Baywatch (1989–2001): Season 7, Episode 11 - Heal the Bay - full transcript

[OPENING THEME PLAYING]

♪ SOME PEOPLE STAND
IN THE DARKNESS ♪

♪ AFRAID TO STEP
INTO THE LIGHT ♪

♪ SOME PEOPLE NEED
TO HELP SOMEBODY ♪

♪ WHEN THE EDGE OF
SURRENDER'S IN SIGHT ♪

♪ DON'T YOU WORRY

♪ IT'S GONNA BE ALL RIGHT

♪ 'CAUSE I'M ALWAYS READY

♪ I WON'T LET YOU
OUT OF MY SIGHT ♪

♪ I'LL BE READY

♪ I'LL BE READY



♪ NEVER YOU FEAR

♪ NO, DON'T YOU FEAR

♪ I'LL BE READY

♪ FOREVER AND ALWAYS,
I'M ALWAYS HERE ♪

♪ 'CAUSE I'M ALWAYS READY

♪ I WON'T LET YOU
OUTTA MY SIGHT ♪

♪ I'LL BE READY

♪ I'LL BE READY

♪ NEVER YOU FEAR

♪ NO, DON'T YOU FEAR

♪ I'LL BE READY

♪ FOREVER AND ALWAYS,
I'M ALWAYS HERE ♪

[THUNDER RUMBLING]

[MELANCHOLY MUSIC]



[THUNDER CLAP]

[THUNDER CLAP]

[THUNDER CLAP]

-CAN I TALK NOW?

-NO, I'M STILL DOING
YOUR LIPS.

OKAY, YOU CAN TALK.

-YEAH, I'VE BEEN
THINKING ABOUT IT.

WHAT I LOVE MOST
ABOUT THE BEACH

IS THE ACTION, THE RESCUES.

SEARCH AND RESCUE IS
REALLY WHAT I WANT TO DO.

-HEY, C.J., CAN I BORROW
YOU BLACK RUBBER DRE...

HEY NOW, THAT'S REALLY GOOD.

I DIDN'T KNOW YOU
WERE SO TALENTED.

-MY TEACHER
JUST TOLD ME TO LET GO

AND PAINT WHAT I FEEL.

-MAYBE YOU CAN
PAINT ME SOME TIME.

-SURE.

NOW PUT YOUR NOSE RIGHT THERE.

-WHAT?
-PUT YOUR NOSE RIGHT THERE.

I WAS JUST PAINTING WHAT I FEEL.

PERFECT.

-ALL RIGHT, THAT'S ENOUGH,

LET ME SEE WHAT THIS
PAINTING LOOKS LIKE.

WHERE AM I?

-YOU'RE EVERYWHERE.

THIS IS HOW I FEEL ABOUT YOU.

-OH.

-I LOVE IT, YOU'RE
A GENIUS, IT'S PERFECT.

ESPECIALLY THAT LITTLE
RED SPOT RIGHT THERE.

-OKAY, SO WHAT DOES IT SAY?

HOW DO YOU FEEL ABOUT ME?

-IT'S ART, CODY, YOU HAVE
TO INTERPRET IT FOR YOURSELF.

[CLATTERING]

NOW, BE CAREFUL WITH MY DRESS,
I JUST ARMOR ALL'D THAT.

[MELANCHOLY MUSIC]

[SEAGULLS SQUAWKING]

[UPBEAT MUSIC]

-COME ON, JADE, WORK
THE CAMERA, BABY.

-I AM WORKING, ERNIE.

HEY, WHEN YOU WORK FOR
SCALE, THIS IS WHAT YOU GET.

-ANNA, SHAWN, COME ON, GIVE
ME ATTITUDE, MAJOR ATTITUDE.

I WANT TIGER SHARK,
NOT HALIBUT.

-I'M HUNGRY, WHEN DO
WE BREAK FOR LUNCH?

-WE'RE SELLING LIPSTICK,
ANNA, NOT BIKINIS.

POUTY LIPS BABY, THAT'S NICE.

COME ON. YES, GUYS, LOVELY.

COME ON, MAKE ME MELT.

VERY NICE, YES.

TERRIFIC, GREAT, NICE.

-HEY, DOC.

-HOW'S THE HEAL THE BAY
REPORT CARD TODAY?

-ON A SCALE
OF A TO F, A DEFINITE D.

WE'VE SAMPLED POINT DUNE
TO VENICE BEACH,

THIS IS ONE OF THE WORST SPOTS.

-THE STORM WASHED
ALL THE GRADOO INTO
THE OCEAN AGAIN, HUH?

-GRADOO?
-YOU KNOW, GROSS STUFF.

PAINT, OIL, TRASH.

GRADOO.

-YEAH.

A SURFACE RUNOFF AFTER A
RAINSTORM IS POISONING THE BAY.

