Boris (2007–2010): Season 1, Episode 7 - Quando un uomo sente la fine - full transcript

I mean. we are recording at night

because your tomorrow you have a plane at 3!

Who protects you?

Nobody. I said it two months ago
I had to go tomorrow!

But I made it clear in my contract

that I worked at night
only in very urgent cases!

And it is not your case! Sorry. huh!

Now I talk to them and ...

No!

Because it is useless to shoot the dead.
eleven
00:00:42.686 --> 00:00:43.919
Hey René ...

Is that the important thing



is to use a good quality alcohol

you put the lemon peels.
fifteen
00:00:50.516 --> 00:00:52.635
careful. you have to remove the white
or it comes out bitter.

and you let it rest for ten days.

Yes...

After ten days you add the sugar.
mixes with water

and voilà. that's the wonder!
twenty
00:01:02.948 --> 00:01:04.136
Made with my hands.
twenty-one
00:01:04.512 --> 00:01:06.011
It means that I could do
let a head fall

but they are already in it.
2. 3
00:01:08.856 --> 00:01:09.819
They who?

What heads do they fall. sorry!

I know it's René's last hours.

No. it is not possible!

They want to kick it out.

And because?

Lopez has seen the recorded chapters?

He's watching them right now.



You are worried?

No Arianna

I would be worried if it scared me
that they threw me out
3. 4
00:01:38.518 --> 00:01:40.792
and I know they want to kick me out!

I sense it from little looks. little calls

how they talk to me.

I know they want to kick me out and it's fair

the material we have given you
disgusts dogs!

It's bullshit.

Yes. this is the law of the jungle. girl!

the sooner you learn it and the more you live!

I hate it!

René. I'm really sorry.

I made what I could.
Four. Five
00:02:03.884 --> 00:02:05.256
I know.

But you see Arianna

a man knows when the end is coming!

Some go to meditate in front of the sea.

others find comfort in family
fifty
00:02:17.467 --> 00:02:19.035
and I do the limoncello!

Try it. come on!

I think I'm going back to the cinema. you know?

Oh yeah?
-Yes. I'm sick of TV.

They insist that
I stayed but I have already decided.

I'm going.

Also because I have that script. do you remember?

The hindrances.

That I make myself produce.

Uncomfortable script but

You do well to do well. you do well!

Then you haven't understood. Duccio.

I want you to leave everything
and follow me in this project.

I need you.

No. Renè. I appreciate it. you are very kind.

But I prefer comfortable scripts.

One of those that have a producer. you know?

Here I am comfortable.

because they ask you to work little and badly

And they pay you well.

For what?

Arianna pretty. hey. I'll be next
Monday I'm going to Bangkok

We can record at night
that the time zone is that!

Stanis. please. we couldn't
do it differently.

I dont believe it.

As soon as you finish we will release you.

Let's see. Ana. you have some close-ups today

of those who are in a good mood in three.

two worried and three perplexed.

Stanis. you have two calls with your mother

and in both listens you are totally perplexed.

It is not possible that we are
always all perplexed.

everyone! But the scriptwriters
do they read what they write or what?

Let's see. close the scene with him perplexed

Yes. close with the perplexed and black background

Let's go
-No

Write it!

What have you done

F4. it comes out in automatic!

Anyway. think about it!

Diego. how are you?

Hi rene.

You have seen the material.

Yes. I have seen the chapters that you have recorded.

I have been able to verify.
in the pre-assembly that I have seen.

I have to say. that despite everything.

as I was saying I have seen that ...

it's pretty good!

Yes. yes. despite everything.
you see the effort and the hand

the hand is always that

the problem is another

Go Go!

I'd like to talk about it later. no

Do you agree that it is better ... Hello?

René. do you agree? René?

Go Go.

You give it another chance
to these from television?

Diego Lopez just
tell me I'm a genius.

I can't leave him. I'd be sorry!

"Hindrances" can wait. right?

Go Go.

Oh. Luciano. how are you?

Well. this is Alessandro.

Hey. could you do me a favor?
-Yes

In my car. in the trunk.
there is a wooden box.

go get it! Hurry up. okay!

What's wrong? I see you weird.

No. that's it. I'm fine. I'm coming!

I see you. you know. that you are dissatisfied.
truth? Right?

That you can talk to me. you know.

Nothing. I think I'm learning
less than I expected.

I feel a bit far from the center of things

but nothing happens. it's fine like this.

Starting today you start. kid!

From today you have to look at me:

what I do. what I don't do.

what I say. what I don't say.

You try to understand. you take notes

then in the afternoon we talk about it

and you will do better.

Voucher?
-Voucher.

Now quick. go get the box.

Quick!

Lopez news?

Here we are serious people.

it is because we are fussy.

but here the level is very high.

Lopez told me:

"Congratulations Arianna. tell him he's a genius."

So?

Sip. sip.

No. look ...
-Let's go

No. really. we have a lot
of things to do.

