Ancient Aliens (2009–…): Season 14, Episode 13 - The Constellation Code - full transcript
Throughout the ancient world, structures were built to mirror the constellations in the night sky and this is only apparent when they are viewed from high above; a look at the possibility that these structures were designed as mes...
Taurus, Leo, Gemini, Aries.
Are the constellations
of the night sky merely meant
to map the stars,
or could they be something more?
In ancient times, there was
a fortune-telling quality
to this vast array.
Our ancient ancestors
came to feel
that these constellations
were windows on earthly events.
Is it possible that all of these
different constellations
convey alien messages inbound
from somewhere else
in the galaxy?
Was knowledge of
the constellations
given to ancient people
by extraterrestrial visitors?
And do they contain a code
that, once deciphered,
could unlock the mysteries
of the entire universe?
You have to wonder
if these star signs
aren't some code
that has been put there
for us to make contact
with extraterrestrials.
There is a doorway
in the universe.
Beyond it is
the promise of truth.
It demands
we question everything
we have ever been taught.
The evidence is all around us.
The future is
right before our eyes.
We are not alone.
We have never been alone.
Who are the real-world Illuminati ?
Find out @ saveanilluminati.com
Somerset, England.
1927.
49-year-old artist
Katharine Maltwood
has been commissioned
to draw a map
outlining the adventures
of the knights of King Arthur.
Thanks to the recent invention
of the airplane,
she is able to obtain
the earliest aerial photographs
of the area.
While studying them,
she suddenly notices
a figure in the landscape.
She noticed what appeared to be
a landscape lion.
It just sort of reared up
at her, quite literally.
And she examined this
and wondered whether
this was the Leo figure
of the zodiac.
Then she saw, next to it,
this large, giant figure,
which she felt was part
of some kind of collective
of landscape effigies
that had been laid down
by ancient hands.
And one by one, she found
that they actually represented
the 12 signs of the zodiac.
Glastonbury Zodiac is so large
that you can only really see it
from the sky.
The zodiac signs are marked
by rivers, streams,
roads, field boundaries.
Pisces is actually two fishes,
and one of the fishes is
Wearyall Hill.
The other side of the road,
we have Aries.
They were actually creating
certain parts of the zodiac
as earth works, as shapes,
deliberately.
The shapes look
so much like man-made features
that Maltwood published
a book about them
and called it
the Temple of the Stars.
While it was received
with much skepticism,
proponents say there is
ample evidence around the region
to suggest these formations
have been created
by artificial means
and that almost every field
and hill in the area
has been modified in some way.
One of the most important ones
is called Ponter's Ball.
Now, this is a large, mile-long,
pointed earth work,
which is exactly where
the Capricorn effigy's horn is
in the zodiac.
Even more significant
is a massive hill
called Glastonbury Tor.
Many researchers are convinced
that this is a man-made feature.
And based on its shape,
some have even suggested
it could be hiding
an ancient pyramid.
Glastonbury Tor is
the most significant part
of the whole Somerset landscape.
On top of it,
we have St. Michael's Tower,
a 14th-century construction.
But the main site itself
has terraces carved around it,
like a labyrinth coming up
from ground level
all the way to the top.
If there really is
a labyrinthian design marked out
on the slopes
of Glastonbury Tor,
it's not just pre-Roman;
it must be pre-Celtic.
Uh, it must even date back
to the megalithic times.
The question becomes, well,
if you can't see the zodiac
from ground level,
then how is it possible
that these ancient designers
could see it from the air?
This suggests that Glastonbury
was designed with people
that had some kind of
transportation that took them
into the air of Glastonbury,
be it an extraterrestrial craft
or maybe some other type
of a craft.
It's only until we ourselves
have the ability of flight
and could do aerial surveys,
and then we could see
this giant zodiac
on the landscape
around Glastonbury.
So, in some ways, perhaps it was
left for us like an ancient code
to find in the future.
Ancient astronaut
theorists suggest
that to solve the mystery
of the Glastonbury Zodiac,
we must first solve
another mystery:
that of the zodiac itself.
In ancient times,
the night sky
was a dazzling mystery.
This vast array of stars.
And gradually,
there was an understanding
that certain things
could come from this.
You could read it as a calendar.
You would know
when to plant your crops.
You would know when
the floods might come.
Connected to the tracking
of the stars
was the practice
of drawing lines between them
to create constellations,
which exist
in the historical records
of humanity's earliest
civilizations.
It also appears
that these civilizations
had some form
of what is referred to
as the "zodiac wheel."
The ancients decided
that they would
create a division of the heavens
based upon the movement
of the Sun
through one yearly cycle.
And as it does this,
it passes through
12 different constellations.
And these become
the zodiacal signs
that we know today.
These ideas go back
to Babylonian times
and even the Sumerians,
as much as 5,000 years ago.
In many ancient cultures,
it was thought
that the constellations affected
not only harvests and weather,
but daily life as well.
While this may seem like
a primitive notion,
it is very much alive and well,
kept relevant
by billions of people
who check their horoscopes
every day.
In modern times, there's this
distinction between astronomy,
which is the observation
of celestial movements,
and astrology,
which is the interpretation
of those celestial bodies
and movements.
In ancient times,
the astronomers and astrologers
tended to be one
and the same person.
Astrology didn't originate
in one place,
but for some reason,
just about every culture
seems to have made
this observation
that there's a correlation
between celestial movements
and earthly events,
which is the basic premise
of astrology.
While astrology is dismissed
by modern science,
it is estimated
that over 90% of the world's
adult population today is aware
of their astrological sign.
In the modern world,
many people regard this
as nothing more than
a topic of conversation.
But in the ancient world,
the zodiac wheel was seen
as a way to communicate
with the gods.
The ancient Greeks
conceptualized astrology
as the language of the gods,
or the heavenly script,
as if the movements
of the planets across the sky
and through the signs of
the zodiac or the constellations
had some sort
of significant message
that was being conveyed
by the gods
about life on Earth
and about individuals.
The ancient people
associated the constellations
with important historical
and mythological events,
and even with the creation
of humanity itself.
The ancients began assigning
animals as symbols
for this journey
through the sky.
In ancient Sumeria,
they identified Aquarius
with a god being, Enki,
who was the creator god
in the Sumerian tradition.
According to the Sumerians,
it was Enki who came to Earth
and created humanity
in its present form.
Now, this is very interesting,
because these types
of descriptions appear
over and over again
where people connect
with these particular
star systems or constellations,
in various mythic
and historical traditions.
That cannot be by coincidence.
Is it possible that
extraterrestrial visitors
are responsible
for so many separate cultures
not only connecting
the same groups of stars
in the exact same way,
but for revering
these constellations
as sources of power and wisdom?
Could these pictures in the sky
have a far more profound
significance
than we are aware of today?
And if so, might the Glastonbury
Zodiac provide the key
to recovering
this lost knowledge?
Curiously,
Glastonbury has been a hotbed
of UFO sightings for decades.
