Undiscovered (2005) - full transcript

[SUBWAY TRAIN]

♪ SUDDENLY

♪ IT CAME TO ME

♪ SURRENDERING

♪ WOULD SET ME FREE

♪ YOUR LAUGH SAYS
YOU'RE COMPANY ♪

♪ JUST WHEN I SCRATCHED
YOUR NAME OFF FROM MY LIST ♪

♪ NOT BELIEVING THAT
SUCH A THING COULD EXIST ♪

♪ THEN YOU CAME ALONG

♪ SO IT WAS YOU
ALL ALONG ♪

OH. OH, HEY.



RED COAT.

YEAH, I'M ON IT.

GOD, SHE'S GORGEOUS.

WHAT DO YOU THINK,
BALLERINA?

NO, I THINK
SHE'S A MODEL, BROTHER.

HOW CAN YOU TELL?

BECAUSE I CAN JUST TELL
BY LOOKING AT HER.

OH! HEY,
YOU DROPPED YOUR GLOVE!

♪ IN THIS MIXED UP WORLD

HEH HEH HEH!

♪ THEN WHY NOT ME?

NEXT TIME YOU PULL A STUNT
LIKE THAT, CASANOVA,

MAKE SURE IT'S NOT
WITH A PAIR OF GLOVES

THAT I LENT YOU.



I KNOW, I'M SORRY.

BUT DID YOU SEE THE CONNECTION
WE MADE BACK THERE?

I MEAN, LOOK AT ME.
I'M SMITTEN.

SMITTEN? I--

YOU DON'T LOOK
ANY DIFFERENT.

WHO SAYS "SMITTEN"
ANYWAY?

NO, I KNOW, BUT I'VE
BEEN HERE 6 MONTHS,

AND I MEET NO ONE.

AND THEN THE DAY I LEAVE,

THE PRETTIEST GIRL
I'VE EVER SEEN

SMILES AT ME.

SO DON'T GO TO L.A.
DON'T GO TO L.A.

ALL RIGHT.

STAY HERE.
LOOK FOR HER.

I CAN'T.
YOU KNOW THAT.

THIS IS DOING NOTHING
FOR ME MUSICALLY.

I NEED TO GO TO CALIFORNIA
TO GET HEARD.

YOU KNOW THAT,
BUT COME WITH ME.

YOU CAN.

NO, NO, NO.

I THINK I NEED TO PLAY

A FEW STREET CORNERS
FIRST.

SEE AMSTERDAM,
SEE PARIS.

BESIDES, I THINK

ONE SELL-OUT IN
THE FAMILY IS PLENTY.

EAT ME.

AND ON THAT
BROTHERLY NOTE...

TAKE CARE
OF YOURSELF, LUKE.

YOU'RE LATE.
COME ON, GET OUT OF HERE.

OH, AND HEY...
YEAH.

THIS IS OUR LAST DAY
IN NEW YORK TOGETHER.

WATCH IT.

REMEMBER ME.
I WILL.

AND HEY, THE GIRL
OF YOUR DREAMS IS ON IT.

BE ZEN, BROTHER.

HEY, JEN,
IT'S BRIER.

IS CARRIE IN?

Jen: HOLD ON.
THANKS.

IT'S YOUR NIECE ON 2.

HEY, FRIAR BRIER.

HEY.

NOW DON'T TALK WITH
YOUR MOUTH FULL.

AND YOU'RE EATING CRAP,
AREN'T YOU?

HATE TO DISAPPOINT YOU,
CARRIE, BUT ACTUALLY,

I'M EATING
A VERY HEART-HEALTHY

TOFU WRAP.

OH, YOU'RE A VERY SMART
AND A VERY CUTE GIRL,

BUT YOU'RE
A TERRIBLE LIAR.

HOW DID IT GO WITH
THE CATALOG PEOPLE?

GOOD, GOOD. IT WAS GREAT.

CARRIE, DO YOU
BELIEVE IN DESTINY

OR DO YOU THINK
EVERYTHING'S JUST RANDOM?

WHY? WHAT HAPPENED?

THE HOTTEST GUY
JUST DID THE COOLEST THING.

AND?

AND I KNOW I'M NEVER
GONNA SEE HIM AGAIN.

WELL, THANK GOD
FOR SMALL MIRACLES.

YOU OK?

YEAH, I JUST, UM...

I DON'T KNOW.

IT'S THE FIRST YEAR
THAT MOM'S NOT AROUND

TO TALK TO ME
ABOUT THIS STUFF.

I KNOW.

I MISS HER, TOO, KIDDO.

♪ I DON'T WANT TO BE ALONE,
SHE SAID ♪

♪ BUT I DON'T WANT TO BE
TIED TO YOU ♪

♪ AND EVERYTHING THAT YOU DO

♪ I CAN SEE THAT YOU, TOO

♪ DON'T WANT ME
TO LOSE YOU ♪

♪ I DON'T WANT TO FALL
IN LOVE, HE SAID ♪

♪ I DON'T WANT TO BE BAD
TO YOU ♪

♪ BUT NOW THAT I CAN SEE YOU

♪ YOU COULD NEVER BE TRUE

♪ 'CAUSE I CAN SEE
THROUGH YOU ♪

♪ ALWAYS RUNNIN' AROUND
WITH WHO'S WHO ♪

♪ I ALWAYS KNEW BEFORE YOU

♪ AND EVERYTHING THAT YOU DO

♪ ROLLING ALL AROUND
INSIDE MY HEAD ♪

♪ VISIONS OF A PAST
TO CUT THROUGH ♪

♪ KEPT ME FROM A NEW YOU

♪ OF HOW I'D LIKE TO SEE YOU

♪ I'M NOT REALLY SURE
IT'S NOT JUST ME ♪

♪ OR IF IT'S REALLY
SOMETHING YOU DO ♪

♪ I'M HOPING
YOU COULD HELP ME ♪

♪ 'CAUSE I WOULD LOVE
TO TRUST YOU ♪

♪ YOU KNOW THAT
YOU COULD BE TRUE ♪

♪ AND NOT JUST RUN AROUND
WITH WHO'S WHO ♪

♪ I WAS LOOKING FOR YOU

♪ EVERYTHING THAT
YOU WOULD DO ♪

♪ 'CAUSE I CAN SEE
THROUGH YOU ♪

♪ ALWAYS RUNNIN' AROUND
WITH WHO'S WHO ♪

♪ I ALWAYS KNEW BEFORE YOU

♪ EVERYTHING THAT YOU DO

♪ I WISH I COULD COME BACK

♪ AND CHANGE
ALL THAT I KNEW ♪

♪ I WISH I COULD TURN BACK

♪ AND LEARN
HOW TO LOVE YOU ♪

Operator: WE'RE SORRY.

