Baywatch (1989–2001): Season 9, Episode 1 - Crash: Part 1 - full transcript
During the first week of autumn at Baywatch with Hobie gone away to college and heavy rainfall in the area, Mitch discovers that his shipboard marriage to Neely is invalid, which worsens things then Neely's ex-husband suddenly shows up with no knowledge of Neely's baby or anything else making Mitch realize that Neely lied to him all this time and she has fully reverted back to her conniving and devious true self. Meanwhile, Cody decides to travel to New York City to visit the departed Lani, now a Broadway dancer, and April is on the same flight to visit a clothing designer for her fashions. All of that shatters when the place crashes shortly after takeoff off the coast of Santa Monica due to engine failure, killing the pilots and some of the passengers, leaving Cody and some survivors floating in life rafts on the surface and April trapped with three survivors of the forward section under water.
-[DRAMATIC MUSIC]-
-[LIGHTNING STRIKING]
-[THUNDER CRASHING]
-MITCH: 201 TO KMF 295.
-CRAIG: WHAT'S YOUR 20?
-MITCH: COMING UP ON
WILL ROGERS, TOWER 14.
-CRAIG: STILL RAINING?
-MITCH: NO, JUST
A BIT OF A DRIZZLE.
-CRAIG: ANYONE ELSE CRAZY
ENOUGH TO BE OUT THERE?
-MITCH: [CHUCKLES]
NOPE, NOT A SOUL.
-ARE YOU STILL GONNA
OPEN THAT TOWER?
-YEAH, IF I CAN FIND IT.
CRAIG, YOU MIGHT'VE
BEEN RIGHT ABOUT MOVING
THE TOWERS INTO
THE PARKING LOT.
WE'RE LOOKING AT A
MAJOR HIDE TIDE HERE.
-CRAIG: HOW MAJOR?
-IF YOU DON'T HEAR
FROM ME IN FIVE MINUTES,
SEND BACK UP.
BUCHANNON HERE. OPEN
AND READY FOR BUSINESS.
-HE SAID, THUMBING HIS
NOSE DEFIANTLY AT EL NINO.
-NO, JUST SAYING ENOUGH
WITH ALL THE HYPE.
I'VE BEEN THROUGH ENOUGH
WINTERS THAT MAKE EL NINO
LOOK LIKE A SUN SHOWER.
-CRAIG: MITCH? MITCH?
-CAN I CALL YOU RIGHT BACK?
[SCREAMING]
[SCREAMING]
IS THAT THE BEST YOU'VE GOT?
COME ON! COME ONE!
-[THEME MUSIC PLAYING]
-♪ SOME PEOPLE STAND
IN THE DARKNESS ♪
♪ AFRAID TO STEP
INTO THE LIGHT ♪
♪ SOME PEOPLE NEED
TO HELP SOMEBODY ♪
♪ WHEN THE EDGE OF
SURRENDER'S IN SIGHT ♪
♪ DON'T YOU WORRY
♪ IT'S GONNA BE ALL RIGHT
♪ 'CAUSE I'M ALWAYS READY
♪ I WON'T LET YOU
OUT OF MY SIGHT ♪
♪ I'LL BE READY
♪ I'LL BE READY
♪ NEVER YOU FEAR
♪ NO, DON'T YOU FEAR
♪ I'LL BE READY
♪ FOREVER AND ALWAYS
♪ I'M ALWAYS HERE
-MITCH: STILL NO
PULSE, BEGIN CPR.
-ONE, TWO,
THREE, FOUR, FIVE.
ONE, TWO,
THREE, FOUR, FIVE.
-MITCH: WHO KNEW THAT THIS
RESCUE WOULD SET IN MOTION
A CHAIN OF EVENTS THAT
WOULD CHANGE MY LIFE
MORE THAN I
COULD EVER IMAGINE.
-CRAIG: ONE, TWO,
THREE, FOUR, FIVE.
-[COUGHING]
-YOU OKAY?
ARE YOU OKAY?
MORE THAN 48 HOURS LATER,
CRAIG WOULD BE ASKING
THE SAME QUESTION.
CALL IT THE EL NINO
EFFECT OR JUST THE FACT
THAT THINGS NEVER
SEEM TO GO AS PLANNED.
HEY!
-HEY!
-COME ON, WORK OUT WITH ME.
-OH, I WISH I COULD BUT I
GOTTA SET UP THE LOUNGE CHAIRS.
BESIDES, WE'RE NOT
ALLOWED TO WORK OUT
WHILE WE'RE ON THE CLOCK.
-SINCE WHEN?
-IT'S PART OF THE MANAGEMENT'S
NEW AUSTERITY PROGRAM.
WE'RE SUPPOSED TO STAY
IN SHAPE ON OUR TIME.
-WOW, THAT'S REALLY
PINCHING PENNIES.
-YEAH, TELL ME ABOUT IT.
THEY'VE ALREADY CUT
OUT ALL THE OVER TIME.
REDUCED LUNCH TO 20
MINUTES AND LATEST RUMOR'S
THAT HALF THE STAFF
IS GETTING LAID OFF.
ON THE OTHER HAND, I
FELL ASLEEP LAST NIGHT
COUNTING MY BLESSINGS.
OF WHICH YOU WERE AT
THE TOP OF THE LIST.
ARE YOU AS HAPPY AS I AM?
-NEVER BEEN HAPPIER.
-NO SECOND THOUGHTS
ABOUT GETTING MARRIED?
-NOT A ONE.
-EVEN THOUGH YOU WERE UP ALL
NIGHT WITH THE CRYING BABY.
-HEY, THAT'S THE BEST PART.
I MEAN, THAT'S THE
SECOND BEST PART.
-YEAH. [LAUGHS]
-OH, WHICH REMINDS ME, WE
NEED TO GET A ROCKING CHAIR.
I USED TO HAVE HOBIE IN A
ROCKING CHAIR, YOU KNOW,
I'D READ TO HIM AND
HE'D FALL RIGHT ASLEEP.
-OH, I WOULD LOVE
TO HAVE ONE.
MAYBE THIS WEEK WE
CAN GO SHOPPING.
-I'M SCHEDULED
TO WORK BOTH DAYS.
-THEN, MAYBE ONE
NIGHT AFTER WORK?
-TEACHING CPR AT SANTA
MONICA COLLEGE NIGHTS.
-OH, YEAH, THAT'S RIGHT.
-WE'LL FIND SOME
TIME OKAY?
-MAYBE WE CAN FIND A
24 HOUR ANTIQUE STORE.
-YEAH.
-MAN ON INTERCOM: NEELY CAPSHAW,
PLEASE REPORT TO THE OFFICE.
-NO REST FOR THE WEARY.
-I THOUGHT YOU CHANGED YOUR
NAME TO BUCHANNON, GIRL.
-I TOLD THEM I WAS
CHANGING MY NAME.
NOBODY LISTENS TO
ME AROUND HERE.
-MAN ON INTERCOM:
NEELY, TO THE OFFICE.
-YOU HEARD THE
MAN. GOTTA GO.
-HAVE A GOOD DAY
AND I WILL STOP BY
AND CHECK ON YOU LATER.
-I'LL SEE YOU THEN.
I LOVE YOU,
MITCH BUCHANNON.
-I LOVE YOU,
NEELY BUCHANNON.
-[UPBEAT MUSIC]
-HEY.
-MITCH: HEY.
-CAN YOU BELIEVE
THIS WEATHER?
YESTERDAY IT'S
PRACTICALLY A MONSOON,
TODAY IT'S GONNA
BE IN THE 90S.
-WHICH MEANS WE
EXPECT A FULL HOUSE.
EL NINO STRIKES AGAIN.
-DID YOU GET MY
MESSAGE ABOUT MONDAY?
I'VE GOT TO BE IN
COURT, I'M NOT GOING
TO BE ABLE TO MAKE IT.
IS THERE ANY WAY
YOU CAN RESCHEDULE?
-NO, THE MINISTER'S OUT
OF TOWN FOR THE WEEK.
-SORRY.
-CRAIG, YOU'RE MY BEST MAN.
-HOW ABOUT A
JUSTICE OF THE PEACE.
I MEAN IT'S
JUST A TECHNICALITY.
-I'LL TALK TO NEELY.
-CRAIG: GOOD.
-HOLD ON, TALK TO ME
FIRST. WHAT'S GOING ON HERE?
MINISTER, JUSTICE OF THE PEACE,
I THOUGHT YOU GOT MARRIED
ON THE CRUISE?
-IT'S A LITTLE KNOWN FACT
THAT THE CAPTAIN OF THE SHIP
CAN'T LEGALLY MARRY ANYBODY.
THAT ONLY HAPPENS
IN HOLLYWOOD MOVIES.
-WE NEED A BLOOD
TEST, MARRIAGE LICENSE.
-NOTE FROM YOUR MOM.
-SAME DAY OFF.
-OKAY, SO YOU'RE OFFICIALLY
NOT HUSBAND AND WIFE.
-NOT OFFICIALLY, BUT I THINK
HE'S CHANGED ENOUGH DIAPERS
TO QUALIFY AS THE FATHER.
-[LAUGHING]
-[DANCE MUSIC]
-MITCH: 201 TO KMF 295.
I'M AT THE SAND AND SEA CLUB.
I'M GONNA TAKE FIVE AND
SAY HI TO MY LOVELY WIFE.
-DISPATCH: ROGER THAT.
-OH, NO, NO, NO, NO.
NO, NO, PLEASE.
THANK YOU. THANK YOU.
-HEY.
YOU COULD STAND TO USE
A FEW MORE UMBRELLAS.
-I WISH. THE NEW MANAGER
CAN'T AFFORD THEM.
I DON'T WANT TO ARGUE
WITH HIM ANY MORE.
HE'S ALREADY UPSET THAT
I ASKED FOR A DAY OFF.
-WOMAN: NEELY!
-LOOKS LIKE YOU'RE
BEING PAGED.
-I'LL BE RIGHT WITH
YOU, MRS. MURDOCH.
I'M TALKING TO MY HUSBAND
IF YOU DON'T MIND.
ISN'T THIS FUN?
-COME ON, I THOUGHT WE AGREED
THERE'S CERTAIN ADVANTAGES
TO THIS JOB.
-YOU MEAN LIKE US NOT
HAVING TO WORK TOGETHER?
-NO, LIKE DAYCARE CENTER.