One of the most famous
encounters
was reported by author Anthony
Roberts and his wife in 1969.
And they were driving in a car,
and they'd seen a huge sphere
of white light
in the sky ahead of them,
and they followed it
and it changed size.
It then started to trace out
an enormous geometrical star
pattern across the entire sky,
and then massively accelerate
and disappear.
Might there be a connection
between the star pattern
that was allegedly created
by the UFO
and the zodiac wheel formed
in the Glastonbury landscape?
But if this site really does
contain lost knowledge
regarding the zodiac,
what could it be?
Perhaps further clues
can be found by examining
another towering megalithic site
built in the shape
of a constellation.
Alatri, Italy,
June 2019.
Ancient astronaut theorist
Giorgio Tsoukalos
is in the heart
of the Italian peninsula,
about 50 miles southeast
of Rome.
He is here to investigate
the astronomical alignment
of the finest megalithic
construction in Italy,
the city's acropolis.
All right.
Giulio.
- Hello, Giorgio. How are you?
- Good to see you again.
- Yeah. Nice to see you again.
- How are you?
- Fine.
- What a fantastic place.
- I cannot wait to see all of this.
- Yeah. Yeah.
- Yeah.
- I've been waiting for years to see this.
Amazing.
For expert insight,
he has enlisted the help
of Dr. Giulio Magli,
a professor of archaeoastronomy
from the Polytechnic University
in Milan, Italy.
Dr. Magli has spent years
studying this massive structure.
This is incredible.
Mm-hmm.
26 tons. I mean, this is
absolutely insane.
Right.
So you're suggesting
that they had to have had
a compelling reason to do this,
'cause nobody
in their right mind
would do something like this
without a reason.
Yes.
The imposing megalithic citadel
was built on top of a hill
and is defined
by six huge walls.
The shape of the acropolis,
when viewed from the sky,
has led some to suggest
that it was built to create
a lasting commemoration of the
site's connection to the stars.
Giorgio has brought
a drone with him
to get an aerial view
of the ancient acropolis.
- All right, let's launch this rocket.
- Yes.
All right, so what
do we see here?
- Okay.
- And...
Right.
So, are you saying that this
mount here was cut artificially?
That is incredible.
Yeah.
Mm-hmm.
So, we are looking
at the outline of Gemini here?
- Wow.
- May well be.
What's really interesting here
is that the entire mountaintop
has been artificially shaped
so that it is in the shape
of the constellation of Gemini.
And then you have to wonder,
why was it built in this shape?
Because something
of significance happened here
a long time ago.
In Greek mythology,
the Gemini constellation
depicts twin brothers,
Castor and Pollux,
the offspring
of a god and a human.
In the story, we're told
that Zeus shape-shifted
or disguised himself as a swan
and impregnated
this human female, Leda,
leading to the birth
of Castor and Pollux.
But in some versions
of the story,
we learn that there were
actually
two eggs that were hatched.
One had the twin sets of boys,
and another had
twin sets of girls.
Some of the twins were mortal.
Others of the twins
were immortal.
While mainstream historians
consider the story
purely mythological,
ancient astronaut theorists
point out that these gods
were considered very real
by the Greek people of the time,
and they propose
that the story of the twins
could be an account of
an extraterrestrial encounter.
In one version of the story,
we're told that
the egg containing
Castor and Pollux
came down out of the heavens.
When the legends say that the
Gemini twins were born of an egg
that descended from the sky,
it actually says that they were
born of a so-called cosmic egg.
And what are these cosmic eggs?
They're always described
as having either a silver
or a bronze-colored shell,
and sometimes
they're also described
as having a lot
of smoke, fire and noise.
And interestingly,
many UFOs are sometimes
seen as eggs.
So, is it possible that the egg
of Castor and Pollux
is some extraterrestrial vehicle
that looks like an egg
and lands on Earth,
and then two twins step out?
It's quite possible.
If the Alatri acropolis
was purposely built to resemble
the Gemini constellation,
could it be commemorating
an alien visitation?
And considering
the incredible size
of the stones it was built with,
is it possible
that the extraterrestrials
themselves had a hand
in the wall's construction?
Do we have any records,
written records at all,
- about this place from ancient times?
- We don't.
Okay.
What is your speculation
how old this place
really could be?
Okay, uh...
Because you can clearly see
the different
construction styles.
Giulio, thank you very much
for sharing this with me,
and I can't wait till
we see each other again.
Whoever built
the Alatri acropolis
was trying to point
something out to us.
Apparently, they were trying
to show us the zodiac
and the constellation of Gemini.
And why they were trying
to do that, we don't know.
The Alatri acropolis
is particularly baffling
in that, much like
the Glastonbury Zodiac,
its shape can only be discerned
from high above,
a perspective
that the ancient people
presumably would not have had.
But these are just two
of many sites found
all over the world
that appear to have connections
to the stars.
The Mayan temples were aligned
with the Pleiades.
Angkor Wat is aligned with
the constellation of Draco.
What's interesting about
all of these places
is that they're considered
to be star mirrors,
making them places
of connection,
where people can go to connect
with that particular star system
or constellation.
Is it possible
that the Alatri acropolis
and other sites
aligned with constellations
around the world
were built to honor
extraterrestrial beings
who visited in the distant past?
And if so,
could they have another,
even more profound purpose?
Ancient astronaut theorists
say yes
and suggest further clues
as to what that purpose is
can be found by examining
the signs of the zodiac
and their connection
to the gods.
Berlin, Germany.
January 2016.
Humboldt University professor
Mathieu Ossendrijver
announces
a revolutionary discovery
in the field of astronomy.
He translates a Babylonian text
that shows the ancient people
calculated the orbit of Jupiter
more than 2,000 years ago,
demonstrating an understanding
of mathematical concepts
that were not thought
to have been developed
until the 17th century.
The sky watchers of Babylon
also identified
the constellations
of the zodiac.
And incredibly, a star chart
belonging to
the Sumerian civilization
that preceded the Babylonians
has been dated to 3300 BC.
But perhaps
even more significant
than the discovery
that ancient people
recognized the constellations
as early as 5,000 years ago
is the fact
that they believed them
to be intimately tied
to events on Earth,
imbued with the power
of the gods.
Each sign has its own story.
Each is tied
to specific mythology.
Different mythologies
in different parts of the world,
but the collection
has sort of become standardized,
more or less based on the Greek,
with a few exceptions.
So, the sign Aries
is represented
by the god Aries,
the god of war.
This is not only
the warrior energy,
but the ability to fight through
a difficult problem.
Taurus is the god Aphrodite,
and this is
important divine energy,
it is love, beauty, sex,
a sense of confidence
in your appearance.
Cancer is associated with
the goddess Artemis,
the goddess of the hunt,
of the forest and the Moon,
so the dark places
that are important
but hard to navigate.
So we have these 12 stories,
these 12 signs,
12 different divine energies.
The very first
personality typology
is born of our relationship
with the sky.