[BEEPING,
LINE RINGING]

YOUR CALL CANNOT...

[LINE RINGING]

TRY YOUR CALL AGAIN.

[SPEED DIALING]

[LINE RINGING]

Japanese operator:
PARK HYATT.

HELLO. CAN YOU
PLEASE CONNECT ME

TO MICK BENSON'S ROOM?

MR. BENSON IS NOT
A GUEST AT THIS HOTEL.

PERHAPS YOU ARE LOOKING
FOR ANOTHER NAME.

NO. OH, UM, ROTTEN.

TRY JOHNNY ROTTEN.

OH, MR. ROTTEN.
VERY HANDSOME MAN.

ARIGATO.

CONNECTING YOU.

[LINE RINGING]

[JAPANESE GIRLS
SPEAKING JAPANESE]

[GIRLS LAUGHING]

[PIANO PLAYING SOFTLY]

38, 39 BUCKS.

WELL, IT PAYS FOR ONE
OF MY PARKING TICKETS.

[SIGHS]

SORRY I'M LATE,
BABY.

OHH.

I MISSED YOU
SO MUCH.

YOU'RE NOT UPSET,
ARE YOU?

OK. OK.

SO WHEN ONE OF MY MODELS
WANTS TO GO TO LUNCH

FOR A TALK,

IT CAN ONLY BE ONE
OF THE BIG EIGHT.

BIG EIGHT?

DRUGS,

BULIMIA, ANOREXIA,

"I'M BROKE,"

"I'M PREGNANT,"

"I'M GAY,"

"I SLEPT
WITH VINCE VAUGHN,

AND HE NEVER
CALLED ME AGAIN."

HE NEVER CALLED ME,
EITHER.

UM, OK. THAT'S ONLY 7.

RIGHT.

YOU TELL ME
YOUR THING,

AND THEN WE'LL SEE
IF I'M RIGHT.

OK. I WANT TO MOVE
TO LOS ANGELES.

AND?

AND I WANT TO TRY ACTING.

"MODEL TURNED
ACTRESS. L.A."

OUCH.

HEH HEH, I WIN.

HOW'D YOU KNOW?

I'M IN THE BUSINESS
OF KNOWING THINGS.

AND LOOK,
I UNDERSTAND.

HMM.

NOW, HOW'S YOUR
LITTLE ROCK STAR?

MICK AND I ARE FINE.

YEAH, YOU'RE FINE.

SO YOU GUYS ARE
TALKING A LOT, ARE YOU?

NOT A LOT, YOU KNOW.
HE'S ON TOUR, SO...

ACTUALLY,
I THINK HIS ASSISTANT

HAS BEEN
ANSWERING MY EMAILS.

OHH, THAT'S SO ROMANTIC.

WELL, I KNOW
IN MY HEAD IT'S WRONG,

BUT MY HEART CAN'T LET IT GO.

HA HA HA HA HA!

DUDE, THAT IS SO RAD.

YOU GOT TO GET THAT DOG
ON LETTERMAN.

ACTUALLY, WE GOT OUR EYE
ON THE X-GAMES.

Carrie: CAR SERVICE
WILL BE WAITING FOR YOU

AT THE BOTTOM
OF THE ESCALATORS.

USE PLENTY OF SUN BLOCK.

STAY OFF THE 405
WHENEVER POSSIBLE.

ARE YOU GETTING
ANY OF THIS?

THESE ARE PEARLS
OF WISDOM HERE.

YEAH, YEAH. I'M JUST--

I'M A--I'M A LITTLE
OVERWHELMED.

BUT I'LL BE OK.

IT'S JUST FOR
A COUPLE MONTHS.

THANK YOU SO MUCH,
CARRIE.

♪ YOU NEVER SAID
THERE WAS ANYTHING ♪

♪ WRONG

Man: HEY, WHY DON'T
YOU WRAP IT UP?

WE HEARD ENOUGH
OF THIS SONG!

EXCUSE ME?

I KNOW WHAT
I'M TALKING ABOUT,

AND THIS IS
NOT A GOOD SONG.

YOU SUCK!
Woman: BOO!

NO, LADIES AND GENTLEMEN,
IT'S OK. IT'S OK.

I THINK I RECOGNIZE
THIS VOICE.

CAN WE GET
A SPOT ON HIM?

HA HA HA!

MY LITTLE BROTHER
TELLS ME HE'S A ROCK STAR.

HEY, LITTLE BROTHER.

SO YOU'VE BEEN
AROUND THE WORLD TWICE?

YEAH.
BOTH WAYS.

AND YOU ENJOY THIS?

HMM.

DUDE, YOU'RE
KIDDING ME, RIGHT?

GOING TO ST. PETERSBURG
NEXT MONTH TO PLAY IN

THE ST. PETERSBURG
FOLK FESTIVAL.

I'M PLAYING THE FLUTE.

THAT'S COOL.

I JUST HAVE TO LEARN
HOW TO PLAY THE FLUTE,

BUT I HAVE A MONTH
TO ACCOMPLISH THIS.