THE FACT YOU CAN BRING
ASHLEY TO WORK WITH YOU.
-WE CAN GET SOMEBODY
ELSE TO WATCH HER.
MY MOM, HOBIE, YOUR MOM.
MITCH, THIS PLACE
IS DRIVING ME CRAZY.
I'M NOTHING BUT A GLORIFIED
CABANA GIRL AT BEST.
I WANNA BE A REAL
LIFEGUARD AGAIN.
-[LIVELY MUSIC]
-♪ AND I'M SO SICK OF
♪ DOING THE SAME OLD TRICKS YEAH
♪ STUCK AT MY 9 TO 5 HAS GOT
♪ ME HYPNOTIZED AND I DON'T REALIZE
♪ BUT I'LL BE FINE JUST
♪ WATCHING THE DAYS GO BY WHILE
♪ EVERYONE'S OUT THERE IN THE WORLD
♪ I'M STUCK FIGHTING JUST
♪ TO GET SOME AIR AND
♪ I'M OVER IT
♪ SO DISMISSED
♪ I'M BREAKIN OUT OR I'LL FREAK OUT
♪ I'M SO OVER
♪ I'M OVER IT
♪ NO ONE WILL NOTICE
♪ I'M TAKIN OFF TO BIGGER THINGS ♪
♪ I'M SO OVER IT
♪ AND I'M SO SICK OF
♪ DOING THE SAME OLD TRICKS YEAH
♪ STUCK AT MY 9 TO 5 HAS GOT
♪ ME HYPNOTIZED AND I DON'T REALIZE
♪ BUT I'LL BE FINE JUST
♪ WATCHING THE DAYS GO BY WHILE
♪ EVERYONE'S OUT THERE IN THE WORLD ♪
♪ AND I'M STUCK FIGHTING
♪ JUST TO GET SOME AIR
♪ I'M OVER IT
♪ SO DISMISSED
♪ I'M BREAKIN OUT OR I'LL FREAK OUT
♪ I'M SO OVER I'M OVER IT
♪ NO ONE WILL NOTICE
♪ I'M TAKIN OF TO BIGGER THINGS
♪ I'M SO OVER IT
[MUMBLED CHANTING OVER MUSIC]
♪ I'M OVER IT
♪ SO DISMISSED
♪ I'M BREAKIN OUT OR I'LL FREAK OUT
♪ I'M SO OVER I'M OVER IT
♪ NO ONE WILL NOTICE
♪ I'M TAKIN OF TO BIGGER THINGS
♪ I'M SO OVER IT
-[SOLEMN MUSIC]
-[COUGHING]
-J.D., OVER THERE.
-LET'S GO.
-[SIRENS SCREECHING]
-CODY: J.D. GET OVER HERE!
-WATCH HER NECK, MAN.
-NICE AND EASY.
I GOT HER HEAD.
I DON'T KNOW WHAT HAPPENED. SHE
WAS JUST FLOATING OUT THERE.
-NO PULSE, SHE'S
NOT BREATHING.
STILL NO PULSE. BEGIN CPR.
-ONE, TWO,
THREE, FOUR, FIVE.
ONE, TWO,
THREE, FOUR, FIVE.
ONE, TWO,
THREE, FOUR, FIVE.
ONE, TWO--
-[COUGHING]
-OKAY, THAT'S IT.
EASY, EASY. EASY NOW.
SLOW BREATH, TAKE
A SLOW BREATH.
OKAY, YOU OKAY? YOU OKAY?
ARE YOU OKAY? DO YOU
KNOW WHERE YOU ARE?
WHAT'S YOUR NAME?
-SHE'S COMING OUT OF IT.
-CHRIS, GET SOME O2 IN
HERE. CODY GET A BACK BOARD.
-CODY: YUP.
-CHRIS: NEED SOME O2.
-[COUGHING]
-SEIZURE. GIVE HER
SOME SPACE.
SECURE HER HEAD.
-J.D.: I GOT HER HEAD.
-SHE CAN'T BREATHE, IT'S
CHOKING UP HER AIRWAY.
-ALL RIGHT, ALL RIGHT. EASY.
-CHRIS: HERE YOU GO, MITCH.
-O2.
-J.D.: OKAY, ONE,
TWO, THREE, ROLL.
SET HER DOWN.
ON THREE,
WE'RE GONNA LIFT.
ONE, TWO, THREE, LIFT.
-ALL RIGHT, LET'S GO!
-J.D.: GRIP HER HEAD.
-WOMAN: OKAY, GOT HER.
COME ON.
OKAY.
-MITCH: WE'RE GOOD.
-WOMAN: HER HEAD'S SECURE.
ALL CLEAR.
-[SIRENS BLARING]
-HEY, YOU.
-NEELY: HI.
THE HOSPITAL CALLED. THE
VICTIM'S OUT OF SURGERY.
-REALLY, HOW'D IT GO?
-WELL, THEY WERE ABLE
TO CONTROL THE INJURY.
SHE'LL HAVE A PRETTY BAD
HEADACHE FOR A COUPLE OF DAYS,
BUT THERE'S NO BRAIN DAMAGE.
-THAT'S GOOD.
-MM-HM.
THE ER DOCTOR TOLD ME
TO GIVE YOU THE FULL
HERO TREATMENT.
-WHERE'S ASHLEY?
-SHE FELL ASLEEP.
I HOPE YOU'RE
NOT TOO HUNGRY.
DINNER WON'T BE READY
FOR ANOTHER HALF AN HOUR.
-NO, I'M FINE, I'M FINE.
-IT'S NICE TO HAVE
A CHANCE TO TALK.
WITHOUT A BABY CRYING
OR HOBIE AND HIS FRIENDS
CHARGING THROUGH THE HOUSE.
I'M SORRY ABOUT PRESSURING
YOU ABOUT MY REINSTATEMENT.
MAYBE IT'S NOT A GOOD IDEA FOR
ME TO COME BACK TO BAYWATCH.
-I DIDN'T SAY THAT.
-I WANT YOU TO KNOW
THAT WHATEVER YOU DECIDE,
I STILL LOVE YOU.
BY THE WAY, I WORKED IT
OUT THAT WE CAN OFFICIALLY
TIE THE KNOT
WHATEVER DAY WE WANT.
-AH-HA, YOUR BOSS
HAD A CHANGE OF HEART.
-NO, HE'S NOT MY
BOSS ANY MORE. I QUIT.
KNOW ANYBODY WHO NEEDS
A GOOD LIFEGUARD?
-CRAIG: I CAN'T BELIEVE THIS.
SHE FILED A SEXUAL HARASSMENT
SUIT AGAINST MATT BRODY?
MATT BRO--
-I KNOW, I KNOW. I
COULDN'T BELIEVE IT EITHER.
-SHE GOT A LETTER OF
REPRIMAND FROM STEPHANIE HOLDEN
FOR GETTING CAUGHT
DRINKING IN HER TOWER.
HAVE YOU ACTUALLY READ
THIS PERSONNEL FILE?
-READ IT, PAL? I LIVED IT.
-MAYBE SHE HAD A PROBLEM
WITH PILLS AFTER I ASKED
SHE WAS BORN, BUT THIS IS LIKE
A TOTALLY DIFFERENT PERSON.
-NEELY'S GONE THROUGH
A LOT OF CHANGES
SINCE SHE'S BEEN HERE AT
BAYWATCH, BUT SHE'S ALSO
DONE A LOT GROWING UP.
-I DON'T MEAN TO SAY YOU
SHOULDN'T BRING HER BACK,
IT'S JUST THAT THIS SEEMS LIKE
A TOTALLY DIFFERENT PERSON.
-DON'T WORRY ABOUT NEELY, PAL.
SHE'S ONE OF THE BEST
LIFEGUARDS WE HAVE.
-OKAY, IF YOU'RE NOT
WORRIED, I'M NOT WORRIED.
-HEY.
-MITCH: HEY.
-GUESS WHAT? I HAVE AN
INTERVIEW WITH CALVIN KLEIN.
-WAY TO GO. I HAVE TO CHANGE
-GREAT, IS THIS THE
INTERNSHIP YOU TOLD ME ABOUT?
-ACTUALLY, IT'S
A REAL JOB OFFER.
I SENT SOME OF THE SAMPLES I
DID FOR CALIFORNIA LIFESTYLES.
I DIDN'T EXPECT A RESPONSE.
-WHEN'S THE INTERVIEW?
-TOMORROW. I FLY TO NEW
YORK AT 5:30 IN THE MORNING.
-HEY. DID I HEAR YOU SAY
YOU'RE GOING TO NEW YORK?
-OH, THAT'S RIGHT. YOU'RE
GOING TO SEE LANI, HUH?
-YEAH, I'M ON THE EARLY
BIRD TOMORROW MORNING.
-ME, TOO.
-EXCELLENT, YOU
CAN CARRY MY BAGS.
-[LAUGHING SARCASTICALLY]
-OFF TO OPEN THE TOWER.
SEE YOU IN THE MORNING.
-IN THE MEANTIME, I
NEED TO TX WITH SOMEONE.
WHO WOULD WANT TO
TAKE MY SCHEDULE
FOR THE NEXT FEW DAYS?
-DON'T LOOK AT ME.
-HOW ABOUT NEELY?
-NEELY'S BACK? SINCE WHEN?
-THIS MORNING.
-WHAT TOWER?
-[PLANE ROARING]
-YEAH, THE NEW REGULATORS
THAT DACOR HAVE
ARE UNBELIEVABLE.
-[PHONE RINGING]
-EXCUSE ME.
BUCHANNON.
-MITCH? DID YOU DO THE
TOWER ASSIGNING THIS MORNING?
-NEELY, YOU HAVE TO SPEAK UP,
I CAN'T HEAR YOU.
-CRAIG: PUT HER ON SPEAKER.
-OF COURSE YOU CAN'T HEAR ME.
THERE'S 747S TAKING
OFF DIRECT OVERHEAD.
-YOU PUT HER AT KILGORE 1?
-I DIDN'T.
-I DIDN'T WANT ANYONE TO
ACCUSE YOU OF PLAYING FAVORITES.
-YEAH, NO SPECIAL TREATMENT
FOR THE BOSS'S WIFE.
-WELCOME BACK, NEELY.
-WHAT DID SHE SAY?
-ALL: WELCOME BACK.