THE WATER, THE
ANIMALS, THE PLANTS,

THEY'RE ALL BEING SUFFOCATED.

-I THOUGHT THE BAY WAS
HEALTHIER THAN BEFORE.

-YEAH, BETTER
THAN 10 YEARS AGO.

BUT TRY AND PICTURE
IT A HUNDRED YEARS AGO.

BEFORE MAN STARTED USING
IT FOR A TRASH CAN.

-SO WHAT DO WE DO?

-SPREAD THE WORD.

TURN UP THE VOLUME.

NO MORE GRADOO.

-DONNA: HOW FAR DO
THE BAD WATERS STRETCH?

-DOC: FROM THE
SAMPLINGS, I'D SAY

AT LEAST 100 YARDS ON EACH SIDE
OF THE STORM DRAIN ENTRANCE.

-WE'LL MOVE THEM
DOWN THE BEACH.

-CAROLINE: BYE, DOC.

-SEE YOU.

-ERNIE: YES, JADE, LOVELY.

[INDISTINGUISHABLE CHATTER]

-EXCUSE ME.
EXCUSE ME, PEOPLE.

-OH, YEAH.

NOW, THIS IS WHAT
I'VE BEEN LOOKING FOR.

THESE ARE MODELS.

-WE'RE LIFEGUARDS.

THIS IS A WARNING.

THE WATER NEAR THE STORM DRAIN
ENTRANCE HAS TESTED UNSAFE.

-WHAT DO YOU MEAN, UNSAFE?

-YOU'D JUST BE A LOT
BETTER OFF IF YOU MOVED

ABOUT 100 YARDS
UPSHORE, THAT'S ALL.

-OH, COME ON, LIFT YOUR
CHIN UP A BIT, DARLING.

NICE, LOVELY PROFILE.

-LOOK, THIS IS SERIOUS.
-SO IS THIS, BABY.

YOU'RE NATURALS. NICE.

COVER GIRL MATERIAL.

-OK, THAT'S ENOUGH.

-COME ON,
GET WITH THE PROGRAM.

YOU'D BE GREAT FOR MY SHOOT.

THAT MOUTH, MMM, THOSE LIPS.

-LOOK, THE STORM
HAS DRAGGED A LOT OF

MAINLAND POLLUTANTS
DOWN INTO THE OCEAN,

IT'S JUST, IT'S TOXIC.

-LET'S MOVE, ERNIE.
-YEAH, ERNIE.

I DON'T HAVE A PROBLEM
MOVING AWAY FROM A TOXIN.

-NO, THE LIGHT
IS IDEAL HERE.

THE BACKDROP IS PERFECT HERE.

I SCOUTED
THE WHOLE COASTLINE FOR

THE PERFECT PLACE
FOR MY SHOOT.

I FOUND IT HERE.

-PERHAPS, YOU DIDN'T
UNDERSTAND WHAT WE SAID.

THE WATER ISN'T SAFE.

-DON'T BLAME ME,
DARLING, I DIDN'T DO IT.

-IT CAN MAKE YOU SICK.

-I DON'T WANT TO GET SICK.

-COME ON, ERNIE, BE A GOOD GUY.

-COME ON, CHECK ME OUT.

NO CAMP FIRES,
NO DOG WITHOUT A LEASH.

NO ALCOHOL.

YOU SEE ME
BREAKING ANY LAWS?

-UH-HUH, THE STUPIDITY LAW.

-SAY, "CHEESE."

-COME ON, CAROLINE.

-SO LONG, GIRLS.

DON'T BLAME ME.

I'M JUST DOING ME JOB.

[CLASSICAL MUSIC STARTS
PLAYING OVER SPEAKER]

-[SCOFFS] DO YOU HAVE
TO PLAY THAT MUSIC NOW?

-WHY, DOES IT BOTHER YOU?

-IT'S KILLING MY MOOD.

-WELL, IT SEEMS TO ME
LIKE IT DESERVES TO DIE.

-TOO LATE, IT'S
DEAD, YOU KILLED IT.

-WHAT WAS IT?

-THAT.

-THAT, NO.

NO, THANK YOU, I DON'T WANT
TO INTERPRET YOUR PAINTING.

WHY DON'T YOU JUST TELL
ME WHAT THAT IS, OKAY?

-THE GREEN IS JEALOUSY,

THE GRAY AND THE BLACK
IS ANGER AND RAGE,

LOVE AND LOSS, REDEMPTION
AND COMPASSION.

-UH-HUH, AND THE RED
WOULD BE...

-CODY EXPLODING INTO
A MILLION TINY PIECES.

-GOTCHA.

-YOU'RE HOME LATE.

-YEAH, ALICIA AND I WERE
WORKING OUT AT THE POOL.

I'M HELPING HER WITH
HER BREAST STROKE.