WHAT ABOUT YOU?

WHY AREN'T YOU PLAYING
THE SOLD-OUT GIGANTO DOME?

DIDN'T YOU PROMISE ME THAT?

OH. WELL,
YOU'D BE SURPRISED

HOW MANY PEOPLE
WOULD KILL FOR THIS GIG.

I'M NOT SURPRISED.
I'M NOT SURPRISED AT ALL.

LOOK, THANKS FOR LETTING ME
CRASH AT YOUR PLACE.

I MEAN, 2 YEARS
IS WAY TOO LONG.

LET'S DO ONE
FOR THE OLD MAN.

[SIGHS]

HE WASN'T
NEARLY OLD ENOUGH.

YEAH, NOT EVEN CLOSE.

[JET FLYING OVERHEAD]

♪ SUDDENLY

♪ IT CAME TO ME

♪ SURRENDERING

♪ COULD SET ME FREE

I WILL BE
CORRESPONDENT TO COMMAND

AND DO
MY SPIRITING GENTLY.

DO SO.

AND AFTER 2 DAYS
I WILL DISCHARGE THEE.

THAT'S MY NOBLE MASTER.

WHAT SHALL I DO?

SAY WHAT.
WHAT SHALL I DO?

[SCATTERED LAUGHTER]

OK, NOT BAD,
NOT BAD.

BETTER THAN
TELEVISION.

BUT WHAT ISN'T?

OK, EVERYBODY,
15 MINUTES.

LET'S GO. COME ON.
15 MINUTES. GO.

GO, GO.

BRIER.

ACTORS, I'M NOT SURE

YOU'VE ALL BEEN
FORMERLY INTRODUCED TO BRIER.

BRIER, ACTORS.
ACTORS, BRIER.

HI, BRIER.
I'M CLEA.

THIS IS JASON,
LeSHEA, AND MICHELLE.

HI.
SHOT IN THE DARK.

YOU'RE A NEW YORK
MODEL, RIGHT?

YEAH, I AM A MODEL,

BUT I'M ORIGINALLY
FROM NEBRASKA.

OH, DON'T TELL ME.

EVER SINCE YOU WERE
A LITTLE GIRL ON THE FARM,

IT'S ALWAYS BEEN YOUR DREAM
TO BECOME AN ACTRESS.

Man: OHH.

HEH HEH, WOW.

DANCER, ACTUALLY,

BUT IT DIDN'T WORK OUT.

LOOK, DO YOU HAVE
A PROBLEM WITH ME,

BECAUSE AS FUN AS IT IS

BEING REDUCED
TO A STEREOTYPE,

I THINK I'D RATHER EAT
THAT STACK OF HEADSHOTS

IN YOUR ARMS.

WHICH, INCIDENTALLY,
LOOK LIKE

THEY WERE TAKEN
ABOUT 10 YEARS AGO.

OHH.

BRIER, WAIT.

SHE DIDN'T MEAN IT.

PLEASE DON'T TELL ME
THAT OTHER ACTORS

ARE AS MEAN AND BITCHY
TO EACH OTHER AS MODELS.

WELCOME TO L.A.

GREAT.

UH, FORGET 15 MINUTES.

I LIED.

COME ON, BACK IN.

COME ON, YOU CAN
SIT WITH ME.

AND DON'T WORRY.

SHE'LL BE A LOT NICER
AFTER A FEW DRINKS.

ACTORS, ACTORS,
ACTORS.

WHAT'S UP, MAN?

WHAT'S UP, SHORTY?
WATCH THE SHOES.

SURE, SURE, DUDE.

♪ LITTLE FINGERS
ON MY SPINE ♪

♪ WHEN I OPEN UP
MY EYES ♪

♪ I WANT TO SEE YOUR FACE

THIS GUY RIGHT HERE,

HE SINGS
FROM HIS HEART.

I WANT TO THROW UP.

HIS WORK DEFIES
CLASSIFICATION.

BUT IF I HAD
TO TAKE A SHOT,

I'D SAY HE'S LIKE
JEFF BUCKLEY

CROSSED WITH
ELVIS COSTELLO.

YEAH,
I RECOGNIZE HIM.

MTV, RIGHT?

MTV?

DOES LUKE LOOK LIKE
A RAPPER TO YOU?

YEAH, YOU'RE RIGHT.
HE IS COOL, THOUGH.

LUKE HAS INTEGRITY.

HE WANTS TO MAKE IT,

BUT ON HIS OWN TERMS.

SO...

HAVE YOU GONE OUT?

THAT'S KIND OF
COMPLICATED.

HE'S LIKE
A BROTHER TO ME.

[APPLAUSE, CHEERING]

OW-OOH!

HEY, WHY DON'T YOU PLAY
SMART IN A STUPID WAY?

ALL RIGHT, SMART
IN A STUPID WAYIT IS,

BUT I NEED
A LITTLE HELP.

GET CLEA UP ONSTAGE.
GET HER UP THERE.

IS THE SEXIEST SINGER
IN L.A.

IN THE HOUSE TONIGHT?

[AUDIENCE APPLAUDING,
CHEERING]

♪ SHE HAD EYES LIKE CRAZY

♪ DIAMONDS

♪ AND RED

♪ FEET OF CLAY

♪ BEYOND THE WINDOW,
SHADOWS, THEY WERE GOLD ♪

♪ IT WAS A SMOGGY DAY

♪ SHE LOOKED UP
AND ASKED ME ♪

♪ IF I EVER HAD A LOVER

♪ THAT I DID NOT
BETRAY ♪

♪ DID NOT BETRAY

♪ AND I TURNED ON
THE RADIO ♪

♪ THE RADIO

♪ AND I LOOKED

♪ THE OTHER WAY

♪ SHE SAID,
"YOU'RE SMART ♪

♪ BUT IN A STUPID WAY"

♪ AND THIS IS
♪ THIS IS

♪ THE PRICE

♪ THAT HE PAYS

♪ FOR BEIN' SMART
IN A STUPID WAY ♪

♪ YOU STAND THERE STARIN'

♪ WHILE YOUR LOVER
WALKS AWAY ♪

Brendan:
SHE'S TIGHT, MAN.