So you haven't understood. Arianna.

I'm not leaving. I'm staying here. firm

in command of this ship.

Come on. come on. baby. baby!

A little "thank you" to the guys.

Shit!

Close on her worried.

F5

Perplexed?

F4

Black background?

F6

Surprised?

You do not have it?

Does not have it!

Perplexed

It's René's voicemail.
leave a message

We are recording at night

to finish the scenes of Ana Canestri.

that tomorrow he is going to Buenos Aires.

René is euphoric.

give everyone homemade Limoncello.

distributing hugs

and generous slaps on the shoulder

It's very strange.

because they say the channel wants to kick him out.

Maybe he wants the team to like him.

Still is a good idea.

Too sweet.

It is very bad.

But you can drink.

Nerd.

Also a thing done alone
gives more satisfaction. you understand?

One thing you've done
it gives more satisfaction in drinking it.

I understand René who starts with his stories

about this Limoncello.

The important thing is to avoid the white part of the lemon.

just the shell. understood?

Test it.

How are you?

It's good! It is not bitter at all!

Truth?

Whose is it?

From René.

Then I take it to him.

Can I flatter you?

Thank you.

You speak Italian very well!

How long have you been in Italy?

No. no. no. put it down.

Take the light. let it reach my face.

that rejuvenates me. removes wrinkles.

Wrinkles are removed by ...

makeup artist!

No. not because you soften but
you have to be still.

It has to be still!

You can move a little bit.

You see those American movies where they move ...

Yes.

Have you ever seen them?

Still!
-Voucher.

But what are you doing?

René. here almost everyone is drunk!

Ready? Ready? Motor! Let's go!

Excuse me. it was ringing.

It disappears!

I have brought the pearls to the pigs!

Look at these!

We are ready! We are ready!

Yes. hey. the situation is not under control here.

Okay. Arianna. you don't overdo it too!

They are a little "happy" but I don't think they can ...

No no i have a problem
with this close up here

come here a minute.

What happens?

I need to know what he tells me
my mother on the phone.

I don't know. I know you're stumped. Stanis.

213
00:10:49.130 ​​--> 00:10:50.505
Come on. you never cared ...

So far you have made me
some wonderful puzzled faces.

What is the problem?

You know I've been adopted right?
-Yes

You know it's not true?

Yes. yes. I know.

He gives me to drink so we don't think about it anymore!

A drink

Few. but

René seems to have lost

the good mood of the first hours

and he has stopped offering his Limoncello

and today no scene has been recorded yet.

Let's say René doesn't seem
steadfast in command of this ship.

Arianna. hey we gotta kick Stanis out

he is totally drunk. he gives us problems.

There is the scene where he and Ana
they look at each other very intensely.

that we have to record anyway.

We do one thing. we record that.
then we cast Stanis

and we do everything Ana Canestri. eh!

The eyes of the heart 2. 2275 First.

Ciak.

and action!

I desire you.

Stop.

Excuse me. Stanis. this scene is silent.

You just have to look at each other

there will be background music.

What does it look like? This scene doesn't work like that.

I feel like I have to talk

There is no dialogue. this scene does not work like that.

René!

and Ana does not look at me with love!

How do I not look at you with love?

We are cousins! I am your cousin in this scene

we share a grave mourning.

yes?
-Yes.

And what else gives? Can you love me
even though you are my cousin

There is nothing more divine than fucking your cousin!

Biascica. please!

What is the problem?

The problem is that this silent scene
it does not convince me! It does not work.

I am trying ... for example if I
hold her tightly by her arm?

No. no. that the last time I left here

it was full of bruises!

If you touch me I denounce you!

Stanis is totally out!

Hey. what if she stared into your eyes

and she would approach me very slowly and say something like

I want you. bitch ... and then

Well. it can work.

But what?

It's only fair. Stanis. if you need to say this
Say it calm. no problem.

I have to write there
an off-script sentence?

No. no. we leave it. so stop
waste our time

then he says the phrase and we cut it.

Let's see. I say action.
you stare into your eyes

you wait for my signal with your arm
and then you will say that phrase.

Ready?

Motor

The eyes of the heart 2. 2275. second.

Ciak.

Let's see. you will say the phrase when
I wave my arm at you. Stanis.

Action!

I want you. bitch
-Stop!

Good

It was optimal!

Slutty

Arianna. now we shoot the close-up of Ana

and then everyone home. let's go!

Let's see. I have not understood!

Do you kick everyone out two hours early?

Alfredo. today it went like this.

You can pass.

if the actors are not in the mood.

they are not!

I speak with the production. calm down!

It is done! This is Lopez! Let's see...

is he! Now begins "genius! Genius of the '900"

you know how he is!

Diego! Hello!

Nothing. this one has no coverage and keeps calling.

But why doesn't he go to bed since he can?

Always this mailbox!

Well nothing. I wanted to tell you that I'm at this party

from De Laurentiis. look at a boredom.

they are all ugly.

