Baywatch (1989–2001): Season 2, Episode 6 - Point of Attack - full transcript

[THEME MUSIC PLAYS]

♪ SOME PEOPLE STAND
IN THE DARKNESS ♪

♪ AFRAID TO STEP
INTO THE LIGHT ♪

♪ SOME PEOPLE NEED
TO HELP SOMEBODY ♪

♪ WHEN THE EDGE OF
SURRENDER'S IN SIGHT ♪

♪ DON'T YOU WORRY

♪ ITS GONNA BE ALRIGHT

♪ CAUSE I'M ALWAYS READY,

♪ I WON'T LET YOU
OUT OF MY SIGHT ♪

♪ I'LL BE READY, I'LL BE READY

♪ NEVER YOU FEAR,
NO DON'T YOU FEAR ♪



♪ I'LL BE READY

♪ FOREVER AND ALWAYS
I'M ALWAYS HERE ♪

♪ CAUSE I'M ALWAYS READY

♪ I WON'T LET YOU
OUT OF MY SIGHT ♪

♪ I'LL BE READY, I'LL BE READY

♪ NEVER YOU FEAR,
NO DON'T YOU FEAR ♪

♪ I'LL BE READY

♪ FOREVER AND ALWAYS
I'M ALWAYS HERE ♪

[ELECTRONIC MUSIC PLAYS]

-WHERE YOU GUYS GOING, SURFING?

I GOT SOME BABY
OIL FOR YOU HONEY.

COME HERE, HONEY.

I GOT NICE HANDS.

HOW YOU DOING?



I LIKE THIS UMBRELLA.

MY MOM'S GOING TO LOVE IT.

-HEY, HOMES, NICE RADIO.

WHERE DID YOU GET THAT?

-GET OUT!

HOMES, THIS IS FOR YOU.

-HEY, HOW ABOUT A
COLD BEER, FLACO?

-I THINK I'M A LITTLE
THIRSTY TONIGHT.

HEY, HEY, HEY, IS THIS
YOUR BEER, HOMES?

I APPRECIATE IT, HOMES.

-HEY, FLACO, WATCH OUT.

WALAS AGAIN, MAN.

-LET'S HAVE SOME FUN.

HEY, CHAVALITA.

MOVE OUT OF THE WAY, MIJA.

TWO POINTS, HOMES.

ORALE, MEMO.

WHAT'S UP?

-MY BEACH, FLACO.

-I DON'T SEE NO SIGNS.

-10-16 GANGBANGERS
ON THE BEACH.

GET ME BACKUP.

-WE'RE GOING TO HAVE
TO CUT THOSE SIGNS DOWN.

[INTENSE MUSIC]

[FIGHTING, GRUNTING]

-GET HIM! GET HIM, MAN!

[INTENSE MUSIC]

[FIGHTING, GRUNTING]

[GASPING]

[GRUNTING]

-HEY, LET HIM GO!

[GASPING]

[GRUNTS]

[COUGHS]

UGH.

[POLICE SIREN]

[GRUNTS]

[GRUNTS]

[GRUNTS]

-AHH.

[GRUNTS]

-HEY.

-ARE YOU OKAY?

-OH, CORT.

-[LAUGHS] MISS ME, OLD BUDDY?

-WHAT THE HELL
ARE YOU DOING HERE?

I THOUGHT YOU WENT
TO SOUTH AMERICA.

-WELL, I HEARD YOU
NEEDED ME, HERE I AM.

-ALRIGHT, LET'S GO.

-LET ME GO, MAN.
-LET'S GO.

LET'S GO, COME ON.

-MOVE!

-ALRIGHT, ALRIGHT.

-GET ON THERE!

-GET ON!

-THIS TOO?

-ANYTHING THAT CAN
BE USED AS A WEAPON.

I DON'T WANT WHAT'S
GOING ON AT THE BEACH

OUT THERE HAPPENING IN HERE.

WHAT'S THIS? BALLET?

SHAUNI, YOUR NAME'S ON THIS.

-EDDIE IS GOING
WITH ME TONIGHT.

-DOES HE KNOW ABOUT THIS?

-HEY!

-MITCH, THEY NEED YOU
UPSTAIRS, RIGHT NOW.

-BE CAREFUL WITH THESE GUYS.

LISTEN, CLEAN UP THIS
PLACE, I GOT GANGBANGERS.

-COME ON, COME ON!

-COME ON! HEY!

-HEY, HEY!

GET IN THERE!

GET IN THERE!

-CORT?

-HEY, LITTLE LADY.

-I THOUGHT YOU WERE IN AFRICA.

-SOUTH AMERICA.

-NO, I THOUGHT KUWAIT.

-WELL, I GET AROUND.

-HEY,
YOU GOT A PROBLEM?

-COME ON, HOMES. GET OFF ME.

-HEY!
-HEY, HEY, HEY, STAY BACK!

AT THERE.

ANY LIP, AND YOU'LL BE
TALKING OUT OF YOUR ARMPITS!

YO, YOU, TOUGH GUY,
COME HERE, COME HERE!