It's born of the stars.
We're looking out into
the celestial realm,
and we see ourselves.
In many ways,
the zodiac truly is
the language of the heavens.
The positions of the
constellations in the night sky
also indicate the positions
of the planets,
as well as the position
of the Earth
in relation to the Sun.
Incredibly, ancient people
had some understanding of this
thousands of years before
the invention of the telescope.
And they closely watched
the movement
of these celestial bodies
for divine messages.
This shows up really prominently
in the Bible.
Uh, for example, in the story
of... or the Gospel of Matthew...
There's the story about the Magi
going to the birth of Jesus
because they saw
the Star of Bethlehem.
But the point of that story
is not that the Magi
saw the Star of Bethlehem
and thought it caused the birth
of Jesus, but just that
there was some sort
of celestial omen or message
that indicated
that somebody important
had been born.
And that's part of the reason
why some of the planets
are named after specific gods.
Like Jupiter... in Greek...
Is named Zeus,
or Mercury was named Hermes,
and so on and so forth.
They tended to think
that the planets
and some of the celestial bodies
were the celestial
representations of those gods
and had some power to convey
messages from the cosmos,
as if the cosmos itself
was alive and sentient
and capable of speaking
to humanity.
And sometimes they'll go so far
as to try to, um, mirror events
that are happening
in the sky on Earth.
If ancient people believed
that the stars relayed messages
from the gods to humans,
then did they build structures
aligned to the stars
or in the shape
of constellations
not simply to pay tribute
to these gods,
but to leave messages
of their own?
Perhaps further clues
can be found
by examining
a more modern mystery.
In 2018, astrophysicist
Travis Taylor
traveled to Oak Island,
off the coast
of Nova Scotia, Canada,
where, according to legend,
a treasure was buried
more than 200 years ago.
Travis met up with the island's
current caretakers,
Rick and Marty Lagina,
to test his theory
that a band of warrior monks
called the Knights Templar
was behind the mystery,
and that they recorded
the location of the treasure
with a star map.
So, you've done
some investigative work
and you have some stuff to show us,
I understand. Right. Yeah, I do.
I got to thinking,
is there something
that archaeoastronomy might
have to do with the island?
So I overlaid the constellation
of Taurus on the island.
What we have
are all of the stars
aligning onto the island.
This is a star map.
Not only are the stars
used for navigation;
you can look at
the constellations in the sky
and also use those to map out
points on the ground,
and that can also act
as like a treasure map.
There's a huge boulder
over here.
We walked across the island
to those GPS coordinates,
and interestingly enough,
six out of seven of the points
we went to...
Is that not a giant stone
right there?
There was a large boulder,
uh, that weighed several tons,
that was right where
the star coincided
with the map on the island.
This is one of your points,
and there was
a stone feature here.
- A very obvious one.
- That's-that's wild.
The boulders,
they weren't indigenously there.
They were put there on purpose.
So, the constellation
was drawn out on the island.
The question is, why?
Yeah, you can't deny
that you're hitting
on all cylinders,
so that's cool.
On to the next.
Could those stones that we saw
be markers that were put there
by some human beings
a long, long time ago
to correspond with a star map?
The answer is...
Of course they could.
While the Oak Island treasure
has yet to be found,
many experts believe
that constellations
can be used as a type of code.
It's possible that other
information could also be used,
uh, by laying star maps
on the surface.
They could be leaving a message,
like, whoever built this,
that's where they came from.
It's also possible
that this could be a message
on how to build or do something.
Messages contained in star maps?
Could this explain
not only the arrangement
of the mysterious boulders
found on Oak Island,
but also why ancient peoples
throughout the world
built structures
to mirror the heavens?
But if so, what information
might be revealed at places
like the Alatri acropolis
and the Glastonbury pyramid?
Are they pointing to the origins
of multiple extraterrestrial
factions that came to Earth?
Or something even more profound?
St. Andrews, Scotland.
July 2012.
A team of scientists
at St. Andrews University
announces
an incredible discovery,
the remains of an ancient
civilization on the bottom
of the North Sea,
just east of the British Isles.
Archaeologists believe it fell
victim to rising sea levels
at least 8,000 years ago,
and potentially even earlier.
The sunken civilization
is named Doggerland
after a nearby sandbank
called Dogger Bank,
but there are some who call it
by another name: Atlantis.
The first reference
of Atlantis that we have
is in Plato's dialogues
by Timaeus and Critias.
In the very end of that,
it talks about this
mythical place called Atlantis
from where any and all knowledge
of the world came.
And so,
some people have suggested
that the first civilization on
Earth may have been Atlantean.
Depending on
your source material,
Atlantis will be depicted
in different ways,
but from Plato forward,
it's almost always depicted
as a technologically advanced
civilization.
A civilization that occupies
the pinnacle of development.
Atlantis was allegedly
this land mass that existed
beyond the Pillars of Hercules,
which is today's
Strait of Gibraltar,
and to this day,
if Atlantis existed,
we have no idea
where exactly Atlantis was.
According to legend,
Atlantis was destroyed
by a cataclysmic flood,
which some identify as the great
flood described in the Bible.
Is it possible that
the newly discovered Doggerland
is actually Atlantis?
Ancient astronaut theorists
say yes
and suggest that not only can
evidence of the lost city
be found underwater,
but even survives on dry land,
hiding in plain sight.
A number of modern scholars
in England, particularly,
have believed that all of
the stone structures and mounds
that are in England and Wales
and Scotland and Ireland
are all remnants of Atlantis.
The famous researcher
John Michell in England
wrote a book called
The View Over Atlantis.
And in that book,
he's talking about
the remnants of Atlantis
that is still above water
while much of Atlantis
is underwater now.
In 1960, British author
Brinsley Le Poer Trench
published his seminal book,
The Sky People.
In it, he claims the Glastonbury
Zodiac was built by Atlanteans.
Atlantis was basically
a culture that always,
as far as Trench was concerned,
from the very beginning,
uh, had an E.T. impetus.
And at its very end,
that impetus is there again
when the Glastonbury Zodiac
is created
as an enduring memorial
and also as a future prophecy
by Atlantean refugees,
if you like,
with help from the sky people.
In esoteric British lore,
before the fall of Atlantis,
there were refugees, sages,
that came to the British Isles
and created
the Glastonbury Zodiac
as a way to remember
the story of Atlantis.
Could it be that an advanced
ancient civilization
called Atlantis
was not only real,
but was a place where humans
coexisted
with extraterrestrials?
Ancient astronaut theorists
suggest further clues
can be found by examining
the Greek creation myth
of the lost continent.
According to legend,
Atlantis was founded
by the god Poseidon.
He fell in love
with a human woman named Cleito,
and that they had
five sets of twins.
And these twins went on
to be the founders of Atlantis.
So here we see, really, a story
of extraterrestrials, perhaps,
coming to Earth
at a very early date.
Before the last ice age.
