Alias (2001–2006): Season 4, Episode 2 - Authorized Personnel Only: Part 2 - full transcript

[ LATIN MUSIC PLAYING ]

[ LAUGHTER ]

[ SINGING IN SPANISH ]

I'M GUESSING THIS ISN'T
A PERSONAL VISIT.

NO.

ROMAN VADIK.

WE NEED YOUR HELP.

NADIA, I NEED YOU
TO COME BACK WITH ME.

NO.

SYDNEY...

HE WAS A GOOD FRIEND.



WORKED WITH ME.

VADIK KILLED HIM.

HAD HIS...

HEAD SHIPPED BACK
TO OUR OFFICE.

BUT I'LL GIVE YOU
WHAT I HAVE.

NO ONE DEALS
WITH VADIK DIRECTLY.

EVERYTHING GOES THROUGH
HIS LIEUTENANT.

YOU WANT TO WRITE THIS DOWN?

NO, I GOT IT.

KAZU TAMAZAKI.

CONSIDERS HIMSELF
A MODERN SAMURAI.

ARRESTED FIVE YEARS AGO

TRYING TO ROB THE HASUNAGA
ASIAN MUSEUM IN LONDON.

ESCAPED FROM POLICE CUSTODY.



AMONG THE LEAST
OF THE CHARGES AGAINST HIM.

I HOPE THAT HELPS.

MEN LIKE VADIK,

LIKE TAMAZAKI,
THEY NEED TO BE ELIMINATED.

I CAN'T.

I CAN'T.

YOU DO UNDERSTAND?

YEAH.

[ DOORBELL RINGS ]

I MADE PENNE.
THERE WAS --

THIS CANNOT CONTINUE.

A CRUCIAL ASSUMPTION

OF OUR OPERATIONAL
COMPETENCE IS COMMUNICATION!

SYDNEY,
IF WE DON'T HAVE THAT,

EVERY MISSION, THE LIFE
OF EVERY OPERATIVE,

COULD BE AT RISK.

I'M DOING MY JOB.
NO. WHAT YOU NEED TO DO

IS FIND A WAY
TO ACCEPT WHAT'S HAPPENED.

IF YOU CAN DEAL
WITH ARVIN SLOANE --

I LOVE THAT YOU KNEW THAT,
THAT YOU APPROVED IT.

IT MAY BE HARD FOR YOU
TO ACCEPT THAT YOUR FATHER

DOESN'T HAVE THE AUTHORITY

TO MAKE ALL THE DECISIONS
THAT --

NO, WHAT'S HARD FOR ME
TO ACCEPT

ARE THE DECISIONS
THAT YOU DO MAKE.

WHAT'S HARD IS LOOKING
AT YOU.

WALKING PAST YOU,

SMELLING
THAT SICKENING COLOGNE.

WHAT'S HARD
IS BEING YOUR DAUGHTER

AND NOT BEING ABLE
TO SEPARATE MYSELF

AS FAR AS I MAY GET

FROM THE PERSON
I DESPISE THE MOST.

YOU WENT TO SEE NADIA.

DID YOU TELL HER
WHAT YOU KNOW?

I GUESS I THOUGHT

THAT MAYBE YOU'D COME HERE,

I DON'T KNOW,
TO GIVE ME SOMETHING,

INFORMATION --

SOMETHING THAT WOULD HELP
MAKE SENSE

OF WHAT I WAS AFRAID
YOU'D BECOME,

BUT THERE'S NOTHING
YOU COULD SAY.

OF COURSE YOU WERE ONLY
LOOKING OUT FOR YOURSELF.

IS THAT WHAT YOU THINK
OF ME AS AN OPERATIVE?

THAT I WOULD REVEAL
YOUR SECRET

TO THAT POOR GIRL?

I DIDN'T TELL NADIA
A THING.

SORRY.

WHAT'S GOING ON?

IT WAS LAUREN
WHO TOLD ME.

WHAT?

TOLD ME WHERE TO LOOK.

SAFETY DEPOSIT BOX
IN WITTENBERG.

HOW SHE KNEW,
I DON'T KNOW.

I WASN'T EVEN GOING TO GO.

I HAD NO REASON TO BELIEVE
ANYTHING THAT WOMAN SAID.

BUT THE CURIOSITY
WAS JUST TOO STRONG.

I GOT THERE.

