Burn Notice (2007–2013): Season 7, Episode 2 - Forget Me Not - full transcript
Michael returns to Miami but can't contact his mother or his friends in order to maintain his cover.
- MY NAME IS MICHAEL WESTEN.
I USED TO BE A SPY, UNTIL...
[phone rings]
- WE GOT A BURN NOTICE ON YOU.
YOU'RE BLACKLISTED.
[hangs up phone]
- [whistles]
WHEN YOU'RE BURNED,
YOU'VE GOT NOTHING.
NO CASH, NO CREDIT,
NO JOB HISTORY.
YOU'RE STUCK IN WHATEVER CITY
THEY DECIDE TO DUMP YOU IN.
WHERE AM I?
- MIAMI.
- YOU DO WHATEVER WORK
COMES YOUR WAY.
YOU RELY ON ANYONE
WHO'S STILL TALKING TO YOU.
[laughs]
A TRIGGER-HAPPY GIRLFRIEND.
- SHOULD WE SHOOT THEM?
- AN OLD FRIEND WHO USED
TO INFORM ON YOU TO THE FBI.
- YOU KNOW SPIES,
BUNCH OF BITCHY LITTLE GIRLS.
- FAMILY TOO.
- HEY, IS THAT YOUR MOM AGAIN?
- IF YOU'RE DESPERATE.
- SOMEONE NEEDS
YOUR HELP, MICHAEL.
- AND A DOWN AND OUT SPY
YOU MET ALONG THE WAY.
- THAT'S HOW
WE DO IT, PEOPLE.
- BOTTOM LINE,
AS LONG AS YOU'RE BURNED,
YOU'RE NOT GOING ANYWHERE.
- THIS IS THE LAST, BEST,
AND ONLY OFFER YOU WILL GET.
IT'S A DEEP COVER JOB.
YOU'RE GOING AFTER THE LEADER
OF A TERRORIST NETWORK
BASED IN THE DOMINICAN REPUBLIC.
RANDALL BURKE.
- [grunts]
- WHY ARE YOU ASKING QUESTIONS
ABOUT MIKE?
WHO THE HELL
ARE YOU, PAL?
- WHAT THE HELL
DOES HE WANT WITH MIKE?
- WE DAMN WELL
BETTER FIND OUT.
- YOUR SON IS INVOLVED
IN DELICATE WORK.
- MICHAEL IS WORKING
ON A GOVERNMENT ASSIGNMENT
FOR THE CIA.
- WE JUST FOUND A DEPARTMENT
OF CHILDREN AND FAMILIES I.D.
AT THE MYSTERY MAN'S HOUSE.
- DID THEY ASK YOU
ANYTHING ABOUT MICHAEL?
WHAT EXACTLY DID YOU TELL THEM?
- OH, NO.
- MADDY, YOU CAN'T JUST
WALTZ INTO THE FBI OFFICE
AND ASK ABOUT MIKE.
LOOK, I GOT FRIENDS THERE
AND THEY WON'T TELL ME ANYTHING.
SO THIS IS JUST A BAD IDEA
NO MATTER HOW YOU SLICE IT.
- WHAT AM I SUPPOSED
TO DO THEN?
I HAVE PHONED EVERY DEPARTMENT
IN THE FEDERAL GOVERNMENT
TO FIND OUT
IF MY SON IS ALIVE!
AND I'M GETTING NOTHING.
SO I'M GOING TO GO DOWN THERE
BY MYSELF,
AND TALK TO THEM
IN PERSON.
- MIKE CAN TAKE CARE OF HIMSELF,
I'M SURE HE'S FINE.
- YOU'RE SURE.
WHAT DOES THAT MEAN, SAM?
YOU HOPE?
YOU THINK?
DO YOU KNOW?
BECAUSE I NEED TO KNOW!
- WHAT'S YOUR PLAN, MADDY?
YOU JUST GONNA
SHOW UP DOWN THERE?
'CAUSE I KNOW THEY'RE NOT
GONNA GIVE YOU AN APPOINTMENT.
THE BEST WAY TO FIGURE OUT
WHAT'S GOING ON WITH MIKE
IS FOR US
TO CATCH THIS GUY
AND FIND OUT
WHO HE'S WORKING FOR.
- JESSE'S RIGHT.
LOOK, FI AND CARLOS
ARE ON THE STREET RIGHT NOW,
GETTING THE WORD OUT
TO THEIR PEOPLE.
- WE CHECKED HIS ALIASES,
WE GOT HIS REAL NAME.
A DEXTER GAMBLE.
SO WE'RE MAKING PROGRESS.
YOU JUST NEED TO SIT TIGHT.
- MICHAEL COULD BE DEAD!
DON'T YOU TELL ME
TO SIT TIGHT!
- MADDY.
DON'T DO THIS
TO YOURSELF.
- SAM, I CAN'T SLEEP.
I CAN'T STOP EATING.
ALL I CAN THINK OF IS THAT
I MIGHT HAVE KILLED MY SON.
- MADDY, WHAT ABOUT CHARLIE?
YOU JUST GONNA DRAG HIM ALONG
WHILE YOU GO RAISE HELL?
I MEAN, WHAT--DON'T YOU THINK
THAT'S GONNA FREAK HIM OUT
A LITTLE BIT?
- THAT'S ALREADY
TAKEN CARE OF, JESSE.
THANK YOU.
CHARLIE!
SWEETHEART, YOU READY?
- HI, GRANDMA.
- LOOK AT YOU, HANDSOME.
DID YOU BRUSH?
[gasps]
PERFECT.
ALL RIGHT, WE'RE GONNA
GO TO MRS. STRICKLAND'S
FOR A FEW HOURS WHILE GRANDMA
DOES SOME ERRANDS, OKAY?
- OKAY.
- OKAY, SWEETHEART.
SAY BYE-BYE!
- BYE-BYE, MR. SAM.
BYE-BYE, MR. JESSE.
- HEY, MADDY, COULD WE--
- BYE-BYE.
EXCUSE ME.
WHERE DO I PARK
FOR THE FEDERAL BUILDING?
- FIND A SPOT
THAT'S NOT RESERVED,
THEN TAKE THE FOOT BRIDGE
ON LEVEL TWO.
- THANK YOU.
- THERE'S A FINE LINE BETWEEN
HEALTHY CAUTION AND PARANOIA.
WHEN YOU'RE UNDER STRESS
YOUR AWARENESS IS HEIGHTENED,
MAKING IT EASIER
TO SPOT POTENTIAL DANGERS.
UNFORTUNATELY, STRESS CAN
ALSO MAKE IT HARD TO TELL
WHEN A DANGER IS REAL,
AND WHEN IT'S JUST A FIGMENT
OF YOUR IMAGINATION.
[elevator bell dings]
[bell dings]
[motor whirring]
- JESUS.
[bell dings]
[motor whirring]
SOMEBODY!
PLEASE! PLEASE!
- HI, MOM.
- MICHAEL?
WHAT'S GOING ON?
- RELAX, MA.
I JUST NEED TO TALK TO YOU.
- WHY CAN'T WE
JUST TALK AT HOME?
- I'M SORRY.
IT'S FOR SECURITY PURPOSES.
- EXCUSE ME. EXCUSE ME.
[voices fade out]
- I CAN'T RISK BEING SEEN.
- IS THIS ABOUT THAT MAN?
THE ONE WHO CAME TO MIAMI
ASKING ABOUT YOU?
- YOU TOLD HIM I WAS
WITH THE CIA.
HE COULD BLOW MY COVER.
- I'M SO SORRY, MICHAEL.
YOU GOTTA TALK
TO FI AND SAM AND JESSE.
- I CAN'T TALK TO ANYONE ELSE.
- THEY'RE LOOKING FOR HIM.
- I KNOW.
- THEY'RE WORRIED!
- I KNOW!
- WHAT DO YOU MEAN,
"YOU KNOW?"
- WE'RE FOLLOWING
THEIR INVESTIGATION.
- YOU--YOU'RE SPYING
ON YOUR FRIENDS?
- NO, YOU DON'T UNDERSTAND.
I CAN'T CONTACT ANYONE ELSE.
NOT WHILE I'M UNDERCOVER.
- CAN'T YOU JUST CALL
ONE OF YOUR SECRET MEETINGS?
- I CAN'T, IT--
MA, THIS WAS NOT MY CALL.
NO ONE CAN KNOW I'M HERE.
- AND ME?
WHY DID I GET
A PRIVATE VISIT?
- BECAUSE YOU'RE
CALLING PEOPLE ABOUT ME.
AND YOU HAVE TO STOP!
- MICHAEL, I JUST WANTED
TO KNOW IF YOU WERE ALIVE!
IS THAT TOO MUCH TO ASK?
- YES, IT'S TOO MUCH TO ASK!
YOU CAN'T CALL!
YOU CAN'T WRITE!
YOU JUST HAVE TO
WAIT FOR ME TO COME BACK!
- AND IF YOU
DON'T COME BACK?
- I HAVE TO GO.
- MICHAEL.
CAN I HOLD MY SON?
IS THAT ALLOWED?
[phones ringing]
[overlapping chatter]
- THERE YOU ARE.
HOW'D IT GO WITH MOM?
- AS WELL AS COULD
BE EXPECTED.
SHE WON'T BE CALLING
ABOUT ME ANYMORE.
- GOOD. NOW WE CAN
GET ABOUT THE BUSINESS
OF TAKING CARE
OF DEXTER GAMBLE.
SO FIRST THINGS FIRST...
A WELCOME HOME GIFT.
YOU SHOULD BE ABLE
TO USE IT SOON, TOO.
LOOKS LIKE YOUR FRIENDS
ARE MAKING SOME PROGRESS.
IS THERE A PROBLEM,
MICHAEL?
- NO, I WAS JUST THINKING
THIS MIGHT GO FASTER
IF WE WORK DIRECTLY WITH THEM.
- NOT GONNA HAPPEN.
- THEY'VE BEEN INVOLVED
IN COVERT OPERATIONS BEFORE.
YOU CAN TRUST THEM.
- I SAID NO.
I'M NOT GONNA RISK MY OP
SO THAT YOU CAN SAY HI
TO YOUR PALS.
NOW YOU KNEW THIS BEFORE
YOU CAME TO MIAMI.
NOW YOU CAN EITHER FLY BACK
TO THE D.R. AND LET US HANDLE IT
OR YOU GET
WITH THE PROGRAM.
GOOD.
- WHEN RUNNING SURVEILLANCE
YOU'RE TRAINED TO VIEW
YOUR TARGETS
NOT AS PEOPLE,
BUT AS A LIST OF DETAILS
IN AN ACTIVITY LOG.
WHEN THEY COME HOME,
WHEN THEY LEAVE,
HOW MANY CALLS THEY MAKE.
YOU HAVE TO DISCIPLINE YOURSELF
NOT TO GET EMOTIONALLY INVOLVED
IN THE LIFE OF THE SUBJECT.
- YEAH, LOOK, I GET IT--
- BUT SOMETIMES THE SUBJECT
MAKES THAT IMPOSSIBLE.
- YEAH, HE'S ALL
HOT AND BOTHERED ABOUT
THE BURGREN SKIP.
I SAID WE'LL HANDLE IT,
BUT FOR NOW WE'VE GOT
A MORE SERIOUS SITUATION HERE
AND THAT'S THE PRIORITY.
- I'M SORRY.
I DIDN'T MEAN TO GET YOU
ALL WRAPPED UP IN THIS.
- HEY. YOU GOT NOTHING
TO BE SORRY ABOUT.
I JUST GET PISSED
THAT YOU STILL HAVE TO DEAL
WITH MICHAEL'S STUFF,
EVEN WHEN HE'S NOT AROUND.
I'M GONNA
GO TAKE A SHOWER.
- THE HARDEST PART
ABOUT DOING SURVEILLANCE
ON SOMEONE YOU KNOW
IS STAYING OBJECTIVE.
WORK CAN QUICKLY
BECOME VERY PERSONAL
WHEN EVERYTHING ABOUT THE PERSON
YOU'RE WATCHING, EVERY LOOK,
EVERY GESTURE,
REMINDS YOU OF THE PAST.
[overlapping chatter]
[traditional Irish music]
*
- GO!
[guns clicking]
[crowd gasping, murmuring]
[click]
[cheers]
- [Irish accent]
YOU'RE A DEAD MAN.
NOW PAY UP.
- YOU WANT YOUR MONEY,
YOU'LL HAVE TO TAKE IT FROM ME.
- ALL RIGHT, I WILL.
- [Irish accent]
WHO'S THE GIRL?
- FIONA GLENANNE.
TROUBLE OF THE WORST KIND.
[cheers]
BELIEVE ME, LAD, YOU WON'T
BE WANTING ANY OF THAT.
BESIDES, SHE'S TAKEN.
[cell phone rings]
- RICO. YOU HAVE
INFORMATION ON GAMBLE?
- YEAH, CHICA, IT'S GONNA
COST YOU THREE BILLS.
