Bones (2005–2017): Season 2, Episode 3 - The Boy in the Shroud - full transcript

[Sirens Wailing]

[Chattering] [Steam Hissing]

[Police Radio Chatter]

[Coughing]

HOLY MOTHER OF GOD! MMM! GEEZ!

[Brennan] BOOTH, WHAT
DO WE HAVE HERE?

[Hodgins] BET I KNOW.

THAT'S... [Sniffing] LASAGNA,

FISHY ROTTEN CAT FOOD
AND VULCANIZED RUBBER.

EXCELLENT OLFACTORY
TALENT, HODGINS.

- WHAT HAPPENED?
- WELL, IT'S OBVIOUS, ISN'T IT?



GUY TRIED TO BEAT THE
LIGHT. HE GOT T-BONED.

- WHAT WAS THE SEMI CARRYING?
- AQUARIUM SAND. BUT THAT'S NOT...

NO NATURAL GAS OR PROPANE?
NO EXPLOSION? NO FIRE?

- NO CORROSIVE CHEMICALS.
- WHAT DO YOU NEED ME FOR?

[Saroyan] YOU MIGHT WANT
TO PREPARE YOURSELF.

OR NOT. [Booth] OH, MAN.

OKAY, HOW BAD DOES, UH, GARBAGE GOTTA
STINK TO COVER THE SMELL OF A DEAD BODY?

I THINK THE VICTIM WAS A MINOR.

OKAY. WELL, THEN IF YOU AGREE, THEN
THIS FALLS UNDER F.B.I. JURISDICTION.

IT'S A MALE.

YES. AN ADOLESCENT.

FLATWORMS, NECROPHAGOUS
FLIES AND BEETLES.

YEAH, HE'S BEEN GARBAGE
FOR ABOUT THREE WEEKS.

I DIDN'T MEAN THAT
THE WAY IT SOUNDED.



FRACTURES TO THE CRANIUM,
SPHENOID, AND OCCIPITAL REGIONS.

NECK'S BROKEN. AND
THE FEMUR IS SHATTERED.

FROM THE GARBAGE
TRUCK FLIPPING OVER?

NO. THIS DAMAGE IS MORE
CONGRUENT WITH A FALL.

- WHAT DO YOU GOT?
- IT'S ORGANIC.

WHATEVER IT IS, HE BROUGHT IT
WITH HIM FROM THE CRIME SCENE.

- HOW MUCH OF THIS
ARE YOU GONNA NEED?
- THE WHOLE DISGUSTING SHEBANG.

- [Groans] EVERYTHING?
- EVERYTHING.

[Mumbles]

HE WAS WRAPPED IN A SHROUD?

ANGELA'S ANALYZING THE
STAINS ON THE CLOTH...

WHILE HODGINS FIGURES
OUT WHAT THEY'RE MADE OF.

NO FINGER PADS LEFT FOR PRINTS.
HOW ARE WE ON DENTAL RECORDS?

F.B.I.'s ON IT.

MULTIPLE SHARDS OF LEADED GLASS
EMBEDDED IN THE REMAINING TISSUE.

MASSIVE CONTUSIONS CONGRUENT
WITH A SWAN DIVE ONTO A HARD SURFACE.

AND TAKE A LOOK
AT THE UPPER SPINE.

WEIGHTED IMPACT AGAINST
THE, UH, SCAPULA AND CLAVICLE.

- HE WAS STRUCK?
- YES, BUT NOT HARD ENOUGH
TO KILL.

PRIVATE GARBAGE HAULER. THEY
AREN'T REAL STRICT ABOUT THEIR ROUTES.

DRIVER SAYS HE CAN'T BE SURE
WHERE HE PICKED THE VICTIM UP.

NO VISIBLE TATS OR TRACK
MARKS. YOU SOUND SURPRISED.

WELL, IT'S PRETTY OBVIOUS, BONES.
IT'S EITHER A JUNKIE OR A HUSTLER.

WHY MAKE THAT ASSUMPTION?

NOT MANY KIDS FROM THE SUBURBS
END UP RIDING IN GARBAGE TRUCKS.

FUN FACTOID FROM THE
FRONT LINES. [Angela] HEY, GUYS.

WANT TO SEE SOMETHING COOL?

I ASSUME YOU'RE ALL FAMILIAR
WITH THE SHROUD OF TURIN.

IMAGE OF CHRIST'S FACE ON
THE INSIDE A BURIAL CLOTH.

RIGHT. BOOTH'S A
GOOD CATHOLIC BOY.

IT WAS REVEALED TO BE A
HOAX. [Booth] IT WASN'T A HOAX.

[Chuckles] OKAY. WHATEVER
YOU WANT TO BELIEVE.

THIS IS NO HOAX.

ON THE FABRIC COVERING
JOHN DOE'S SKULL,

THERE ARE TISSUE STAINS AROUND THE
EYE SOCKETS, THE NOSE, AND THE MOUTH.

THIS IS ESSENTIALLY A PHOTO
NEGATIVE OF HIS FEATURES.

ARE YOU SAYING YOU HAVE
ENOUGH TO ASSEMBLE A FACE?

[Computer Beeping] I CALL IT
THE SHROUD OF MONTENEGRO.

I USED COMPUTER TOMOGRAPHY...

TO CREATE X-RAY SLICES OF THE
UNDERLYING FACIAL ARCHITECTURE.

SELECTIVE LASER CENTERING
ALLOWED ME TO MAP UNIMPRINTED AREAS.

SKIN TONE AND HAIR COLOR WERE
EXTRAPOLATED BASED ON DR. SAROYAN'S DATA.

I'M NO EXPERT, BUT HE SURE
DOESN'T LOOK LIKE A STREET KID.

I'M RUNNING OUR FACIAL
RECONSTRUCTION...

THROUGH THE CENTER FOR MISSING
AND EXPLOITED PERSON DATABASE.

- THAT'S A LOT OF MISSING KIDS.
- [Brennan] THESE ARE JUST THE LOCALS.

[Booth] LET'S HOPE WE DON'T HAVE TO GO
NATIONAL. [Saroyan] NARROW THE SEARCH...

TO STREET KIDS IN
THE FOSTER SYSTEM.

WHY?

BECAUSE STATISTICALLY, THAT'S
WHERE THIS BOY COMES FROM.

IT'S FAR TOO EARLY TO
START NARROWING OUR FOCUS.

RUNAWAYS, STREET
KIDS, FOSTER SYSTEM.

DR. SAROYAN'S THE BOSS.

I'VE AUTOPSIED A LOT OF DEAD KIDS... CAR
ACCIDENTS, DRUG OVERDOSES, DROWNINGS.

FINE. IT'S A BROAD SEARCH.

KID IN A DUMPSTER... IT'S A RUNAWAY,
STREET KID OR FOSTER SYSTEM.

CAM'S RIGHT, BONES.

GOT IT. DYLAN CRANE, 17.

THIS IS WHY I WAS APPOINTED THIS JOB,
DR, BRENNAN... TO STREAMLINE THE PROCESS.

