Alias (2001–2006): Season 2, Episode 19 - Endgame - full transcript

When the CIA intercepts a secret message, Sydney discovers that the life of Neil Caplan, the mathematician still held captive by Sloane and Irina, may be in danger from the most unlikely ...

I'M OFFERING YOU THE CHANCE
TO DESTROY SYDNEY BRISTOW.

THE MOMENT THIS ASSIGNMENT
IS OVER,

WE'LL GIVE YOU BACK
YOUR DAUGHTER.

SYDNEY BRISTOW WAS NOT
TO BE HARMED.

YOU LOCKED HER
IN A TRAIN CAR

AND YOU SPRAYED HER
WITH A CHEMICAL AGENT.

IT'S ALL THERE--

EVERYTHING YOU NEED
TO BRING NADIA BACK.

WE LOADED THE BRISTOW D.N.A.
TEMPLATE INTO THE SEQUENCE.

HER GENETIC FLUID
IS PRIMED AND READY.





(speaking indistinctly)

(Southern accent)
HONEY, THAT'S NOT GOOD ENOUGH.

WHAT AM I, A DOG WHISTLE?
I SAID "NO."

"N-O." THAT'S RIGHT.

THAT'S BETTER. THANK YOU.

ARE YOU MR. HALBE?
IT'S A PLEASURE TO MEET YOU.

HI.
I HOPE YOUR TRIP
WASN'T TOO ARDUOUS.

MY TRIP WAS FINE.
IT'S THESE MARKETING PEOPLE.

B.A.s, M.B.A.s

AND NOT A LICK OF COMMON SENSE
AMONG 'EM!

THEY ALMOST DIDN'T LAUNCH
MY NEW PERFUME L'EAU DE PASSION.

THEY THOUGHT THE NAME WAS TACKY.
CAN YOU BELIEVE THAT?

IT'S A LOVELY NAME.
I KNOW.

THAT'S WHY I ALWAYS TRUST
MY INSTINCTS,



AND NOW IT IS FLYING
OFF THE SHELVES, FLYING!

I ASSURE YOU,
WE CAN TAKE CARE

OF ALL YOUR CUSTOMER SERVICE
NEEDS.

THROUGH NO TEN MINUTES OF
PAN FLUTE TO PLACE AN ORDER.
OF COURSE NOT.

LET ME SHOW YOU
OUR MAIN CALL CENTER.

(telephones ringing)

WOW.

I THINK I CAME
TO THE RIGHT PLACE.

WE JUST GOT A LEAD
ON ANNA.

SHE'S ROUTING HER CALLS
THROUGH A CALL CENTER IN JAIPUR

USING WHAT?

SHE MUST HAVE SPLICED ONE
OF THESE ONTO AN OUTSIDE LINE.

I MEAN, THEY HAVE NO IDEA SHE'S
PIGGYBACKING ON THEIR SYSTEM.

SO WE LOCATE THE ROUTER
AND REMOVE THE ENCRYPTION KEY.

NEXT TIME ANNA MAKES A CALL,
WE LISTEN IN.

RIGHT, MAYBE EVEN TRACE
HER LOCATION.
WHAT'S THE APPROACH?

ALL YOU NEED TO DO IS GET
THIS PERFUME BOTTLE

WITHIN 5 FEET OF
A WI-FI ACCESS POINT.

AND THEN YOU CAN JUST MAP
THE PHONE SYSTEM.

WE CAN FIGURE OUT
WHICH LINE SHE'S USING.

"L'EAU DE PASSION"?

WHAT, YOU THINK
IT'S TOO TACKY?

I'LL WORK WITH IT.

SOON WE'LL BE DOUBLING
OUR CALL VOLUME CAPACITY.

WELL, YOU'RE GOING
TO NEED TO TRIPLE IT

WHEN YOU START GETTING CALLS
ABOUT THIS BABY.

THE MANDARIN STRIPE
IS ON BACK ORDER,

BUT THE HEATHER SPRIG
IS AVAILABLE.

EXCUSE ME, MA'AM.
HOW DO YOU LIKE THIS SMELL?

IT'S CALLED
L'EAU DE PASSION.

NICE. WELL, YOU KEEP IT.

SORRY, MY COMPUTER'S WORKING
A LITTLE SLOW TODAY.

SIGNAL'S GOOD.

I'm mapping the system now.

IF YOU OUTSOURCE, YOU CAN CUT
YOUR CUSTOMER SERVICE BUDGET

BY AT LEAST 30%.

INTERESTING.
Syd...

WE'VE GOT A PROBLEM.
THEIR ROUTER IS NOT OUT HERE.