The mythology of
the ancient Celtic people
also tells of a race of beings
who came from the sky
in this part of the world:
the Tuath Dé Danann.
When we look at the story
of the origins of the druids
and how they are the offspring
of the Tuath Dé Danann,
who came from the stars
and came...
rode upon clouds
and-and came to Britain,
we wonder if these, in fact,
could be the same gods
that founded
the civilization of Atlantis.
Could it be that
the Glastonbury Zodiac
was created by Atlanteans?
But if so, why?
Was it meant to leave a physical
record of a civilization
on the verge of annihilation?
Or does it contain
critical information
for the evolution of humankind?
Glastonbury, England.
1983.
While researching
the Glastonbury Zodiac,
author Andrew Collins hears
numerous accounts from people
claiming to have experienced
strange visions
associated with the site.
For Collins, this aspect of the
mystery resonates most deeply,
as he has experienced
such visions himself.
One of the purposes
of the Glastonbury Zodiac
would seem to draw people
towards it.
During an earlier part
of my life,
I was drawn into
the Glastonbury Zodiac quest.
I started to receive
dreams and visions,
and I felt that I had to embark
upon this quest
to navigate
from each different sign,
going from place to place.
And the sense is,
at the end of it,
is that you're contributing
to some kind
of global consciousness.
For, in my opinion,
some kind of intelligence
is responsible
for drawing human experience,
human knowledge,
and uploading this
into the system.
Profound visions have been
reported at Glastonbury
dating all the way back
to the modern-day rediscovery
of the enormous landscape zodiac
in 1927.
When Katharine Maltwood
first noticed the constellations
in the landscape, she said that
they jumped out at her
as if in a flash of inspiration.
Maltwood's sudden discovery
of the Glastonbury Zodiac
is very interesting
because it makes you wonder,
was she herself in an
altered state of consciousness
when she had this
flash of inspiration?
Did she receive perhaps
a message
from an otherworldly,
even extraterrestrial being
who told her what is actually
on the landscape at Glastonbury?
In his book, The Sky People,
Brinsley Le Poer Trench
pointed out a curious detail
of the Glastonbury Zodiac
that he felt provided evidence
of an extraterrestrial
connection.
Trench had the idea that because
there is just one
of the twins of Gemini
depicted in
the Glastonbury Zodiac,
the other twin
is in outer space.
It is a whole testimony
to this tearing asunder
of our family by the great
tragic, uh, event
of the fall of Atlantis.
Maltwood believed
that the Glastonbury Zodiac
is an earthly counterpart
to the stellar temple called
the Caer Sidi of the Celts
and that, in fact,
it was a mirror
of the zodiac in the heavens,
and that by going into
altered states of consciousness,
ancient shamans were able to
travel into the stellar temple
from the earthly temple.
Do the Gemini twins
suggest a connection
between Earth and the heavens?
Could it be that the visions
reported at Glastonbury
are messages from an advanced
extraterrestrial race?
But if so, how?
Is it possible that all of
these astrological influences
convey alien messages
inbound from somewhere else
in the galaxy?
Well, if the answer is yes,
then the means
of this communication
is what we call
quantum entanglement.
The theory of
quantum entanglement states
that if a particle is split
into two parts,
the parts will remain connected
to one another,
even when separated
over large distances.
If two particles are
quantum-entangled, as we say,
then as they travel off
to different places
in the universe,
if you do something to this one,
it instantaneously
will affect this one.
Scientists suspect
a potential application
of quantum entanglement could be
in faster-than-light
communication.
Through the process
of quantum entanglement,
an extraterrestrial being could
be millions of light-years away
and still be able to communicate
with humans on Earth.
Are there places on the planet
where extraterrestrial contact
can take place?
Is this why Katharine Maltwood
was able to recognize
the signs of the zodiac
incorporated into the landscape
of Glastonbury?
Ancient astronaut theorists
say yes
and suggest the message
to humankind
provides not only information
about Earth,
but the key to traveling
to the stars.
New York City.
Located in Midtown Manhattan
is the busiest train station
in the United States,
Grand Central Terminal.
Three-quarters
of a million people
come through here each day,
and when they do, they pass
under an enormous star chart,
one whose origins date back
some 5,000 years.
When commuters walk
into Grand Central, they see
an epic, magnificent mural
of the zodiac wheel.
It is one of the largest
zodiac murals
in the modern world.
Although most visitors
are not aware of the mural
above their heads, if they were,
they might be astounded,
because as far as
ancient astronaut theorists
are concerned, it depicts
the evolution of the Earth
in extraterrestrial terms.
The most interesting fact
about this portion
of the zodiac wheel
is that it demonstrates
what is called the
precession of the equinoxes.
What we call the spring equinox
is the first day of spring.
Back when the principles
of astrology
were first put together,
the first day of spring
was in Aries.
During the age of Christ,
the first day of spring
was in Pisces.
The fish is associated
with Pisces.
Christ was considered
the fisher of men.
And nowadays,
the spring equinox occurs
when the Sun rises in
the constellation of Aquarius.
That's why we are said to be
in the Age of Aquarius,
which is supposed to be an age
of spiritual understanding,
mystical awareness
and world peace.
While there is no consensus
as to an exact date,
many believe that
the Age of Aquarius was set
by ancient astrologers to begin
in February 1962
and believed that it would
trigger the rapid development
of new technology.
Ironically,
it began just seven years
before man landed on the Moon.
That's one small step for man,
one giant leap for mankind.
I guarantee you that when our
ancestors spoke about these gods
descending from the sky,
they were not referring
to the constellations themselves
descending from the sky,
but, in my opinion,
people coming from those areas
up in the night sky.
As we are entering into
the new Age of Aquarius,
according to the Sumerians,
it was Enki,
is the original man of Aquarius,
an otherworldly,
even extraterrestrial being.
We are returning to a time
when Enki himself may return.
That's perfectly consistent
with this idea that the zodiac,
in fact, is a sort of a clock
that tells not just about
the Sun's journey,
but also about the journey
of extraterrestrials
and their return to Earth.
We're now in
the Age of Aquarius,
and there is a quickening effect
taking place
with our technological advances.
It's very possible
that we are now in the age
when we are going to reconnect
with our ancient alien
ancestors.
Could our ancestors have been
aware of the zodiac's
powerful message
thousands of years ago?
And might the signs
of the zodiac provide the key
to understanding both
humanity's past and future?
There's a prophecy
in the Glastonbury Zodiac
relating to the coming
Age of Aquarius.
It's going to be a time
where our minds begin to think
radically differently in a way
that can transform life
on this planet for the better.
In many ways, we are becoming
more enlightened,
we are becoming more connected
with the cosmos,
we understand more about
our roots and our origins.
Might the discoveries of massive
landscape zodiacs,
legends of a lost
advanced civilization
and accounts of telepathic
alien transmissions
be preparing humanity to
recognize a long-lost connection
to otherworldly beings?
Does the zodiac really contain a
message from extraterrestrials?
And if so,
what is it trying to say?