HONOR STUDENT FROM A NICE
NEIGHBORHOOD IN ALEXANDRIA. OOPS.

HE DISAPPEARED THREE WEEKS AGO
WITH HIS GIRLFRIEND, KELLY MORRIS,

WHO IS IN THE FOSTER SYSTEM.

GOOD.

THERE WE GO. I GUESS YOUR
FIRST MOVE IS TO FIND KELLY MORRIS.

NO, THE FIRST MOVE IS TO INFORM THE
CRANES THAT WE JUST FOUND THEIR SON.

ARE YOU POSITIVE? WE DON'T NEED
TO IDENTIFY HIM? TO MAKE SURE, I MEAN?

I NEED TO SEE MY
SON. YOU UNDERSTAND?

MR. AND MRS. CRANE, I
REALIZE THIS IS VERY HARD.

BUT THE REASON WHY WE ASKED
YOU TO COME TO THE JEFFERSONIAN...

I'M A FORENSIC ANTHROPOLOGIST.

I DON'T UNDERSTAND
THE SIGNIFICANCE OF THAT.

I'M CALLED IN WHEN A VICTIM IS
TOO DECOMPOSED TO IDENTIFY.

OH, GOD.

I WAS ABLE TO IDENTIFY DYLAN
BEYOND THE SHADOW OF A DOUBT.

I'M SORRY. THAT'S DYLAN.

- HOW DID HE DIE?
- HE FELL...

FROM A HEIGHT OF
APPROXIMATELY 50 FEET.

SUICIDE?

IS THERE ANY REASON TO BELIEVE
THAT YOUR SON WAS DESPONDENT?

DYLAN? NO.

HE WAS A SMART, HAPPY KID.

PROBLEMS AT SCHOOL?

YOU KNOW, UH, SPENDING TOO MUCH
TIME ON THE INTERNET? ANYTHING LIKE THAT?

HIS WHOLE LIFE CENTERED AROUND
THIS GIRL THAT HE WAS SEEING.

WAS THIS KELLY MORRIS?

YES. I SUPPOSE YOU READ
THE MISSING PERSONS REPORT.

SO YOU KNOW KELLY'S
IN A FOSTER SITUATION?

HAVE YOU SEEN HER
SINCE DYLAN DISAPPEARED?

- NO.
- TO BE HONEST, WE WERE HOPING
THEY RAN AWAY TOGETHER.

- WHY WOULD THEY DO THAT?
- WE TOLD DYLAN
TO STOP SEEING HER.

WHY?

DYLAN MET HER AT HARBOR PLAZA
WHERE THE STREET KIDS HANG OUT.

DYLAN WAS GETTING
READY TO GO TO M.I.T.

SHE'S ALREADY DROPPED
OUT OF HIGH SCHOOL.

THE LIFE WE PROVIDED DIDN'T
PREPARE HIM FOR A GIRL LIKE KELLY.

- YOU MEAN A FOSTER CHILD?
- BONES.

WHATEVER HAPPENED TO MY SON,
IT HAPPENED BECAUSE OF KELLY.

WE'RE GOING TO FIND HER, AND
WE'RE GOING TO TALK TO HER.

DR. BRENNAN, I CAN SEE THAT YOU
THINK THAT WE'RE BEING HARD ON KELLY.

BUT MY SON...

MY SON WAS A GOOD KID WITH
HIS WHOLE LIFE AHEAD OF HIM.

KELLY MORRIS'S FOSTER MOTHER'S
GONNA MEET US IN MY OFFICE.

OKAY.

SHE SAYS KELLY TOOK OFF A COUPLE
WEEKS AGO WITH MOST OF HER BELONGINGS.

[Sighs]

YOU OKAY, BONES?

I WAS A FOSTER CHILD.

YEAH, I KNOW.

DID PEOPLE ALWAYS
ASSUME THE WORST OF ME?

[Sighs] YOU KNOW, I KNOW
THAT YOU HATE PSYCHOLOGY.

BUT THOSE PEOPLE...
THEY JUST LOST THEIR SON.

THEY NEED TO BLAME SOMEONE.

[Woman] POOR DYLAN.
HE WAS A GOOD KID.

HE WAS A GOOD
INFLUENCE ON KELLY.

TRYING TO GET HER BACK INTO
SCHOOL. AND HE WAS GOOD TO ALEX.

TREATED HIM JUST
LIKE A LITTLE BROTHER.

TO THE BEST OF YOUR KNOWLEDGE,
WERE KELLY AND DYLAN SEXUALLY ACTIVE?

OH, I KNOW THEY WERE.

I'M AFRAID I CAUGHT
THEM IN KELLY'S BEDROOM.

AND I HAD TO FORBID KELLY TO BRING
DYLAN INTO THE HOUSE AFTER THAT.

- WHY?
- IT'S THE RULES.

THEY'RE UNDERAGE, AND
KELLY'S A WARD OF THE STATE.

AND I KNEW THAT IT MIGHT FORCE DYLAN AND
KELLY TO FIND OTHER PLACES TO BE TOGETHER.

YOU KNOW, TO FEED INTO THEIR
OWN, UH, ROMEO AND JULIET FANTASY.

BUT ALEX LIVES IN THE
HOUSE, TOO, AND HE'S ONLY 12.

- KELLY AND HER BROTHER,
ARE THEY CLOSE?
- VERY CLOSE.

THEIR PARENTS WERE KILLED IN
A HOTEL FIRE FOUR YEARS AGO.

THEY HAD NO FAMILY. THEY
WERE PUT INTO THE SYSTEM.

I'VE HAD THEM FOR A
LITTLE OVER A YEAR.

THAT'S A PRETTY GOOD
RUN FOR A FOSTER KID,

ESPECIALLY A BROTHER AND A
SISTER WHO WANT TO BE TOGETHER.

YES.

WHAT?

I'M NOT CERTAIN HOW MUCH
LONGER I CAN KEEP THE BOTH OF THEM.

I HAVE DIABETES. AND I DON'T
HAVE THE ENERGY THAT I USED TO.

AND KELLY IS A REAL HANDFUL.

I'VE ASKED CHILDREN'S SERVICES
TO LOOK FOR ALTERNATIVES.

- DID KELLY KNOW?
- YES. I TOLD HER.

[Boy] DID THEY
FIND KELLY OR NOT?

NO, ALEX. BUT THEY FOUND DYLAN.

IS HE ALL RIGHT?

I'M-I'M AFRAID NOT.

DYLAN IS DEAD.

DO YOU KNOW
WHERE KELLY IS, ALEX?

- NO.
- KELLY COULD BE IN DANGER.

I DON'T KNOW WHERE SHE IS.

SHE HASN'T CALLED ME OR ANYTHING.
DO YOU THINK SHE'S DEAD TOO?

NO. MM-MMM. YOU KNOW,
I'M GONNA FIND YOUR SISTER,

AND I'M GONNA BRING
HER BACK HERE TO YOU.

REALLY?

MMM, ABSOLUTELY.
THIS IS THE F.B.I., BUDDY.