IT'S IN THE BUILDING.

COULD I COME BACK TOMORROW?
I NEED TO THINK ABOUT IT.

NO, DON'T GO.
JUST FOLLOW MY LEAD.

HMM.

NOBODY MOVE!

DROP IT!

YOU GET ON THE GROUND.

YOU IN THE PINK, COME HERE.

GET DOWN!

GET ON THE GROUND!
OHH!

WATCHES, JEWELRY, WALLETS
IN THE BAG!

HURRY UP!

(Sydney) NO REASON
NOT TO BE NICE!

COME ON!

ALL RIGHT NOW.
THAT'S ENOUGH FOR TODAY.
GET UP.

IF ANYONE DOES ANYTHING
IN THE NEXT THREE MINUTES,

SHE DIES.

LET ME SEE THIS.

HEY, I SAW A WATCH I LIKED.

IT'S PROBABLY A KNOCKOFF.

RENEE, WHAT YOU DID
BACK THERE...

YOU DON'T APPROVE.
NO, IT WAS BRILLIANT.

YOU SHOULD THINK ABOUT
JOINING A.P.O., REALLY.

IN CASE YOU FORGOT,
I'M A CRIMINAL.

WE COULD TRY FOR A PARDON.
YOU SHOULD THINK ABOUT IT.
OKAY.

NO.

(engine starts)

I WAS SURPRISED
TO HEAR FROM YOU.

YOU MADE IT VERY CLEAR THAT
YOUR DEALINGS WITH US WERE OVER.

I READ THE INSTRUCTIONS.

IN ORDER FOR THE SERUM
TO WORK,

NADIA'S HEART NEEDS
TO BE STOPPED.

MM, ONLY BRIEFLY, AS I RECALL,
30 SECONDS OR SO.

YOU'RE ASKING ME
TO KILL MY DAUGHTER.

I'M ASKING YOU TO HAVE FAITH
IN RAMBALDI.

YOU'RE SAYING RAMBALDI
DESIGNED THE CURE?

WELL, GIVEN THAT NADIA'S ILLNESS
STEMS FROM HIS INVENTION,

DOESN'T THAT MAKE SENSE?

SURELY, I DON'T HAVE
TO CONVINCE YOU

OF THE GENIUS
BEHIND HIS DESIGNS.

YOU SPENT DECADES
PURSUING HIS WORKS.

IF THINGS HAD GONE
DIFFERENTLY,

YOU'D BE WORKING WITH US
RIGHT NOW.

YOU'D BE THERE

WHEN WE REALIZED
HIS GREATEST ACHIEVEMENT.

YOU STILL COULD BE.

MY PURSUIT OF RAMBALDI
IS OVER.

I WON'T ALLOW IT
TO CONSUME ME AGAIN.

I'M ONLY HERE FOR NADIA.

THAT'S UNFORTUNATE,

BUT WE UPHELD OUR END
OF THE BARGAIN.

WE GAVE YOU THE CURE.

WHETHER OR NOT YOU CHOOSE
TO ADMINISTER IT,

THAT'S UP TO YOU.

ANNA'S LINE JUST
WENT ACTIVE.

MARSHALL AND RACHEL ARE
STANDING BY TO INTERCEPT.

INITIATING THE BACK-TRACE.

BRINGING THE OPTICAL SATS
ONLINE.

(man) Hello?
(Peyton) Did you bring
your umbrella?

THAT'S NOT ANNA.
THAT'S KELLY PEYTON.

CAN YOU PINPOINT
THEIR LOCATIONS?
ALREADY ON IT.

Who are you?
That's not important.

Anna Espinosa works for me now.
That's all you need to know.

I don't do business
with strangers.
Check your account.

You've already
been compensated.

I GOT HIM. HE'S IN ZURICH.
47-22 NORTH, 8-32 EAST.

THE KH-12 FEED IS UP.
I'M ZOOMING IN NOW.

I suppose given
your generosity,

I could make an exception.
I figured.

There's a bench at the base
of the stairs.

Check under it.
WE NEED PEYTON'S LOCATION!

I KNOW, I KNOW,

BUT SHE'S ROUTING IT
THROUGH TOO MANY HUBS.

CAN YOU GET
A BETTER VIEW?
YEAH.

I've got it in front of me.

What exactly
do you want me to do?

There's a message hidden
in the text.
PAGE 47.

What sort of message?

A code, a transfer,
microdot?

If I knew that, I wouldn't
have to pay you, would I?

GOT IT--BARCELONA.
SHE'S IN BARCELONA.
WHERE?

I DON'T KNOW,
JUST GIVE ME A SEC.

