Alias (2001–2006): Season 1, Episode 13 - The Box: Part 2 - full transcript

MY NAME IS SYDNEY BRISTOW.

SEVEN YEARS AGO I WAS RECRUITED
BY A SECRET BRANCH OF THE CIA

CALLED SD-6.
I WAS SWORN TO SECRECY,

BUT I COULDN'T KEEP IT
FROM MY FIANCé,

AND WHEN THE HEAD OF SD-6
FOUND OUT,

HE HAD HIM KILLED.

THAT'S WHEN I LEARNED
THE TRUTH --

SD-6 IS NOT PART OF THE CIA.

I'D BEEN WORKING
FOR THE VERY PEOPLE

I THOUGHT
I WAS FIGHTING AGAINST.

SO I WENT TO THE ONLY PLACE THAT
COULD HELP ME TAKE THEM DOWN.



NOW I'M A DOUBLE AGENT
FOR THE CIA,

WHERE MY HANDLER
IS A MAN NAMED MICHAEL VAUGHN.

ONLY ONE OTHER PERSON KNOWS
THE TRUTH ABOUT WHAT I DO,

ANOTHER DOUBLE AGENT
INSIDE SD-6 --

SOMEONE I HARDLY KNOW.

MY FATHER.

I DON'T WANT
THIS JOB ANYMORE.

I WANT OUT.

YOU'RE HELPING BRING AN END
TO SD-6.

NOT ANYMORE.
SYDNEY --

YOU LIKE HOCKEY --
THE KINGS?

YEAH, HOW'D YOU --
THEY'RE PLAYING
THE ISLANDERS NEXT WEEK.

WE SHOULD GO.

SYDNEY, YOU CAN'T DO THIS.



THIS IS SUICIDE.
I DON'T THINK
IT IS.

WHAT EXACTLY
IS YOUR EXIT STRATEGY HERE?

EMERGENCY LOCKDOWN
PROCEDURES.

THE ELEVATOR IS RETURNING
TO SD-6.

THE DOORS
WILL AUTOMATICALLY OPEN.

WHAT DO YOU WANT?

THERE'S A CERTAIN LITTLE
SOMETHING-SOMETHING

YOU GOT
IN THE SD-6 VAULT.

SLOANE MUST'VE ACTIVATED
THE EMERGENCY FAILSAFE.

THERE ARE 10 POUNDS OF C-4
STRATEGICALLY PLACED

WITHIN THE SUBSTRUCTURE
OF THIS BUILDING.

OPENING THE VAULT
WILL TRIGGER THAT C-4.

YOU WANT TO SCRAMBLE
THE VAULT CODES.

DAD, WHAT ARE YOU
DOING HERE?

JUST STAY THERE.

NO, DAD, DON'T.

HOLD YOUR FIRE!
I'M COMING THROUGH!

I'M COMING OUT!

[ FOOTSTEPS APPROACHING ]

[ JACK GETTING PUNCHED ]

YOU OKAY?

EXCEPT
FOR MY HEAD INJURY, YEAH.

MR. COOL CUSTOMER HERE
WAS CAUGHT

WAS CAUGHT CRAWLING
AROUND THE FENCE.

SIT HIS BUTT DOWN.

SO HOW LONG IS IT GOING
TO TAKE TO OPEN THE VAULT?

THE SOONER I GET STARTED,
THE SOONER WE'LL KNOW.

I NEED, LIKE,
AWESOME GOOD NEWS, BABY.

I KNOW.

ENDO, TCHEN, I'LL BE
IN THE CONVERSATION ROOM.

Jack's voice: FOLLOW THIS MAP
TO THE THREE LOCATIONS

WHERE THE C-4 EXPLOSIVES
ARE SET.

OKAY.

YOU MUST DEACTIVATE
ALL THREE C-4 PACKAGES

BEFORE THE VAULT DOOR
OPENS.

GOOD LUCK.

[ Whispering ] I THINK
I CAN GET TO THE PDA

AND E-MAIL LANGLEY.

[ Whispering ] YOU KNOW
THAT'S NOT AN OPTION.

LOOK, I UNDERSTAND

THE NEED FOR PLAUSIBLE
DENIABILITY HERE.

THE CIA CANNOT ACKNOWLEDGE
ITS AFFILIATION WITH SD-6.

I KNOW THAT,
BUT THEY CAN'T AFFORD

TO LET THESE PEOPLE GET
WHATEVER IT IS THEY'RE HERE FOR.

DO NOTHING.

THE MAN
RUNNING THIS GROUP

CLAIMS TO BE
A FORMER SD-6 FREELANCER.

HE SAYS SLOANE LEFT HIM
FOR DEAD IN CHECHNYA.

