'Allo 'Allo (1982–1992): Season 5, Episode 1 - Desperate Doings in the Dungeon - full transcript

( theme music playing )

WOULD YOU BELIEVE IT POSSIBLE
THAT THE PLOT HAS NOW THICKENED?

HERR FLICK THINKS
THAT THE GENERAL AND THE COLONEL

ARE PLANNING
TO BLOW UP HITLER.

HERR FLICK CAN DO NOTHING
ABOUT THIS

BECAUSE HE HAS BEEN IMPRISONED
IN THE DUNGEON OF THE CHATEAU

DISGUISED AS A WOMAN.

IF MY HANDS ARE SHAKING,

IT IS BECAUSE MICHELLE
OF THE RESISTANCE,

IN A PLAN TO BLOW UP
THE GENERAL,

PLACED A BOMB IN THE WHEELCHAIR
OF MY WIFE'S MOTHER.



UNFORTUNATELY,
THE ATTEMPT MISFIRED,

AND MY WIFE'S MOTHER SURVIVED.

SHE WAS LAST SEEN
DISAPPEARING AT VERY HIGH SPEED

WITH A CLOUD OF SMOKE
COMING FROM THE BOTTOM--

OF HER WHEELCHAIR.

OH HECK, HERE COMES
LIEUTENANT GRUBER.

THIS IS THE ONE
THAT FANCIES ME.

GOOD MORNING, RENE.

AH, GOOD MORNING,
LIEUTENANT. YOUR USUAL?

LATER,
THANK YOU, RENE.

RENE,
I HAVE A PROBLEM

REGARDING MY SLEEPING
ARRANGEMENTS.

OH YES?

THE COLONEL HAS ORDERED
CAPTAIN BERTORELLI



TO SLEEP WITH ME.

WELL, THE ITALIANS WANTED
TO JOIN THE WAR,

THEY MUST ACCEPT
THE CONSEQUENCES.

THE MAN IS A PEASANT, RENE.

THE MOMENT HIS HEAD
TOUCHES THE PILLOW HE IS ASLEEP.

HOW INSENSITIVE.

THEN HIS SNORING
KEEPS ME AWAKE ALL NIGHT.

HAVE YOU A SPARE ROOM HERE?

YOU WOULD NOT WANT
TO SLEEP HERE, NO.

MY WIFE SNORES; I SNORE;
THE GIRLS SNORE;

MONSIEUR LECLERC
MAKES TERRIBLE NOISES;

FROM MIDNIGHT THE WHOLE PLACE
SOUNDS LIKE A SAWMILL.

NO, NOT FOR ME.

I MEANT A ROOM FOR
CAPTAIN BERTORELLI.

OH, I SEE.

GOOD MORNING,
LIEUTENANT GRUBER.

EDITH,
THE LIEUTENANT WANTS

THE CAPTAIN TO COME
AND SLEEP HERE.

THE HANDSOME ITALIAN CAPTAIN?

YES. WE HAVE NO ROOM,
HAVE WE?

WELL, OF COURSE WE HAVE.

HE CAN SLEEP BETWEEN
MIMI AND YVETTE.

YOU FRENCH, WILL I
NEVER UNDERSTAND YOU?

NO, SHE MEANS
THE SPARE ROOM

BETWEEN MIMI
AND YVETTE.

OH, GOOD.

I WILL PAY FOR HIS ROOM.

WILL YOU BE
VISITING HIM OFTEN?

THE LIEUTENANT IS
PAYING FOR THE ROOM

BECAUSE HE CANNOT STAND
THE CAPTAIN'S SNORING.

I BLOW IN RENE'S EAR
WHEN I WANT HIM TO STOP.

OH?

I WILL REMEMBER THAT.

THAT IS SETTLED THEN.

1000 FRANCS A NIGHT, EH?

THE WOMAN PRISONER
VON KINKENROTTEN IS IN HERE.

YOU HAVE FIVE MINUTES.

10.

BUT THAT IS THE LIMIT.

HERR FLICK.

OH, IT IS TERRIBLE
TO FIND YOU

IN SUCH AN UNUSUAL
POSITION.

