Women in Love (1969) - full transcript

The battle of the sexes and relationships among the elite of Britain's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of sisters Gudrun, a sculptress and Ursula Brangwen, a schoolteacher. Rupert marries Ursula, Gerald begins a love affair with Gudrun, and the foursome embarks upon a Swiss honeymoon. But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Rupert and Ursula learn to give themselves to each other; the more withdrawn Gerald cannot, finally, connect with the demanding and challenging Gudrun.

- Hello, Mum.
- Hello, you.

We're going to see that wedding.

But you haven't been home five minutes.

- Ah.
- You don't have a wedding every day, do you?

Now, look. Gudrun,
your Aunt Jessie's coming to lunch.

You haven't seen her for two years.
Now, why don't you stay?

Well, two more days won't make
much difference now, will it? Come on.

It's a Crich wedding, Mum!

- Ursula.
- Hmm?

- Do you really not want to get married?
-[sighs]

I don't know. Depends how you mean.



It usually means one thing.

But wouldn't you be in a better position
if you were married?

Might be.

I'm not sure, really.

You don't think one needs the experience
of having been married?

Oh, Gudrun, do you really think
it need be an experience?

It's bound to be - possibly undesirable -

but it is bound to be
an experience of some sort.

[baby crying]

Not really. More likely to be
the end of experience.

- Morning, Miss Brangwen.
- Morning.

Yes, of course, there is that to consider.

[girl] I'm gonna get there first!

Hurry, Tibby, for God's sake.
We are late!



Here. Got it?

- Laura will never forgive me.
- What?

- Gerald's going to blame me for this, you know.
- Giddap!

- Where's Birkin?
- With the groom. He's late.

[driver] Whoa there. Steady.

Hello, Gerald.

- Winifred.
- Hello, Hermione.

- Mother.
-[Hermione] What a charming dress.

-[Winifred] Thank you.
-[woman chattering]

[Hermione] Good morning, Christiana.

It's such bad form for the groom to be late.
Gerald will be furious.

Oh, don't worry about that.

Something unconventional
will do that family good.

Laura's not going to run away, you know.
If you're late, you're late.

Whoa. Whoa. Whoa.

[Gerald] Father.

Hello, Laura.

[Laura] Tibby!

What a spectacle.

Does it hurt your sense of family pride?

Yes, it does rather. Do something properly
or don't bother to do it at all.

But it's a masterpiece of good form.

It's the hardest thing in the world
to act spontaneously on one's impulses,

and it's the only gentlemanly thing to do,
provided you're fit enough to do it.

- Do you expect me to take you seriously?
- Yes, Gerald.

You're one of the very few people
I do expect that of.

- Hello, Hermione.
- What made you late?

Well, the groom would talk
about the immortality of the soul

and he hadn't got a buttonhook.

- The immortality of the soul?
- Mmm.

More appropriate for an execution,
I should have thought, than for a wedding.

Perhaps it would be nice
if a man came along.

I mean, I wouldn't go out of my way
to look for him,

but if there should happen along
a highly attractive individual

with sufficient means, well...

Oh, don't you find yourself
getting bored with everything?

Everything fails to materialize.

Nothing materializes.

Everything withers in the bud.

Everything-

Frightening.

Do you hope to get anywhere
by just marrying?

[sighs] Hmm.

Well, it seems the inevitable next step.

-[Gudrun] But, you see, ifs just impossible.
-[church bells pealing]

The man makes it impossible.

What?

Oh.

[Ursula] Now, sometimes catkins
are called lambs' tails.

Don't you think
they look rather like them,

so lovely and tiny and soft?

Sorry. Did I startle you?
I thought you'd heard me come in.

No.

Oh, you're doing catkins.

Are they as far out as this already?
I hadn't noticed them this year.

[man] It's the fact you want to emphasize,
not the impression.

And what's the fact?

Red little spiky stigmas
of the female flower,

dangling yellow male catkin,

yellow pollen flying
from one to the other.

Make a pictorial record of the fact,
as you do when you're drawing a face.

Two eyes, a nose.

[laughing] A mouth with teeth.

I've been waiting for you for so long.

I thought I'd come and see what
a school inspector does when he's on duty.

How do you do, Miss Brangwen?

- Do you mind my coming in?
- No.

You sure?

What are you doing?

Catkins.

[Hermione] Really?

What do you learn about them?

Well, from these little red bits,
the nuts come.

If they receive pollen
from these long danglers.

Little red flames.

Little red flames.

Aren't they beautiful?

I think they're so beautiful.

- Had you never noticed them before?
- No, never before.

Well, now you will always see them.

Now I shall always see them.

Thank you so much for showing me.

I think they're so beautiful.

Little red flames.

-[object clatters on ground]
-[woman] Oh! Drop it, he did!

[Gudrun] Fancy her
barging into your classroom like that.

What a liberty.

[Ursula] Oh, Hermione loves
to dominate everyone.

She'd like to dominate us, I think.
[chuckles]

Oh, so that's why
she's invited us for the weekend.

[Gudrun] Charming.

Hello!

[Ursula] It's Gerald Crich.

I know.

- So, Gerald's in charge of the mines now.
-[Ursula] Mmm.

[Ursula] Making all kinds
of “latest improvements.”

They hate him for it.

He takes them all by the scruff of the neck
and fairly flings them along.

He'll have to die soon, when he's made
all the possible improvements

and there's nothing more to improve.

- He's got “go,” anyhow.
- Oh, certainly he's got “go.”

The unfortunate thing is,
where does his “go” go to?

-[phonograph: ragtime jazz playing]
- Dreadful.

Dreadful.

All this strife and dissension.

If we could only realize that in the spirit
we are all one, all equal in the spirit,

all brothers there,

the rest wouldn't matter.

- There'd be no more of this carping, envy -
-[woman laughing]

- All this struggle for power -
-[jazz continues playing]

Which destroys, only destroys.

It's just the opposite, Hermione.
It's just the contrary.

The minute you begin to compare,

one man is seen to be
far better than another.

All the inequality in the world
that you can imagine is there by nature.

I want every man to have his fair share
of the world's goods

so that I can be rid of his importunity,

so that I can say to him,
“Now you've got what you want.

You've got your fair share
of the world's gear.

Now you mind yourself
and don't obstruct me.”

It sounds like megalomania, Rupert.

Mmm.

I must go and dress for lunch.

Don't be late, Rupert.