HE'S INTERROGATING
SLOANE NOW...

MAYBE KILLING HIM.

AND WE'RE NEXT.

SYDNEY'S IN THE DUCTS.

WHAT?

FAILSAFE'S BEEN ACTIVATED.

IF THE VAULT'S OPENED,

IT'LL DETONATE C-4 CHARGES

HIDDEN THROUGHOUT
THE BUILDING'S SUBLEVEL.

SYDNEY HAS A CHANCE
TO DISARM THEM,

BUT ONLY IF THERE ARE
NO SURPRISES.

ALL THE MORE REASON
WE NEED TO CALL LANGLEY.

JACK, UNDER NORMAL CONDITIONS,
YOU CAN PULL RANK.

THESE ARE NOT
NORMAL CONDITIONS.

Jack's voice: EACH SET
OF C-4 CHARGES

ARE LOCATED
BEHIND THE STEEL PLATE

AT THE END OF THE CORRIDOR
AS MARKED ON THE MAP.

2 NUMBERS DOWN,
10 TO GO.

COPY THAT, BABY.

YOU KNOW,
AS BAD AS YOU FEEL RIGHT NOW

WITH ALL THAT PAIN,

THAT IS JUST THE PUDDIN'
NEXT TO THE PIE.

MM.

SO EASY FOR YOU
TO BLAME ME, HUH?

WHEN YOU KNOW
THE TRUTH.

YOU GOT
YOUR OWN MEN KILLED.

THAT HELICOPTER
WAITED FOR YOU.

I HAD A MAN DOWN.

I WAS
SAVING WHITNEY'S LIFE.

YOU KNEW THAT.

YEAH, AT THE EXPENSE
OF ALL THE OTHER MEN.

THOSE MEN
COUNTED ON YOU

TO LEAD THEM
TO SAFETY.

THEY TRUSTED THEIR LIFE
TO YOU,

AND YOU LED THEM
TO SLAUGHTER.

[ MURMURING ]

GO CHECK IT OUT.

YEAH.

NO, NO, NO, NO,
NO, NO, NO, NO, NO, NO, NO.

THREE OF THE SECURITY
MONITORS JUST LOST PICTURE.

CHECK IT OUT.

YES, SIR.

OKAY,
YOU READY FOR THIS?

LANGLEY'S GENERAL
P.O.P. SERVER JUST RECEIVED

AN INCOMING E-MAIL
FROM SD-6.

FROM WHO -- JACK?

NO, NOT JACK. DIXON.

WHY IS DIXON
SENDING ME E-MAIL?

HE DOESN'T KNOW ME.

HE'S CALLING THE CIA
FOR HELP.

THEY FORWARDED THIS MESSAGE
TO YOU.

"I AM MARCUS DIXON,
AGENT OF SD-6 --

WE ARE UNDER ATTACK,
HELP US"?

WHAT DO YOU THINK'S
GOING ON DOWN THERE?

VAUGHN, HEY.

NO, NOT NOW.

SIR, WE HAVE
A SITUATION.

MR. VAUGHN --

I REALLY THINK
YOU SHOULD LOOK AT THIS.

YOU'VE HAD A BAD DAY.

YOU BETTER HOPE
THIS DOESN'T MAKE IT WORSE.

LOOK, I KNOW I'VE BEEN SUSPENDED
AS SYDNEY BRISTOW'S HANDLER,

BUT THIS MESSAGE
WAS ROUTED TO ME.

SIR, IF YOU DON'T MIND,

MAY I SEE
THE COMMUNICATION, PLEASE?

IT IS MY PROVINCE,

AND VAUGHN
IS OFF THE BRISTOW CASE.

DO WE HAVE
ANY INDEPENDENT CONFIRMATION?

WHAT,
LIKE A DEAD BODY? NO.

IT'S A FAIR QUESTION.

NO, SIR.

ANY LOCAL AUTHORITIES
REPORTING? FIRE, POLICE?

NO.

ANY IRREGULARITIES
AT ALL?

WHAT, YOU MEAN OTHER THAN
A DESPERATE MESSAGE

FROM AN AGENT
BEGGING FOR OUR HELP?

LET ME GUESS -- YOU WANT
TO SEND IN AN EXTRACTION TEAM.

WE HAVE TO
DO SOMETHING.

YEAH, LIKE WE HAD TO
DO SOMETHING IN DONATI PARK?

I THINK THIS IS SLOANE.
WHAT?

I THINK HE'S BLUFFING AGAIN
TO COMPROMISE OUR OPERATION.

BY SENDING CIA INTO THE SD-6
OFFICE? WHAT, ARE YOU NUTS?

SLOANE IS BOLD LIKE THAT,
AND YOU'RE REACTIVE.