-OH, THANKS, GUYS.
IT'S GOOD TO BE BACK.
ALTHOUGH, I THINK
I'LL NEVER HEAR AGAIN.
-[PLANES ROARING]
-THE TOWER IS SHAKING.
-[LAUGHING]
-NEELY: CRAIG?
-YES, NEELY.
I'M GOING TO GET
YOU FOR THIS.
-OKAY.
-[BABY CRYING]
-OH, HEY, HEY, HEY.
I GOT YOU, HONEY.
-SHE'S ALL YOURS.
NEELY'S MOM IS GONNA PICK
HER UP IN ABOUT AN HOUR.
-OH, HERE YOU GO.
-EXCUSE ME, SORRY
TO BOTHER YOU.
I KNOW SOMEONE WHO
USED TO WORK HERE.
NEELY CAPSHAW? IS
SHE STILL AROUND?
IF NOT, DO YOU KNOW WHERE I
MIGHT BE ABLE TO FIND HER?
-AND YOU ARE?
-PETER: PETER ANDREWS.
-HER EX-HUSBAND?
-YES.
-OH, DID YOU COME
BY TO SEE ASHLEY?
-PETER: I BEG YOUR PARDON?
-DOES NEELY KNOW
YOU'RE IN TOWN?
-NOT UNLESS SHE'S PSYCHIC.
I'VE BEEN IN THE HIMALAYAS
THE LAST SIX MONTHS
AND I'M AFRAID
WE LOST TOUCH.
-WELL, THAT'S FUNNY, SHE
SAID SHE SAW YOU IN ALASKA.
-ALASKA?
-YEAH, LAST MONTH IN JUNO.
WITH YOUR NEW WIFE
AND NEW BABY.
-THAT SEEMS RATHER ODD
SINCE I'M NOT MARRIED.
I CERTAINLY DON'T
HAVE A CHILD.
-YEAH, YOU DO.
PETER, THIS IS YOUR
DAUGHTER, ASHLEY.
-[CALMING MUSIC]
-HEY, PAL. YOU OKAY?
-GO AHEAD, SAY IT.
-SAY WHAT?
-WHAT'D YOU BEEN THINKING
SINCE I CAME BACK FROM ALASKA.
THAT I GOT CAUGHT UP IN
SOME SHIP BOARD ROMANCE
AND TEMPORARILY
LOST MY MIND.
-THAT'S NOT WHAT I THINK.
I THINK YOU REALLY LOVE NEELY
AND THAT'S WHY IT HURTS.
I ALSO THINK THAT'S
WHY SHE DESERVES
THE BENEFIT OF THE DOUBT.
THE FACT IS YOU DON'T KNOW
WHO'S TELLING THE TRUTH.
YOU SHOULD AT LEAST HEAR
HER SIDE OF THE STORY.
-PLAYED THIS THING OVER IN
MY MIND A THOUSAND TIMES.
SHE HAD THE WHOLE
THING PLANNED.
-WHY WOULD SHE LIE ABOUT
SOMETHING LIKE THAT?
-YOU READ HER FILE. SHE'S
BEEN LYING HER WHOLE LIFE.
-[CAR HONKING]
-HEY, MITCH. I
JUST SAW NEELY.
SHE'S GONNA WORK
OUT AFTER HER SHIFT.
SAYS SHE'LL SEE YOU AT HOME.
-THANKS.
-IS EVERYTHING OKAY?
-YEAH, IT'S JUST FINE, J.D.
-NEVER HAD A BETTER DAY.
-[MELANCHOLY MUSIC]
MITCH: WHAT HAPPENED
WITH PETER?
-NEELY: PETER'S MARRIED.
-MITCH: WHAT?
-YEAH, I MET HIS WIFE
AND HIS LITTLE BABY BOY.
-YOU'RE KIDDING.
-OBVIOUSLY WE'RE NOT
GETTING BACK TOGETHER.
HE'LL COME AND SEE
ASHLEY WHENEVER HE CAN,
BUT OTHERWISE
WE'RE ON OUR OWN.
-ARE YOU OKAY WITH THAT?
-WELL, TO BE HONEST WITH
YOU, IT'S A HUGE RELIEF.
I KNEW IN MY HEART
IT WOULD NEVER WORK.
I MEAN, HOW CAN
YOU BE WITH SOMEONE
WHEN YOU'RE IN LOVE
WITH SOMEONE ELSE?
ONLY QUESTION NOW
IS DOES HE LOVE ME?
-WHO'S HE?
-YOU.
-ME?
-DO YOU?
-MITCH: DO I WHAT?
-LOVE ME.
-NEELY, I LOVE YOU MORE
THAN ANYONE I'VE EVER LOVED
IN MY ENTIRE LIFE.
-SURPRISE. STILL HERE?
-YEAH.
-MITCH, WHAT'S WRONG?
-SOMEONE CAME BY
TO SEE YOU TODAY.
-WHO?
-MITCH: YOUR EX-HUSBAND.
-PETER?
-INTERESTING THOUGHT.
CLAIMS HE'S BEEN IN THE
HIMALAYAS THE LAST SIX MONTHS.
THAT HE'S NEVER BEEN TO ALASKA
AND THAT HE HASN'T SEEN YOU
IN OVER A YEAR.
-WHAT, MITCH? THIS IS ANOTHER
ONE OF YOUR PRACTICAL JOKES.
-HAD ABSOLUTELY NO IDEA
THAT HE WAS A FATHER.
-OH, MY GOD. YOU DIDN'T
LET HIM NEAR ASHLEY.
HE PROBABLY CAME
HERE TO KIDNAP HER.
WHERE IS SHE?
WHERE'S MY BABY?
-YOUR MOTHER CAME
BY TO PICK HER UP.
-LOOK, I WANNA
CALL AND MAKE SURE.
-WHY DID YOU LIE
TO ME ON THE CRUISE?
WHY DID YOU TELL ME
YOU WENT TO SEE PETER
AND THAT HE WAS MARRIED?
WHY DID YOU DO THAT? WHY?
-LOOK, I DON'T KNOW WHAT'S
GOING ON HERE, MITCH,
BUT MY ONLY CONCERN AT
THE MOMENT IS THE SAFETY
OF MY CHILD, NOW
PLEASE LET ME GO.
-NOT UNTIL YOU
ANSWER MY QUESTION!
WHY DID YOU LIE TO ME? WHY?
-BECAUSE I DIDN'T
THINK IT WOULD MATTER!
I DIDN'T KNOW THAT YOU WERE
GOING TO PROPOSE TO ME.
ALL I WAS THINKING WAS
THAT I DIDN'T WANT TO DEAL
WITH MY EX-HUSBAND.
-OH, COME ON.
YOU COULD'VE SAID SOMETHING
TO ME AFTER I PROPOSED.
-I KNOW, I KNOW.
I SHOULD HAVE.
I WAS STUPID.
-OH, THAT'S NOT IT.
YOU'RE NOT STUPID.
-I WAS ALSO IN LOVE. I
FELT LIKE I WAS IN A DREAM.
I DIDN'T WANT TO WAKE UP.
I DIDN'T WANT IT TO END.
IF I HAD TOLD YOU THE TRUTH,
WHAT WOULD YOU HAVE DONE?
-YOU DON'T LIE TO
SOMEONE THAT YOU LOVE.
-I DIDN'T WANT TO LOSE
YOU. I STILL DON'T.
MITCH, PLEASE FORGIVE ME.
DON'T LET PETER
COME BETWEEN US.
-IT'S NOT ABOUT PETER.
IT'S ABOUT YOU.
-WE CAN WORK THIS OUT.
-NOT IF I CAN'T BELIEVE
ANOTHER WORD YOU SAY.
-[MELANCHOLY MUSIC]
-IF THAT'S THE WAY YOU FEEL,
THEN I WON'T SAY ANOTHER WORD.
-[PHONE RINGING]
-HELLO?
-HEY, HOW'D IT GO?
-MITCH: I CAN'T
TALK RIGHT NOW, PAL.
-IS SHE RIGHT THERE?
-NO, NO. SHE'S UPSTAIRS
LOCKED IN THE BEDROOM.
I'M DOWNSTAIRS
MAKING UP THE COUCH.
-WELL, THAT PRETTY MUCH
GIVES ME THE PICTURE.
-I JUST DON'T KNOW HOW I'M
GOING TO TRUST HER AFTER THIS.
-YEAH, THE QUESTION
BECOMES WHAT ARE YOU GOING
TO DO ABOUT IT?
-I KNOW. I DON'T WANT
TO THINK ABOUT IT.
LISTEN, I'M ABOUT TO DROP.
-CRAIG: GET SOME SLEEP.
I'LL CHECK ON YOU FIRST
THING IN THE MORNING.
-OKAY, THANKS. HEY,
THANKS FOR CALLING.
-YEAH.
-[MELANCHOLY MUSIC]
-MITCH: OW!
-[GLASS SHATTERING]
-MITCH: WHAT A DAY.
-[THRILLING MUSIC]
-WELCOME ABOARD.
-APRIL: HI.
-FIRST CLASS IS TO YOUR
RIGHT. ENJOY YOUR FLIGHT.
-THANK YOU.
-EXCUSE ME.
-OH, WE'RE TOGETHER.
-I STILL NEED TO
SEE YOUR TICKET.
-OKAY.
-I'M AFRAID THAT
YOUR SEAT IS IN COACH.
-WHAT? HOW CAN THAT BE?
OH, THEY MUST'VE GIVEN
ME THE WRONG TICKET.
-CODY.
-AND I SUPPOSE YOU'RE
ON YOUR HONEYMOON?
-HOW'D YOU GUESS?
-I DON'T KNOW HIM.
-COME ON, BUDDY. LET'S GO.
-APRIL.
I DON'T SUPPOSE THERE'S
ANY WAY YOU CAN UPGRADE ME.
LOOKED LIKE A LOT OF
EMPTY SEATS UP THERE.
-NOT AFTER THAT
LAME PERFORMANCE.
BESIDES, I COULD
USE A GUY LIKE YOU.
-REALLY?
-THAT IS IF YOU'RE
REALLY A LIFEGUARD.
-YEAH, I'M A LIFEGUARD.
-HERE'S YOUR SEAT.
-THOUGHT I WAS IN 17A.
-YOU WERE, BUT TYLER HERE
IS TRAVELING BY HIMSELF
AND HE COULD
USE THE COMPANY.