[Ursula] Oh. So this is
Hermione's country cottage.

[Gudrun] Well, there's one reason
Rupert's attracted to her.

[Ursula] Oh. Do you think so?
I don't think that.

[Gudrun] Lovers have sold their souls
for far less, my dear.

[Hermione] At least here you will have
an opportunity to observe nature.

[Rupert] Gudrun Brangwen.

Gerald Crich.

Tibby and Laura Lupton.

Ursula Brangwen.

Rupert Birkin.

- Rupert Birkin.
-[Laura chuckles]

What peculiar names we all have.

Do you think we've all been singled out,
chosen for some extraordinary moment in life?

Or are we all cursed
with the mark of Cain?

I'm afraid Ursula was a martyred saint.

- It's been rather difficult to live up to.
-[laughs]

And who is Gudrun?

Oh, in a Norse myth, Gudrun
was a sinner who murdered her husband.

And will you live up to that?

Which would you prefer me
to live up to, Mr. Crich?

The sinner or the murderer?

Ah. I see the perpetual struggle
has begun.

Oh, we all struggle so, don't we?

The proper way to eat a fig in society

is to split it in four,

holding it by the stump,

and open it...

so that it is a glittering, rosy, moist,

honied, heavy-petalled,
four-petalled flower.

Then you throw away the skin...

after you have taken off the blossom
with your lips.

But the vulgar way

is just to put your mouth to the crack

and take out the flesh in one bite.

The fig is a very secretive fruit.

The Italians vulgarly say it stands
for the female part, the fig fruit.

The fissure, the yoni...

the wonderful, moist conductivity
towards the center...

involved, in-turned.

One small way of access only,
and this close-curtained from the light.

Sap that smells strange on your fingers
so that even goats won't taste it.

And when the fig
has kept her secret long enough,

so it explodes,

and you see through the fissure
the scarlet.

And the fig is finished, the year is over.

That's how the fig dies,

showing her crimson
through the purple slit.

Like a wound,

the exposure of her secret
on the open day.

Like a prostitute,

the bursten fig
makes a show of her secret.

That's how women die too.

Would you like to come for a walk?

-[Tibby] Would you like that, darling?
- Would you like to come for a walk?

The dahlias are so pretty.

-[Ursula] Shall we, Gudrun?
-[Tibby] Come along, then.

- Will you come for a walk, Rupert?
- No, Hermione.

- But are you sure?
- Quite sure.

[Hermione] And why not?

- Because I don't like trooping off in a gang.
- But the dahlias are so pretty.

I've seen them.

Then we'll leave a little boy behind,
if he's sulky.

Good-bye.

- Good-bye, little boy.
-[Rupert] Bye!

[Gudrun] May we ask
if they grow figs at Breadalby?

Impudent hag.

Have you ever really loved... anybody?

Yes and no.

But not finally?

Finally, no.

Nor I.

Do you want to?

I don't know.

I do.

I want the finality of love.

Just one woman?

Just one woman.

I don't believe a woman,

and nothing but a woman,

will ever make my life.

You don't?

Then what do you live for, Gerald?

I suppose I live for my work.

And other than that, I live...

because I'm living.

I find...

that one needs one single, pure activity.

I would call love a single, pure activity.

But I don't really love anybody.

Not now.

You mean that...

that if there isn't a woman,
then there's nothing?

More or less that, yeah,

seeing there's no God.

Rupert, what is it you really want?

I want...

to sit with my beloved in a field...

with daisies growing all around us.

We have devised an entertainment for you

in the style of the Russian Ballet.

Who are those Brangwen girls?

Teachers in the grammar school.
Gudrun pretends she's an artist as well.

- What's their father?
- Handicraft instructor in the grammar school.

Really?

Class barriers are breaking down.

That their father teaches handcraft at a school,
what does it matter to me?

[Rupert chuckles]

[Hermione] I shall be Orpah,

a vivid, sensational widow.

I am only just a widow,

and I slowly dance the death of my husband

before returning to my former life.

And Gudrun...

will be the beautiful Ruth.

Her husband too has just now died,

and she weeps with me and laments.

And Ursula...

will be the mother-in-law, Naomi.

Our husbands were her sons.

Her own husband died years ago.

Thus, all her men are dead.

She stands alone, demanding nothing.

And the contessa will be the wheat fields,

rippling in the evening air.

And Birkin will turn the pages
for the maestro.

[Hermione] Yes!

Oh.

Lovely!

[Rupert] No! Yes! No!

-[Laura] Would you like to dance?
-[Tibby] Okay! Come on!

No! Yes! Yes!

- Whee!
-[Gerald] I can't do it!

Little tart!

Madame! [whistles]

[Rupert]
Hey, where are you going?

-[Gudrun] Gerald!
- Coming!

[piano, vocalizing continues, faint]

-[song ends]
-[Gudrun] Do you know “You Beautiful Doll”?

-[woman] Bravo!
-[man] Do you know the “Blue Danube”?

I'm sorry if I...

spoilt your dance.

It was an act of pure spontaneity.

My arse.

You can't bear anything
to be spontaneous, can you?

'Cause then it's no longer in your power.

You must clutch things
and have them in your power.

And Why?

Because you haven't got any real body,

any dark, sensual body of life!

All you've got is your will
and your lust for power!

How can you not think me sensual?

All you want is pornography,

looking at yourself in mirrors,

watching your naked
animal actions in mirrors,

keeping it all in your consciousness,
making it all mental.

If one cracked your skull,

maybe one could get a spontaneous,
passionate woman out of you,

with - with real sensuality.

Ha!

No, you don't, Hermione.

I don't let you.

And Jesus Christ, our Lord, hath said

that greater love hath no man

than he who lays down his life
for his brother,

and no greater love hath man
than the love of man for man

and brother for brother.

We shall now move forward into
an uninterrupted age of brotherhood and love.

- For love is the greatest thing the world...
- He might as well say that hate is the greatest.

What people want is hate, hate,
and nothing but hate.

In the name of righteousness and love,
ye shall have hate.

- Out of love -
- Excuse me.

Ye shall throw down nitroglycerin bombs.

- And ye shall kill your brother.
-[Ursula] Sorry.

-[brass band playing march]
- It's the lie that kills.

If people want hate, let them have it -
death, torture, murder, violent destruction.

Let's have it.
But not in the name of love.

-[Ursula] Sorry.
- I abhor humanity. I wish it were swept away.

It could go. There would be no absolute loss
if every human being perished tomorrow.