INSIDE THE BOX,
THERE WAS A FILE.

CLASSIFIED.
HIGHEST LEVEL.

MY HEART WAS POUNDING,

LIKE I KNEW SOMEHOW
BEFORE I KNEW.

WHAT WAS IT?

EVIDENCE.

EVIDENCE THAT MY MOTHER
HAD BEEN A SECURITY RISK,

WHICH WASN'T REALLY NEWS.

IT MENTIONED HER HISTORY
WITH THE KGB --

EVERYTHING WE KNEW.

THEN THERE WAS A PAGE.

AN OFFICIAL REQUEST
MADE BY MY FATHER

ASKING FOR THE AUTHORITY
TO EXECUTE IRINA DEREVKO.

A REQUEST THAT WAS GRANTED.

AND HE DID IT.

HE KILLED HER.

HE KILLED MY MOTHER.

HE DID IT, VAUGHN.

HE KILLED HER.

HE KILLED MY MOTHER.

Jack: TWO WEEKS AGO,
THE MAN ON THE TRAIN,

KAZU TAMAZAKI, SEVERED TIES
WITH ALL KNOWN CONTACTS,

ELIMINATED ALL MEANS
OF COMMUNICATION.

ANY IDEA WHERE HE'S GONE
OF WHY?

NOTHING. OUR ONE LINK TO
ROMAN VADIK HAS DISAPPEARED.

ANY INDICATION VADIK
TURNED ON TAMAZAKI?

ALL CHATTER SAYS THAT VADIK
IS STATUS QUO.

SO TAMAZAKI IS STILL
ALL WE'VE GOT.

ALL WE HAD. HE'S GONE.

BACK TO WHAT WE KNOW.

THE HASUNAGA ASIAN MUSEUM
IN LONDON.

YEAH, NADIA SAID HE WAS
ARRESTED FIVE YEARS AGO --

A BREAK-IN.

WAS THERE A MOTIVE?

HE WAS CAUGHT IN
THE SHINTARO SWORD EXHIBIT.

SHOOTOUT, KILLED TWO MPs
AND ONE OF HIS OWN MEN.

Sydney:
WHAT WAS HE DOING?

TRYING TO STEAL
THE SHINTARO SWORD,

THE MOST FAMOUS SAMURAI
SWORD OUTSIDE OF JAPAN,

WANTING TO RESTORE HONOR
TO THE BLADE

AND TO HIS COUNTRY.

YOU GOT TO BE KIDDING ME.

WE MAY NOT HAVE THE MEANS
TO CONTACT TAMAZAKI,

BUT I CAN SEE A WAY

TO GET TAMAZAKI
TO CONTACT US.

Jack: ARE YOU SUGGESTING
WE FAKE A ROBBERY

OF THE HASUNAGA?

YOU THINK WE SHOULD
STEAL THE SWORD.

THAT MUSEUM'S ONE OF
THE WORLD'S MOST SECURE.

IF THIS WERE MY OPERATION,

THERE'S ONLY ONE MAN
I'D TRUST

TO GET US IN THERE.

HEY,

YOU AS DEPRESSED AS I AM?

DEPRESSED ABOUT WHAT?

DEPRESSED ABOUT WHAT?
TAKE A LOOK AROUND HERE.

THIS PLACE IS A GHOST TOWN.

I DON'T EVEN KNOW
ANYBODY HERE ANYMORE.

SYDNEY'S GONE,

DIXON, JACK, VAUGHN.

THE ONLY GUY WE HAVE LEFT
IS SARK,

AND THAT'S ONLY BECAUSE
HE'S IN CUSTODY.

HATE THAT GUY. I MEAN,
REALLY, KIND OF SCAR--

ALTHOUGH I DID
GO VISIT HIM TWICE,

JUST TO SEE
A FAMILIAR FACE.

WE HAD EGGS.

DON'T DO THAT.

[ CAR SPEEDING ]

[ SIRENS WAILING ]

MARSHALL FLINKMAN,
YOU'RE UNDER ARREST

FOR THE MISUSE
OF GOVERNMENT ASSETS.

MISUSE? WHAT?
WHAT DID I MISUSE?

UNAUTHORIZED COMPUTER
EQUIPMENT MAY BE CONNECTED

CONNECTED?
I DON'T UNDERSTAND.
TO THE MONITORS
YOU'VE BEEN PROVIDED.