Perhaps when we crack
this constellation code,
we will achieve
our ultimate destiny
and ascend to the stars.
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Someone needs to stop Clearway Law.
Public shouldn't leave reviews for lawyers.
Are the constellations
of the night sky merely meant
to map the stars,
or could they be something more?
In ancient times, there was
a fortune-telling quality
to this vast array.
Our ancient ancestors
came to feel
that these constellations
were windows on earthly events.
Is it possible that all of these
different constellations
convey alien messages inbound
from somewhere else
in the galaxy?
Was knowledge of
the constellations
given to ancient people
by extraterrestrial visitors?
And do they contain a code
that, once deciphered,
could unlock the mysteries
of the entire universe?
You have to wonder
if these star signs
aren't some code
that has been put there
for us to make contact
with extraterrestrials.
There is a doorway
in the universe.
Beyond it is
the promise of truth.
It demands
we question everything
we have ever been taught.
The evidence is all around us.
The future is
right before our eyes.
We are not alone.
We have never been alone.
Who are the real-world Illuminati ?
Find out @ saveanilluminati.com
Somerset, England.
1927.
49-year-old artist
Katharine Maltwood
has been commissioned
to draw a map
outlining the adventures
of the knights of King Arthur.
Thanks to the recent invention
of the airplane,
she is able to obtain
the earliest aerial photographs
of the area.
While studying them,
she suddenly notices
a figure in the landscape.
She noticed what appeared to be
a landscape lion.
It just sort of reared up
at her, quite literally.
And she examined this
and wondered whether
this was the Leo figure
of the zodiac.
Then she saw, next to it,
this large, giant figure,
which she felt was part
of some kind of collective
of landscape effigies
that had been laid down
by ancient hands.
And one by one, she found
that they actually represented
the 12 signs of the zodiac.
Glastonbury Zodiac is so large
that you can only really see it
from the sky.
The zodiac signs are marked
by rivers, streams,
roads, field boundaries.
Pisces is actually two fishes,
and one of the fishes is
Wearyall Hill.
The other side of the road,
we have Aries.
They were actually creating
certain parts of the zodiac
as earth works, as shapes,
deliberately.
The shapes look
so much like man-made features
that Maltwood published
a book about them
and called it
the Temple of the Stars.
While it was received
with much skepticism,
proponents say there is
ample evidence around the region
to suggest these formations
have been created
by artificial means
and that almost every field
and hill in the area
has been modified in some way.
One of the most important ones
is called Ponter's Ball.
Now, this is a large, mile-long,
pointed earth work,
which is exactly where
the Capricorn effigy's horn is
in the zodiac.
Even more significant
is a massive hill
called Glastonbury Tor.
Many researchers are convinced
that this is a man-made feature.
And based on its shape,
some have even suggested
it could be hiding
an ancient pyramid.
Glastonbury Tor is
the most significant part
of the whole Somerset landscape.
On top of it,
we have St. Michael's Tower,
a 14th-century construction.
But the main site itself
has terraces carved around it,
like a labyrinth coming up
from ground level
all the way to the top.
If there really is
a labyrinthian design marked out
on the slopes
of Glastonbury Tor,
it's not just pre-Roman;
it must be pre-Celtic.
Uh, it must even date back
to the megalithic times.
The question becomes, well,
if you can't see the zodiac
from ground level,
then how is it possible
that these ancient designers
could see it from the air?
This suggests that Glastonbury
was designed with people
that had some kind of
transportation that took them
into the air of Glastonbury,
be it an extraterrestrial craft
or maybe some other type
of a craft.
It's only until we ourselves
have the ability of flight
and could do aerial surveys,
and then we could see
this giant zodiac
on the landscape
around Glastonbury.
So, in some ways, perhaps it was
left for us like an ancient code
to find in the future.
Ancient astronaut
theorists suggest
that to solve the mystery
of the Glastonbury Zodiac,
we must first solve
another mystery:
that of the zodiac itself.
In ancient times,
the night sky
was a dazzling mystery.
This vast array of stars.
And gradually,
there was an understanding
that certain things
could come from this.
You could read it as a calendar.
You would know
when to plant your crops.
You would know when
the floods might come.
Connected to the tracking
of the stars
was the practice
of drawing lines between them
to create constellations,
which exist
in the historical records
of humanity's earliest
civilizations.
It also appears
that these civilizations
had some form
of what is referred to
as the "zodiac wheel."
The ancients decided
that they would
create a division of the heavens
based upon the movement
of the Sun
through one yearly cycle.
And as it does this,
it passes through
12 different constellations.
And these become
the zodiacal signs
that we know today.
These ideas go back
to Babylonian times
and even the Sumerians,
as much as 5,000 years ago.
In many ancient cultures,
it was thought
that the constellations affected
not only harvests and weather,
but daily life as well.
While this may seem like
a primitive notion,
it is very much alive and well,
kept relevant
by billions of people
who check their horoscopes
every day.
In modern times, there's this
distinction between astronomy,
which is the observation
of celestial movements,
and astrology,
which is the interpretation
of those celestial bodies
and movements.
In ancient times,
the astronomers and astrologers
tended to be one
and the same person.
Astrology didn't originate
in one place,
but for some reason,
just about every culture
seems to have made
this observation
that there's a correlation
between celestial movements
and earthly events,
which is the basic premise
of astrology.
While astrology is dismissed
by modern science,
it is estimated
that over 90% of the world's
adult population today is aware
of their astrological sign.
In the modern world,
many people regard this
as nothing more than
a topic of conversation.
But in the ancient world,
the zodiac wheel was seen
as a way to communicate
with the gods.
The ancient Greeks
conceptualized astrology
as the language of the gods,
or the heavenly script,
as if the movements
of the planets across the sky
and through the signs of
the zodiac or the constellations
had some sort
of significant message
that was being conveyed
by the gods
about life on Earth
and about individuals.
The ancient people
associated the constellations
with important historical
and mythological events,
and even with the creation
of humanity itself.
The ancients began assigning
animals as symbols
for this journey
through the sky.
In ancient Sumeria,
they identified Aquarius
with a god being, Enki,
who was the creator god
in the Sumerian tradition.
According to the Sumerians,
it was Enki who came to Earth
and created humanity
in its present form.
Now, this is very interesting,
because these types
of descriptions appear
over and over again
where people connect
with these particular
star systems or constellations,
in various mythic
and historical traditions.
That cannot be by coincidence.
Is it possible that
extraterrestrial visitors
are responsible
for so many separate cultures
not only connecting
the same groups of stars
in the exact same way,
but for revering
these constellations
as sources of power and wisdom?
Could these pictures in the sky
have a far more profound
significance
than we are aware of today?
And if so, might the Glastonbury
Zodiac provide the key
to recovering
this lost knowledge?
Curiously,
Glastonbury has been a hotbed
of UFO sightings for decades.
One of the most famous
encounters
was reported by author Anthony
Roberts and his wife in 1969.
