
because of retaliation threats.

- I appreciate your concern,
Joe.

- Do you?

- You were on the scene.

You saw with your own eyes

what this guy
has been doing to people.

If we can help find a way
to get to him,

to save more people,

I'm gonna make that choice
every time,

and you would do
the same.

[dramatic music]

*

- Fine.

Just--just please call me
as soon as it's over, okay?

*

- I got 'em.

*

- Mr. Lehr,
remember us?

- I didn't call
for a paramedic.

- No, yeah, no,
we understand, um...

We do wellness checks

for all of our chronic
heart condition patients,

make sure your
blood pressure's okay,

everything's working
like it should.

- Standard procedure.

- It's not a good time.

- It'll only take a second.

- We'll be in and out
before you can blink.

Promise.

- We're stopping by now because
it would break our hearts

if we had to come by
again later

in an emergency situation.

*

[ominous music]

- You taking
your heart medication?

- Yeah, 40 milligrams
every night.

- Here, have a seat.
Roll your sleeve up.

*

- What do they have you on?

- Uh... Statins.

*

- All right, I'm in position.

- All right,
you're clear for entry.

*

- Hey, Mr. Lehr, will you roll
that sleeve up for me?

- George.

- Okay, George.

Just relax
while I check your pressure.

*

*

Okay.
118/70.

Perfectly normal.

- Well, I really have
a lot of work to do, so...

- Oh, yeah, of course,
of course, no problem.

Um, we're just
gonna take a listen

to your heart sounds
real quick.

- And how long
is this gonna take?

- Uh, just a minute.

*

Breathe in.
- [inhaling deeply]

- Out.

- [exhales]

- That's it.
Do it again.

- [heavy breathing]

- Good, again.

[computer beeps]

*

- Okay, okay, that's it.

I'm done. I'm fine, I'm fine.
- Oh, well,

we have to get
your blood sugar.

But since it seems like you've
gotten your medical license

since the last time we saw you,
I guess we can pass.

- Actually, you know what,
Sylvie, why don't you mark down

that the patient is refusing
his wellness check.

If anything happens to him in
the future, it won't be on us.

[suspenseful music]

*

In.

*

Out.

[knock at door]

*

- What's this?
- I don't know.

*

- Is that your guy?

*

- Is it Shepard?

- I don't know.

*

[knocking grows louder]

- Can you guys wait here?

- Actually, you know what?
We're done, we can go.

- Wait.

*

.

- Okay. We gotta call it.

I gotta protect my paramedics.

- Just sit tight, Chief.

We're this close.

- Edmund.

- It's not him,
it's not Shepard.

- Who is it then?

- This is my brother, Edmund.

These are a couple
of paramedics.

They want to do
some kind of wellness check.

- Where are the checks?

- In the office.

- Ruzek, get out of there
immediately.

[suspenseful music]

- Come on, come on...

- So I really do have
a lot of work to do.

Can we just wrap this--
- Hey, Edmund.

*

Uh, heart disease
is hereditary.

So if you haven't
had a checkup in a while,

I highly recommend it.

*

- I'll keep that in mind.

- Great.

*

Okay, well, Mr. Lehr,
your pressure is good,

your blood sugar's normal,
your lung sounds are clear.

We are pleased
that you're doing better.

- Totally pleased.

*

- Come on.

*

- We got it.

*

- They're clear.

*

- Just heard from Dawson.
They're both fine.

Went off without a hitch.

- I told Brett to call me
the moment they were safe.

- I'm sure she assumed
I'd tell you.

- Thanks, Captain.

- You all right, Cruz?

- Yeah, just, uh, worried.

It's all good.

- What's up?

- Oh.

Zach wants me
to meet his sister.

She's coming to town,
and it's a whole to-do.

- Two days ago, you were saying
that you wanted to move out

because it's getting
weird with me,

and now, you're worried
about his sister?

- I know,
but meeting his family,

I mean, he might as well come
with a priest and ten limos,

because that's what that means.

- Okay.

- Look, I'm just--
I'm just gonna tell him

to tap the brakes,
just a little.

- I'll let you work on that.

- Mm-hmm.

- I gotta tell you,
your paramedics did great.

- Yeah, there's
no surprise there.

They walk into unpredictable
situations every day,

and they do it
without a weapon.

I was never worried about their
ability to handle themselves,

but thanks for
keeping them safe.

- I know you had
your reservations.