IT IS VERY PAINFUL.

I AM TAKING NOTES.

IS THERE ANYTHING I CAN DO
TO RELIEVE YOUR SITUATION?

I CANNOT ENDURE
THE PAIN IN MY LEGS.

DO YOU HAVE ANY SCISSORS?

YES, BUT THEY WILL
NOT CUT CHAINS.

THEY WILL CUT MY
TIGHT KNICKER ELASTIC.

THESE FINGER TRAPPERS
ARE KILLING ME.

HOW COULD GENERAL
VON KLINKERHOFFEN

DO THIS TO AN OFFICER
OF THE GESTAPO?

SINCE I AM IN DISGUISE
AS A WOMAN OF THE OPPOSITE SEX

AND HAVE NO PAPERS,

HE IS PRETENDING
HE DOES NOT RECOGNIZE ME.

BE OF GOOD CHEER,
HERR FLICK.

YOUR ASSISTANT,
VON SMALLHAUSEN, HAS A PLAN.

THIS DOES NOT MAKE ME
OF GOOD CHEER.

HE IS A BARBARIAN TWIT.

HE IS OUR ONLY HOPE.

HERR FLICK,

MAY I KISS YOU?

WHAT? KISS ME?

CHAINED TO THE WALL, AND DRESSED
IN THE UNDERWEAR OF A WOMAN?

OF COURSE.

( singing off-key )
♪ WHEN SKIES ARE GRAY ♪

♪ AND YOU SAY YOU ARE BLUE ♪

♪ I'LL SEND THE SUN
SHINING THROUGH ♪

♪ I WANT TO BE HAPPY ♪

♪ BUT I CAN'T BE HAPPY ♪

♪ TILL I MAKE YOU
HAPPY, TOO! ♪

( glasses shatter )

MIMI,

WHEN MADAME EDITH SINGS,

ALWAYS HAVE READY
A DUSTPAN AND BRUSH.

RENE, PSST!
YOU ARE WANTED IN THE BACK ROOM.

- WHO WANTS ME?
- I DO.

( growls )

OH, RENE,

MY WHOLE BODY
ACHES FOR YOU.

MY LIPS ACHE
FOR YOU,

MY ARMS ACHE
FOR YOU,

MY BOSOMS ACHE
FOR YOU,

MY LEGS GROAN
FOR YOU.

HOW IS YOUR BACK?

( moans )

YOU MUST TRY
TO RELAX MORE, YVETTE.

IT IS THE TENSION FROM BEING
SO MADLY IN LOVE WITH ME.

OH, RENE.

DO YOU NOT ACHE FOR ME
JUST A LITTLE BIT?

FROM TIME TO TIME I DO
GET A LITTLE BIT STIFF,

BUT I PUT IT DOWN TO AGE.

( knocking )

OH.

IT IS URGENT I SPEAK
WITH YOU ALL.

I WILL GET THE OTHERS.

MONSIEUR ALPHONSE,
WHAT ARE YOU DOING HERE?

I BROUGHT THIS
INTREPID LADY HERE

IN THE BACK OF MY SMALL HEARSE
WITH THE SMALL HORSE.

MONSIEUR, IF SHE IS DISCOVERED
YOU COULD BE SHOT.

I KNOW,

BUT IT IS WORTH IT.

HE DOES THIS
FOR FRANCE.

AND 300 FRANCS A MILE
PLUS WAITING TIME.

THE FLAG IS NOW DOWN,
MADEMOISELLE.

( bell rings )

GATHER ROUND.

NOW LISTEN
VERY CAREFULLY,

I SHALL SAY THIS
ONLY ONCE.

JUST A MINUTE--

WHO IS LOOKING
AFTER THE BAR?

MONSIEUR LECLERC.

I HAVE THE KEY
TO THE TILL.

- LISTEN VERY CAREFULLY--
- ( door opens )

I'M SORRY I AM LATE,
I WAS SERVING THE CUSTOMER.

LISTEN VERY CAREFULLY,

I SHALL SAY THIS ONLY ONCE.

( door opens )

HERE.