JUST KEEP TALKING.
ONE MORE MINUTE, PLEASE.

Use the protocol
you had with Anna

to contact me
when you unveil the message

hidden on the page.

(beeps)
BARCELONA.

THAT'S ALL WE HAVE.

I DON'T KNOW, ANNA.
HE SOUNDS A LITTLE SKITTISH.

HE'S THE BEST.

IF IT EXISTS,
HE'LL FIND IT.

IT DOESN'T MAKE ANY SENSE.

IF THIS GUY IN ZURICH
WAS ANNA'S CONTACT,

WHY IS PEYTON THE ONE
CALLING?
(Jack) IT'S UNCLEAR.

BUT NOW I WANT YOU AND MARSHALL
TO WORK TOGETHER.

SEE IF YOU CAN I.D. HIM.

IF WE CAN BRING HIM
INTO CUSTODY,

TOM, DIXON, REACH OUT TO
ALL OUR CONTACTS IN BARCELONA.

IF PROPHET FIVE HAS ESTABLISHED
A NEW OUTPOST THERE,

PERHAPS SOMEONE'S HEARD
ABOUT IT.

WHAT ABOUT THE MESSAGE?

YOU MEAN THE ONE BURIED IN
A 500-YEAR-OLD PIECE OF PAPER?

ARE WE TAKING THAT SERIOUSLY?

WE'VE SEEN TOO MUCH NOT TO.

LOOK, WE STILL HAVE A COPY
OF PAGE 47.

I COULD TAKE IT
AND ANALYZE IT AND--

I'M TAKING IT WITH ME.

YOU HAVE YOUR ASSIGNMENTS.

IF ANYTHING DEVELOPS,
NOTIFY ME AT ONCE.

NOT THAT YOU HAVE TO TELL ME,
UNLESS YOU WANT TO.

HE HAD PAGE 47
IN HIS POSSESSION

LONG BEFORE IT WAS TURNED OVER
TO THE D.S.R.

GIVEN HIS OBSESSION WITH IT,

MAYBE HE KNOWS SOMETHING
WE DON'T.

(heart monitor beeping)

I CAN'T JUST LET YOU
LIE HERE LIKE THIS,

NOT IF THERE'S A WAY
TO GET YOU BACK.

I'M SORRY.

HMM.

(beeping quickens)

OH, GOD, I'M SORRY.
IT'S THE ONLY WAY.

(monitor emits continuous tone)

(crying)



(emitting continuous tone)

ARVIN, MOVE AWAY FROM HER.

YOU DON'T UNDERSTAND.
WE DON'T HAVE TIME.
STOP!

THIS IS NOT YOUR DECISION
TO MAKE,

NO MATTER HOW MUCH
SHE'S SUFFERING.
I HAVE TO DO IT NOW!

OH, MY GOD.
IT'S TOO LATE.

IT WAS A CURE, JACK,

A CURE.

(monitor beeping)

IT'S OKAY,
IT'S OKAY.

IT'S OKAY.
WE'RE HERE.

IT'S OKAY.

IT'S OKAY, DARLING.
WE'RE HERE.

IT'S OKAY.

IT'S OKAY, DARLING.

(Dixon) SO SHE'S WORKING
WITH PROPHET FIVE?

WELL, THAT EXPLAINS HOW ANNA
ESCAPED FROM PRISON, BUT WHY?

I MEAN,
WHY WOULD THEY WANT HER?

SHE'S GOOD.
YEAH, I KNOW.

BUT PROPHET FIVE HAS
ALWAYS BEEN LOW PROFILE.

ANNA IS ON EVERYBODY'S RADAR.

MAYBE THEY HAD
TO GO TO HER.

MAYBE THERE'S SOMETHING
ONLY SHE CAN DO.

WE'VE IDENTIFIED THE MAN
FROM ZURICH--MORTIZ KOLLER.

HE USED TO BE
AN ART HISTORIAN,

WAS KIND OF A BIG SHOT.

SUPPOSEDLY DISCOVERED
DA VINCI'S LOST DRAWINGS.
SUPPOSEDLY?

HE FORGED THEM.
HE WAS COMPLETELY DISCREDITED.

IT LOOKS LIKE
HE WENT FREELANCE.

AND PLENTY OF
CRIMINAL ORGANIZATIONS

ARE MORE THAN HAPPY TO PUT
HIS TALENT TO GOOD USE,

INCLUDING LE CORBEAU.

HE WORKED WITH RENEE?

MORE THAN ONCE.

WELL, THAT MEANS SHE'LL
KNOW HOW TO FIND HIM.