-AND MY INCENTIVE WOULD BE?
-FREE HEADPHONES.
-GREAT.
HOW YOU DOING, PAL?
MY NAME'S CODY.
-I'M TYLER.
-NICE TO MEET YOU, TYLER.
-THEY'RE SERVING SAUSAGE
AND PANCAKES FOR BREAKFAST.
-REALLY?
-LAST TIME I FLEW, I
HAD A CHICKEN POT PIE.
-OH, YEAH? HOW WAS IT?
-MADE ME BARF.
-OKAY.
-SAY WHEN.
-THAT'S GREAT. THANKS.
-WE'LL HAVE FULL
COCKTAIL SERVICE ONCE
WE'RE UP IN THE AIR.
-OKAY.
HI.
-GOOD MORNING.
-WOW, I'M A BIG
FAN OF YOUR FILMS.
-OH, THANK YOU.
THAT'S SWEET OF YOU.
-ESPECIALLY THE OBLITERATOR.
YOU KNOW THAT ACTION SEQUENCE
AT THE END IS AWESOME.
I'M APRIL GIMINSKI.
-HANS.
-APRIL: HI.
-OH, EXCUSE ME, SORRY.
I'M SORRY, I BELIEVE I
HAVE 7A IN THE WINDOW.
-ACTUALLY, WOULD YOU BE MORE
COMFORTABLE ON THE AISLE?
-WOULD YOU MIND?
-NOT AT ALL.
-GREAT.
-HERE, LET ME HELP YOU.
-THANKS.
-PILOT: GOOD
MORNING, EVERYBODY.
ON BEHALF OF COAST WEST
AIRLINES FLIGHT 619
TO NEW YORK'S JOHN
F. KENNEDY AIRPORT,
I'D LIKE TO WELCOME
YOU ABOARD.
MY NAME'S BRENT MUELLER,
YOUR CAPTAIN THIS MORNING.
TIME EN ROUTE, FIVE
HOURS, 15 MINUTES.
WE'LL BE CRUISING
AT 37,000 FEET.
WE'VE GOT SOME THUNDER
STORMS REPORTED EN ROUTE.
COURTESY OF EL NINO.
IN FACT, JUST OFF SHORE, WE'VE
GOT SOME DEVELOPING ACTIVITY.
WHAT THAT MEANS IS WE
COULD HAVE A BUMP OR TWO
AFTER TAKE OFF, SO
PLEASE STAY IN YOUR SEATS
WITH YOUR SEAT BELTS
FASTENED, THANK YOU.
-WHAT ARE YOU GONNA DO IN
NEW YORK? YOU LIVE THERE?
-NO, WE'RE GOING TO
VISIT MY GRANDPARENTS.
WHAT ABOUT YOU?
-GONNA SEE MY GIRLFRIEND.
-SHE LIVE IN NEW YORK?
-YUP, SHE JUST MOVED THERE.
SHE OPENS TOMORROW
ON BROADWAY.
SHE'S A DANCER.
-ARE YOU A DANCER?
-[LAUGHS] NO, I
AM NOT A DANCER.
-SO, WHEN ARE YOU DUE?
-NOT FOR ANOTHER MONTH.
I KNOW I'M HUGE.
-NO, YOU'RE NOT.
-IT'S OKAY, WE'RE GONNA
NEED THAT MUCH TIME
TO COME UP WITH A NAME.
-IS IT A BOY OR A GIRL?
-WE DON'T KNOW YET,
SO WE'VE GOT TO COME UP
WITH TWO SETS OF NAMES.
I LIKE SHARON OR
SHEILA IF IT'S A GIRL
AND ROGER OR ROBERT
IF IT'S A BOY.
MY HUSBAND LIKES
HECTOR IF IT'S A BOY
AND SYDNEY IF IT'S A GIRL.
YOU CAN SEE WHY WE'RE NOT
SPEAKING AT THE MOMENT.
-ALL SET?
-ALL SET.
-CLEAR RIGHT.
-CLEAR RIGHT.
-TRAFFIC CONTROL: CENTER FIELD
WIND AT 25 GUSTING TO 30 SOUTH
FIELD WIND AT 10.
LAST AIRCRAFT REPORTED
LOSS OF 10 TO 15 KNOTS.
COAST WEST 619, YOU
ARE CLEAR FOR TAKE OFF.
-TOM, I'M JUST GONNA
CARRY A LITTLE EXTRA SPEED.
WE'RE UPDATING A LITTLE SLOW.
-OKAY. LET'S GO.
-I HATE THIS PART.
-IT'S GONNA BE OKAY, PAL.
-WE MUST BE GOING
THROUGH THE STORM.
-[THUNDER CRASHING]
-[OMINOUS MUSIC]
-AIR SPEED. TIME
RATE'S DECREASING.
-[BEEPING]
-WIND SHEAR, WIND SHEAR.
LIGHT BUZZ FIVE. 6500,
BUZZ LIGHT MINUS FIVE.
SINK A THOUSAND,
MINUS 17, SINK 15.
WE'RE LOSING IT.
-[SCARED SHOUTING]
-WHAT'S HAPPENING?
ARE WE GONNA CRASH?
-[BEEPING]
-[SCREAMING]
-WE'RE NOT GONNA MAKE IT.
TELL THE PASSENGERS
WE'RE GOING IN.
-PREPARE FOR IMPACT.
PREPARE FOR IMPACT.
PREPARE FOR IMPACT.
-MY GOD.
-HOLD YOUR HEAD BETWEEN
YOUR LEGS, TYLER.
-MAYDAY,
MAYDAY, MAYDAY.
-[SCREAMING]
-PLEASE STAY CALM!
WE WILL GET YOU OUT.
DON'T PANIC.
-[SCREAMING AND SHOUTING]
-TYLER, TYLER,
YOU ALL RIGHT?
ALL RIGHT, COME ON, KID.
LET'S GET OUT OF HERE.
-CODY, HELP!
-COME ON, COME
ON, COME ON!
COME ON, STAY
WITH ME, TYLER.
-APRIL: FRANCINE?
FRANCINE?
ARE YOU OKAY? ARE YOU OKAY?
-I THINK SO.
-OKAY, LET'S GET
THIS OFF YOU.
-OKAY.
-APRIL: ANY PAIN?
-NO.
-OKAY, YOU ALL RIGHT?
HANG IN THERE. HOLD ON.
HANS! HANS?
COME ON, YOU OKAY?
YOU ALL RIGHT?
-WHERE ARE WE?
DO YOU SEE ANYTHING?
-WE'RE STILL ABOVE WATER.
I'M GONNA LOOK FOR
A WAY OUT, OKAY?
OKAY? ALL RIGHT.
-[SHOUTING]
-OKAY, TYLER, WE GOTTA
PUT THIS ON YOU.
OKAY, TYLER, IT'S
YOUR TURN, MAN.
I'LL BE RIGHT BEHIND YOU.
-I DON'T SEE ANYBODY ELSE.
-WHAT ABOUT MY GLASSES?
I WON'T BE ABLE TO SEE.
-I'LL HOLD YOUR
GLASSES, NOW GO.
CLOSE YOUR EYES AND JUMP.
TYLER! TYLER!
TYLER! TYLER!
-TYLER!
-DO YOU SEE HIM?
-NO!
-CODY: TYLER!
-WOMAN: TYLER!
-DO YOU HEAR
MY VOICE? TYLER!
TYLER!
I CAN'T FIND HIM.
-HE'LL TURN UP. I
NEED YOUR HELP HERE.
-HE'S GOT A LIFE VEST ON,
HE COULDN'T HAVE DROWNED.
TYLER!
-CODY!
-TYLER!
-CODY!
-[GROANING]
-OH, MY GOD.
WE'VE GOT TO GET THIS
OFF OF YOU. ARE YOU OKAY?
-I THINK SO.
-HANS, FRANCINE!
CAN YOU HELP?
JUST HANG IN THERE,
JUST HANG IN THERE.
WE GOTTA GET IT OFF.
-WE NEED MORE HELP,
GO CHECK THE PILOTS.
-I'LL BE RIGHT BACK.
-MAN: IT'S ON MY LEG.
-[GRUNTING]
-CAPTAIN? CAPTAIN?
CAPTAIN?
-IT ONLY OPENS
FROM THE INSIDE.
THEY MUST NOT HAVE MADE IT.
-WE HAVE TO SEE. HANS,
CAN YOU COME HELP ME?
THERE'S SOMETHING
BLOCKING THE DOOR.
-HANS: IT'S BLOCKED.
-I GOTTA GET THROUGH
THERE. HOLD ON, HOLD ON.
THEY'RE BOTH DEAD AND
IT'S COMPLETELY COLLAPSED.
-WE'RE ALL GOING
TO DIE. NO ONE KNOW.
-THERE'S GOT TO
BE A WAY OUT.
-WE CAN'T USE THE EMERGENCY
DOOR. IT ALL GOT CRUSHED.
IT'S GONNA BE OKAY.
-THE WHOLE GALLEY'S CAVED
IN, WE CAN'T GET OUT THIS WAY.
-IT'S RAN. WE'RE
ALL GONNA DIE.
WE'RE ALL GONNA DIE.
I DON'T WANNA DIE.
-[SHOUTING]
-CODY, WHAT'S WRONG?
-MY RIBS, FEELS LIKE
I BROKE A COUPLE.
I'LL BE ALL RIGHT.
-CODY, THE FRONT OF
THE PLANE IS GONE.
-APRIL, I GOTTA FIND HER.
-CODY, IT'S GONE.
FIRST CLASS BROKE OFF.
IT EITHER SANK OR IT WAS
DESTROYED IN THE IMPACT.
-NO, THERE'S NO WAY.
-SHARK!
-[SCREAMING AND SHOUTING]
-APRIL: IS THERE A
FLASHLIGHT ON BOARD?
-IT SHOULD BE RIGHT
OVER THERE SOME WHERE.
-OH, GOD. OH, MY GOD.
-WHAT'S WRONG?
-I'M HAVING A CONTRACTION.
-SHE'S GOING TO
HAVE A BABY.
-APRIL: NO, SHE'S NOT.
-YES, I AM.
-JUST HANG IN
THERE, FRANCINE.
-APRIL: GOT IT.
-I'M HAVING ANOTHER ONE.
