Beverly Hills, 90210 (1990–2000): Season 2, Episode 6 - Pass, Not Pass - full transcript

With the summer drawing to a close, Andrea and Brenda compete for the attentions of their drama teacher, Chris, who chooses the former over the latter, which puts a strain on their friendship. Meanwhile, Brandon finally buys his d...

Brenda, we have to choose a scene.

What about a scene
from Annie Hall?

l look good in hats. lt takes
a certain person to look good in a hat.

Well, you've got Diane Keaton's hat,

but l'm not playing Woody Allen
just because l wear glasses.

Well, l don't see you making
any other suggestions.

Brenda, you're Mr. Suiter's pet.

l have never performed
in this class before.

l have to do well in order to pass.

What makes you think l'm his pet?

lt's just obvious.



- What is?
- That he likes you.

- You think so?
- l just said it, okay?

Now, can we please--
Please can we choose a scene?

You really think he likes me?

Brenda, he's a teacher.

Andrea, consider the possibilities.

He's creative, he's articulate,
he's intelligent,

and he looks pretty good
in faded jeans.

Brenda, he's our teacher.

Not for long.
Summer school gets out next week.

You know, l think it's starting
to get dark earlier.

- lt is not. You're just totally paranoid.
- No, l'm not.

Everywhere l go,
there are back-to-school sales.

Look, l don't wanna hear it, okay?



- What's that?
- lt's nothing.

- What is that?
- lt's no big deal.

l just start to get a little eczema when
Labour Day looms on the horizon.

Summer's about over, isn't it?

So, what can l get
for you two crazy kids, huh?

How about a gin and tonic,
crushed ice, twist of lime?

- Nice try, guy.
- Well, it's official.

The end of summer luau
is next weekend.

Yeah, pretty soon l'll be fighting over
a parking spot at West Beverly.

No, we'll be fighting over parking spots.
l've almost got enough for my 'Stang.

That '65 'Stang?

Supremely yellow in mint condition.

And this should put you over the top.

l'm so there.

You know, when l got my '57 Bird,
l became my own man.

When you are cruising
in your dream car,

it's a whole new road out there.

Yeah, my road.

- l'll see you, guys.
- All right, man.

Stop it.

l know, my--

l know, my dear.

l know, my dear.

l know, my--
Oh, l know, my dear. l know-- No.

- l know--
- Andrea Zuckerman,

browsing in a bookstore.

Mr. Suiter doing the same.

You know, it seems a little unfair
that l can call you Andrea

but you can't call me Chris.

Student-teacher dynamics, l guess.

Let's say we change our dynamics,
right here and now.

We'll have our own
private revolution, Andrea.

Okay, Chris.

The entire car has been
completely detailed and rechromed.

lt's got the original paint,
the original leather seats,

the original radio.

But how does she run, son?

Well, the guy at the lot said she purrs
like a kitten and runs like a cheetah.

Sounds pretty good.

How about if l go into work
a little late this morning?

We can pick her up together.

Oh, l don't wanna put you out, Dad.

lt would be a father-son adventure.

l still have to swing by the bank
and pick up the cashier's cheque

- before l can go pick it up, so it--
- Cashier's cheque?

Brandon, if they don't trust
a personal cheque from you,

l wouldn't be too confident
about trusting them.

Hey, Dad, this isn't Minnesota.
Besides, what's the big deal?

Simon's been holding the car
all summer.

- Brandon--
- And since l'm buying it

with my own money that l worked
very hard for, l think it'll be cool.

l hope so.

Good morning.

Oh, while you were in the shower,
Hawaii called.

Thanks, Mom.

Dylan McKay
calls from Hawaii,

and Brenda doesn't scream at you
for not dragging her out of the shower?

Poor Dylan. l guess
it's out of sight, out of mind.

Listen, Dad, about the car, l--

l think it's just something
l ought to do on my own, all right?

Yeah, l understand.

lt's about these two women
and their dynamics together.