Look. I was thinking of going there

because if I stay a minute
but here I kill myself!

I don't know how you did it
I don't know how it turned out ...

It's good. huh?

It's more...

You like it. huh?
-It drives me crazy!

Here. the last drink!
-I have mine!

Let's see guys. enough already!

Come on Arianna. we have to shoot a close-up

And then we go. come on. have a drink. it's good.

Later later!

Arianna. she's a digestif

Enough already

You do not know what you're missing!
How about this. Itala?

Now we record it

She has gotten angry huh?

Well huh?

Action ... not forgiving!

Already!

I am worried about the Count

Yes. I think so. right?

But you don't worry

you. look ... uh. think about what you want!

and ... come on. we do this and we go.

But why is Stanis still here?
He wasn't finished?

I told her. she doesn't want to leave.

Sorry. are you looking at me wrong?

Have I done something?

No.

No
-Not at all

Why are you looking at me wrong?

I wasn't looking at you ..

he wasn't looking at me

He's not looking at me badly. he said

No
-No

He's not looking at you wrong
-No

He is looking at you with his little face

that asshole face of hers
3. 4. 5
00:16:15.749 --> 00:16:16.614
asshole. good!

That he is judging you

because deep down. he feels like an asshole

Thanks. okay. I understand. fine!

Let's see. can we talk about it outside? You and me?

What do we have to discuss?

Let's talk outside about the fact that I'm hot.

Stanis. if I have disrespected you
I beg your pardon. I didn't want to

I'm hot. I want to go out.

Stanis. is the car out here waiting for you.

take you home. go!

He has done you well. my friend!

This is the car!

Anyway. it doesn't end like this between you and me.

There is the car.
-Yes. there is the car.

Hey. is there a little more to this Limoncello?

You have to tell René that he is very rich.

No. the limoncello is over.

Lopez!

Now we shoot these close-ups
of Ana and we all go home!

From Ana? Who is Diana?

Fuck!

René!

Dear Diego!

Are they recording without you?

No. there are the very efficient guys on my team

are some details

Come come

"livers"

Let's see Diego. you will find them a little off.

tired. you know ...
at night ... tiredness and

Lopez!

Damn. this Lopez!

Where is Lopez?
-Lopez!

Oh Lopez!

Hi Lopez! Lopez!

Let's see. I have to tell you something ...

do you remember that ugly story
of the April extras?

those of "Lebeche"?

Yes.

I don't want them anymore. no problem!

Really? It's good news
I feel relieved.

Let's see guys. all here. together!

I have to tell you about that traveling

We prepare this traveling
-How do we want to do it?

With the binary!

With the binary. fine!

This traveling is going to end

where does it end?
-Where does it start?

About Ana! That she is there.

Ana who has some phrases!

Does Ana have phrases?

Of course she has phrases Ana!

What would traveling be without phrases? Hey Alfredo!

Ah. an emotional!

Very well! An emotional!

Cool! Cool! It is a very television thing!
-That's!

All ready for the emotional traveling.

Perfect. Excuse a moment Diego.

Come here. write me an emotion for Ana

A what?

Four lines of reflection
What you feel like

about what you want. but in a hurry. understood?

Yes Yes!
-Look. I'll throw you off the set if you don't!

I do René.

Itala. could you give me the scene to read?

Hey. I was looking for her too

but I don't know. here's a mess

all who put. leave.
they take away and I can't find it.

I can not find it.

No this! It's not here! I can't find it!

Hey. after the scene I steal a minute from you
that I have to talk to you.

Yes.

Renè ...

Yes. I am going to see how they are doing.

It's just that it's epic. it's almost medieval. that is ...

It is that I carry the coffees. so no ...

But do you understand what is written?

Yes. it is understood. it is a very ...

Do I really have to say this?

Yes. trust me. it will be fine.

Go through that part.

Come on. come on. catch me. motor!

Engine. no. I've already given it a motor ...

Listen to me. to my 3 we go with the emotional

Come on one

Two

Three

When sister countries stop talking

and where there were smiles
they raise threatening weapons.

one against the other

then what we know as

the best angels of coexistence disappear

and leave room for the black knights

of destruction and mourning.

And stop!

How are you?

Nice scene!

very very pretty!

I didn't remember it. but very good!

I have also seen the chapters. great!

So? What do I have to do with you?

As? Tell me what I have to do with you!

What doesn't leave me alone

is that you have it all
to be a great director.

Yes. you are ball.

you know how to manipulate everyone

and you're even nice.

that in this country is fundamental!

You even know how to direct!

But you lack a political protection!

As I do?

But couldn't you make a call?

A call!

It's so easy to make a call!

I had a political protection.
you remember?

Who? Andrea Vetuschi?

Please. that's an asshole!

He has not got what
Will you vote in Forli. please!

You have understood the concept.

see what you can do!

Now I have to go. it's late

you come with me?

No!

I can learn a lot from René

because also since
desperate men

you can learn a lot!

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