I want you to know I appreciate
you helping us out.

- What happens next?

- Well, we sort through
all of George Lehr's e-mails.

He tries to make contact with
Shepard, now we'll be ready.

- I will say I'm ready to help
in any way we can.

Our people will have
their antennae up.

- Much obliged.

- Thanks.

It got a little
too close for comfort,

but they both handled
themselves with aplomb.

- You hear that? Chief
just used the word "aplomb."

- Oh, well, what'd you expect?

[intercom buzzes]

- Squad Three, explosion,
8412 South Kedvale...

- Explosion.

- That's a residential
neighborhood.

- Uh-huh.

[suspenseful music]

*

[siren wailing]

*

- You get the feeling Antonio
doesn't know what he's doing?

- Where's this coming from?

- Well, he gets into
a bind on his own case.

He's gotta call Brett and
Dawson to do his dirty work?

It's like Leon.

Antonio had him wear a wire.

It cost him three years
of his life.

- Leon's doing good now!

- Yeah, but that doesn't mean--

- Cruz, you need to focus.

*

[siren wailing]

*

Hey, Cap, Tony,
check under the hood.

Make sure that fire doesn't
flare up again.

- I saw the whole thing.

Janet came out of her house.

I-I waved to her
like I always do.

We've shared a lawn
for 20-something years.

She--she gets in her car,

backs out of the driveway,
puts it in gear to go forward,

and an explosion
like you've never heard.

- Okay, ma'am.

You stay here; the police
are gonna want to talk to you.

*

[engine revving]

- I was on my way home,

heard the word "explosion"
on the scanner.

So...Intelligence is
a little jumpy right now.

- Yeah, for good reason.

[radio chatter]

Found this
underneath the chassis.

It's the same material
as before.

- This is not just some kid
making a pipe bomb

off the internet.

This is professional work.

*

- Excuse me, guys.
- Yep.

- Hey, is Voight right by you?

All right, will you find him,

tell him I'm at
8412 South Kedvale?

And that this is our guy.

He's struck again.

.

- So the woman in the car
is Janet Powell.

She's the mother-in-law
of our man, Larry Shepard.

- We were looking
at media targets,

not extended family members.

- Which means he's escalating
and twice as dangerous.

- The laptop this morning,
did it help?

- We're hopeful.

I mean, if Shepard
requires more supplies,

he's gonna have to reach out.

I also got Antonio sitting
on George Lehr's house

in case he tries
to make personal contact.

- Hey, do you need us
for anything else, Chief?

- No, you guys
can pack up and go.

- Squad Three,
back it up, let's go.

- Copy that, Lieutenant.

- Chief, look,
if the firehouse responds

to any fire or haz-mat calls

where anything seems unusual,

even if you just get a bad hit,

give us a call, we'll come
out to the scene.

- Understood.
- All right.

- Chief.
- Thanks.

- You're welcome.

[dramatic music]

*

- I tell her
this is dangerous,

but she doesn't
listen to me!

I tried to tell her about Leon,

but she basically ignored it.

I tell her, "Please,
call me as soon as it's done."

What'd she do?
Nothing!

Dawson calls Casey and says

tell him to tell me
not to worry?

- Do you want her
to report back to you

after every call
that 61 goes on?

- Don't give me that,
all right?

Just because things
get dangerous

when the bells go off,

doesn't mean that she has
to go looking for trouble.

- Hide me.

- You think I'm being crazy?

- No, I don't, but do you think
you'd have this reaction

if there wasn't this history
between Brett and Antonio?

- What?
This has nothing to do with

whatever the hell's
going on between them.

- Yeah, okay, but this thing
went off without a hitch.

She's back safe and sound,

so maybe now
just focus on that.

Okay?

- Captain.
- Captain.

- Uh, what is this about?

- I told Brett that I come
in here and I lower the blinds

whenever I'm trying
to avoid someone.

- Yeah, I'm always like,
"Where's Dawson?"

And everyone's like,
"I don't know."

Now I know.

- So you just
go about your usual,

and we're gonna hang out in
here for the rest of the shift.

- Seems like you haven't put
too much thought into it.

- You're right, we haven't.
- [laughing]

- Is this about Cruz?

- A little.

Yeah, pretty much.

- He's your roommate.
- Yeah.

And he's ticked about us
helping Antonio.

- Okay, you know what?

I'm gonna go down
to the blue office

that I should've moved
into when I had the chance.