LOOK. HEY, SCREW HIM.

LOOK, WE'RE TALKING
ABOUT OUR BOYS HERE:

THE ROUNDERS.

GROUNDED.

GROUNDED.
NOW, LOOK,

WE'RE GONNA
DO 4 SONGS,

NO
LINE CHORDS.

YOU'RE GONNA LEAVE 'EM
WANTIN' MORE.

IN ORDER--UP TO ME--

INTERNAL SPIKE--

STRIKE.

INTERNAL STRIKE,
CAR RIDE,

GOT IT.
WHICH VERSION?

THE SHORT ONE.

WHAT'S WRONG
WITH YOU?

♪ THE TRAIN

♪ JUST PULLED AWAY

♪ SOMETIMES I SMELL
THE PERFUME ♪

ANY OF YOU GUYS
KNOW THE NAME

OF THAT CHICK
OVER THERE?

NO.

IS THAT YOUR FRIEND?

I DON'T THINK SO.

HE'S JUST ANOTHER
RECORD COMPANY JACKASS.

I THINK HIS NAME'S
GARRETT SCHWECK.

PRETEND
HE'S NOT HERE.

OK.

♪ MAYBE I'LL

♪ GROW UP

♪ AND BE GOOD

♪ SOMEDAY

♪ MAYBE THIS PAIN I FEEL

♪ WILL GO

♪ AWAY

♪ AND THIS IS THE PRICE

♪ THAT YOU PAY

♪ FOR BEIN' SMART
IN A STUPID WAY ♪

♪ YOU STAND THERE STARIN'

♪ WHILE YOUR LOVER
WALKS AWAY ♪

♪ BEIN' SMART

♪ IN A STUPID WAY

[SONG ENDS]

THANK YOU.

THANK YOU.

I'M GONNA TAKE A BREAK.

I DO HAVE
AN ANNOUNCEMENT.

I MISPLACED A PAIR
OF GLOVES A WHILE BACK,

IF ANYBODY'S SEEN THEM.

OH, MY GOD,
YOU WERE FANTASTIC.

WELL, THANK YOU.

[INDISTINCT]
MY OLD OFFICE.

I'M NO LONGER
THERE.

I THOUGHT I RECOGNIZED YOU.

YOU FIGURED IT OUT.

YEAH. I THOUGHT
FOR A SECOND

THAT YOU WERE
MY THIRD-GRADE BOYFRIEND.

SO YOU'RE DISAPPOINTED?

NO. UM...

I'M A TAURUS.
HE WAS A BEDWETTER.

IT WOULD NEVER
HAVE WORKED OUT.

BUT YOU LOOK DIFFERENT,
LIKE, MANLY AND LIKE...BIGGER

AND MORE MANLIER...

BRIER,
YOU'RE BABBLING.

MORE GROWN-UP.

I'M LUKE.

BRIER.

SO, UM...

SIT.

THIS IS
MY BROTHER EUAN.

HIS VIEWS DO NOT
REFLECT MY OWN

OR MY FAMILY'S
IN ANY WAY.

I'M JUST GONNA
THROW IT OUT

RIGHT ON
THE TABLE RIGHT NOW:

NAKED FOLK SINGING.

[LAUGHING]

I DIDN'T
HEAR A "NO."

OK, KIDS, NEXT STOP:
L.A. BURGER.

YOU GRAB YOUR BROTHER.
WE'RE OUT OF HERE.

Clea: OH, WAIT.

SO YOU JUST...THREW
YOUR GLOVE AT HER?

NO. NO, NO, NO, NO.

IT WAS WAY MORE ROMANTIC
THAN THAT--SWEET.

I MUST HAVE LOOKED FOR YOU
ON THAT TRAIN FOR OVER A YEAR.

Clea:
AND NOW HERE HE IS.

SO WHAT'S UP WITH
THE MUSIC CAREER,

ROCK STAR?

THE NEW TRACKS
ARE HOT.

YEAH. YOU SOUNDED
REALLY GOOD TONIGHT.

WELL...THANKS.

SAME CRAP,
DIFFERENT DAY.

NO ALL THE A & R GUYS
ARE LIKE GARRETT...

THEY'RE JUST
INTERESTED AT FIRST

BUT, YOU KNOW,
THEN IT'S LIKE,

"WELL, WHY DIDN'T
ANYONE ELSE SIGN HIM?"

IT MUST BE REALLY HARD.

WELL...SOME DAYS,
BUT, YOU KNOW.

I GET TO PLAY LIVE
FOR PEOPLE.

I'D DO IT FOR FREE.

YOU PRETTY MUCH
DO, BROTHER.

EH, GOOD POINT.

YEAH, GOOD POINT.

I GOTTA GO.
I GOT A CALLBACK TOMORROW.

SHOWOFF.

YEAH. FOR
A DEODORANT COMMERCIAL.

IT'S GONNA MAKE ME A STAR.

Clea: OH, YES.

BYE. IT'S NICE
MEETING YOU...

AGAIN, RIGHT?

Brier: BYE.
YEAH, BYE.

[GIGGLES]

WELL?

WHAT?

YOU'RE LETTING HER
GET AWAY, JACKASS.

GO. GO GET HER. GO.

UH, UH...

BRIER?

HI.

I NEVER
GOT THE CHANCE

TO, UM...

I HAD A QUESTION.

UH-HUH?

CAN I--CAN I
CALL YOU SOMETIME?

OH, UM...

CAN I TAKE THAT GRUNT
AS A "YES"?

YOU'RE REALLY SWEET.

"SWEET"
AS IN "SWEET,"

OR "SWEET" AS IN A
BUSBOY GIVING YOU A HUG

ON YOUR BIRTHDAY?