[Ursula] Beg your pardon.

So, you want everybody
in the world destroyed.

- Yes. Absolutely.
- Hmm.

Well, you yourself, don't you think
it's a - it's a wonderful, clear idea?

A world empty of people.

Just uninterrupted grass
and a rabbit sitting up.

Mmm, you don't seem
to see much love in humanity.

What about individual love?

I don't believe in love
any more than I believe in hate or grief.

Love is an emotion you feel or you don't feel
according to your circumstances.

If you don't believe in love,
what do you believe in?

Just in the end of the world
and rabbits?

The point about L-O-V-E

is that we hate the word
because we've vulgarized it.

It should be taboo,
forbidden from utterance for many years

till we've found a new and better idea.

Well, then I shall
just have to leave it to you

to send your new and better idea

down from the holy altar.

When you think the world
is ready, of course.

Hah! Hah! Come on!

Come on, you cow! Hah! Hah! Hah!

Come on, you bitch!

Hah! Hah! Hah! Hah! Hah!

Come on, you cow!

[Ursula] What's he doing?

- Easy!
- Gerald, careful!

-[whinnying]
- Gerald!

- You cow!
- Gerald, what are you doing?

- Hah! Hah! Hah! Hah!
-[whinnying, screeching]

Gerald, let her go!

- Let her go!
-[grunting]

It's folly! Oh, Gudrun, do something!

Be quiet!

Come on! Come on!

Get in there!

-[horse screeching]
- Please, Gerald, please!

- Please! No! No!
-[hysterical whinnying]

Oh, Gudrun, do something!

Just please let her go!

Get in there! Hai-hai-hai-hai-hai!

I should think you're proud!

Report to the office.

I'm sorry, Dewhurst.

Can't you keep him on a little longer?

I've already replaced him, Father.

Don't you think that his pension
will be sufficient?

'Tis not the pension. It's the work.

I still have a few more years' work
left in me.

Not the sort of work I want.

They hate you.

I'm glad I won't have to see it
much longer.

Their hate is better than your love.

You made a fortune exploiting them,

and now you try to ease your guilt
by slipping them a few coins.

At least I give them a fair salary,

if they can do the work.

There'll be few of them left to pay soon -
you and your new machines.

Yes, me and my new machines.

They say you've stopped the widows' coal.

We've always allowed all the widows
of men who worked for the firm

a load of coal every three months.

Well, they'll have to pay
cost price from now on.

The firm's not the charitable institution
you seem to think it is, Father.

Will you take us home, please?

[Gerald] How's your wife, Thomas?

- Thank you. Better.
- Good.

-[men chattering]
-[water sloshing]

[man] Yeah. That's lovely.

What price that, eh?

She'll do, won't she?

Boy, I'd give a week's wages
for five minutes with her.

- Just five minutes.
-[chuckles]

Your missus'd have summat to say to you.

Hey, you're first-class, you are.

Do you think she'd be worth
a week's wages, eh?

Do I? I'd bloody well
put 'em down this second.

-[thunder rumbling]
- Yeah.

- Hello, love.
- What about this match you were talkin' about?

Well... [murmuring]

[woman] Hey, you won't get much for it
down here, deary!

Come on, love, give us a drink.

- Bloody men.
- Piss off.

[exhales] You wanting company?

Sure you do.
You'll be wanting a little company.

Who be you then?

A man.

What work?

Miner. Good enough for you?

Why do you ask all these questions?

How are your thighs?

My thighs?

How are they? Are they strong?

Because I want to drown in flesh.

Hot, physical, naked flesh.

Ugh.

Flesh?

Come here.

You're dying for it, aren't you?

Ow! Bloody hell!

You are hideous and ridiculous
like all the rest!

Come here, you stuck-up bitch.

[grunting] You right cow.

Good evening, Miss Brangwen.

Anything wrong, Palmer?

Mr. Crich.

No offense, Mr. Crich.

Well, I was born here and I'll die here,
until I fly away.

Well, don't fly away
till you come to our picnic.

Did you imagine yourself
in the midst of all this, my dear?

Hmm. It does look rather awful.

Imagine what it'd be like.

I suppose we could get away from it all.

- With the police to keep you in?
- Thank you.

The Crichs are afraid
you're going to run off with the silver.

- Good afternoon.
- Good afternoon.

Please, Father,
may I have just a little bit of beer?

- No,no,no.
- Please, please.

Well, you can just have a little then.

Does Mummy know?

- We're going for a dip, Father.
- Ah, my dear. Be sure -

- You drinking, Winifred?
- Not to stay in the water too long, will you?

Back this way, love.
I could do with a little.

[man] Give us a drop of beer. Come on!

[man] Right, let's have you now.
Right about here.

One china mug. It's still here.
There's only one left.

Now, here's three balls, sir.
There you go.

One! Two!

This is Mr. Birkin, Father.

How do you do?
I hope you're keeping well.

Yes, thank you. I'm fit.

Hello, Mrs. Brangwen.
I know Gudrun and Ursula quite well.

Yes, I've heard them
talk about you often enough.

Mr. and Mrs. Brangwen? I'm so glad you
could come to our picnic. How do you do?

You forgot our invitation last year.

- I . ..
- Shall I - Tea.

[Gerald] Yes.

Would you like tea here, or would you
rather go across to the house?

Can't we have a rowing boat and get out?

-[Ursula chuckles]
- Get out?

Well, you see, we know hardly anyone here.
We're almost complete strangers.

Oh.

Oh, I'll see to it that you're set up
with a few acquaintances.

Oh, you know what I mean.
Can't we go over there and explore?

The light is so perfect.
Perhaps we could bathe.

It reminds one of the upper reaches of the Nile.
Well, as one imagines the Nile.

- Hello.
- Hello.

Do you think it's far enough off?

Yes, I suppose you could go there.

Unfortunately, we don't seem to have
any more boats. They're all out now.

Oh, it would be so lovely.

Do you handle a boat pretty well?

- Pretty well.
- Yes.

We both row like water spiders.

There's a light canoe of mine I didn't bring out
for fear somebody would drown themselves.

Do you think you'd be safe in that?
You see, I'm responsible for this water.

[laughs] I had a canoe at Arundel.

I can assure you I'm perfectly safe.

Then I shall see to it
that you're given a tea basket,

and you can have a picnic
all to yourselves.

That is the idea, isn't it?

How fearfully good.

How frightfully nice of you.