SHE GOT A LOT OF POTENTIAL,

BUT IT'S GOING
TO TAKE MORE TIME.

-OH, THAT'S TOO BAD,

'CAUSE I WAS
IN A SPECIAL MOOD TONIGHT.

-WELL, IT'S NOT
THAT LATE, BABY.

-NO, YOU HAVE TO GET UP
EARLY TO TRAIN TOMORROW.

-YEAH, BUT I DON'T
NEED THAT MUCH SLEEP.

-I DON'T WANT TO KEEP YOU UP.
SWEET DREAMS.

-C.J., WAIT.
WAIT, WAIT.

WHAT ABOUT YOUR SPECIAL MOOD?

-TAKE ANOTHER LOOK
AT MY PAINTING.

-SPECIAL MOOD. [LOW WHISTLE]

[THOUGHTFUL MUSIC]

-HEY, BLONDIE.

-HEY TO YOU, GIRL.

-WHERE'S C.J.?

-AH, SHE AND NEELY
ARE HELPING MITCH

TRAIN FOR
THE IRONMAN COMPETITION.

[DISTANT CONVERSATION]

-WHAT?
-NOTHING, NOTHING, NOTHING.

-COME ON, CODY,
THAT WAS DEFINITELY

"CAROLINE, I GOT
A QUESTION" LOOK, COME ON.

-OKAY, CAROLINE,
I'VE GOT A QUESTION.

YOU'VE BEEN MARRIED, RIGHT?

-MM-HMM.

-HOW DO YOU KNOW WHEN
YOU PICK THE RIGHT PERSON?

-WELL, OBVIOUSLY I DIDN'T
BECAUSE I'M NOT MARRIED ANYMORE.

I GUESS...

I GUESS
YOU JUST FEEL IT, I...

I DON'T KNOW, MINE
DIDN'T WORK OUT.

WHY?

ARE YOU AND C.J. THINKING
ABOUT GETTING MARRIED?

-NO, NOT RIGHT AWAY.

WE'VE TALKED ABOUT IT
A COUPLE OF TIMES,

BUT NOTHING SOLID.

-YOU JUST WANT TO MAKE SURE
YOU'RE PICKING THE RIGHT PERSON?

-WELL, YEAH.

I MEAN, WHAT IF THE REALLY
RIGHT PERSON COMES ALONG

AND IT'S TOO LATE?

-YEAH, I GET IT, THERE ARE
PLENTY OF OTHER FISH IN THE SEA

AND YOU'RE NOT DONE FISHING YET.

-NO, NO, NO.

I LOVE C.J., AND SHE
LOVES ME, TOO, BUT...

-BUT?

-NOTHING.

JUST A THOUGHT.

-WELL, YOU BETTER THINK
THAT THOUGHT THROUGH, BUDDY.

YOU GOT TO MAKE UP YOUR MIND.

-YEAH.

♪ THAT'S WHAT WE'RE GONNA DO

♪ THAT'S WHAT WE'RE GONNA DO

♪ THAT'S WHAT WE'RE GONNA DO

♪ HOT SAND TIL SUNSET

♪ POOL DAYS WE STAY WET

♪ WAVES IF WE WANT EM

♪ LIVE LIFE NO STRESS ♪

♪ NOTHING PROMISED TOMORROW

♪ WE STAY AHEAD WON'T FOLLOW

♪ THEY LISTEN TO THE NOISE

♪ WRONG CHOICE WE ALL KNOW

♪ I WANNA GET IT STARTED

♪ ONE LOOK IF I'M HONEST

♪ COULD MAKE ME FALL
♪ SO DEEP YOU'RE ALL I EVER WANTED

♪ I DON'T NEED A REASON

♪ TO GO AND HAVE A LITTLE FUN ♪

♪ AND SPEND ALL MY TIME WITH YOU ♪

♪ I DON'T NEED A REASON

♪ TO GO AND HAVE A LITTLE FUN ♪

♪ SO THAT'S WHAT WE'RE GONNA DO ♪

♪ COLD ONES BY THE DOZEN

♪ HOT ONES DOWN THE BEACH
♪ AND THEY RUNNING

♪ EVERYONE KNOWS IT'S GOING DOWN

♪ HEAR THE SOUND AND THEY COMING

♪ I COULD TAKE YOU AWAY

♪ BUT LOOK AROUND LET'S STAY

♪ THERE'S NO NEED TO LEAVE

♪ WHEN WE'VE GOT EVERYTHING TODAY

♪ I DON'T NEED A REASON

♪ TO GO AND HAVE A LITTLE FUN

♪ AND SPEND ALL MY TIME WITH YOU

♪ I DON'T NEED A REASON

♪ TO GO AND HAVE A LITTLE FUN ♪

♪ 'SO THAT'S WHAT WE'RE GONNA DO ♪

♪ LET ME HOLD YOU CLOSE NOW

♪ CAN'T BELIEVE WHAT WE'VE FOUND

♪ COULD NEVER DREAM IT
♪ I NEED IT FOREVER

♪ LET ME HOLD YOU CLOSE NOW

♪ CAN'T BELIEVE WHAT WE'VE FOUND

♪ COULD NEVER DREAM IT ♪
♪ I NEED IT FOREVER

♪ I DON'T NEED A REASON

♪ TO GO AND HAVE A LITTLE FUN ♪

-NEELY: THAT A-WAY,
MITCH, KEEP UP THE PACE.