SIR, WHY IS HE
EVEN IN THIS OFFICE?

WE WAIT FOR NOW.

BUT, SIR --
WE WAIT.

IS THAT UNDERSTOOD?

GO BACK TO DEVLIN'S OFFICE
WITHOUT HALADKI

AND CONVINCE HIM
ON YOUR OWN.

THERE'S NO CONVINCING
DEVLIN.

YOU CAN'T GO DOWN THERE
BY YOURSELF.

I HAVE A FRIEND WHO'S A COP.
HE WENT TO THE LOBBY.

THE GUARD TOLD HIM
THE BANK CLOSED EARLY.

AND MAYBE IT DID.
I WOULD HAVE KNOWN ABOUT IT.

AND WHAT IF THERE HAS BEEN
A TAKEOVER?

IF I'M NOT BACK IN A COUPLE
HOURS, I'M PROBABLY DEAD.

GOOD TO KNOW.

THAT'S FIVE.

COPY THAT, BABY.

WELL...

IT'S ALMOST OVER.

[ RADIO STATIC ]

I'M A FEDERAL OFFICER.
STEP OUT OF THE CAR, PLEASE.

I'D LIKE TO ASK YOU
A FEW QUESTIONS.

NO PROBLEM.

[ GUNSHOT ]

HAVE YOU SEEN MR. WEISS?

I HAVE MR. VAUGHN
CALLING FOR HIM.

I'LL TAKE THE CALL.

EXTRACTION TEAMS "R" US.

HALADKI, WHERE'S WEISS?
PROBABLY OUT
GETTING ANOTHER PIZZA.

THE CONFIRMATION
YOU WANTED -- I GOT IT.

I'M AT SD-6
RIGHT NOW.
YOU'RE AT SD-6?

DID YOU HEAR
WHAT I SAID?

THAT IS A MASSIVE BREACH
OF PROTOCOL.

SCREW PROTOCOL.

DEVLIN SPECIFICALLY TOLD YOU
TO WAIT.

THE BREAK-IN IS CONFIRMED.
CHECK WITH THE DUTY OFFICER.

IT'S PROBABLY BENDIS.
TELL HIM TO SEND IN THE TEAM.

THEY CAN GET IN THE GARAGE
USING A STANDARD CARD SPLICE.

YOU'RE FINISHED.
YOU KNOW THAT?

JUST DO IT.

McKenas: TCHEN, HEY,
WHAT'S UP?

WHERE ARE WE?
I NEED STATUS.

AAH!

TELL HIM EVERYTHING'S COOL.
YOU'RE STILL CHECKING IT OUT.

TCHEN, WHERE THE HELL
ARE YOU, MAN?
DO IT.

SCREW YOU.

I'M DISAPPOINTED.

[ KNOCK ON DOOR ]

BEING A REPORTER SUCKS.
CAN I JUST ESTABLISH THAT?

OKAY.

HI.

HI, AND WHAT
HAVE WE BEEN DRINKING?

UH, I DON'T KNOW.

THERE WAS A LITTLE HORSE
ON THE LABEL.

A DOG -- I DON'T KNOW.
IT WAS LIKE A DOG HORSE.

SOME KIND
OF MYTHICAL CREATURE

CONDEMNED TO LIVE
IN A BOTTLE FOR ETERNITY.

IT'S A DOG HORSE.
IT'S LIKE A DOG HORSE.

OH, DID I MENTION
THAT MY LIFE SUCKS?

DID I MENTION THAT?

THE RILEYS FORGIVE YOU.

IT'S THE SEATING ARRANGEMENT
FOR THE WEDDING.

MY GOD,
THAT'S SO NORMAL.

YOUR LIFE
IS SO NORMAL, FRAN.

SYDNEY'S LIFE'S NORMAL, T--
I MEAN KIND OF NORMAL,

OUTSIDE OF HER OBSESSION
WITH THE BANK,

BUT MY LIFE
IS JUST NOT NORMAL.

THIS STORY I'M WORKING ON
IS ABOUT THIS GUY,

AND HE'S IN JAIL.
HIS WIFE COMMITTED SUICIDE,

AND IT'S JUST --
IT'S JUST VERY SUSPICIOUS.

I MEAN, THE GUY'S
BEEN TOTALLY SET UP.

I MEAN,
HE'S A GOOD GUY, APPARENTLY.

HE'S GOT, LIKE,
NO CRIMINAL RECORD.

WELL, HE'S GOT TWO SPEEDING
TICKETS IN HIS LIFE.

I MEAN, HE'S BEEN IN JAIL
FOR, LIKE, EIGHT YEARS ALREADY.

HE'S GOT
ANOTHER EIGHT YEARS TO GO.

