American Horror Story (2011–…): Season 6, Episode 7 - Chapter 7 - full transcript

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---
(crickets chirping)

This is gonna be so good.

This is why I have 75 cameras in
the house recording everything.

(door opens)

Shelby. Hey.

Come on, Matt,
do something.

The guy (bleep)ed your wife
and rubbed it in your face

in front of the entire country.

SHELBY:
Matt, Matt, Matt! Matt!
(grunting)

Hey! Matt!
(shouting)

Get off him!



Yes! Who in America is not
coming back after they see that?
(indistinct shouting)

(door opens)
ALISSA:
Hey. Dinner.

Sid...

Thank you.
Okay, okay. Here.

Uh, I asked for a salad.

(chuckles) Yeah, well,
we're in North Carolina.

If it's not breaded and fried,
it's not edible.

Hey, Sid, have you talked
to Diana?

I've been calling her all day,
and she hasn't answered.

Is she coming back?
We don't need Diana.

I'm not wasting my energy
on someone who doesn't want

to be a part of history.

Okay.

(grunting onscreen)



Whoa. Did you
just see that?

See what?

Somebody
just stabbed Rory.

Very funny.
No, I swear.

Let's-let's rewind it.

(screaming in distance)

Alissa?

You okay?

Alissa?

(gurgling)

(rustling)
Shit. Shit. Get the camera.

Get the camera. Get the camera!

(gurgling, coughing)
Oh, shit.

Oh, my God.
Oh, God.

Oh, God. Oh, shit.
Holy shit.

Oh, (bleep).
(bleep).

Oh, shit.
(shouts)

(grunting)

Sidney? Sidney, are you okay?

Holy shit. Oh, shit.

Oh, shit, oh, shit, oh, shit.

(panting, grunts)
(stabbing sound)

(screaming)
(stabbing sounds)

I am the tree and
the lightning that strikes it.

Rory?

Rory?

Rory!

He's not upstairs.

MATT:
I told you.

"R" is for Rory.
Could you

stop scaring her?
He is her husband.

Now, if you so spooked,
why you come back anyway?

I thought
I could be happy here.

Do you think
he could be hiding from us?

Did you look
under the beds?

In the closets?

We'll start looking over here.

Okay. I'll check in here.

Any minute now, we're gonna
hear somebody scream.

Don't be such a ghoul, Matt.

AUDREY:
Are you going to stick

that thing in my face
the entire time we're here?

LEE: Hell yes.
But not just you.

I'm filming the whole thing.
But they've installed cameras
all over the house.

That they control.

And edit
to tell their story.

This camera is my story.

People are going to know
I did not lie.

DOMINIC: Guys? You better
come in here and see this.

Is it blood?

I've done my share

of slasher films.

That don't smell
like corn syrup.

Well, if it's his blood,
where's the body?

Oh, my God.

Oh, my God. Brad Pitt.

DOMINIC:
What?

Rory got a better offer.

He's left us to
go back to L.A.

for a movie. Sidney
put him up to this

to give us a good
scare for the camera!

You are an asshole, Sidney!

Well, it didn't work,
because I'm onto you!

I was batshit crazy
to think it could work.

He always said
age is just a number.

But I knew better.

It's nothing for a man to be
15 years older than his bride.

But for a woman...

it's Mount Everest.

All the conditions have
to be perfect for the ascent.

And I guess
he just ran out of oxygen.

(crying softly)

(as Thomasin):
Damn,

treacherous,

despicable serpent.

Hurling wicked insults
at mine every turn.

(sniffles)

He should not
have cast me aside so.

He deserves to roast

for an eternity
in the flaming depths

of all this blood.

(normal voice):
She had a baby.

(exhales)
God.

(sucks air through teeth)

Alissa had a baby.

(sighs)

I liked her.

She always made sure I had
a cooling tent when it was hot.

Oh, God.

What have I done?

(shuddering breath)

I robbed that baby of a mother.

(as Thomasin):
They cheated me of my land.

Robbed me of my dignity.

All the vipers were one
and the same.

They all had to die.

Their bloody carcasses
will slake the thirst

of the ancient gods.
(sniffles)

Preserve my legacy.

(sniffling)

(normal voice):
It was my destiny.

They chose me.

I was the fan favorite.

(sniffles)

All my life,
people have underestimated me.

They only booked me
for three episodes,

but I got five.