WERE YOU LYING TO THE BOY? DO YOU
REALLY THINK KELLY MORRIS IS STILL ALIVE?

I DON'T KNOW. YOU DON'T
KNOW IF SHE'S ALIVE?

I DON'T KNOW IF I WAS LYING. I REALLY
DON'T HAVE A READ ON THE SISTER YET.

I MEAN, WAS SHE A BAD
GUY? WAS SHE A VICTIM?

DO YOU HAVE A READ
ON DYLAN CRANE?

OH, YEAH. HE HAD THAT WHOLE ADOLESCENT
SAVIOR COMPLEX THING GOING ON BIG TIME.

- SAVIOR COMPLEX?
- YEAH, TEENAGE BOYS
LOVE NOTHING MORE...

THAN THE IDEA OF SAVING
THE DAMSEL IN DISTRESS.

- HOW DO YOU KNOW?
- WELL, 'CAUSE I WAS, YOU KNOW... I WAS A TEENAGE BOY.

HEY. D.N.A. FROM THE TISSUE
UNDER THE VICTIM'S FINGERNAIL.

FEMALE. AND THERE'S NAIL
POLISH IN THE GOUGES ON HIS ARM.

IT WASN'T NECESSARILY
FROM THE MURDER.

THEY WERE SEXUALLY ACTIVE.
SHE MIGHT'VE SCRATCHED HIM.

NOPE. HODGINS ALSO FOUND
OXIDIZED IRON IN THE SCRATCHES.

- OXIDIZED IRON. WHAT'S THAT?
- [Saroyan, Brennan] RUST.

- WHY DIDN'T YOU JUST SAY RUST?
- WELL, SHE SAID IT.

THE SAME OXIDIZED IRON FOUND ON
THE VICTIM'S UPPER BACK AND SHOULDER.

PROBABLY LEFT BEHIND BY
THE WEAPON THAT STRUCK HIM.

SO HE WAS HIT WITH WHAT, A RUSTY
PIPE? THAT'S A REASONABLE ASSUMPTION.

OH, SO DYLAN TELLS THE
GIRLFRIEND THEY'RE BREAKING UP.

SHE WHACKS HIM ACROSS THE CAROTID
WITH A PIPE. PUSHES HIM OUT THE WINDOW.

EXACTLY. WHAT?

WHAT'S WITH THE STINK
EYE? IT'S JUST A THEORY.

THERE WAS CHEAP NAIL POLISH IN
THE BOX OF KELLY'S BELONGINGS.

YOU SHOULD SEE
IF THERE'S A MATCH.

FIND SOME HAIR. MATCH
THE D.N.A. ON THAT.

THEN GET STARTED ON THE,
UH, MURDER WEAPON. YEAH.

WHERE YOU GOING?

I THOUGHT BEFORE WE ARREST
KELLY MORRIS FOR MURDER...

BASED SOLELY ON THE FACT
THAT SHE'S A FOSTER KID,

WE MIGHT WANT TO FIND THE PLACE
WHERE DYLAN CRANE ACTUALLY DIED.

POINT OF FACT, THE PIPE, IF THAT'S EVEN
WHAT IT WAS, WAS NOT THE MURDER WEAPON.

THE EVIDENCE, IF ANYBODY CARES,
SHOWS THAT DYLAN CRANE DIED FROM A FALL.

[Whistles]

NO COMPRESSION FRACTURES
TO THE ULNA OR PHALANGES.

SO HIS ARMS WEREN'T
OUTSTRETCHED OR ACROSS HIS FACE.

WHICH MEANS HE WASN'T
BRACING FOR IMPACT.

SUGGESTING HE WAS UNCONSCIOUS
BEFORE HE WENT OUT THE WINDOW.

PERHAPS FROM BEING
STRUCK BY THE RUSTY PIPE?

- [Grunts] DON'T YOU START.
- START WHAT?

- WE DON'T KNOW WHAT
HE WAS STRUCK WITH YET.
- I ANALYZED THE IMPACT DAMAGE,

AND THE WEAPON WAS A CYLINDER
APPROXIMATELY TWO INCHES IN DIAMETER.

THAT, PLUS THE OXIDATION RESIDUE,
SUGGESTS, IN THE VERNACULAR, A RUSTY PIPE.

GOOD. IF YOU TELL ME THAT, I GET
IT. IT'S EMPIRICAL, NOT GUESSWORK.

THAT WHICH WE CALL A ROSE BY ANY
OTHER NAME WOULD SMELL AS SWEET.

ROMEO AND JULIET,
ACT 2, SCENE 2,

THE QUOTE CONSIDERED TO MOST APTLY DESCRIBE
THE CENTRAL CONFLICT OF THE PLAY...

WHICH I TOTALLY
DO NOT UNDERSTAND.

THE FLOWER IN DYLAN'S HAND
WAS A ROSEA CALYX... A ROSEBUD.

YOU DO NOT SMELL LIKE A ROSE.

I'VE BEEN SIFTING THROUGH TWO TONS OF
GARBAGE, WHICH YOU SHOULD ASK ME ABOUT.

ASK WHAT EXACTLY?

POULTRY SKIN LOADED WITH
GARLIC AND CHIVES, RED BEETS,

EMPTY IMPORTED VODKA BOTTLES,
AND TRACES OF OSETRA FISH EGGS.

PUT 'EM TOGETHER
AND WHERE ARE WE?

ANYONE?

BOOTH SHOULD CHECK THE GARBAGE
TRUCK ROUTE FOR A RUSSIAN RESTAURANT.

[Vehicles Passing] WHOA,
OKAY. HORRIBLE AREA.

BUT ON THE UPSIDE, ONLY ONE
RUSSIAN RESTAURANT AND NO STARBUCKS.

YOU KNOW, NO ONE WE'VE TALKED TO
HAS RECOGNIZED EITHER KELLY OR DYLAN.

HEY, WE COULD ASK THEM. WHY?

BECAUSE THEY SHARE THE SAME UNIQUE
SOCIOCULTURAL IDENTIFIERS AS KELLY MORRIS.

YOU MEAN LIKE
TEENAGERS? YEAH, EXACTLY.

NO, YOU KNOW WHAT? THEY WILL MELT
AWAY BEFORE WE GET HALF A SENTENCE OUT.

RIGHT. YOU JUST WATCH. OKAY.
BUT, HEY, YOU KNOW, WHAT DO I KNOW?

I'VE ONLY BEEN WORKING THE
STREETS MY WHOLE CAREER. EXCUSE ME?

EXCUSE ME? HELLO.

- HI. I'M AN ANTHROPOLOGIST. I'M NOT A COP.
- THAT'S MOST DEFINITELY A COP.

THANK YOU. SEE? THEY'RE
VERY COOPERATIVE, AREN'T THEY?

BOOTH, PLEASE... THERE THEY GO.

OH, EXCUSE ME. WAIT, WAIT, WAIT.

WILL YOU JUST TAKE A LOOK AT THESE PICTURES
AND TELL ME IF YOU RECOGNIZE ANYONE?

GIVE ME FIVE BUCKS,
AND I'LL TELL YOU.