[Tibby] Behind the rock.

Come on. Shh. Shh. Shh.

-[Laura laughs]
- Come on.

It's muddy.

Are you happy, Prune?

Ursula, I am utterly, utterly happy!

So am I.

Aren't they charming, Ursula?

Charming?

Won't they do anything to us?

Oh, I'm sure they won't.

I'm frightened.

Keep singing.

-[Rupert] I've got Ursula!
- What the hell do you think you're doing?

- I think we've all gone mad.
-[Rupert vocalizes]

Pity we aren't madder!

Why have you come? [panting]

- And why do you want to drive them mad?
-[laughing]

They're nasty when they turn.

Turn where?

Turn against you.

Turn against me?

Well, anyway, they gored one of
the farmer's cows to death the other day.

- What do I care?
- I care, seeing they're my cattle.

How are they yours?
You haven't swallowed them.

Give me one of them. Now!

- You know where they are?
- Yeah.

You think I'm frightened of you
and your cattle, don't you?

Why should I think that?

That's why.

You struck the first blow.

And I shall strike the last!

Why are you behaving
in this impossible and ridiculous fashion?

You...

make me behave like this.

Me? How?

Don't be angry with me.

No.

No, I'm not angry with you.

I am in love with you.

Yes.

Well, that's one way of putting it.

It's all right then?

Yes.

Yes, it's all right.

It's all right, it's all right, it's all right.

[Ursula] I must be going home now.

Must you? How sad.

[both chuckling]

Are you really sad?

Yes.

I wish we could go on
walking like this forever.

There is a golden light in you
which I wish that you would give me.

I always think I'm going to be loved.

And then I'm let down.

[Laura] Tibby!

Tibby! Tibby!

Laura?

Laura!

Laura! Where are you?

Help me, please!

Help. Help! Help me, someone!

Please! Quick! Somebody come! [gasping]

Laura! Lupton! Oh, God! Laura!

- Laura!
-[Ursula] Gudrun!

-[Ursula] No, no!
-[Gerald] Where were they?

- I don't know!
-[Gerald] Keep away from me!

-[Rupert] Steady the boat.
-[Ursula] Right!

Gerald, stop it!

- Stop it!
- I've got to find them!

- You can't!
- Why should you interfere?

You can't see!

Laura! Laura!

- Oh, God, Laura!
- Ursula, keep the boat still!

- I can't!
- Come out!

Keep back!

Keep back! You can't help us!

- Laura!
- Come out, Gerald!

Gerald, for God's sake, come out!

- Gerald!
- Gudrun!

- Laura!
- Keep the boat steady, for God's sake!

- Oh, God.
- I'm trying!

- Hang on to the side.
- It's too dark!

Gerald! Gerald! Are you all right?

- Gerald!
-[sputtering, coughing]

Gerald. Hang on.

We shan't save them, Father.

There's no knowing where they are.

And there's a current as cold as hell.

Go home and look to yourself.

We'll let the water out.
Rupert, you go to the north sluice.

There's room in that water there...

[gasping] for thousands.

Two is enough.

There's one thing about our family,
you know.

Once anything goes wrong...

it can never be put right.

Not with us.

Do you think they're dead?

Yes.

Oh, how horrible.

Do you mind very much?

I don't mind about the dead,
once they're dead.

The worst of it is,
they cling to the living and won't let go.

I'm afraid of death.

Death's all right.

Nothing better.

But you don't want to die.

I would like to die from our kind of life,

be born again through...

through a love that is like sleep,

with new air round one
that no one's ever breathed before.

I thought love wasn't good enough for you.

Oh, I don't want love.

I don't want to know you.
I want to be gone out of myself.

I want you to be lost to yourself

so we are found different.

Oh, we shouldn't talk
when we're tired and wretched.

Say you love me.

Say “my love” to me.

Oh, I love you right enough.
I-l just want it to be something else.

Why? Why?

Why isn't it enough?

Because we can go one better.

No, we can't.
We can only say we love each other.

Say “my love” to me.

Say it.

Say it.

Yes...

my love.

Yes, my love.

Let love be enough then.

I love you then.

I'm bored by the rest.

Oh, say you love me.

- Rupert.
-[whispering] Ursula.

Please. Oh, please.

Say you love me. Say it.

Say it!

[whispering] Oh, say it.

Ursula.

Oh, no. [gasps]

Oh! Please!

Yes. Yes, I love you.

[Ursula moaning]

You do. You do.

[Ursula whispering] I do love you. I do.

[moaning continues]

Ursula.

Must it be like this?

She killed him.

What did he mean?

Perhaps it's better to die
than to live mechanically...

a life that's a repetition of repetitions.

By God, I'd just reached the conclusion
that nothing mattered in the world

except somebody to take the edge
off one's being alone.

The right somebody.

- Meaning the right woman, I suppose.
- Yes, of course.

Failing that, an amusing man.

Well, if you're bored,

why not try hitting something?

Possibly.

Providing it was something worth hitting.

- You ever done any boxing?
- No.

Oh, you mean you may as well hit me?

You?

YOU'?

Well, yes, perhaps, in, um...

in a friendly sort of way, of course.

Well, quite.

I never learnt the gentlemanly art.

You know, I've got the feeling that...

if I don't watch myself,

I shall do something silly.

Why not do it?

I used to do some Japanese-style
wrestling once.

I was never very good at it.
Those things don't really interest me.

Don't they?

Oh, they do me.

How do you start?

Well, uh...

you can't do much in a stuffed shirt.

- All right, let's strip and do it properly.
- Very good.

Now, you come at me any way you want,
and I'll try and get out of it.

[Gerald] Admirable.

[Gerald chuckles] That's good.

[Gerald shouts] Yes.

Yes!

[Gerald grunting] Yes, I got you.

Was it...

too much for you?

No.

No, one ought to strive and wrestle
and be physically close.

It makes one sane.

- Do you think so?
- Yes, I do.

Do you?

Yes.

We are mentally and spiritually close.
Therefore we should be physically close too.

It's - It's more complete.

You know how the old German knights
used to swear blood brotherhood?

Yes.

Make wounds in their arms...

and run blood into each other's cuts.

Yes.

And swear to be true to each other,
of one blood, all their lives.

Well, that's what we ought to do.

Well, no wounds. I mean, that's obsolete.

But we ought to swear
to love each other, you and I.

İmplicitly.

Perfectly.

Finally, without any possibility
of ever going back on it.