SO I WENT TO SEE HIM

'CAUSE I THOUGHT

THAT MAYBE I COULD SHED
SOME LIGHT ON THE WHOLE THING.

MAYBE I COULD RESEARCH
AND WRITE AN ARTICLE

THAT MIGHT, YOU KNOW,
I DON'T KNOW, DO SOME JUSTICE.

BUT...

HE WAS SO SCARED, MAN.

HE HAD THIS LOOK
IN HIS EYES, IT WAS LIKE...

HORROR.

I STOPPED DOING THE STORY.
I FIGURED IT'S HIS LIFE.

HE WANTS TO MAKE
HIS OWN DECISIONS, YOU KNOW?

YEAH.

AND THEN HIS KID
COMES TO SEE ME.

HIS KID?
HIS KID.

SHE BEGGED ME

TO HELP OUT HER DAD,

AND SHE WAS
JUST SO DESPERATE.

THEN I GOT THIS KEY.

PIER 19, NUMBER 305.
I DON'T KNOW...

WHAT'S THERE?

I-I DON'T KNOW.

HOW'D YOU GET IT?

I-I DON'T WANT
TO TELL YOU.

WHY?

FRANCIE,
IT'S VERY DANGEROUS.

OKAY.

FRANCIE, I'M SERIOUS.

WELL, IF I WERE YOU,

AND I THOUGHT I MIGHT
BE ABLE TO HELP SOMEBODY,

I WOULD.

HAVE YOU SEEN TCHEN?

NOT LATELY.

I FEEL LIKE
A MOM AT THE MALL.

HE SAID HE WAS GOING
DOWN TO THE SUB-BASEMENT.

I DON'T KNOW
IF HIS WALKIE'S NOT WORKING,

IF HE'S
ON A COFFEE BREAK --

FIVE NUMBERS DOWN,
SEVEN TO GO.

THE CODE PROGRAM'S
RUNNING.

I'LL GO GET HIM.

WHO IS MORE TOUGH-ASSED
THAN YOU, HUH?

WHO? NOBODY, BABY.

WHAT THE HELL
ARE YOU DOING HERE?

DIXON CONTACTED US.
WHAT THE HELL'S GOING ON?

DIXON CONTACTED YOU?

NOT DIRECTLY.
THROUGH LANGLEY.

SAID SD-6 WAS UNDER ATTACK.
ARE YOU OKAY?

IT'S TRUE. THERE'S A TEAM
OF SIX, MAYBE SEVEN.

THEY'VE GOT
THE LATEST MILITARY SPEC.

THEY'RE AFTER SOMETHING
IN THE VAULT.

I KNOW. I TOOK ONE OUT
IN THE GARAGE.

RUSSIAN ACCENT?

YEAH. I WAS THINKING
K-DIRECTORATE.

I DON'T THINK THEY'D DO
SOMETHING AS WILD AS THIS.

THEN WHO?

I DON'T KNOW.
BUT RIGHT NOW,

WHAT DO YOU KNOW
ABOUT DEACTIVATING C-4?

THERE'S GOT TO BE
200 POUNDS IN HERE.

DAMN, THAT'S ENOUGH
TO LEVEL THE BUILDING.

IT'S A FAILSAFE.

SLOANE HAS THREE OF THESE
RIGGED TO THE VAULT.

IF THE VAULT DOOR OPENS,
THEY ALL BLOW.

MAYBE THEY SHOULDN'T
OPEN THE VAULT.

THEY BEING THE SIX MEN
WITH MACHINE GUNS.

HOW LONG
BEFORE THEY HACK THE CODE?

SOON. DID YOU STUDY
BOMB DEFUSION AT LANGLEY?

JUST SEMINARS, THOUGH.
NOTHING FIELD-SPECIFIC.

DOES ANYONE EVER LEARN ANYTHING
IN SEMINARS?

LET'S JUST TAKE THIS
ONE STEP AT A TIME.

THIS IS A CHARGE OF C-4.

I CAN TELL 'CAUSE IT SAYS
"C-4" EVERYWHERE.

THERE ARE EIGHT
BLACK AND YELLOW WIRES

AND SIX RED,
BLUE, AND BLACK.

WHICH OF THESE 14 WIRES
DO WE CUT?

MAYBE NONE.
WHAT ARE THOSE PRISMS?

I DON'T KNOW,
BUT THERE MIGHT BE

MORE THAN ONE LEAD SPLICED
TO THE FIRING MECHANISM.

THAT PIN --

WHERE?

RIGHT THERE,
IN THE BACK.

WHAT IS IT?

IT'S A CRYSTAL.

THAT THING
IS A RADIO RECEIVER.

THAT'S PROBABLY HOW OPENING
THE VAULT TRIGGERS THE C-4.