FIVE BUCKS. BOOTH, PLEASE.

HERE YOU GO.

SO WHO IS IT?

IT'S HIS SISTER. BUT
HOLD IT THIS WAY, RIGHT?

'CAUSE THE ONLY TIME ANYONE
EVER SEES HIS SISTER IS ON HER BACK.

YEAH. I'M ASSUMING
THIS ISN'T YOUR SISTER?

- NO, IT IS!
- OKAY, I'D LIKE MY MONEY BACK.

[Booth] WELL,
THERE THEY GO. BYE.

MM-HMM. THAT REALLY
WORKED, NOW, DIDN'T IT, HUH?

GREAT.

THEY JUST TOOK MY
MONEY FOR NOTHING.

WELL, YOU KNOW, THAT'S BECAUSE THEY'RE
EXPLOITED, YOU KNOW, MISUNDERSTOOD.

[Booth] OH, YOU GOTTA
BE KIDDING ME, HUH?

I MEAN, THEY COULD AT LEAST WAIT
UNTIL MY BACK IS TURNED, RIGHT? WHAT?

F.B.I. HANDS IN THE AIR. COPS!

THERE'S NO PROBLEM HERE!
NO PROBLEM AT ALL. KATIE!

I'LL COVER YOU. GO SEE
WHAT THEY'RE DEALING, BONES.

I HATE THIS PART WHERE YOU STAND
WITH A GUN AND I HAVE TO DO THE LOOKING.

BONES, I GOT YOU
COVERED. JUST GO.

WHAT ARE YOU SELLING?

WHAT DO THEY GOT THERE,
BONES? WHAT DO YOU GOT, HUH?

IBUPROFEN, UH, MULTIVITAMIN.

I THINK THESE ARE
SANDWICHES. AND CONDOMS.

[Man] FRANNY AND I HAVE
BEEN DOING THIS FOR YEARS.

[Franny] SANDWICHES,
CLOTHING, VITAMINS.

SOME BASIC HYGIENE
SUPPLIES FOR HOMELESS KIDS.

YOU MUST BE REALLY EMBARRASSED. HEY, YOU KNOW
WHAT? IT WAS SUSPICIOUS BEHAVIOR, ALL RIGHT?

AND BESIDES, IT'S NOT LIKE
THEY'RE... ARE YOU SOCIAL WORKERS?

- NOPE.
- THEY AREN'T SOCIAL WORKERS.

THEY'RE GOOD SAMARITANS.
WELL, I APOLOGIZED, OKAY?

DO YOU KNOW HOW LONG IT
TAKES TO GAIN TRUST AROUND HERE?

MAKE A SCENE LIKE THIS, AND THESE
KIDS WON'T TALK TO US FOR WEEKS.

OH, GOOD. MAYBE YOU COULD DO US A
FAVOR IN RETURN. SHOW HIM THE PICTURE.

WE'RE LOOKING FOR
SOMEONE. A GIRL.

- DYLAN AND KELLY.
- YEAH. THAT'S RIGHT.

- WE HAVEN'T SEEN 'EM AROUND HERE
IN A COUPLE OF WEEKS.
- DYLAN IS DEAD.

WE FOUND HIM IN A GARBAGE
TRUCK THAT SERVICES THIS AREA.

- MY GOD. WHAT HAPPENED?
- THAT'S WHAT WE'RE TRYING
TO FIGURE OUT.

WAREHOUSE.

YEP. COME WITH US.

WHAT IS THIS PLACE? A SQUAT.

EVERY ONE OF THESE OLD FACTORIES
HOUSES JUNKIES AND SQUATTERS.

YEAH, AND KIDS WITH
NOWHERE ELSE TO GO.

WHAT'D THIS BUILDING USED TO BE?

PLUMBING SUPPLY, I THINK. PIPES.

BONES. DYLAN, RIGHT?

IT'S OBVIOUSLY A KIND OF SHRINE.

IT'S SOMETHING THE KIDS DO FOR
EACH OTHER WHEN SOMEBODY DIES.

STILL COULD BE TRACES OF DYLAN'S BLOOD ON
THE CONCRETE. I'LL CALL THE CRIME SCENE UNIT.

- TELL THEM TO START
ON THE FIFTH FLOOR.
- WHY?

BECAUSE THE INJURIES
SHOW THAT'S HOW FAR HE FELL.

- [Glass Shatters]
- [Boy Grunts]

HEY! HEY, HEY, HEY, HEY!
THAT'S DYLAN'S SCHOOL JACKET!

WE'RE NOT GONNA
HURT YOU! [Groans]

OKAY. I HURT YOU A LITTLE BIT,

BUT THAT'S ONLY BECAUSE YOU RAN.

YOU CAN'T ASK ME NOTHING WITHOUT A
SOCIAL WORKER PRESENT. I KNOW MY RIGHTS.

I'M NOT QUESTIONING YOU.
WE'RE JUST... WE'RE TALKING, OKAY?

HERE, WANT SOME GUM?

YEAH, LIKE THAT'S GONNA
MAKE ME TRUST YOU.

YOU KNOW, I'M JUST
ASKING YOUR NAME.

[Man] SERGEANT
ROBERTS IS UP TOP. "C."

- DOES THAT STAND FOR ANYTHING?
- CARTER.

I'M NOT SAYING IF THAT'S
MY FIRST OR MY LAST NAME.

- WHY'D YOU RUN?
- BECAUSE THIS LADY
WAS CHASING ME.

BECAUSE YOU RAN.
YEAH. IT'S A BRAIN TWISTER.

YOU KNOW, THAT SWEATSHIRT YOU'RE WEARING
BELONGS TO A KID BY THE NAME OF DYLAN CRANE.

- NEVER HEARD OF HIM.
- WHERE'D YOU GET IT?

I'M DONE WITH THE HOODIE.
YOU GUYS CAN HAVE IT.

WHAT'S WITH THE NAMES ON THE INSIDE OF
YOUR FOREARM THERE? WHAT DOES THAT MEAN?

GUYS I KILLED.

IT'S A LIST OF FOSTER HOMES.
ONES THAT THREW HIM OUT.

SOMETIMES GETTING
THROWN OUT'S THE BEST...

IT'S THE BEST THING
THAT CAN HAPPEN. I KNOW.

YOU WERE IN THE SYSTEM?

BOOTH, THE SUNGLASSES? THEY'RE THE SAME ONES
THAT DYLAN WAS WEARING IN THE PHOTOGRAPH.

THESE, HUH? TOP OF THE LINE.
HOW CAN YOU AFFORD THESE?

YOU DON'T WANT TO
KNOW. CAN I GO NOW?

NO. CHILD SERVICES
IS ON THE WAY.

I TELL YOU SOMETHING,
YOU LET ME GO?

TRY ME. YOU WANT TO KNOW WHAT
HAPPENED TO DYLAN AND KELLY?

CHECK OUT THE SANDWICH PERVS.

FRAN DUNCAN'S CLEAN. GREAT
RECORD IN THE COMMUNITY.