HOW AM I SUPPOSED
TO GIVE CHANGE

IF I DO NOT HAVE
THE KEY TO THE TILL?

GIVE IT TO HIM.

AND BRING IT BACK!

AH! BRING IT BACK,
BRING IT BACK...

NOW, YOU WERE SAYING,
MICHELLE?

LISTEN VERY CAREFULLY,

I SHALL SAY THIS
ONLY ONCE--

- ( bell rings )
- YOU ARE NOW ON DOUBLE TIME.

IF THESE INTERRUPTIONS
CONTINUE,

I SHALL NOT
SAY IT AT ALL!

ALL RIGHT, ALL RIGHT,
WE ARE READY.

NOW LISTEN
VERY CAREFULLY,

- I SHALL SAY--
- ( door opens )

HERE IS THE KEY.

NOW, IF I GET
ANOTHER BIG NOTE,

I SHALL
REQUIRE IT AGAIN.

RIGHT, THAT IS IT.
I AM GOING.

- ( bell rings )
- 125 FRANCS.

NO, NO, MICHELLE,
COME BACK.

WHAT IS IT YOU ARE
GOING TO TELL US?

ONLY ONCE?

WE HAVE THE CAMERA WITH WHICH
WE ARE GOING TO PHOTOGRAPH THE SAFE IN THE CHATEAU

WHICH CONTAINS PLANS
FOR THE INVASION OF ENGLAND.

WE WILL SHOW THIS PHOTOGRAPH
TO MONSIEUR LECLERC,

THE FORGER AND SAFEBREAKER,

SO THAT HE MAY IDENTIFY IT

AND MAKE PLANS
TO OPEN THE SAFE.

WHEN HE IS CONFIDENT,

WE WILL TAKE HIM
INTO THE CHATEAU

AND HE WILL OPEN IT,

AND WE WILL PHOTOGRAPH
THE PLANS.

THESE PHOTOGRAPHS

WILL BE MADE INTO
MICRO-PHOTOGRAPHS,

WHICH WILL BE TIED
TO THE LEG OF A PIGEON

SUPPLIED BY THE R.A.F.

SO THAT THE PHOTOGRAPH
OF THE PLANS

MAY BE STUDIED IN LONDON.

ALL THAT SEEMS PERFECTLY
STRAIGHTFORWARD.

WAS THERE ANYTHING ELSE?

- ( bell rings )
- 225 FRANCS.

WE HAVE A PROBLEM.

THERE IS NO FILM
FOR THE CAMERA.

THAT WOULD BE A PROBLEM, YES.

WHERE ARE WE
TO GET THE FILM?

ALL FILM HAS BEEN
CONFISCATED BY THE GERMANS.

THE COLONEL HAS A CAMERA.

WE MUST THINK OF A WAY
TO STEAL FROM IT THE FILM.

I COULD POSE FOR HIM,
IN MY SCANTY UNDERWEAR.

MADAME EDITH, I CANNOT ALLOW
THE WOMAN I LOVE

TO EXPOSE HERSELF
IN THIS MANNER.

OH, DEAR MONSIEUR ALPHONSE,

ALWAYS HE HAS RESPECT
FOR MY FEELINGS.

AND THE COLONEL'S.

ALWAYS HE IS ASKING
TO PHOTOGRAPH ME

WEARING THE FLYING HELMET
AND BRANDISHING THE WET CELERY.

WHY WOULD THE COLONEL
WANT SUCH A PICTURE?

CELERY IS IN VERY SHORT
SUPPLY IN GERMANY.

WHILE YOU ARE
DISTRACTING HIM,

I WILL STEAL THE FILM
FROM THE CAMERA.

IT IS A GOOD PLAN.

YES, AND AS USUAL,
WE HAVE TO DO IT.

DO YOU WANT MY JOB?

- ( bell rings )
- 500 FRANCS, PLUS WAITING TIME AND SERVICE.

I COULD NOT AFFORD
THE TAXI.

GENERAL VON KLINKERHOFFEN.

I WISH TO SPEAK
TO THE COLONEL.

- ANNOUNCE ME.
- YES, GENERAL.