Brett, I've known Joe
for a long time.

He wears his emotions
on his sleeve because he cares.

There's nothing surface
about him.

- Severide!

They say the victim today
was the mother-in-law

of the prime suspect.

- Apparently.

- Yeah, that don't seem
a little off to you?

- It didn't fit the pattern
according to Halsted.

- Yeah, that's what
I'm thinking about.

Patterns.

Now, I know I don't have as
much arson experience

as you or your father,

but I seem to remember IEDs.

They require a certain amount
of practice

before someone deploys them
out in the wild.

- Yeah, theoretically,
the arsonist wants to test

the power of the explosives

so they don't fall short
of their goal, I guess.

- Right.

So there might have been
a trial run or two.

- Some place that didn't raise
any red flags at the time.

- Yeah. Go on.

- So if there's a workspace
or a practice area--

- How do we go about
finding that?

- I got an idea.

- Captain Hubble.

- Oh, Chief Boden, Kelly,

let me guess, you guys are
here about the bombings.

- Yeah, we are.

- Don't worry, I've got
my best people on it.

The physical evidence
is strong,

and we're preserving
every last bit of it.

If CPD has a suspect, we will
connect him to the attacks.

- That's the problem.

They don't have
any suspect in custody.

- We might be able
to help you with that.

- Okay.

- Do you have a way to sort

through arson calls
by neighborhood?

- Sure, we can sort
through every call

CFD's responded to
in the last 20 years,

but it requires some
heavy database management.

Why?

- We need to look at any calls
within a two mile area

of 4215 South Morgan.

- Shepard's residence.

- Going back
maybe a year or two.

- You guys understand
a lot of people are waiting

on this report.

- Look, we know
this is a big ask.

But we wouldn't bother you

unless we thought
it could pay off.

[dramatic music]

*

- Hey, guys.

Let's hit pause for a bit.

We're gonna attack this
from a different angle.

- Thanks, Hubble.
- Yeah,

anything to stop this guy.

- I thought you
were going home.

- No rest for the weary.
What's up?

- Is your sergeant here?

- Yeah, he's in his office
with Antonio.

- Good.
He's gonna want to hear this.

So I've dealt
with my fair share

of arsonists
over the years.

And the thing that
a lot of them have in common

is they build up
to the first blaze,

the first bomb.

- Yeah, like that guy
that targeted your sister.

- Gish.
- Right.

- You shot him.
- In an elevator stall, yeah.

- Yeah, except this guy
isn't a typical arsonist.

He's a journalist.

He just snapped when the story
he was working on

doubled back on him.

- Still he chose bombs,
he chose fire,

he didn't chose a gun.
- Mm.

- So maybe that's something
that he built up to.

- And George Lehr
helped him do it.

- Right. He doesn't want
to practice in his home,

in case someone notices.

- Yeah, we checked his house.
It's clean.

- Right, but twice
in the last six months,

the CFD has been called
out to this property.

This is two blocks away
from his residence.

It's got a nice little
work shed in the back.

And the neighbors, they phoned
it in when they saw smoke.

- I was on one of these calls.

The man that answered the door

said it was just
a little experiment

that had gone awry.

He said he was a carpenter
or something.

I didn't get a good look
at him, he had a hoodie on.

Thought it was weird,
but I didn't flag it.

We get a lot of false alarms.

- Think it was Shepard?

- I couldn't pick him
out of a lineup,

but yeah, it could've been.

- Let's see who owns this
property on West Patterson.

- All right, I'm on it.

- Antonio, let's roll
on this address.

I want to see who
answers the door.

Hey. Thank you. Thanks.
- Yep.

- Hey, Sarge, this address
on West Patterson,

it's owned by a company
named Starlight Properties.

They got a PO box.
- Hey.

You say Starlight?

- Yeah.

- There's an e-mail
on Lehr's laptop

from Starlight Properties.

- This is our guy.

- All right,
everybody gear up.

We'll see you there.

[suspenseful music]

*

*

- Move it.
- Let's go.

- Seek, seek.

[dog barks]

- Hit him.

*

- Stairs!

- Clear.

*

- There it is,
back there.

*

- Police!

*

- Sarge, you want
to wait for a sniffer?

*

.

- Here they are.
Right here.

[ominous music]

So what do we got?

*

- Same materials.

Soldering on the initiator
matches the signature.

Yeah, that's the same type
used on that car

on South Kedvale.