-OKAY, TAKE A DEEP
BREATH. HOLD IT, HOLD IT.
LET IT OUT.
TAKE ANOTHER DEEP BREATH.
-COME ON. GIVE ME YOUR
HAND, GIVE ME YOUR HAND.
-GRAB ON, PAL. GRAB ON.
-YOU GUYS ALL RIGHT?
-OH, MY GOD. OH, MY GOD.
-[DRAMATIC MUSIC]
-[END THEME PLAYING]
-[LIGHTNING STRIKING]
-[THUNDER CRASHING]
-MITCH: 201 TO KMF 295.
-CRAIG: WHAT'S YOUR 20?
-MITCH: COMING UP ON
WILL ROGERS, TOWER 14.
-CRAIG: STILL RAINING?
-MITCH: NO, JUST
A BIT OF A DRIZZLE.
-CRAIG: ANYONE ELSE CRAZY
ENOUGH TO BE OUT THERE?
-MITCH: [CHUCKLES]
NOPE, NOT A SOUL.
-ARE YOU STILL GONNA
OPEN THAT TOWER?
-YEAH, IF I CAN FIND IT.
CRAIG, YOU MIGHT'VE
BEEN RIGHT ABOUT MOVING
THE TOWERS INTO
THE PARKING LOT.
WE'RE LOOKING AT A
MAJOR HIDE TIDE HERE.
-CRAIG: HOW MAJOR?
-IF YOU DON'T HEAR
FROM ME IN FIVE MINUTES,
SEND BACK UP.
BUCHANNON HERE. OPEN
AND READY FOR BUSINESS.
-HE SAID, THUMBING HIS
NOSE DEFIANTLY AT EL NINO.
-NO, JUST SAYING ENOUGH
WITH ALL THE HYPE.
I'VE BEEN THROUGH ENOUGH
WINTERS THAT MAKE EL NINO
LOOK LIKE A SUN SHOWER.
-CRAIG: MITCH? MITCH?
-CAN I CALL YOU RIGHT BACK?
[SCREAMING]
[SCREAMING]
IS THAT THE BEST YOU'VE GOT?
COME ON! COME ONE!
-[THEME MUSIC PLAYING]
-♪ SOME PEOPLE STAND
IN THE DARKNESS ♪
♪ AFRAID TO STEP
INTO THE LIGHT ♪
♪ SOME PEOPLE NEED
TO HELP SOMEBODY ♪
♪ WHEN THE EDGE OF
SURRENDER'S IN SIGHT ♪
♪ DON'T YOU WORRY
♪ IT'S GONNA BE ALL RIGHT
♪ 'CAUSE I'M ALWAYS READY
♪ I WON'T LET YOU
OUT OF MY SIGHT ♪
♪ I'LL BE READY
♪ I'LL BE READY
♪ NEVER YOU FEAR
♪ NO, DON'T YOU FEAR
♪ I'LL BE READY
♪ FOREVER AND ALWAYS
♪ I'M ALWAYS HERE
-MITCH: STILL NO
PULSE, BEGIN CPR.
-ONE, TWO,
THREE, FOUR, FIVE.
ONE, TWO,
THREE, FOUR, FIVE.
-MITCH: WHO KNEW THAT THIS
RESCUE WOULD SET IN MOTION
A CHAIN OF EVENTS THAT
WOULD CHANGE MY LIFE
MORE THAN I
COULD EVER IMAGINE.
-CRAIG: ONE, TWO,
THREE, FOUR, FIVE.
-[COUGHING]
-YOU OKAY?
ARE YOU OKAY?
MORE THAN 48 HOURS LATER,
CRAIG WOULD BE ASKING
THE SAME QUESTION.
CALL IT THE EL NINO
EFFECT OR JUST THE FACT
THAT THINGS NEVER
SEEM TO GO AS PLANNED.
HEY!
-HEY!
-COME ON, WORK OUT WITH ME.
-OH, I WISH I COULD BUT I
GOTTA SET UP THE LOUNGE CHAIRS.
BESIDES, WE'RE NOT
ALLOWED TO WORK OUT
WHILE WE'RE ON THE CLOCK.
-SINCE WHEN?
-IT'S PART OF THE MANAGEMENT'S
NEW AUSTERITY PROGRAM.
WE'RE SUPPOSED TO STAY
IN SHAPE ON OUR TIME.
-WOW, THAT'S REALLY
PINCHING PENNIES.
-YEAH, TELL ME ABOUT IT.
THEY'VE ALREADY CUT
OUT ALL THE OVER TIME.
REDUCED LUNCH TO 20
MINUTES AND LATEST RUMOR'S
THAT HALF THE STAFF
IS GETTING LAID OFF.
ON THE OTHER HAND, I
FELL ASLEEP LAST NIGHT
COUNTING MY BLESSINGS.
OF WHICH YOU WERE AT
THE TOP OF THE LIST.
ARE YOU AS HAPPY AS I AM?
-NEVER BEEN HAPPIER.
-NO SECOND THOUGHTS
ABOUT GETTING MARRIED?
-NOT A ONE.
-EVEN THOUGH YOU WERE UP ALL
NIGHT WITH THE CRYING BABY.
-HEY, THAT'S THE BEST PART.
I MEAN, THAT'S THE
SECOND BEST PART.
-YEAH. [LAUGHS]
-OH, WHICH REMINDS ME, WE
NEED TO GET A ROCKING CHAIR.
I USED TO HAVE HOBIE IN A
ROCKING CHAIR, YOU KNOW,
I'D READ TO HIM AND
HE'D FALL RIGHT ASLEEP.
-OH, I WOULD LOVE
TO HAVE ONE.
MAYBE THIS WEEK WE
CAN GO SHOPPING.
-I'M SCHEDULED
TO WORK BOTH DAYS.
-THEN, MAYBE ONE
NIGHT AFTER WORK?
-TEACHING CPR AT SANTA
MONICA COLLEGE NIGHTS.
-OH, YEAH, THAT'S RIGHT.
-WE'LL FIND SOME
TIME OKAY?
-MAYBE WE CAN FIND A
24 HOUR ANTIQUE STORE.
-YEAH.
-MAN ON INTERCOM: NEELY CAPSHAW,
PLEASE REPORT TO THE OFFICE.
-NO REST FOR THE WEARY.
-I THOUGHT YOU CHANGED YOUR
NAME TO BUCHANNON, GIRL.
-I TOLD THEM I WAS
CHANGING MY NAME.
NOBODY LISTENS TO
ME AROUND HERE.
-MAN ON INTERCOM:
NEELY, TO THE OFFICE.
-YOU HEARD THE
MAN. GOTTA GO.
-HAVE A GOOD DAY
AND I WILL STOP BY
AND CHECK ON YOU LATER.
-I'LL SEE YOU THEN.
I LOVE YOU,
MITCH BUCHANNON.
-I LOVE YOU,
NEELY BUCHANNON.
-[UPBEAT MUSIC]
-HEY.
-MITCH: HEY.
-CAN YOU BELIEVE
THIS WEATHER?
YESTERDAY IT'S
PRACTICALLY A MONSOON,
TODAY IT'S GONNA
BE IN THE 90S.
-WHICH MEANS WE
EXPECT A FULL HOUSE.
EL NINO STRIKES AGAIN.
-DID YOU GET MY
MESSAGE ABOUT MONDAY?
I'VE GOT TO BE IN
COURT, I'M NOT GOING
TO BE ABLE TO MAKE IT.
IS THERE ANY WAY
YOU CAN RESCHEDULE?
-NO, THE MINISTER'S OUT
OF TOWN FOR THE WEEK.
-SORRY.
-CRAIG, YOU'RE MY BEST MAN.
-HOW ABOUT A
JUSTICE OF THE PEACE.
I MEAN IT'S
JUST A TECHNICALITY.
-I'LL TALK TO NEELY.
-CRAIG: GOOD.
-HOLD ON, TALK TO ME
FIRST. WHAT'S GOING ON HERE?
MINISTER, JUSTICE OF THE PEACE,
I THOUGHT YOU GOT MARRIED
ON THE CRUISE?
-IT'S A LITTLE KNOWN FACT
THAT THE CAPTAIN OF THE SHIP
CAN'T LEGALLY MARRY ANYBODY.
THAT ONLY HAPPENS
IN HOLLYWOOD MOVIES.
-WE NEED A BLOOD
TEST, MARRIAGE LICENSE.
-NOTE FROM YOUR MOM.
-SAME DAY OFF.
-OKAY, SO YOU'RE OFFICIALLY
NOT HUSBAND AND WIFE.
-NOT OFFICIALLY, BUT I THINK
HE'S CHANGED ENOUGH DIAPERS
TO QUALIFY AS THE FATHER.
-[LAUGHING]
-[DANCE MUSIC]
-MITCH: 201 TO KMF 295.
I'M AT THE SAND AND SEA CLUB.
I'M GONNA TAKE FIVE AND
SAY HI TO MY LOVELY WIFE.
-DISPATCH: ROGER THAT.
-OH, NO, NO, NO, NO.
NO, NO, PLEASE.
THANK YOU. THANK YOU.
-HEY.
YOU COULD STAND TO USE
A FEW MORE UMBRELLAS.
-I WISH. THE NEW MANAGER
CAN'T AFFORD THEM.
I DON'T WANT TO ARGUE
WITH HIM ANY MORE.
HE'S ALREADY UPSET THAT
I ASKED FOR A DAY OFF.
-WOMAN: NEELY!
-LOOKS LIKE YOU'RE
BEING PAGED.
-I'LL BE RIGHT WITH
YOU, MRS. MURDOCH.
I'M TALKING TO MY HUSBAND
IF YOU DON'T MIND.
ISN'T THIS FUN?
-COME ON, I THOUGHT WE AGREED
THERE'S CERTAIN ADVANTAGES
TO THIS JOB.
-YOU MEAN LIKE US NOT
HAVING TO WORK TOGETHER?
-NO, LIKE DAYCARE CENTER.
THE FACT YOU CAN BRING
ASHLEY TO WORK WITH YOU.
-WE CAN GET SOMEBODY
ELSE TO WATCH HER.
MY MOM, HOBIE, YOUR MOM.
MITCH, THIS PLACE
IS DRIVING ME CRAZY.
I'M NOTHING BUT A GLORIFIED
CABANA GIRL AT BEST.
I WANNA BE A REAL
LIFEGUARD AGAIN.