SO ALL WE HAVE TO DO
IS PULL OUT THE CRYSTAL?

WAIT, NO.
IT CAN'T BE THIS EASY.

WHAT, YOU THINK
THERE'S A TAMPER ALARM?

OR A SECONDARY TRIGGER.

NOW WE KNOW
WHAT THE PRISMS ARE FOR.

SPRAY IT AGAIN.

YOU KNOW, I THINK
I CAN PULL OUT THE CRYSTAL

WITHOUT TOUCHING
THE LASERS.

YOU WANT ME TO DO IT?
MY HANDS ARE PRETTY SKINNY.

WELL, SO ARE MINE.

ONE MORE SPRAY ON 3.

1...

2...

3.

[ EXHALES ]

ONE DOWN.

WE BETTER HURRY.

[ GUN COCKS ]

INSIDE.

OVER THERE.

TIE HIS HANDS.

DON'T!

WHY DON'T YOU
TIE HER UP?

WAIT.
SHUT UP.

I'M BRITISH S.I.S.

FOR THE PAST YEAR,
I'VE BEEN ON COVERT DUTY

TRYING TO PENETRATE
COLE'S INTELLIGENCE NETWORK.

COLE?
McKENAS COLE,
FORMER SD-6.

NOW HE WORKS
WITH A THIRD PARTY,

A NEW PLAYER
ON THE SCENE.

SOMEONE HE CALLS
"THE MAN."

S.I.S. HAS BEEN TRYING
TO IDENTIFY "THE MAN"

FOR THE PAST THREE YEARS.

GIVE ME YOUR TIE.
MY TIE?

AND IF THIS MISSION'S
A SUCCESS,

COLE WILL TRUST ME ENOUGH
TO TELL ME WHO THAT MAN IS.

SO, WHAT'S IN THE VAULT?
I DON'T KNOW.
NONE OF US DO.

BUT IT HAS TO DO
WITH SOMEONE NAMED RAMBALDI.

LOOK, IF YOU DON'T
LET ME GO,

COLE WILL SEND SOMEONE
LOOKING FOR ME.

HE'LL KNOW
THERE'S SOMEONE ELSE HERE,

AND THEY'LL FIND YOU.

AND IF WE LET YOU GO
AND YOU'RE LYING,

YOU'LL MAKE SURE
THAT HAPPENS.

WHEN THEY FIND ME,

I'LL TELL THEM
THERE'S ONLY ONE OF YOU.

THE OTHER C-4 PACKAGES
ARE HERE AND HERE.

ALL RIGHT, WE'LL SPLIT UP,
EACH TAKE ONE.

THE EXPLOSIVES ARE LOCATED
BEHIND STEEL PLATES

THAT ARE
BOLTED TO THE WALLS.

WHICH YOU OPENED
BY YOURSELF?

THERE ARE FIRE EXTINGUISHERS
AT REGULATION POINTS. FIND ONE.

USE THE CO2
TO FREEZE THE BOLTS,

BUT GO EASY
OR YOU'LL RUN OUT.

HERE.

I MEMORIZED
THE LASER GRID.

HERE.

YOUR C-4 IS LOCATED
ALONG THIS CORRIDOR.

YOU CROSS THROUGH ENGINEERING
SUBLEVEL OVER TO ELECTRICAL.

IT'S FAR, SO RUN.

THE STORAGE ROOM WHERE I GOT IN.
THAT'S WHERE WE'LL MEET.

THEN MAYBE WE CAN GO
TO THAT HOCKEY GAME.

MAYBE. BE CAREFUL.

YOU TOO.

I UNDERSTAND YOU TOOK
A CALL FROM VAUGHN.

UH, YEAH,
NOW THAT YOU MENTION IT.

A CALL HE MADE TO ME.

WHAT DID HE SAY?

I DON'T KNOW.
IT WAS A BAD CONNECTION.

DID HE CONFIRM THE ATTACK?

HE WAS HYSTERICAL,
PER USUAL.

I WOULDN'T READ MUCH
INTO IT.

TCHEN, TONI,
DOES ANYONE COPY?

COLE, THIS IS ENDO.

ENDO, THIS HAS GOT TO STOP.

LOOK, YOU FIND TONI,
YOU FIND TCHEN,

AND YOU FIND THE PROBLEM,
AND THEN YOU FIX IT.

[ MUFFLED YELLING ]

HOW MANY WERE THERE?

ONE. ONLY ONE.

[ DISTANT THUD ]

[ SLOW BEEPING ]

[ BEEPING FASTER ]

ENDO.

ENDO, TCHEN --
SOMEBODY COME IN.

WHO THE HELL'S
SHOOTING?

COLE, TCHEN'S DEAD.