SYD, YOUR FATHER'S ON LINE TWO.
NADIA'S AWAKE.

LOOKING AT HER LIKE THIS,

I'M ALMOST AFRAID
TO BELIEVE IT'S TRUE.

IT MUST BE
AN OVERWHELMING RELIEF.

YEAH.

I KNOW YOU HAVE QUESTIONS,
JACK.

WHY DIDN'T YOU TELL ME?

I WANTED TO,

BUT I WAS AFRAID
FOR PEOPLE TO KNOW.

CONVENTIONAL MEDICINE
GAVE UP ON MY DAUGHTER.

I COULDN'T.

I'VE BEEN FUNDING

DOZENS OF BACK-CHANNEL
RESEARCH PROJECTS,

PHASE-ONE STUDIES
USING CLASS "A" DRUGS,

METHODS THAT NO COUNTRY
WOULD CONDONE.

AND THEN ONE OF THEM
PAID OFF--

A STUDY OUT OF BARCELONA.

BARCELONA?

I HAD NO GUARANTEE
THAT IT WOULD WORK.

MY OPTIONS HAD RUN OUT.

(footsteps approach)

SYDNEY.
IS SHE OKAY?

SHE'S WITH THE DOCTOR NOW.

SHE'S DOING WONDERFULLY.

IF YOU NEED ME FOR ANYTHING,
YOU CALL THE NURSE, OKAY?
OKAY.

HI.

HI.

EVERYTHING SEEMS NORMAL.

I NEED TO RUN SOME TESTS,
SEE IF WE CAN DETERMINE

HOW NADIA'S CONDITION
REVERSED ITSELF.

NO. MY DAUGHTER HAS BEEN
POKED AND PRODDED ENOUGH.

IF HER HEALTH IS NO LONGER
IN JEOPARDY,

I WANT TO MAKE ARRANGEMENTS
TO TAKE HER HOME.

SHE DESERVES
HER LIFE BACK.

I UNDERSTAND.

I'LL UPDATE HER FILE NOW

AND SEE IF WE CAN GET HER OUT
OF HERE AS SOON AS POSSIBLE.

THANK YOU.

YOU WANT TO GO IN?
IN A MINUTE.

I HAVE A CALL TO RETURN.
OKAY.

(dialing cell phone)

(Dixon) Hello?

I NEED YOU TO LOOK INTO
SOMETHING, OFF THE RECORD.

SURE. WHAT IS IT?

VET HIS TRAVEL ITINERARIES,
CALL LOGS, MEETING REPORTS.

ANYTHING YOU WANT ME
TO FOCUS ON?
Yes.

BARCELONA.

DID YOU FIND KOLLER?

TOM'S EN ROUTE
TO MEET RENEE IN PARIS.

BUT YOU CALLED ME AWAY
FROM NADIA.

SYDNEY, HOW MUCH DO YOU KNOW
ABOUT NADIA'S CURE?

WHY?

SLOANE'S TRAVEL RECORDS
INDICATE

HE'S MADE SEVERAL TRIPS
TO BARCELONA.

HE WAS THERE SHORTLY BEFORE
WE INTERCEPTED PEYTON'S CALL.

SLOANE TOLD ME HE ACQUIRED
THE CURE IN BARCELONA

WHERE PROPHET FIVE IS BASED.

WE KNOW THEY'VE USED
NADIA'S CONDITION

TO BLACKMAIL HIM
IN THE PAST.

PERHAPS SLOANE'S ASSOCIATION
WITH THEM DIDN'T END THERE.

YOU THINK
HE'S WORKING WITH THEM,

THAT PROPHET FIVE GAVE HIM
THE CURE?

PERHAPS IN EXCHANGE
FOR INFORMATION.

SLOANE'S BEEN BREAKING PROTOCOL,

INCORRECTLY LOGGING PHONE CALLS
MADE FROM A.P.O. FOR MONTHS,

ALL OF THEM MADE TO NUMBERS
THAT NO LONGER EXIST.

HE'S ALREADY ADMITTED TO USING
ILLEGAL RESEARCH CHANNELS.

PERHAPS HE'S TRYING
TO COVER IT UP.

OR THE BACK-CHANNEL RESEARCH
COULD BE A COVER

FOR SOMETHING ELSE.
I KNOW WHAT SLOANE
IS CAPABLE OF.

YOU DON'T HAVE
TO REMIND ME,

BUT NADIA HAS HER LIFE BACK
BECAUSE OF HIM.

WHICH IS WHY I HOPE
I'M WRONG ABOUT THIS.

WELL,
DO WHAT YOU HAVE TO DO.