WHAT?

SORRY. THAT MADE SENSE
IN MY HEAD.

[CHUCKLES] NO. YOU'RE--
YOU'RE REALLY NICE,

AND YOU'RE REALLY TALENTED
AND--AND HANDSOME

AND JUST--
THERE'S JUST--

BUT YOU HAVE A--
YOU HAVE A BOYFRIEND.

KIND OF.

"KIND OF"?

YES.

RIGHT. YOU SAID,
"KIND OF."

[CHUCKLES]

IT'S A LITTLE...

MIXED UP RIGHT NOW,

AND I PROMISED MYSELF
AS WELL AS MY BEST FRIEND

THAT I WOULDN'T GET INVOLVED
WITH ANOTHER MUSICIAN,

SO...UNDERSTAND,
ALL RIGHT?

NO.

I'M SORRY.

Clea: HEY, BRIER!

AHH! I'M SO GLAD
I CAUGHT YOU.

I'M ABOUT 4 MOJITOS
OVER THE LIMIT.

CAN I GRAB A RIDE?
YEAH, SURE.

THANK YOU, BRIER.

SEE YOU LATER, OK?

ALL RIGHT.

DUDE, ARE YOU
DOING IT AGAIN?

WHAT?

JUST WATCHING HER
GO AWAY?

WANNA TALK ABOUT IT?

TALK ABOUT WHAT?

WHY YOU'RE BEING AN IDIOT.

THIS PERFECTLY AMAZING,
TALENTED,

BEAUTIFUL GUY REAPPEARS
MAGICALLY IN YOUR LIFE.

YEAH, AND I
HAVE A BOYFRIEND.

YOU MEAN THE 40-YEAR-OLD
ROCK STAR WHO CHEATS ON YOU

AND HASN'T CALLED YOU
IN A MONTH?

MM. BREAK ME OFF
A PIECE OF THAT.

I DON'T KNOW HOW
TO GET OVER HIM.

I DON'T THINK YOU
FALL OUT OF LOVE

UNTIL YOU FALL
INTO SOMEONE ELSE.

TRADING ONE MUSICIAN
FOR ANOTHER?

PLUS, EVEN IF
HE DOESN'T MAKE IT,

LUKE'S STILL
GONNA BE MISERABLE.

AND WHEN HE
BECOMES SUCCESSFUL

AND GOES ON TOUR,
YOU'LL LOSE HIM TO THE ROAD.

YEAH, EXACTLY.

LOOK, LUKE'S AMAZING,
BUT...

BUT WHAT?

YOU DON'T THINK
HE'S GONNA MAKE IT?

I ASKED HIM ONCE
WHY HE KEPT AT IT.

HE JUST LAUGHED.
HE SAID IT WAS THE ONLY WAY

HE COULD THANK HIS DAD
FOR THE PIANO LESSONS.

THAT'S SUCH A LINE.

I KNOW.
FUNNY THING, THOUGH.

HE MEANT IT.

LISTEN,
IF I HAD THE CASH,

I WOULD PAY FOR
HIS RECORD MYSELF.

WAIT. WHY DON'T WE
DO SOMETHING FOR HIM?

WHAT? LIKE BECOME
HIS FIRST 2 GROUPIES?

BECAUSE I WOULD BE TOTALLY,
TOTALLY DOWN WITH THAT.

NO, NO, NO.
I'M TALKING ABOUT,

WE COULD CREATE
A TOTAL BUZZ ABOUT HIM.

YOU KNOW
HOW THAT GARRETT GUY

TOTALLY WORKED THE ROOM?
WE COULD DO THAT, EASY.

HE'S TALENTED.

YEAH, HE'S TALENTED.

WE COULD TOTALLY DO IT.

WE COULD GET THE INTERNET,
IMAGES...BUZZ.

DON'T YOU THINK
THAT'S A LITTLE BIT SNEAKY?

YEAH, IT'S SNEAKY,

BUT IT'S TOTALLY
FOR A GOOD CAUSE.

I'M NOT GONNA LIE
TO YOU, KIDDO.

YOUR PLAN'S BLATANTLY
MANIPULATIVE AND SNEAKY,

NOT TO MENTION
ETHICALLY QUESTIONABLE.

I AM SOIN.

THE THING IS,
THE GUY DESERVES IT.

I MEAN,
HE'S A REALLY GOOD GUY.

DOES THIS MEAN
WE'RE GETTING RID

OF THE WOMANIZING,
GRUNGE-ERA RELIC?

SORRY, CARRIE,
LUKE'S JUST A FRIEND.

SO YOU HAVE A GIRL
OR NOT?

JEN, WHO DO WE HAVE
WORKING ON THE COAST?

HOLD ON.
HERE IT IS.

A REALLY BEAUTIFUL
ALL-NATURAL BRAZILIAN--

OR...MAYBE
NOT SO NATURAL.

SUZIE,
THANK YOU SO MUCH.

MWA.
NO PROBLEM.

I LIKE MUSICIANS.

SO IS HE CUTE?

LET'S GET THIS CLEAR.

HE DOESN'T LOOK LIKE ONE
OF THE CALVIN KLEIN MEN.

OH, THEY'RE NOT MEN,
THEY'RE BOYS.

WHAT DOES
THAT MEAN?

I THINK IT'S
A LANGUAGE THING.

BUT WHY DON'T
WE GET GOING

'CAUSE I THINK
WE'RE GONNA BE LATE.

HOW LONG
HAVE YOU BEEN HERE?

I ARRIVED AN HOUR AGO,
ABOUT.

NO. I MEAN,
IN THIS COUNTRY.

HEY!

WHICH COUNTRY?

A LANGUAGE THING?

WHAT'S BRAZILIAN
FOR "MORON"?

LET'S JUST BE NICE.

Clea: OK.