How their lives intersected,
their relationships with men.

l don't wanna intersect.
l wanna do a comedy.

But you've done comedy before.

Brenda, this will allow you
to stretch as an actress.

Besides, Mr. Suiter suggested it.

He did?

Well, why don't we try it out
and we'll see how it goes?

- Hi.
- Hi.

You know, the scene
from The Turning Point

was really a terrific idea.

l was already thinking of taking a risk
on a dynamic character piece.

Can you keep a secret?

- ls it about me?
- Yes.

Then most definitely.

l intentionally paired you up
with Andrea because, well,

l think you can help her
open up a bit.

Well, l'm flattered.

No, you're talented.

Thanks.

Outstanding.

- You care for a nut?
- No, thanks.

That's a real wise decision.

Them things been in there
since 1 987.

Well, sir.

l think you're gonna like this baby.

- l already do.
- Yes, sir.

You know, when the first
of summer rolls around

and all the kids come in
checking out a car of this calibre,

l think,
''No, they ain't gonna come back.''

There was something different
about you. l said to myself:

''Simon, this young man
is gonna be back.''

Well, l sure had to pick up a lot
of empty margarita glasses

and haul around a lot of sweaty towels
for all those zeros.

Tubular.

- Get that yellow thing out there--
- Excuse me.

Put something else out there
where that yellow one is, all right?

Get it right this time.

How you doing, son?
What can l do for you?

You can give me my money back.

Now, why in the world
would l want to do a thing like that?

Because that car you sold me
is, at this moment,

blocking traffic
on Sunset Boulevard.

l couldn't even pull it over.

See, this is a problem
of semantics here.

The key is in the wording.

''That car l sold you.''

That's your problem now, son.

- Give me my cheque.
- l ain't got it.

- Get it.
- l can't do that.

l mean, l'd like to.
You're a good kid. l like you.

- l'd like to help you. My hands are tied.
- Well, untie them.

Here's the deal, kid.
You bought that car.

Now, if you say you are experiencing
some difficulties with it,

then by all means,
get that sucker into a good mechanic

just as soon as you can.

But that car was in prime condition
when it left the lot.

l know
because l checked it out myself.

Okay, Brandon,
what's the bottom line here?

The engine has to be
completely overhauled.

You know, all l've heard about
for the past three months

is how gorgeous this car looks.

Everything completely restored,

but next to nothing about how it runs.
At least now l understand why.

l know, l can't believe it either.

What about the warranty?

No warranty.

This is great.

Did you even bother to look
under the hood at all?

- Yeah, but--
- But what?

l can't believe these guys
make their living

by completely ripping people off.

- l knew l should have gone with you.
- Yeah, well, you didn't.

Where is the car now?

Brandon.

lt's in the impound lot
in the San Gabriel Valley.

Oh, of course.

That's a perfectly logical place
for it to wind up.

- Jim.
- How, pray tell,

did it manage to end up there?

Well, when l went back
to the used-car lot to complain,

a tow truck
from the sheriff's department

just happened
to be cruising by and...

How much is it going to cost
to get it released?

- Two hundred and fifty dollars.
- Oh, no.

How could you throw away
all of your money?

This isn't your problem.
This is my problem.

- l'll deal with it, all right?
- Yes, you will deal with it.

But there's a lesson here, Brandon,
and it's in Latin:

Caveat emptor,
let the buyer beware.

Oh, excuse me.

So, what can l get you today?

How about two eggs over-easy,
rye toast.

Anything to drink?

- Just water.
- lce?

- Sure.
- Crushed or cubes?

Whatever.

- Hey, Brandon.
- Nat.

- lt's been a long time.
- Yeah.

- How's it going?
- lt's going-- lt could be better.

lt could always be better.

Yeah, l guess it could.
Place looks great.

Yeah, it will if they ever finish it.

- So how's business?
- lt's booming.

Good.

So how's the new girl working out?

Here you go.
Eggs over-easy with rye toast.

- Need l say more?
- l think she's pretty much on top of it.