GENERAL ERICH
VON KLINKERHOFFEN!

AH, GENERAL.

HEIL HITLER.

OH YES, OF COURSE.
HEIL HITLER.

MY CONTACTS IN BERLIN

INFORM ME THAT
THE GESTAPO HEADQUARTERS

ARE AWARE OF THE DISAPPEARANCE
OF HERR FLICK,

AND CONSEQUENTLY A BIG STINK
IS ABOUT TO DESCEND ON US.

WE PLACED HIM
IN THE DUNGEON OF THE CHATEAU

ON YOUR ORDERS,
GENERAL.

HMM, HERE ARE
MY FURTHER ORDERS.

ALL DOCUMENTS
CONCERNING THE ARREST

ARE TO BE DESTROYED.

YOU WILL DISGUISE YOURSELVES
AS MEMBERS OF THE RESISTANCE,

AND WILL ASSIST
HERR FLICK TO ESCAPE.

YOU WILL TAKE HIM
TO A PREARRANGED SPOT

WHERE YOU WILL BE
AMBUSHED BY MY MEN

AND HERR FLICK WILL DIE
IN A HAIL OF BULLETS.

THEY WILL, OF COURSE,
HAVE ORDERS NOT TO SHOOT YOU.

IS THAT CLEAR?

HOW WILL THEY KNOW
SO AS NOT TO SHOOT US?

YOU WILL EACH WEAR
A SMALL CORNFLOWER IN YOUR HAT.

BUT GENERAL, HOW CAN WE
BREAK INTO THE DUNGEON?

STEAL YOUR OWN TANK,

PUT GRAPPLING IRONS
ON THE BARS OF THE CELL,

AND RIP THEM OUT.

USE YOUR IMAGINATION.

YES, HERR GENERAL.

THAT IS ALL.
SEE TO IT.

- HEIL HITLER.
- HEIL HITLER.

WHAT DO YOU THINK,
GRUBER?

I THINK THAT SUNFLOWERS
IN OUR HATS

WOULD HAVE GIVEN US
A BETTER CHANCE.

I HAVE GRAVE MISGIVINGS
ABOUT THE WHOLE PLAN.

( car horn honks )

( bicycle bell rings )

♪ KISS ME, BELLA... ♪

( car horn honks )

♪ ...TONIGHT, TONIGHT ♪

♪ TOMORROW WILL BE TOO LATE ♪

♪ COME HOLD ME TIGHT-- ♪

GOOD MOANING.

YOU CANNOT PICK YOUR METER-CAR
OUTSIDE THIS COFFEE.

YOU NO TALK THIS WAY TO ME.

ME, I AM CAPTAIN BERTORELLI

FROM CONQUERING ITALIAN ARMY
OF MUSSOLINI.

MISSOLOONI DOES NOT CUT
ANY ICE ROUND HERE.

( car door closes )

YOU MUST MAUVE ALONG
AS QUIRKLY AS PISSABLE.

YOU,

TAKE-A MY CASES
IN-A THE CAFE.

CARRY YOUR OWN BOGS.

YOU SHUT-A YOUR FACE

OR I SHOOT-A YOUR FEET.

HAH!

IMITOOTION CROCODILL.

CAPTAIN ALBERTO,

WHAT A PLEASURE
TO ENTERTAIN YOU

IN OUR HUMBLE
ESTABLISHMENT.

LET ME SHOW YOU
TO YOUR BEDROOM.

DEAR LADY,

FIRST, I MUST INSPECT
THE TROOPS.

THEN I INSPECT
THE ROOM,

THEN I INSPECT YOU.

OH, CAPTAIN.

THEN I INSPECT
THE BOOKS.

THIS PLACE, IT COULD
MAKE BIG MONEY.

WHAT YOU NEED BEHIND YOU

IS THE RIGHT MAN.

OH, CAPTAIN ALBERTO,
WHAT ARE YOU SAYING?

I THINK YOU GET
THE MESSAGE, EH?

GOOD MOANING.

GOOD MOANING.

THESE CUSSES BELONG
TO THE WOP CAPTAIN.