WELL, WHO THE HELL
KILLED HIM?

I DID.

ENDO. ENDO.

ENDO!

COME ON.

McKenas: DEAR PERSON

BEATING UP MY MEN,

I ASSUME THAT YOU'RE
AN EMPLOYEE HERE.

I AM NOW STANDING
IN SLOANE'S...

TASTEFULLY MINIMALISTIC
OFFICE.

AND IF YOU ARE NOT HERE,
STANDING IN FRONT OF ME

IN THE NEXT 20 SECONDS,

I AM GOING TO START
EXECUTING YOUR FRIENDS,

STARTING WITH THE MAN THAT
I ASSUME TO BE YOUR PARTNER...

MR. JACK BRISTOW.

I'M HERE.

YOU'RE THE BADASS
THAT'S BEEN KILLING MY MEN?

I-I DON'T KNOW.
I JUST KIND OF THOUGHT

YOU'D BE AN UGLY GUY.

DAMN IT.
STEP IN, GIRLIE.

GET HER BAG.

SEARCH HER...

GOOD AND TIGHT.

Toni: SEVEN NUMBERS LOCKED,
FIVE TO GO.

IF SHE MOVES A MUSCLE,

YOU DRILL HER.

I WANT LAPD NOTIFIED, ROADBLOCKS
AT APPROPRIATE INTERSECTIONS,

AND AN AMBULANCE STANDING BY.

WEISS, YOU'VE GOT
A CALL.
NOT NOW.

IT'S VAUGHN,
LINE THREE.

TALK TO ME.

WHERE THE HELL ARE YOU?
WE'RE ON OUR WAY.

THE PLACE IS WIRED TO BLOW.
THREE PACKAGES OF C-4.

WE DEACTIVATED TWO.
SYDNEY WAS SUPPOSED

TO DEACTIVATE THE THIRD.
I DON'T KNOW IF SHE DID.

OKAY, CAN YOU GET
TO IT?
I DON'T KNOW
WHERE IT IS.

THEY'VE GOT EVERYONE,
INCLUDING SYDNEY.

AS SOON AS THEY OPEN THE VAULT,
THE C-4 IS GOING TO GO OFF.

HOW SOON IS THAT?
SOON. HURRY UP.

GOT IT.
WHAT THE HELL
IS GOING ON?

IF I FIND OUT
YOU SCREWED VAUGHN,

YOU DO UNDERSTAND
THAT YOUR ASS IS MINE.

I'M NOT SCARED OF YOU.
YOU SHOULD START
BEING SCARED OF ME.

YOU KNOW, A LOT OF GUYS --

IT'S THEIR SOCKS
OR THEIR PIECE --

THEIR GUN, BULLETS,
CUSTOM HOLLOW TIPS...

BUT FOR ME, I HAVE ALWAYS
SUCKED MY LUCK

FROM A BOTTLE OF CHAMPAGNE.

I BRING ONE EVERY JOB.

MMM. MMM-MMM-MMM.

WOULD YOU CARE FOR SOME?

YOU DON'T REMEMBER,
DO YOU?

I DIDN'T AT FIRST,
EITHER.

WE'VE MET BEFORE.

IT WAS ABOUT FIVE YEARS AGO,

HERE AT SD-6.

WHICH WAS REALLY RARE
FOR ME,

'CAUSE I WAS A FREELANCER,
BUT I WAS HERE.

AND I SAW YOU
IN THE COFFEE ROOM.

YOU WERE WEARING PIGTAILS,
AND I ASKED YOU OUT.

NOW, I KNOW I'M NOT
THE SUBTLEST GUY

WHEN IT COMES TO WOMEN,

AND I PROBABLY SAID SOMETHING
INSANELY INAPPROPRIATE,

BECAUSE YOU TOLD ME,
IF I EVER TALK TO YOU AGAIN,

YOU'D BREAK MY KNEECAPS.

WHICH JUST MADE ME LOVE YOU.

I'VE THOUGHT ABOUT YOU

THESE LAST FIVE YEARS.
I HAVE.

UM, JUST EVERY ONCE IN A WHILE,
I THINK,

I WONDER WHAT EVER HAPPENED
TO PIGTAILS?

AND, UM, YOU KNOW,
WHAT I TOOK AWAY

FROM THAT ENCOUNTER
IN THE COFFEE ROOM

WAS THE FACT THAT
YOU DIDN'T WANT TO GO SEE

SOME MEDIOCRE ROMANTIC COMEDY
WITH ME,

SIT IN MY PONTIAC
IN THE PARKING LOT

WHILE WE TALKED FOR AN HOUR
BEFORE I MADE MY MOVE.

YOU DIDN'T WANT TO KISS ME,

REMEMBER?