-[LIVELY MUSIC]
-♪ AND I'M SO SICK OF
♪ DOING THE SAME OLD TRICKS YEAH
♪ STUCK AT MY 9 TO 5 HAS GOT
♪ ME HYPNOTIZED AND I DON'T REALIZE
♪ BUT I'LL BE FINE JUST
♪ WATCHING THE DAYS GO BY WHILE
♪ EVERYONE'S OUT THERE IN THE WORLD
♪ I'M STUCK FIGHTING JUST
♪ TO GET SOME AIR AND
♪ I'M OVER IT
♪ SO DISMISSED
♪ I'M BREAKIN OUT OR I'LL FREAK OUT
♪ I'M SO OVER
♪ I'M OVER IT
♪ NO ONE WILL NOTICE
♪ I'M TAKIN OFF TO BIGGER THINGS ♪
♪ I'M SO OVER IT
♪ AND I'M SO SICK OF
♪ DOING THE SAME OLD TRICKS YEAH
♪ STUCK AT MY 9 TO 5 HAS GOT
♪ ME HYPNOTIZED AND I DON'T REALIZE
♪ BUT I'LL BE FINE JUST
♪ WATCHING THE DAYS GO BY WHILE
♪ EVERYONE'S OUT THERE IN THE WORLD ♪
♪ AND I'M STUCK FIGHTING
♪ JUST TO GET SOME AIR
♪ I'M OVER IT
♪ SO DISMISSED
♪ I'M BREAKIN OUT OR I'LL FREAK OUT
♪ I'M SO OVER I'M OVER IT
♪ NO ONE WILL NOTICE
♪ I'M TAKIN OF TO BIGGER THINGS
♪ I'M SO OVER IT
[MUMBLED CHANTING OVER MUSIC]
♪ I'M OVER IT
♪ SO DISMISSED
♪ I'M BREAKIN OUT OR I'LL FREAK OUT
♪ I'M SO OVER I'M OVER IT
♪ NO ONE WILL NOTICE
♪ I'M TAKIN OF TO BIGGER THINGS
♪ I'M SO OVER IT
-[SOLEMN MUSIC]
-[COUGHING]
-J.D., OVER THERE.
-LET'S GO.
-[SIRENS SCREECHING]
-CODY: J.D. GET OVER HERE!
-WATCH HER NECK, MAN.
-NICE AND EASY.
I GOT HER HEAD.
I DON'T KNOW WHAT HAPPENED. SHE
WAS JUST FLOATING OUT THERE.
-NO PULSE, SHE'S
NOT BREATHING.
STILL NO PULSE. BEGIN CPR.
-ONE, TWO,
THREE, FOUR, FIVE.
ONE, TWO,
THREE, FOUR, FIVE.
ONE, TWO,
THREE, FOUR, FIVE.
ONE, TWO--
-[COUGHING]
-OKAY, THAT'S IT.
EASY, EASY. EASY NOW.
SLOW BREATH, TAKE
A SLOW BREATH.
OKAY, YOU OKAY? YOU OKAY?
ARE YOU OKAY? DO YOU
KNOW WHERE YOU ARE?
WHAT'S YOUR NAME?
-SHE'S COMING OUT OF IT.
-CHRIS, GET SOME O2 IN
HERE. CODY GET A BACK BOARD.
-CODY: YUP.
-CHRIS: NEED SOME O2.
-[COUGHING]
-SEIZURE. GIVE HER
SOME SPACE.
SECURE HER HEAD.
-J.D.: I GOT HER HEAD.
-SHE CAN'T BREATHE, IT'S
CHOKING UP HER AIRWAY.
-ALL RIGHT, ALL RIGHT. EASY.
-CHRIS: HERE YOU GO, MITCH.
-O2.
-J.D.: OKAY, ONE,
TWO, THREE, ROLL.
SET HER DOWN.
ON THREE,
WE'RE GONNA LIFT.
ONE, TWO, THREE, LIFT.
-ALL RIGHT, LET'S GO!
-J.D.: GRIP HER HEAD.
-WOMAN: OKAY, GOT HER.
COME ON.
OKAY.
-MITCH: WE'RE GOOD.
-WOMAN: HER HEAD'S SECURE.
ALL CLEAR.
-[SIRENS BLARING]
-HEY, YOU.
-NEELY: HI.
THE HOSPITAL CALLED. THE
VICTIM'S OUT OF SURGERY.
-REALLY, HOW'D IT GO?
-WELL, THEY WERE ABLE
TO CONTROL THE INJURY.
SHE'LL HAVE A PRETTY BAD
HEADACHE FOR A COUPLE OF DAYS,
BUT THERE'S NO BRAIN DAMAGE.
-THAT'S GOOD.
-MM-HM.
THE ER DOCTOR TOLD ME
TO GIVE YOU THE FULL
HERO TREATMENT.
-WHERE'S ASHLEY?
-SHE FELL ASLEEP.
I HOPE YOU'RE
NOT TOO HUNGRY.
DINNER WON'T BE READY
FOR ANOTHER HALF AN HOUR.
-NO, I'M FINE, I'M FINE.
-IT'S NICE TO HAVE
A CHANCE TO TALK.
WITHOUT A BABY CRYING
OR HOBIE AND HIS FRIENDS
CHARGING THROUGH THE HOUSE.
I'M SORRY ABOUT PRESSURING
YOU ABOUT MY REINSTATEMENT.
MAYBE IT'S NOT A GOOD IDEA FOR
ME TO COME BACK TO BAYWATCH.
-I DIDN'T SAY THAT.
-I WANT YOU TO KNOW
THAT WHATEVER YOU DECIDE,
I STILL LOVE YOU.
BY THE WAY, I WORKED IT
OUT THAT WE CAN OFFICIALLY
TIE THE KNOT
WHATEVER DAY WE WANT.
-AH-HA, YOUR BOSS
HAD A CHANGE OF HEART.
-NO, HE'S NOT MY
BOSS ANY MORE. I QUIT.
KNOW ANYBODY WHO NEEDS
A GOOD LIFEGUARD?
-CRAIG: I CAN'T BELIEVE THIS.
SHE FILED A SEXUAL HARASSMENT
SUIT AGAINST MATT BRODY?
MATT BRO--
-I KNOW, I KNOW. I
COULDN'T BELIEVE IT EITHER.
-SHE GOT A LETTER OF
REPRIMAND FROM STEPHANIE HOLDEN
FOR GETTING CAUGHT
DRINKING IN HER TOWER.
HAVE YOU ACTUALLY READ
THIS PERSONNEL FILE?
-READ IT, PAL? I LIVED IT.
-MAYBE SHE HAD A PROBLEM
WITH PILLS AFTER I ASKED
SHE WAS BORN, BUT THIS IS LIKE
A TOTALLY DIFFERENT PERSON.
-NEELY'S GONE THROUGH
A LOT OF CHANGES
SINCE SHE'S BEEN HERE AT
BAYWATCH, BUT SHE'S ALSO
DONE A LOT GROWING UP.
-I DON'T MEAN TO SAY YOU
SHOULDN'T BRING HER BACK,
IT'S JUST THAT THIS SEEMS LIKE
A TOTALLY DIFFERENT PERSON.
-DON'T WORRY ABOUT NEELY, PAL.
SHE'S ONE OF THE BEST
LIFEGUARDS WE HAVE.
-OKAY, IF YOU'RE NOT
WORRIED, I'M NOT WORRIED.
-HEY.
-MITCH: HEY.
-GUESS WHAT? I HAVE AN
INTERVIEW WITH CALVIN KLEIN.
-WAY TO GO. I HAVE TO CHANGE
-GREAT, IS THIS THE
INTERNSHIP YOU TOLD ME ABOUT?
-ACTUALLY, IT'S
A REAL JOB OFFER.
I SENT SOME OF THE SAMPLES I
DID FOR CALIFORNIA LIFESTYLES.
I DIDN'T EXPECT A RESPONSE.
-WHEN'S THE INTERVIEW?
-TOMORROW. I FLY TO NEW
YORK AT 5:30 IN THE MORNING.
-HEY. DID I HEAR YOU SAY
YOU'RE GOING TO NEW YORK?
-OH, THAT'S RIGHT. YOU'RE
GOING TO SEE LANI, HUH?
-YEAH, I'M ON THE EARLY
BIRD TOMORROW MORNING.
-ME, TOO.
-EXCELLENT, YOU
CAN CARRY MY BAGS.
-[LAUGHING SARCASTICALLY]
-OFF TO OPEN THE TOWER.
SEE YOU IN THE MORNING.
-IN THE MEANTIME, I
NEED TO TX WITH SOMEONE.
WHO WOULD WANT TO
TAKE MY SCHEDULE
FOR THE NEXT FEW DAYS?
-DON'T LOOK AT ME.
-HOW ABOUT NEELY?
-NEELY'S BACK? SINCE WHEN?
-THIS MORNING.
-WHAT TOWER?
-[PLANE ROARING]
-YEAH, THE NEW REGULATORS
THAT DACOR HAVE
ARE UNBELIEVABLE.
-[PHONE RINGING]
-EXCUSE ME.
BUCHANNON.
-MITCH? DID YOU DO THE
TOWER ASSIGNING THIS MORNING?
-NEELY, YOU HAVE TO SPEAK UP,
I CAN'T HEAR YOU.
-CRAIG: PUT HER ON SPEAKER.
-OF COURSE YOU CAN'T HEAR ME.
THERE'S 747S TAKING
OFF DIRECT OVERHEAD.
-YOU PUT HER AT KILGORE 1?
-I DIDN'T.
-I DIDN'T WANT ANYONE TO
ACCUSE YOU OF PLAYING FAVORITES.
-YEAH, NO SPECIAL TREATMENT
FOR THE BOSS'S WIFE.
-WELCOME BACK, NEELY.
-WHAT DID SHE SAY?
-ALL: WELCOME BACK.
-OH, THANKS, GUYS.
IT'S GOOD TO BE BACK.
ALTHOUGH, I THINK
I'LL NEVER HEAR AGAIN.
-[PLANES ROARING]
-THE TOWER IS SHAKING.
-[LAUGHING]
-NEELY: CRAIG?
-YES, NEELY.
I'M GOING TO GET
YOU FOR THIS.
-OKAY.
-[BABY CRYING]
-OH, HEY, HEY, HEY.