MY COUSIN SAID A DUDE WHO LOOKS
JUST LIKE THE GUY YOU'RE AFTER
PAID HIM FIVE GRAND
FOR A PLACE TO STORE EQUIPMENT.
FIVE G'S AND HE'S NOT EVEN
STAYING THERE.
- I NEED AN ADDRESS.
- 828 NORTH RIVER DRIVE.
IT'S AN OLD AUTO BODY SHOP
RIGHT OFF FIFTH STREET.
- HOW FAR IS THAT FROM HERE?
- 20 MINUTES.
- LET'S GO.
- WE'LL LET YOUR FRIENDS
SEARCH THE AUTO SHOP FIRST.
WHEN THEY LEAVE, WE'LL SWEEP
FOR WHATEVER THEY MISS.
[car tires squealing]
- DAMN.
[tires screeching]
- THAT WAS FAST,
HOW DID THEY--
- FI'S DRIVING.
- OKAY, YOU OWE ME
A NEW SET OF TIRES.
- ME?
- YEAH.
WHO'S THE ONE THAT TALKED ME
INTO LETTING THIS SPEED DEMON
GET BEHIND THE WHEEL?
- WELL, DON'T BLAME HIM.
IF YOU WERE DRIVING,
WE'D STILL BE ON THE CAUSEWAY.
- SET OF FOUR. PIRELLI.
- YEAH. WHATEVER.
WHAT, FIVE G'S
FOR THIS DUMP?
[click]
- GET DOWN! GUN!
- WELL, I GUESS RICO FORGOT
TO MENTION THE TWO BANGERS
GUARDING THE PLACE, HUH?
[clicks]
- STAY DOWN!
[gunfire continues]
- I NEED TO KNOW
WHAT THE HELL IS GOING ON.
STAND DOWN, WESTEN.
- THEY'RE GETTING ATTACKED
FROM HIGHER GROUND
WITH A SEMI-AUTOMATIC WEAPON.
THEY DIE, THE OPERATION DIES.
YOU WANT THAT?
- ALL RIGHT, NOBODY SEES YOU.
YOU UNDERSTAND?
- GOT IT.
I'M A GHOST.
THE AVERAGE HIT RATE
FOR A TRAINED MARKSMAN
FIRING AT A TARGET FROM 50 FEET
UNDER IDEAL CONDITIONS
IS OVER 99%.
OF COURSE THAT ASSUMES
YOU CAN SEE YOUR TARGET.
IF YOU'RE UNDER FIRE
AND SHOOTING BLIND,
THAT HIT RATE DROPS
TO ABOUT ZERO.
- I'M ALMOST OUT.
I'M ON MY LAST CLIP.
- YEAH, ME TOO.
- YEAH, ME THREE.
I DIDN'T PLAN
ON SIEGE WARFARE.
- I'M GONNA MAKE A BREAK
FOR THAT DOOR.
- OH, YOU'RE NUTS.
THE GUY'S GOT AN AK
AND A 200 DEGREE SIGHT-LINE.
YOU'LL GET MOWED DOWN.
- ALL RIGHT. YEAH, YEAH, YEAH.
I'M COMING WITH YOU.
- WHAT?
- IF BOTH OF US GO, ONE OF US
HAS A CHANCE TO MAKE IT.
[automatic gunfire]
[automatic gunfire]
- LET ME SEE
IF I GOT THIS RIGHT.
WE'RE GONNA LAY DOWN COVER FIRE
WITH ABOUT FIVE BULLETS
AND THE GUY WE CAN'T SEE,
IS THAT IT?
- PRETTY MUCH, YEAH.
- OKAY, JUST CHECKING.
OKAY, YOU RUN ON THREE.
WE SHOOT ON TWO.
[automatic gunfire]
ONE, TWO, THREE.
[glass tinkling]
- HOW THE HELL
DID YOU HIT THAT GUY?
- LUCKY SHOT, I GUESS.
- WHERE'S CARLOS?
- HE TOOK THE CAR UP
A FEW BLOCKS.
I THOUGHT IT WOULD BE BEST
TO GET IT OFF THE STREET.
- ANY SIGN OF THE COPS?
- WELL, HE CHECKED THE SCANNER.
911 GOT A REPORT
OF SHOTS FIRED,
BUT THE CALLER
DIDN'T KNOW WHERE FROM.
- WELL, THEY'RE PROBABLY NOT
IN ANY HURRY TO CHECK IT OUT.
GUNSHOTS IN THIS AREA
AREN'T EXACTLY HEADLINE NEWS.
- I STILL THINK WE SHOULD
TAKE THIS LAPTOP SOMEWHERE ELSE
TO CHECK IT OUT.
- WE THOUGHT ABOUT THAT.
IT'S TOO RISKY.
GAMBLE'S SET UP A WHOLE
COMMUNICATION CENTER HERE.
HE'S BEEN BOUNCING
HIS CALLS THROUGH HERE
SO THEY CAN'T
BE TRACED.
IF WE CAN HACK IT,
WE CAN FIND HIM.
BUT IT'S HARDWIRED
TO THE JUNCTION BOX.
- SO IF WE TRY
AND UNPLUG IT,
WE'RE GONNA PROBABLY
LOSE EVERYTHING.
LOOK, DIXON'S ON HIS WAY.
[Fiona tapping]
YOU ALL RIGHT, FI?
- FINE.
AFTER NINE MONTHS...
STILL DEALING WITH THE FALLOUT
OF MICHAEL WESTEN.
- DIXON'S HERE.
- PERIMETER CHECK.
- THAT'S AXE'S HACKER FRIEND?
- FRIEND WOULD
BE PUSHING IT.
- FI. WHERE HAVE YOU BEEN?
YOU NEVER WRITE, YOU NEVER CALL.
- AND I NEVER WILL.
- [sighs]
THIS IS GONNA SUCK,
ISN'T IT?
- THERE'S OUR LITTLE GUY.
THANKS FOR COMING, DIXON.
- USUALLY WHEN I MAKE
HOUSE CALLS, IT'S TO HOUSES,
NOT OLD CHOP-SHOPS
IN THE MIDDLE OF OVERTOWN.
- OKAY. JUST RELAX.
WE JUST WANT YOU TO FIX
A LITTLE COMPUTER PROBLEM.
- LOOKIE HERE. EASY MONEY.
- FINE. FINE!
WHAT CAN I DO
TO MAKE YOUR LIVES WONDERFUL?
- IT'S JUST WE'RE CHASING A GUY
WHO'S USING THIS PHONE RELAY
TO BOUNCE HIS CALLS
AND WE JUST NEED TO KNOW
WHERE THEY'RE LANDING,
THAT'S IT.
- OKAY.
I SEE. I SEE.
- YOU JUST WANT ME
TO LOOK AT THAT COMPUTER
AND FIND OUT
WHERE THIS GUY IS.
- BINGO.
- GOOD LUCK WITH THAT, BUDDY.
- HOLD ON.
HEY, COME ON. COME ON.
IT'S TWO MINUTES
OF YOUR TIME.
YOU WANT MORE MONEY?
WE'LL GIVE YOU MORE MONEY.
- WE GOT MONEY.
- OKAY, OKAY, OKAY.
A, DON'T TREAT ME
LIKE A PROSTITUTE.
IT MAKES ME FEEL CHEAP.
AND B, MY CONCERN ISN'T MONEY.
IT'S THE HANDCUFFS
I'M GONNA BE WEARING
WHEN I VIOLATE MY PROBATION
BY TOUCHING A COMPUTER
THAT'S HACKING
INTO THE PHONE COMPANY.
- RELAX. YOU KNOW WHAT,
YOU DON'T WANT TO DO IT?
WE GET IT.
IT'S ALL GOOD.
NO HARD FEELINGS,
WE UNDERSTAND. RIGHT?
IT'S ALL GOOD.
SERIOUSLY.
OH, ONE QUICK QUESTION.
UM, ARE PEOPLE ON PROBATION
ALLOWED TO HANG OUT
AT CRIME SCENES?
- WHA--THIS
IS A CRIME SCENE?
- [chuckles]
YEAH. JUST A BIT.
SEE, THERE WAS A SHOOTING.
THE COPS ARE SEARCHING
THE WHOLE AREA EVEN AS WE SPEAK.
EVENTUALLY THEY'RE
GONNA FIND THIS PLACE.
SO THE QUESTION IS,
ARE YOU GONNA BE HERE
WITH GUNPOWDER RESIDUE
ON YOUR HANDS WHEN THEY DO?
- IS THERE GUNSHOT RESIDUE
ON MY HANDS?
- JUST A SMIDGE.
- IT DOESN'T COME OFF
THAT EASY, BUDDY.
NOW COME ON,
HELP US TRACE THESE CALLS
BEFORE THE BOYS
IN BLUE SHOW.
- [sighs]
- HAVE A SEAT.
- FINE.
- DO YOUR MAGIC.
- [sighs]
- BLACKMAILING A CRIMINAL
TO COMMIT FEDERAL CRIME
ON AMERICAN SOIL.
- YOU WANT IT DONE DIFFERENTLY,
SEND IN A TECH TO HELP THEM.
- IT'S ALL RIGHT.
THEY'RE DOING JUST FINE.
- SO HE'S GOT IT SET UP
TO GO TO THE DISTRICT ROUTER
AND THEN IT GOES TO--
UH, OKAY, THERE'S THE REGIONAL.
THERE IT IS.
3707 WEST 45TH.
YOU HAPPY NOW?
- ALL RIGHT, WE'RE ON
THE MOVE, LET'S ROLL!
- SIR, WE'RE ONE BLOCK OVER
FROM GAMBLE'S LOCATION.
- OKAY, WESTEN,
WE NEED YOU IN POSITION
TO TAKE THAT SHOT
BEFORE YOUR FRIENDS GET HERE.
- I'M ON IT.
BEING AN EFFECTIVE SNIPER
IS LESS ABOUT FIRING YOUR WEAPON
THAN IT IS ABOUT
CHOOSING YOUR LOCATION.
AN IDEAL SNIPER PERCH
ALLOWS YOU
TO ESTIMATE RANGE ACCURATELY,
GAUGE WIND VELOCITY
AND DIRECTION,
AND KEEP YOUR WEAPON STABLE.
THE GOAL IS TO CONTROL
AS MANY VARIABLES AS POSSIBLE
SO WHEN YOUR TARGET
SHOWS UP,
ALL YOU HAVE TO DO
IS PULL THE TRIGGER.
I'M ALL SET.
- YEAH, COPY THAT.
NOW BE READY,
YOUR FRIENDS JUST PULLED UP
AND THEY'RE LOOKING
TO DO A SNATCH-AND-GRAB.
I WANT GAMBLE TO BE A CORPSE
BY THE TIME THEY GET TO HIM.
- WHAT'S THE WORD?
- LOOKS LIKE NO ONE'S HOME.
- ALL RIGHT, SO WE'LL KEEP
AN EYE ON THE STREET.
THE MINUTE GAMBLE SHOWS UP,
WE MOVE IN, WE GRAB HIM.
- THAT WAS A LOVELY PILE
OF GARBAGE ACROSS THE STREET.
ME AND JESSE
CAN HOLD THE FRONT.
- AND I'LL POST UP THIS ALLEY
ON THE EAST SIDE.
- ALL RIGHT,
I'LL TAKE THE WEST SIDE.
- OKAY, LISTEN,
STAY ON YOUR RADIOS.
HAD A FEW CLOSE CALLS
WITH THIS GUY.
LET'S NOT TAKE
ANY CHANCES.
- OH, THIS IS NICE.
THIS IS NICE, SAM.
ALL THESE BUSHES
WE CAN HIDE BEHIND,
YOU CHOOSE
A PILE OF TRASH.
- YOU KNOW WHAT?
THIS IS PERFECT.
WHO WOULD SUSPECT THIS?
- RIGHT.
- [giggles]
- I'LL TELL YOU WHAT,
IF THAT BASTARD KNOWS
WHAT'S GOOD FOR HIM
HE'LL COME BACK HOME
IN THE NEXT 30 MINUTES.
- YOU'RE NOT GONNA MAKE IT
TO HAPPY HOUR, SAM, LET IT GO.
- IF I DON'T THERE'S
GONNA BE A LOT MORE SNATCHING
THAN GRABBING,
I CAN TELL YOU THAT MUCH.
- WHAT THE HELL
DOES THAT EVEN MEAN?
- YOU'RE GONNA
FIND OUT WHAT IT MEANS.
- SEE? THE GARBAGE
IS MAKING YOU GRUMPY.
- IT'S NOT THE GARBAGE!
- IT'S MAKING YOU GRUMPY.
- IT'S NOT THE GARBAGE.
IT'S JUST THAT I HAVEN'T
SWEATED MY ASS OFF
IN THIS KIND
OF HEAT SINCE--
SINCE MIKE LEFT.
- MISS HIM TOO, HUH?
- A LITTLE. MAYBE.
- IN THE FIELD,
SNIPERS CAN SPEND HOURS,
SOMETIMES EVEN DAYS,
WAITING TO TAKE JUST ONE SHOT.