BUT KEVIN DUNCAN? THE KID
GOT IT RIGHT. I MEAN, HE'S A PERV.

INSIDE THREE TIMES ON
"SOLICITATION OF MINOR" CHARGES.

BOYS OR GIRLS? GIRLS.
HE'S A TRADITIONALIST.

[Sighs] SO, HE WENT AFTER KELLY.

THE WHITE KNIGHT FROM THE SUBURBS
STEPS IN, GETS CONKED WITH A PIPE...

AND TOSSED OUT THE WINDOW.
AND KELLY GOES INTO HIDING.

UNLESS HE GOT HER TOO. SO
WHAT DO YOU WANT TO DO NEXT?

HMM. THAT'S UP TO CAM, ISN'T IT?

NO, BONES, I ASKED YOU.
WHAT DO YOU WANT TO DO?

I THINK...

I THINK WE SHOULDN'T CLOSE
OFF ANY AVENUE OF INVESTIGATION.

WE STAY ON ALL THE EVIDENCE
AND SEE WHERE IT LEADS US.

LIKE WE DID BEFORE CAM.

OKAY.

DO YOU HAVE A LIST LIKE CARTER?

OF FOSTER FAMILIES THAT DIDN'T
WORK OUT? YEAH. WE ALL DID.

- I WROTE MINE ON
THE BOTTOM OF A SHOE.
- OH.

YOU KNOW, THEY SAY WITH FOSTER KIDS,
THEY'RE REALLY HARD ON THEMSELVES.

THEY?

YEAH, EXPERTS,
PSYCHOLOGISTS, LIKE THAT.

APPARENTLY, FOSTER KIDS FEEL
SO ALONE IN THIS MEAN WORLD,

THEY LOSE THAT KNACK
OF TRUSTING OTHER PEOPLE.

YOU MEAN AT WORK?

UH, EVERYWHERE. YOU
KNOW, WEIGHT OF THE WORLD.

IT'S... IT'S PROFOUND.

THEY SAY THAT THEY HAVE A HARD
TIME LETTING THEMSELVES OFF THE HOOK.

THEY... THEY GROW UP
WITH CONTROL ISSUES.

ARE YOU TELLING ME
SOMETHING, BOOTH? NO.

I'M JUST SAYING IT'S SOMETHING TO KEEP IN
CONSIDERATION WHEN WE CATCH UP WITH KELLY MORRIS.

OKAY.

IF YOU DECIDE TO TAKE SOME OTHER
WISDOM OUT OF IT, NONE OF MY BUSINESS.

HOW CAM AND I GET ALONG
IS NONE OF YOUR BUSINESS.

YEAH, RIGHT. WHICH I JUST SAID.

SAID JUST THEN...
NONE OF MY BUSINESS.

[Computer Beeping]

IS THERE ANYTHING I CAN DO?

HEY, THIS SCHEMATIC
IS GREAT, ANGELA.

ALL THE PIPES ARE
NUMBERED AND LOCATED.

MEANWHILE, I HAVE
HUNDREDS OF RUST SAMPLES...

AND I'VE COVERED, MMM, MAYBE
A QUARTER OF THE CRIME SCENE.

[Groans] YEAH.

ON THE GOOD SIDE, THAT IS DEFINITELY
THE WINDOW DYLAN CRANE EXITED AS HE FELL.

LEADED GLASS IS A MATCH.

IT'S A STRANGE PLACE FOR
TWO PEOPLE IN LOVE TO END UP.

WHAT? A FORENSICS LAB?

NO. A SQUAT IN AN
ABANDONED PIPE FACTORY.

RIGHT. YES. RIGHT.

WHAT WERE YOU TALKING ABOUT?

JUST CAM AND BOOTH, YOU
KNOW, OF COURSE. OH, YEAH.

GIVEN THEIR...
THEIR HISTORY. MMM.

TENSION, PARTY OF TWO.

GREAT. GREAT.

[Groans] OKAY.

ALL MY MISTAKES WERE
MADE BEFORE I MET FRAN.

THEN I FELL IN LOVE. LOVE
CHANGES EVERYTHING.

YOUR WIFE KNOW ABOUT
THESE MISTAKES? OF COURSE.

WE HAVE NO SECRETS. I GOT
COUNSELING. I'M STILL IN COUNSELING.

I'M OUT THERE ON THE STREET
MAKING AMENDS EVERY DAY.

PASSING OUT SANDWICHES AND
ASPIRIN AND CONDOMS TO STREET KIDS?

YEAH. I HAVE NO DIRECT CONTACT
WITH THE KIDS. FRAN DOES.

I MAKE THE SANDWICHES.

I DRIVE. INSURE MY WIFE'S SAFETY.
THAT'S A TOUGH PART OF TOWN.

AND YOUR PAST
IS ALL IN THE PAST?

NO. THAT'S WITH ME EVERY DAY.

YEAH.

MIRANDA TYLER, SUSAN
PRICE, LAURA COSTELLO.

ALL THESE GIRLS SAY THAT YOU TRADED
SANDWICHES FOR SEX IN THE PAST SIX MONTHS.

WELL, THEY'RE
STREET KIDS. THEY LIE.

YEAH. THESE GIRLS CAME ON TO ME.

AND THEY WANTED MONEY.

WHEN I REJECTED
THEM, THEY GOT ANGRY.

WE CATCH UP TO KELLY MORRIS,
IS SHE GONNA SAY THE SAME THING?

HAIRBRUSH FROM KELLY'S
ROOM PROVIDED HER D.N.A.

THE NAIL POLISH FROM
HER ROOM ALSO MATCHES...

THE NAIL POLISH WE FOUND IN THE
SCRATCH MARKS ON THE VICTIM'S ARM.

IT DOESN'T MEAN SHE
PUSHED HIM OUT THAT WINDOW.

IF HE FINDS IT, AND IT MATCHES THE
RUST FOUND IN THE SCRATCH MARKS,

THEN WE CAN TIE KELLY TO
THE WEAPON. OH, YOUNG LOVE.

YOU POUR YOUR SOUL OUT
TO SOME PIMPLE-FACED JOCK...

WITH A GREAT BODY AND THE
EMOTIONAL MATURITY OF AN 11-YEAR-OLD...

ONLY TO GET YOUR HEART BROKEN
IN THE BACK OF A RED CAMARO.

REMEMBER THAT FIRST
SLOW DANCE? OH, GOD.

- SOME HORRIBLE POWER BALLAD.
- OH, THAT SPECIAL BOY
WITH A PIPE IN HIS POCKET.

OH, GOD. LEWIS COLE.

MMM. HE WAS A DRUMMER.
HE HAD THIS HAIR. IT WAS...

WAIT. EXCUSE ME? MARCHING TO THE
BEAT OF A DIFFERENT DRUMMER HERE.

I'D LIKE HODGINS TO IDENTIFY THE SPECIES
OF ROSE FOUND IN DYLAN CRANE'S HAND.

- WHAT CAN THAT POSSIBLY TELL US?
- I WON'T KNOW
UNTIL HE IDENTIFIES IT.