'Cause the fans wanted more.

They wanted The Butcher.

Am an ri'ain

gach uile choirceoige.

(Celtic whispers in distance)

Is somebody there?

(Celtic continues)
(grunts)

(whimpers)

Is somebody there?

(lighter flicking)

(gasps)

(screaming)

(sucks air through teeth)

Whew.

Something just don't feel right
about this.

Then now's definitely not
the time to get loaded.

It's 6:00 a.m.
Leave her alone.

Hell, we could all use
a drink after last night.

Or two.
(chuckles)

Or ten. May I?

No one ever goes to
their grave regretting

they had too much fun.

Do you even know
what you're doing?

You're helping
an alcoholic drink.

That's like handing a
killer a loaded gun.

Yeah, well, I guess
you'd be the expert

on that one.
(chuckles)

Can't avoid me

forever, Shelb.
I can and I will.

You never should have
come back here.

Of course
I should have come back.

You know I had to see you again.

Yeah, well,
I don't want to see you.
(scoffs)

I love my husband.

I'm here for him.

Yeah. Well,
he ain't here for you.

But I am.

Come on, Shelb.

He never touched you
the way I touched you.

That weekend. Remember?
Stop it.

I know you do.

I can tell
because you're shivering.

I am not shivering.

I am vibrating

with rage,
you asshole.

(door shuts)

Hey, bro.

Oh, God...

You want her?

You can have her. I don't give
a shit what you do with her.

(bleep) her right here,
for all I care.

Ooh.
Just stay out of my way.

(scoffs)

(chuckling):
Wow.

You know what I love
about reality TV the most?

The bad guy.

Puck. Omarosa.

That crazy bitch
with the fake leg.

Yeah, I did my homework.

Sure, I care about Shelby.

I mean, she is fine.

But Sidney paid me to come back
for one reason

and one reason only: ratings.

You see this?

Check this out.

Mmm.

Sid's got me wired and ready
to ruin these people's lives

and record every moment of it.

Body cam.

Up close and personal. Booyah.

(chuckles)

Hey, listen,

if I got to play the dick

in order for people to tune in
for ratings,

then that's what the hell
I'm-a do.

What's the bright side?

Let me tell you
what the bright side is.

The bad guy is always the lead
on every show.

Now, let me ask you
something else,

judgmental mother(bleep)ers,

what's more important
than screen time, huh?

(door opens)

(crying)

(as Thomasin):
Trespasser.
(gasps)

This land

belongeth to my people.

Thou art not welcome.

Now punishment
will be thy death.

Agnes...

(normal voice):
I just wanted to be on the show.

But he won't
let me.

He said

no one cares about me anymore.

Put the
knife down.

Please, Agnes.

(as Thomasin):
I'm The Butcher,

and all that threaten
and invade my land

do me harm.
Thou dare

come back here?

Hast thou learned nothing,
Shelby Miller?

(screaming)

(sobbing, shouting)

What art thou doing?

I know that I'm about to die.

And I want the world
to know exactly

who was responsible
for my murder.

Fola a fuil, saol a bas.

Olc na dorchdais.

Cuirimid iobairt.

(shouts)

Swine!

I shall wear thy scalp
as an animal pelt!

(grunting)

(whimpers)
(panting) Okay.

(sobbing)

Oh, come on.
Oh, come on, girl.

Come on, I got you,
I got you.

(sobbing, moaning)

DOMINIC:
Where the (bleep) is Agnes?

(panting)
(sobbing)

Oh, God. Quickly, quickly.
I need the bandages.

Quickly. Come on, darling.
Tr-Try to stay awake.

Oh, Jesus. Here,
give me that.

I-I can help.
Now you want to help?

Where were you when Agnes
was here with the knife?

Boys, seriously! Come on.

Okay. Keep her
head up. Come on.

Wrap it around. There we go.
Try to keep it really tight.

Once across her
chest. Come on.

Open up, darling. Okay.

It's working.
I was a nurse
at Her Majesty's.

Hospital?
No, darling. The theatre
in the West End.

None of the phones work.
Somebody cut the lines.

Hey, hey...
Sidney, Shelby is really hurt.

You need to send
a (bleep)ing ambulance

to the house right now!

It's been an hour.

No ambulance.

No message from Sidney.

Shelby, she seems to be stable.

For now.

I'm really struggling here.

I'll admit it,

I'm scared.

