Ancients Behaving Badly (2009–…): Season 1, Episode 3 - Julius Caesar - full transcript

The ruler whose ego was as big as his empire declares himself dictator of Rome for life--turning his allies to enemies in the process.

NARRATOR: Julius Caesar: military
genius, empire builder, conquering hero.

He's antiquity's Mr. Big, the

guy with his head on the coin.

But the coin has two sides.

There's also Julius Caesar,

sexy beast and ruthless killer.

When he isn't in bed with other

people's wives, he's always up

for some genocide.

In the league table of

history's mass murderers, Caesar



is up there with Hitler and Stalin.

So what's behind the bad behavior?

I think we can ask: is he

sick, or just obsessively driven?

Investigators will explore

ancient writings, including

Caesar's own memoirs to uncover the truth.

They'll put events in his life

to the test, and reveal new

medical evidence about the

illness that caused his rapid

deterioration.

A forensic psychiatrist will
dissect Caesar's personality to

flush out the demons and see



how he stacks up against other

Ancients Behaving Badly.

Julius Caesar has an empire and an ego
to match. He declares himself dictator of

Rome for life, and his allies

become his enemies.

It doesn't help that he's been

sleeping with their wives,

prancing around in a laurel

wreath and purple toga, even

changing the calendar to have a

new month, July, named after himself.

Everybody has had enough.

They crowd around him in the

Senate chamber, and the daggers come out.

Even his pal Brutus is in on

it, muttering, it is said,

these words as his long knife

plunges home, "Sic semper

tyrannis ":" This is what

happens to tyrants."

To understand Caesar better, psychiatrist
David Mallott will examine his behavior and

position him on a unique

Behaving Badly Psychograph
revealing how he compares to

tyrants like Genghis Khan and Caligula.

I'm going to look at the life
of Julius Caesar to see if he's

a charismatic leader, to see if

he's insane or to see if he's a psychopath.

At first glance, it's not looking good
for Caesar. He watches 20,000 helpless

women and children starve to death.

DARIUS ARYA: These aren't warriors.

These are women and children.

But Caesar shows no mercy, no compassion.

He lets his soldiers

slaughter 40,000 Gauls after

beating them in battle.

In his war of conquest, he

killed or enslaved a third of

the population.

That's an act of genocide.

He orders the hands of
2,000 Gauls chopped off...

and has a band of pirates crucified.

Caesar is sending out a
signal. He's letting people know he is

somebody to be reckoned with.

Do not cross him.

Nobody says no to Caesar,

least of all in bed.

When it comes to sex, he's

predatory and insatiable.

How do we know all this?
Caesar tells us himself in his

memoirs.

Others pick up the story.

They include Roman historians

Suetonius and Plutarch, who

lived 100 years or so after Caesar's death.

They depict a man who is

ruthless and supremely ambitious.

To get a sense of what formed Caesar's
character, we must go back to his childhood.

He grows up in Rome, the heart

of the Roman Empire,

not in the aristocratic

grandeur of the Palatine Hill,

but here in the seedy,

brothel-lined alleyways of Subura.

Caesar's family were

aristocrats, but it's been

generations they haven't tasted

wealth or power.

Now, the high and mighty of Rome

and the senators are over on the

Palatine Hill.

That's like Park Avenue.

This is like the Bronx.

Growing up on these mean

streets is a fall from grace

that has an impact on the young Caesar.

Julius Caesar is well aware

of the glorious past of his family.

And he feels very deeply

the disconnect of his present

circumstances to that past.

He could have become very

bitter, very angry, but instead,

he decides to climb that social

and political ladder to where he

should, in his mind, be.

With a goal like that, you can never climb
high enough. >> How is he going to climb his

way, literally, back up the hill?

The Roman army is the perfect

place to start.

He's had a fascination with the army since
childhood. One of his heroes is the Consul

Sulla, who uses his military

might to seize control of Rome

during a civil war, power at

the point of a spear.

He joins the army at the age of

20 and distinguishes himself

for battlefield bravery in Greece.

But that's not what everybody's

talking about.

MARIA WYKE: There is a
story, that appears in some of the

sources, that Caesar had a

sexual relationship with the

king of Bithynia, which is in

Northern Turkey.