BUT UNTIL YOU HAVE
SOMETHING CONCRETE,

I'LL BE WITH MY SISTER.

YOU COLD?
WANT ME TO GET YOU A BLANKET?

NO, THE AIR FEELS GOOD.
OKAY.

SYDNEY SHOULD BE HERE SOON.

I CAN'T WAIT TO SPEND SOME TIME
WITH ISABELLE.

I'M EVEN LOOKING FORWARD
TO CHANGING DIAPERS

IN THE MIDDLE
OF THE NIGHT.

SO YOU'RE GOING TO STAY
AT SYDNEY'S?

YEAH, I ASSUMED SO.

HI!

OH, MY GOD.

OH, LET ME SEE HER.

COME HERE, BABY.

SHE'S DYING TO MEET
HER AUNT NADIA.

YEAH, THERE YOU...
(laughing)

HI, BEAUTIFUL.

HI!

WELL, I'LL LEAVE
THE THREE OF YOU

TO ENJOY
EACH OTHER'S COMPANY.

WHERE ARE YOU GOING?
A.P.O.

JACK WANTS TO SEE ME.
I'LL BE BACK.

WE'LL BE FINE.
WON'T WE, HMM?

OKAY, ENJOY THE SUN.

WHAT'S HAPPENING? HI.

YES!

(laughs)

YOU WANTED TO SEE ME?

I ARRANGED FOR THE LEAVE
OF ABSENCE YOU REQUESTED.

THE FORMS ARE ALL HERE
FOR YOU TO SIGN.
THANK YOU.

LOOK, JACK,
I REALIZE THE TIMING ON THIS

MIGHT BE LESS THAN IDEAL,
BUT IF YOU NEED ME--

YOU SHOULD BE SPENDING
THIS TIME WITH NADIA.

YEAH, WELL, UNFORTUNATELY, I'M
NOT SURE IF SHE FEELS THE SAME.

GIVE IT TIME, ARVIN.

I KNOW. YOU'RE RIGHT.

ONE LAST THING.

WE INTERCEPTED A CALL
FROM PROPHET FIVE.

TURNS OUT ANNA GAVE THEM
PAGE 47.

THEY'RE LOOKING
FOR A HIDDEN MESSAGE

ENCODED IN THE TEXT.

WERE YOU AWARE OF THIS?

NO.

APPARENTLY THE MESSAGE IS HIDDEN
IN A SUBSTITUTION CIPHER.

MARSHALL BELIEVES
HE'S CLOSE TO DECODING IT.

I COULD LET YOU KNOW
WHEN WE FIND OUT.

NO, I THINK IT'S BETTER
I NOT BE INVOLVED.

I UNDERSTAND.

I TALKED TO MARSHALL.

HE'LL CONFIRM HE'S WORKING
ON PAGE 47

IF SLOANE GOES TO HIM.

AND THE TAPS ARE IN PLACE?

IF SLOANE ALERTS PROPHET FIVE,
WE'LL KNOW.
THANK YOU.

ANY WORD FROM TOM?

HE'S CONNECTED WITH RENEE.

THEY SHOULD BE MAKING CONTACT
WITH KOLLER SOON.

WE SHOULD GET THIS GOING.

WE'RE FOLLOWING
KOLLER'S PROTOCOL.

IT'S 10:00.

IT'S 9:59.

I DIDN'T REALIZE
THE FRENCH WERE SO PUNCTUAL.

IT'S YOU AMERICANS
WHO ARE ALWAYS IN A HURRY.

AND WE GET FAT, TOO.
IS THERE ANYTHING ELSE?

(church bell tolling)
NOW IT'S 10:00.

(telephone rings)

(ring)

'ALLO?

(speaking French)

(speaking French)

(cell phone beeps)

WE'RE ON.

(beeping)

WE NEED TO MEET...

TONIGHT.

HOW'S ISABELLE?

SHE'S ASLEEP, FINALLY.

I'M ALL YOURS.

WELL, YOU SHOULDN'T STAY UP.
YOU MUST BE EXHAUSTED.

WELL, WHAT ABOUT YOU?

IT'S STRANGE.

I'VE ALREADY MISSED
SO MUCH TIME.

I WISH I HAD BEEN HERE
FOR YOU

WITH EVERYTHING
THAT'S HAPPENED.

OH, I KNOW,
AND I KNOW WHAT IT'S LIKE

TO HAVE A PART OF YOUR LIFE
TAKEN FROM YOU.

FOR WHAT IT'S WORTH,
IT GETS EASIER.

MY FATHER WANTED ME
TO STAY WITH HIM,

BUT I COULDN'T.