MIMI, TAKE THEM UPSTAIRS
TO THE SPARE ROOM.

NOW, YOU WERE
GOING TO SAY?

I HAVE COME TO COLLECT
MY BURCYCLE.

WHAT BURCYCLE?

THE BURCYCLE WHICH PRODUCES
THE ELECTROCITY FOR THE ROODIO

WHEN YOU PIDDLE IN
YOUR WIFE'S MOTHER'S BEDROOM.

LOOK, YOU CANNOT HAVE
YOUR BURCYCLE

UNTIL WE GET NEW BATTERIES.

OH, RENE.

'SCUSE ME.

- WHAT?
- WE MUST STAND BY THE RADIO.

LONDON WILL BE CALLING
IN TWO MINUTES.

YES, WE HAVE TO ASK LONDON
TO SEND US A PIGEON.

LOOK, I HAVE
A BUSINESS TO RUN.

- YVETTE, YOU GO
AND SEND THE MESSAGE. - BUT WHAT DO I SAY?

'ALLO, 'ALLO THIS IS
NIGHTHAWK'S SERVING GIRL.

PLEASE SEND
ONE CARRIER PIGEON.

YVETTE!

MAKE IT SIX.
WE CAN PUT

THE OTHER FIVE
ON THE MENU.

( knocking; door opens )

AH, FANNY,
MY LOVE!

AH, ROGER,

THE BIG ROMANCE

FROM MY FOOLISH PAST.

WHAT DO YOU WANT?

I HAVE COME TO GET
THE RADIO GOING.

IT IS NICE TO KNOW

THAT YOU CAN GET
SOMETHING GOING.

( creaking sound )

ROGER, YOUR KNEES,

THEY SOUND TERRIBLE.

I THINK THE BALLRACE
HAS GONE.

THAT AS WELL?

WHAT IS HAPPENING?

I AM TRYING
TO MAKE ENOUGH JUICE

TO OPERATE THE RADIO.

BUT THE BEDKNOBS ARE
ONLY FLICKERING.

WE NEED MORE POWER.

YOU MUST PEDAL FASTER.

I KNOW WHAT TO DO.

HEH, HEH!

Mamma:
AH!

WHAT HAS HAPPENED?

THERE WAS A FLASH
AND A BANG

AND EVERYTHING
HAS GONE DEAD.

IT WAS EVER SO.

PSST! RENE!

WHAT IS THE MATTER?

SIT HERE. I DON'T WISH
TO BE OVERHEARD.

I DO NOT WISH TO BE SEEN
IN THE SQUARE FRATERNIZING.

HOW WOULD YOU LIKE
TO BE SEEN DEAD?

I WILL FRATERNIZE.

I HAVE SEEN HERR FLICK.

HE IS CLOSE TO CRACKING.

SO?

HE MAY REVEAL THAT
LIEUTENANT GRUBER

HAS BEEN MAKING
THE FORGERIES

OF THE FALLEN MADONNA
WITH THE BIG BOOBIES BY VAN CLOMP.

IF GRUBER IS ARRESTED,

THEY HAVE BUT TO
TICKLE HIM WITH A FEATHER

AND HE WILL
IMPLICATE US ALL.

AND THE TRAIL
WILL LEAD TO YOU

AND YOU WILL BE SHOT.

THANK YOU FOR WARNING ME.

I WILL LEAVE AT ONCE
FOR THE SPANISH BORDER

UPON THE BICYCLE WHICH
IS IN THE BEDROOM OF MY WIFE'S MOTHER.

YOU WILL NOT GET 10 YARDS.

WHY NOT?

BECAUSE I CAN SHOOT 10 YARDS.

VON SMALLHAUSEN HAS A PLAN
WHICH CAN SAVE ALL OUR SKINS.

HOW DOES THIS AFFECT ME?

WHO ELSE CAN MASQUERADE
AS HEINRICH HIMMLER,

HEAD OF THE GESTAPO?

ME?

LOOK, I AM SMALLER
THAN HIMMLER,

I AM FATTER THAN HIMMLER,
I AM YOUNGER THAN HIMMLER,

I AM BALDER THAN HIMMLER

AND I CANNOT SPEAK GERMAN.