And they were driving in a car,
and they'd seen a huge sphere
of white light
in the sky ahead of them,
and they followed it
and it changed size.
It then started to trace out
an enormous geometrical star
pattern across the entire sky,
and then massively accelerate
and disappear.
Might there be a connection
between the star pattern
that was allegedly created
by the UFO
and the zodiac wheel formed
in the Glastonbury landscape?
But if this site really does
contain lost knowledge
regarding the zodiac,
what could it be?
Perhaps further clues
can be found by examining
another towering megalithic site
built in the shape
of a constellation.
Alatri, Italy,
June 2019.
Ancient astronaut theorist
Giorgio Tsoukalos
is in the heart
of the Italian peninsula,
about 50 miles southeast
of Rome.
He is here to investigate
the astronomical alignment
of the finest megalithic
construction in Italy,
the city's acropolis.
All right.
Giulio.
- Hello, Giorgio. How are you?
- Good to see you again.
- Yeah. Nice to see you again.
- How are you?
- Fine.
- What a fantastic place.
- I cannot wait to see all of this.
- Yeah. Yeah.
- Yeah.
- I've been waiting for years to see this.
Amazing.
For expert insight,
he has enlisted the help
of Dr. Giulio Magli,
a professor of archaeoastronomy
from the Polytechnic University
in Milan, Italy.
Dr. Magli has spent years
studying this massive structure.
This is incredible.
Mm-hmm.
26 tons. I mean, this is
absolutely insane.
Right.
So you're suggesting
that they had to have had
a compelling reason to do this,
'cause nobody
in their right mind
would do something like this
without a reason.
Yes.
The imposing megalithic citadel
was built on top of a hill
and is defined
by six huge walls.
The shape of the acropolis,
when viewed from the sky,
has led some to suggest
that it was built to create
a lasting commemoration of the
site's connection to the stars.
Giorgio has brought
a drone with him
to get an aerial view
of the ancient acropolis.
- All right, let's launch this rocket.
- Yes.
All right, so what
do we see here?
- Okay.
- And...
Right.
So, are you saying that this
mount here was cut artificially?
That is incredible.
Yeah.
Mm-hmm.
So, we are looking
at the outline of Gemini here?
- Wow.
- May well be.
What's really interesting here
is that the entire mountaintop
has been artificially shaped
so that it is in the shape
of the constellation of Gemini.
And then you have to wonder,
why was it built in this shape?
Because something
of significance happened here
a long time ago.
In Greek mythology,
the Gemini constellation
depicts twin brothers,
Castor and Pollux,
the offspring
of a god and a human.
In the story, we're told
that Zeus shape-shifted
or disguised himself as a swan
and impregnated
this human female, Leda,
leading to the birth
of Castor and Pollux.
But in some versions
of the story,
we learn that there were
actually
two eggs that were hatched.
One had the twin sets of boys,
and another had
twin sets of girls.
Some of the twins were mortal.
Others of the twins
were immortal.
While mainstream historians
consider the story
purely mythological,
ancient astronaut theorists
point out that these gods
were considered very real
by the Greek people of the time,
and they propose
that the story of the twins
could be an account of
an extraterrestrial encounter.
In one version of the story,
we're told that
the egg containing
Castor and Pollux
came down out of the heavens.
When the legends say that the
Gemini twins were born of an egg
that descended from the sky,
it actually says that they were
born of a so-called cosmic egg.
And what are these cosmic eggs?
They're always described
as having either a silver
or a bronze-colored shell,
and sometimes
they're also described
as having a lot
of smoke, fire and noise.
And interestingly,
many UFOs are sometimes
seen as eggs.
So, is it possible that the egg
of Castor and Pollux
is some extraterrestrial vehicle
that looks like an egg
and lands on Earth,
and then two twins step out?
It's quite possible.
If the Alatri acropolis
was purposely built to resemble
the Gemini constellation,
could it be commemorating
an alien visitation?
And considering
the incredible size
of the stones it was built with,
is it possible
that the extraterrestrials
themselves had a hand
in the wall's construction?
Do we have any records,
written records at all,
- about this place from ancient times?
- We don't.
Okay.
What is your speculation
how old this place
really could be?
Okay, uh...
Because you can clearly see
the different
construction styles.
Giulio, thank you very much
for sharing this with me,
and I can't wait till
we see each other again.
Whoever built
the Alatri acropolis
was trying to point
something out to us.
Apparently, they were trying
to show us the zodiac
and the constellation of Gemini.
And why they were trying
to do that, we don't know.
The Alatri acropolis
is particularly baffling
in that, much like
the Glastonbury Zodiac,
its shape can only be discerned
from high above,
a perspective
that the ancient people
presumably would not have had.
But these are just two
of many sites found
all over the world
that appear to have connections
to the stars.
The Mayan temples were aligned
with the Pleiades.
Angkor Wat is aligned with
the constellation of Draco.
What's interesting about
all of these places
is that they're considered
to be star mirrors,
making them places
of connection,
where people can go to connect
with that particular star system
or constellation.
Is it possible
that the Alatri acropolis
and other sites
aligned with constellations
around the world
were built to honor
extraterrestrial beings
who visited in the distant past?
And if so,
could they have another,
even more profound purpose?
Ancient astronaut theorists
say yes
and suggest further clues
as to what that purpose is
can be found by examining
the signs of the zodiac
and their connection
to the gods.
Berlin, Germany.
January 2016.
Humboldt University professor
Mathieu Ossendrijver
announces
a revolutionary discovery
in the field of astronomy.
He translates a Babylonian text
that shows the ancient people
calculated the orbit of Jupiter
more than 2,000 years ago,
demonstrating an understanding
of mathematical concepts
that were not thought
to have been developed
until the 17th century.
The sky watchers of Babylon
also identified
the constellations
of the zodiac.
And incredibly, a star chart
belonging to
the Sumerian civilization
that preceded the Babylonians
has been dated to 3300 BC.
But perhaps
even more significant
than the discovery
that ancient people
recognized the constellations
as early as 5,000 years ago
is the fact
that they believed them
to be intimately tied
to events on Earth,
imbued with the power
of the gods.
Each sign has its own story.
Each is tied
to specific mythology.
Different mythologies
in different parts of the world,
but the collection
has sort of become standardized,
more or less based on the Greek,
with a few exceptions.
So, the sign Aries
is represented
by the god Aries,
the god of war.
This is not only
the warrior energy,
but the ability to fight through
a difficult problem.
Taurus is the god Aphrodite,
and this is
important divine energy,
it is love, beauty, sex,
a sense of confidence
in your appearance.
Cancer is associated with
the goddess Artemis,
the goddess of the hunt,
of the forest and the Moon,
so the dark places
that are important
but hard to navigate.
So we have these 12 stories,
these 12 signs,
12 different divine energies.
The very first
personality typology
is born of our relationship
with the sky.
It's born of the stars.
We're looking out into
the celestial realm,
and we see ourselves.