COME ON.

-HOW YOU DOING, IRONMAN?

-FEELING STRONG,
FEELING STRONG.

-LET US KNOW IF YOU
START TO LOSE IT, MITCH.

-HAH!

WATCH AND LEARN,
GRASSHOPPER, WATCH AND LEARN.

[OMINOUS MUSIC]

-HOW FAR IS THE
OPEN WATER SWIM?

-IT'S TWO AND A HALF MILES,
THEN THERE'S THE RUN.

-HOW FAR?

-FIVE MILES.

-THEN THERE'S THAT LITTLE
20-MILE BIKE RIDE AT THE END.

-WHOO.
WHAT'S THE WINNER GET?

-OH, THE HIGHLY HONORED
TITLE ANY MAN WOULD DIE FOR.

-LET ME GUESS.

TESTOSTERONE MAN, RIGHT?

-HALF WAY, IRONMAN.

YOU'RE FIVE SECONDS
OFF YOUR PACE.

-OKAY.

PEDAL TO THE METAL.

-GOT YOU ON THE THREE
QUARTER MARK, MITCH.

-C.J.: YOU DROPPED FIVE
SECONDS, ARE YOU OKAY, MITCH?

-UH, YEAH, I JUST...

HAVING A LITTLE
TROUBLE BREATHING HERE.

-HANG IN THERE,
WE'RE HEADING HOME.

-OKAY.

[MITCH GRUNTING]

-ARE YOU OKAY?

-I CAN'T...

I CAN'T GET A BREATH.

-THAT'S ENOUGH
FOR TODAY, MITCH.

GET IN THE WINDJET.

-UH.

-HOLD ON.

-[GASPING] CRAMPS,
I-I GOT CRAMPS!

-MITCH, IT'S OKAY.

OKAY, I GOT YOU, OKAY.

-WHERE?
-[GRUNTING] MY STOMACH.

-BIG TIME SPASMS.
-OKAY.

WINDJET ONE TO
HEADQUARTERS, COME IN.

-DISPATCH:
WE READ YOU, WINDJET ONE.

C.J. AND I ARE WITH MITCH, HE
HAS SEVER ABDOMINAL CRAMPING.

HAVE AN AMBULANCE
AT THE MARINA AND NOTIFY ER.

-DISPATCH:
COPY THAT, WINDJET ONE.

-THANKS.

-DOCTOR: GOT IT?
WHERE WAS HE, WHAT WAS HE DOING?

-HE WAS IN THE OCEAN, SWIMMING.

HE COULDN'T BREATHE,
AND HORRIBLE STOMACH CRAMPS

-BLURRY, MY EYES ARE BLURRY,
I CAN'T SEE ANYTHING. [GROAN]

-DOCTOR: PEOPLE, LET'S MOVE.
-ATTENDANT: READY?

-DOCTOR: LET'S GO, LET'S GO.

OKAY, ON MY COUNT.

ONE, TWO, AND THREE.

OKAY, I WANT HIS SKIN
WASHED, THOROUGHLY CHECKED,

FLUSH THE STOMACH
WITH AN NG TUBE,

PREPARE AN ATROPINE
INJECTION RIGHT AWAY.

EXCUSE US.

-WHAT'S WRONG WITH HIM?

-I'M NOT SURE, BUT HE'S
ACTING LIKE HE'S BEEN POISONED.

READY A CARDIAC SUPPORT IN
CASE OF PULMONARY EDEMA.

-FORGET IT, MAN, LOOK
WHAT HAPPENED TO JADE.

-SHE'S A PRO, SHE'LL BE FINE.

-I HAVE A HEADACHE,
ERNIE, IT REALLY HURTS.

I'M NOT GOING IN
THAT WATER AGAIN.

-WHAT'S THE MATTER HERE,
YOU GUYS RUN OUT OF FILM?

-LOOK, THIS IS NONE OF YOUR
BUSINESS, BABE, STAY OUT OF IT.

-MY STOMACH,
IT'S DOING FLIP-FLOPS.

-COME ON, GUYS.

IF YOU WANT A PAYCHECK,
GET BACK TO WORK.

-HEY, WORK IS COOL, ERNIE,

BUT LET'S SLIDE IT DOWN
THE BEACH A LITTLE,

GET AWAY FROM THIS POLLUTION.