Shall we swear to each other one day?

We'll wait till I understand it better.

Well, at any rate...

one feels freer and more open now.

And that's what we want.

Certainly.

In a way, that's what I want with Ursula.

Single, clear, yet balanced.

But they're all the same, women.

There's a lust for passion,

greed for self-importance in love.

I should think Gudrun is even worse.

Have you seen her lately?

She's coming over next week.

Hermione suggested
she teach Winifred to draw.

The child hasn't been the same
since her sister -

since the drowning.

Are you fond of Ursula?

I think I love her.

I suppose the next step's,
uh, engagement, then marriage.

You know, I always believe in love.

In true love.

But where do you find it nowadays?

I don't know.

Life has all kinds of things.

There isn't only one road.

I don't care how it is with me,
as long as I -

well, as long as I feel...

that I've lived.

I don't care how it is
as long as I feel that.

Fulfilled.

Yes, I suppose it could be fulfilled.

I don't use the same words as you.

Well, it's the same.

Would you like a bath?

Mmm.

Come on, then!

Get them! Kill all of them!

Drive them away!

Ranger! Heel! Heel now!
Come here! Come here, boy!

- Quiet! Come on, boy!
- You all right?

- Heel! Heel!
- Rip!

Who the hell let these dogs in the drive?
Take them back.

Here. Come on. Heel.
Take them back to the kennel.

Have you taken leave
of your senses, Christiana?

How many times must I tell you?

No one is ever turned away from my door.

Oh, yes, I know, I know.

Love thy neighbor.

And you love your neighbor.

More than your own family.

Why don't you turn me and the children out
and keep open house for them?

If it wasn't for them,
you wouldn't have this house.

Now, if they're in trouble,
it's my duty to help them.

You think it's your duty
to invite all the rats in the world

to come and gnaw at your bones.

Let's go inside, Mother.

Mr. Crich can't see you.

You think you can come here
whenever you like!

Go away! There's nothing for you here!

- Give him to me.
- Thank you.

Gerald says, if you like it,

-we could have it all to ourselves as a studio.
- Oh.

Of course, we'll mend the windows
and have it decorated.

But Gerald says it all depends on you.

So do you like it?

- It's remarkable.
- Oh, good!

Gerald! Gerald!

Come on. Let's go and see Gerald.

Come on, Bismark.

Winifred seems to have taken to you.

- Will you come again?
- I feel very drawn to her.

Yes, I can come again.

Oh, Gerald, isn't it wonderful?

We're going to draw Bismark.

Isn't she beautiful?

İsn't she strong?

Let its mother stroke its fur then, darling.

Because it's so mysterious.

Look what I bought.

How lovely.

How perfectly lovely.

- But why did you give them to me?
- I wanted to.

Am I called on to find reasons?

Opals are unlucky, aren't they?

I prefer unlucky things.

Lucky's vulgar.
Who wants what luck would bring?

I don't.

They can be made a little bigger.

Yes.

I'm glad you bought them.

Won't it be lovely going home in the dark?

Well, I promised to go to Shortlands tonight
to have dinner with Gerald.

Well, it doesn't matter.
You can go tomorrow.

Hermione's there.

She's going away in a couple of days.
I suppose I ought to say good-bye to her.

- You don't mind, do you?
- No, I don't mind.

- Why should I - Why should I mind?
- Well, that's what I asked myself.

Why should you mind?

But you seem to.

I assure you, I don't mind in the least.

If that's where you feel you belong,
then... that's where you must go.

Oh, you are a fool
with your “That's where you belong.”

It's all finished between Hermione and me.

Well, she seems to mean much more to you
than she does to me.

I'm not taken in by your word twisting.

If you still feel you belong to Hermione,
then you do, that's all.

But you don't belong to me.

If you weren't such a fool, you'd know that
one could be decent even when one is wrong.

It was wrong of me
to go on all that time with her.

It was a deathly process.

But after all,
one can have a little human decency.

But no, you must tear my soul out with
your jealousy at the very mention of her name.

I, jealous?
She means nothing to me, not that!

It's what she stands for that I hate.
Her- Her... lies!

And her... falseness.

It's death!

But you want it, don't you?
You can't help yourself.

Well then, you - you go and get it.
That's what I say.

But don't come to me!
I've got nothing to do with it!

Oh, you're a fool!

Yes. Yes, I am a fool.

And thank God for it!

I'm too big a fool
to swallow your cleverness!

You go to your women,
your spiritual brides.

Or aren't they common and fleshy enough?

No, no, you're not satisfied, are you?
You'd marry me for your everyday use.

And keep your spiritual brides
for tripping off into the beyond.

Oh, yes, yes.
I know your dirty little game.

You think I'm not as spiritual as Hermione.

Well, Hermione's a fishwife!

A fishwife!

So you go to her, that's what I say.
Go to her!

In her soul, she's as common as dirt!

And all the rest is just pretense,
but you love it.

Do you think I don't know the foulness
of your sex life and hers?

Well, I do,
and it's that foulness that you want!

You liar!

Well, have it! Have it!

Have it! You're such a liar. [crying]

There's a bicycle coming.

I don't care.

Afternoon.

Good afternoon.

[crying continues]

Maybe it's true.

Lies, dirt, and all.

But Hermione's spiritual intimacy
is no rottener

than your emotional, jealous intimacy.

I am not jealous.

What I say, I say because it's true.

You're a false and foul liar.

That's what I say, and you hear it.

Very good.

The only hopeless thing is a fool.

Yes, quite right.

So you take back your rings
and buy yourself a female elsewhere.

I'm sure there'll be plenty of women
who'll be quite willing

to share in your spiritual nest.

See what a flower I found you?

Pretty.

Did I abuse you?

Wait.

I shall have my own back.

So this is where
you've been living all the time.

Oh, what a perfectly lovely, noble place.

So warm and cozy.

I'm thinking we must get out of
our responsibilities as quick as we can.

We must drop our jobs like a shot.

We must say, uh - We must write, uh,

Dear sir,

I would be very grateful if you would
liberate me as soon as possible.

From my post as schoolmistress
of the Beldover Grammar School,

without, of course,
waiting for the usual month's notice.

Oh, I could be so happy here.

No, we'll wander a bit first.

We'll get married straightaway
and we'll wander a bit.

We'll never go apart.

No.

Because we love each other.

[Winifred]
“And the third angel poured out his vial

on the river and the fountains of water.