HOW'S YOUR FIRST AID THESE DAYS?

-I HAVEN'T LOST ONE YET.

SEE YOU AT THE SAFE.

-DON'T TOUCH ME, MAN!

[FIGHTING]

-THEY SAID THAT YOU WERE HURT.

-AHH. NO, I AM FINE, I'M,

I'M FINE, WHY DON'T YOU
JUST TAKE CARE OF THE KID.

-I'M NO KID, ESE.

-YEAH, RIGHT.
YOU'RE BARKER THE WONDER DOG.
-UP YOURS, PAYASO.

YOU THINK YOU'RE BAD, HUH?

THAT DUDE HIT YOU ON
LAND, YOU'D BE DEAD, ESE.

YOU WERE LUCKY.

-YEAH RIGHT, YOU WERE
THE ONE WHO WAS LUCKY.

SHUT UP AND SIT THERE.

-EDDIE, COME ON.
-NO, NO, OW! I AM FINE.

-EVERYTHING OKAY IN HERE?

-YEAH, YEAH, MAN,
EVERYTHING'S JUST FINE.

-HEY,
HEY, SETTLE DOWN

OR YOU'LL BE HERE ALL DAY!

COME ON!

-GET
OUT OF MY FACE!

-LET IT GO!

[ARGUING]

OH, THIS IS GREAT.

I GOT BUDGET CUTS,
POLLUTANTS, GANG FIGHTS.

-CORT: HEY, MITCH.

-MITCH: CORT!

-I KNOW, I KNOW, YOU
PROBABLY THOUGHT I WAS IN--

-TOAD SUCK FERRY, ARKANSAS.

OBVIOUSLY, YOU HAD
SOMETHING TO DO WITH THIS.

-NO WAY, JOSE.
THIS IS ALL GARNER.

-HEY, WHAT CAN I DO?

I BOOK THEM. I PUT THEM
THROUGH THE SYSTEM.

MOST OF THEM WILL
BE OUT TOMORROW.

A FEW OF THEM WILL DO SOME
TIME COME OUT TWICE AS BAD.

EDDIE, WHAT DO YOU SAY?

SHOULD WE BOOK HIM?

-I DON'T KNOW.

-UH, HE'S OKAY.

EDDIE, CAN I TAKE A LOOK
AT YOUR HEAD, PLEASE?

-YEAH, SURE.

-YOU, GET OVER HERE.

I'LL UH, GET THE
WAGONS DOWN HERE.

-WAIT A MINUTE, GAR. LOOK.

THEY'RE JUST KIDS, MAN.

-SEE WHAT CAN HAPPEN WHEN A GUY
GETS HIT OVER THE HEAD?

-CAN I TALK TO YOU
ABOUT THIS IN MY OFFICE?

CAN YOU STAY HERE AND
DO SOMETHING RIGHT?

-HEY.

[LAUGHS] WHY IS IT
THAT EVERY TIME YOU

ASK TO SEE ME IN PRIVATE,
I GET THE FEELING

I SHOULD HAVE NEVER LEFT PHILLY?

-SIT DOWN FOR A
SECOND, WILL YOU?

I MAY HAVE JUST STUCK MY
NECK OUT IN A REAL BIG WAY.

-YEAH? YOURS OR OURS?

-UM, I'VE BEEN THINKING
INSTEAD OF RUNNING THESE KIDS

THROUGH THE COURT PROCESS,
WHERE THEY'RE GONNA

YOU KNOW END UP ON
THE STREETS OR--

-OR DEAD.
-OR DEAD.

I'VE TALKED TO THE COUNTY
ABOUT AN ALTERNATIVE.

-WHAT KIND OF ALTERNATIVE?

-THE WATER PROGRAM.

-MY WATER PROGRAM?

-WELL, LAST I HEARD, IT WAS
THE COUNTY'S WATER PROGRAM.

-WHAT DO YOU SAY, CHAMP?

FEEL LIKE BEING LURED
OUT FOR A LITTLE FUN?

GET MY OLD BIKE OUT
OF STORAGE FOR YOU,

HAVE SOME FOOD, HIT THE FIGHTS.

-FIGHTS?

-YEAH. BOOM-BOOM BENITEZ
VS. HARRY THE HORSE CALLAHAN.

-OH, MAN YOU KNOW
HOW LONG IT'S BEEN

SINCE I'VE BEEN TO THE FIGHTS?

-WHEN?

-FIRST BOUT'S SEVEN SHARP.
GET A MOVE ON, EDDIE.

-TONIGHT, EDDIE IS GOING
TO THE BALLET WITH ME.

-THE WHAT?

-WELL, UM, WELL, COME ON,
SINCE CORT'S IN TOWN...

-YOU'RE NOT DUCKING OUT ON ME.

-OH, HEY, IF THE
BALLET'S SO IMPORTANT.

-OH, COME ON. YOU
UNDERSTAND, RIGHT?

-OH, YEAH, I UNDERSTAND.

WHEN IN DOUBT, BAIL OUT.