Yeah, Courtney's a straight-A student
from Beverly Hills High.

l really lucked out finding her.
On such short notice.

- Take it easy.
- Yeah.

Could you pass me
the sports page, man?

- Yeah, sure.
- Thanks.

- Great place, huh?
- Yeah, l used to work here.

Oh, yeah?

l've been in town all summer
and l just discovered it last week.

They got this Mexican burger here
with jalapenos and avocados.

Man, you can't get anything
like that in Chicago.

- You're from Chicago?
- Yeah.

Why is it that nobody in L.A.
is actually from L.A.?

l don't know. l could see myself
moving out here someday.

Skiing is two hours away.
The desert's two hours away.

The grocery store is two hours away
in rush-hour traffic.

Yeah, the traffic is wretched.

Well, l don't have to worry
about that anymore

now that l don't have a car.

- l'm gonna be late for class.
- You go to UCLA?

No, l'm teaching drama over
at West Beverly High.

You're kidding me.

My sister's taking that this summer,
Brenda Walsh.

- Brenda Walsh is your sister?
- Twin sister.

- No way.
- Yeah.

- What a small world.
- Small?

Beverly Hills is miniature.

- Brenda Walsh's twin, huh?
- Yeah.

You know, she really has
an amazing dramatic presence.

She just blows me away.

- Chris Suiter.
- Brandon Walsh, obviously.

Nice meeting you.
And say hi to Brenda.

You too. All right, l will.

- Anything else?
- No, thanks.

You know, if l enter stage left,
then l could cross to you for the slap.

Why? What's your
emotional motivation?

- l don't know. Let me check my notes.
- No, Andrea,

use emotion from your own life
and transfer it into your character.

But l'm not a washed-up
ballet dancer.

Okay, okay. Just say your line,
when l go to hit you,

jerk your head to the side,
and it'll look like we connected.

- But not hard, right?
- Andrea, if the timing's right,

- we won't even make contact.
- Well, if it isn't the thespians.

Trying to be.

Oh, hey, l ran into your drama coach
at the Pit today.

Chris hangs out at the Peach Pit?

l thought his name was Mr. Suiter.

- Whatever.
- Yeah, he eats there all the time.

He had some nice things to say
about you.

Like what?

Like your head will get too big
if l clue you in.

You better tell me later.

l told you
you were teacher's pet.

Well, it's a tough job
but somebody's gotta do it.

l'll cross to you because l'm jealous.

That's the answer. Jealous.

Hi.

- Andrea, what are you doing here?
- l don't know.

Suddenly, l got this intense craving
for one of Nat's chilli cheeseburgers.

Hey, Courtney,
let me have a tamale special.

You got it.

What is this,
the Walsh family hangout?

l ran into your brother here
this morning.

- Really?
- Yeah.

You know, l was just about to order
if you'd like to join me. Us.

Okay, l'd love to.

So how's the scene coming?

- Fine.
- Fine.

Okay, okay, this doesn't have
to be a business lunch.

Have you tried
the cappuccino shakes?

- They are incredible.
- Well, you know, l used to work here.

l even created
my own original milkshake:

Laverne's Shake, Rattle and Roll.

Well, l have to try it sometime.

lf you want a phenomenal milkshake,
there's this place

on Hollywood Boulevard
called C.C. Brown's.

That's the oldest in Hollywood.
Been there since the '20s.

l've been in L.A. all summer
and l've yet to really see the sights.

lf you want a personal guided tour,
l'd be happy to take you this afternoon.

Well, that'd be great.

l'd love a tour
from two authentic California girls.

Two?

Do you know my brother has the exact
same shoe size as Paul Newman?

Figures he would.

Oh, they have
the best popcorn here.

With real butter,
not that imitation stuff.

The architects Meyer and Holler
designed the Chinese Theatre

as a shrine to Hollywood in 1 927.

Melrose is a happening street.

lt's totally L.A., talk about trendy.

Melrose only started taking off
when the real estate on Rodeo Drive

- got too expensive.
- That's interesting.