It's supposed to be a business
trip. Caesar's in Turkey to negotiate

with King Nicomedes for

warships to aid the Roman cause.

The talks drag on and on, and

some say turn from ships to

other matters, and possibly

take place in the royal bedchamber.

Smirking gossips call Caesar

"the Queen of Bithynia."

Within the Roman world,

relations between men are much

more accepted than they were in

later societies.

What the damaging thing to say

is that he was passive in a

sexual relationship with the

king, a role that is, in their

view, too much like being a woman.

The story haunts Caesar.

(Shouting indistinctly)

His response is pure alpha male.

He'll prove his manhood by

seducing every woman in sight.

Single, married, it doesn't matter.

As to whether he ever had an

encounter with King Nicomedes,

there's no proof either way.

And the crafty Caesar uses the

gossip to his advantage.

This is a person of power.

The king of Bithynia is a king.

And that automatically lifts up

the reputation and the prestige

of Julius Caesar.

He's above his fellow senators.

He's now with royalty.

And you can take the rest of the

story for what you will.

Caesar's vigorous and

frequent sexual exploits, with

both women and men, inspire the poets.

But it's not all romance.

The scribe Catullus, writing

during Caesar's lifetime, takes

a more clinical approach,

suggesting in verse that Caesar

has come down with a dose of something bad.

Is Catullus saying Caesar was

so promiscuous that he

contracted a sexually

transmitted disease, or is this

just artistic license?

The four common venereal
diseases to think about is

chlamydia, there's syphilis,

there's herpes and, of course,

there's gonorrhea.

And it's pretty clear from the

evidence that syphilis was not

around in Roman times.

Syphilis came to Europe from

North America with the conquistadors.

So rule out syphilis. What
about herpes and gonorrhea?

They would have left physical

marks on Caesar.

Someone would have mentioned it.

They can also be eliminated.

That leaves one possibility.

Chlamydia, though, for women

is bad, but for men it doesn't have...

Unless you're one of the

unfortunate people that develops

prostatitis, which again,

there's no record of Caesar

having such a problem,

it's not going to affect his

ability to rule the

republic/empire one bit.

It's a problem for the

women Caesar has sex with, but

for him, no big deal.

This promiscuous young man

leads a charmed life.

Caesar moves from the army into politics
and the law. He's a powerful and persuasive

speaker.

His court cases draw great crowds.

Romans buzz about the brilliant

young man in their midst.

Caesar, still in his 20s, is

well on his way to greatness.

On a trip to Greece, he shows how calculating
and fearless he can be when he's captured by

pirates.

At the time, pirates have become a
major, major problem for the Romans.

They have infested the Mediterranean.

And Caesar is yet another person

to be captured by pirates.

They realize, looking at him,

this is a person of high status.

This is a person that's going to

fetch a lot of money.

They demand a big ransom: 20

silver talents.

In today's money, that's

around $130,000, a lifetime's

wages for one of Caesar's soldiers.

Caesar laughs at them.

He says he's worth way more than

that, 50 talents at least.

It's a daring gambit that

increases Caesar's chances

of staying alive and gives him

a measure of control over his situation.

MALLOTT: Caesar demonstrates

that he's cool in the face of great danger.

In fact, he comes up with a

brash and clever plan to secure

his release.

It's almost like he's James

Bond, laughing in the face of

his arch enemy.

Caesar also goes on the

offensive, turning into the

guest from hell.

He orders the pirates around,

demands they be quiet when he

wants to sleep, recites his own

poetry and berates them for not

appreciating it.

The pirates have had enough.

They want their money.

If they don't get it, they'll kill Caesar.

But Caesar raises the stakes

and issues a dire threat of his own.

If they release him, he

promises to return and kill them.

One way or another, somebody dies.

NARRATOR: Julius Caesar, still in his 20s,
is already a carpe-diem, seize-the-day, kind

of guy.

When Greek pirates hold him for ransom, he
makes a promise. He'll get out of this, then

come back and crucify them all.

The pirates just laugh.

When the ransom is eventually

paid, Caesar is released.