WHAT DID I HAVE CONNECTED?

IS THIS YOURS?

UH...

Marshall: IT WAS
FOR A MISSION. I SWEAR.

I JUST WANTED TO DOWNLOAD
SOME MAPS FROM CONQUER QUEST.

I HEARD THEY WERE REALLY GOOD.
OF COURSE, THE CIA MAPS

ARE MUCH BETTER --

AM I DEAD?

YOU'VE BEEN RECRUITED.

WE'RE A BLACK OPS
DIVISION, MARSHALL.

YOU'RE GOING TO HEAD UP
TECHNOLOGY.

UH, SYD...

SLOANE IS HERE.

WE KNOW.

OKAY.

HA!

SYD.

WE'RE BACK.

Marshall: MERLIN TO TEAM.
GREAT. WAY TO GO, GUYS.

STAY FOCUSED.

THEY'RE FOCUSED.

OKAY, SHOTGUN TO MERLIN.

TAPPING INTO SURVEILLANCE.

ALL RIGHT...

OKAY, I CAN SEE IT.

THE SHINTARO SWORD.

IT'S A STUDLER
MATRIX SYSTEM.

WHAT AM I LOOKING FOR?

OKAY, STUDLER MATRIX.

WHAT FUSE?

L7.

COPY THAT. LOOPING L7.

WAIT A MINUTE,
WAIT A MINUTE, WAIT A MINUTE!

THAT WOULD BE BAD.
DON'T DO THAT.

YOU NEED TO RE-ROUTE
THROUGH E3.

E3 REROUTED.

OKAY, GO TO L7.

COPY THAT. LOOPING L7.

OKAY, THE SECURITY FEED'S
LOOPED.

[ RATTLING ]

OUTRIGGER, SOMETHING
FELL DOWN THE VENT.

COONEY TO CONTROL.

RIGHT, COONEY.

CHECK FLOOR TWO, WOULD YOU?
I THINK I HEARD SOMETHING.

NO, IT'S ALL CLEAR.

YOU'RE STILL GOOD.

HEY...

GOOD LUCK.

THANKS.

HOW COOL IS THIS?

STEALING A SWORD
SO WE CAN FIND A BAD GUY,

YOU KNOW, IN ORDER TO CATCH
AN EVEN BIGGER BAD GUY?

COME ON.
COME ON, YOU WOULD NEVER

LET US DO THIS
BACK IN THE CIA --

YOU KNOW, WHEN YOU WERE
DOUBLE-BREASTED

SERIOUS ROBOT DIXON.

I MEAN, NOT THAT YOU --

YOU WERE JUST...
AUTHORITATIVE.

I'M SORRY.

OUTRIGGER TO BASE.
ETA 90 SECONDS.

SECURITY CAMERAS
ARE ON LOOP.

SO FAR, SO GOOD.

[ HIGH-PITCHED BEEP ]

THE BIGGEST CHALLENGE,
HANDS DOWN,

IS THAT PRESSURE PAD
ON THE CASE.

YOU KNOW,
THE MARBLE BORDER.

THERE'S NO WAY
TO DEACTIVATE IT.

SUPER-CALIBRATED.

PHOENIX,
YOU'VE GOT COMPANY.

TANGO HEADED YOUR WAY.
ETA 20 SECONDS.

PHOENIX, ABORT!
REPEAT, ABORT!

I'M ALMOST THERE.

PHOENIX, HE'S COMING.
GET OUT OF THERE NOW!

I'M ALMOST THERE.

[ ALARM SOUNDS ]

DAMN IT!

[ GATES CLOSING ]

[ SIRENS WAILING ]

PHOENIX TO BASE.
I'M IN THE EAST ALLEY.

I NEED AN EXTRACTION NOW!

FIND A SECONDARY ROUTE.
WE'RE AT 60 SECONDS OUT.

I DON'T HAVE 60 SECONDS.
I'LL MEET YOU AT THE LZ.

I'M GOING.

[ TIRES SCREECH ]

SYDNEY, GET IN.

GET IN NOW.
YOU CAN BE STUBBORN LATER.

OUTRIGGER, THIS IS RAPTOR.

I HAVE PHOENIX.
HEADING TO RENDEZVOUS.

WHAT ARE YOU DOING HERE?

YOU KNOW WHAT ELSE TYPICALLY
WORKS IN A SITUATION LIKE THIS?