In many ways,
the zodiac truly is
the language of the heavens.
The positions of the
constellations in the night sky
also indicate the positions
of the planets,
as well as the position
of the Earth
in relation to the Sun.
Incredibly, ancient people
had some understanding of this
thousands of years before
the invention of the telescope.
And they closely watched
the movement
of these celestial bodies
for divine messages.
This shows up really prominently
in the Bible.
Uh, for example, in the story
of... or the Gospel of Matthew...
There's the story about the Magi
going to the birth of Jesus
because they saw
the Star of Bethlehem.
But the point of that story
is not that the Magi
saw the Star of Bethlehem
and thought it caused the birth
of Jesus, but just that
there was some sort
of celestial omen or message
that indicated
that somebody important
had been born.
And that's part of the reason
why some of the planets
are named after specific gods.
Like Jupiter... in Greek...
Is named Zeus,
or Mercury was named Hermes,
and so on and so forth.
They tended to think
that the planets
and some of the celestial bodies
were the celestial
representations of those gods
and had some power to convey
messages from the cosmos,
as if the cosmos itself
was alive and sentient
and capable of speaking
to humanity.
And sometimes they'll go so far
as to try to, um, mirror events
that are happening
in the sky on Earth.
If ancient people believed
that the stars relayed messages
from the gods to humans,
then did they build structures
aligned to the stars
or in the shape
of constellations
not simply to pay tribute
to these gods,
but to leave messages
of their own?
Perhaps further clues
can be found
by examining
a more modern mystery.
In 2018, astrophysicist
Travis Taylor
traveled to Oak Island,
off the coast
of Nova Scotia, Canada,
where, according to legend,
a treasure was buried
more than 200 years ago.
Travis met up with the island's
current caretakers,
Rick and Marty Lagina,
to test his theory
that a band of warrior monks
called the Knights Templar
was behind the mystery,
and that they recorded
the location of the treasure
with a star map.
So, you've done
some investigative work
and you have some stuff to show us,
I understand. Right. Yeah, I do.
I got to thinking,
is there something
that archaeoastronomy might
have to do with the island?
So I overlaid the constellation
of Taurus on the island.
What we have
are all of the stars
aligning onto the island.
This is a star map.
Not only are the stars
used for navigation;
you can look at
the constellations in the sky
and also use those to map out
points on the ground,
and that can also act
as like a treasure map.
There's a huge boulder
over here.
We walked across the island
to those GPS coordinates,
and interestingly enough,
six out of seven of the points
we went to...
Is that not a giant stone
right there?
There was a large boulder,
uh, that weighed several tons,
that was right where
the star coincided
with the map on the island.
This is one of your points,
and there was
a stone feature here.
- A very obvious one.
- That's-that's wild.
The boulders,
they weren't indigenously there.
They were put there on purpose.
So, the constellation
was drawn out on the island.
The question is, why?
Yeah, you can't deny
that you're hitting
on all cylinders,
so that's cool.
On to the next.
Could those stones that we saw
be markers that were put there
by some human beings
a long, long time ago
to correspond with a star map?
The answer is...
Of course they could.
While the Oak Island treasure
has yet to be found,
many experts believe
that constellations
can be used as a type of code.
It's possible that other
information could also be used,
uh, by laying star maps
on the surface.
They could be leaving a message,
like, whoever built this,
that's where they came from.
It's also possible
that this could be a message
on how to build or do something.
Messages contained in star maps?
Could this explain
not only the arrangement
of the mysterious boulders
found on Oak Island,
but also why ancient peoples
throughout the world
built structures
to mirror the heavens?
But if so, what information
might be revealed at places
like the Alatri acropolis
and the Glastonbury pyramid?
Are they pointing to the origins
of multiple extraterrestrial
factions that came to Earth?
Or something even more profound?
St. Andrews, Scotland.
July 2012.
A team of scientists
at St. Andrews University
announces
an incredible discovery,
the remains of an ancient
civilization on the bottom
of the North Sea,
just east of the British Isles.
Archaeologists believe it fell
victim to rising sea levels
at least 8,000 years ago,
and potentially even earlier.
The sunken civilization
is named Doggerland
after a nearby sandbank
called Dogger Bank,
but there are some who call it
by another name: Atlantis.
The first reference
of Atlantis that we have
is in Plato's dialogues
by Timaeus and Critias.
In the very end of that,
it talks about this
mythical place called Atlantis
from where any and all knowledge
of the world came.
And so,
some people have suggested
that the first civilization on
Earth may have been Atlantean.
Depending on
your source material,
Atlantis will be depicted
in different ways,
but from Plato forward,
it's almost always depicted
as a technologically advanced
civilization.
A civilization that occupies
the pinnacle of development.
Atlantis was allegedly
this land mass that existed
beyond the Pillars of Hercules,
which is today's
Strait of Gibraltar,
and to this day,
if Atlantis existed,
we have no idea
where exactly Atlantis was.
According to legend,
Atlantis was destroyed
by a cataclysmic flood,
which some identify as the great
flood described in the Bible.
Is it possible that
the newly discovered Doggerland
is actually Atlantis?
Ancient astronaut theorists
say yes
and suggest that not only can
evidence of the lost city
be found underwater,
but even survives on dry land,
hiding in plain sight.
A number of modern scholars
in England, particularly,
have believed that all of
the stone structures and mounds
that are in England and Wales
and Scotland and Ireland
are all remnants of Atlantis.
The famous researcher
John Michell in England
wrote a book called
The View Over Atlantis.
And in that book,
he's talking about
the remnants of Atlantis
that is still above water
while much of Atlantis
is underwater now.
In 1960, British author
Brinsley Le Poer Trench
published his seminal book,
The Sky People.
In it, he claims the Glastonbury
Zodiac was built by Atlanteans.
Atlantis was basically
a culture that always,
as far as Trench was concerned,
from the very beginning,
uh, had an E.T. impetus.
And at its very end,
that impetus is there again
when the Glastonbury Zodiac
is created
as an enduring memorial
and also as a future prophecy
by Atlantean refugees,
if you like,
with help from the sky people.
In esoteric British lore,
before the fall of Atlantis,
there were refugees, sages,
that came to the British Isles
and created
the Glastonbury Zodiac
as a way to remember
the story of Atlantis.
Could it be that an advanced
ancient civilization
called Atlantis
was not only real,
but was a place where humans
coexisted
with extraterrestrials?
Ancient astronaut theorists
suggest further clues
can be found by examining
the Greek creation myth
of the lost continent.
According to legend,
Atlantis was founded
by the god Poseidon.
He fell in love
with a human woman named Cleito,
and that they had
five sets of twins.
And these twins went on
to be the founders of Atlantis.
So here we see, really, a story
of extraterrestrials, perhaps,
coming to Earth
at a very early date.
Before the last ice age.
The mythology of
the ancient Celtic people
also tells of a race of beings
who came from the sky
in this part of the world:
the Tuath Dé Danann.