- All right,
rip that house open.

Find me a clue tells me who,
when, where he'll strike next.

- Copy that.
- Hey, Chief,

mind sticking around for a bit?

May need your expertise.
- Sure.

- Appreciate it.

- Go back to the house,

let Casey know I'm gonna
assist here.

- Yeah, you got it, Chief.
- Okay.

- Sylvie.
- Oh!

What are you doing?
Don't scare me like that.

- The better question
is what are you doing

in Casey's office?

- Nothing.

Sometimes I go in there to...

You know.

- Assume I don't know.

- Okay, fine,
I'm hiding out.

- Okay, that's just wrong.

The last thing
I want you to think

is that you can't
talk to me.

- Well, I tried, and you were
all in my face this morning.

- Because I care about you,
Sylvie.

And before you get all nervous,

I mean that as a friend.

I had my chance with you,

it didn't work out,
I fully understand that.

But what we've had since then,

this friendship,
that's what's important to me.

[melancholy music]

- Me too.

*

I'm sorry.

I love living with Crotis.

I don't want
to jeopardize that,

but there are gonna be times

when I'm gonna do
what I think is right.

- Understood.

You have my complete support.

*

- Thanks.

*

- Ooh, I like the sight
of this.

- Yep.

- My man's got his own
corner office.

- I'm just using it while you
and Brett play hide and seek.

- Hiding, not seeking.

And we're done.
We're good to go.

- Good.

Then we can get things
back to normal.

- Hey.

- Cap said that you and Boden

went hunting for some bomber.

- I was trying to help
where we can.

Turns out, Boden and I found
the psycho's practice workshop.

- Yeah?

- Yeah, Boden's still there.

- With all the craziness
this shift,

Dawson and Brett
walking pretty much

right into the lion's den,

I don't want you
doing anything stupid.

I would say that we don't know
what this guy's capable of,

but we do.

- So what you're saying...

Is you're worried about me?

- All I'm saying is
firefighter to firefighter,

be careful.

- Because you don't want
anything to happen to me.

- If you would just set
your ego aside for a minute,

you would see that
I am actually offering you

some very sage advice.

- Uh, Stella...

- Hey! What's up?

- Hey, man.

- Hey.

- I got your message.
- Yes.

- You're bailing
on tomorrow night?

- Yeah, I--

I just, you know, with
the city being on high alert,

I just figured I'd stick around
and catch a double shift.

Just in case
they need the extra hands.

- Huh.

- What?

- No, I just thought
you wanted to go.

- No, I do, I--

That's why I was just--

I was just feeling you out,
and, uh--

Look, I can see that this
is really important to you,

so I will tell Chief

to stick to the schedule.
Forget I called.

- Okay.

I'll see you tomorrow.

- Perfect.

- Actually, you know what?

I am gonna let you
off the hook.

[dramatic music]

- No, that's not what I was--

- Look, I'm a lot of things;
I'm not blind, Stella.

There's something going on
with your roommate,

which is cool with me.

Hell, we just started
going out.

- Zach--
- No, it is, it is,

but it's your life,
and I get it.

But...

See, I think what I need to do
is take a big step back.

And if, uh...

You get to a different place
in your life, then...

*

We'll see.

- I think you're overreacting.

*

- I'm not.

*

- Upton.
- Yeah?

- We got something.
- What is it?

- It's from George Lehr's
cloned laptop.

He just sent
an e-mail to Shepard.

There it is.
"Pick up the package at 7P.

We'll be set for tonight."

- 7P? What's 7P?

- Uh, the time? 7:00 p.m.?
I don't know.

- Could be a location--
a locker or storage facility.

- Yeah, but pick up the
package. What package?

- It's gotta be an explosive.

We have to intercept it.

Let's go.

[dramatic music]

*

- Clear.

- Clear. Forward.

- Hands up, Lehr.
Lehr, hands up!

Real slow, okay?

I want you to put your
hands up--

[glass shattering]

[straining]

- What's 7P?
- [shouting]

- What did you give Shepard?

- [grunts]

- Where's he striking next?

- It'll all be over tonight!

- Don't you move an inch.

*

Sarge?

Yeah, we have Lehr in custody,

but we believe
he's armed Shepard

and means
to strike tonight.

- Yeah, well
you bring his ass in

and throw him in the cage.

*

- Sarge, we got something
in the basement.

*

Hey.