The production trailer
can't be too far away.

So it shouldn't be hard
for you to find them...

Me?
Yeah.

I-I'm not leaving Shelby's side.

If you think I'm going outside,
getting lost in them woods,

while there's some crazy
old lady running around
with a cleaver, you can kiss

your own ass...
This is bullshit!

Matt, you stay with
Shelby. I'll go.

Not by yourself,
you won't.
I-I'll go with her!

Not sure I even trust you
to come back with help.

You can trust this.
AUDREY:
Oh, my God.

MONET:
You done brought

a gun in here?!
You bet your ass I did.

You think I'd come
back here defenseless?

She's probably
watching us right now.
(opens chamber)

If I see her first,
I'll shoot on sight.
Look,

I know this goes against
every fiber of your being,

but could you please try
to avoid bloodshed?

There is a secret way
out of this house.

All right, mind
your heads.

Should we really be down here?

LEE:
This is the best way.

No one watching the house
will know we've gone.

MONET:
Are you sure about that?

Oh, that (bleep)ing Sidney
doesn't miss a beat, does he?

Son of a bitch wants everything
on camera?

When I see him, I'm-a put
my foot so far up his ass

I'm-a knock his teeth out.

I'm gonna get everything. Use it
as proof when I sue their asses.

AUDREY:
I can't believe that Agnes.

I knew she was upset
about losing the Saturn Award,

but I didn't think it would
make her completely homicidal.
(distant bellow)

(quietly):
Quiet, both of you.

Do you hear that?

(low growl)

Darling?

Oh, my God.

Rory?

Is that you?

(roaring)

Get behind me.

(screaming)

Oh, my God!
(gasping)
MONET: What was that?!

(roars)

Oh, my God!

(roaring)
Run!

(screaming)

(panting)
Holy shit.

Oh, my God!

What the hell was that thing?!

(panting)
I saw you shoot it
four times

with my own eyes!
(panting)

Will it follow us?
I don't think so.

Matt thinks it prefers
the tunnel.

What? You knew that thing
was down there?!

How many times do we have
to tell you this is real?!

Do you believe us now?

Or do you want to deny what
you've seen with your own eyes?

We have
to find Sidney.

(panting)

Let's go this way.
Come on.

MONET: Oh, shit.
Lee, let's go.

Here, take this.

For the pain.

You know...

I really did love you.

And I ruined it.

In one drunken,
pathetic weekend, Matt.

I was so out
of my mind.

Our marriage was over the day
we moved into this house.

This place took something
from me. I-I...

I haven't felt human
for two years, Shelby.

I-I'm stuck.

Still wandering lost
in these woods.

You-you think I wanted
to come back here?

I didn't have a choice.

We both lost
something here.

But we can get it back.

(rustling)

Where the (bleep)
is that trailer supposed to be?

We are running out of daylight.

Lee, isn't that the blood moon?

Do you think we should try
and get back to the house now?

Goddamn it.

Shelby needs our help.

Whoa, whoa, whoa.
Wait a minute.

You wanted us to believe you,
right?

Didn't you say the blood moon
means that some bad shit

is about to happen?
So should we really be

out here in the open like this

with that up in the sky?
If we don't find

the trailer,
we need to push to town.
The town

is five miles away.

But come on.

Sidney!

Sidney!
AUDREY: Goddamn it!

Sidney.
Shit, your ass gonna get it!

(gasping)
LEE:
Godda... Oh, my God!

Oh, my God!
(gasping)

AUDREY: Oh, my God,
oh, my God, oh, my God.
(Monet groaning)

Oh, Jesus, Sidney.

I think he's dead.
You think?

AUDREY: Oh, leave me alone!
I'm not American!

I'm not used
to all this carnage!

Oh, God. Oh, my God.

What in God's name
are you doing?!

Do you want
to get help or not?

Oh, my God.
Find a phone!

Oh, my God.

Oh, my God. Oh, God, oh, God.

Oh, God, oh, God.

Oh, God.

Oh, come on, come on, come on.

Oh, come on. Goddamn it!

Come on, come on!

No phone. Not a laptop.
Oh, come on.

Not a goddamn thing!
Come on!

What about the car?
The car is completely dead.

Oh, shit. Oh, shit.
(panting)

Oh, my God.
We have to get out of here.

Well, where are we
supposed to go?
I don't know.

We're in the middle of
goddamn (bleep) nowhere!