-[Gerald] After Laurais death -
- And they became blood.

Father's world collapsed.

For they had shed the blood
of the saints and prophets -”

We haven't had much illness
in the house either.

Not until Father.

It's something you d0n't reckon with
until It's there.

And then you realize
it was there all the time.

It was always there.

The possibility of this incurable illness,

this creeping death.

There's nothing left.

Do you understand what I mean?

You seem to be reaching at the void,

then...

then you realize
that you're a void yourself.

You can't go on
holding up the roof forever.

You know that - that sooner or later,

you've got to let go,
so you don't know what to do.

You must.

- If I can help you -
- I don't want your help.

Because there's nothing to be done.

I just want to talk to somebody,

sympathetically.

Ah, Mother.

How nice of you to come down. How are you?

You, um - You know Miss Brangwen,
of course, don't you?

Yes.

Winifred tells me the doctor
has something to say about your father.

What is it?

Oh, it's just that his pulse
is very weak, and...

it misses altogether on occasions,
and he - he might not last the night out.

You're not getting into a state, are you?

You're not letting it make you hysterical?

No, I don't think so, Mother.

It's just that somebody's
got to see it through.

Oh, have they? Have they?

And why should you take it on yourself?

What have you got to do
with seeing it through?

It'll see itself through.

You're not needed.

No, I don't suppose
there is much I can do.

It's just how... it affects us, you see.

You like to be affected, don't you?

It's quite a treat for you.

Yes.

Yes, you would have to be important.

You've no need to stop at home.

Why don't you go away?

You're as weak as a cat, really.

Always were.

A strange lady, my mother.

Yes.

With ideas of her own.

Yes.

Look, you want to go home.
I'll see to it that the car's brought round.

No, I want to walk.

You might just as well drive.

But I would much rather walk.

Would you?

Then I shall come with you.

[moaning]

You do help me so much.

And I can't believe it.

Why?

Why can't you believe it?

It's true.

It's as true as...

as true as we stand here.

Oh, you are so beautiful.

And I must go.

No.

Let me go alone.

How much more water leaked into the pit?

Some more.

We'll have to run off the lake.

Ursula?

No, it's me, Gerald.

You're very muddy.

I was walking in the dark.

What do you want from me?

I came because I must.

- Why do you ask?
- I must ask.

There is no answer.

-[Gerald groans]
- You must go, my love.

It's getting late.

No, not for a minute.

Yes, you must go.
I'm afraid if you stay any longer.

- Good-bye.
- Good-bye.

Shall Gudrun and I...

rush into marriage along with you?

If I were you, I wouldn't marry.

But ask Gudrun, not me.
I mean, you're not marrying me, are you?

I thought you were dead nuts on marriage.

Well, there are all kinds of marriages,

and there are all kinds of noses.

Snub and otherwise.

And you think that if I marry,
it'll be snub?

What's the alternative?

Well, if you don't know, don't do it.

Marriage in the old sense
seems to me to be repulsive.

The whole world in couples,
each couple in its own little house,

watching its own little interests,
stewing in its own little privacies.

It's the most repulsive thing on earth.

Yes, I quite agree.
There's something inferior about it.

But there again, what's the alternative?

We've got to find one.

I-I-I do believe in a permanent union
between a man and a woman.

Chopping about
is merely an exhaustive process.

But a permanent relationship between
a man and a woman isn't the last word.

It certainly isn't.

Quite.

We've got to take down this
love and marriage ideal from its pedestal.

We want something broader.

I believe in the additional,
perfect relationship between man and man.

Additional to marriage.

Well, I don't see how
they can be the same.

No, not the same, but equally important,

equally creative, equally... sacred,
if you like.

I know you believe something like that.

Only I can't feel it, do you see?

[Ursula] Gudrun might rush
into marriage like we have.

- Wouldn't that be nice?
- Rubbish!

Gudrun is a born mistress,
just as Gerald is a born lover.

If all women are either wives or mistresses,
then Gudrun is a mistress.

Then all men
are either lovers or husbands.

Why not both?

No. No, the one excludes the other.

Then I want a lover.

Oh, no, you don't.

Oh, yes, I do.

- How much is it?
- Ten shillings.

Oh, no, we don't want that.
We can have my furniture from the house.

- It's so beautiful.
- What?

So pure.

On! [sighs]

- Well, I'm only going to give you five shillings.
- Right.

It almost breaks my heart,

my beloved country.

It had something to express,
even when it made this chair.

Now all we can do is
to fish amongst rubbish heaps

for remnants of the old expressions.

There's no production in us anymore.
Just sordid and foul mechanicalness.

Well, I hate your past.

I'm sick of it.

Not as sick as I am
of the accursed present.

Well, I don't want the past
to take its place.

[sighs] I don't want old things.

The truth is, we don't want things at all.

The thought of a house and furniture
of my own is - is hateful to me.

Madam, that - Madam, it's yours.

I hope you will both
be very, very happy together.

We must live somewhere.

No, not somewhere. Anywhere.

Not have a definite place.
Just you and me and a few others.

Where we needn't wear any clothes,
where we can be ourselves without any bother.

Rupert, whatever did you mean,
you, me, and a few other people?

You've got me.

Well, I always imagined our being happy
with a few other people.

Why should we be?

I don't know. One has a hankering
after a sort of further fellowship.

Why? Why should you hanker
after other people?

- Why should you need them?
- Mmm.

[female vendor] All shoes.

Don't you need them?

Or does it just end with us two then?

Yes. What more do you want?

If people care to come along,
well, let them.

But it must happen.
You can't do anything about it with your will.

You always seem to think
you can force the flowers to come out.

People must love us because they love us.
You can't make them.

I know.

But must one just go on
as if one's alone in the world?

You've got me.

Why should you need others?

You must just learn to be alone.

Two teas, please.

Did you know that Gerald Crich has suggested
we all go away together at Christmas?

Yes. He's spoken to Rupert about it.

Well, don't you think it's amazingly cool?

I rather like him for it.

And what did Rupert say, do you know?

Mmm.
He said it would be most awfully jolly.

Well, don't you think it would be?

I think it might be awfully jolly,
as you say, but...

But don't you think it was an unpardonable
liberty to speak to Rupert like that?

Well, you see what I mean, Ursula.

They could have been two men arranging
an outing with some little type they'd picked up.

Oh, no.

No. Nothing like that.

Oh, no.

No, I think the friendship between Rupert
and Gerald is really rather beautiful.