COME ON, MAN,
IT'S NOT WORTH IT.

-I'M SICK.

I'M REAL SICK,
-CAROLINE: ALL RIGHT,

LET'S GO.
-I GOT TO GO HOME.

-CAROLINE: WE'VE
HAD ENOUGH, COME ON.

-LOOK, BABIES, COME ON.

I DON'T WANT ANY HASSLE
FROM YOU ANY MORE.

-THAT GIRL IS SICK,
ALL RIGHT?

IT'S PROBABLY FROM THE WATER.

I DON'T WANT ANYONE
ELSE GETTING SICK.

-SHE MAKES SENSE, I'D
LISTEN TO HER IF I WERE YOU.

-WELL, YOU'RE NOT.

I'M A PRO, I KNOW
WHAT I'M DOING.

-YOU DON'T LOOK LIKE
MUCH OF A PRO TO ME.

-OH, YEAH?

WELL, YOU HAVEN'T
SEEN ANY OF MY WORK.

-IF YOU WORKED FOR ME I'D
FIRE YOU RIGHT ON THE SPOT.

-SO WHAT ABOUT THE
REST OF YOU, HUH?

WHAT ARE YOU, GOING
TO GET SICK OR QUIT?

-SHOOT. THAT'S IT.

I'M GOING TO CALL MY LAWYER.
I'M GOING TO SUE BOTH OF YOU.

JADE, WAIT FOR ME.

-C.J.: WHAT'S
WRONG WITH MITCH?

-WE'RE NOT SURE YET.

THE BLURRY VISION, THE SHORTNESS
OF BREATH, THE SEIZURES,

THEY'RE ALL CONSISTENT
WITH POISONING.

-HOW COULD HE GET POISONED?

-WE'RE NOT SURE
OF THAT, EITHER.

WE'RE PUTTING TOGETHER PIECES.

-IF IT IS POISONING,
WHAT CAN YOU DO FOR HIM?

-WELL, WHAT WE'VE
DONE FOR HIM SO FAR

IS JUST A STOP-GAP TREATMENT.

WE WON'T KNOW THE BEST
WAY TO TREAT HIM UNTIL

WE CAN DETERMINE WHAT POISON
HE CAME INTO CONTACT WITH.

-THE RAIN OVER
THE WEEKEND BROUGHT

A LOT OF RUNOFF
INTO THE OCEAN.

I KNOW THE BAY IS
TESTING UNSAFE.

COULD THAT BE THE PROBLEM?

-NO, I DON'T THINK SO.

YOU SAID HE WAS SWIMMING FAR
OUT AT SEA WHEN HE GOT SICK?

-YEAH.

-NO, ANY BAD WATER WOULD HAVE
BEEN DILUTED THAT FAR OUT.

-IS HE GOING TO BE OKAY?

-WELL, I'LL BE HONEST.

THE NEXT 24 HOURS ARE CRITICAL.

WE'LL DO EVERYTHING WE CAN,

BUT YOU'VE GOT TO
FIND OUT EXACTLY

WHAT POISON HE CAME
INTO CONTACT WITH.

-THANKS.

[SOLEMN MUSIC]

-CODY: WELL,
WHAT DO YOU THINK?

-I DON'T KNOW,
IT'S HARD TO TELL.

I MEAN, WE WERE HELPING
MITCH TRAIN FOR THE IRONMAN,

NOT KEEP AN EYE OUT FOR POISON.

THIS IS PRETTY MUCH
OUR COURSE, BUT...

-BUT THE SWIM COVERED
TWO AND A HALF MILES.

-NEELY: YEAH.
-WELL, LET'S GET STARTED.

-LET'S GO.

[DRAMATIC MUSIC]

[CAMERA SHUTTER CLICKS]

[CAMERA SHUTTER CLICKS]

[CAMERA SHUTTER CLICKS]

-NOTHING
IN THE HAZMAT CHARTS.

I'VE CHECKED EVERY INDUSTRIAL
DESIGNER IN THE PHONE BOOK,

EVERY ADVERTISING
BUSINESS ART DEPARTMENT.

NOBODY RECOGNIZES IT.

NADA, ZIP, ZILCH.

-I KNOW.

I'VE CHECKED EVERY
TATTOO PARLOR,

I JUST THAT THEY
WOULD KNOW 'CAUSE

THEY ALWAYS KNOW
EVERYTHING THAT...

I, I DON'T KNOW
WHAT I'M THINKING.

-WHAT?

-WE DON'T HAVE MUCH TIME.

-I AM SO GOOD.
-WHY ARE YOU "SO GOOD"?

-BECAUSE I FIGURED
OUT THAT THIS LOGO

IS REGISTERED TO
STARGER PRODUCE,

IT'S A DISTRIBUTING
COMPANY DOWN ON THE WHARF.