He then raises a small naval
force and makes good his threat.

He crucifies the pirates, a

most painful and lingering death.

But first, he orders their throats cut.

All of Rome was talking about it.

It was like a major news item.

He was simultaneously decisive,

brutal and in control, but with

a touch of humanity.

He slit the throat of his

captors to put them out of their misery.

Did it happen like this?
Is he just making it up?

It's great PR.

But what we know about Caesar in

his later life is he's in control.

It has the ring of truth to it.

Julius Caesar: dashing young pirate
slayer. Women swoon, and he moves in

for a different kind of kill.

He is said to have slept with

almost all of the wives of

Rome's aristocrats.

He works his way through four

wives of his own.

So what's he really up to?

Lots of politicians and
powerful men sleep with women.

They enjoy the thrill of the secret sex.

However, Caesar, in addition,

uses his sexual behavior to

dominate women, and by

extension, to show his dominance

over their husbands.

He's sculpted, he's
chisel-jawed, he's Mr. Irresistible.

That at least is how artists

and sculptors have depicted

Caesar over the centuries.

No wonder the girls fall for him.

But Caesar takes care of his

appearance, getting his toga to

fit just so, combing his hair

to cover his bald patch.

So is Caesar really the matinee idol?

ARYA: When we thing about

what Julius Caesar looked like,

we have some portraits that we

can examine, and we have

likenesses of him on his coins.

But for a person as famous as

Julius Caesar, we just don't

have that much evidence.

A remarkable discovery, pulled
from a French river in 2008 can help.

A marble Caesar head over 2,000
years old. It's believed to be one of only

a handful ever found that were

carved during his lifetime.

Is it a true likeness?

Forensic artist Victoria

Lywood believes it's the face

of a real person.

The facial lines of a
50-year-old man were in his

forehead, crossing his nose.

There's vertical glabellar lines

through the top of his head.

This looked to me like this was...

An artist had possibly done the

sculpture during the time of Caesar's life.

Using face-mapping technology, Lywood
sets out to reproduce the real face of

Caesar, starting with his missing nose.

We're very lucky in this

reconstruction, in that he has

two pieces that I don't usually

have to work with in skeletal

remains, and that is the bridge

of the nose and the columella,

the little piece under your

nose that holds up the tip.

Now, it's the soft tissue and

tip that's missing here.

Sixty percent of the vertical

length of your nose is how far

your nose will project if you

have a nose that's esthetically correct.

So we now have a general shape

of Caesar's nose, and how far it

should project from his face.

Now Lywood adds elements to

the face to generate a

photo-realistic image.

Then the years are rolled back.

And this comes to computerized
life. The face of the ambitious young

Caesar, the face that wooed the women.

Over the next few years, Caesar aims high,
nothing less than the top job, consul, the head

of government for Republican Rome.

But just as today's political

parties rack up debt on the

campaign trail, so did Caesar.

This debt could kill his career stone-dead.

So he's on the lookout for

allies and money, and suggests

an alliance with the wealthy

Crassus and the military hero Pompey.

They agree.

It doesn't seem to matter that

he's had affairs with both their wives.

You don't say no to a man on the make.

Forget the fancy titles,
consul, high priest and so on.

What this is about is a city

being divided up between the

equivalent of three powerful mafia bosses.

It's about patronage and power.

It's about deciding who gets

the fat contracts like in a

modern city, who clears the

garbage, who controls the teamsters.

Ancient Rome is just the same.

These are the three most

powerful players in the Roman

Empire, and they're deciding how

they're going to divide up the spoils.

Caesar's share of the spoils includes Roman
Gaul, made up of what is now Northern Italy and

parts of modern-day France.

He becomes governor, and that

gives him absolute power.

But he's a governor with a
problem. He's still in debt.

He decides to go to war.

In Roman times, it's good business.

There's money to be made in

pillaged treasure and slaves.

His target?

The unconquered parts of Gaul.

We need to completely revise

the way we think about warfare.

Nowadays, we worry about how

many tax dollars it's going to cost.

In Caesar's day, what he's

thinking about is how much

profit can be made out of

conquest, because Rome was

essentially a system of robbery

with violence.