I MEAN, THAT IS YOUR MOTTO,
ISN'T IT, MR. JOHN D. CORT?

-NO, MY MOTTO IS "WHEN
THE GOING GETS TOUGH,

"THE TOUGH GET GOING."

ACTUALLY, SHE'LL MISS ME
LIKE CRAZY WHEN I'M GONE.

-CAFFEINE WHERE IS IT?

HEY, WHAT A LEFT
BOOM-BOOM'S GOT, HUH?

-CORT: YEAH. THE
MAN'S A WEAPON.

-SO WHAT'S NEXT?

-RE-UP, START SAVING LIVES.

-MORNING, GUYS.

-FELLAS.

-THEN, IN 10 DAYS,
WHEN YOU'RE CURRENT?

-WELL, IT'S A BIG
WORLD OUT THERE.

-YEAH, WELL, I JUST HOPE I
GET TO SEE SOME OF IT ONE DAY.

-JUST START ONE DAY SOON.

MITCH GOT THE GO-AHEAD TO PUT

THOSE KIDS IN THE WATER PROGRAM.

-AREN'T I LUCKY?

-HEY, YOU'RE LIVING PROOF
THESE PROGRAMS DO SOME GOOD.

-THAT'S ME, THE TOKEN BAD BOY.

SO WHY IS HE THE ONE
HAVING ALL THE FUN?

-BECAUSE YOU GOT SHAUNI.

-WHEN I'M NOT IN THE DOGHOUSE.

-SHE STILL LOVES YOU.

YOU GUYS WILL KISS AND
MAKE UP AND I'LL STILL BE

KING OF THE ONE-NIGHT STANDS.

-WHAT ARE YOU AFRAID OF, CORT?

WHAT'S GOING TO CATCH
YOU IF YOU STOP RUNNING?

-I DON'T KNOW, GARNER.

I DON'T WANT TO FIND OUT.

-MORNING.

-YEAH.

-WHOA, YOU LOOK LIKE--

-YEAH, I KNOW LIKE
SOMETHING THE CAT DRAGGED IN.

MITCH, GARNER TOLD ME THE NEWS.

-WHAT, YOU'RE NOT THRILLED?

-THRILLED OR NOT,
IT DOESN'T MATTER.

LOOK, THERE'S
SOMETHING MISSING HERE.

-YEAH?

-YEAH. I'M GOING TO
NEED MORE MANPOWER.

-SORRY. EVERYBODY'S
ALREADY ASSIGNED.

-EXCEPT FOR CORT.

-NICE GUY, KRAMER.

-OH, WHAT IS THAT
SUPPOSED TO MEAN?

-WHERE DID YOU
SLEEP LAST NIGHT?

-HOW DO YOU KNOW I
WASN'T AT MY PLACE?

-BECAUSE I WAS.

I GOT NERVOUS. I CALLED YOU
UNTIL 3:00 IN THE MORNING.

SO I WENT OVER TO
YOUR HOUSEBOAT,

AND I FELL ASLEEP
THERE, BUT YOU DIDN'T.

-ABOUT CORT, YOU CAN
HAVE HIM. EXCUSE ME.

-AND YOU CAN KEEP
HIM FOR ALL I CARE

BECAUSE EVERY TIME
HE COMES INTO TOWN,

YOU END UP IN TROUBLE.

-UGH.

[POP MUSIC PLAYS]

-♪ MAYBE I AM FOOLISH

♪ OR MAYBE I AMBLIND♪

♪ YOU CAN SEE THE THUNDER
♪ UNDERNEATH SIGH

♪ BREAKING THROUGH THE DOOR
♪ FAR FROM THIS LIFE

♪ NEVER KNOWING WHEN OR IF YOU MIGHT DIE

♪ STAYING LOW AND ONLY MOVING
♪ THROUGH THE DARKNESS

♪ SO HOLD YOUR HEAD UP TIL WE ALL FLY
♪ SO HOLD YOUR HEAD UP

♪ WE'RE LOOKING FOR THE RAPTURE
♪ SO WE KEEP ON RISING

♪ NEVER BEEN MUCH FOR THE SADNESS

♪ WHEN ALL THE WORLD AROUND
♪ IS ONLY MADNESS

♪ WHEN ALL THE WORLD AROUND
♪ IS ONLY MADNESS

♪ WE ARE BOUND LIKE THIS

♪ WE ARE ALL BOUND LIKE
♪ SISTERS AND BROTHERS

♪ CAN WE GIVE ENOUGH BEFORE
♪ WE ALL COME UNDONE

♪ DON'T FORGET THE LOVE THEY SAY
♪ KEEP IT ALL HIDDEN AWAY NOW

♪ ITS ONLY BEEN 17 YEARS
♪ WILL I BE ALIVE TOMORROW?

♪ DON'T FORGET THE LOVE THEY SAY♪

♪ KEEP IT ALL HIDDEN AWAY NOW

♪ ITS ONLY BEEN 17 YEARS♪
♪ WILL I BE ALIVE TOMORROW?

♪ BE ALIVE TOMORROW

♪ WILL I BE ALIVE TOMORROW?