I'D PREFER HE KEEP LOOKING FOR THE PIPE.
IT COULD HAVE KEVIN DYLAN'S D.N.A. ON IT.

WHICH WILL PROVE ONLY THAT KEVIN DUNCAN
STRUCK DYLAN, NOT THAT HE KILLED HIM.

I WANT HODGINS ON THAT
ROSE. IT'S MY CALL. NO.

[Sighs] I CAN'T WORK LIKE THIS.

ARE YOU TELLING ME I SHOULD START
LOOKING FOR YOUR REPLACEMENT?

DR. SAROYAN, I DON'T WANT TO
BE OVERLY DRAMATIC OR ANYTHING.

BUT IF YOU LOSE
BRENNAN, YOU LOSE US ALL.

REALLY? REALLY.

AND BOOTH TOO.

IN THE INTERESTS OF THIS INVESTIGATION,
I'M GOING TO DEFER TO YOU, DR. BRENNAN.

- THANK YOU.
- THANK YOU.

BUT I WILL START THE SEARCH
FOR YOUR REPLACEMENT.

[Man] AGENT BOOTH? YEAH?

THIS YOUNG MAN SAYS HE HAS
INFORMATION HE WON'T TELL ANYONE BUT YOU.

ALL RIGHT. THANKS, I GOT IT.

COME ON IN, ALEX. HAVE A SEAT.

[Sighs]

YOU WANT A COKE OR ANYTHING? NO.

YOU A BIG SHOT?
[Scoffs] UH, YEAH.

LOOK AT THAT, HUH? SPECIAL
AGENT IN CHARGE SEELEY BOOTH.

SO HOW'D YOU GET HERE? BUS.

KELLY CALLED ME ON THE
PHONE. WHAT'D SHE SAY?

THAT SHE'S OKAY.

AND THAT WE'LL BE
TOGETHER... SOON.

DID SHE SAY WHERE SHE WAS?

DID SHE KNOW ABOUT
DYLAN? ABOUT BEING DEAD?

YEAH. SHE COULDN'T
STOP CRYING ABOUT IT.

SHE HAD TO HANG UP.

I THINK SHE'S LYING.

I THINK SHE'S NEVER
COMING BACK. [Sniffles]

HEY, IT'S OKAY, ALEX. ALL RIGHT?

EVERYTHING'S GONNA BE OKAY.

[Crying] I THINK I'M
ALL ALONE NOW.

NO. HEY, LOOK.

HEY, MAN, YOU'RE NEVER
GONNA BE ALONE, OKAY?

ALL RIGHT, WE KNOW FOR
CERTAIN THAT KELLY IS ALIVE.

AND I PROMISE. WE'RE
GONNA FIND YOUR SISTER.

OKAY? ALL RIGHT.

LET'S GET OUT OF HERE.
I'LL GIVE YOU A RIDE HOME.

I GOT YOUR CALL. IT WAS
URGENT. WHY DIDN'T YOU ANSWER?

I WAS BUSY. WHAT'S SO IMPORTANT?

KEVIN DUNCAN. SINGLE
GUNSHOT WOUND TO THE CHEST.

YOU'RE JUST IN TIME
FOR THE AUTOPSY.

FEELING QUEASY, ZACK?

I'M NOT USED TO BODIES LOOKING
SO MUCH LIKE ACTUAL HUMAN BEINGS.

[Saw Whirring]

[Bone Cracking] [Groans]

SINCE THIS MAN WAS JUST KILLED
AND THERE'S PLENTY OF FLESH,

HOW IS MY PRESENCE BENEFICIAL?

[Bone Cracking]

THE NUMBER SIX RIB.

THE BULLET PASSED THROUGH HIS VITAL
ORGANS AND LODGED IN THE REAR CURVATURE.

GET IT OUT.

SO, YOU'RE THINKING THE PERV KILLS
ROMEO AND JULIET KILLS THE PERVERT.

STREET-SMART KID LIKE KELLY MORRIS
WOULD HAVE NO TROUBLE GETTING A GUN.

MM-HMM.

BOOTH, IF DR. BRENNAN
WERE TO QUIT...

- WHAT?
- IF SHE WERE TO LEAVE
THE JEFFERSONIAN...

WELL, THE SQUINTS WOULD FLEE THIS
INSTITUTION LIKE THE FRENCH ARMY.

AND YOU? WELL, I
DO AS I'M ORDERED.

[Scoffs] NO, YOU DON'T, SEELEY.

OKAY, HERE WE GO.
WHAT'S GOING ON, CAMILLE?

WHAT IF I FIRED HER?
WHAT WOULD YOU DO?

I'M WITH BONES,
CAM. ALL THE WAY.

DON'T DOUBT IT FOR A SECOND.

MEET THE ENGLISH ALBA ROSE.

CLIMBING VARIETAL.
NONEXISTENT IN THE UNITED STATES.

SOME SAY IT WAS THE ROSE BY ANY
OTHER NAME SHAKESPEARE WROTE ABOUT.

AND WE GIVE A RAT'S ASS BECAUSE?

IT'S WHAT DYLAN CRANE WAS
CLUTCHING IN HIS COLD, DEAD HAND.

SO, WHAT? HE WAS
KILLED BY HAMLET?

WRONG PLAY.

IT'S MORE LIKELY HE PAID A VISIT TO THE ROSE
WING OF THE UNITED STATES BOTANIC GARDEN.

WHEN IT COMES TO BUGS, SLIME,
CRUD, AND COMPOST, YOU'RE THE MAN.

[Chuckles] LOOK, CAM.

MAYBE YOU JUST GOT OFF ON THE WRONG
FOOT WITH THIS CASE WITH BRENNAN...

BECAUSE, UH, SHE
WAS A FOSTER KID.

OH. [Sighs] WHY
DIDN'T SHE TELL ME?

SHE DOESN'T DO THAT.
[Clears Throat] EXCUSE ME.

OH, BY THE WAY, I DIDN'T
JUST TELL YOU THAT.

[Hodgins] UNITED STATES BOTANIC
GARDEN FALLS UNDER THE SUPERVISION...

OF THE ARCHITECT OF THE
CAPITOL. I REALLY DON'T CARE.

THE ARCHITECT IS
ALSO RESPONSIBLE...

FOR MAINTAINING THE GROUNDS
OF THE UNITED STATES CAPITOL.

YOU SEEN EITHER
OF THESE TWO KIDS?

IT'S OPEN EVERY DAY OF THE YEAR TO
THE CITIZENS OF THESE UNITED STATES.

WHICH WAY TO THE
ROMEO AND JULIET ROSES?

IT'S OVER THERE WHERE
KELLY MORRIS IS STANDING.

OH, BONES WAS RIGHT.
OKAY, GO DISTRACT HER.

WELL, HEY. WHY ME? WELL, BECAUSE
APPARENTLY I LOOK LIKE A COP.

WHAT DO I LOOK LIKE? WHAT
ARE YOU? MY STRAIGHT MAN? GO.

HEY.

THE UNITED STATES BOTANIC
GARDEN FALLS UNDER...