We know what happens next,

thanks to vividly described

frontline dispatches from Caesar himself.

"I came, I saw, I conquered,"

he boasts.

It's all image-building fodder

for the folks back home.

Caesar knew exactly how his

victories would play in Rome.

That was one of the reasons he

was fighting in the first place.

And if you think about what

happens in the Second World War,

generals like MacArthur, Patton,

the British field marshal

Montgomery, they cultivated

relationships with their own

favorite reporters, because

they wanted to get the best

publicity they could.

Well, in Caesar's case, it's the

same, and he's his own reporter.

This obsessive attention to

detail reveals a crucial

element of Caesar's personality.

Psychologically, he needs to

be in control of his image.

He's not going to leave it to other people.

He is going to be the one to

decide who Julius Caesar is.

Caesar takes his big ego to
the battlefield, and the Gauls quake.

Sixty miles west of Dijon lies

Bibracte, one of the most

important hill forts in Gaul,

scene of a bloody battle with

the Gallic Helvetii tribe.

Where I'm standing I'm 2,500' up.

It's the highest place for 150

miles, and it completely

dominates this landscape.

So it was absolutely crucial for

the Gauls to hold it, but it was

equally crucial for Caesar to

try and take it.

So there was a major clash here,

a huge battle between the two sides.

Evidence has been found that

shows just how ruthless the

fighting was here, skulls

pitted with sword marks.

Caesar, writing about the

battle that took place here,

states the Helvetii were the

bravest of all Gallic tribes.

And archeologists have

uncovered evidence that reveals

how Caesar deploys the most

terrifying weapons in the vast

Roman armory, aiming to inflict

maximum death and destruction.

This is an extraordinary
discovery. It's one of Julius Caesar's

high-tech weapons, an incendiary

bomb, effectively, from 2,000 years ago.

This is the head of an arrow

that would have been shot out of

a Roman catapult.

I've never seen anything quite like it.

The point at this end,

this wire cage here designed,

one assumes, to contain some

sticky substance that would

have been on fire as it flew

through the air.

And it would have been designed

to set a Gallic settlement on fire.

This is an example of the kind

of high-tech warfare the Gauls

were up against, fighting Julius Caesar.

(Soldiers shouting)

Caesar also arms his legions

with the pilum, a javelin-like weapon.

Caesar's gloating frontline

dispatches record their

terrible effect, the spears

tearing through shields and

skewering the Gallic warriors.

It could be Caesar's

self-promoting hype, or it

could be deadly accurate.

A pilum is a uniquely
Roman weapon, all right?

It's specifically designed for

the army, and it's specifically

designed to kill your opponent.

It's designed to throw at very

short distances towards a mass

rank of enemies.

John Serrati is going to test Caesar's
claims, to see how effective it is against the

Gallic shield.

So this is our mockup of a

Gallic shield.

It's not an exact replica of a shield.

We've eliminated the boss.

It's not necessarily the exact

shape of a shield.

But we know they used heavy

wood, so we have three planks.

This is ½" oak wood here and

covered with tan treated leather.

What we're going to do is have

our pilum thrower launch the

weapon at the shield just to

test its penetrative power.

And in the role of Roman

legionary for the day is Mike

Harber, international javelin competitor.

Well, we've got a penetration.
It went through a good 6", and

the weight which is now on

the shield is tremendous.

So even if it's not going

through to kill the enemy, it's

rendered his shield useless.

So he would have had to drop his

shield and expose his entire

left side to the Roman swordsman

in front of him.

The verdict against a weapon like
this? The Gauls never stood a chance.

Well, Julius Caesar was a

master of self-promotion and propaganda.

A lot of what he said would have

been exaggerated.

Here, he was not lying.

There's no doubt that the poor

Gaul who was behind this shield

would be long since dead.

So Caesar was right.

The pilum shatters Gallic front lines.

But the Gauls have hundreds of

thousands more soldiers than Caesar.

If Caesar is to win, he will

have to kill on a monumental scale.

NARRATOR: Julius Caesar is on a mission to
make himself a hero in Rome by conquering

Gaul.

One by one, he sacks and

pillages Gallic towns and

villages, each victory adding

to his wealth.