-THAT'S IT.
-HOW'D YOU TRACK IT DOWN?

-I WENT TO THE
COUNTY COURTHOUSE.

I FIGURED THAT
EVERY BUSINESS WOULD

WANT TO REGISTER
THEIR TRADEMARK,

YOU KNOW,
COPYRIGHT THEIR LOGO.

-YOU ARE GOOD.
LET'S GO.

-YEAH, THAT'S OUR
LOGO, WHAT ABOUT IT?

-WELL, WE FOUND A COUPLE
OF METAL STORAGE DRUMS

WITH YOUR LOGO ON THEM AT
THE BOTTOM OF THE OCEAN.

-STORAGE DRUMS.

LOOK, WE DISTRIBUTE
VEGETABLES.

WE PACK IN WOODEN
CRATES, NOT METAL DRUMS.

-WELL, A GOOD FRIEND OF
OURS SWAM OVER THOSE DRUMS

AND HE'S VERY SICK NOW.

NOW HE'S IN THE HOSPITAL.

-WE THINK THAT HE
MIGHT HAVE BEEN POISONED

BY WHATEVER COULD HAVE
BEEN IN THOSE DRUMS.

-OH, LOOK, I MEAN, EVEN IF
WE DID PACK IN METAL DRUMS,

WHICH WE DON'T,

THEY WOULD BE FULL OF BRUSSELS
SPROUTS, LETTUCE, NOT POISON.

-WELL, THEN HOW'D YOUR
LOGO GET ON THOSE DRUMS?

-I DON'T KNOW, MAYBE YOU
GUYS MADE A MISTAKE, HUH?

-MR. SCANLON, IF IT WAS POISON,
WE NEED TO FIND OUT FAST.

-OUR FRIEND COULD DIE.

-LOOK, I TOLD YOU
GUYS, VEGETABLES, HUH?

YOU SEE?

THESE ARE GOOD FOR YOU.

HUH?

NOW, I GOT A LOT OF
WORK TO GET DONE.

WHAT I TOLD YOU
IS ALL THAT I KNOW

AND IT'S NOT GOING
TO CHANGE,

SO I'LL SEE YOU GUYS
LATER, ALL RIGHT?

-I HATE BROCCOLI.

[OMINOUS MUSIC]

-THEY BUY IT?

-I'M NOT SURE.

I THINK SO.

-WHAT IF THEY DIDN'T?

-CALL BOGGS.

TELL HIM HE'S GOT
A PICK-UP AND DELIVERY.

-THAT FRIEND OF THEIRS,
HE SOUNDS PRETTY BAD OFF.

MAYBE WE JUST, JUST OUGHT
TO TELL THEM, YOU KNOW?

-AND GET BUSTED
FOR ILLEGAL DUMPING?

I DON'T THINK SO.

-A FINE IS ONE THING,

BUT IF THAT GUY DIES THAT'S
ACCOMPLICE TO MURDER.

-CALL BOGGS.

AND THIS ALL GOES AWAY.

[SUSPENSEFUL MUSIC]

-LOOKING FOR SOMETHING?

-UM, I, MY QUARTER.

I DROPPED IT.

-PRETTY IMPORTANT QUARTER.

-YEAH, YOU KNOW,
WHEN YOU REALLY HAVE
TO MAKE A PHONE CALL,

AND IT'S YOUR LAST ONE 'CAUSE
YOUR FRIENDS LEFT YOU--

-WHAT ARE YOU UP TO, LADY?
-WHAT ARE YOU--

LET GO OF ME!
-CODY: THERE YOU ARE.

-HEY, I, I THOUGHT
YOU GUYS DITCHED ME.

-CODY: WE DIDN'T DITCH YOU.

-LOOKS LIKE YOU DITCHED US.

-NO, I-I WOULDN'T DO THAT.

-I SHOULD BUST
ALL THREE OF YOU.

-FOR WHAT. GRAND
THEFT BROCCOLI?

[MONITOR BEEPING]

[MONITOR FLATLINE TONE]

-PADDLES, STAT.

CHARGING.
-NURSE: READY.

-CLEAR.
-NURSE: CLEAR.

[FLAT TONE]

-CLEAR.

HE'S IN A COMA.

[MONITOR BEEPING]

I WANT HALF HOUR UPDATES
ON HIS EEG RESULTS.

-NURSE: YES, DOCTOR.

[CAR HORN HONKS]

-SIR, EXCUSE ME.

I'M AFRAID
THE BEACH IS CLOSED.

-WHAT?
YOU CAN'T CLOSE A BEACH.

-YEAH, I CAN.

THE TOXIC LEVEL IN THE
WATER GRADES OUT AS AN F.

-HEY, I'M A TAXPAYER.