BUT NOT MATTER HOW DILIGENTLY
YOU WORK TO STAY FOCUSED
ON THE TASK,
AT SOME POINT...
YOUR MIND IS GOING TO WANDER.
[traditional Irish music]
*
[Irish accent]
CAN I HAVE A DANCE?
[click]
I ASSUME
THAT MEANS YES.
- [Irish accent] YOU'VE BEEN
WATCHING ME FOR QUITE A WHILE.
YOU SURE A DANCE
IS ALL YOU'RE AFTER?
- IT'S A START.
- SO WHAT'S YOUR NAME?
- MICHAEL MCBRIDE.
- NICE TO MEET YOU,
MR. MCBRIDE.
- THE PLEASURE'S ALL MINE.
- HEY, THE WIND'S CHANGED.
YOU GOT THAT, WESTEN?
- YEAH. YEAH, I ALREADY
MADE THE CORRECTION.
- ANY ACTION, CARLOS?
- NO, NOT UNLESS YOU COUNT
A COUPLE KIDS MAKING OUT
IN THE CAR.
HEY, HOW ABOUT YOU, FI?
[car door slams]
- I GOT BOGEY PROBLEMS
OF MY OWN.
THE GARDENER NEXT DOOR'S
ABOUT TO START WORKING
IN THE MIDDLE OF
OUR LITTLE SURPRISE PARTY.
I'LL GET RID OF HIM.
SIR?
SENOR?
[speaking Spanish]
[gasps]
[grunting]
- SHH.
- YOU KNOW WHAT, FI SHOULD HAVE
BOUNCED THAT GARDENER BY NOW.
- I WAS JUST THINKING
THE SAME THING.
- FI, WHAT'S THE WORD?
FI?
- FI.
- SON OF A BITCH. FI!
CARLOS, WE'RE IN TROUBLE.
LET'S GO!
- THEY'VE LOST VISUAL
ON GLENANNE.
- WHAT ARE YOU TALKING ABOUT?
WHERE THE HELL IS SHE?
- STRONG, WHAT THE HELL'S
GOING ON DOWN THERE?
STRONG! WHAT THE HELL
IS GOING ON DOWN THERE?
- HE GOT HER.
THE SON OF A BITCH TOOK FIONA.
- FINDING SOMEONE
WHO'S BEEN ABDUCTED
IS A RACE
AGAINST THE CLOCK.
EACH MINUTE THAT PASSES
INCREASES THE AREA
YOU HAVE TO SEARCH.
IF YOU KNOW THE VEHICLE
THE KIDNAPPER IS DRIVING,
YOUR CHANCES OF CATCHING THEM
RISE SIGNIFICANTLY,
WHICH IS WHY
A SMART KIDNAPPER'S FIRST MOVE
IS TO BURN HIS VEHICLE.
- IT'S EMPTY. NO BODIES.
THAT'S A GOOD THING.
IF HE WANTED GLENANNE DEAD,
SHE'D BE IN THAT TRUCK.
YOU GOT SOMETHING
TO SAY TO ME?
- SHE SHOULDN'T HAVE BEEN ALONE
IN THAT ALLEY!
IF YOU HAD LISTENED--
- NOW'S NOT THE TIME
TO POINT FINGERS.
WE'VE GOT A JOB TO DO--
- DON'T TELL ME ABOUT THE JOB!
THESE ARE MY FRIENDS.
MY FAMILY!
- GET YOUR GODDAMN
HANDS OFF OF ME.
YOU THINK BLAMING ME
IS GONNA HELP ANYTHING?
- I DON'T BLAME YOU!
I BLAME MYSELF
FOR LISTENING TO YOU!
- I DIDN'T MAKE THEM
TRACK THIS GUY DOWN.
I DIDN'T LAY OUT
THE AMBUSH PLAN.
I SURE AS HELL DIDN'T TELL HER
TO GO DOWN THAT ALLEY.
LOOK, I'M SORRY ABOUT
WHAT HAPPENED TO FIONA.
BUT THE JOB
IS STILL THE SAME.
FIND THIS GUY, TAKE HIM DOWN,
WITHOUT BLOWING YOUR COVER.
THE BEST WAY TO HELP HER
IS TO FINISH THE JOB!
- WHEN SOMEONE IS PUT
IN DANGER AS THE RESULT
OF AN OPERATION GOING BAD,
THERE ARE A NUMBER OF QUESTIONS
THAT HAVE
TO BE ANSWERED.
WHAT WENT WRONG?
IS THERE ANYTHING
YOU COULD HAVE DONE DIFFERENTLY?
AND OF COURSE THE ONE QUESTION
NO ONE WANTS TO ASK,
IS IT YOUR FAULT?
[Irish music on radio]
*
- [grunts]
[car door closes]
WHY'D YOU PARK
SO FAR AWAY?
- I DIDN'T WANT
TO BE BLOCKED IN.
I HAD A NOTION YOU WERE DOING
MORE THAN SLASHING THE TIRES.
- YOU THINK YOU KNOW ME,
MCBRIDE?
- I'M LEARNING.
[loud explosion]
[glass shattering]
[explosion]
- THERE SHE IS.
COME ON.
BREATHE DEEP,
IT'LL CLEAR YOUR HEAD.
I SAID BREATHE.
- [grunting]
- CAN'T HAVE YOU NODDING OFF.
WE HAVE WORK TO DO.
- OH, I'M AWAKE.
WHAT DO YOU WANT?
- I NEED TO TALK
TO MICHAEL WESTEN.
- I HAVEN'T SEEN HIM
IN ALMOST A YEAR.
HE DISAPPEARED.
AFTER HIS LAST RUN-IN
WITH THE GOVERNMENT--
- AH, AH, AH.
DON'T LIE TO ME.
IF I WANTED A CIA COVER STORY,
I WOULD ASK FOR IT.
- I'M NOT LYING.
[groans]
- [sighs]
MAYBE THIS WILL BE EASIER
IF WE START WITH WHAT I KNOW.
YOU SEE, AS I DO BELIEVE
YOU ARE AWARE, I WAS HIRED
TO LOOK INTO MICHAEL WESTEN.
HIS MOTHER WAS GOOD ENOUGH
TO LET ME KNOW
HE'S STILL WORKING
FOR THE CIA.
- WELL, SHE'S CONFUSED.
SHE...
SHE PROBABLY TOLD YOU WHAT
SHE THOUGHT YOU WANTED TO HEAR.
- CONFUSED?
OH.
MAYBE YOU CAN CLEAR SOMETHING UP
FOR ME AND EXPLAIN WHY
THE MAN WHO HIRED ME
WAS KILLED LESS THAN TEN MINUTES
AFTER I TOLD HIM
THAT MICHAEL WESTEN
WAS STILL WORKING
FOR THE CIA!
GOOD.
THE LIES HAVE STOPPED.
NOW WE'RE MAKING PROGRESS.
I'M A MARKED MAN.
CHANCES ARE THERE'S A KILL TEAM
AFTER ME AS WE SPEAK.
BUT I GOT ONE CARD
TO PLAY.
I KNOW THE TRUTH
ABOUT MICHAEL WESTEN.
OF COURSE I COULD EXPOSE HIM
AND HAVE HIM KILLED.
SATISFYING, BUT IT DOESN'T HELP
WITH MY PROBLEM.
NO. MY ONLY MOVE
IS TO TRADE MY SILENCE
AND YOUR LIFE
FOR THE BEST DEAL I CAN GET,
WHICH BRINGS US BACK
TO THE REASON WHY YOU ARE HERE.
YOU, MY DEAR,
ARE GOING TO PUT ME
IN TOUCH WITH HIM RIGHT NOW.
- I DON'T KNOW
WHERE HE IS.
- [sighs]
- [gasping]
- YOU'RE LUCKY
I DON'T BELIEVE YOU.
BECAUSE IF YOU
CAN'T PUT ME IN TOUCH
WITH MICHAEL WESTEN,
THE ONLY REMAINING QUESTION
IS HOW MANY BODIES I CAN DROP
BEFORE THEY TAKE ME OUT,
AND I'LL TELL YOU THIS.
THE ANSWER IS,
AT LEAST ONE.
- ANYTHING INSIDE?
- AH, SOME MONEY,
A LITTLE BIT OF AMMO.
A COUPLE OF FILES ON MIKE,
SO NO.
- I ASKED MY BUDDY
AT HOMELAND SECURITY
TO PUT OUT AN ALERT ON
EVERY ALIAS WE HAVE FOR GAMBLE.
I'M STILL WAITING
TO HEAR BACK.
- JUST TALKED
TO A NEIGHBOR WHO SAW
A SILVER F-150
IN THE ALLEY.
- DID THEY
GET A PLATE?
- NO, BUT THEY SAID
IT HAD A STAKEBED ON IT.
SO THAT SHOULD HELP
NARROW IT DOWN.
- OKAY. I GOT A CONTACT
AT THE DMV THAT CAN HELP US OUT.
LET'S GO.
- HEY, GUYS, HANG ON.
HANG ON, HANG ON.
[cell phone vibrating]
IT'S FI.
FI, WHERE ARE YOU?
- THIS IS NOT FIONA,
MR. AXE.
- YOU SON OF A BITCH.
SHE BETTER NOT BE HURT.
- OH, DON'T WORRY.
SHE'S STILL BREATHING.
FOR NOW.
- WESTEN.
GET IN HERE,
HE JUST MADE CONTACT.
- WHAT DO YOU WANT?
- I'M TOLD YOU CAN PUT ME
IN TOUCH WITH MICHAEL WESTEN.
- HE'S USING FIONA
TO GET TO ME?
- MICHAEL WESTEN?
THAT'S A PRETTY TALL ORDER
'CAUSE HE'S NOT
EVEN IN THE COUNTRY.
- DO I NEED TO REMIND YOU
I HAVE A GUN TO FIONA'S HEAD?
- JUST LISTEN TO ME.
HE CAN'T OFFER YOU ANYTHING
THAT I CAN'T.
I MEAN, WHAT DO YOU NEED?
MONEY? TRANSPORTATION?
YOU NAME IT,
WE'LL FIGURE IT OUT.
- NO, NO, I'VE ALREADY
FIGURED IT OUT.
GIVE ME WESTEN NOW
OR THIS CONVERSATION IS OVER.
- ALL RIGHT.
WAIT, WAIT, WAIT, WAIT.
JUST CALM DOWN.
HERE'S WHAT I CAN DO.
I CAN--UM, I CAN GET YOU
A SECURE LINE WITH HIM
ON A SAT PHONE
WE USE FOR EMERGENCIES.
I CAN BRING THAT TO YOU.
NOW HOW'S THAT?
- THERE'S AN OLD MARINE
WAREHOUSE AT THE END
OF DEER RUN AVENUE
AT THE RIVER.
COME ALONE, UNARMED.
YOU HAVE ONE HOUR.
- FINE. BUT I'M NOT GOING
ANYWHERE WITHOUT PROOF OF LIFE.
- YOU'LL HAVE IT.
OH. AND BY THE WAY,
MR. AXE, JUST IN CASE
YOU WERE THINKING ABOUT
TRYING SOMETHING,
THE VIEW FROM HERE
IS SPECTACULAR.
I CAN SEE
IN EVERY DIRECTION.
AND IF I SEE ANYTHING
I DON'T LIKE,
I PUT A BULLET
IN YOUR FRIEND'S HEAD.
[cell phone beeps]
- GET ME AN OVERHEAD
OF THAT LOCATION NOW.
- YOU JUST PROMISED TO PUT HIM
ON THE PHONE WITH MIKE?
- I HAD TO, JESSE,
HE WAS GONNA KILL HER.
- WHY IN HELL WOULD YOU PROMISE
SOMETHING WE CAN'T DELIVER?
- WHAT CHOICE DID I HAVE?
WE'RE OUT OF MOVES HERE.
LOOK, I FIGURE IF I SHOWED UP
WITH A SATELLITE PHONE,
TOLD HIM MIKE
WAS ON THE OTHER END,
MAYBE I COULD GET CLOSE ENOUGH
TO TURN THE TABLES.
- THIS PSYCHO'S
ABOUT TO KILL FIONA
AND THAT'S THE BEST WE'VE GOT,
IS MAYBE?
- ALL I KNOW, FRIEND,
IS IF WE DON'T TRY SOMETHING,
SHE DIES FOR SURE.
THERE YOU GO.
PROOF OF LIFE.
NOW LET'S GET GOING.
- ALL RIGHT, IT'S NOT THE BREAK
THAT WE HOPED FOR.
BUT IT'S SOMETHING.
- WHAT ARE YOU TALKING ABOUT?
- HOW LONG TO MOBILIZE
THE SPECIAL RESPONSE TEAM?
- 15 TO 20 MINUTES.
- ALL RIGHT,
MAKE THE CALL.
AND GET THE COMMANDER
ON THE LINE WITH ME IMMEDIATELY.
WE'RE GONNA SHADOW YOUR FRIENDS
TO THAT MEETING.
AS SOON AS WE KNOW THAT GAMBLE'S
THERE, WE'RE GONNA GO IN HARD.