A SIMPLE "THANK YOU."
GET DOWN.

YOU DIDN'T TELL HER,
DID YOU? THE TRUTH?

I TOLD HER
THAT I WAS RESPONSIBLE

FOR THE DEATH OF HER MOTHER.

DID YOU TELL HER EVERYTHING?

SHE'S BETTER OFF
NOT KNOWING EVERYTHING.

TOUGH CALL, JACK.

BETTER THAT SHE DETEST ME.

I FEAR THE ALTERNATIVE

WOULD HAVE LEFT HER
INCAPACITATED.

I ASSUME YOU HAVE
SOMETHING TO SELL.

[ With accent ]
I HAVE THE SHINTARO SWORD.

HERR VOGEL, YOU NEVER
CEASE TO ASTOUND ME.

AN INSIDE JOB,
NO DOUBT, YES?

NO MATTER.

PEOPLE ON THE STREET
ARE IMPRESSED.

AN INCREDIBLE JOB.

MY FRIENDS ARE GOOD
AT WHAT THEY DO.

LET ME MAKE A FEW CALLS.

IT'S DONE.

GOOD WORK. HEAD HOME.

DIXON PUT THE SWORD IN PLAY.

WE CAN EXPECT TO HEAR
FROM TAMAZAKI WITHIN HOURS.

IT'S GOOD, ISN'T IT?

HAVING THE TEAM
BACK TOGETHER AGAIN.

HMM?

ANYTHING?

OH, UH, HEY.

WELL, MOSTLY
WHAT WE ALREADY KNOW.

ROMAN VADIK IS SOME
SERIOUS BAD NEWS.

CHECK THIS OUT.

PAKISTAN --
500 CASUALTIES.

PRIME MINISTER
OF KAFIRISTAN

ASSASSINATED
IN BROAD DAYLIGHT.

WHO'S THAT?

UH, THAT'S PABLO MARTINEZ.

HE'S AN ARGENTINEAN AGENT.

HE WAS INVESTIGATING
VADIK LAST YEAR.

HE WAS CAUGHT.
VADIK HAD HIM KILLED.

YEAH.

MARTINEZ WAS PARTNERS
WITH NADIA SANTOS.

YOUR SISTER?
HALF-SISTER.

WELL, HE WAS THE ONLY ONE
WHO EVER SAW VADIK ALIVE.

I MEAN, AT LEAST
ON OUR SIDE.

HE WASN'T TRANSMITTING,
WAS HE, WHEN HE WAS CAPTURED?

HEY.

I'LL MAKE YOU A DEAL.

YOU COOPERATE WITH US.

THAT'S IT.

YOU DON'T FRIGHTEN ME.

THEN CLEARLY
YOU'RE AN IDIOT.

THE MAN YOU WERE
WORKING FOR ON THE TRAIN,

TAMAZAKI, HE REFERRED
TO HIS BOSS -- MR. VADIK.

BUT WE RAN VOICEPRINTS.

YEAH, UM, AN AGENT WAS KILLED
LAST YEAR BY VADIK,

BUT HIS VOICE --

YOU KNOW, THE KILLER --
IT MATCHES PERFECTLY

WITH THE MAN ON THE TRAIN.

TAMAZAKI.

WHICH MEANS VADIK TRUSTS
TAMAZAKI ENOUGH

TO FRONT FOR HIM,
ACT ON HIS BEHALF.

SIMPLE DEDUCTION SAYS
THAT IF TAMAZAKI TRUSTS YOU,

YOU'VE SEEN VADIK.

WHERE DO WE FIND VADIK?

I'LL NEED PROTECTIVE
SERVICES FOR THIS.

YOU HELP US,
AND YOU HAVE MY WORD.

VADIK.

YOU HAD HIM.

VADIK IS TAMAZAKI.

THERE IS NO VADIK.

IT'S A COVER.

HE MADE HIM UP.

THERE'S NO VADIK.

VADIK DOESN'T EXIST AT ALL.

IT'S ACTUALLY TAMAZAKI
WHO'S IN CHARGE.

WE NEED A NEW GAMEPLAN.

[ PHONE RINGS ]
YES?

Dixon:
TAMAZAKI TOOK THE BAIT.

WE'RE SET FOR A WEDNESDAY MEET
IN RIO DE JANEIRO.

HE INSISTS THAT THE WOMAN
WHO STOLE THE SWORD

MAKE THE DELIVERY.