NO, I DO NOT.

BUT I CAN SEE
NOT WANTING TO KISS YOU.

WELL, YOU MAKE BAD CHOICES.

YEAH, YOU DIDN'T WANT
TO KISS ME,

BUT WORKING FOR A SCUMBAG
LIKE SLOANE,

THAT'S ALL RIGHT
BY YOU, HUH?

LET ME TELL YOU SOMETHING
ABOUT THAT WEASEL BOSS OF YOURS.

HE WILL DISAPPOINT YOU,

AND ONE DAY --

AND I HOPE TO GOD I'M THERE
WHEN THAT DAY HAPPENS --

YOU WILL HATE HIM.

IT WAS GOOD TO SEE YOU
IN THE OFFICE AGAIN, PIGTAILS.

I KNOW YOU DIDN'T WANT
TO KISS ME,

BUT WHEN I WAS TAKING A HIT
OFF THAT BOTTLE BEFORE,

I BACKWASHED IN IT.

I MEAN, LIKE, REALLY BIG-TIME.

SEE YA.

I DIDN'T THINK YOU'D COME.

I KNOW, I KNOW,
ME NEITHER. YEAH.

WELL, LOOK, I MADE SURE
I WASN'T FOLLOWED.

I TOOK, LIKE, TWO CABS
AND A BUS JUST TO GET HERE.

BUT I WORE THIS
THE WHOLE TIME.

I THOUGHT I'D LOOK
LIKE GABE KAPLAN.

WHO'S THAT?
DOESN'T MATTER.

ARE YOU SURE YOU STILL
WANT TO DO THIS?

YOU KNOW I DO.

OKAY. YOU GOT TO GIVE THIS
TO YOUR DAD, THEN.

WHAT IS IT?

I DON'T WANT YOU
TO LOOK AT IT.

AT LEAST TELL ME
WHAT IT IS.

IT'S AN AUTOPSY. IT'S YOUR
MOTHER'S AUTOPSY.

AND THERE ARE PHOTOGRAPHS
IN THERE THAT YOU'RE NOT

GOING TO WANT TO SEE, OKAY?
DO YOU UNDERSTAND ME?

YEAH.

OKAY. WHAT YOU SAID TO ME
ABOUT GOING AWAY,

IF YOUR FATHER'S
GOING TO PURSUE THIS,

YOU HAVE GOT TO DO THAT.

HEY, DO YOU REMEMBER GRIFF --

THAT BIG GUY?

WELL, THE MVDs -- THEY WORKED
HIM OVER REALLY HARD.

THEY HAD STRAPS
WITH BLADES IN THEM,

THESE TRICKY GLASS SYRINGES,
ACID...

THEY WERE REALLY CREATIVE.

BUT HE DIDN'T GO DOWN.

NOT UNTIL
THEY OPENED UP THE BOX.

IT TOOK HIM
ABOUT THREE NEEDLES,

AND THEN HIS HEART
GAVE OUT.

HOW MANY
DID YOU TAKE?

I WANT TO HEAR YOU SCREAM...

JUST THE WAY
THAT GRIFF DID.

SCREAM FOR ME.

THEY BROKE YOU,
DIDN'T THEY?

THEY MADE YOU BEG.

DON'T YOU WISH.
ONLY ONE NUMBER LEFT.

"PLEASE, SIR, I CAN'T
TAKE ANY MORE."

ISN'T THAT WHAT YOU SAID
TO THEM?
DO YOU KNOW HOW MANY MORE
NEEDLES I HAVE HERE, HUH?

LET'S GO.
YOU CRIED FOR MERCY.

THAT IS NOT WHAT HAPPENED.
THE VAULT'S ALMOST OPEN.

YOU WEPT LIKE A BABY.
THAT IS NOT WHAT HAPPENED!

LIKE A LITTLE BABY.
WE HAVE TO GO!

THAT IS NOT WHAT HAPPENED!
SHUT UP! SHUT UP!
COME ON!

LET'S GO!
SHUT UP!

[ GASPING ]

BABY?

BABY?

I HAVE TO GO TO THE VAULT.

CHOPPER, I WANT YOU
TO KILL THEM ALL.

BACK UP, ALL OF YOU!
UP AGAINST THE WALL NOW!

ALL OF YOU!
LISBON.

WHAT?
LAST JULY.

NOW!

GET AGAINST THE WALL!
COME ON!

DON'T LOOK AT ME
LIKE THAT.

GET AGAINST THAT WALL.

YOU HEARD HIM.

GET AGAINST THAT WALL NOW.

CAN YOU SHUT OFF
THE FAILSAFE?

NO. ONLY SLOANE
CAN DO THAT.
I'M GOING
TO THE VAULT.