EVER SINCE HE CAME INTO MY LIFE,
IT'S ALWAYS THE SAME.

I JUST DON'T WANT
TO GET HURT ANYMORE.

I DON'T BLAME YOU.

YOU HAVE EVERY RIGHT
TO BE GUARDED,

BUT YOU SHOULD KNOW
THAT WHILE YOU WERE SICK,

HE WAS COMPLETELY DEVOTED
TO YOU.

I MEAN, I'VE NEVER SEEN HIM
SO DEDICATED TO ANYTHING.

EVEN RAMBALDI?

FROM WHAT I'VE SEEN,
EVEN RAMBALDI.

YOU CAN STAY HERE
AS LONG AS YOU WANT,

AS LONG AS YOU DON'T MIND
A CRYING BABY.

ARE YOU CRAZY?

I LOVE HAVING SO MUCH LIFE
AROUND ME.

(cell phone rings)

(ring)

IT'S MY DAD.

HEY, DAD.
Sloane set a meet.

WHEN?
Tonight.
I'm going to surveil it.

I THOUGHT YOU SHOULD KNOW.
I'LL WAIT FOR YOUR CALL.

(beep)

WHAT IS IT?

THERE'S SOMETHING
YOU SHOULD KNOW.

(car alarm chirps)

NADIA...

SYDNEY TOLD ME
WHAT YOU'RE DOING.

I WANT TO GO WITH YOU.
YOU SURE THAT'S WISE?

WHATEVER YOU'RE ABOUT
TO FIND OUT ABOUT MY FATHER,

I NEED TO KNOW.
ALL RIGHT, LET'S GO.

(speaking French)

SECURITY IS ARMED.

AREN'T THEY ALWAYS?

JUST TRY TO BUY ME
A COUPLE MORE MINUTES.



WOW.

(Tom) Renee...

ALMOST THERE.

(high-pitched whirring)

(Tom) Three, two...

UHH!

I HATE THAT WORD.
I'LL REMEMBER THAT.

(Nadia) YOU FINALLY GOT
THE FORD HYBRID.

IT COMES IN HANDY
WHEN YOU HAVE TO BE QUIET.

REGARDLESS OF WHAT WE FIND,

I BELIEVE YOUR FATHER'S FEELINGS
FOR YOU ARE GENUINE.

I WISH THAT WAS ENOUGH
FOR HIM.

SLOANE'S NOT THE ONLY FAMILY
YOU HAVE, YOU KNOW.

THANK YOU.

WHAT ARE YOU DOING?

WE CAN'T SEE ANYTHING
FROM HERE.

(metal gate rattles)

ALL RIGHT.

(beeps)

WHAT WERE THEY SAYING?

(buzzer)

I COULDN'T MAKE IT OUT.

(beep)
WE'RE IN.

SLOANE TOOK SOMETHING
FROM IN HERE.

CLOTHES?

MINE.

THESE ARE MY THINGS.

HE WAS GETTING THEM
FOR YOU.

I DON'T KNOW WHAT
THE REST OF THIS IS.

FINDINGS
FROM CLINICAL TRIALS.

TRIALS FOR WHAT?

STUDIES FROM A FACILITY
IN BARCELONA.

IT APPEARS THAT
I'VE MISJUDGED YOUR FATHER.

HELP!

DEAR GOD, SOMEONE!

ANYONE!

HELP!

ARE YOU DONE YET?

PLEASE, I DON'T KNOW
WHAT YOU WANT FROM ME.

WE WANT INFORMATION
ABOUT ANNA ESPINOSA.

I-I...
I CAN'T HELP YOU.

YES, YOU CAN.

WE KNOW SHE HIRED YOU
TO DECODE A MESSAGE IN THIS.

I DON'T HAVE THE SLIGHTEST IDEA
WHAT YOU'RE TALKING ABOUT.
(knife metal clinks)

UH, ANNA WHO? (squeals)

I KNOW YOU'RE TRYING TO DO RIGHT
BY YOUR CLIENT.

BUT YOU AND I BOTH KNOW
YOU ARE NOT CUT OUT

TO WITHSTAND
EXTENDED INTERROGATION.

YOU'RE JUST
SOME UNLUCKY BOOKWORM

WHO'S IN WAY OVER HIS HEAD.

PLEASE, DON'T HURT ME!

THEN STOP SCREAMING
AND TALK!

I HAVE A MEET SET WITH ANNA
TOMORROW IN GHANA.

SHE KNOW
WHAT THE MESSAGE WAS?

NO.

I WANT TO GET PAID.

WHY WOULDN'T SHE PAY YOU?

ANNA DOESN'T LIKE BAD NEWS.