They're so simple. They just
say anything to each other like brothers.

There's something I love about Gerald.

He's really much more lovable
than I thought him.

Well, he's free, Gudrun.

He really is.

Do you know where he proposes to go?

Mmm.

Near Zermatt.

I don't know where exactly, but...

Oh, it would be rather lovely,
don't you think?

High up in the perfect snow.

Very lovely.

Hmm.

Of course, I think that Gerald
spoke to Rupert about it

so that it shouldn't seem
like an outing with a... type.

[vehicle approaching]

I know, of course, he does quite commonly
take up with that sort.

[horn honking]

Does he?

How do you know?

I know of a model in Chelsea.

Well, let's hope
he had a good time with her.

[chuckles] I must go, Prune.

Rupert's waiting.

The minute I set foot on foreign soil,
I am transported.

I am a new creature, stepping into life.

It's never quite the same in England.
One's - One's afraid to let go.

Afraid what'll happen
if- if everyone else lets go.

We're way out of it,
so let's all let go together!

[chattering, laughing continues]

Hey, look out!

There's one for you!

Oh, how romantic it all is.

Wollen Sie tanzen, gnadige Frau?

Shall we dance?

Eins, zwei, drei, vier!

What a fine game you're playing.
She's in love with you.

Oh, dear, isn't she in love with you?

[woman] Ooh-whee.

Mmm!

Do you love me?

[Rupert] Far too much.

I couldn't bear
this cold, eternal place without you.

Oh. Do you hate it then?

Mmm.

If you weren't here,
it would kill the very quick of my life.

It's good that we're warm and together.

-[Ursula] I want to take it.
-[Rupert] All right. Well, have it then.

[Ursula] I can't believe it.

- Put your feet up.
- My feet are on. Now. Go.

Push!

Ready. Oh, no!

Go on now. Oh!

[Gudrun] Whee!

-[Gudrun squealing]
- We're gonna come off!

- Oh, no!
- We're gonna come off!

Oh! Oh! Oh!

- Oh!
- It wasn't too much for you?

No. Oh!

It was the most... complete moment
of my life.

"Oh!
_[laughing]

- See you down there!
- All right. We're going to have another!

-[Gerald] All right.
- Bye!

[Rupert] Come on then!
Come on!

Hey.

Hey, Prune. A bit interesting.

Herr Loerke is doing a great frieze
for a factory in Cologne.

Oh, is it for the outside?
The outside, the street.

So you are an artist. I knew it.

You know, I think that the machinery,

the -

the, uh, acts of labor are beautiful,
extremely beautiful.

The factory of today
must be the Parthenon.

Oh. Do you believe art
should serve industry?

Ah.

Art should interpret industry. lch glaube.

As art once interpreted religion.

Gudrun is an artist as well, you know.

Oh?

What do you do?

I'm a sculptress.

And what do you sculpt?

Animals, birds.

- Knickknacks for the rich, eh?
- Oh!

Travaillé.

Lavorato, e che lavoro, che lavoro.

Huh?

You're not an artist.
You've never worked as the world works.

Yes, I have, and I do.

Have you known what it was
to lie in bed for three days

because you had nothing to eat,

in a room with three other families
and a toilet in the middle,

a big pan with a plank on it?

And your father making love -

“love” -

to a street whore in the corner.

Do you understand?

How old are you?

Twenty-six.

And ihr Herr Gemahl? Wie alt ist er?

Your husband?

Thirty-one.

Come along.
I will show you something interesting.

Okay, madam.

Oh.

Well. Allez, allez.

I'm going to show you something.

This is - Not this.

My factory.

It's colossal.

- Now.
-[whistling]

Oh.

Something special.

Look.

It's beautiful.

Why did you make the horse so stiff?

Surf? [chuckles]

Yes, stiff!

I mean, look at that stock.
Stupid, brutal thing.

A horse is a very sensitive creature.

Quite delicate really,

but sensitive.

Well, it's not a picture of a friendly horse

to which you give a lump of sugar,
gnadige Frau.

It's part of a work of art.

It has no relation with anything
that's outside the world of art.

Yes, but it's still a picture of a horse,
isn't it?

Certainly. It's not a picture of a cow.
Certainly not.

Where is she now, the model?

[laughing] She was a nuisance.

Not for a minute would she keep still.

Not until I'd slapped her hard
and made her cry.

Then she'd sit for five minutes.

Did you really slap her?

Yes, I did.

Harder than I have ever
beat anything in my life.

I had to, for the sake of my art.

Well, love has no place
in your world of art.

[door slams]

L'amour, l'amour. Die liebe.

I detest it in every language.

What does this matter
if I wear this hat or another?

So, love. It's only for convenience.

I would give everything, everything,

all your love,

for a little companionship in intelligence.

Rupert.

I want to go away.

Do you?

Mmm. Don't you?

- Well, I hadn't thought about it.
- Mmm?

I hadn't thought about it.

Oh, I hate the snow,

the unnatural light
it throws on everybody.

Oh, the ghastly glamour of it all

and the unnatural feelings
it makes everybody have.

Well, we can go away, if you like.
We can go away tomorrow.

We can go to Verona

and find Romeo and Juliet
and sit in the amphitheater, if you like.

Oh, yes.

Yes, I'd love to be Romeo and Juliet!

A fearfully cold wind blows through Verona
from out of the Alps.

- Are you glad you're going?
-[laughing]

No, I don't want to be laughed at.

- Do you love me?
-[gasps] Yes, yes!

Do you love me?

Yes!

Mmm.

Why is your mouth so hard?

Why is yours frozen solid?

Why do you grip your lips?

Never you mind. That's my way.

[Gerald] Do you know what it is to suffer
when you're with a woman?

It tears you like a silk.

And each bit and stroke burns... hot.

Of course, I wouldn't not have had it.

It was a complete experience.

She's a wonderful woman, but...

I hate her somewhere.

It's curious.

You've had your experience now.
Why work on an old wound?

Because there's nothing else.

I've loved you as well as Gudrun.

Don't forget.

Have you?

Or do you think you have?

- Take care.
- Yeah.

- Ursula.
- Bye, Gerald.

Be good.

Good-bye, Gerald.

Rupert.

- Bye, Gudrun.
- Rupert.

Bye !

See you soon.

Why are you sitting in the dark?

Look at that lovely star up there.

Do you know its name?

No.

It's very fine.

Isn't it beautiful?