♪ BABY, I CAN SEE IT

♪ EVEN WITH IT DOWN

♪ BABY, I CAN SEE IT

♪ EVEN WITH IT D-D-DOWN

YOU'RE FABULOUS.

THANKS. DO I KNOW YOU?

OH, PERHAPS YOU
SAW A COMMERCIAL:

COLOR, SOME SHAMPOO,

HAIR, LIKE I MADE IT,
PROBABLY BETTER.

SORRY. I DON'T KNOW.

NO MATTER, SEXY GUY.

HERE YOU GO.
WILL YOU TAKE A PICTURE

FOR ME AND MY FAMILY
IN BRAZIL.

SURE, SURE.

♪ YEAH

♪ OH OH-OH

♪ YOU MAY SEE...

YOU'VE GOT HIM, RICHARD.

AND SINCE I'M GIVING PAGE 6
THIS EXCLUSIVE,

THIS LAYOUT BETTER BE SPLASHY.

[CHEERING]

[CAMERA SHUTTER
CLICKING RAPIDLY]

♪ YOU LOOK GOOD

♪ OH, YOU SEE

♪ COME WITH ME

BUT YOU
DON'T UNDERSTAND.

I HAVE FRIENDS
BLOGGING THE WORLD.

YOU SHOULD SEE
THE WEBSITES POPPING UP.

LUKE EVEN HAS
HIS OWN CHAT ROOM.

EVERY LITTLE BIT
HELPS.

I LOVE YOU!
I LOVE YOU!

WHO'S THAT ONE
OVER THERE?

Brier: HOLY COW!

THIS MIGHT BE
WORKING.

[SCREAMING]

WHAT DID YOU GET,
ACTRESSES?

NOT RELIABLE ENOUGH.

STRIPPERS.

DID YOU JUST SAY,
"HOLY COW"?

WELL, YOU CAN TAKE
THE GIRL OFF THE FARM...

OH, SHUT UP.

HEY, HEY,
THERE'S GARRETT.

GO GET HIM.

COOL. DEAL.

JASON, YOU'RE ON.

Luke: ♪ THAT'S NOT ME

♪ I AM STRONG

♪ SO YOU

♪ KNOW WHAT TO DO

♪ YOU'RE A PURE

♪ EXAMPLE

♪ JUST A PURE EXAMPLE...

LOOKS LIKE YOUR BOY'S
GOT HIS MOJO BACK.

YOU SHOULD HAVE SIGNED HIM
WHEN YOU HAD THE CHANCE.

AND, UM, WHO SAYS
I STILL CAN'T?

I DON'T KNOW.

MAYBE MY FRIEND HERE
FROM ELEKTRA RECORDS.

ELEKTRA?

WELL, I KNOW A BUNCH
OF CATS DOWN AT YOUR LABEL,

BUT I DON'T BELIEVE
WE'VE MET.

GARRETT SCHWECK,
TANTRA.

[ENGLISH ACCENT]
DON'T KNOW IT.

BOND. JASON BOND,
A & R, LONDON.

WELL, BOND, YOU'RE A LONG WAY
FROM HOME, AREN'T YA?

AND I DAMNED WELL

BETTER NOT GO HOME
EMPTY-HANDED, HAD I?

WHY DON'T
I GIVE YOU SOMETHING

TO BRING BACK HOME
WITH YOU.

THAT COULD BE ARRANGED.

COME WITH ME,
MR. BOND.

I WOULD LOVE
FOR YOU TO CHARM ME

WITH YOUR DIRTY
ENGLISH BANTER.

[CHUCKLES] CHEERS.

CHEERIO, BOND.

KICK SOME BRITISH ASS.

INDEED, SIR.

HOLD ME BACK.

NICE TOUCH
ON THE ACCENT.

IMPROV, DAMN YOU!

♪ SOMEWHERE

♪ THE FIRE IN YOUR EYES

♪ CAN I HAVE YOUR NUMBER?

♪ SHOULD A SINGLE SUMMER

♪ PUT FIRE IN YOUR EYES?

♪ WHAT WOULD YOU SAY

♪ IF I OFFER YOU

♪ A SAFER PLACE?

♪ YOU'RE A PURE EXAMPLE

[SONG ENDS]

HE'S REALLY NOT THAT BAD,
THIS KID.

Brendan:
IT'S AWESOME.

SO I CAN BARELY
GET A SEAT

AT ONE OF YOUR SHOWS
ANYMORE.

[CHUCKLES] I KNOW.
IT'S CRAZY. IT JUST--

I DON'T KNOW WHAT
I'M DOING DIFFERENTLY.

I GUESS IT'S JUST
A TIMING THING,

YOU KNOW, RIGHT SONGS,
RIGHT CROWD.

YEAH.
THAT MUST BE IT.

OH, BY THE WAY, THE GUY FROM
TANTRA'S COMING BACK NEXT WEEK.

OH, GREAT.

YEAH, IT COULD BE.

HE SAID HE'S TRYING TO
MAKE AN ARTIST-RUNNING LABEL,

KIND OF LIKE PINK SANDS
USED TO BE.

WHAT'S PINK SANDS?

IT'S JUST THIS
OLD, COOL LABEL.

IT WAS STARTED BY THIS GUY
NAMED WICK TREADWAY.

WHERE IS HE NOW?

AHH...

I DON'T--

[GRUNTING]

WELL, APPARENTLY,
IT'S BREAK TIME.

YOU WANNA SIT?
SURE.

[ARF]

HEY. [WHISTLES]

Brier:
COME ON, PUP.

YEAH. SO LAST I HEARD,

HE WAS STARTIN' SOME MEGA RESORT
IN THE CARIBBEAN OR SOMETHIN'.

COOL.

YEAH.

SO ARE YOU--

ARE YOU COMIN'
MONDAY NIGHT?

DEPENDS.

ON WHAT?

IF CLEA AND I
ARE ON THE LIST.

CLEA AND YOU.