When we look at the story
of the origins of the druids
and how they are the offspring
of the Tuath Dé Danann,
who came from the stars
and came...
rode upon clouds
and-and came to Britain,
we wonder if these, in fact,
could be the same gods
that founded
the civilization of Atlantis.
Could it be that
the Glastonbury Zodiac
was created by Atlanteans?
But if so, why?
Was it meant to leave a physical
record of a civilization
on the verge of annihilation?
Or does it contain
critical information
for the evolution of humankind?
Glastonbury, England.
1983.
While researching
the Glastonbury Zodiac,
author Andrew Collins hears
numerous accounts from people
claiming to have experienced
strange visions
associated with the site.
For Collins, this aspect of the
mystery resonates most deeply,
as he has experienced
such visions himself.
One of the purposes
of the Glastonbury Zodiac
would seem to draw people
towards it.
During an earlier part
of my life,
I was drawn into
the Glastonbury Zodiac quest.
I started to receive
dreams and visions,
and I felt that I had to embark
upon this quest
to navigate
from each different sign,
going from place to place.
And the sense is,
at the end of it,
is that you're contributing
to some kind
of global consciousness.
For, in my opinion,
some kind of intelligence
is responsible
for drawing human experience,
human knowledge,
and uploading this
into the system.
Profound visions have been
reported at Glastonbury
dating all the way back
to the modern-day rediscovery
of the enormous landscape zodiac
in 1927.
When Katharine Maltwood
first noticed the constellations
in the landscape, she said that
they jumped out at her
as if in a flash of inspiration.
Maltwood's sudden discovery
of the Glastonbury Zodiac
is very interesting
because it makes you wonder,
was she herself in an
altered state of consciousness
when she had this
flash of inspiration?
Did she receive perhaps
a message
from an otherworldly,
even extraterrestrial being
who told her what is actually
on the landscape at Glastonbury?
In his book, The Sky People,
Brinsley Le Poer Trench
pointed out a curious detail
of the Glastonbury Zodiac
that he felt provided evidence
of an extraterrestrial
connection.
Trench had the idea that because
there is just one
of the twins of Gemini
depicted in
the Glastonbury Zodiac,
the other twin
is in outer space.
It is a whole testimony
to this tearing asunder
of our family by the great
tragic, uh, event
of the fall of Atlantis.
Maltwood believed
that the Glastonbury Zodiac
is an earthly counterpart
to the stellar temple called
the Caer Sidi of the Celts
and that, in fact,
it was a mirror
of the zodiac in the heavens,
and that by going into
altered states of consciousness,
ancient shamans were able to
travel into the stellar temple
from the earthly temple.
Do the Gemini twins
suggest a connection
between Earth and the heavens?
Could it be that the visions
reported at Glastonbury
are messages from an advanced
extraterrestrial race?
But if so, how?
Is it possible that all of
these astrological influences
convey alien messages
inbound from somewhere else
in the galaxy?
Well, if the answer is yes,
then the means
of this communication
is what we call
quantum entanglement.
The theory of
quantum entanglement states
that if a particle is split
into two parts,
the parts will remain connected
to one another,
even when separated
over large distances.
If two particles are
quantum-entangled, as we say,
then as they travel off
to different places
in the universe,
if you do something to this one,
it instantaneously
will affect this one.
Scientists suspect
a potential application
of quantum entanglement could be
in faster-than-light
communication.
Through the process
of quantum entanglement,
an extraterrestrial being could
be millions of light-years away
and still be able to communicate
with humans on Earth.
Are there places on the planet
where extraterrestrial contact
can take place?
Is this why Katharine Maltwood
was able to recognize
the signs of the zodiac
incorporated into the landscape
of Glastonbury?
Ancient astronaut theorists
say yes
and suggest the message
to humankind
provides not only information
about Earth,
but the key to traveling
to the stars.
New York City.
Located in Midtown Manhattan
is the busiest train station
in the United States,
Grand Central Terminal.
Three-quarters
of a million people
come through here each day,
and when they do, they pass
under an enormous star chart,
one whose origins date back
some 5,000 years.
When commuters walk
into Grand Central, they see
an epic, magnificent mural
of the zodiac wheel.
It is one of the largest
zodiac murals
in the modern world.
Although most visitors
are not aware of the mural
above their heads, if they were,
they might be astounded,
because as far as
ancient astronaut theorists
are concerned, it depicts
the evolution of the Earth
in extraterrestrial terms.
The most interesting fact
about this portion
of the zodiac wheel
is that it demonstrates
what is called the
precession of the equinoxes.
What we call the spring equinox
is the first day of spring.
Back when the principles
of astrology
were first put together,
the first day of spring
was in Aries.
During the age of Christ,
the first day of spring
was in Pisces.
The fish is associated
with Pisces.
Christ was considered
the fisher of men.
And nowadays,
the spring equinox occurs
when the Sun rises in
the constellation of Aquarius.
That's why we are said to be
in the Age of Aquarius,
which is supposed to be an age
of spiritual understanding,
mystical awareness
and world peace.
While there is no consensus
as to an exact date,
many believe that
the Age of Aquarius was set
by ancient astrologers to begin
in February 1962
and believed that it would
trigger the rapid development
of new technology.
Ironically,
it began just seven years
before man landed on the Moon.
That's one small step for man,
one giant leap for mankind.
I guarantee you that when our
ancestors spoke about these gods
descending from the sky,
they were not referring
to the constellations themselves
descending from the sky,
but, in my opinion,
people coming from those areas
up in the night sky.
As we are entering into
the new Age of Aquarius,
according to the Sumerians,
it was Enki,
is the original man of Aquarius,
an otherworldly,
even extraterrestrial being.
We are returning to a time
when Enki himself may return.
That's perfectly consistent
with this idea that the zodiac,
in fact, is a sort of a clock
that tells not just about
the Sun's journey,
but also about the journey
of extraterrestrials
and their return to Earth.
We're now in
the Age of Aquarius,
and there is a quickening effect
taking place
with our technological advances.
It's very possible
that we are now in the age
when we are going to reconnect
with our ancient alien
ancestors.
Could our ancestors have been
aware of the zodiac's
powerful message
thousands of years ago?
And might the signs
of the zodiac provide the key
to understanding both
humanity's past and future?
There's a prophecy
in the Glastonbury Zodiac
relating to the coming
Age of Aquarius.
It's going to be a time
where our minds begin to think
radically differently in a way
that can transform life
on this planet for the better.
In many ways, we are becoming
more enlightened,
we are becoming more connected
with the cosmos,
we understand more about
our roots and our origins.
Might the discoveries of massive
landscape zodiacs,
legends of a lost
advanced civilization
and accounts of telepathic
alien transmissions
be preparing humanity to
recognize a long-lost connection
to otherworldly beings?
Does the zodiac really contain a
message from extraterrestrials?
And if so,
what is it trying to say?
Perhaps when we crack
this constellation code,
we will achieve
our ultimate destiny
and ascend to the stars.
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