♪ MAYBE I AM FOOLISH

♪ AND MAYBE I AMBLIND ♪

♪ BUT I DO WHAT I NEED ♪

♪ AND IT'S NOT HOW I AM DEFINED

♪ I'M JUST A MAN AT TIMES

♪ I HAVE BEEN UNKIND

♪ BUT ITS ONLY TO SURVIVE I WON'T,

♪ FORGET THIS LOVE

♪ FORGET THIS LOVE, THIS TIME

♪ I WON'T, FORGET THIS LOVE ♪
♪ FORGET THIS LOVE, THIS TIME

♪ DON'T FORGET THE LOVE THEY SAY
♪ KEEP IT ALL HIDDEN AWAY NOW

♪ ITS ONLY BEEN 17 YEARS
♪ WILL I BE ALIVE TOMORROW?

[CAR HORN HONKING]

[SPEAKING SPANISH]

-WATCH OUT, VATO.

-HEY, WHEN YOU BRING YOUR
BUSINESS WHERE I DO MY BUSINESS,

MAKES IT HARD TO DO BUSINESS.

-WELL, I BET YOUR
GUNS MAKE YOU FEEL LIKE

BIG PANDILLEROS, HUH?

-HEY, YOU KNOW, YOU
GOT A BIG MOUTH, ESE.

YOU BETTER CHECK IT
BEFORE YOU WRECK IT.

WHY DON'T YOU SPLIT?

-WHAT IF I DON'T FEEL LIKE IT?

-IT DON'T MATTER.

WE'RE OUT OF HERE.

-YOU BETTER BOOK, PUNK.

[INTENSE MUSIC]

-YOU OWE ME, COWBOY.

-I THINK YOU'RE FORGETTING
THIS IS BETTER THAN JAIL.

-THIS WILL MAKE US EVEN.

[INTENSE MUSIC]

-ALRIGHT, ALRIGHT.

ONE SHOT FOR THE
HISTORY BOOKS HERE.

SAY CHEESE.

[CAMERA CLICKS]

YOU GUYS ARE BEAUTIFUL.

-THAT'S WHAT SHE SAID.

-THAT'S WHAT SHE SAID?

I BET.

COME ON, COME ON.

-LOOK WHO'S HERE.
-OH, MAN.

-THIS IS OUR
NEIGHBORHOOD, DUDE.

-ALRIGHT.

-NOW, LET'S MOVE
ON DOWN THE DOCK.

WHAT WE'RE TRYING TO DO
HERE IS INTRODUCE KIDS

WHO OTHERWISE MIGHT
NOT GET TO THE BEACH

TO THE ACTIVITIES,
THE FUN AND ALL

THE DIFFERENT THINGS WE
CAN DO... [SPITS SPITBALL]

-HEY, HOMES, WHAT'S UP?

[ARGUING, FIGHTING]

-ALRIGHT, LET'S GET ON.

-WHAT'S THE MATTER
WITH YOU, MAN?

-WHAT ARE YOU WAITING
FOR? MOVE, MOVE!

-HEY, HEY, HEY, HEY, HEY, HEY!

MIKE, I DON'T THINK THIS
APPROACH IS WORKING, ALL RIGHT?

-NOT YET, MAYBE.

[BLOWS WHISTLE]

-HEY.

-GET ON!

WHAT ARE YOU GUYS, DEAF?

-NO, THEY'RE NOT
DEAF. THEY'RE WIMPS.

-YEAH, LOTS OF ATTITUDE,
BUT NO GANAS, HUH?

-YOU KNOW, MAYBE
WE OUGHT TO FORGET

THIS BOAT RIDE AND SEND
THEM TO BEAUTY SCHOOL.

-HEY, HEY.

-ALRIGHT, LET'S MOVE.

-EASY, EASY, EASY,
EASY, COME ON.

COME ON, EASY.

-EVERYBODY ON.
-WELCOME TO THE,

THE WATER PROGRAM, BOYS.

[UPBEAT MUSIC]

-OKAY, MOVE A LITTLE
BIT TO YOUR LEFT.

GREAT.

OKAY, LOOK THIS WAY.

GREAT.

GREAT.

[CAMERA CLICKING]

OKAY, A LITTLE BIT TO THE RIGHT.

OKAY, AND LOOK TOWARDS ME.

BEAUTIFUL. GREAT.

OKAY, YOU LOOK GREAT.

-ALL RIGHT, HERE WE GO.

COME ON.

BATHROOMS ARE STRAIGHT AHEAD.

I DON'T THINK HE'S
GOING TO MAKE IT.

GOOD TIME, HUH?

YOU KNOW, THERE'S NO
CRIME IN ADMITTING,

YOU'RE HAVING A GOOD TIME
EVERY ONCE IN A WHILE.

HEY LOOK, MAN, MAYBE, UH,

MAYBE, SOMETIME,
I COULD HELP OUT?

-NO ONE HELPS
MEMO BUT MEMO, ESE.

-I THINK YOU'RE WRONG.

-A GUY CAN GET HURT
TALKING LIKE THAT.