I GOT YOU, HONEY.
-SHE'S ALL YOURS.
NEELY'S MOM IS GONNA PICK
HER UP IN ABOUT AN HOUR.
-OH, HERE YOU GO.
-EXCUSE ME, SORRY
TO BOTHER YOU.
I KNOW SOMEONE WHO
USED TO WORK HERE.
NEELY CAPSHAW? IS
SHE STILL AROUND?
IF NOT, DO YOU KNOW WHERE I
MIGHT BE ABLE TO FIND HER?
-AND YOU ARE?
-PETER: PETER ANDREWS.
-HER EX-HUSBAND?
-YES.
-OH, DID YOU COME
BY TO SEE ASHLEY?
-PETER: I BEG YOUR PARDON?
-DOES NEELY KNOW
YOU'RE IN TOWN?
-NOT UNLESS SHE'S PSYCHIC.
I'VE BEEN IN THE HIMALAYAS
THE LAST SIX MONTHS
AND I'M AFRAID
WE LOST TOUCH.
-WELL, THAT'S FUNNY, SHE
SAID SHE SAW YOU IN ALASKA.
-ALASKA?
-YEAH, LAST MONTH IN JUNO.
WITH YOUR NEW WIFE
AND NEW BABY.
-THAT SEEMS RATHER ODD
SINCE I'M NOT MARRIED.
I CERTAINLY DON'T
HAVE A CHILD.
-YEAH, YOU DO.
PETER, THIS IS YOUR
DAUGHTER, ASHLEY.
-[CALMING MUSIC]
-HEY, PAL. YOU OKAY?
-GO AHEAD, SAY IT.
-SAY WHAT?
-WHAT'D YOU BEEN THINKING
SINCE I CAME BACK FROM ALASKA.
THAT I GOT CAUGHT UP IN
SOME SHIP BOARD ROMANCE
AND TEMPORARILY
LOST MY MIND.
-THAT'S NOT WHAT I THINK.
I THINK YOU REALLY LOVE NEELY
AND THAT'S WHY IT HURTS.
I ALSO THINK THAT'S
WHY SHE DESERVES
THE BENEFIT OF THE DOUBT.
THE FACT IS YOU DON'T KNOW
WHO'S TELLING THE TRUTH.
YOU SHOULD AT LEAST HEAR
HER SIDE OF THE STORY.
-PLAYED THIS THING OVER IN
MY MIND A THOUSAND TIMES.
SHE HAD THE WHOLE
THING PLANNED.
-WHY WOULD SHE LIE ABOUT
SOMETHING LIKE THAT?
-YOU READ HER FILE. SHE'S
BEEN LYING HER WHOLE LIFE.
-[CAR HONKING]
-HEY, MITCH. I
JUST SAW NEELY.
SHE'S GONNA WORK
OUT AFTER HER SHIFT.
SAYS SHE'LL SEE YOU AT HOME.
-THANKS.
-IS EVERYTHING OKAY?
-YEAH, IT'S JUST FINE, J.D.
-NEVER HAD A BETTER DAY.
-[MELANCHOLY MUSIC]
MITCH: WHAT HAPPENED
WITH PETER?
-NEELY: PETER'S MARRIED.
-MITCH: WHAT?
-YEAH, I MET HIS WIFE
AND HIS LITTLE BABY BOY.
-YOU'RE KIDDING.
-OBVIOUSLY WE'RE NOT
GETTING BACK TOGETHER.
HE'LL COME AND SEE
ASHLEY WHENEVER HE CAN,
BUT OTHERWISE
WE'RE ON OUR OWN.
-ARE YOU OKAY WITH THAT?
-WELL, TO BE HONEST WITH
YOU, IT'S A HUGE RELIEF.
I KNEW IN MY HEART
IT WOULD NEVER WORK.
I MEAN, HOW CAN
YOU BE WITH SOMEONE
WHEN YOU'RE IN LOVE
WITH SOMEONE ELSE?
ONLY QUESTION NOW
IS DOES HE LOVE ME?
-WHO'S HE?
-YOU.
-ME?
-DO YOU?
-MITCH: DO I WHAT?
-LOVE ME.
-NEELY, I LOVE YOU MORE
THAN ANYONE I'VE EVER LOVED
IN MY ENTIRE LIFE.
-SURPRISE. STILL HERE?
-YEAH.
-MITCH, WHAT'S WRONG?
-SOMEONE CAME BY
TO SEE YOU TODAY.
-WHO?
-MITCH: YOUR EX-HUSBAND.
-PETER?
-INTERESTING THOUGHT.
CLAIMS HE'S BEEN IN THE
HIMALAYAS THE LAST SIX MONTHS.
THAT HE'S NEVER BEEN TO ALASKA
AND THAT HE HASN'T SEEN YOU
IN OVER A YEAR.
-WHAT, MITCH? THIS IS ANOTHER
ONE OF YOUR PRACTICAL JOKES.
-HAD ABSOLUTELY NO IDEA
THAT HE WAS A FATHER.
-OH, MY GOD. YOU DIDN'T
LET HIM NEAR ASHLEY.
HE PROBABLY CAME
HERE TO KIDNAP HER.
WHERE IS SHE?
WHERE'S MY BABY?
-YOUR MOTHER CAME
BY TO PICK HER UP.
-LOOK, I WANNA
CALL AND MAKE SURE.
-WHY DID YOU LIE
TO ME ON THE CRUISE?
WHY DID YOU TELL ME
YOU WENT TO SEE PETER
AND THAT HE WAS MARRIED?
WHY DID YOU DO THAT? WHY?
-LOOK, I DON'T KNOW WHAT'S
GOING ON HERE, MITCH,
BUT MY ONLY CONCERN AT
THE MOMENT IS THE SAFETY
OF MY CHILD, NOW
PLEASE LET ME GO.
-NOT UNTIL YOU
ANSWER MY QUESTION!
WHY DID YOU LIE TO ME? WHY?
-BECAUSE I DIDN'T
THINK IT WOULD MATTER!
I DIDN'T KNOW THAT YOU WERE
GOING TO PROPOSE TO ME.
ALL I WAS THINKING WAS
THAT I DIDN'T WANT TO DEAL
WITH MY EX-HUSBAND.
-OH, COME ON.
YOU COULD'VE SAID SOMETHING
TO ME AFTER I PROPOSED.
-I KNOW, I KNOW.
I SHOULD HAVE.
I WAS STUPID.
-OH, THAT'S NOT IT.
YOU'RE NOT STUPID.
-I WAS ALSO IN LOVE. I
FELT LIKE I WAS IN A DREAM.
I DIDN'T WANT TO WAKE UP.
I DIDN'T WANT IT TO END.
IF I HAD TOLD YOU THE TRUTH,
WHAT WOULD YOU HAVE DONE?
-YOU DON'T LIE TO
SOMEONE THAT YOU LOVE.
-I DIDN'T WANT TO LOSE
YOU. I STILL DON'T.
MITCH, PLEASE FORGIVE ME.
DON'T LET PETER
COME BETWEEN US.
-IT'S NOT ABOUT PETER.
IT'S ABOUT YOU.
-WE CAN WORK THIS OUT.
-NOT IF I CAN'T BELIEVE
ANOTHER WORD YOU SAY.
-[MELANCHOLY MUSIC]
-IF THAT'S THE WAY YOU FEEL,
THEN I WON'T SAY ANOTHER WORD.
-[PHONE RINGING]
-HELLO?
-HEY, HOW'D IT GO?
-MITCH: I CAN'T
TALK RIGHT NOW, PAL.
-IS SHE RIGHT THERE?
-NO, NO. SHE'S UPSTAIRS
LOCKED IN THE BEDROOM.
I'M DOWNSTAIRS
MAKING UP THE COUCH.
-WELL, THAT PRETTY MUCH
GIVES ME THE PICTURE.
-I JUST DON'T KNOW HOW I'M
GOING TO TRUST HER AFTER THIS.
-YEAH, THE QUESTION
BECOMES WHAT ARE YOU GOING
TO DO ABOUT IT?
-I KNOW. I DON'T WANT
TO THINK ABOUT IT.
LISTEN, I'M ABOUT TO DROP.
-CRAIG: GET SOME SLEEP.
I'LL CHECK ON YOU FIRST
THING IN THE MORNING.
-OKAY, THANKS. HEY,
THANKS FOR CALLING.
-YEAH.
-[MELANCHOLY MUSIC]
-MITCH: OW!
-[GLASS SHATTERING]
-MITCH: WHAT A DAY.
-[THRILLING MUSIC]
-WELCOME ABOARD.
-APRIL: HI.
-FIRST CLASS IS TO YOUR
RIGHT. ENJOY YOUR FLIGHT.
-THANK YOU.
-EXCUSE ME.
-OH, WE'RE TOGETHER.
-I STILL NEED TO
SEE YOUR TICKET.
-OKAY.
-I'M AFRAID THAT
YOUR SEAT IS IN COACH.
-WHAT? HOW CAN THAT BE?
OH, THEY MUST'VE GIVEN
ME THE WRONG TICKET.
-CODY.
-AND I SUPPOSE YOU'RE
ON YOUR HONEYMOON?
-HOW'D YOU GUESS?
-I DON'T KNOW HIM.
-COME ON, BUDDY. LET'S GO.
-APRIL.
I DON'T SUPPOSE THERE'S
ANY WAY YOU CAN UPGRADE ME.
LOOKED LIKE A LOT OF
EMPTY SEATS UP THERE.
-NOT AFTER THAT
LAME PERFORMANCE.
BESIDES, I COULD
USE A GUY LIKE YOU.
-REALLY?
-THAT IS IF YOU'RE
REALLY A LIFEGUARD.
-YEAH, I'M A LIFEGUARD.
-HERE'S YOUR SEAT.
-THOUGHT I WAS IN 17A.
-YOU WERE, BUT TYLER HERE
IS TRAVELING BY HIMSELF
AND HE COULD
USE THE COMPANY.
-AND MY INCENTIVE WOULD BE?
-FREE HEADPHONES.
-GREAT.
HOW YOU DOING, PAL?
MY NAME'S CODY.
-I'M TYLER.
-NICE TO MEET YOU, TYLER.
-THEY'RE SERVING SAUSAGE
AND PANCAKES FOR BREAKFAST.
-REALLY?