Now he approaches Avaricum, 150

miles south of modern-day

Paris, where the Gallic

defenders wait behind fortified walls.

Caesar lays siege to the town for 25 days.

When he finally storms the

walls, he overruns the weakened defenders.

Now the serious killing begins.

Caesar's legions slaughter
39,000 men, women and children.

Eight hundred are left alive to carry a stark
message to other Gauls: resistance is futile.

With the laying-waste and pillage part
out of the way, it's time for some R and R,

Roman style.

Caesar has a standing order:
after a victory, the soldiers

are to be turned loose to do as

they please.

He brags that his men fight

just as well when they're

stinking of perfume.

WYKE: Having sex with

captives, with women,

prostitutes who follow the Roman

army, this is just par for the course.

Everyone... You know, Roman does this.

But there's worse to come. Caesar finally
reveals the true extent of his cruelty at

the climax of war in Gaul, on a

battleground 125 miles east of Avaricum.

This huge mound was Alesia, a hill fort.

Here Caesar faces an army of

80,000 lead by Gaul's most

successful commander, Vercingetorix.

Vercingetorix retreated
with his 80,000 men onto an

immensely strong natural

fortification, a little bit like

this rock, if you can imagine it

a mile across, but with sheer

cliff faces like this, making it

the kind of fortification which,

really, Caesar couldn't

contemplate taking by storm.

So what does he do?

He builds a great wall around

the outside 10 miles long,

heavily fortified to keep these

80,000 Gauls penned up inside

until they're starved into submission.

It's a killer siege. Vercingetorix had
inflicted heavy casualties on Caesar's

army earlier that year.

Now it's payback time. But Gallic
riders break through the fortification.

Reinforcements are now inevitable.

So Caesar creates another

barricade, this time around his own men.

It's finished just in time.

A quarter of a million Gallic

reinforcements turn up.

As the weeks pass, the

penned-in Gauls in the fort starve.

In desperation, Vercingetorix

lets 20,000 women and children

leave the fort, believing

Caesar will let them pass.

He doesn't.

Thousands of people, old

people, women, children,

useless mouths in terms of war,

cast out into this no man's land

and then denied any escape by Caesar.

So they simply die of starvation.

As far as Caesar is concerned,

he doesn't even count the numbers.

They're just collateral damage.

The Gallic fighters watch

helplessly as their wives and

children slowly perish.

Is this the action of a psychopath?

Or does it make good strategic sense?

This is certainly a
tremendously ruthless act.

However, at this point, Caesar

has calculated that the ends

justify the means.

The siege of Alesia ends with a final
pitched battle. Vercingetorix and 60,000

Gauls break out of the fort and

storm a weak point in the Roman lines.

The pitched battle has lasted all day, tens of
thousands of men, and the Gauls are mentally

and physically exhausted.

And then Caesar commits the last reserve.

He tells us that he leads that

last reserve into action in

person, wearing a scarlet cloak,

so he can be recognized.

And the Gallic army shatters

like pane of glass, and the battle is over.

Caesar writes that had his

men not been so exhausted from

battle, not a Gaul would have

been left alive.

Caesar fights on, but the

battle at Alesia is the last

real organized resistance by

the Gallic armies.

Vercingetorix is held captive

for five years, then taken to Rome.

He's paraded through the streets in chains.

At the climax of the parade,

he's strangled.

No one could deny that Caesar was a military
genius. The conquest of Gaul was one of

the greatest military campaigns

in history, but it came at an

enormous cost in human suffering.

It takes Caesar nine years

to subjugate the Gauls.

But he wants to make sure

that they know they're beaten.

Two thousand captured rebel

hold-outs will carry the message.

Caesar ordered that both

hands of every man should be cut off.

And these mutilated men were then sent back
to their villages to act as a warning, the

systematic use here of

terror as a way of intimidating

people into not fighting back

against the Romans.

Caesar makes a fortune conquering Gaul.

Finally free of debt, he

pursues his real goal, Rome.

But his alliance has broken
down. The wealthy Crassus is dead,

and the warrior Pompey, now in

charge, is having second

thoughts about Caesar.