- HAVE YOU SEEN
THIS OVERHEAD MAP?
THERE'S NO WAY OF APPROACHING
THE BUILDING WITHOUT BEING SEEN!
- IT'S NOT IDEAL, I KNOW.
BUT WE CAN USE THE DISTRACTION--
- YOU'RE USING MY FRIENDS
AS BAIT!
- SRT COMMANDER'S
ON THE LINE.
- WE'LL DO WHAT WE CAN TO KEEP
YOUR FRIENDS SAFE, MICHAEL,
BUT WE GOT A JOB
TO DO HERE.
OKAY, HERE'S THE DEAL.
ONE TARGET.
HE IS ARMED AND HAS ONE HOSTAGE.
LOCATION IS 304 DEER RUN.
SINGLE STORY MARINE WAREHOUSE
WITH UNOBSTRUCTED VIEWS
OF THE SURROUNDING AREA.
WE WILL NOT HAVE
THE ELEMENT OF SURPRISE
AND MAY GO IN UNDER FIRE.
THERE ARE MULTIPLE CIVILIANS
AT PLAY AS WELL.
I'VE GOT AN OPERATIVE HERE
WHO CAN GIVE YOU
SOME MORE INFORMATION--WESTEN.
WESTEN! GOD DAMN IT!
[tires squealing]
[horns honking]
WESTEN. WESTEN.
GET YOUR ASS BACK HERE.
I'M GIVING YOU A DIRECT ORDER.
DO YOU HEAR ME, MICHAEL?
YOU'RE MAKING THE BIGGEST MIS--
[clicks off]
- AN OPERATIVE IS TRAINED
TO MAINTAIN COVER
UNDER ALL CIRCUMSTANCES.
WHEN THE MISSION REQUIRES
KEEPING YOUR IDENTITY A SECRET,
YOU'RE SUPPOSED TO FOLLOW ORDERS
AND STAY OUT OF SIGHT.
THAT'S EASY WHEN
YOU'RE SPYING ON ENEMIES.
BUT IT'S A VERY DIFFERENT THING
WHEN YOU'RE SPYING ON FRIENDS.
WHEN MAINTAINING COVER MEANS
ALLOWING PEOPLE YOU CARE ABOUT
TO WALK RIGHT INTO A DEATH TRAP,
YOU HAVE A CHOICE TO MAKE.
RISK THE OPERATION
OR RISK YOUR FRIENDS' LIVES.
[guns clicking]
- OUT OF THE CAR NOW.
HANDS WHERE
WE CAN SEE THEM.
- MIKE.
- WHERE THE HELL
DID YOU COME FROM, MAN?
YOU ALMOST KILLED US.
- I HAD TO STOP YOU BEFORE YOU
GOT TO YOUR MEETING WITH GAMBLE.
YOUR PLAN, IT'S TOO RISKY,
FOR YOU AND FOR FI.
- HOW THE HELL DO YOU KNOW
ABOUT OUR PLAN?
- WE'VE BEEN WATCHING.
WE'RE AFTER GAMBLE.
[tires screeching]
- WHAT--WHAT DO YOU MEAN,
"WATCHING?"
- AND WHO THE HELL
IS THIS "WE"?
- I'M HERE WITH THE CIA.
I'LL EXPLAIN EVERYTHING LATER--
- YOU WERE THERE
WHEN THAT BASTARD TOOK FIONA!
- WE DID EVERYTHING
WE COULD FOR HER!
WE DIDN'T KNOW GAMBLE WAS--
- GOD DAMN IT, WESTEN!
I LET YOU COME HERE
UNDER ONE CONDITION. ONE!
STAY UNDER THE RADAR.
NOW I GOT A FULL-BLOWN--
- YOU SON OF A BITCH!
- HEY! HEY!
- NO, NO, NO.
MIKE. MIKE.
THAT'S IT, BACK OFF.
BACK OFF. BACK OFF.
- NINE MONTHS. NOT ONE CALL,
NOT ONE LETTER, NOTHING.
THIS--THIS IS HOW I FIND OUT
THAT MY BEST FRIEND
IS STILL ALIVE?
- THIS IS NOT HOW
I WANTED TO DO THIS.
- THIS IS EXACTLY WHAT
I TOLD YOU COULD NOT HAPPEN.
- STRONG, LISTEN TO ME.
- NO! YOU HAVE LOST
ALL TALKING PRIVILEGES.
AND IF THIS OPERATION'S BLOWN,
I AM GONNA BURY YOU!
- WE DON'T GIVE A DAMN
ABOUT YOUR OPERATION.
THAT PSYCHO'S GOT FIONA.
YOU CAN GET BACK
TO YOUR SPY GAMES
WHEN SHE'S SAFE.
- THIS RIGHT HERE
IS THE ONLY THING
THAT'S IMPORTANT RIGHT NOW.
- YOU THINK YOU HAVE
A SAY IN THIS?
GET THEM THE HELL
OUT OF HERE!
- I'M TELLING YOU,
I COULD SALVAGE THE OPERATION!
- ALREADY BEEN DECIDED.
SRTs ARE ON THE WAY.
THEY'RE MAKING A HARD ENTRANCE
THROUGH THE SOUTH WALL.
ONLY NOW THEY DON'T
HAVE A DIVERSION!
- IF YOU BREACH THE SOUTH WALL,
YOU WILL BE SEEN.
HE WILL SHOOT FIONA!
HE WILL SHOOT YOUR MEN!
IF YOU LET ME HANDLE THIS--
- YOU SHOULD HAVE
THOUGHT ABOUT THAT BEFORE
YOU WENT OFF
THE RESERVATION.
- LISTEN TO ME. I HAVE
A PLAN THAT WILL FIX THIS.
I WILL SAVE FIONA.
AND THE ONLY ONE WHO WILL DIE
WILL BE GAMBLE.
- IN A HOSTAGE SITUATION,
TACTICAL DATA
IS USUALLY
THE MOST IMPORTANT.
YOUR FOCUS IS ON DETAILS
LIKE THE BUILDING'S ENTRY POINTS
AND BLIND SPOTS,
YOUR TARGET'S POTENTIAL
ESCAPE ROUTES,
AND YOUR TEAM'S
ASSAULT CAPABILITIES.
BUT SOMETIMES EVEN MORE
IMPORTANT THAN YOUR KNOWLEDGE
OF THE SITUATION
IS WHAT YOU KNOW ABOUT
THE PERSON YOU ARE TRYING
TO SAVE.
- WHY ARE YOU SO QUIET?
- I DON'T LIKE THE IDEA
OF PEOPLE SHOOTING AT YOU.
- YOU'RE WORRIED.
- YOU'RE NOT?
- ONE THING YOU WILL LEARN
ABOUT ME, MICHAEL MCBRIDE,
I DON'T WORRY.
NOT SINCE
I WAS A LITTLE GIRL.
[cell phone rings]
[phone beeps]
- YOU'RE CUTTING IT CLOSE,
MR. AXE.
- YOU SAID ONE HOUR.
- WHO IS THIS?
- MICHAEL WESTEN.
- WESTEN.
THEY SAID YOU
WEREN'T IN MIAMI.
- WELL, IT'S YOUR LUCKY DAY.
I MADE A SPECIAL TRIP
JUST FOR YOU.
- STOP RIGHT THERE, WESTEN.
TURN AROUND,
TAKE OFF THE VEST.
- NO TRICKS.
I'M HERE TO GIVE YOU
WHAT YOU WANT...
AS LONG AS FIONA
GETS OUT OF THERE UNHURT.
- GOOD. WE'RE ON
THE SAME PAGE THEN.
YOU AND YOUR CIA PALS
ARE GOING TO PUT TOGETHER
A LITTLE GET-OUT-OF-TOWN KIT
FOR ME.
I WANT 1 MILLION IN CASH,
EVENLY DIVIDED IN DOLLARS,
RENMINBI, REALS,
AND BRITISH POUNDS.
- I CAN GET THAT BUT FIRST--
- I'M NOT FINISHED YET!
I WANT A BLANK
CANADIAN PASSPORT,
A LEAR 60 FUELED UP
ON THE RUNWAY AT OPA-LACKA,
AND A CLEAR FLIGHT PATH
OUT OF MIAMI.
I'LL KEEP FIONA AND YOU WITH ME
UNTIL I AM ON THE PLANE.
OH, YOU CAN TALK NOW.
- DEAL.
I'LL GET YOU EVERYTHING
THAT YOU WANT.
BUT FIRST I TALK TO FIONA.
- STOP WASTING TIME.
I'VE SENT A PROOF OF LIFE
TO YOUR FRIEND.
- THAT WAS AN HOUR AGO.
PUT HER ON THE PHONE.
- I'M THE ONE GIVING
THE ORDERS HERE.
- NO DEAL.
- WHEN I WAS YOUNGER MY FATHER
WANTED TO PROTECT HIS FAMILY
AND THEIR BELIEFS,
NO MATTER WHAT.
I WATCHED HIM GET BEATEN
AND SHOT AT.
BUT IF HE WAS AFRAID,
HE NEVER SHOWED IT.
HE ALWAYS SAID, "THERE'S
A DIFFERENCE BETWEEN LIVING
AND LIVING FREE."
- STOP RIGHT THERE--
STOP, GOD DAMN IT. STOP!
FINE.
YOU CAN TALK TO HER.
- OF COURSE LIVING WITH HONOR,
IT ONLY PUT US IN MORE DANGER.
MY FATHER, HE CAME UP
WITH A PLAN TO WARN US
IF HE KNEW TROUBLE
WAS BREWING AND HE'D SAY,
"FIONA.
TIME TO BE BRAVE,
LITTLE ANGEL."
- YOU GET TEN SECONDS
OF QUALITY TIME, WESTEN.
MAKE IT COUNT.
- FI.
- I'M HERE, MICHAEL.
- "TIME TO BE BRAVE,
LITTLE ANGEL"?
- I SUPPOSE IT WAS
A CODE OF SORTS.
[clicks]
WHAT IT REALLY MEANT WAS,
"GET DOWN ON THE FLOOR,
CLOSE YOUR EYES, AND START
PRAYING TILL IT'S OVER."
[clicks]
- I'M GONNA
GET YOU HOME.
AND FIONA...
[Irish accent] IT'S TIME
TO BE BRAVE, LITTLE ANGEL.
[glass shattering]
[glass shattering]
[cocks gun]
[gunfire stops]
[sirens wailing]
[police radio chatter]
- THERE HE IS,
THE MAN OF THE HOUR.
THAT WAS ONE BALLS-OUT
CRAZY MOVE BUT YOU MADE IT WORK.
NOW LET'S GO DOWN TO THE D.R.
AND FINISH THIS OPERATION.
[slaps arm]
- SO YOU GUYS TAGGED MY PHONE,
MY WATCH, AND MY CAR.
ANYWHERE ELSE I SHOULD CHECK,
MIKE, LIKE MY MOLARS?
- ELSA'S HOTEL SUITE.
- YOU'RE TALKING
ABOUT THE PENTHOUSE?
MIKE, PLEASE TELL ME
THAT YOU GUYS
WERE NOT LISTENING
THIS MORNING.
- JUST SWEEP IT, SAM.
- [groans]
- OH, MY GOD.
- LOOK, MIKE,
NEXT TIME YOU'RE IN TOWN
JUST SKIP THE BUGS
AND PICK UP A PHONE, MAN,
BEFORE WE'RE KNEE DEEP
IN A SUICIDE MISSION.
- FOR WHAT IT'S WORTH,
I HAD ORDERS.
- YEAH, WELL
IN THIS SITUATION,
"I HAD ORDERS"
DOESN'T REALLY CUT IT, BUDDY.
- I'M SORRY.
- LOOK, WE'RE JUST GLAD
THAT YOU'RE OKAY.
AND MIKE, WE KNOW YOU CAN'T
TELL US THE WHOLE STORY
BUT WE'VE SEEN ENOUGH
OF THE BOARD TO KNOW
THAT YOU'RE INTO
SOMETHING PRETTY HEAVY.
SO IF YOU NEED A HAND,
LET US KNOW.
- YEAH, THE LONE RANGER ROUTINE,
IT MIGHT FEEL NOBLE
BUT IT'S GONNA
GET YOU KILLED ONE DAY.
- ACTUALLY EVEN THE LONE RANGER
HAD TONTO AND THE HORSE.
- RIGHT. TONTO. HORSE.
- YEAH, MIKEY, UM...
YOU GONNA
TALK TO FI?
COME ON, KEMOSABE.
- THANK YOU.
HELLO, MICHAEL.
- YOU OKAY?
- YEAH, IT'S JUST
A FEW STITCHES.
THE GLASS IN THE WINDOWS,
IT WOULD HAVE BEEN WORSE...
YOU REMEMBERED
MY STORY.
- I'LL NEVER FORGET IT.
FI...
- [whispers]
TAKE CARE.
- WHO'S THE GIRL?
- FIONA GLENANNE.
BELIEVE ME, LAD, YOU WON'T
BE WANTING ANY OF THAT.
BESIDES, SHE'S TAKEN.