Shit!
Oh, my God.
(panting)

Oh, my God! It's Agnes!
(shrieking)

Oh, my God!

(screaming)

Oh, my God.

Oh, my God.

Run! Run!
Oh, shit. Oh, shit.
Oh, shit. Oh, shit.

MONET:
We're not gonna make it to town.

And I'm not comfortable being
out here with that thing

hanging over our heads.

LEE:
Stop talking like that.

We should turn back.

We should.

Look...
AUDREY: She's right...

I know we're all a little
strung out right now,

but we can't give up,
we can't.

What is that?

MONET:
Is that help?

Get off the road... now!

(panting, gasping)

AUDREY: I think we lost them.
We should stop here.

Rory...

if you find this...

know you gave me the best months
of my life.

I'd never known love
until I met you...

and I will always be grateful
for that.

And I love you.

I hope you find...
I hope you find this.

MONET: Audrey?
Audrey!
What?

What?
You're bleeding!

Are you hurt?

(whimpers)

(both screaming)

AUDREY (whimpering):
Oh my God.

(sobbing)

My baby, what did they
do to you?

LEE:
Turn your camera on.

MONET:
What? I'm not filming this,

you psychopath!

LEE:
People need to see.
(Audrey sobbing)

That's her husband,
for Christ's sake!

LEE:
Turn your goddamn camera on.

(sobbing)

(sighs)
(camera beeps)

MONET:
Oh God!

They found us!

MONET:
Audrey! Audrey! Audrey.

LEE:
Shit... hide!

MONET: What-what-what-what-
what is it?

Go!

LEE: Honey, I know it's awful,
but we gotta get out of here,

right now!

I don't want to live!
Leave me...

LEE: Come!

(sobbing, mumbling)

ISHMAEL:
Takin' pictures, little lady?

(electric zapping)

(zapping)
(Lee screams)

(Monet whimpering)

(Monet screams)

(as Thomasin):
The fire will purify
my body...

(sniffs)

...and vanquish
the fear in my heart.

(gasps, breathing heavily)

(whimpering)

(sobs)

Agh...

(flesh sizzles)
(screams)

(screams)

(grunts)

Ahh... ah!

Ah!

(sobbing)

(gasps)

I've been imbued...

with the power
of the blood moon!

The land shall be
consecrated with blood,

and purifed with flames!

This house and everything in it

will be consumed by fire!

Only ashes will remain
at the end of this night.

(faint, ghostly whispering)

(stairs creaking)

(door latch clicks)

(rapid footsteps)

MATT:
I've been waiting for you.

(creature moaning, snarling)

Shelby...

Shelby, Shelby, wake up.

Wake up, Shelby.
Come on.

Come on, you gotta
come with me.

You gotta come with me.
Come on, Shelby.

I need you to come with me.

(distant moaning)

(male and female moaning)

(inhuman shrieking)

Get off him.

Get off him!
Get off him!

Get off him!

(inhuman wail)

Matt, Matt,

we have to get
out of here.

We should go.
I came back for her!

What?

I'm in love
with her, Shelby.

She's the reason
I came back.

(Matt grunts, Shelby screaming)

(sobbing, screaming)

(grunting)

Why is he filming this?

Are you working for Sidney?

(laughter)
ISHMAEL:
Working?

He ain't done a day's
work in his life.

'Les you count sortin' buds
for creeper weed.

Oh, that boy,
he got a nose for it.

He only good for two things,
weed and...

Taking pictures.

(laughter)

I have money.

I can make life so
much easier for you all.

We like our life
just the way it is.

Make plenty of money
with our crop.

Polks is part of the forest.

Live off the land.

Keep to our own.

Never got help or
wanted help from nobody.

Even the law knows better
than to bother with us.

Going all the way back
150 years now.

(sighs)

Cut them off.

Please don't.

Please don't, please don't.
MAMA POLK:
Hold still, hold still.

Just tear it.
Tear it, tear it off.
(snipping and tearing)

P-pull it off.

Hey, hey, ah, ah, ah!

MAMA POLK:
Hey, hey, hey, hey.

Give it a free hand.

Mm-hmm.

Mm-hmm.

(Mama Polk straining)

LOT:
Hey.

Mm-hmm.

Rub it in.
Mm-hmm.

Rub it.
Yeah, rub it.

Come on. Yeah.
Rub it.
LOT:
Rub it.