THE SUPERVISION OF THE
ARCHITECT OF THE CAPITOL.

GET AWAY FROM ME,
PERV. HELLO, KELLY.

F.B.I. NOT A PERV.

IT'S OKAY. IT'S OKAY.
WE'RE JUST HERE TO HELP.

NOT GONNA HURT YOU. JUST GOTTA
TALK ABOUT WHAT HAPPENED TO DYLAN.

DYLAN'S DEAD.

WERE YOU THERE WHEN DYLAN DIED?

WAS I THERE?

WHO DO YOU THINK KILLED HIM?

WHY'D YOU KILL DYLAN,
KELLY? AGENT BOOTH.

SHE ALREADY ADMITTED
TO THE MURDER, MS. CHILD.

ACTUALLY, I BELIEVE SHE ASKED
“WHO DO YOU THINK KILLED HIM?”

- IT'S AN AMBIGUOUS QUESTION.
- OH, I KILLED HIM. I DID IT.

BECAUSE HE BROKE
A PROMISE TO ME.

THE PROMISE TO STAY WITH YOU?

HE TOSSED ME A COUPLE HUNDRED BUCKS
AND TOLD ME HE WAS GOING TO COLLEGE,

THAT WE COULDN'T SEE
EACH OTHER ANYMORE.

WHAT'D YOU DO? I
PUSHED HIM OUT A WINDOW.

IT WAS KIND OF AN ACCIDENT, RIGHT?
WHAT DO YOU CALL IT? A CRIME OF PASSION?

YOU PUSHED HIM
OUT THE WINDOW? YES.

AND HE WAS
CONSCIOUS AT THE TIME?

YEAH. HE SCREAMED, OKAY?

- WHAT THEN?
- I RAN AWAY.

NO. KELLY, YOU DIDN'T.

YOU WENT DOWN TO THE ALLEY,
AND YOU WRAPPED DYLAN IN LINEN.

AND THEN YOU PUT A ROSE FROM
THE BOTANIC GARDEN IN HIS HAND.

THE ROMEO AND JULIET ROSE.

YOU KNOW, IT'S A STRANGE THING TO
DO RIGHT AFTER YOU MURDER SOMEONE.

WELL, I'M PRETTY SCREWED
UP. DIDN'T YOU HEAR?

SOMEONE SHOT KEVIN DUNCAN.

HE'S DEAD. THE SANDWICH GUY?

WE WERE THINKING THAT THE
TWO DEATHS WERE CONNECTED.

[Sighs] FINE. YEAH,
I KILLED HIM TOO.

- SHE KILLED HIM TOO.
- I'D PREFER THAT WE NOT PURSUE
THIS LINE OF QUESTIONING.

[Register Beeping]

WELL, SHE CONFESSED. SHE GOT IT
WRONG. SHE FORGOT ABOUT THE PIPE.

SHE SAID THEY
FOUGHT. SHE'S LYING.

[Sighs] YOU KNOW, I'M JUST TRYING
TO THINK OF A SITUATION SO BAD...

WHERE A GIRL WOULD CONFESS TO
MURDER TO TRY AND GET OUT OF IT.

- AGENT BOOTH. DR. BRENNAN.
- MRS. DUNCAN.

YOU WANT TO SIT DOWN?
HAVE A CUP OF COFFEE?

NO, THANK YOU.

I'M SORRY FOR YOUR LOSS.

- DID KELLY MORRIS KILL DYLAN?
- WELL, SHE CONFESSED.

AND NOW YOU THINK SHE
KILLED MY HUSBAND AS WELL?

IT'S VERY POSSIBLE. I'D BELIEVE THAT
BEFORE I BELIEVED SHE KILLED DYLAN.

KELLY SHOULDN'T TAKE THE BLAME.

YOU'LL FIND ONE BULLET MISSING.

YOU'RE CONFESSING TO
YOUR HUSBAND'S MURDER?

HE USED ME TO GET
CLOSE TO YOUNG GIRLS.

I DON'T KNOW HOW MANY
THROUGH THE YEARS.

FRANCES DUNCAN,
YOU'RE UNDER ARREST.

YOU HAVE THE RIGHT TO REMAIN SILENT.
ANYTHING YOU SAY CAN AND WILL BE USED...

THANK YOU.

YOU HAVE THE RIGHT
TO AN ATTORNEY.

IF YOU CANNOT AFFORD AN ATTORNEY,
ONE WILL BE... PICK UP THE GUN.

BALLISTICS CONFIRM THAT THE BULLET THAT KILLED
KEVIN DUNCAN CAME FROM FRAN DUNCAN'S GUN.

CASE CLOSED? ON KEVIN
DUNCAN, DEFINITELY.

SINCE KELLY MORRIS
HAS CONFESSED...

- NO. SHE DIDN'T DO IT.
- WHAT EVIDENCE
DO YOU HAVE OF THAT?

HOW ABOUT THIS? SPECIMEN 268...
"RIGHT CORNER OF THE ROOM" SCHEMATIC.

YOU ARE GOOD. OH,
YOU HAVE NO IDEA.

ARE YOU HAVING A MOMENT?

WELL, HOW DOES FINDING THE PIPE
PROVE THAT KELLY MORRIS IS LYING?

HOW DOES HER CONFESSION NOT
INCLUDE THE MURDER WEAPON?

NOW FOR THE LAST TIME, THE
PIPE IS NOT THE MURDER WEAPON.

DYLAN CRANE DIED
FROM A 50-FOOT FALL.

CAN YOU RUN THE SCENARIO THROUGH YOUR
MAGIC HOLOGRAPHIC CRYSTAL BALL THINGY?

TOO MANY VARIABLES.
BUT I HAVE ANOTHER IDEA.

OKAY. BOOTH, YOU'RE DYLAN CRANE.

OKAY, YOU KNOW WHAT? I'M OUT
THE DOOR. WHOA, WHOA, WHOA.

CAM? KELLY MORRIS. RIGHT.

OKAY, I FEEL STUPID.
OKAY, YOU TWO.

YOU ARE YOUNG. YOU ARE IN
LOVE. YOU'RE ABOUT TO BREAK UP.

BUT THIS IS VERY TRAGIC. IT'S
VERY EMOTIONALLY FRAUGHT.

KELLY MORRIS SAYS SHE ARGUED WITH
DYLAN AND PUSHED HIM OUT THE WINDOW.

SHE PUSHED HIM, THEN TRIED TO
SAVE HIM BY GRABBING HIS ARM?

THAT WOULD EXPLAIN THE FINGERNAIL
POLISH AND THE SCRATCH. BUT...

NOT THE OXIDIZED IRON.

KELLY WOULD'VE HAD TO STRIKE
HIM WITH THE PIPE FROM BEHIND...

AND THEN DRIVE HIM
THROUGH THE GLASS.

BUT SHE SAID THAT THEY
WERE ARGUING FACE-TO-FACE.

HE WOULD'VE SEEN HER COMING. THAT
MEANS THERE HAD TO BE A THIRD PERSON.

SOMEONE WHO SNUCK UP BEHIND HIM.