That's the building they show
on the opening credits of L.A. Law.

Andrea, l'm sure Chris
has better things to do

than sit in front of the TV
every Thursday night.

Actually, L.A. Law
is my favourite show.

- Mine too.
- Mine too.

ls this the La Brea Tar Pits?

Oh, yeah, and those are some tourists

who got lost
during the Pleistocene era.

l don't think l could have
had a better tour.

Everything about it was just great,
especially the company.

- Thank you, ladies.
- Oh, you're very welcome.

Our pleasure.

So which one of you
lives the closest?

- She does.
- She does.

Oh, Brandon, Brandon, Brandon.

My mother's coming back
from Europe.

Kelly's got her rash again,
and the luau's coming up.

All signs indicate
that the summer's over

- and l've barely touched a babe.
- That's rough, man.

Maybe l'd do better next summer
if l got a job at the beach club.

l don't think the world's
ready for that, Steve.

l can't believe l blew all my money
on that damn car.

l don't know why your father

won't just pay to have it released
from the impound lot.

Because he gets off
on seeing me squirm.

lt's all right though,
l don't need his help.

l just need a new job.

How about going back
to the Peach Pit?

Never happen. Not with Courtney

the bionic waitress on the job.

Welcome home, Bren.

Yo, Bren, what's with you?

l'm so mortified, l can't even call Kel.

Oh, well, this is big time.

lt doesn't even matter anymore.
l mean, the verdict is in.

He dropped me off first.

Not only first,
but before Andrea Zuckerman.

What are you talking about?

Chris. Can't you follow along?

Well, what about Chris?

l like him, but it doesn't matter
because--

Whoa, Brenda.

l hate to break this to you,
but he's your teacher.

Not for long.

Look, l don't even
wanna get into this.

He's moving back to Chicago,
he's too old for you,

and it's totally unethical
for you to date him.

Tell that to Andrea.

This place used to be nothing but
orange trees until after World War ll,

when all the Gls
who served in the Pacific front

started migrating west en masse.

Back then, you could get a lot
for practically nothing,

and the Gl Bill paid
for most of the construction costs.

Oh, l'm sorry. l just--

- l tend to go off on tangents--
- No, no, no.

lt's great, it's great. You're great.

l think that Brenda and l
have most of our scene down.

You know, l'm still a little bit nervous,
but l think we can really get--

Andrea,

l don't wanna talk
about school right now, okay?

Okay.

l...

Well...

This is kind of a difficult situation
for me tonight.

- What is?
- Well...

Tomorrow's our last day
of class, right?

- Yeah.
- And l was...

...kind of hoping that l could talk you
into having a cup of coffee with me

tomorrow night.

Just you and me?

Just you and me.

l'd like that, sure.

Yeah? Okay.

- Good night.
- Bye.

Brenda. Brenda, l am so terrified
about this scene.

Don't worry about it.

Brenda, l...

lt's really weird, but Chris
is so not what l expected.

What happened to Mr. Suiter?

Oh, well, l...

l had a really great time last night.

Oh, is that before or after
you dumped me off?

Hey, look, really, l didn't mean
to invade your territory.

lt's just, he's so smart, you know,

and genuinely interested
in the things that l have to say.

Look, Andrea, that's great--

Maybe it's because he's older,
but he gets me in a different way

than any of the kids
at West Beverly do.

- Andrea--
- But the thing is, until last night,

l didn't even realise
l had these feelings for him at all.

Andrea, that's good,
and l'm really happy for you.

But we do have a scene to do,
and if you don't mind,

l would like to run some lines
if that's okay with you?

- Okay.
- Okay.

l am sick to death of your jealousy
and resentment.

l loved him.

So much that you said
to hell with your career?

Yes.

You can lie to yourself,
DeeDee, but not me.

You got married because you knew
you were second-rate.

You got pregnant because Wayne
was a ballet dancer

and that meant queer.

- He wasn't.
- Still afraid someone will think he is?