APPARENTLY HE HAS ACCESS TO
POLICE FILES. HE WAS INTRIGUED.

WHAT ABOUT BACKUP?
SHE'S ALLOWED
ONE ADDITIONAL.

GOOD. JACK, YOU ESCORT SYDNEY
WITH THE SWORD.

VAUGHN, MARSHALL,
YOU'LL SUPPORT DIXON.

I WANT A PLAN BY 1800.

Sydney: EXCUSE ME.

I'D PREFER DIXON
AS MY PARTNER.

I'M SURE YOU'RE AWARE

OF OUR EXPERIENCE TOGETHER
IN THE FIELD.

THAT SHORTHAND
COULD BE IMPORTANT.

I'VE ALREADY MADE
MY ASSIGNMENTS.

YOU GOOD?
YEAH.

AS SOON AS TAMAZAKI
MAKES CONTACT,

WE'LL I.D. AND TAKE OUT
ANY BACKUP HE'S GOT,

THEN WE'LL MOVE IN, GRAB HIM,
GET ON THE PLANE.

TEAM'S IN POSITION.
MIKES ARE HOT.

WE'VE GOT FULL VISUAL.
PHOENIX, RAPTOR, IT'S YOUR SHOW.

COPY THAT, OUTRIGGER.

THIS IS THE BEST CONVERSATION
WE'VE HAD IN WEEKS.

[ TELEPHONE RINGS ]

[ RING ]

MERLIN, PATCH THIS CALL
THROUGH MY EAR PIECE

TO THE REST OF THE TEAM.

OKAY, PHOENIX, YOU ARE HOT.
AND I MEAN THAT IN MANY WAYS.

SHOTGUN, YOU'RE IN
ON THE CALL.

HELLO?

Tamazaki: LOOK ACROSS
THE SQUARE.

YOU'LL SEE A TUNNEL.

IT WILL TAKE YOU
TO THE BELLY

OF THE ALVES BUILDING.

GO TO THE 10th FLOOR.

NO BACKUP, NO GUNS.
JUST THE SWORD.

MEET ME IN THREE MINUTES,
OR IT'S OFF.

MERLIN, THE ALVES BUILDING.
NOW LISTEN, THIS BUILDING

WAS CONVERTED
INTO A BANK LAST YEAR.

SHOTGUN, YOU'RE GONNA HAVE
TO LOOK THE PART.

OKAY, WE'VE GOT WARDROBE.
LET'S DO IT.

I'M GOING IN -- ALONE.

I ASSUME
YOU ALL HEARD THAT.

STARTING THROUGH THE TUNNEL.

PHOENIX, MEET ME
AT THE ELEVATORS

BEFORE YOU GO UP.

SEE YOU AT THE ELEVATOR.

OKAY, NOW THAT TUNNEL
WAS REINFORCED

AFTER THE EARTHQUAKE
OF '44.

WE'RE PROBABLY
GONNA LOSE COMMS UNTIL --

[ RADIO STATIC ]

SHOTGUN, WE'VE TEMPORARILY
LOST CONTACT WITH PHOENIX.

MERLIN, TELL ME THERE'S
A 10th FLOOR IN THIS BUILDING.

GUYS...

[ ELECTRICITY CRACKLES ]

[ ELECTRICITY CRACKLES ]

Tamazaki:
HELLO, SYDNEY BRISTOW.

Sloane: IF TAMAZAKI WANTED
TO KILL SYDNEY,

WE'RE ALREADY TOO LATE.

THE ONLY ASSUMPTION
WE CAN OPERATE ON PRACTICALLY

IS THAT SYDNEY IS ALIVE

AND TAMAZAKI HAS SOME NEED
FOR HER.

SO WHERE IS SHE?

RIO WAS TAMAZAKI'S CALL,
NOT MINE. IT'S HIS TURF.

MEANING HE MOST LIKELY HAS
SOME SORT OF BASE HERE,

SATELLITE OFFICE MAYBE.

MARSHALL, DOES TAMAZAKI'S FILE
INDICATE PROPERTY HOLDINGS?

I ALREADY CHECKED.

NOTHING. NOTHING IN RIO,
NOTHING ANYWHERE IN BRAZIL.

WE KNOW SOMEONE WITH INTEL --

THE AGENT WHO LED US
TO TAMAZAKI IN THE FIRST PLACE.