-RIGHT NOW, YOU'RE THE
ONE THAT'S GETTING HURT.

-MEMO!

GET YOUR STUFF. YOU'RE
OUT OF HERE, ORALE.

-I DON'T THINK SO.

-HEY, NOBODY CARES
WHAT YOU THINK.

-HEY MAN, IT'S THIS
PROGRAM OR IT'S JAIL.

-YEAH WELL, JAIL'S NOT
SO BAD. I'VE DONE MY TIME.

-SO HAVE I.

I GUARANTEE YOU,

HE'S GONNA LEARN A
LOT BETTER THINGS HERE
THAN HE EVER WILL IN THERE.

-BETTER FOR WHAT?

NOT BETTER FOR MY WORLD.

-MAYBE HE WANTS TO STAY.

-DO YOU WANT TO STAY?

-NO, MAN.

[UPBEAT MUSIC]

[MOTORCYCLE REVVING]

-WELL, MIKE, CALL GARNER.

HEY, GUYS, COME
ON, LET'S GO, HUH?

WE GOT A LOT OF
THINGS TO DO YET,

UNLESS YOU GUYS WANT
TO BE PUT AWAY TOO.

-ANYTHING WOULD BE BETTER
THAN GOING BACK ON THAT BOAT.

-CHECK OUT THE BLOND CHICK.

-DO WE REALLY HAVE
TO GO DOWN THERE?

I THOUGHT YOU SAID WE'D
BE OUT OF HERE BY THREE.

JOHN D. CORT?

-GUILTY AS CHARGED. HEY.

-HEY.

-MM.

-MM. I HEARD YOU
WERE IN AFRICA.

-WELL, I WAS.

WHAT DO YOU SAY WE
GET TOGETHER TONIGHT
AND TALK ABOUT BIG GAME?

-MMM.

I LIKE IT.

[MELLOW MUSIC]

-HI.
-HI.

UM, I KNOW IT'S LATE.

-EDDIE, COOL IT.

-OKAY.

-LOOK, I DIDN'T COME
HERE TO GET ON YOU

ABOUT STAYING OUT LATE.

I JUST WANTED TO MAKE
SURE YOU GOT HOME SAFE.

-AND, UM, HOW DO
YOU KNOW I WASN'T

GOING TO BE OUT ALL
NIGHT WITH CORT?

-BECAUSE CORT CALLED ME.

HE'S BEEN CALLING
ME EVERY HALF HOUR.

WHY WERE YOU THE ONE TO
TAKE THOSE KIDS HOME ALONE?

-I'VE BEEN OUT
LOOKING FOR MEMO.

I KNOW HE HAD A GOOD
TIME ON THE SCARAB.

HE WON'T ADMIT IT.

HE WANTS TO BE A PART
OF THIS PROGRAM, SHAUNI.

HE'S HAVING A GREAT TIME,
BUT FOR SOME REASON,

HE WON'T OPEN UP.

-YOU MEAN, LIKE YOU AT
THE Y POOL IN PHILLY?

-YEAH, LIKE ME AT
THE Y POOL IN PHILLY.

-AND THEN THERE WAS THAT GUY.

-DENNY CURREN.

I HATED THAT GUY.
HE WAS SO HARD ON ME.

GREATEST MAN I'VE EVER KNOWN.

ANYTHING I AM TODAY,
I AM BECAUSE OF HIM.

-WELL NOW IT'S
YOUR TURN, EDDIE.

DON'T LET THIS KID
GET AWAY FROM YOU.

YOU'VE GOT TO MAKE
THIS WORK FOR HIM.

YOU GOT TO MAKE IT WORK FOR YOU.

[OMINOUS MUSIC]

[CAR HORN HONKING]

-[SPEAKING SPANISH]

-I SUPPOSE YOU STILL
HAVEN'T SEEN MEMO.

-MAN, ARE YOU CRAZY?

I TOLD YOU FOUR HOURS AGO
THAT I AIN'T SEEN HIM,

AND I SURE AS HELL
DIDN'T SEE HIM IN MY BED.

-SO HOW DO WE FIND HIM?

[LAUGHING]

-WE DON'T.

[LAUGHING]

-WE DO.

-YOU ARE CRAZY, HUH?

NO ONE MESSES WITH MEMO'S PADRE.

HE SITS ON YOU, YOU
REAL DEAD, HOMES.

-YEAH, WE'LL SEE.

-I GOT DIBS ON THE
COWBOY'S WATCH, EH?

[LAUGHING]

[OMINOUS MUSIC]

-IF THE OLD MAN'S
HERE, BUY ME SOME TIME.

[KNOCKING]

-I'M BUSY.

-HEY, UH, WE JUST WANT TO TALK.

-YOU KNOW WHAT? GET
OFF MY PROPERTY, MAN.

GET OFF MY PROPERTY.

-OR WHAT? YOU'RE
GONNA CALL THE LAW?

-HEY, IN THIS
BARRIO, I AM THE LAW.

[FIGHTING NOISE]

-WHAT ARE YOU DOING HERE, MAN?