I'M GOING WITH YOU.
DIXON, YOU JUST HAD
SURGERY. YOU CAN'T --

I'LL MEET YOU THERE!

ARVIN. DID YOU EXECUTE
THE FAILSAFE?

YES.
WE NEED
TO DEACTIVATE IT.

ARE THEY STILL
IN THE BUILDING?
THERE'S ONLY ONE LEFT.

I WON'T LET ANYONE
INTO THE VAULT.
SYDNEY'S GOING
TO STOP THEM.

IS SYDNEY HERE?
HOW DO I SHUT OFF
THE FAILSAFE?

THE OVERRIDE IS A KEYPAD
IN MY OFFICE,

BUT IT'S BIOMETRIC.

IT WON'T DEACTIVATE
WITHOUT MY FINGERPRINT.

OH, COME ON, JACK, IT'S GOING
TO TAKE YOU HOURS

TO GET MY HANDS
OUT OF HERE.

MARSHALL HAS A DEVICE THAT CAN
DUPLICATE FINGERPRINTS,

BUT WE HAVEN'T GOT
THE TIME.

YOU COULD TAKE
MY FINGERPRINT.

JACK, TAKE MY RIGHT INDEX
FINGERPRINT.

JUST TAKE IT.

RIGHT INDEX.

[ SNAP ]

YES!

LOOKING FOR ME?

OOH! FELT THAT ONE,
DIDN'T YOU?

KICKBOXER, EH?
I LOVE ME KICKBOXERS.

I GOT YOUR KICKS,
AND I GOT YOUR MOVES.

BRING IT ON.

SEE, THE PROBLEM
WITH YOU KICKBOXERS,

AIN'T NONE OF Y'ALL
CAN TAKE A PUNCH!

[ BEEPING ]

OH, YESSIREE.

I THINK YOU'RE RIGHT.

TAKING A PUNCH IS SOMETHING
I GOT TO LEARN HOW TO DO.

WHAT'S HAPPENING
DOWNSTAIRS?

I THINK EVERYTHING'S
TAKEN CARE OF.

WE GOT LUCKY.

GET MY GUYS OUT OF HERE.

SD-6 WILL NEVER KNOW
WE WERE HERE.

THEN YOU SHOULD GO.
YOU OKAY?

YEAH.

THANKS FOR COMING.

HE HAD THIS.

HEY.

HEY.

WHAT IS THAT --
PERFUME?

WHATEVER THIS IS,
WE HAVE IT NOW

AND THEY DON'T,
BECAUSE OF YOU.

NOT JUST ME.
BECAUSE OF YOU.

WELL, IT'D BETTER BE
GOOD PERFUME.

I'M NOT KIDDING.
THINK ABOUT IT --

WHAT YOU DO.

HOCKEY CAN WAIT.

I DON'T THINK WHAT YOU'RE
DOING HERE CAN.

LET'S GO, LET'S GO.

OKAY. BYE.

BYE.

♪ STREETLIGHTS ON BY SIX ♪

♪ DINNER AND THE TV GLOW ♪

♪ WAITING FOR DEBATES ♪

♪ BRAIDS OF CATS MAKE SHAPES ♪

♪ IN THE LANDSCAPES
WE FORGOT ♪

ARE YOU ALL RIGHT?

NONE OF US ARE.

WHAT HAPPENED HERE TONIGHT
IS --

THIS IS UNACCEPTABLE.

THE PEOPLE WHO DID THIS --
WE'RE GOING TO FIND THEM

AND RETRIEVE
WHAT THEY'VE TAKEN.

EVEN THEN...

THIS HAS CHANGED
EVERYTHING.

SIR, I, UH, I GOT
THE DIGIT RIGHT HERE,

AND THE MEDICS
ARE ON THEIR WAY.

THANKS, MARSHALL.

HEY, SLOANE GAVE ME
THE FINGER.

♪ I LIKE YOU BEST WHEN ♪

♪ THE SMILE FORCES
ITSELF OUT♪

OKAY.

YEAH.

YOU OKAY?

I SENT THE E-MAIL
TO LANGLEY,

BUT I GUESS IT DIDN'T
GET THROUGH.

IT'S OKAY.
YOU DID A GOOD JOB.

♪ GRATEFUL THOSE
SHOULD STAY ♪

♪ GRATEFUL THOSE
SHOULD STAY ♪

THIS MORNING,
BEFORE ALL THIS,

YOU WANTED
TO TALK TO SLOANE.

WHAT DID YOU TELL HIM?

I TOLD HIM THAT
I'D SEE HIM TOMORROW.

THANK YOU.

♪ SHOULD STAY ♪

♪ STAY ♪

♪ STAY ♪

♪ STAY. ♪