YOU KNOW, I'VE BEEN MEANIN'
TO ASK YOU ABOUT THAT.

ARE YOU GUYS, UM...

UM...

YOU KNOW...

[GIGGLING]

WHAT?

[LAUGHS] OF COURSE.

BECAUSE I DON'T WANT TO
DATE YOU, I'M GAY, RIGHT?

NO. THAT'S NOT WHAT I--

YEAH. IT OCCURRED TO ME.

YOU'RE GETTING
USED TO EVERY GIRL

THROWING THEMSELVES
AT YOU.

NOT EVERY GIRL'S
GONNA BE LIKE THAT.

I KNOW. IT'S JUST--

[CHUCKLES]

WHEN ARE WE GONNA BREAK OUT
OF THE FRIEND ZONE?

I'M INVOLVED.

NAH. I KNOW YOU SAY THAT,
BUT WHY HAVEN'T I SEEN HIM?

WHY HAVEN'T YOU--WHY DON'T
YOU EVER TALK ABOUT HIM?

IT DOESN'T MAKE ANY SENSE.

BECAUSE...

I DON'T KNOW WHY.

[CHEERING]

THANK YOU!

AAH!

WILL YOU SIGN THIS?

SURE.

[GIGGLING]

NICE TOUCH.

I WISH I WOULD
HAVE THOUGHT OF IT.

HEY, CAN I BUY A ROUND
OF DRINKS FOR THE TABLE?

WHICH ONE?

OH, WHAT THE HELL?
ALL OF 'EM.

HOW ABOUT JUST MY 6
UP FRONT, DADDY WARBUCKS?

ALL RIGHT, YOU GOT IT.

THANK YOU.

HI, SEXY GUY.

JOSIE.

LONG TIME NO SEE, BOO.

[CHUCKLES]

DID HE JUST
CALL HER, "BOO"?

YEAH.

WHO DOES HE THINK
HE IS--LUDACRIS?

COME ON, SWEETHEART.
DON'T BE SILLY.

YOU AND I BOTH KNOW
THAT SHE'S IN L.A.

I'M JUST GONNA INVITE HER
TO MY SHOW.

THAT'S GREAT, MICK,

BUT I'M THE THE MIDDLE
OF A TRIPLE WITCHING HOUR,

AND I'M NOT GIVING YOU
HER NUMBER,

NOR AM I GONNA CONFIRM
WHETHER OR NOT SHE'S IN L.A.

NICE TRY, THOUGH... LUV.

[BEEP]

TALENTLESS ASS.

WHAT WAS THAT?

SORRY. I THOUGHT
I HUNG UP.

NO, YOU DIDN'T.

Carrie: DAMN IT.

AHEM.

HELLO?

HELLO!!

HA! WELL THAT
GOT RID OF YOU...

CHAUVINIST CREEP.

NO, YOU DIDN'T, BABY.

[HANGS UP]

Man: THERE YOU GO.

YOU SURE LEFT IN
A HURRY THE OTHER NIGHT.

YEAH. I THOUGHT I WAS
COMIN' DOWN WITH SOMETHIN'.

BRAZILIAN FLU?

NOT FUNNY.

KINDA FUNNY.

WHY DON'T YOU JUST ADMIT
THAT YOU LIKE HIM?

WHY WOULD I DO
SOMETHING LIKE THAT?

BECAUSE IT'S TRUE.

I MEAN, COME ON.

IT'S NOT LIKE THE GUY'S
NOT INTERESTED IN YOU.

[SIGHS]
IT'S COMPLICATED.

[CLANG]

OOH! HOO HOO!

GOOD JOB!

ET TU, BRUTE.

DOES THAT MEAN
IT'S MY TURN?

OH, YES.

WATCH OUT HERE.

[CHUCKLES]

YOU KNOW, IT'S OK TO ADMIT
IF YOU'RE SCARED.

EXCUSE ME?

I'M NOT SCARED.

ANYWAYS, HOW WOULD
YOU KNOW? OBVIOUSLY,

YOU'VE NEVER HAD YOUR
HEART BROKEN BEFORE.

Man: SWING.

BRIER, JUST BE HONEST
WITH YOURSELF.

YOU ARE SCARED...

AND YOU'RE TOTALLY HIDING
BEHIND MICK.

WELL, HE'S MY BOYFRIEND.

YEAH, KINDA LIKE THE BOYFRIEND
I TOLD HARLEY SASSER ABOUT.

WHO'S HARLEY SASSER?

HE WAS MY BOYFRIEND AT CAMP
WHEN I WAS 14. [LAUGHS]

HE WAS SO HOT,
EVERY THURSDAY NIGHT,

WE'D SNEAK OUT AND MAKE OUT
BEHIND THE CRAFT SHOP.

THE PROBLEM WAS,
AS SUMMER WENT ON,

HE STARTED WANTING MORE.

MORE?

YOU KNOW, MORE.

OH...

ANYWAY, ONE WEEK

I DECIDED I WAS SICK
OF THE GROPING,

SO I CONFESSED TO HARLEY

THAT I HAD A BOYFRIEND BACK
IN L.A. NAMED TONY SAVATSKY.

I TOLD HIM
I FELT REALLY GUILTY,

AND THAT WAS THE END
OF HARLEY AND I.

OK, I GET IT.
YOU MADE UP THE OTHER GUY

SO YOU DIDN'T HAVE TO
GET FELT-UP ANYMORE.

OH, NO.

TONY SAVATSKY WAS REAL.

HE JUST HADN'T BEEN MY BOYFRIEND
IN 8 MONTHS.

UH, NOT TO RUSH YOU,
LUKE,

BUT COULD YOU JUST SIGN
THE DAMNED CONTRACT?

HOW IS THAT
NOT RUSHING ME?

YOU'RE RIGHT.

I'M SORRY.

LOOK, I WOULDN'T BE
ON EDGE LIKE THIS

IF I AND EVERYONE ELSE
AT TANTRA

DIDN'T HAVE SUCH A GIGANTIC
HARD-ON FOR YOU, KID!