His political opponents accuse

him of war crimes.

If Caesar sets a sandal in

Rome, he'll be prosecuted.

Worse, the conqueror will soon

be feeling a little conquered

himself, having blackouts and seizures.

Now investigators can finally

identify the mysterious illness

that would cripple the most

powerful man on the planet.

NARRATOR: 49 B.C. The
river Rubicon, the border to Italy.

On its banks stand Caesar and his army.

The Rubicon has become a
byword for passing the point of

no return.

It's often used about military operations.

The Americans talked about

crossing the Rubicon when they

first went into Iraq.

Caesar is about to make the most
important decision of his political life.

As governor of Gaul, he can't

be prosecuted for riding

roughshod over the Senate's laws.

As soon as Caesar crosses the

Rubicon, he enters Roman territory.

He loses immunity, and his

enemies can pounce.

His only protection is to take

his army with him.

But that would be a declaration of war.

FAULKNER: Caesar knows that

if he crosses the river, he

breaks one the fundamental laws

of the Roman state: he's

launching a military coup.

It's the biggest decision of his life.

And we get a real insight into

his mind when we learn that, at

that moment, what he says,

making the decision, in Latin,

is, "Let's roll the dice."

Does Caesar really have the

mind of a gambler?

Caesar really doesn't believe

that this is a 50-50 proposition.

He knows that the odds are in

his favor, though there is a major risk.

Psychologically, crossing the

Rubicon means that he's thrown

out the rulebook completely.

It's a whole new ball game.

He is in charge.

The 50-year old Caesar crosses the
Rubicon with his army and marches on Rome.

His former ally Pompey is all

that stands between Caesar and

absolute power.

Remember that life

expectancy in Roman times was

much lower than it is today.

So a man in his 50s was

considered to be very old indeed.

Caesar probably thought that he

was on borrowed time, and he

seems to have made a decision

from that point on that he was

going to force the pace of events.

He chases Pompey and his

armies around Southern Europe,

and after four years of bloody

civil war, defeats him.

Now Caesar is the absolute

leader of the Roman Empire.

He's a living legend.

But Pompey isn't his only

victory on campaign.

His sexual conquests include the
queen of Egypt, the fabled Cleopatra.

She's just 22, and he's 50, an

old man by the standards of the day.

And when he meets the wife of

another high-ranker, the king

of the North African state of

Mauritania, he beds her as well.

Caesar is getting older, and
Suetonius and Plutarch report

that he isn't quite the man he was.

ARYA: Julius Caesar becomes

increasingly ill, blackouts,

fainting spells, fits.

What was the cause of all of this?

Was it malaria or was it some other cause?

Clearly, he needs to see a doctor.
Neurosurgeon Richard McLachlan

thinks Caesar's fits were

caused a worm he caught on

conquest in Egypt.

Caesar, about a year before
he had his first seizure, had

spent a considerable amount of

time in North Africa,

specifically in Egypt.

And we know that cysticercosis,

which is basically a condition

related to the pig tapeworm,

was endemic in Egypt at that

time, because we've seen

evidence of it in Egyptian mummies.

Worms: the effects are
horrific. >> I would liken it to the

script of a bad horror movie.

A person has a giant worm inside

their belly.

That worm produces eggs, which

result in small worms, which

migrate to the brain, where they

produce cysts.

They sit in these cysts as a

little worm, creating seizures.

Worms eating away at the brain, causing
fits: in Roman times, there's no pill

for this.

Caesar is, for the first time,

truly helpless.

It's devastating.

Psychologically, the effect of Caesar's epilepsy
is to show him he's no longer in control;

he's no longer invincible; he

is in fact quite mortal, like

everyone else.

With time running out, Caesar moves
to cement his position, calling himself

dictator for life.

But even this isn't enough.
He wants to be king.

A key moment that takes place right in
the heart of Rome is Julius Caesar standing

on the Rostra.

The crowd is in the piazza in

front of him, and Marc Antony

approaches the Rostra, comes

over to Julius Caesar and offers

him a crown.

People are wondering what's

going to happen.

Caesar refuses it.

There is some cheering.