DO NOT NITPICK.

( kicks metal can )

- HELLO!
- HELLO!

DINNER.

I THINK THAT'S FRENCH
FOR DINNER.

THANKS VERY MUCH,
OLD BEAN.

- TOODLE-OO.
- EH?

THAT'S FRENCH
FOR GOODBYE.

I SAY, FAIRFAX,

HOW MUCH LONGER
DO YOU THINK WE'RE GONNA

HAVE TO HIDE OUT HERE
IN THESE DUSTBINS?

THEY EMPTY THEM
EVERY THURSDAY.

IF WE HAVEN'T GONE BY THEN,
WE'LL BE ON THE TIP.

AT LEAST WE MIGHT GET
A CHANGE OF CLOTHES.

SEE YOU AFTER DINNER.

BANG ON!

WHERE IS HE?

HE IS JUST TRIMMING
HIS MOUSTACHE.

DEAR RENE, HE IS ALWAYS
SO PARTICULAR ABOUT HIS APPEARANCE.

TELL HIM
TO COME QUICKLY.

THE SQUARE IS CLEAR.

( quietly )
RENE!

THOSE ARE THE GLASSES
OF MY MOTHER!

SHE WANTED ME TO HAVE
THE EAR TRUMPET!

YOU LOOK
EXACTLY LIKE HIM.

IF THE RESISTANCE SEE YOU,
THEY WILL SHOOT YOU,

SO KEEP YOUR HEAD DOWN.

GET IN THE BACK.

I WILL DRIVE.

WHAT DO I DO IF ANYONE
SPEAKS TO ME?

HIT THEM
WITH YOUR WHIP.

DO YOU WISH ME TO SIT
ON THE LEFT OR THE RIGHT?

GRUBER! GRUBER!

GOOD, YOU LOOK
VERY SINISTER.

THANK YOU.

COLONEL, SHOULD WE NOT
HAVE PAPERS?

JUST WRITE GESTAPO
OVER YOUR DRIVING LICENSE.

IN AN EMERGENCY,
FLASH IT.

I HAVE TO CONFESS

THAT DESPITE THE ADVANTAGE
OF OUR DISGUISES,

AND THE BOLD DARING OF THIS
INGENIOUS PLAN OF YOURS,

I DO HAVE PANGS OF DOUBT,

AND CRAWLING EARWIGS
IN MY TUMMY.

WOULD YOU PREFER TO BE
WALKING THROUGH THE WOODS

WITH A CORNFLOWER
IN YOUR HAT,

HOPING NOT TO BE SHOT?

JUST TO BE ON
THE SAFE SIDE?

HERE, TAKE YOUR GUN.

WHAT WILL THE GENERAL SAY

WHEN HE FINDS OUT HERR FLICK
HAS NOT BEEN SHOT?

WE WILL TELL HIM THAT
THE BERLIN GESTAPO

RESCUED HIM
BEFORE WE ARRIVED.

IT ALL SOUNDS SO SIMPLE
HERE IN YOUR NICE WARM OFFICE.

PULL DOWN YOUR HAT
AND FOLLOW ME.

GRUBER,
I'M DOING THE LIMP.

HALT!

WHO GOES THERE?

DO YOU NOT RECOGNIZE
HEINRICH HIMMLER,

HEAD OF THE GESTAPO?

I WILL PHONE
AND TELL THEM YOU ARE HERE.

( laughs nervously )

MIND YOUR OWN
BUSINESS.

WE WANT IT
TO BE A SURPRISE.

IT IS A PLEASURE TO BE
OF ASSISTANCE TO HERR HIMMLER.

THANK YOU, HERR HIMMLER.

DO YOU THINK IT WISE
TO GO IN MY LITTLE TANK?

DO YOU EXPECT ME TO WALK
ALL THE WAY TO THE CHATEAU

WITH A BAD LEG?

WHAT DO YOU WANT?

HERR HEINRICH HIMMLER
FROM BERLIN

WISHES TO INSPECT
YOUR PRISONER,

FRAU KINKENROTTEN.