[FIGHTING, GRUNTING]

-HEY, COME ON.

-TRYING TO GIVE YOU
SOME OTHER OPTIONS.

-I DON'T NEED OPTIONS, ESE.

I GOT EVERYTHING I NEED.

-WELL, YOU HAVE A FATHER,
THAT'S ONE UP ON ME.

[CRASHING]

-I HOPE I'M BUYING
YOU ENOUGH TIME.

-I DON'T KNOW.

WHEN I THINK ABOUT IT,
WHEN PUSH CAME TO SHOVE

THE ONLY THING EVER HOLDING
ME BACK WERE MY OWN FEARS.

-NOW, COME ON!

[FIGHTING, GRUNTING]

[GRUNTING]

-CORT, IT'S ALL RIGHT, MAN.

COME ON, COME ON, THAT'S ENOUGH.

ALL RIGHT.

-THE MAN SAYS YOU'RE AFRAID.

-WHAT, OF HIM?

-NO.

AFRAID OF WHAT MEMO
MIGHT LEARN OUT THERE.

-WHAT? HOW TO BE A
CUTE LITTLE SURFER, HUH?

HOW TO GET A NICE TAN?

WELL, YOU SEE ANY
WAVES AROUND HERE?

-NO MAN, THERE WERE NO
WAVES WHERE I GREW UP EITHER.

I DIDN'T EVEN SEE THE
OCEAN UNTIL I WAS 19.

ALL ANYONE EVER OFFERED
ME WAS A 10-BY-20 POOL

WITH CHIPPED TILES,
STINKING OF CHLORINE.

BUT YOU KNOW WHAT?
IT WAS ANOTHER LIFE, MAN.

IT WAS ANOTHER LIFE
OTHER THAN THE ONE

THAT I THOUGHT I WAS STUCK IN.

-YEAH, SO MEMO
GETS OUT THERE, HUH,

GETS A TASTE OF SOMETHING.

WHAT HAPPENS WHEN
HE WANTS MORE, ESE?

HE GETS DOORS
SLAMMED IN HIS FACE.

YEAH, BECAUSE OF WHO HE IS,
BECAUSE OF WHERE HE'S FROM.

-IT DOESN'T HAVE
TO BE THAT WAY.

-DON'T TELL ME.

I KNOW AND I KNOW
WHERE HE BELONGS.

AROUND HERE, MEMO'S
BIG TIME, ESE.

HE GETS RESPETO,
YOU UNDERSTAND?

EVERYBODY KNOWS
WHO HE IS, HOMES.

-SO WHAT?

SO WHAT, IN TIME, HE HAS
TATTOOS ALL OVER HIS ARMS,

KNIFE SCARS ON HIS CHEST OR
WORSE YET HE ENDS UP DEAD.

IS THAT WHAT YOU WANT, ESE?

GO INSIDE, MEMO.

YOU KNOW WHAT? YOU GUYS
GET YOUR BUTTS OUT OF HERE.

GET OUT OF HERE NOW!

AND YOU TELL THEM COPS,

THEY WANT TO COME TAKE HIM,

THEY'LL NEVER MAKE IT
THROUGH MY FRONT YARD.

-WELL, THAT WAS INTERESTING.

-YOU EVER GET SO
MAD, YOU WANT TO PUT
YOUR FIST THROUGH A WALL?

-ACTUALLY, I FEEL
LIKE I JUST DID.

-HEY, LISTEN. YOU WERE GREAT.

-NO, MAN, YOU WERE GREAT.

IF IT HAD BEEN ME YOU
WERE RECRUITING IN THERE,

I WOULD HAVE JOINED UP.

[CLOSES CAR DOOR]

-WHAT ARE WE WAITING FOR?

THERE'S THIS WHOLE NEW
WORLD AT THE BEACH, RIGHT?

-HEY.
-HEY.

-HEY, COME ON, NOW.

GO CHANGED IN THE LOCKER ROOM.
LET'S GO, COME ON.

-HEY, YOU LOOKING FINE.

-COME ON, COME ON.
HUSTLE UP. SURF'S UP.

-DIO! THESE THINGS MADE
FOR HUMANS? [LAUGHS]

-HEY, NOBODY SAID
THAT GOOD CLEAN FUN

WAS GOING TO BE EASY.

-COME ON. HERE WE GO.

-HERE. WHY DON'T YOU
USE THIS? IT WILL HELP.