- TAKEN?
YOU SEE THAT?
THAT'S THE KISS YOU GIVE
WHEN IT'S OVER.
I USED TO BE A SPY, UNTIL...
[phone rings]
- WE GOT A BURN NOTICE ON YOU.
YOU'RE BLACKLISTED.
[hangs up phone]
- [whistles]
WHEN YOU'RE BURNED,
YOU'VE GOT NOTHING.
NO CASH, NO CREDIT,
NO JOB HISTORY.
YOU'RE STUCK IN WHATEVER CITY
THEY DECIDE TO DUMP YOU IN.
WHERE AM I?
- MIAMI.
- YOU DO WHATEVER WORK
COMES YOUR WAY.
YOU RELY ON ANYONE
WHO'S STILL TALKING TO YOU.
[laughs]
A TRIGGER-HAPPY GIRLFRIEND.
- SHOULD WE SHOOT THEM?
- AN OLD FRIEND WHO USED
TO INFORM ON YOU TO THE FBI.
- YOU KNOW SPIES,
BUNCH OF BITCHY LITTLE GIRLS.
- FAMILY TOO.
- HEY, IS THAT YOUR MOM AGAIN?
- IF YOU'RE DESPERATE.
- SOMEONE NEEDS
YOUR HELP, MICHAEL.
- AND A DOWN AND OUT SPY
YOU MET ALONG THE WAY.
- THAT'S HOW
WE DO IT, PEOPLE.
- BOTTOM LINE,
AS LONG AS YOU'RE BURNED,
YOU'RE NOT GOING ANYWHERE.
- THIS IS THE LAST, BEST,
AND ONLY OFFER YOU WILL GET.
IT'S A DEEP COVER JOB.
YOU'RE GOING AFTER THE LEADER
OF A TERRORIST NETWORK
BASED IN THE DOMINICAN REPUBLIC.
RANDALL BURKE.
- [grunts]
- WHY ARE YOU ASKING QUESTIONS
ABOUT MIKE?
WHO THE HELL
ARE YOU, PAL?
- WHAT THE HELL
DOES HE WANT WITH MIKE?
- WE DAMN WELL
BETTER FIND OUT.
- YOUR SON IS INVOLVED
IN DELICATE WORK.
- MICHAEL IS WORKING
ON A GOVERNMENT ASSIGNMENT
FOR THE CIA.
- WE JUST FOUND A DEPARTMENT
OF CHILDREN AND FAMILIES I.D.
AT THE MYSTERY MAN'S HOUSE.
- DID THEY ASK YOU
ANYTHING ABOUT MICHAEL?
WHAT EXACTLY DID YOU TELL THEM?
- OH, NO.
- MADDY, YOU CAN'T JUST
WALTZ INTO THE FBI OFFICE
AND ASK ABOUT MIKE.
LOOK, I GOT FRIENDS THERE
AND THEY WON'T TELL ME ANYTHING.
SO THIS IS JUST A BAD IDEA
NO MATTER HOW YOU SLICE IT.
- WHAT AM I SUPPOSED
TO DO THEN?
I HAVE PHONED EVERY DEPARTMENT
IN THE FEDERAL GOVERNMENT
TO FIND OUT
IF MY SON IS ALIVE!
AND I'M GETTING NOTHING.
SO I'M GOING TO GO DOWN THERE
BY MYSELF,
AND TALK TO THEM
IN PERSON.
- MIKE CAN TAKE CARE OF HIMSELF,
I'M SURE HE'S FINE.
- YOU'RE SURE.
WHAT DOES THAT MEAN, SAM?
YOU HOPE?
YOU THINK?
DO YOU KNOW?
BECAUSE I NEED TO KNOW!
- WHAT'S YOUR PLAN, MADDY?
YOU JUST GONNA
SHOW UP DOWN THERE?
'CAUSE I KNOW THEY'RE NOT
GONNA GIVE YOU AN APPOINTMENT.
THE BEST WAY TO FIGURE OUT
WHAT'S GOING ON WITH MIKE
IS FOR US
TO CATCH THIS GUY
AND FIND OUT
WHO HE'S WORKING FOR.
- JESSE'S RIGHT.
LOOK, FI AND CARLOS
ARE ON THE STREET RIGHT NOW,
GETTING THE WORD OUT
TO THEIR PEOPLE.
- WE CHECKED HIS ALIASES,
WE GOT HIS REAL NAME.
A DEXTER GAMBLE.
SO WE'RE MAKING PROGRESS.
YOU JUST NEED TO SIT TIGHT.
- MICHAEL COULD BE DEAD!
DON'T YOU TELL ME
TO SIT TIGHT!
- MADDY.
DON'T DO THIS
TO YOURSELF.
- SAM, I CAN'T SLEEP.
I CAN'T STOP EATING.
ALL I CAN THINK OF IS THAT
I MIGHT HAVE KILLED MY SON.
- MADDY, WHAT ABOUT CHARLIE?
YOU JUST GONNA DRAG HIM ALONG
WHILE YOU GO RAISE HELL?
I MEAN, WHAT--DON'T YOU THINK
THAT'S GONNA FREAK HIM OUT
A LITTLE BIT?
- THAT'S ALREADY
TAKEN CARE OF, JESSE.
THANK YOU.
CHARLIE!
SWEETHEART, YOU READY?
- HI, GRANDMA.
- LOOK AT YOU, HANDSOME.
DID YOU BRUSH?
[gasps]
PERFECT.
ALL RIGHT, WE'RE GONNA
GO TO MRS. STRICKLAND'S
FOR A FEW HOURS WHILE GRANDMA
DOES SOME ERRANDS, OKAY?
- OKAY.
- OKAY, SWEETHEART.
SAY BYE-BYE!
- BYE-BYE, MR. SAM.
BYE-BYE, MR. JESSE.
- HEY, MADDY, COULD WE--
- BYE-BYE.
EXCUSE ME.
WHERE DO I PARK
FOR THE FEDERAL BUILDING?
- FIND A SPOT
THAT'S NOT RESERVED,
THEN TAKE THE FOOT BRIDGE
ON LEVEL TWO.
- THANK YOU.
- THERE'S A FINE LINE BETWEEN
HEALTHY CAUTION AND PARANOIA.
WHEN YOU'RE UNDER STRESS
YOUR AWARENESS IS HEIGHTENED,
MAKING IT EASIER
TO SPOT POTENTIAL DANGERS.
UNFORTUNATELY, STRESS CAN
ALSO MAKE IT HARD TO TELL
WHEN A DANGER IS REAL,
AND WHEN IT'S JUST A FIGMENT
OF YOUR IMAGINATION.
[elevator bell dings]
[bell dings]
[motor whirring]
- JESUS.
[bell dings]
[motor whirring]
SOMEBODY!
PLEASE! PLEASE!
- HI, MOM.
- MICHAEL?
WHAT'S GOING ON?
- RELAX, MA.
I JUST NEED TO TALK TO YOU.
- WHY CAN'T WE
JUST TALK AT HOME?
- I'M SORRY.
IT'S FOR SECURITY PURPOSES.
- EXCUSE ME. EXCUSE ME.
[voices fade out]
- I CAN'T RISK BEING SEEN.
- IS THIS ABOUT THAT MAN?
THE ONE WHO CAME TO MIAMI
ASKING ABOUT YOU?
- YOU TOLD HIM I WAS
WITH THE CIA.
HE COULD BLOW MY COVER.
- I'M SO SORRY, MICHAEL.
YOU GOTTA TALK
TO FI AND SAM AND JESSE.
- I CAN'T TALK TO ANYONE ELSE.
- THEY'RE LOOKING FOR HIM.
- I KNOW.
- THEY'RE WORRIED!
- I KNOW!
- WHAT DO YOU MEAN,
"YOU KNOW?"
- WE'RE FOLLOWING
THEIR INVESTIGATION.
- YOU--YOU'RE SPYING
ON YOUR FRIENDS?
- NO, YOU DON'T UNDERSTAND.
I CAN'T CONTACT ANYONE ELSE.
NOT WHILE I'M UNDERCOVER.
- CAN'T YOU JUST CALL
ONE OF YOUR SECRET MEETINGS?
- I CAN'T, IT--
MA, THIS WAS NOT MY CALL.
NO ONE CAN KNOW I'M HERE.
- AND ME?
WHY DID I GET
A PRIVATE VISIT?
- BECAUSE YOU'RE
CALLING PEOPLE ABOUT ME.
AND YOU HAVE TO STOP!
- MICHAEL, I JUST WANTED
TO KNOW IF YOU WERE ALIVE!
IS THAT TOO MUCH TO ASK?
- YES, IT'S TOO MUCH TO ASK!
YOU CAN'T CALL!
YOU CAN'T WRITE!
YOU JUST HAVE TO
WAIT FOR ME TO COME BACK!
- AND IF YOU
DON'T COME BACK?
- I HAVE TO GO.
- MICHAEL.
CAN I HOLD MY SON?
IS THAT ALLOWED?
[phones ringing]
[overlapping chatter]
- THERE YOU ARE.
HOW'D IT GO WITH MOM?
- AS WELL AS COULD
BE EXPECTED.
SHE WON'T BE CALLING
ABOUT ME ANYMORE.
- GOOD. NOW WE CAN
GET ABOUT THE BUSINESS
OF TAKING CARE
OF DEXTER GAMBLE.
SO FIRST THINGS FIRST...
A WELCOME HOME GIFT.
YOU SHOULD BE ABLE
TO USE IT SOON, TOO.
LOOKS LIKE YOUR FRIENDS
ARE MAKING SOME PROGRESS.
IS THERE A PROBLEM,
MICHAEL?
- NO, I WAS JUST THINKING
THIS MIGHT GO FASTER
IF WE WORK DIRECTLY WITH THEM.
- NOT GONNA HAPPEN.
- THEY'VE BEEN INVOLVED
IN COVERT OPERATIONS BEFORE.
YOU CAN TRUST THEM.
- I SAID NO.
I'M NOT GONNA RISK MY OP
SO THAT YOU CAN SAY HI
TO YOUR PALS.
NOW YOU KNEW THIS BEFORE
YOU CAME TO MIAMI.
NOW YOU CAN EITHER FLY BACK
TO THE D.R. AND LET US HANDLE IT
OR YOU GET
WITH THE PROGRAM.
GOOD.
- WHEN RUNNING SURVEILLANCE
YOU'RE TRAINED TO VIEW
YOUR TARGETS
NOT AS PEOPLE,
BUT AS A LIST OF DETAILS
IN AN ACTIVITY LOG.
WHEN THEY COME HOME,
WHEN THEY LEAVE,
HOW MANY CALLS THEY MAKE.
YOU HAVE TO DISCIPLINE YOURSELF
NOT TO GET EMOTIONALLY INVOLVED
IN THE LIFE OF THE SUBJECT.
- YEAH, LOOK, I GET IT--
- BUT SOMETIMES THE SUBJECT
MAKES THAT IMPOSSIBLE.
- YEAH, HE'S ALL
HOT AND BOTHERED ABOUT
THE BURGREN SKIP.
I SAID WE'LL HANDLE IT,
BUT FOR NOW WE'VE GOT
A MORE SERIOUS SITUATION HERE
AND THAT'S THE PRIORITY.
- I'M SORRY.
I DIDN'T MEAN TO GET YOU
ALL WRAPPED UP IN THIS.
- HEY. YOU GOT NOTHING
TO BE SORRY ABOUT.
I JUST GET PISSED
THAT YOU STILL HAVE TO DEAL
WITH MICHAEL'S STUFF,
EVEN WHEN HE'S NOT AROUND.
I'M GONNA
GO TAKE A SHOWER.
- THE HARDEST PART
ABOUT DOING SURVEILLANCE
ON SOMEONE YOU KNOW
IS STAYING OBJECTIVE.
WORK CAN QUICKLY
BECOME VERY PERSONAL
WHEN EVERYTHING ABOUT THE PERSON
YOU'RE WATCHING, EVERY LOOK,
EVERY GESTURE,
REMINDS YOU OF THE PAST.
[overlapping chatter]
[traditional Irish music]
*
- GO!
[guns clicking]
[crowd gasping, murmuring]
[click]
[cheers]
- [Irish accent]
YOU'RE A DEAD MAN.
NOW PAY UP.
- YOU WANT YOUR MONEY,
YOU'LL HAVE TO TAKE IT FROM ME.
- ALL RIGHT, I WILL.
- [Irish accent]
WHO'S THE GIRL?
- FIONA GLENANNE.
TROUBLE OF THE WORST KIND.
[cheers]
BELIEVE ME, LAD, YOU WON'T
BE WANTING ANY OF THAT.
BESIDES, SHE'S TAKEN.
[cell phone rings]
- RICO. YOU HAVE
INFORMATION ON GAMBLE?
- YEAH, CHICA, IT'S GONNA
COST YOU THREE BILLS.
MY COUSIN SAID A DUDE WHO LOOKS
JUST LIKE THE GUY YOU'RE AFTER
PAID HIM FIVE GRAND
FOR A PLACE TO STORE EQUIPMENT.