Rub it.
Come on.
Mm-hmm.

Don't waste a drop.

Cover every inch.

Jesus.
Mm-hmm.

That there's
good peanut oil.

(crying):
Jesus.
(grunting)

Never skimp on seasoning.

(laughter)

That's it.

Shouldn't take more
than a couple hours now.

What the hell are you doing?

(laughter)
LOT:
Ah, ah, ah, ah, ah.

Everybody knows the
secret to sweet meats

is tenderizing.

No! Oh...

(scream echoes)

I came back for him.

Shelby...

let me have the crowbar.

Shelby.
Please, please, Shelby, please,

please give me the crowbar.

Please.

(sobbing)
Shelby, let go of
the crowbar, please.

It's okay.

All right.

Oh, God, oh, God, oh, God!

(sobbing and
speaking incoherently)
Calm down.

Matt, Matt...

He's dead, he's dead,
he's dead, he's dead, he...

not alive!
Listen, listen to me.

Listen to me.

Listen, we're gonna...
No, I-I killed him,

I killed him.
I know. Shh, shh.

Listen.
What I'm gonna d--
what am I gonna do?

Listen, listen.
What am I gonna do?

We're gonna wait right here
for the girls to come back.

And then you're gonna
turn yourself in.
What?

You understand?

No...

No, no, Dom...

Dominic, no, you have to help...
you have to help me.

Please, I didn't mean to
hurt-- I didn't mean to.

I know, I know.

Listen, Shelby, I am,
I am helping you.

I am helping you.

But there's cameras everywhere.
What?

They're everywhere.

Sidney's watching everything.

(deep shuddering breath)

They know it was you.

(panting)

I mean, I...
I tried to stopped you,

but you were so out of it,

there was nothing I could do.

(sighs)

The best thing for you to do
is to confess and go quietly.

I...

I didn't mean...

I didn't mean to hurt him.
I know, I know, girl.

I know.
Hang on, hang on.
(water running)

(water stops)

I know, I know, I know, baby.

I know.

I loved him so much.
I know.

I loved him so much.

I know.
You do? You know?

What are you doing?
What a second.
(breathing rapidly)

What? No.
Come here, come here.

No, wait, no, no.

(crash in the distance)

I don't want...
Hey, listen.

That's-that's them.

Listen, I-I need you
to sit here, okay?

Just stay right here.

Oh, shit.

(Monet sobbing)
Can I please have a bite?

(snorting)
It's all I have left, please.

Get out my face.

MONET (crying):
Please, please.

JETHER:
Hello, ladies.

Smile for the camera.

Smile.

Smile, goddamn it!

(Lot laughs)
MAMA POLK:
Jether!

Leave them girls alone.

Eat up.

You need your strength.

(Monet sobbing)

MONET:
Oh, please.

Please, please, please,
please let us go.

(sobbing)

We won't say a word
about this to anyone.

I-I swear, I swear.
(sobs hysterically)

Oh, my God.
Please...

Oh, my God, where's Lee?

MAMA POLK:
Come on now, don't be rude.

Y'all is guests.

Eat.

What have you done
with her, you monsters?

She said eat!

(cattle prod zaps,
women screaming)

(laughs)

MAMA POLK:
Come on now.

She's a little chewy,
but she ain't that bad.

AUDREY:
Oh, God!

No, no, Monet, no,
no, no, no, no, no!

Come on now.

(zap)
(screams)

(Mama Polk laughs)

LOT: Come on, come on.
MAMA POLK: Monet's
doing real good. Yup.

LOT:
There we go, down the hatch.

(Monet gagging)
You's too, come on now.

(laughter and
indistinct chatter)

Am an theine far
gach uile chnoic.

Am an sci'ath...

DOMINIC: Why the hell
is she filming this?

Am an sleagh catha.

(as Thomasin):
Venomous beasts, ye have
no claim to this land.

It is mine!

Ye defile this earth
with thy presence.

Now ye shall feel
the wrath of The Butcher!

Glorious vengeance forged
in fiery conflagration!

Jeez, how are we gonna stop them
from getting into the house?

You can't stop them.

My brethren!

You've come to help
me take my vengeance!

(Agnes cackles)

You're finished!

(laughs)

(normal voice):
You're The Butcher.

My idol.

My maker.

Oh.

(crying):
I'm sorry.

I just wanted to be on TV.

(yells)
Oh, shit!