You were terrified then.
You had to prove he was a man.

That's why you had Emilia.

- That's a lie.
- No, that's the truth.

You saddled Wayne with a baby
and you blew his career.

But now Emilia's all grown up.

And she's a better dancer
than you ever were, and you're jealous.

You're certifiable.
You'll use anything as an excuse.

- And what's that an excuse for?
- Trying to take away my child.

l return the compliment.
You are a liar.

You're a user.

You have been your whole life.

Me, Michael, pretending to love him.
And now Emilia.

l'm better for her than you are.

The hell you are.

Brenda. Brenda?

That is not
how we rehearsed the slap.

- Oh, no?
- You know damn well it wasn't.

l guess l just got too involved
in my character.

That is so lame.

There was something else
behind that slap and you know it.

Sense-memory work?

And what is that memory
based on?

Oh, quick learner.

l think you know, teacher's pet.

This is perfect.

l confide in you, share my feelings,

something l never do,
and you completely turn on me.

Yeah, well,
who confided in who first?

l said l was sorry, Brenda.

l had no idea
that he was interested in me

as anything more than a pupil
with stage fright.

Yeah, well, now
we know differently, don't we?

Look, Brenda,
you can't steal something

from someone that they don't have
in the first place.

You know, all school year,
l listened to you rattling on and on

about your feelings for my brother.

This has nothing to do
with Brandon.

You're right.

lt has to do with you and me.

Not anymore.

Oh, hi, honey,
how'd your scene go today?

l don't wanna talk about it.

Oh, that good, huh?

Actually, we got a standing ovation.

That's terrific.

And l was a supreme bitch.

Brenda?

Well, Mom, l was.
l was petty, l was mean.

l've never been more glad to see
a summer come to an end.

lf that's Kel,
l don't wanna see anyone.

Not anyone?

Aloha.

l was hoping it would be you.

- Did you miss me?
- Yes.

l missed you.

- Hey.
- Oh, Dylan.

Mahalo means thank you.

Oh, Dylan,
you didn't have to do anything.

Well, when l was in Maui,

l got to thinking about how great
you guys were for me this summer.

And l wanted to do something
to say thank you.

Well, mahalo to you, Dylan.

These flowers just smell incredible.

Mahalo, sir.

lt's good to have you back, Dylan.

Oh, two points.

- Easy shot.
- Yeah, right.

You've probably been practising
all summer. How's it going?

What's happening
with the '65 'Stang?

You don't wanna know.

Don't tell me somebody bought it.

- No such luck.
- Jim.

Who else would spend thousands
of dollars on a used car

and never even bother
to test-drive it?

Thanks, Dad.

Maybe we can have it towed
into the backyard,

use it as a planter.

Don't you think Brandon
feels bad enough about that car fiasco

without you constantly rubbing it in?

He was absolutely
ass-backward irresponsible

with the purchase of that car.

And you won't let him forget it.

l think you better ask yourself
why you're being so hard on him.

Because he wouldn't listen to me.

l don't believe that,
and neither do you.

- Wait a minute, l got a better one.
- Okay.

lt's The Taming of the Shrew, right?

And l'm running around
on-stage in this

one-piece 1 7th-century tights thing.

Oh, l would've loved to have seen it.

Anyway, everyone's
backstage giggling

because they thought it'd be great

- if they poured honey down the back.
- No.

Yes. So l'm out there
reciting Shakespeare

with honey stuck to my butt.

You know,
you're really easy to talk to.

Well, l love your stories.

What l love is the way
you listen to them.

You're really beautiful, Andrea.

l...

What?

- Nothing.
- No, no, no. Go on, say it.

Tell me. Come on.

When you smile, you get this

funny little crinkle thing
around your eyes, and...

l can't believe l just said that.

lt's because l'm very old.

And very wise.

And about to do
something very stupid.

No, we can't. l--

We shouldn't do this.

- l'm sorry, l--
- Of course,

the first totally engaging girl l meet

in Los Angeles turns out
to be my student.