FIVE G'S AND HE'S NOT EVEN
STAYING THERE.
- I NEED AN ADDRESS.
- 828 NORTH RIVER DRIVE.
IT'S AN OLD AUTO BODY SHOP
RIGHT OFF FIFTH STREET.
- HOW FAR IS THAT FROM HERE?
- 20 MINUTES.
- LET'S GO.
- WE'LL LET YOUR FRIENDS
SEARCH THE AUTO SHOP FIRST.
WHEN THEY LEAVE, WE'LL SWEEP
FOR WHATEVER THEY MISS.
[car tires squealing]
- DAMN.
[tires screeching]
- THAT WAS FAST,
HOW DID THEY--
- FI'S DRIVING.
- OKAY, YOU OWE ME
A NEW SET OF TIRES.
- ME?
- YEAH.
WHO'S THE ONE THAT TALKED ME
INTO LETTING THIS SPEED DEMON
GET BEHIND THE WHEEL?
- WELL, DON'T BLAME HIM.
IF YOU WERE DRIVING,
WE'D STILL BE ON THE CAUSEWAY.
- SET OF FOUR. PIRELLI.
- YEAH. WHATEVER.
WHAT, FIVE G'S
FOR THIS DUMP?
[click]
- GET DOWN! GUN!
- WELL, I GUESS RICO FORGOT
TO MENTION THE TWO BANGERS
GUARDING THE PLACE, HUH?
[clicks]
- STAY DOWN!
[gunfire continues]
- I NEED TO KNOW
WHAT THE HELL IS GOING ON.
STAND DOWN, WESTEN.
- THEY'RE GETTING ATTACKED
FROM HIGHER GROUND
WITH A SEMI-AUTOMATIC WEAPON.
THEY DIE, THE OPERATION DIES.
YOU WANT THAT?
- ALL RIGHT, NOBODY SEES YOU.
YOU UNDERSTAND?
- GOT IT.
I'M A GHOST.
THE AVERAGE HIT RATE
FOR A TRAINED MARKSMAN
FIRING AT A TARGET FROM 50 FEET
UNDER IDEAL CONDITIONS
IS OVER 99%.
OF COURSE THAT ASSUMES
YOU CAN SEE YOUR TARGET.
IF YOU'RE UNDER FIRE
AND SHOOTING BLIND,
THAT HIT RATE DROPS
TO ABOUT ZERO.
- I'M ALMOST OUT.
I'M ON MY LAST CLIP.
- YEAH, ME TOO.
- YEAH, ME THREE.
I DIDN'T PLAN
ON SIEGE WARFARE.
- I'M GONNA MAKE A BREAK
FOR THAT DOOR.
- OH, YOU'RE NUTS.
THE GUY'S GOT AN AK
AND A 200 DEGREE SIGHT-LINE.
YOU'LL GET MOWED DOWN.
- ALL RIGHT. YEAH, YEAH, YEAH.
I'M COMING WITH YOU.
- WHAT?
- IF BOTH OF US GO, ONE OF US
HAS A CHANCE TO MAKE IT.
[automatic gunfire]
[automatic gunfire]
- LET ME SEE
IF I GOT THIS RIGHT.
WE'RE GONNA LAY DOWN COVER FIRE
WITH ABOUT FIVE BULLETS
AND THE GUY WE CAN'T SEE,
IS THAT IT?
- PRETTY MUCH, YEAH.
- OKAY, JUST CHECKING.
OKAY, YOU RUN ON THREE.
WE SHOOT ON TWO.
[automatic gunfire]
ONE, TWO, THREE.
[glass tinkling]
- HOW THE HELL
DID YOU HIT THAT GUY?
- LUCKY SHOT, I GUESS.
- WHERE'S CARLOS?
- HE TOOK THE CAR UP
A FEW BLOCKS.
I THOUGHT IT WOULD BE BEST
TO GET IT OFF THE STREET.
- ANY SIGN OF THE COPS?
- WELL, HE CHECKED THE SCANNER.
911 GOT A REPORT
OF SHOTS FIRED,
BUT THE CALLER
DIDN'T KNOW WHERE FROM.
- WELL, THEY'RE PROBABLY NOT
IN ANY HURRY TO CHECK IT OUT.
GUNSHOTS IN THIS AREA
AREN'T EXACTLY HEADLINE NEWS.
- I STILL THINK WE SHOULD
TAKE THIS LAPTOP SOMEWHERE ELSE
TO CHECK IT OUT.
- WE THOUGHT ABOUT THAT.
IT'S TOO RISKY.
GAMBLE'S SET UP A WHOLE
COMMUNICATION CENTER HERE.
HE'S BEEN BOUNCING
HIS CALLS THROUGH HERE
SO THEY CAN'T
BE TRACED.
IF WE CAN HACK IT,
WE CAN FIND HIM.
BUT IT'S HARDWIRED
TO THE JUNCTION BOX.
- SO IF WE TRY
AND UNPLUG IT,
WE'RE GONNA PROBABLY
LOSE EVERYTHING.
LOOK, DIXON'S ON HIS WAY.
[Fiona tapping]
YOU ALL RIGHT, FI?
- FINE.
AFTER NINE MONTHS...
STILL DEALING WITH THE FALLOUT
OF MICHAEL WESTEN.
- DIXON'S HERE.
- PERIMETER CHECK.
- THAT'S AXE'S HACKER FRIEND?
- FRIEND WOULD
BE PUSHING IT.
- FI. WHERE HAVE YOU BEEN?
YOU NEVER WRITE, YOU NEVER CALL.
- AND I NEVER WILL.
- [sighs]
THIS IS GONNA SUCK,
ISN'T IT?
- THERE'S OUR LITTLE GUY.
THANKS FOR COMING, DIXON.
- USUALLY WHEN I MAKE
HOUSE CALLS, IT'S TO HOUSES,
NOT OLD CHOP-SHOPS
IN THE MIDDLE OF OVERTOWN.
- OKAY. JUST RELAX.
WE JUST WANT YOU TO FIX
A LITTLE COMPUTER PROBLEM.
- LOOKIE HERE. EASY MONEY.
- FINE. FINE!
WHAT CAN I DO
TO MAKE YOUR LIVES WONDERFUL?
- IT'S JUST WE'RE CHASING A GUY
WHO'S USING THIS PHONE RELAY
TO BOUNCE HIS CALLS
AND WE JUST NEED TO KNOW
WHERE THEY'RE LANDING,
THAT'S IT.
- OKAY.
I SEE. I SEE.
- YOU JUST WANT ME
TO LOOK AT THAT COMPUTER
AND FIND OUT
WHERE THIS GUY IS.
- BINGO.
- GOOD LUCK WITH THAT, BUDDY.
- HOLD ON.
HEY, COME ON. COME ON.
IT'S TWO MINUTES
OF YOUR TIME.
YOU WANT MORE MONEY?
WE'LL GIVE YOU MORE MONEY.
- WE GOT MONEY.
- OKAY, OKAY, OKAY.
A, DON'T TREAT ME
LIKE A PROSTITUTE.
IT MAKES ME FEEL CHEAP.
AND B, MY CONCERN ISN'T MONEY.
IT'S THE HANDCUFFS
I'M GONNA BE WEARING
WHEN I VIOLATE MY PROBATION
BY TOUCHING A COMPUTER
THAT'S HACKING
INTO THE PHONE COMPANY.
- RELAX. YOU KNOW WHAT,
YOU DON'T WANT TO DO IT?
WE GET IT.
IT'S ALL GOOD.
NO HARD FEELINGS,
WE UNDERSTAND. RIGHT?
IT'S ALL GOOD.
SERIOUSLY.
OH, ONE QUICK QUESTION.
UM, ARE PEOPLE ON PROBATION
ALLOWED TO HANG OUT
AT CRIME SCENES?
- WHA--THIS
IS A CRIME SCENE?
- [chuckles]
YEAH. JUST A BIT.
SEE, THERE WAS A SHOOTING.
THE COPS ARE SEARCHING
THE WHOLE AREA EVEN AS WE SPEAK.
EVENTUALLY THEY'RE
GONNA FIND THIS PLACE.
SO THE QUESTION IS,
ARE YOU GONNA BE HERE
WITH GUNPOWDER RESIDUE
ON YOUR HANDS WHEN THEY DO?
- IS THERE GUNSHOT RESIDUE
ON MY HANDS?
- JUST A SMIDGE.
- IT DOESN'T COME OFF
THAT EASY, BUDDY.
NOW COME ON,
HELP US TRACE THESE CALLS
BEFORE THE BOYS
IN BLUE SHOW.
- [sighs]
- HAVE A SEAT.
- FINE.
- DO YOUR MAGIC.
- [sighs]
- BLACKMAILING A CRIMINAL
TO COMMIT FEDERAL CRIME
ON AMERICAN SOIL.
- YOU WANT IT DONE DIFFERENTLY,
SEND IN A TECH TO HELP THEM.
- IT'S ALL RIGHT.
THEY'RE DOING JUST FINE.
- SO HE'S GOT IT SET UP
TO GO TO THE DISTRICT ROUTER
AND THEN IT GOES TO--
UH, OKAY, THERE'S THE REGIONAL.
THERE IT IS.
3707 WEST 45TH.
YOU HAPPY NOW?
- ALL RIGHT, WE'RE ON
THE MOVE, LET'S ROLL!
- SIR, WE'RE ONE BLOCK OVER
FROM GAMBLE'S LOCATION.
- OKAY, WESTEN,
WE NEED YOU IN POSITION
TO TAKE THAT SHOT
BEFORE YOUR FRIENDS GET HERE.
- I'M ON IT.
BEING AN EFFECTIVE SNIPER
IS LESS ABOUT FIRING YOUR WEAPON
THAN IT IS ABOUT
CHOOSING YOUR LOCATION.
AN IDEAL SNIPER PERCH
ALLOWS YOU
TO ESTIMATE RANGE ACCURATELY,
GAUGE WIND VELOCITY
AND DIRECTION,
AND KEEP YOUR WEAPON STABLE.
THE GOAL IS TO CONTROL
AS MANY VARIABLES AS POSSIBLE
SO WHEN YOUR TARGET
SHOWS UP,
ALL YOU HAVE TO DO
IS PULL THE TRIGGER.
I'M ALL SET.
- YEAH, COPY THAT.
NOW BE READY,
YOUR FRIENDS JUST PULLED UP
AND THEY'RE LOOKING
TO DO A SNATCH-AND-GRAB.
I WANT GAMBLE TO BE A CORPSE
BY THE TIME THEY GET TO HIM.
- WHAT'S THE WORD?
- LOOKS LIKE NO ONE'S HOME.
- ALL RIGHT, SO WE'LL KEEP
AN EYE ON THE STREET.
THE MINUTE GAMBLE SHOWS UP,
WE MOVE IN, WE GRAB HIM.
- THAT WAS A LOVELY PILE
OF GARBAGE ACROSS THE STREET.
ME AND JESSE
CAN HOLD THE FRONT.
- AND I'LL POST UP THIS ALLEY
ON THE EAST SIDE.
- ALL RIGHT,
I'LL TAKE THE WEST SIDE.
- OKAY, LISTEN,
STAY ON YOUR RADIOS.
HAD A FEW CLOSE CALLS
WITH THIS GUY.
LET'S NOT TAKE
ANY CHANCES.
- OH, THIS IS NICE.
THIS IS NICE, SAM.
ALL THESE BUSHES
WE CAN HIDE BEHIND,
YOU CHOOSE
A PILE OF TRASH.
- YOU KNOW WHAT?
THIS IS PERFECT.
WHO WOULD SUSPECT THIS?
- RIGHT.
- [giggles]
- I'LL TELL YOU WHAT,
IF THAT BASTARD KNOWS
WHAT'S GOOD FOR HIM
HE'LL COME BACK HOME
IN THE NEXT 30 MINUTES.
- YOU'RE NOT GONNA MAKE IT
TO HAPPY HOUR, SAM, LET IT GO.
- IF I DON'T THERE'S
GONNA BE A LOT MORE SNATCHING
THAN GRABBING,
I CAN TELL YOU THAT MUCH.
- WHAT THE HELL
DOES THAT EVEN MEAN?
- YOU'RE GONNA
FIND OUT WHAT IT MEANS.
- SEE? THE GARBAGE
IS MAKING YOU GRUMPY.
- IT'S NOT THE GARBAGE!
- IT'S MAKING YOU GRUMPY.
- IT'S NOT THE GARBAGE.
IT'S JUST THAT I HAVEN'T
SWEATED MY ASS OFF
IN THIS KIND
OF HEAT SINCE--
SINCE MIKE LEFT.
- MISS HIM TOO, HUH?
- A LITTLE. MAYBE.
- IN THE FIELD,
SNIPERS CAN SPEND HOURS,
SOMETIMES EVEN DAYS,
WAITING TO TAKE JUST ONE SHOT.
BUT NOT MATTER HOW DILIGENTLY
YOU WORK TO STAY FOCUSED
ON THE TASK,
AT SOME POINT...