WELL, MY DAUGHTER
HAS REFUSED TO COOPERATE.

STILL, SHE GAVE SYDNEY
TAMAZAKI'S NAME.

IF SHE WERE APPRISED
OF THE SITUATION,

SHE MIGHT HELP.

I'LL MAKE HER HELP.
WHERE IS SHE?

[ CELLULAR PHONE RINGS ]

HOLA?

THIS IS MICHAEL VAUGHN.
I'M IN RIO.

SYDNEY'S IN TROUBLE.

IS IT VADIK?

VADIK AND TAMAZAKI
ARE THE SAME PERSON.

LOOK, WE DON'T KNOW
IF SYDNEY'S STILL ALIVE,

BUT IF SHE IS,
YOU'RE HER ONLY HOPE.

NADIA, PLEASE.

TAMAZAKI USED TO RUN
AN OPERATION

NEAR
THE CATEDRAL METROPOLITANA.

OKAY, I'LL NEED DETAILS.

SYDNEY BRISTOW.

WHAT HAPPENED TO THE DEAL?

WHAT?

WHAT HAPPENED

TO THE DEAL?

BEFORE YOU LEAVE
THIS ROOM,

YOU WILL TELL ME WHY.

I MIGHT.

I'M RELATIVELY
OPEN-MINDED.

BUT IN THIS CASE,
I DON'T KNOW

WHAT THE HELL
YOU'RE TALKING ABOUT.

HAVE YOU EATEN BREAKFAST?

WHY? YOU WANT TO GRAB
SOMETHING?

YOU PROBABLY
ATE BREAKFAST.

JUST IN CASE,

WE'LL WAIT.

I SAW YOU

STANDING IN THE PARK.

I WAS LOOKING
FOR THE WOMAN

WHO STOLE THE SHINTARO,
AND THEN I SAW YOU,

AND I KNEW...

THIS WASN'T ABOUT
THE SWORD.

SO NOW YOU FOUND OUT...

ABOUT THE HIT.

WHICH MEANS YOU MUST KNOW
WHY YOU WERE SPARED,

WHY THE JOB WENT AWAY.

[ MUFFLED SCREAMING ]

[ CHOKING ]

I TOLD YOU, I DON'T
KNOW ABOUT ANY HIT.

YOU WOULDN'T BE HERE IF YOU
DIDN'T KNOW ABOUT THE CONTRACT.

WHAT CONTRACT?

[ COUGHING ]

THE CONTRACT I HAD
ON YOUR LIFE.

YOU WERE HIRED
TO KILL ME?

WHO HIRED YOU?

SYDNEY...

ASSASSIN/CLIENT
PRIVILEGE.

THE DAY BEFORE THE JOB,
MY CLIENT WAS KILLED.

MOST UNFORTUNATE...FOR ME.

I SWEAR TO GOD, I DON'T
KNOW ANYTHING ABOUT THIS.

SOMEHOW I BELIEVE YOU.

I GUESS THIS WAS JUST
ONE OF THOSE COINCIDENCES.

GUESS I CAN JUST SELL YOU
THE SWORD AND GO HOME.

I'LL JUST TAKE THE SWORD.

HOW'S THAT?

OOH!

[ SPEAKS PORTUGUESE ]

SO, NADIA,
THE TRANQUILIZER LIPS --

DO YOU THINK
IT WAS TOO RED?
DOES JORGE HAVE THE KEY CARD?

GOT IT.

I'M IN.

YOU'LL BE OKAY.

[ GASPS, COUGHING ]

NADIA.

SYDNEY!

WHERE'S SYDNEY?

SHE WENT THAT WAY.

[ DOOR LOCKS ]

I WAS TOLD YOU WERE GOOD.

[ COUGHS ]

[ GRUNTING ]

[ GASPING ]

WHO HIRED YOU?

[ GROANS ]

WHO PUT A CONTRACT
ON MY LIFE?

WHO HIRED YOU?

HA HA.

DEREVKO.

IRINA DEREVKO.

[ COLLAPSES ]

CONGRATULATIONS.

WE RECOVERED THE ISOTOPE,

WE'VE ELIMINATED
A DANGEROUS ENEMY,

AND THE BRITISH GOVERNMENT
IS MOST GRATEFUL

FOR AMERICAN ASSISTANCE
IN RETURNING THE SHINTARO SWORD.