I PAY GOOD MONEY
TO KEEP THE BEACH OPEN.

WHY CAN'T YOU GUYS PUT
SOMETHING IN THE WATER?

-WELL, SOMEBODY
ALREADY DID THAT.

THAT'S WHY
THE WATER'S POLLUTED.

-I CAN'T BELIEVE THIS.

COME ON, LET'S GO.

STUPID.

-YOU KNOW, YOU OUGHT
TO CHECK YOUR OIL, TOO.

-I JUST CHANGED IT, OKAY?

-JERK.

[SERENE MUSIC]

-EXCUSE ME, THE WATER'S BAD.

THERE'S NO SURFING
TODAY, I'M AFRAID.

-I WASN'T GOING TO SURF.

I WAS GOING TO SWIM
WITH THE DOLPHINS.

-WITH THE DOLPHINS?

REALLY?

-YEAH, THEY LOVE
TO SWIM WITH HUMANS.

-HOW DO YOU
AND THE DOLPHINS HOOK UP?

-YOU JUST LET THEM KNOW
YOU WANT TO SWIM WITH THEM.

IT'S THIS ENERGY
YOU SHARE WITH THEM.

IT'S NOT FAIR.

THEY DON'T TRASH
OUR NEIGHBORHOOD.

-NEELY, WAIT UP, HEY.

WHAT'S THE LATEST ON MITCH?

-NOT GOOD.

I'M GOING TO THE HOSPITAL NOW.
-YOU KNOW WHAT?

GIVE ME FIVE MINUTES,
I WANT TO GO WITH YOU.

-OKAY, I'LL BE WAITING
FOR YOU OUT FRONT.

-HEY, DONNA, WAIT UP.

-OH, HI, YOU'RE THE GUY FROM
INSIDE SPORTS. JERRY, RIGHT?

-GOOD TO SEE YOU AGAIN.
-YEAH, HOW'RE YOU DOING?

-GOOD. YOU KNOW, WHAT
HAPPENED ON THE BEACH

EARLIER TODAY GOT
ME THINKING AND I'VE GOT

A COUPLE OF IDEAS
I'D LIKE TO RUN BY YOU.

THAT PHOTOGRAPHER,
HE WAS A REAL KNUCKLEHEAD,

AND HE WAS WRONG ABOUT
ALL KINDS OF THINGS,

BUT HE WAS RIGHT
ABOUT ONE THING.

YOU ARE COVER GIRL MATERIAL.

-OH, YEAH, NO,
I'M NOT INTERESTED.

-AND, YOU KNOW,
WE DO THIS INSIDE SPORTS

SWIMSUIT ISSUE EVERY YEAR;

WE'D LOVE TO HAVE
YOU ON THE COVER.

-WELL, YOU KNOW WHAT, I'VE
GOT A FRIEND IN THE HOSPITAL,

I'M ON MY WAY TO SEE.

-YEAH, I HEARD,
THAT'S THE POINT.

HE GOT POISONED WHILE
SWIMMING IN THE OCEAN.

-EXACTLY, SO IF YOU COULD
EXCUSE ME, I'VE GOT TO GO.

-BUT WAIT,
HEAR MY SECOND IDEA.

I'LL WRITE AN ARTICLE
ABOUT ECOLOGY.

I'LL TALK ABOUT HOW
TO CLEAN UP THE OCEAN,

HOW TO MAKE THE WATER
A BETTER PLACE TO BE.

IT'S YOUR OFFICE,
IT'S WHERE MY READERS SWIM.

-I DON'T KNOW.
-WE'RE GOING TO THE BAHAMAS.

WE'RE GOING TO STAY
ON PARADISE ISLAND

AT THE ATLANTIS HOTEL.

COME ON, TOGETHER
WE CAN MAKE A DIFFERENCE.

[SERENE MUSIC]

-WELL, I DON'T SEE
ANYBODY ELSE AROUND.

-LET'S HOPE NOBODY SEES US.

-ISN'T THIS BREAKING
AND ENTERING?

-SO FAR IT'S JUST ENTERING.

JUST DON'T BREAK ANYTHING.

[SUSPENSEFUL MUSIC]

-THIS IS IT, YOU GUYS,
I WAS RIGHT, COME HERE.

-THAT'S IT, THAT'S THE LOGO.

-WE GOT TO FIND OUT WHAT KIND
OF STUFF'S IN THESE BAD BOYS

AND GIVE IT
TO MITCH'S DOCTORS.

-UH-OH, THEY'RE HERE.

-LET'S GO.

-WE GOT THREE
TO PICK UP HERE,

THEN WE SWING AROUND
TO CUTTER'S WAREHOUSE,

PICK UP ANOTHER SIX.

ALL RIGHT, LET'S GET
THE CRANE IN PLACE.

I WANT TO GET THESE
DRUMS MOVED NOW.