Sheri Hamilton,

the mother-in-law,

Eric Mitchell,
the mailbox victim,

and this is the guy Upton
and I interviewed.

It's Allen Tullis;
he's Shepard's editor.

Shepard accosted him
on a commuter train

two days before
the first incident.

- Editor where?

- "Chicago Telegraph."

[suspenseful music]

- The CT?

- He's next.

.

- 5021 Squad emergency.
Roll the bomb squad

to the Chicago Telegraph
building immediately.

I got a possible IED.

Advise additional responding
to set a two block perimeter.

- Roll CFD to the
Chicago Telegraph building

on a box alarm!

[dramatic music]

[sirens wailing]

*

- Okay, folks, single file.

*

Watch the vehicles.

There you go.
Keep moving.

Let's go, folks.

- You ever get
that itch, Wallace?

- Itch?

- Yeah, you know, the feeling
something ain't right?

- Yeah.

- Yeah, well, I got it now.

Hey, security.

- We got the call and we are
proceeding with the evacuation.

- All right, good. Listen,
can you point out Allen Tullis?

We need to talk to him.

- Allen's not here yet.
Comes in late on Fridays.

- Did you say Allen Tullis?
- Yeah, that's right.

- Yeah, he takes the train in.
His regular routine.

- Shepard accosted Tullis
on the train.

He knew where he'd be
and what time he'd be there.

- "CT." Not "Chicago
Telegraph," Chicago Transit!

- You know what station
Tullis uses?

- Uh, Randolph Street.
- Thank you.

- Casey, divert the call to the
Randolph Street train station.

Possible bomb attempt.

[sirens wailing]

- Chief says
Randolph Street station!

- Squad Three, Ambo 61,
Randolph Street station!

- Copy that.

- Evacuate!
We need to evacuate!

- Everyone evacuate!
Out of this station!

- What's going on?
- We have a bomb threat.

- I didn't get a call!
- It's happening fast.

- K570 to rail control!

CFD's on the scene,
reporting a 1090.

They're requesting a station
shutdown while we wait for CPD.

- Get out of the way, please!

- Move to the right, please!
- Stay to the right!

- All right, everybody!
We need you off the train

and out of the platform
right now! Let's go!

- Orderly manner, please.
Thank you!

Upstairs, upstairs.
- Nice and easy, slow down!

*

- Let's go, folks!

- Come on!

*

Let's go! Let's go!

*

Out of the platform right now,
let's go, let's go!

Come on!

- Quickly, everybody, quickly.

- Sir!

- Hey, we're evacuating, sir.

*

- Larry?

- Journalism needs to be
accountable.

[woman screaming]

- Out of the way! Move!
- Out of the way!

*

- Move! Move!

- Out of the way!
- [straining]

- Out of the way,
out of the way.

Get out of the way!
- Come on!

- You even twitch,
I'll blow your head off.

*

[radio chatter]

Here, throw him in my car.

- You got it.
Let's go.

*

Well, that was nice work,
fellas.

- A little too much excitement
for one day.

- That's what keeps
Chicago interesting.

*

- Did you guys give
your statements?

- Multiple times.

- That guy had
enough C-4 on him

to take out
a whole city block.

You did good today,
both of you.

- Yeah.

- All right, Chief.
- Okay.

*

Come on.

*

- You two were cool
under fire today.

- That's every day,
mi hermano.

- Well, we appreciate it,

sincerely.

I mean, that laptop
toppled the dominoes.

- Oh, yeah? What about
our patient, George Lehr?

What happens to him?

- Next time
he needs a paramedic,

it's gonna be in a prison yard.

- Good riddance.
- Yeah.

Salud.

You two missed your calling.

I'm gonna get you CPD badges.

[laughter]

[rock and roll music plays]

*

[dramatic music]

*

[laughter]

*

- How far does a girl have
to go before you notice her?

- Are you going to Molly's?

- You?

- I was thinking about it.

Yeah, Zach broke up with me.

- I thought you were
just tapping the brakes.

- Yeah, well, he decided

to go ahead and put it in park.

- Let's stay in.

- Yeah?

- Yeah, just you and me.

[hopeful music]

*

- If she's pretty enough, she
doesn't have to go anywhere.

She just has to be.

*

- Pay attention to me.

- I'm not exactly on
the other side of the room.

- Your mind is.

And when I want a man,
I want all of him.

*

.

[dramatic music]

*

[wolf howls]