Do you see how it darts
different colored fires?

- It's superb.
- Mmm.

Do you regret their leaving?

No, not at all.

How much do you love me?

How much do you think I love you?

I don't know.

But what's your opinion?

Very little indeed.

Why don't I love you?

Well, I don't know why you don't.

I've been good to you.

When you first came to me
in that fearful state,

I had to take pity on you,
but... it was never love.

Why do you keep repeating it,

that... there was never any love?

Well, you don't think you love, do you?

No.

You don't think you can love me, do you?

I don't know what you mean
by the word... “love.”

Oh, yes, you do.

You know very well
that you have never loved me.

Or have you, do you think?

No.

And you never will love me, will you?

Why do you torture me?

Oh, I don't want to torture you.

Just say you love me.

Say you'll love me forever. Won't you?

Won't you say it?

Won't you say you'll love me always,
even if you don't mean it?

But say it, Gerald, do.

Oh, I will love you always.

Fancy your actually having said it.

[chuckles]

Mmm.

Try to love me a little more
and want me a little less.

You mean you don't want me?

You're so insistent.

You have so little grace,

so little finesse.

You are crude.

You break me and waste me...

and it is horrible to me.

Horrible to you?

Oh, yes.

Don't you think I might have
Ursula's room now to myself?

You do... as you wish.

You go where you wish.

Oh, I Will.

But so can you.

You can go whenever you like.

Without notice even.

Gerald.

Gerald.

Gerald.

Oh, my God, Gerald! Shall I die?

Sehen Sie Herr Loerke?
Er sitzt mit der englische Frau.

Ja, ich sehe schon.

Mmm.

Your form is very good, Herr Crich.

Men should have something of massiveness
in their stupid form.

You don't do sports, Herr Loerke?

Not sports, no.

Only games.

And what sort of games might they be?

Only ones which I enjoy.

Yes, but what sort of games?

Um, secret games.

Initiation games,

full of esoteric understanding
and fearful, sensual secrets.

Rubbish.

Contemptible rubbish.

Why are the English so inept in argument?

-[chuckling]
- You know, there often is another way.

Sehen Sie, gnadige Frau.

Bitte, sagen Sie nicht immer,
gnadige Frau.

- What should I say then?
- Sagen Sie nur nicht das.

Soll ich Fraulein sagen?

Well, I'm not married.

Truth is best.

Cleopatra must have been an artist.

She reaped the essential from a man.

She harvested the ultimate sensation,
and then...

she threw away the husk.

Well, I'm not going to play your Anthony.

Oh.

Of course, the whole point of a lover
is to reach a complete understanding

of sensual knowledge.

And today,
I will be Pyotr llich Tchaikovsky.

[chuckles] Hooray!

[chuckles]
The great Russian composer. Shh.

And you're my bride of six hours.

-[classical music playing]
- Now!

We are on our honeymoon.

Ah.

We are on our honeymoon

on the Trans-Siberian Express.

We're alone...

in our sleeping compartment.

I'm a homosexual.

A homosexual composer.

- Catch.
-[laughing]

Who has married - [laughing continues]

To protect his family name

from gossip

and scandal.

And you,

you're a scheming, thieving nymphomaniac -

-[purrs]
-who's married for fame and fortune.

Aah! [laughing]

Between two particular people,

the range of pure sensational experience
is limited.

One can only extend, draw out,

and electrify.

One must not repeat.

One must find only new ways.

The train is going into a tunnel.

Why are you fascinated by that little rat?

I don't choose to be discussed by you.

My God,
what a mercy I'm not married to you.

Well, it doesn't matter
whether you choose to discuss it or not.

It doesn't alter the fact that you're willing
to fall down and kiss that insect's feet.

Well, you do it.
I'm not going to prevent you.

You kiss his feet.

But what I want to know is
what it is about him that fascinates you.

- What is it?
- Do you?

Do you want to know what it is?

It is that he has some understanding.
He is not stupid.

That's why.

And would you like to crawl
for the understanding of a rat?

Well, don't you think
the understanding of a rat

is more interesting
than the understanding of a fool?

- A fool?
- A fool.

A conceited fool. A Dummkopf.

Wouldn't I rather be the fool
than explore those sewers with a rat?

And what have you to offer
as an alternative?

An eternity of domesticity at Shortlands?

My God, when I think of you and your world
and your wretched coal mine,

it makes my heart sick!

You're so limited.
You're a dead end. You cannot love.

And you?

I could never love you.

It may be over between us...

but it's not finished.

Wait, wait, wait, wait, wait.
I've something for you.

Oh, Loerke, what an inspiration.

What a comble de joie indeed.
What is it? Schnapps?

Heidelbeere.

It is distilled from snow.

Can you smell the bilberries?
It's exactly like bilberries under the snow.

-[both sniffing]
-[Gudrun] Mmm.

Listen, uh, you're going away tomorrow?

Yes.

Wohin?

- I don't know.
- One never does.

Where will you take a ticket to?

Oh. Ah, but one does not have to go
where the ticket says.

Then take a ticket to London.

One should never go there.

Right!

- You must not go back to teaching!
-[humming]

You must not go back to teaching!

Leave that to the swine
who can do nothing else.

You're an extraordinary woman!

Eine, eine, eine seltsame Frau.

Why should you follow the ordinary course?
Huh?

You won't tell me where you will go?

Really and truly, I don't know.

It depends which way the wind blows.

It blows through Germany.

Perhaps.

Come with me to Dresden.

I live alone there. I have a big studio.

I can give you work.

I believe in you.

Work?

Maria!

[laughing] You came like a ghost.

Heidelbeere?

Aaah!

You!

I didn't want it anyway.

I'm tired.

I want to sleep.

Was it vile being dragged back?

I didn't even think of it.

I felt beastly, fetching you here.

But I simply couldn't see people.

That was too much.

Yes.

I think I'll go to Dresden...

for a while.

I did not want it to be like this.

I didn't want it to be like this.

He should have loved me.

I offered him.

Did you need Gerald?

Yes.

Hmm. Aren't I enough for you?

No. [chuckles]

You are enough for me
as far as a woman is concerned.

You are all women to me.

But I wanted a man friend

as eternal as you and I are eternal.

I don't believe it.

It's an obstinacy, a theory...

a perversity.

You can't have two kinds of love.

Why should you?

It seems as if I can't.

Yet I wanted it.

You can't have it because it's impossible.

I don't believe that.