THE DOCUMENT--IT'S A FAKE.

VERY WELL DONE, BUT...

BUT A FAKE.

AND YOU BELIEVE HIM?

(Tom) He has no reason
to lie.

HE FOUND A SMALL AMOUNT OF
TITANIUM DIOXIDE IN THE PIGMENT.

WELL, THAT MEANS THE DOCUMENT
CAN'T BE OLDER THAN 80 YEARS.

GIVE OR TAKE A DECADE.

How do you want to proceed?
WE KEEP THE MEET.

WE CAN STILL USE MORITZ
AND THE COUNTERFEIT PAGE

TO BAIT ANNA.
Guess I'll see you in Ghana.

AND THE REAL ONE--
WHERE IS IT?

(doorbell rings)

NADIA...

I'M SORRY.
I SHOULD HAVE CALLED.

NO, OF COURSE NOT.
I...

I THOUGHT YOU WERE STAYING
AT SYDNEY'S.

SYDNEY WENT TO GHANA.
THEY'RE GOING AFTER ANNA.

THAT'S NOT THE REASON
I'M HERE.

I WAS HOPING I COULD STAY
WITH YOU.

MAYBE WE CAN TAKE SOME TIME,
GET TO KNOW EACH OTHER AGAIN,

IF IT'S OKAY.

HOW COULD YOU EVEN ASK THAT?

COME IN, SWEETHEART.

THIS IS MY FAVORITE SWEATER.

I REMEMBERED.

THANK YOU.

CHAMOMILE.
YOU REMEMBERED THAT, TOO.

I NEED TO ADMIT SOMETHING
TO YOU.

I DIDN'T THINK YOU'D WANT
TO BE WITH ME AT ALL.

ESPECIALLY NOT AFTER WHAT
MY ACTIONS CAUSED FOR YOU.

I'VE BEEN QUITE ANGRY.

WELL, YOU HAVE EVERY RIGHT
TO BE ANGRY.

NADIA,
WHEN I FIRST MET YOU,

I DIDN'T KNOW
HOW TO BE A FATHER.

I ASSUMED
IT MEANT BEING NEEDED.

AND THEN I SAW YOU LYING
IN THE HOSPITAL IN THAT BED,

AND I REALIZED SOMETHING.

I REALIZED THAT I NEED YOU

MORE THAN YOU WILL EVER
NEED ME.

I'M SORRY. I...

I PROMISED MYSELF I WOULDN'T
PUT ANY PRESSURE ON YOU.

IT'S NO PRESSURE.

DINNER'S ALMOST READY.

YOU NEED SOME HELP?

NO.

LET ME EXPLAIN.

NADIA, YOU'RE GOING TO HAVE
TO TRUST ME.
YOU SAID IT WAS OVER.

NO, IT'S NOT
WHAT IT LOOKS LIKE.
YOU'VE BEEN LYING ALL ALONG.

LOOK, I HANDED EVERYTHING OVER
TO THE D.S.R.

EXCEPT FOR THAT PAGE.

I COULDN'T PART WITH IT.
I-I'D SPENT SO MUCH TIME...

I DON'T WANT MORE EXCUSES.

JUST TALKING ABOUT RAMBALDI,

YOUR FACE, YOUR VOICE--
IT ALL CHANGES.

THIS OBSESSION YOU HAVE--
NO, IT'S NOT AN OBSESSION.

IT'S FAITH.

DO YOU HAVE ANY IDEA
WHAT YOUR FAITH COST ME?

WHAT DID YOU THINK,
THAT I WAS SLEEPING PEACEFULLY?

THE LAST 12 MONTHS
WERE AN EXTENDED NAP?

I HEARD PEOPLE TALKING.

I FELT TUBES BEING SHOVED
DOWN MY THROAT.

I COULDN'T OPEN MY EYES.

I COULDN'T MOVE.
I COULDN'T SCREAM.

BUT I FELT EVERYTHING,

SO FORGIVE ME

IF I DON'T HAVE MUCH TOLERANCE
FOR YOUR FAITH.

NADIA, PLEASE!

YOU HAVE TO UNDERSTAND--

I'M DONE TRYING
TO UNDERSTAND YOU!

YOU HAVE TO MAKE A CHOICE.

EITHER ME OR THIS.

PLEASE, DON'T MAKE ME CHOOSE

BETWEEN THE TWO MOST
IMPORTANT THINGS IN MY LIFE.

I SUPPOSE THEN
YOU'LL LOSE US BOTH.

NO!

MY GOD, THE MESSAGE!

YOU'RE NOT GETTING IT!
GET OUT OF MY WAY!