-LET'S GET THIS DONE.

I WANT
TO GET HOME, ALL RIGHT?

THE FIGHT'S ON PAY-PER-VIEW,

I DON'T WANT TO
JUST THROW AWAY 40 BUCKS.

LET'S GO, COME ON, MOVE!

-MAN: OKAY, JUST A SECOND.

-BOGGS: COME ON.

-GOT IT.

BRING IT OVER,
I'LL HOOK IT UP.

ALL RIGHT, HOIST IT UP.

WATCH IT.

COME ON, COME ON,
LET'S GET OUT OF HERE.

-BOGGS: BRING IT DOWN.

COME ON LADIES, LET'S
MOVE, I GOT TO GET HOME.

COME ON, KEEP GOING.

KEEP COMING, LET'S GO.

-MAN: MORE.

-NOW, NOW, NOW.
-NOW.

-COME ON, BRING IT DOWN.

-DOWN, DOWN.
-BOGGS: BRING IT DOWN.

[SIRENS BLARING]

-DAMN!

DAMN IT,
GET THIS OUT OF HERE.

COME ON.

-POLICE OFFICER:
HOLD IT RIGHT THERE!

-POLICE OFFICER:
DON'T MOVE, FREEZE!

-WE'RE COMING ABOARD AND
TAKING A SAMPLE OF YOUR CARGO.

-YOU GOT NO RIGHT
COMING ON MY BOAT.

-OH, YES WE HAVE.

-YOU HAVE RIGHTS, TOO.

YOU HAVE THE RIGHT
TO REMAIN SILENT

AND I STRONGLY
SUGGEST THAT YOU DO.

-DR. WEISS.

-GREAT, WE GOT IT.

-HERE IT IS.

-LET'S FIND OUT WHAT IT IS,
THEN GIVE HIM THE ANTIDOTE.

FOLLOW ME.

[MONITOR BEEPING]

LIEUTENANT BUCHANAN, WAKE
UP, YOU'VE GOT COMPANY.

-COME ON, MOM, JUST FIVE
MORE MINUTES, IT'S TOO EARLY.

[MITCH GROANING]

-DOCTOR, IS HE OKAY?

-I DON'T KNOW.

[MITCH GASPING]

-GOTCHA!

[ALL LAUGHING]

♪ SON AMOUR QUI REND LE MONDE...

♪ TOUT LE MONDE

♪ VOS YEUX SONT BELLE QUE LE CIEL...

♪ ET PLUS VIVANTS QU'UNE FERME EN ♪
♪ PRINTEMPS

♪ JE VOUS PROMETS DE VOUS PROTEGER...

♪ TOUS LES JOURS

♪ JE T'AIME MON AMOUR

♪ EN SA BEAUTE... GIT MA MORT...

♪ ET MA VIE

♪ IF I COULD TELL A STORY

♪ WITH A THOUSAND WORDS TO SAY

♪ THEN I WOULD TAKE A PICTURE

♪ FROM THE FIELDS OF YESTERDAY

♪ AS YOU COME DOWN FROM THE HIGHLANDS

♪ LIKE A THIEF IN THE DARK

♪ THIS OCEAN IS A FORTRESS

♪ FOR A TALE OF BROKEN HEARTS

♪ MY LOVE....

♪ I'M NOTHING WITHOUT YOU

♪ MY LOVE....

♪ WHAT CAN I SAY...

♪ TO KEEP YOU

♪ YOUR BEAUTY'S A RECITAL

♪ SO STATELY WITH YOUR EYES

♪ FOR THE ISLANDS AND THE IDOLS

♪ LET IT WASH AWAY MY PRIDE

♪ YOU HAVE RENDERED ME DEFENSELESS

♪ FOR YOUR MERCY I WILL PLEAD

♪ AS YOU BECKON MY SURRENDER

♪ BUT YOU HAVE ME ON MY KNEES

♪ MY LOVE....

♪ I'M NOTHING WITHOUT YOU

♪ MY LOVE....

♪ MY LOVE....WHAT CAN I SAY...

♪ TO KEEP YOU

[SERENE MUSIC]

-OKAY, SO, UH,
WHAT DO YOU THINK?

-IT'S PERFECT.

-WHERE'D THAT COME FROM?

-CHRIS LASSEN PAINTED IT.

-THE DOLPHIN GUY, RIGHT?

-YEAH, YEAH, HE PAINTED IT,

DONATED IT TO HEAL THE BAY
FOUNDATION TO RAISE SOME MONEY,

JERRY CRAW FROM INSIDE SPORTS
BOUGHT IT AND GAVE IT TO US.

-FOR KEEPING
OUR OFFICE CLEAN.

-GORGEOUS.

-PERFECT.

-I LIKE IT.

[UPBEAT MUSIC]

[CLOSING THEME PLAYING]