YOUR MIND IS GOING TO WANDER.
[traditional Irish music]
*
[Irish accent]
CAN I HAVE A DANCE?
[click]
I ASSUME
THAT MEANS YES.
- [Irish accent] YOU'VE BEEN
WATCHING ME FOR QUITE A WHILE.
YOU SURE A DANCE
IS ALL YOU'RE AFTER?
- IT'S A START.
- SO WHAT'S YOUR NAME?
- MICHAEL MCBRIDE.
- NICE TO MEET YOU,
MR. MCBRIDE.
- THE PLEASURE'S ALL MINE.
- HEY, THE WIND'S CHANGED.
YOU GOT THAT, WESTEN?
- YEAH. YEAH, I ALREADY
MADE THE CORRECTION.
- ANY ACTION, CARLOS?
- NO, NOT UNLESS YOU COUNT
A COUPLE KIDS MAKING OUT
IN THE CAR.
HEY, HOW ABOUT YOU, FI?
[car door slams]
- I GOT BOGEY PROBLEMS
OF MY OWN.
THE GARDENER NEXT DOOR'S
ABOUT TO START WORKING
IN THE MIDDLE OF
OUR LITTLE SURPRISE PARTY.
I'LL GET RID OF HIM.
SIR?
SENOR?
[speaking Spanish]
[gasps]
[grunting]
- SHH.
- YOU KNOW WHAT, FI SHOULD HAVE
BOUNCED THAT GARDENER BY NOW.
- I WAS JUST THINKING
THE SAME THING.
- FI, WHAT'S THE WORD?
FI?
- FI.
- SON OF A BITCH. FI!
CARLOS, WE'RE IN TROUBLE.
LET'S GO!
- THEY'VE LOST VISUAL
ON GLENANNE.
- WHAT ARE YOU TALKING ABOUT?
WHERE THE HELL IS SHE?
- STRONG, WHAT THE HELL'S
GOING ON DOWN THERE?
STRONG! WHAT THE HELL
IS GOING ON DOWN THERE?
- HE GOT HER.
THE SON OF A BITCH TOOK FIONA.
- FINDING SOMEONE
WHO'S BEEN ABDUCTED
IS A RACE
AGAINST THE CLOCK.
EACH MINUTE THAT PASSES
INCREASES THE AREA
YOU HAVE TO SEARCH.
IF YOU KNOW THE VEHICLE
THE KIDNAPPER IS DRIVING,
YOUR CHANCES OF CATCHING THEM
RISE SIGNIFICANTLY,
WHICH IS WHY
A SMART KIDNAPPER'S FIRST MOVE
IS TO BURN HIS VEHICLE.
- IT'S EMPTY. NO BODIES.
THAT'S A GOOD THING.
IF HE WANTED GLENANNE DEAD,
SHE'D BE IN THAT TRUCK.
YOU GOT SOMETHING
TO SAY TO ME?
- SHE SHOULDN'T HAVE BEEN ALONE
IN THAT ALLEY!
IF YOU HAD LISTENED--
- NOW'S NOT THE TIME
TO POINT FINGERS.
WE'VE GOT A JOB TO DO--
- DON'T TELL ME ABOUT THE JOB!
THESE ARE MY FRIENDS.
MY FAMILY!
- GET YOUR GODDAMN
HANDS OFF OF ME.
YOU THINK BLAMING ME
IS GONNA HELP ANYTHING?
- I DON'T BLAME YOU!
I BLAME MYSELF
FOR LISTENING TO YOU!
- I DIDN'T MAKE THEM
TRACK THIS GUY DOWN.
I DIDN'T LAY OUT
THE AMBUSH PLAN.
I SURE AS HELL DIDN'T TELL HER
TO GO DOWN THAT ALLEY.
LOOK, I'M SORRY ABOUT
WHAT HAPPENED TO FIONA.
BUT THE JOB
IS STILL THE SAME.
FIND THIS GUY, TAKE HIM DOWN,
WITHOUT BLOWING YOUR COVER.
THE BEST WAY TO HELP HER
IS TO FINISH THE JOB!
- WHEN SOMEONE IS PUT
IN DANGER AS THE RESULT
OF AN OPERATION GOING BAD,
THERE ARE A NUMBER OF QUESTIONS
THAT HAVE
TO BE ANSWERED.
WHAT WENT WRONG?
IS THERE ANYTHING
YOU COULD HAVE DONE DIFFERENTLY?
AND OF COURSE THE ONE QUESTION
NO ONE WANTS TO ASK,
IS IT YOUR FAULT?
[Irish music on radio]
*
- [grunts]
[car door closes]
WHY'D YOU PARK
SO FAR AWAY?
- I DIDN'T WANT
TO BE BLOCKED IN.
I HAD A NOTION YOU WERE DOING
MORE THAN SLASHING THE TIRES.
- YOU THINK YOU KNOW ME,
MCBRIDE?
- I'M LEARNING.
[loud explosion]
[glass shattering]
[explosion]
- THERE SHE IS.
COME ON.
BREATHE DEEP,
IT'LL CLEAR YOUR HEAD.
I SAID BREATHE.
- [grunting]
- CAN'T HAVE YOU NODDING OFF.
WE HAVE WORK TO DO.
- OH, I'M AWAKE.
WHAT DO YOU WANT?
- I NEED TO TALK
TO MICHAEL WESTEN.
- I HAVEN'T SEEN HIM
IN ALMOST A YEAR.
HE DISAPPEARED.
AFTER HIS LAST RUN-IN
WITH THE GOVERNMENT--
- AH, AH, AH.
DON'T LIE TO ME.
IF I WANTED A CIA COVER STORY,
I WOULD ASK FOR IT.
- I'M NOT LYING.
[groans]
- [sighs]
MAYBE THIS WILL BE EASIER
IF WE START WITH WHAT I KNOW.
YOU SEE, AS I DO BELIEVE
YOU ARE AWARE, I WAS HIRED
TO LOOK INTO MICHAEL WESTEN.
HIS MOTHER WAS GOOD ENOUGH
TO LET ME KNOW
HE'S STILL WORKING
FOR THE CIA.
- WELL, SHE'S CONFUSED.
SHE...
SHE PROBABLY TOLD YOU WHAT
SHE THOUGHT YOU WANTED TO HEAR.
- CONFUSED?
OH.
MAYBE YOU CAN CLEAR SOMETHING UP
FOR ME AND EXPLAIN WHY
THE MAN WHO HIRED ME
WAS KILLED LESS THAN TEN MINUTES
AFTER I TOLD HIM
THAT MICHAEL WESTEN
WAS STILL WORKING
FOR THE CIA!
GOOD.
THE LIES HAVE STOPPED.
NOW WE'RE MAKING PROGRESS.
I'M A MARKED MAN.
CHANCES ARE THERE'S A KILL TEAM
AFTER ME AS WE SPEAK.
BUT I GOT ONE CARD
TO PLAY.
I KNOW THE TRUTH
ABOUT MICHAEL WESTEN.
OF COURSE I COULD EXPOSE HIM
AND HAVE HIM KILLED.
SATISFYING, BUT IT DOESN'T HELP
WITH MY PROBLEM.
NO. MY ONLY MOVE
IS TO TRADE MY SILENCE
AND YOUR LIFE
FOR THE BEST DEAL I CAN GET,
WHICH BRINGS US BACK
TO THE REASON WHY YOU ARE HERE.
YOU, MY DEAR,
ARE GOING TO PUT ME
IN TOUCH WITH HIM RIGHT NOW.
- I DON'T KNOW
WHERE HE IS.
- [sighs]
- [gasping]
- YOU'RE LUCKY
I DON'T BELIEVE YOU.
BECAUSE IF YOU
CAN'T PUT ME IN TOUCH
WITH MICHAEL WESTEN,
THE ONLY REMAINING QUESTION
IS HOW MANY BODIES I CAN DROP
BEFORE THEY TAKE ME OUT,
AND I'LL TELL YOU THIS.
THE ANSWER IS,
AT LEAST ONE.
- ANYTHING INSIDE?
- AH, SOME MONEY,
A LITTLE BIT OF AMMO.
A COUPLE OF FILES ON MIKE,
SO NO.
- I ASKED MY BUDDY
AT HOMELAND SECURITY
TO PUT OUT AN ALERT ON
EVERY ALIAS WE HAVE FOR GAMBLE.
I'M STILL WAITING
TO HEAR BACK.
- JUST TALKED
TO A NEIGHBOR WHO SAW
A SILVER F-150
IN THE ALLEY.
- DID THEY
GET A PLATE?
- NO, BUT THEY SAID
IT HAD A STAKEBED ON IT.
SO THAT SHOULD HELP
NARROW IT DOWN.
- OKAY. I GOT A CONTACT
AT THE DMV THAT CAN HELP US OUT.
LET'S GO.
- HEY, GUYS, HANG ON.
HANG ON, HANG ON.
[cell phone vibrating]
IT'S FI.
FI, WHERE ARE YOU?
- THIS IS NOT FIONA,
MR. AXE.
- YOU SON OF A BITCH.
SHE BETTER NOT BE HURT.
- OH, DON'T WORRY.
SHE'S STILL BREATHING.
FOR NOW.
- WESTEN.
GET IN HERE,
HE JUST MADE CONTACT.
- WHAT DO YOU WANT?
- I'M TOLD YOU CAN PUT ME
IN TOUCH WITH MICHAEL WESTEN.
- HE'S USING FIONA
TO GET TO ME?
- MICHAEL WESTEN?
THAT'S A PRETTY TALL ORDER
'CAUSE HE'S NOT
EVEN IN THE COUNTRY.
- DO I NEED TO REMIND YOU
I HAVE A GUN TO FIONA'S HEAD?
- JUST LISTEN TO ME.
HE CAN'T OFFER YOU ANYTHING
THAT I CAN'T.
I MEAN, WHAT DO YOU NEED?
MONEY? TRANSPORTATION?
YOU NAME IT,
WE'LL FIGURE IT OUT.
- NO, NO, I'VE ALREADY
FIGURED IT OUT.
GIVE ME WESTEN NOW
OR THIS CONVERSATION IS OVER.
- ALL RIGHT.
WAIT, WAIT, WAIT, WAIT.
JUST CALM DOWN.
HERE'S WHAT I CAN DO.
I CAN--UM, I CAN GET YOU
A SECURE LINE WITH HIM
ON A SAT PHONE
WE USE FOR EMERGENCIES.
I CAN BRING THAT TO YOU.
NOW HOW'S THAT?
- THERE'S AN OLD MARINE
WAREHOUSE AT THE END
OF DEER RUN AVENUE
AT THE RIVER.
COME ALONE, UNARMED.
YOU HAVE ONE HOUR.
- FINE. BUT I'M NOT GOING
ANYWHERE WITHOUT PROOF OF LIFE.
- YOU'LL HAVE IT.
OH. AND BY THE WAY,
MR. AXE, JUST IN CASE
YOU WERE THINKING ABOUT
TRYING SOMETHING,
THE VIEW FROM HERE
IS SPECTACULAR.
I CAN SEE
IN EVERY DIRECTION.
AND IF I SEE ANYTHING
I DON'T LIKE,
I PUT A BULLET
IN YOUR FRIEND'S HEAD.
[cell phone beeps]
- GET ME AN OVERHEAD
OF THAT LOCATION NOW.
- YOU JUST PROMISED TO PUT HIM
ON THE PHONE WITH MIKE?
- I HAD TO, JESSE,
HE WAS GONNA KILL HER.
- WHY IN HELL WOULD YOU PROMISE
SOMETHING WE CAN'T DELIVER?
- WHAT CHOICE DID I HAVE?
WE'RE OUT OF MOVES HERE.
LOOK, I FIGURE IF I SHOWED UP
WITH A SATELLITE PHONE,
TOLD HIM MIKE
WAS ON THE OTHER END,
MAYBE I COULD GET CLOSE ENOUGH
TO TURN THE TABLES.
- THIS PSYCHO'S
ABOUT TO KILL FIONA
AND THAT'S THE BEST WE'VE GOT,
IS MAYBE?
- ALL I KNOW, FRIEND,
IS IF WE DON'T TRY SOMETHING,
SHE DIES FOR SURE.
THERE YOU GO.
PROOF OF LIFE.
NOW LET'S GET GOING.
- ALL RIGHT, IT'S NOT THE BREAK
THAT WE HOPED FOR.
BUT IT'S SOMETHING.
- WHAT ARE YOU TALKING ABOUT?
- HOW LONG TO MOBILIZE
THE SPECIAL RESPONSE TEAM?
- 15 TO 20 MINUTES.
- ALL RIGHT,
MAKE THE CALL.
AND GET THE COMMANDER
ON THE LINE WITH ME IMMEDIATELY.
WE'RE GONNA SHADOW YOUR FRIENDS
TO THAT MEETING.
AS SOON AS WE KNOW THAT GAMBLE'S
THERE, WE'RE GONNA GO IN HARD.
- HAVE YOU SEEN
THIS OVERHEAD MAP?
THERE'S NO WAY OF APPROACHING
THE BUILDING WITHOUT BEING SEEN!