NO, YOU CAN'T HAVE IT!
I WON'T LET YOU! STOP, PLEASE!

STOP IT!
NADIA, MOVE!

NO!

NADIA?

(crying)

OKAY, NOW THIS PLACE--
CRAZY CROWDED.

I'M NOT TALKING
ABOUT MALL CROWDED.

I'M SAYING LIKE
PEOPLE, CARS, GOATS.

THAT'S WHY ANNA CHOSE IT--
HARD TO SURVEIL.

WHAT'S THE PLAN?
HOW ARE WE APPREHENDING HER?

HMM?

VISUAL AIDS HERE.

COURTESY OF MITCHELL.

HUH?

VROOM, VROOM!

OKAY, UH, WELL,
WE HAVE ANNA,

WHO WILL BE ARRIVING
ON THE MAIN ROAD RIGHT HERE.

NOW, UH, LET'S SEE.

DIXON AND RACHEL WILL BE
STATIONED RIGHT HERE.

ARE THE EXITS SECURED?
YEAH.

TOM WILL BE CUTTING OFF
THE BACK,

AND SYDNEY WILL--
SORRY, SYD--

WILL BE AT THE ENTRANCE.

SO HERE COMES ANNA--
OKAY, THANK YOU.

NOTIFY ME
WHEN THEY HAVE HER IN CUSTODY.

WELL, I WASN'T DONE WITH
THE--

IT'S FINE. THANK YOU.
THE CAR WAS--

I GET IT.

(speaking indistinctly)

EVERYBODY'S GETTING SET UP.

WHEN YOU SEE ANNA,
YOU'LL TAKE HER OUT WITH THIS.

GOVERNMENT ISSUE. I NEVER
THOUGHT I'D HAVE ONE OF THESE.

DON'T GET TOO EXCITED.
IT'S ONLY A TRANQ GUN.
THAT'S TOO BAD.

HAVE YOU GIVEN
ANY MORE THOUGHT

TO MY OFFER ABOUT A.P.O.?

YEAH, I WORK BETTER
ON MY OWN SCHEDULE.

WHEN ARE YOU GOING TO START
TRUSTING ME?
I TRUST YOU.

IT'S EVERYONE ELSE
THAT'S THE PROBLEM.

OKAY, GO.

BEAUTIFUL JEWELRY
FOR A BEAUTIFUL LADY.

NO CASH, SORRY.
I'M A STARVING STUDENT.

IS EVERYTHING ALL RIGHT?

WONDERFUL, CONSIDERING
I MIGHT GET KILLED TODAY.

RELAX.
WE'VE GOT YOU COVERED.

THIS WILL BE FINE.
THANK YOU.

TARGET APPROACHING.

COPY.

COPY THAT.

(Renee) WHAT'S GOING ON?
SHE'S NOT GETTING OUT.

(Dixon)
SOMETHING'S NOT RIGHT.

(Sydney)
Hold your positions.

(engine revs, tires screech)

THEY'RE RETREATING.

(shouting)

(woman screams)

(Renee) I'VE LOST VISUAL.

(Dixon)
DON'T LET HER ESCAPE!

REPEAT, ANNA'S CAR IS HEADED
TOWARD THE ENTRANCE!

(Sydney)
Rachel, follow the car.
COPY THAT.

RENEE, BLOCK OFF
THE BACK ALLEYS.

(Dixon)
SHE KNOWS IT'S AN AMBUSH!

(Tom) SOMEONE TIPPED HER OFF.

(crowd shouting)

SHE'S NOT HERE. REPEAT--

Anna is not in the car.
COPY.

SHE MUST HAVE GOTTEN OUT.
LET'S SEARCH THE PERIMETER.

SYDNEY...

(gasps)

(thud)

(gasping) SYDNEY!

(Sloane) A FEW DAYS AGO,
I WAS ABSOLUTELY HORRIFIED

THAT YOU WOULD SUGGEST
I WOULD TURN AGAINST A.P.O.,

THAT I WOULD KILL
MY OWN DAUGHTER.

I REALIZE NOW THAT
BOTH WERE INEVITABLE,

THAT DEATH
IS A NECESSARY SACRIFICE,

NECESSARY TO COMPLETE
THE FINAL LEG OF THIS JOURNEY.

I HAVE BEEN PREPARING FOR THIS
MY WHOLE LIFE.

I KNEW IT WAS COMING.

I HAVE BETRAYED EVERYONE
I EVER LOVED,

BUT I WAS CHOSEN...

WE APPRECIATE
WHAT YOU'VE DONE.

AND THIS IS MY ROAD
TO FOLLOW.

WELCOME BACK.