- GUYS, I NEED A KEVIN DUNCAN.
- I'LL DO IT.

KELLY ALREADY CALLED ME A
PERV, SO I HAVE MY MOTIVATION.

SO KEVIN STRIKES
DYLAN WITH THE PIPE.

- CAREFUL.
- WHICH MOVES HIM FORWARD.

KELLY GRABS THE
PIPE AWAY FROM HIM.

BUT DYLAN IS LOSING
CONSCIOUSNESS.

HE DIDN'T HAVE TO THROW DYLAN OUT THE
WINDOW. HE COULD'VE SIMPLY PUSHED HIM.

- EASY.
- KELLY GRABS HIS ARM.

- [Brennan] TO SAVE HIM.
- WHICH WOULD PUT FINGERNAILS
AND RUST IN THE WOUND.

BUT SHE CAN'T HOLD
HIM, AND HE FALLS.

[Glass Shatters]

- OH!
- WELL, THAT THEORY EXPLAINS
THE PHYSICAL EVIDENCE.

EXCEPT WHY WOULD KELLY CONFESS
TO MURDER TO PROTECT KEVIN DUNCAN?

- SHE'S AFRAID OF HIM.
- BUT SHE KNOWS HE'S DEAD.

GUYS, THERE'S ONLY TWO
PEOPLE IN THIS WORLD...

THAT KELLY MORRIS
WOULD COVER FOR.

ONE OF THEM WENT
OUT THAT WINDOW.

WE KNOW YOU DIDN'T
KILL DYLAN. I DID TOO.

KELLY, I DON'T WANT YOU
TO ADMIT TO ANYTHING MORE.

NO. YOU DIDN'T. WE CAN PROVE
THERE WAS A THIRD PERSON THERE,

THE THIRD PERSON THAT
HIT DYLAN WITH A PIPE...

AND... WHEN YOU TOOK AWAY THE
PIPE... PUSHED HIM THROUGH THE GLASS.

NO, IT WAS JUST ME. I HIT HIM WITH THE
PIPE. I PUSHED HIM THROUGH THE GLASS.

NO. YOU GRABBED HIS ARM.
YOU TRIED TO SAVE HIM. NO.

DYLAN MADE YOU FEEL LIKE YOU
WEREN'T ALONE IN THIS WORLD, RIGHT?

HE WAS SWEET TO YOU.

HE TOOK SO MUCH WEIGHT
OFF YOUR SHOULDERS.

HE WAS GOOD TO ALEX.

AND WHEN DYLAN SAID THAT YOU'D BE
TOGETHER ALWAYS, YOU BELIEVED HIM.

YES. YES, I BELIEVED HIM.

AND WHEN SUZANNE COULDN'T
TAKE CARE OF BOTH YOU AND ALEX,

YOU HAD AN IDEA.

RUN AWAY WITH DYLAN.

MAYBE SUZANNE WILL KEEP ALEX...

AND EVERYBODY WOULD BE HAPPY.

DYLAN LOVED ME.

I KNOW.

BUT I DIDN'T TELL ALEX.

HE JUST... [Sniffles]

HE JUST... HE THOUGHT THAT DYLAN WAS
TRYING TO TAKE ME AWAY FROM HIM FOREVER.

I... I DID IT ALL
WRONG. IT'S NOT...

IT'S NOT ALEX'S
FAULT. IT'S MY FAULT.

[Crying]

KELLY, YOU'RE 15 YEARS OLD.

THIS IS NOT YOUR FAULT.

THE WEIGHT OF THE WORLD
IS NOT ON YOUR SHOULDERS.

AND WE CAN'T LET YOU
PAY FOR WHAT ALEX DID.

[Sniffles] ♪♪ [Pop Ballad]

♪♪ [Continues]

I'M SORRY. I'M SORRY.

I DIDN'T TELL THEM. THEY JUST...

THEY JUST KNEW.

IT'S OKAY. [Sniffles]
SORRY ABOUT DYLAN.

♪♪ [Continues]

♪♪ [Continues]

♪♪ [Fades]

YOU WERE RIGHT ABOUT THE PIPE.

YOU WERE RIGHT ABOUT THE ROSE.

COULD I SIT FOR A MOMENT?

I WISH YOU'D EAT SOME OF THESE
FRIES. SAVE ME FROM MYSELF.

THEY'RE REALLY GOOD
WITH GARLIC MAYONNAISE.

WE HAVE A PROBLEM. UH-HUH.

DO YOU SEE A SOLUTION? IT'S
NOT COMPLETELY MY FAULT.

I WAS A FOSTER CHILD.
AND APPARENTLY...

BOOTH SAYS THAT...

BOOTH SAYS THAT I HAVE...

WELL, SOMETHING ABOUT CONTROL
ISSUES AND THE WEIGHT OF THE WORLD.

[Chuckles] THAT
SOUNDS LIKE BOOTH.

I THINK HE MEANT THAT...

IF I'M GOING TO SHARE
RESPONSIBILITY FOR THESE CASES,

I'M GOING TO HAVE TO LEARN TO
STOP CONTROLLING EVERYTHING TOO.

DOES THAT MAKE SENSE?
PSYCHOLOGY'S NOT...

I REALLY... I REALLY
HATE PSYCHOLOGY.

NOT EVERYONE'S BRAIN
WORKS AS FAST AS YOURS.

I HAVE TO MULL SOMETIMES.

A-ARE YOU FAMILIAR
WITH THAT CONCEPT?

YES. I JUST ALWAYS THOUGHT
IT WAS A WASTE OF TIME.

[Chuckles]

I'M IN CHARGE. BUT OUT OF
RESPECT FOR YOU, I COULD EXTEND...

DID YOU EVER PLAY MONOPOLY? NO.

WELL, THEY HAVE THIS THING
CALLED A "GET OUT OF JAIL FREE" CARD.

THINK OF IT AS A
FREE PASS TO DEFY ME.

NO EXPLANATION NEEDED. NO
RECRIMINATIONS. NO REPERCUSSIONS.

WELL, HOW... HOW
MANY WOULD I GET?

ONE A WEEK. FIVE PER CASE.

THREE PER WEEK.

BOOTH TOLD YOU I WAS
A FOSTER KID, DIDN'T HE?

OKAY, YES, HE DID, BUT HE
DID IT WITH A GOOD HEART.

AND I'D REALLY APPRECIATE IT IF
YOU DIDN'T LET HIM KNOW. PLEASE.

HE'S GONNA KNOW THAT YOU TOLD
ME THE SECOND HE SEES US TOGETHER.

IT'S TRUE. HE'S AWFUL LIKE THAT.

HE READS PEOPLE THE WAY THAT YOU
READ PATHOLOGY REPORTS OR I READ BONES.

OH, GOD, I KNOW. I HATE
HIM. WELL, I DON'T REALLY.

I KNOW. ME EITHER.

I WILL TAKE YOU UP ON
THIS. PLEASE HELP ME.

♪♪ [Ballad Resumes]

♪♪ [Ends]

WHAT'S THAT MEAN?