- IT'S NOT IDEAL, I KNOW.
BUT WE CAN USE THE DISTRACTION--
- YOU'RE USING MY FRIENDS
AS BAIT!
- SRT COMMANDER'S
ON THE LINE.
- WE'LL DO WHAT WE CAN TO KEEP
YOUR FRIENDS SAFE, MICHAEL,
BUT WE GOT A JOB
TO DO HERE.
OKAY, HERE'S THE DEAL.
ONE TARGET.
HE IS ARMED AND HAS ONE HOSTAGE.
LOCATION IS 304 DEER RUN.
SINGLE STORY MARINE WAREHOUSE
WITH UNOBSTRUCTED VIEWS
OF THE SURROUNDING AREA.
WE WILL NOT HAVE
THE ELEMENT OF SURPRISE
AND MAY GO IN UNDER FIRE.
THERE ARE MULTIPLE CIVILIANS
AT PLAY AS WELL.
I'VE GOT AN OPERATIVE HERE
WHO CAN GIVE YOU
SOME MORE INFORMATION--WESTEN.
WESTEN! GOD DAMN IT!
[tires squealing]
[horns honking]
WESTEN. WESTEN.
GET YOUR ASS BACK HERE.
I'M GIVING YOU A DIRECT ORDER.
DO YOU HEAR ME, MICHAEL?
YOU'RE MAKING THE BIGGEST MIS--
[clicks off]
- AN OPERATIVE IS TRAINED
TO MAINTAIN COVER
UNDER ALL CIRCUMSTANCES.
WHEN THE MISSION REQUIRES
KEEPING YOUR IDENTITY A SECRET,
YOU'RE SUPPOSED TO FOLLOW ORDERS
AND STAY OUT OF SIGHT.
THAT'S EASY WHEN
YOU'RE SPYING ON ENEMIES.
BUT IT'S A VERY DIFFERENT THING
WHEN YOU'RE SPYING ON FRIENDS.
WHEN MAINTAINING COVER MEANS
ALLOWING PEOPLE YOU CARE ABOUT
TO WALK RIGHT INTO A DEATH TRAP,
YOU HAVE A CHOICE TO MAKE.
RISK THE OPERATION
OR RISK YOUR FRIENDS' LIVES.
[guns clicking]
- OUT OF THE CAR NOW.
HANDS WHERE
WE CAN SEE THEM.
- MIKE.
- WHERE THE HELL
DID YOU COME FROM, MAN?
YOU ALMOST KILLED US.
- I HAD TO STOP YOU BEFORE YOU
GOT TO YOUR MEETING WITH GAMBLE.
YOUR PLAN, IT'S TOO RISKY,
FOR YOU AND FOR FI.
- HOW THE HELL DO YOU KNOW
ABOUT OUR PLAN?
- WE'VE BEEN WATCHING.
WE'RE AFTER GAMBLE.
[tires screeching]
- WHAT--WHAT DO YOU MEAN,
"WATCHING?"
- AND WHO THE HELL
IS THIS "WE"?
- I'M HERE WITH THE CIA.
I'LL EXPLAIN EVERYTHING LATER--
- YOU WERE THERE
WHEN THAT BASTARD TOOK FIONA!
- WE DID EVERYTHING
WE COULD FOR HER!
WE DIDN'T KNOW GAMBLE WAS--
- GOD DAMN IT, WESTEN!
I LET YOU COME HERE
UNDER ONE CONDITION. ONE!
STAY UNDER THE RADAR.
NOW I GOT A FULL-BLOWN--
- YOU SON OF A BITCH!
- HEY! HEY!
- NO, NO, NO.
MIKE. MIKE.
THAT'S IT, BACK OFF.
BACK OFF. BACK OFF.
- NINE MONTHS. NOT ONE CALL,
NOT ONE LETTER, NOTHING.
THIS--THIS IS HOW I FIND OUT
THAT MY BEST FRIEND
IS STILL ALIVE?
- THIS IS NOT HOW
I WANTED TO DO THIS.
- THIS IS EXACTLY WHAT
I TOLD YOU COULD NOT HAPPEN.
- STRONG, LISTEN TO ME.
- NO! YOU HAVE LOST
ALL TALKING PRIVILEGES.
AND IF THIS OPERATION'S BLOWN,
I AM GONNA BURY YOU!
- WE DON'T GIVE A DAMN
ABOUT YOUR OPERATION.
THAT PSYCHO'S GOT FIONA.
YOU CAN GET BACK
TO YOUR SPY GAMES
WHEN SHE'S SAFE.
- THIS RIGHT HERE
IS THE ONLY THING
THAT'S IMPORTANT RIGHT NOW.
- YOU THINK YOU HAVE
A SAY IN THIS?
GET THEM THE HELL
OUT OF HERE!
- I'M TELLING YOU,
I COULD SALVAGE THE OPERATION!
- ALREADY BEEN DECIDED.
SRTs ARE ON THE WAY.
THEY'RE MAKING A HARD ENTRANCE
THROUGH THE SOUTH WALL.
ONLY NOW THEY DON'T
HAVE A DIVERSION!
- IF YOU BREACH THE SOUTH WALL,
YOU WILL BE SEEN.
HE WILL SHOOT FIONA!
HE WILL SHOOT YOUR MEN!
IF YOU LET ME HANDLE THIS--
- YOU SHOULD HAVE
THOUGHT ABOUT THAT BEFORE
YOU WENT OFF
THE RESERVATION.
- LISTEN TO ME. I HAVE
A PLAN THAT WILL FIX THIS.
I WILL SAVE FIONA.
AND THE ONLY ONE WHO WILL DIE
WILL BE GAMBLE.
- IN A HOSTAGE SITUATION,
TACTICAL DATA
IS USUALLY
THE MOST IMPORTANT.
YOUR FOCUS IS ON DETAILS
LIKE THE BUILDING'S ENTRY POINTS
AND BLIND SPOTS,
YOUR TARGET'S POTENTIAL
ESCAPE ROUTES,
AND YOUR TEAM'S
ASSAULT CAPABILITIES.
BUT SOMETIMES EVEN MORE
IMPORTANT THAN YOUR KNOWLEDGE
OF THE SITUATION
IS WHAT YOU KNOW ABOUT
THE PERSON YOU ARE TRYING
TO SAVE.
- WHY ARE YOU SO QUIET?
- I DON'T LIKE THE IDEA
OF PEOPLE SHOOTING AT YOU.
- YOU'RE WORRIED.
- YOU'RE NOT?
- ONE THING YOU WILL LEARN
ABOUT ME, MICHAEL MCBRIDE,
I DON'T WORRY.
NOT SINCE
I WAS A LITTLE GIRL.
[cell phone rings]
[phone beeps]
- YOU'RE CUTTING IT CLOSE,
MR. AXE.
- YOU SAID ONE HOUR.
- WHO IS THIS?
- MICHAEL WESTEN.
- WESTEN.
THEY SAID YOU
WEREN'T IN MIAMI.
- WELL, IT'S YOUR LUCKY DAY.
I MADE A SPECIAL TRIP
JUST FOR YOU.
- STOP RIGHT THERE, WESTEN.
TURN AROUND,
TAKE OFF THE VEST.
- NO TRICKS.
I'M HERE TO GIVE YOU
WHAT YOU WANT...
AS LONG AS FIONA
GETS OUT OF THERE UNHURT.
- GOOD. WE'RE ON
THE SAME PAGE THEN.
YOU AND YOUR CIA PALS
ARE GOING TO PUT TOGETHER
A LITTLE GET-OUT-OF-TOWN KIT
FOR ME.
I WANT 1 MILLION IN CASH,
EVENLY DIVIDED IN DOLLARS,
RENMINBI, REALS,
AND BRITISH POUNDS.
- I CAN GET THAT BUT FIRST--
- I'M NOT FINISHED YET!
I WANT A BLANK
CANADIAN PASSPORT,
A LEAR 60 FUELED UP
ON THE RUNWAY AT OPA-LACKA,
AND A CLEAR FLIGHT PATH
OUT OF MIAMI.
I'LL KEEP FIONA AND YOU WITH ME
UNTIL I AM ON THE PLANE.
OH, YOU CAN TALK NOW.
- DEAL.
I'LL GET YOU EVERYTHING
THAT YOU WANT.
BUT FIRST I TALK TO FIONA.
- STOP WASTING TIME.
I'VE SENT A PROOF OF LIFE
TO YOUR FRIEND.
- THAT WAS AN HOUR AGO.
PUT HER ON THE PHONE.
- I'M THE ONE GIVING
THE ORDERS HERE.
- NO DEAL.
- WHEN I WAS YOUNGER MY FATHER
WANTED TO PROTECT HIS FAMILY
AND THEIR BELIEFS,
NO MATTER WHAT.
I WATCHED HIM GET BEATEN
AND SHOT AT.
BUT IF HE WAS AFRAID,
HE NEVER SHOWED IT.
HE ALWAYS SAID, "THERE'S
A DIFFERENCE BETWEEN LIVING
AND LIVING FREE."
- STOP RIGHT THERE--
STOP, GOD DAMN IT. STOP!
FINE.
YOU CAN TALK TO HER.
- OF COURSE LIVING WITH HONOR,
IT ONLY PUT US IN MORE DANGER.
MY FATHER, HE CAME UP
WITH A PLAN TO WARN US
IF HE KNEW TROUBLE
WAS BREWING AND HE'D SAY,
"FIONA.
TIME TO BE BRAVE,
LITTLE ANGEL."
- YOU GET TEN SECONDS
OF QUALITY TIME, WESTEN.
MAKE IT COUNT.
- FI.
- I'M HERE, MICHAEL.
- "TIME TO BE BRAVE,
LITTLE ANGEL"?
- I SUPPOSE IT WAS
A CODE OF SORTS.
[clicks]
WHAT IT REALLY MEANT WAS,
"GET DOWN ON THE FLOOR,
CLOSE YOUR EYES, AND START
PRAYING TILL IT'S OVER."
[clicks]
- I'M GONNA
GET YOU HOME.
AND FIONA...
[Irish accent] IT'S TIME
TO BE BRAVE, LITTLE ANGEL.
[glass shattering]
[glass shattering]
[cocks gun]
[gunfire stops]
[sirens wailing]
[police radio chatter]
- THERE HE IS,
THE MAN OF THE HOUR.
THAT WAS ONE BALLS-OUT
CRAZY MOVE BUT YOU MADE IT WORK.
NOW LET'S GO DOWN TO THE D.R.
AND FINISH THIS OPERATION.
[slaps arm]
- SO YOU GUYS TAGGED MY PHONE,
MY WATCH, AND MY CAR.
ANYWHERE ELSE I SHOULD CHECK,
MIKE, LIKE MY MOLARS?
- ELSA'S HOTEL SUITE.
- YOU'RE TALKING
ABOUT THE PENTHOUSE?
MIKE, PLEASE TELL ME
THAT YOU GUYS
WERE NOT LISTENING
THIS MORNING.
- JUST SWEEP IT, SAM.
- [groans]
- OH, MY GOD.
- LOOK, MIKE,
NEXT TIME YOU'RE IN TOWN
JUST SKIP THE BUGS
AND PICK UP A PHONE, MAN,
BEFORE WE'RE KNEE DEEP
IN A SUICIDE MISSION.
- FOR WHAT IT'S WORTH,
I HAD ORDERS.
- YEAH, WELL
IN THIS SITUATION,
"I HAD ORDERS"
DOESN'T REALLY CUT IT, BUDDY.
- I'M SORRY.
- LOOK, WE'RE JUST GLAD
THAT YOU'RE OKAY.
AND MIKE, WE KNOW YOU CAN'T
TELL US THE WHOLE STORY
BUT WE'VE SEEN ENOUGH
OF THE BOARD TO KNOW
THAT YOU'RE INTO
SOMETHING PRETTY HEAVY.
SO IF YOU NEED A HAND,
LET US KNOW.
- YEAH, THE LONE RANGER ROUTINE,
IT MIGHT FEEL NOBLE
BUT IT'S GONNA
GET YOU KILLED ONE DAY.
- ACTUALLY EVEN THE LONE RANGER
HAD TONTO AND THE HORSE.
- RIGHT. TONTO. HORSE.
- YEAH, MIKEY, UM...
YOU GONNA
TALK TO FI?
COME ON, KEMOSABE.
- THANK YOU.
HELLO, MICHAEL.
- YOU OKAY?
- YEAH, IT'S JUST
A FEW STITCHES.
THE GLASS IN THE WINDOWS,
IT WOULD HAVE BEEN WORSE...
YOU REMEMBERED
MY STORY.
- I'LL NEVER FORGET IT.
FI...
- [whispers]
TAKE CARE.
- WHO'S THE GIRL?
- FIONA GLENANNE.
BELIEVE ME, LAD, YOU WON'T
BE WANTING ANY OF THAT.
BESIDES, SHE'S TAKEN.
- TAKEN?
YOU SEE THAT?
THAT'S THE KISS YOU GIVE
WHEN IT'S OVER.