Ex-student.

lf you were just five years older,
or if l was five years younger...

Oh, Chris,
l wish you weren't leaving.

Well, you still have me
for two more days

and two more nights.

Can l see you again?

Give me a second.

Hey, Nat.

Hey, Brandon.

l've seen you more this week
than l have all summer.

- So, what can l get you? Your usual?
- You remember my usual?

- l'm flattered.
- Don't be.

Who could forget charred burger

with bacon, fried eggs,
onions and relish?

- Hold the mayo.
- Don't insult me.

Hey, isn't today the big day
for the luau

at the Beverly Hills Beach Club?

Shouldn't you be slicing pineapples
or something?

Yeah, it's my last day there.

l just came by to see
what was going on,

you know, see how you're doing.

Nothing much changes
around here.

That new girl, she got the job
pretty wired, huh?

Courtney? Yeah,
l couldn't ask for any more.

ls she better than l was?

Not better, different.

Listen, Nat, this is gonna
sound kind of lame,

but you think there's any way
l could get my old job back?

Gee, l don't know, Brandon.

Courtney's really terrific
when it comes to punctuality...

- Hey, l was always on time.
-...and job commitment.

She wouldn't race out of here
without notice

if another career opportunity
headed her way.

Nat, l'm sorry,
but l explained that to you already.

l had to go earn big tips this summer.
l had to buy a car.

So where's the car?

lt's a long story.

Well, since Courtney's going away
to college next week,

l guess l'm gonna need
to hire someone.

How long have you known
about this?

A while. But l guess
l can give you a trial run.

And you left me hanging
all that time?

Yeah.

Welcome home, Brandon.

Well, that's got it.

You know, this summer
would've been so righteous

if l hadn't blown everything
on that lemon.

Well, at least l got
to work with you, Henry.

Work for me.

l'm gonna miss you, man.

Look, don't get maudlin on me now.

We don't want your mascara
to start running.

You're a funny guy.

Brandon, there's somebody here
to see you in the parking lot.

Thanks, Kel.

Thanks for this summer, Henry.

You're not gonna
get rid of me that easy now.

- You can call.
- l know when to reach you too.

Between 1 1 and 1 2, when
The Young and the Restless is on.

Don't even try it.

See you, buddy.

What's my car doing here?

You mean your newly rebuilt
classic 289 V-8?

l can't believe this. You--

You worked hard all summer.

Your mother and l thought
you deserved something to show for it.

l'm sorry, Dad.

- For what?
- For screwing up at the used-car lot.

l mean, l wanted this to be

my major move
towards independence.

And l guess l was too proud to admit
l could've used your help on it.

lf you would've asked for help,

l probably would've
chewed your head off.

The truth is,

after you totalled Mondale, part of me
was afraid to let you drive again.

But l told you, Dad,
l don't drink anymore.

l know.

But it took me a long time
to be sure.

And now you're sure?

Enjoy the car, Brandon.

You've earned it.

Too bad you'll be driving around
in such a bogus set of wheels, buddy.

Yeah, a car like this and you might
just have to take me out.

Hey, don't get crazy.

Hey, why don't we take a drive up
the coast before luau starts, huh?

l'm so there.

Oh, why don't you go ahead
and sit in the front, Steve?

- Sit in the back.
- Thanks, Dad.

Yeah.

- Baby.
- Bye.

Don't stay out too late.

Let's ride. Yeah, mule.

- Hi.
- Hi.

- l thought you'd forgotten me.
- Never.

Well, come on in.

My mom went to the movies
with my sister and a friend.

And... Oh, why don't you sit down?

And my father's playing poker, so...

...it looks like we're all alone.

lf that's all right with you.

Guess what.
l'm staying in Los Angeles.

You are? That's great.

Yeah, l got a job teaching
at the Winston School for Girls.

That's supposed to be the best
private school in all of Los Angeles.

That's what l hear.

So when are you going
to Chicago to get your stuff?