-LAST TIME I FLEW, I
HAD A CHICKEN POT PIE.
-OH, YEAH? HOW WAS IT?
-MADE ME BARF.
-OKAY.
-SAY WHEN.
-THAT'S GREAT. THANKS.
-WE'LL HAVE FULL
COCKTAIL SERVICE ONCE
WE'RE UP IN THE AIR.
-OKAY.
HI.
-GOOD MORNING.
-WOW, I'M A BIG
FAN OF YOUR FILMS.
-OH, THANK YOU.
THAT'S SWEET OF YOU.
-ESPECIALLY THE OBLITERATOR.
YOU KNOW THAT ACTION SEQUENCE
AT THE END IS AWESOME.
I'M APRIL GIMINSKI.
-HANS.
-APRIL: HI.
-OH, EXCUSE ME, SORRY.
I'M SORRY, I BELIEVE I
HAVE 7A IN THE WINDOW.
-ACTUALLY, WOULD YOU BE MORE
COMFORTABLE ON THE AISLE?
-WOULD YOU MIND?
-NOT AT ALL.
-GREAT.
-HERE, LET ME HELP YOU.
-THANKS.
-PILOT: GOOD
MORNING, EVERYBODY.
ON BEHALF OF COAST WEST
AIRLINES FLIGHT 619
TO NEW YORK'S JOHN
F. KENNEDY AIRPORT,
I'D LIKE TO WELCOME
YOU ABOARD.
MY NAME'S BRENT MUELLER,
YOUR CAPTAIN THIS MORNING.
TIME EN ROUTE, FIVE
HOURS, 15 MINUTES.
WE'LL BE CRUISING
AT 37,000 FEET.
WE'VE GOT SOME THUNDER
STORMS REPORTED EN ROUTE.
COURTESY OF EL NINO.
IN FACT, JUST OFF SHORE, WE'VE
GOT SOME DEVELOPING ACTIVITY.
WHAT THAT MEANS IS WE
COULD HAVE A BUMP OR TWO
AFTER TAKE OFF, SO
PLEASE STAY IN YOUR SEATS
WITH YOUR SEAT BELTS
FASTENED, THANK YOU.
-WHAT ARE YOU GONNA DO IN
NEW YORK? YOU LIVE THERE?
-NO, WE'RE GOING TO
VISIT MY GRANDPARENTS.
WHAT ABOUT YOU?
-GONNA SEE MY GIRLFRIEND.
-SHE LIVE IN NEW YORK?
-YUP, SHE JUST MOVED THERE.
SHE OPENS TOMORROW
ON BROADWAY.
SHE'S A DANCER.
-ARE YOU A DANCER?
-[LAUGHS] NO, I
AM NOT A DANCER.
-SO, WHEN ARE YOU DUE?
-NOT FOR ANOTHER MONTH.
I KNOW I'M HUGE.
-NO, YOU'RE NOT.
-IT'S OKAY, WE'RE GONNA
NEED THAT MUCH TIME
TO COME UP WITH A NAME.
-IS IT A BOY OR A GIRL?
-WE DON'T KNOW YET,
SO WE'VE GOT TO COME UP
WITH TWO SETS OF NAMES.
I LIKE SHARON OR
SHEILA IF IT'S A GIRL
AND ROGER OR ROBERT
IF IT'S A BOY.
MY HUSBAND LIKES
HECTOR IF IT'S A BOY
AND SYDNEY IF IT'S A GIRL.
YOU CAN SEE WHY WE'RE NOT
SPEAKING AT THE MOMENT.
-ALL SET?
-ALL SET.
-CLEAR RIGHT.
-CLEAR RIGHT.
-TRAFFIC CONTROL: CENTER FIELD
WIND AT 25 GUSTING TO 30 SOUTH
FIELD WIND AT 10.
LAST AIRCRAFT REPORTED
LOSS OF 10 TO 15 KNOTS.
COAST WEST 619, YOU
ARE CLEAR FOR TAKE OFF.
-TOM, I'M JUST GONNA
CARRY A LITTLE EXTRA SPEED.
WE'RE UPDATING A LITTLE SLOW.
-OKAY. LET'S GO.
-I HATE THIS PART.
-IT'S GONNA BE OKAY, PAL.
-WE MUST BE GOING
THROUGH THE STORM.
-[THUNDER CRASHING]
-[OMINOUS MUSIC]
-AIR SPEED. TIME
RATE'S DECREASING.
-[BEEPING]
-WIND SHEAR, WIND SHEAR.
LIGHT BUZZ FIVE. 6500,
BUZZ LIGHT MINUS FIVE.
SINK A THOUSAND,
MINUS 17, SINK 15.
WE'RE LOSING IT.
-[SCARED SHOUTING]
-WHAT'S HAPPENING?
ARE WE GONNA CRASH?
-[BEEPING]
-[SCREAMING]
-WE'RE NOT GONNA MAKE IT.
TELL THE PASSENGERS
WE'RE GOING IN.
-PREPARE FOR IMPACT.
PREPARE FOR IMPACT.
PREPARE FOR IMPACT.
-MY GOD.
-HOLD YOUR HEAD BETWEEN
YOUR LEGS, TYLER.
-MAYDAY,
MAYDAY, MAYDAY.
-[SCREAMING]
-PLEASE STAY CALM!
WE WILL GET YOU OUT.
DON'T PANIC.
-[SCREAMING AND SHOUTING]
-TYLER, TYLER,
YOU ALL RIGHT?
ALL RIGHT, COME ON, KID.
LET'S GET OUT OF HERE.
-CODY, HELP!
-COME ON, COME
ON, COME ON!
COME ON, STAY
WITH ME, TYLER.
-APRIL: FRANCINE?
FRANCINE?
ARE YOU OKAY? ARE YOU OKAY?
-I THINK SO.
-OKAY, LET'S GET
THIS OFF YOU.
-OKAY.
-APRIL: ANY PAIN?
-NO.
-OKAY, YOU ALL RIGHT?
HANG IN THERE. HOLD ON.
HANS! HANS?
COME ON, YOU OKAY?
YOU ALL RIGHT?
-WHERE ARE WE?
DO YOU SEE ANYTHING?
-WE'RE STILL ABOVE WATER.
I'M GONNA LOOK FOR
A WAY OUT, OKAY?
OKAY? ALL RIGHT.
-[SHOUTING]
-OKAY, TYLER, WE GOTTA
PUT THIS ON YOU.
OKAY, TYLER, IT'S
YOUR TURN, MAN.
I'LL BE RIGHT BEHIND YOU.
-I DON'T SEE ANYBODY ELSE.
-WHAT ABOUT MY GLASSES?
I WON'T BE ABLE TO SEE.
-I'LL HOLD YOUR
GLASSES, NOW GO.
CLOSE YOUR EYES AND JUMP.
TYLER! TYLER!
TYLER! TYLER!
-TYLER!
-DO YOU SEE HIM?
-NO!
-CODY: TYLER!
-WOMAN: TYLER!
-DO YOU HEAR
MY VOICE? TYLER!
TYLER!
I CAN'T FIND HIM.
-HE'LL TURN UP. I
NEED YOUR HELP HERE.
-HE'S GOT A LIFE VEST ON,
HE COULDN'T HAVE DROWNED.
TYLER!
-CODY!
-TYLER!
-CODY!
-[GROANING]
-OH, MY GOD.
WE'VE GOT TO GET THIS
OFF OF YOU. ARE YOU OKAY?
-I THINK SO.
-HANS, FRANCINE!
CAN YOU HELP?
JUST HANG IN THERE,
JUST HANG IN THERE.
WE GOTTA GET IT OFF.
-WE NEED MORE HELP,
GO CHECK THE PILOTS.
-I'LL BE RIGHT BACK.
-MAN: IT'S ON MY LEG.
-[GRUNTING]
-CAPTAIN? CAPTAIN?
CAPTAIN?
-IT ONLY OPENS
FROM THE INSIDE.
THEY MUST NOT HAVE MADE IT.
-WE HAVE TO SEE. HANS,
CAN YOU COME HELP ME?
THERE'S SOMETHING
BLOCKING THE DOOR.
-HANS: IT'S BLOCKED.
-I GOTTA GET THROUGH
THERE. HOLD ON, HOLD ON.
THEY'RE BOTH DEAD AND
IT'S COMPLETELY COLLAPSED.
-WE'RE ALL GOING
TO DIE. NO ONE KNOW.
-THERE'S GOT TO
BE A WAY OUT.
-WE CAN'T USE THE EMERGENCY
DOOR. IT ALL GOT CRUSHED.
IT'S GONNA BE OKAY.
-THE WHOLE GALLEY'S CAVED
IN, WE CAN'T GET OUT THIS WAY.
-IT'S RAN. WE'RE
ALL GONNA DIE.
WE'RE ALL GONNA DIE.
I DON'T WANNA DIE.
-[SHOUTING]
-CODY, WHAT'S WRONG?
-MY RIBS, FEELS LIKE
I BROKE A COUPLE.
I'LL BE ALL RIGHT.
-CODY, THE FRONT OF
THE PLANE IS GONE.
-APRIL, I GOTTA FIND HER.
-CODY, IT'S GONE.
FIRST CLASS BROKE OFF.
IT EITHER SANK OR IT WAS
DESTROYED IN THE IMPACT.
-NO, THERE'S NO WAY.
-SHARK!
-[SCREAMING AND SHOUTING]
-APRIL: IS THERE A
FLASHLIGHT ON BOARD?
-IT SHOULD BE RIGHT
OVER THERE SOME WHERE.
-OH, GOD. OH, MY GOD.
-WHAT'S WRONG?
-I'M HAVING A CONTRACTION.
-SHE'S GOING TO
HAVE A BABY.
-APRIL: NO, SHE'S NOT.
-YES, I AM.
-JUST HANG IN
THERE, FRANCINE.
-APRIL: GOT IT.
-I'M HAVING ANOTHER ONE.
-OKAY, TAKE A DEEP
BREATH. HOLD IT, HOLD IT.
LET IT OUT.
TAKE ANOTHER DEEP BREATH.
-COME ON. GIVE ME YOUR
HAND, GIVE ME YOUR HAND.
-GRAB ON, PAL. GRAB ON.
-YOU GUYS ALL RIGHT?
-OH, MY GOD. OH, MY GOD.
-[DRAMATIC MUSIC]
-[END THEME PLAYING]