DO YOU HAVE
ANY PAPERS?

IT IS MY DUTY TO ASK
FOR PROOF OF IDENTITY.

WELCOME, HERR HIMMLER.

WE WILL REQUIRE
YOUR KEYS.

NOW GO AWAY!

HELGA,
VON SMALLHAUSEN,

WHAT ARE YOU
DOING HERE?

I HAVE A PLAN
FOR YOUR RESCUE, HERR FLICK.

WHAT KEPT YOU?

AND WHY IS THAT FRENCH CAFE
OWNER DRESSED IN THAT MANNER?

HE IS IMPERSONATING
HIMMLER.

HE LOOKS NOTHING LIKE HIM.

WHAT DID I SAY?

QUICK,
WE MUST BE LEAVING.

VON SMALLHAUSEN,

GIVE ME YOUR GUN.

YES, HERR FLICK.

TAKE OFF YOUR CLOTHES.

I BEG YOUR PARDON?

TAKE OFF YOUR CLOTHES!

I USUALLY FIND THAT
WHEN HE IS IN THIS MOOD,

IT IS BEST TO STRIP OFF
AND ASK QUESTIONS LATER.

THIS WOULD APPEAR TO BE
A MODIFICATION OF MY PLAN.

WHEN THE GUARD LOOKS
THROUGH THE PEEPHOLE,

HE WILL STILL SEE
FRAU KINKENROTTEN

CHAINED TO THE WALL.

HELGA, AVERT YOUR EYES.

AND THAT GOES
FOR YOU, TOO.

HALT,
WHO GOES THERE?

MAKE WAY
FOR THE GESTAPO.

EXCUSE ME.

IS IT ALL RIGHT IF WE GO
INTO THE DUNGEON?

I AM NOT COMING OUT UNLESS
YOU PROMISE NOT TO HIT ME.

COME ON, GRUBER.

WHAT DO YOU WANT?

MAKE WAY FOR THE GESTAPO.

WE HAVE JUST HAD IN HERE
YOUR BIG CHEESE, HIMMLER.

HIMMLER?

COME ON, GRUBER.

HE HAS JUST LEFT.

DID HE TAKE WITH HIM
THE WOMAN PRISONER?

NO, SHE IS
STILL IN HERE.

THANK YOU.

RENE,

WHAT ARE YOU DOING
CHAINED TO THE WALL?

YOU ARE THE LAST PERSON
WE EXPECTED TO SEE,

ESPECIALLY
DRESSED LIKE THAT.

NOT THAT
IT DOESN'T SUIT YOU.

I HAVE BEEN DOUBLE CROSSED.

AND YOUR STOCKINGS
ARE WRINKLED.

PLEASE, GET ME
OUT OF HERE.

GRUBER, GET THE KEYS
TO THE WRIST IRONS.

GUARD!

DO YOU HAVE THE KEYS
TO THE WRIST IRONS?

I GAVE THEM
TO HERR HIMMLER.

HE MUST HAVE TAKEN
THEM WITH HIM.

Gruber:
THIS IS TERRIBLE.

HERR HIMMLER
HAS TAKEN THEM.

IT WAS HERR FLICK
DRESSED AS HIMMLER.

THAT WAS BECAUSE I WAS
DRESSED AS HIMMLER.

YOU ARE FULL
OF SURPRISES, RENE.

YOU ALWAYS TOLD ME
YOU WENT TO BED AT MIDNIGHT.

THE KEYS ARE IN
HELGA'S HANDBAG.

DON'T WORRY, RENE.

WE WILL GET THEM.

WOULD YOU LIKE ME
TO STAY WITH YOU, RENE?

NO, LIEUTENANT,
YOU ARE VERY KIND.

YOU GO WITH THE COLONEL.

I WILL WAIT HERE,
WITH THE GUARD.

ON YOUR WAY OUT,
SHUT THE DOOR.

THESE DUNGEONS
ARE VERY DRAFTY.

I DO NOT KNOW WHERE
THE WIND IS COMING FROM.

I KNOW WHERE
IT IS GOING TO.

( theme music playing )