My girlfriend's bringing it out with her.

- Your what?
- Look, l wanted to mention it, but--

Andrea.

Trust, truth and risk.

That is all you talked about
this summer.

Yeah, and you can't tell me

you haven't implemented
those things into your life, right?

You have a clever way of just
twisting things around, don't you?

Andrea,

it's my job to make you feel safe
so that you can learn and grow.

l wanted to gain your trust

by painting a picture
of who you wanted me to be.

lf it meant leaving out pieces
of my personal life,

well, l'm sorry.
But you can't say l didn't do my job.

Funny me.

l thought what we had
was personal.

Look, Andrea,
if you were five years older--

lf l were just five years older,

you would still be cheating
on your girlfriend.

Andrea, you're an incredible girl.

l wish you could know that
as well as l do.

But you're in high school,
and l'm a teacher.

And we just can't do this.

That's not what you said
last night, was it?

Look, l'm really sorry.
l made a mistake, okay?

l let my guard down,
and it wasn't professional.

Yeah, and it wasn't fair either.

Besides my friend Brandon,
you are the only guy l've ever let my--

Andrea...

l think you'd better go...

...Mr. Suiter.

Oh, we're going to a hukilau

A huki, huki, huki, huki, hukilau

Everybody loves a hukilau

Where the laulau is the kau kau
At the big luau

We throw our net out into the sea...

Come on, what is this?

The gathering place
of the truly unsociable, huh?

- Pull up a chair.
- Hey, come on, you guys.

lf l can make a fool of myself
out there, so can you. Come on.

That's because they pay you
to be a squeef.

Not anymore, buddy.

Yeah, congratulations
on your new car.

Thanks, Donna. Hey,
you wanna do a little hukilau?

- Oh, l don't know.
- Come on.

- You guys are weak.
- Come on, Brandon.

Let's go do the hukilau.

Robbing the cradle there, Bran.

Well, at least Lindsey
will dance with me.

Come on.

--loves the hukilau

Where the laulau is the kau kau
At the big luau

We throw the net out into the sea

And all the ama ama
Come swimming to me...

So how does this compare
to a true authentic Hawaiian luau?

Like l went to any
when l was over there.

What did you do most nights?

Hung out in my mom's
freaky tree house and dreamed of you.

- Right.
- lt's true.

Dylan, this thing that we have
is so confusing.

lt doesn't have to be.

l mean, when we're together,
it's great, but--

What?

Do you wanna be a free agent?

While you were gone,
l went after another guy, an older guy.

And?

And l'm glad you're back.

- lsn't that Andrea Zuckerman?
- Where?

Andrea.

Hi. l tried to call you at the house,

but your mom said
that you and Brandon

had come here to the beach.

You've been crying.

l've been having a bad night.

Why?

- Look, about the slap, l--
- Me too, huh?

You're not the one
who should be apologising. lt's me.

l'm the one who was
completely envious of your...

Whatever it is with Chris.

Was with Chris.

Did you go out with him?

- Did you...?
- No.

Chris Suiter isn't who you think
he is, Brenda.

Well, at least he's going back
to Chicago.

No, he isn't. He's...

He's staying in Los Angeles,

and he's bringing his girlfriend out.

- That two-faced--
- Brenda, look.

Let's just make a pact
that we will never let a man

get between us again, okay?

Especially a teacher.

Hey, what are you crying for?

Oh, l just really need to be
with people tonight.

Well, then you came
to the right place, no?

- Yeah.
- Yeah.

Party, this way.
Plenty of men to go around.

Oh, we're going to a hukilau

A huki, huki, huki, huki, hukilau

Everybody loves a hukilau

Where the laulau is the kau kau
At the big luau

We throw our net out into the sea

And all the ama ama
Come swimming to me

Oh, we're going to the hukilau

A huki, huki, huki, hukilau

What a wonderful day for fishing

The old Hawaiian way

The hukilau nets are swishing

Down in old Laie Bay

Oh, we're going to the hukilau...