[REGGAE MUSIC PLAYS]

♪ ON THE OTHER SIDE OF TOWN

♪ THERE'S A FORCE, AND IT'S EASY

♪ JUST TO SIT AND SHUT IT DOWN

♪ BUT THE RIGHT WAY, IS THE RIGHT WAY

♪ NO MATTER HOW YOU WANT ROLL

♪ NO MATTER HOW YOU WANT TO PLAY

♪ THIS IS THE TIME TO SAY

♪ I'M COMMITTED TO A HIGHER LEVEL

♪ YOU'VE GOT TO CHOOSE THAT PATH

♪ MASKED IN THE PRESSURES YOU FACE

♪ IT'S HARD TO KNOW WHEN
♪ THE TIME IS RIGHT

♪ BUT FAITH DOESN'T NEED A REASON

♪ NOW IS ALL YOU HAVE

♪ IT'LL NEVER BE BETTER
♪ THAN THIS VERY MOMENT

♪ MAKE IT YOURS, IT'S YOUR ONLY CHANCE

♪ WE DO IT FOR ONE REASON
♪ RIGHT FROM THE START

♪ YOU AND ME TOGETHER
♪ WE DO IT FROM THE HEART ♪

♪ WE DO IT FROM THE HEART

♪ WE DO IT FROM THE HEART

♪ WE DO IT FROM THE HEART

♪ IT'S THE ONLY WAY IT'LL NEVER CHANGE

♪ IT'S THE ONLY WAY ♪
♪ THAT WILL NEVER CHANGE

♪ I'VE BEEN LOOKING FOR THE ANSWERS

♪ I'VE BEEN PICKING UP THE CALLS

♪ I'VE BEEN LOOKING FOR THE RIGHT WAY

♪ IN BETWEEN THESE WALLS

♪ I FOUND OUT THEY WERE WRONG ♪

♪ I KNEW IT BUT COULD NEVER PROVE IT ♪

♪ JUDGE NOT WHAT LIES IN FRONT OF YOU

♪ BUT WHAT LIES WITHIN

♪ WE DO IT FOR ONE REASON ♪
♪ RIGHT FROM THE START

♪ YOU AND ME TOGETHER
♪ WE DO IT FROM THE HEART ♪

♪ WE DO IT FROM THE HEART

♪ WE DO IT FROM THE HEART

[WHISTLES]

-HEY, HEY, THAT'S MY WATCH.

-RUN, RUN, RUN!

-HEY, HEY, HEY, HEY!

EDDIE, GRAB HIM!
HE'S GOT OUR MONEY!

[INTENSE MUSIC]

-AGH!

AH!

[FIGHTING, GRUNTING]

-AH!

-WHAT, WHAT THE HELL
IS WRONG WITH YOU?

-WHAT, ARE YOU STUPID?

I WAS GETTING SOME
SPENDING MONEY.

-I AIN'T TALKING
ABOUT THE MONEY, MAN.

I'M TALKING ABOUT
YOU SPITTING ON ME.

[GRUNTING]

OH, YOU'RE SO TOUGH,
AREN'T YOU, HUH?

TOO TOUGH FOR ME, TOO
TOUGH FOR MY WATER PROGRAM.

YOU THINK YOU'RE AS
TOUGH AS YOUR OLD MAN,

BUT YOU AIN'T TOUGH ENOUGH
TO STAND UP TO HIM, ARE YOU?

-WOULD YOU BE?

-NO. NO.

YOU'RE RIGHT.

HERE, MAN, TAKE IT. TAKE
THE MONEY. IT'S MINE.

TELL YOUR OLD MAN YOU STOLE IT.

-HE'S ALL I GOT, MAN.

-NO. NO, HE'S NOT, MAN.

THAT'S WHAT I'M
TRYING TO TELL YOU.

THERE'S OTHER PEOPLE,
THERE'S OTHER WAYS, MAN.

HELL, I FOUND ONE.

I'M NOT SAYING MINE'S THE
WAY, BUT TAKE A CHANCE, MAN.

TRY TO FIND ONE FOR YOURSELF.

-HOW?

-LET ME HELP YOU.

OH COME ON, MAN.

YOU'VE BEEN BEATEN UP
BY, BY BOOGIE BOARDS,

BASHED BY WAVES.

HOLDING OUT YOUR HAND
SHOULDN'T BE TOO HARD

A TOUGH GUY LIKE YOU

COME ON, MAN, LET ME HELP.

COME ON.

[MELLOW MUSIC]

[MELLOW MUSIC]

WHAT'S THAT?

-HEY. IT'S A COURSE
CATALOG FOR SEPTEMBER.

OH, MY GOD. OH, CORT COMES
INTO TOWN, AND YOU GET CREAMED.

-WELL, AT LEAST YOU'RE
HERE TO TAKE CARE OF ME.

-OH.

-MAYBE I OUGHT TO HAVE
JOHN D. CORT STICK AROUND.

-AS IF HE WOULD.

-HEY, I DON'T KNOW,
HE MIGHT SURPRISE US.

AFTER ALL, HE'S BEEN
A BIG HERO THIS WEEK.

-HE'S ALWAYS BEEN
YOUR BIG HERO.

-NOW, THAT'S NOT FAIR.

NOW COME ON, I'M NOT
GOING TO TURN INTO

JOHN D. CORT AND
RUN OUT ON YOU.

HE ENVIES ME. YOU KNOW WHY?

BECAUSE I HAVE YOU.

-MMM.

-AND IT'S TRUE.

[KISSING]

WHOA, WHOA, WHOA, WHERE
DO YOU THINK YOU'RE GOING?

-I AM GOING TO GET
YOU AN ICE PACK.

-OH.

FINE.