I WOULD ALSO LIKE TO ANNOUNCE

THAT NADIA HAS ACCEPTED
MY OFFER TO JOIN A.P.O.

I KNOW THAT SHE CAN RELY
ON YOUR FULL SUPPORT

IN THE DAYS AND WEEKS AHEAD.

SO, THAT'S IT.

GO HOME.

FEEL GOOD
ABOUT WHAT YOU'VE DONE.

HOW DID YOU FIND OUT?

TAMAZAKI.

HE HAD THE CONTRACT.

YOU DIDN'T KNOW?

I MERELY KNEW YOUR MOTHER
HAD HIRED SOMEONE.

I DIDN'T KNOW WHO.

I HAD ONLY ONE WAY
TO STOP HIM.

WHY WOULD SHE WANT ME DEAD?

I DON'T KNOW.

YOU KILLED HER
TO SAVE ME.

YOU KILLED MOM

TO SAVE ME.

I'LL SEE YOU TOMORROW.

* I LISTEN TO THE WIND

* TO THE WIND OF MY SOUL

* WHERE I'LL END UP

* WELL, I THINK
ONLY GOD REALLY KNOWS *

* I'VE SAT UPON
THE SETTING SUN *

* BUT NEVER, NEVER, NEVER...

SYD.

* I NEVER WANTED WATER ONCE

SYD, ARE YOU OKAY?

YEAH.
[ CLEARS THROAT ]

UM...

* I LISTEN TO MY WORDS

* BUT THEY FALL FAR BELOW

* I LET MY MUSIC TAKE ME
WHERE MY HEART WANTS TO GO *

THANK YOU.

* I SWAM UPON
THE DEVIL'S LAKE *

* BUT NEVER, NEVER,
NEVER, NEVER *

* I'LL NEVER MAKE
THE SAME MISTAKE *

* AND I'LL NEVER,
NEVER, NEVER... *

SEE, I JUST --
I DON'T SEE IT.

YOU WORKING IN A BANK?

COME ON, WHAT KIND OF JOB
IS THAT, YOU KNOW?

CASHING CHECKS
AND MAKING CHANGE.

"EXCUSE ME,
NEXT IN LINE, PLEASE."

I'M A LOAN OFFICER.

I TRAVEL.
SERVICE ACCOUNTS.

WAIT A MINUTE, THE COVER JOB
YOU HAD FOR SD-6?

I HAPPEN TO BE GOOD AT IT.
GREAT.

THAT'S STIMULATING STUFF.
WATCHING SOMEONE ELSE'S CASH.

SYD, COME ON, SERIOUSLY,
SINCE YOU LEFT THE SPY BIZ,

YOU ARE A BORE.
IT'S AN ADJUSTMENT, IS ALL.

ARE YOU SURE YOU DON'T
WANT TO STAY FOR DINNER?

I'D LOVE TO,
BUT I GOTTA SAVE THE WORLD.

SEE YA.

BYE.

HELLO.

HI.

I'M, UH, ERIC WEISS,
38, SINGLE.

NADIA.

HOW ARE YOU?

GOOD.
IS THIS A BAD TIME?

NOT AT ALL.
NADIA, THIS IS ERIC.

HE WAS JUST LEAVING.

NO, NO, NO.
I CAN STAY.

OR GO.
NICE TO MEET YOU.

YOU TOO.

HEY.

WHAT'S GOING ON?

I JUST COULDN'T WAIT.

EVEN UNTIL TOMORROW.

I WAS HOPING WE COULD
TALK ABOUT OUR MOTHER.

DID YOU BRING
YOUR PASSPORT?

Sydney:
OUR MOTHER WAS KILLED.

I FOUND HER BODY
IN A STATE MEDICAL FACILITY.

I IDENTIFIED HER,
PAID FOR HER RELEASE.

MADE ARRANGEMENTS
WITH A MAUSOLEUM

IN MOSCOW THREE BLOCKS
FROM WHERE SHE WAS BORN.

I THOUGHT SHE'D WANT IT
THAT WAY.

AND YOU HAVE NO IDEA
WHO WAS RESPONSIBLE,

WHO KILLED HER?

NO.

I SWEAR TO GOD,

SOMEHOW I WILL FIND OUT

WHO DID THIS
TO OUR MOTHER...

AND I WILL KILL HIM.

I WILL.