Marc Antony again insists and

gives him the crown.

Caesar refuses it again.

Now the crowd erupts.

They're ecstatic.

This seems to be a PR stunt gone

wrong, because there is no way

that Marc Antony would have been

acting on his own.

This has to be because Caesar is

allowing him to do so.

Caesar is testing the waters.

And the people do respond.

They love Caesar, but they do

not want a king.

Caesar won't be a king.

He'll just act like one.

It's a decision he'll pay for

with his life.

NARRATOR: Caesar is 56 years
old. He's made himself dictator for

life, but he behaves more like a king.

The decrees fly fast and furious.

He orders that his statue is

placed alongside those of the

old kings of Rome, that a new

calendar is created, one that

includes a month named after

himself, July, and that a coin

is struck, bearing his

laurel-wreathed image.

This guy is getting too big for his toga.

For us, seeing a ruler
on a coin is no big deal.

But for an ancient Roman, it was

astounding.

This is breaking all the rules,

because in and throughout Roman

history, you never depicted a

person living on a coin.

Now Julius Caesar is doing it.

So what he's saying is very, very powerful.

He's telling the people "I'm

not just your leader.

I am your ruler."

He's very, very close to saying

"I am like a king."

The Romans don't like kings, don't trust
them and don't want anything to do with them.

It's been that way for 400 years.

That's why they're a republic.

But Caesar takes no notice.

He's out of control.

ARYA: Caesar is tightening

his grip on Rome.

He's pushed through a whole

series of reforms through until

44 B.C., and now there's a

growing, discontented body of senators.

At the head, there's one

senator, Cassius, a long-time

rival of Caesar, and also Junius

Brutus, someone that Caesar

considers his friend.

The sexual exploits that got Caesar
to the top would come back to haunt him.

It's bad enough that he slept

with Cassius' wife, but worse,

he did the same with Brutus'

mother.

He figures the universal rule,

don't sleep with your friend's

mother, doesn't apply to him.

Any good will Caesar had with

the senators is long gone.

They decide there's only one

solution, assassination.

March 15, 44 B.C., the Ides of
March. Caesar never sees it coming.

Twenty-three dagger blows bring him down.

The last face he sees may well have been that
of his one-time friend and ally Brutus as he

utters the words "This is what

happens to tyrants."

Caesar, the aristocrat born in the mean streets
of Rome clawed his way out of the slums to

become the most powerful leader

in the known world.

His military campaigns had an

appallingly high body count,

almost 20% of the entire

population of Gaul, the

equivalent of 50 million U.S.

citizens today.

Where does the behavior of
this ancient behaving badly put

Caesar on the Psychopathic

Scale of Tyrants?

Caesar does not have a bloodlust.

He doesn't kill for killing's sake.

The violence is directed towards

building an empire with himself

in the center.

So he's not a kill-for-kicks

psychotic like, for example, Caligula.

Caesar's at the other end of

the scale, a ruthless,

eye-on-the-ball, goal-driven killer.

That's one aspect of his personality.

There's another to consider.

A second dimension of

Caesar's personality is what one

would call sexual dominance.

Sex is not only for pleasure,

but to dominate the world around him.

It's about power and control.

On the scale of sexual

dominance, Caesar rates very highly.

This is the psychological

profile of Julius Caesar.

So who in history has similar traits?

MALLOTT: I think Julius

Caesar is most like Genghis Khan.

They both came from noble

lineage that had fallen on hard

times, they both developed a

vision of empire with the

necessary armies and physical

violence to back it up and,

along the way, they both bedded

every woman they could.

But the assassins had
misjudged the mood of the

people.

The victories on the

battlefield brought glory to

Rome, and the people loved him for this.

They didn't believe him a tyrant.

To honor him, they built a

funeral pyre and burned his body.

Then they turned their wrath on

the conspirators who killed

their conquering hero.

The murderers flee the city to

save themselves.

Caesar wanted to be king.

Now the Senate makes him more

than that, much more.

A statue of Caesar is put
in the Pantheon, a building

dedicated to the gods of Rome.

And in death, he's made a god,

the first person to receive

that honor since Romulus, the

founder of Rome, 700 years before.

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