[LAUGHING]

-I THINK WE GOT THE HANG OF IT.

-HOMES, HOMES.
LOOK AT ME. [LAUGHING]

-WATCH OUT!

[LAUGHING]

YOU'RE DOING GOOD.

-HOW IS IT GOING OUT THERE?

I MEAN, BESIDES THE FACT THAT
EDDIE LOOKS LIKE AN EGGPLANT.

-CONSIDERING ALL THEY'VE
BEEN THROUGH? GREAT.

-MAN: WATCH IT!

-GET AWAY FROM ME WITH THAT.

THAT THING WON'T HAPPEN TO ME.

-YOU COULD CALL THIS
THEIR FAREWELL VOYAGE.

-WHOO!

[SPLASHING]

[LAUGHING, SPLASHING]

[SPLASHES AND LAUGHING]

-MEMO! COME ON! I WANT YOU!

I WANT YOU NOW!

-LISTEN.

-WHAT'S WRONG WITH YOU?

-COME ON, DON'T,
YOU'RE EMBARRASSING ME.

-YOU SNUCK OUT ON ME!

-LET'S GO HOME. NOT HERE, MAN.

-DON'T TALK BACK TO ME!

-COME ON, DAD! I'M
TRYING TO TALK TO YOU.

-COME HOME WITH ME RIGHT NOW!

-NO!

[SPLASH]

[SHOUTING IN SPANISH]

-HEY,
HE'S NOT COMING UP.

-HE'S GOT TO, MAN!

-HE CAN'T SWIM.

-HEY,
HE CAN'T SWIM, MAN.

-OH, MAN,
HE'S SINKING LIKE...

-WHERE IS HE?

-I DON'T KNOW, MAN.

[INTENSE MUSIC]

IS HE ALL RIGHT?

-OVER HERE, GET HIM AROUND,
GET HIM AROUND, GIVE HIM ROOM.

-EDDIE: ALRIGHT, READY?

-ONE, TWO, THREE, FOUR,
FIVE. COME ON, POP.

-I'LL TAKE OVER NOW.
-ONE, TWO, THREE--

-LET HIM BE, LET HIM BE.

-FOUR, FIVE. COME ON, POP.

ONE, TWO, THREE, FOUR, FIVE.

ONE, TWO, THREE, FOUR, FIVE.

ONE, TWO, THREE, FOUR, FIVE.

ONE, TWO, THREE, FOUR, FIVE.

COME ON, DAD.

ONE, TWO, THREE, FOUR...

[COUGHING]

POP.

-MIJO, MIJO.

-LATER.

-THANKS A LOT.

-TAKE CARE, HOMES.

[CAR ENGINE STARTING]

-WELL, I'D SAY IT'S WORKING.

-BUT IS IT ENOUGH?

-WELL, LET ME ASK YOU,
IS ANYTHING EVER ENOUGH?

-MAYBE. I, I DON'T KNOW.

I JUST WISH THAT WE COULD
KEEP A GUY LIKE MEMO

AROUND HERE FOR MORE
THAN A WEEK AT A TIME.

I'D BE HAPPY IF IT
WAS FOR A MONTH.

-WELL, YOU KNOW, MAYBE HE, UM,

MAYBE HE OUGHT TO COME WITH ME.

-YEAH, RIGHT. TO THE CARIBBEAN?

TO SAIL THE SOUTH SEAS?
-I'M SERIOUS.

I'M ALMOST SETTLING DOWN.

-AH, LET ME GUESS.

THE OPERATIVE WORD
HERE IS ALMOST, RIGHT?

-YOU EVER HEAR
OF OUTWARD BOUND?

-YEAH, YEAH. ISN'T THAT
WHERE YOU TAKE THE KIDS

TO THE MOUNTAINS AND THEY
LEARN ABOUT SURVIVAL?

-AND ABOUT THEMSELVES.

I'M GOING TO BE RUNNING
IT UP NEAR IDYLLWILD.

IT'S FOR KIDS LIKE
MEMO AND FOR ME.

I DON'T KNOW THOUGH,
A YEAR IN ONE PLACE

I MIGHT GET A LITTLE TWITCHY.

[LAUGHS]

-I DON'T KNOW, CORT,
I THINK THERE MIGHT BE

SOME HOPE FOR YOU YET.

-THANK YOU.

HEY, WHAT DO YOU SAY WE JUMP
ON THE BIKES AND HEAD DOWNTOWN.

ASSASSIN ARGIRO VERSUS

-CORT, EDDIE: SLUGGER SANCHEZ?

-CORT: YOU GOT IT.

-TEMPTING, VERY TEMPTING,

BUT I DON'T THINK SO.

I THINK I WANT TO
SPEND THE EVENING

WITH MY FAVORITE SLUGGER.

-WELL, I DON'T BLAME YOU.

HEY HEY, I ALMOST
FORGOT. LET ME SEE HERE.

HMM.

THOSE ARE FOR YOU.

-THANKS.

[MELLOW MUSIC]

[KISSING]

[MELLOW MUSIC]

[END THEME PLAYING]