AND I DON'T GET HARD
FOR JUST ANYONE.

THANKS.

TANTRA IS WHERE
YOU BELONG.

IT'S WHERE
YOU'LL GET RICH.

IT'S WHERE
YOU'LL BE HEARD.

LOOK, CHECK THIS OUT.

THIS GUY, LAST YEAR,
HE WAS LIVIN' IN THE STREETS,

A METH ADDICT.

SHE WAS TEACHING GYM
IN SOUTH CENTRAL.

THESE JACKASSES WERE
PLAYING PROMS IN PACOIMA.

YOU KNOW WHAT THEY
ALL HAVE IN COMMON, HMM?

WHAT?

ME. I BROKE 'EM,
EVERY LAST ONE OF 'EM,

AND I'M GONNA DO THE SAME
FOR YOU.

WHERE IS PACOIMA?

YOU CAN DICK AROUND
WITH YOUR MAJOR LABELS

ALL YOU WANT, LUKE,
BUT YOU GOTTA TRUST ME.

THE KEY IS TO STRIKE
WHEN THE IRON IS HOT.

[KNOCKING]
HE'S RIGHT, BABY.

THINK ABOUT IT.

Garrett, whispering:
HELP ME HERE, JOSIE.

HELLO.
HEY.

BRIER, COME IN.

HI.OH.

I DIDN'T KNOW
YOU HAD PEOPLE HERE.

THEY WERE
DISCUSSING BUSINESS,

AND GARRETT HAS
A LITTLE PROBLEM.

OH!

WELL, CLEARLY
THIS IS A WEIRD TIME.

Garrett: UH, NOT AT ALL!

I'M JUST TRYING TO GIVE
THE GUY A BAG FULL OF MONEY.

FORGET THEM.
COMIN' TO THE SHOW TONIGHT?

UM, I'M NOT SURE,

BUT I'M DEFINITELY
GONNA TRY.

PLEASE.

OK.

ALL RIGHT, TAKE CARE.

OK.

BUH-BYE.
SO LONG.

UH, LUKE?
AHEM. LUKE!

LET'S HOP TO IT.

THAT'S GREAT.

MORE TO YOUR LEFT.

PERFECT.

I CALLED HER,
AND I WAS LIKE,

"YEAH.
HE'S BEEN OUT."

YOU DON'T UNDERSTAND.
IT'S NOT GONNA WORK.

WHOA! SIR,
THIS IS A CLOSED SET.

Luke: I'M A GOOD
FRIEND OF BRIER'S.

OH, SURE YOU ARE,
YEAH. GOTTA GO.

IF YOU'D JUST
LET ME BY,

THAT'D BE EXCELLENT.
NO.

THANK YOU.
SECURITY.

HI.

LUKE, WHAT ARE YOU
DOING HERE?

I JUST WANTED YOU
TO BE THE FIRST TO KNOW

THAT, UM...I DID IT.

WHAT?

SIGNED A CONTRACT.
I'M WITH TANTRA.

OH.

I KNOW.
I'M STILL IN SHOCK.

GOD, I'VE BEEN DOING IT
FOR SO LONG,

AND THIS HAPPENED
SO FAST.

THAT'S REALLY GREAT.

CAN YOU GIVE US 2 MINUTES?

SURE. NO PROBLEM.

ANYWAY, UM...

I JUST WANTED TO THANK YOU.

WE BOTH KNOW HOW BIG A PART
YOU PLAYED IN ALL THIS.

ME?

YES. YOU'VE BEEN
SO SUPPORTIVE

AND SUCH A GOOD FRIEND,
AND--AND YOU INSPIRE ME.

I DO?

YEAH.

THERE YOU GO.

UM...

[CHUCKLES]

YOU KNOW WHAT?

WHAT?

WE SHOULD CELEBRATE.

WE SHOULD.

YES, YES.
WE SHOULD GO CELEBRATE

AT THIS REALLY
CELEBRATORY PLACE

THAT I THINK
YOU WOULD REALLY LIKE.

I MEAN, I LOVE IT.OK.

WE HAVE, LIKE,
10 MORE MINUTES,

ONE MORE SHOT,
AND THEN WE CAN...

YEAH.
MEET.

SHE'LL SHOW YOU
WHERE TO SIT, OK?

PERFECT.

HI.

WHAT WOULD YOU HAVE SAID
IF YOU HAD SEEN ME AGAIN?

I WOULD HAVE SAID

THAT YOU WERE THE MOST
BEAUTIFUL GIRL IN THE WORLD.

YOU?

UM...I WOULD HAVE SAID
PROBABLY THE SAME THING

I WOULD HAVE SAID TODAY,
BUT THEN.

[CHUCKLES]

WHICH IS?

"WHY DON'T YOU
HAVE A GIRLFRIEND?"

AH.

EH!

YEAH. WELL, I'M PRETTY MUCH
A SKEPTICAL SERIAL MONOGAMIST.

WHY IS THAT?

WELL, WHEN I FIGURED OUT

THAT THE CLOSER I GOT
TO MAKING IT

MORE WOMEN SEEMED TO
MATERIALIZE OUT OF THE VAPOR

AND WHEN THE DEALS DISAPPEARED,
SO DID THEY, SO...

WE'RE NOT ALL
LIKE THAT.

WELL...

YOU KNOW, I'VE BEEN
IN L. A. FOR 2 YEARS

AND I DIDN'T KNOW
THERE WAS A SUBWAY?

Woman: WE NEED
A LONGER CABLE!

Luke: I WAS KINDA PICTURING
A BAR OR SOMETHIN'.

Brier: [LAUGHS] A BAR?

YOU PLAY IN A BAR
EVERY NIGHT.

THAT'S BORING.

THIS IS SPECIAL.

YEAH, YEAH.
NOT IN THIS LIFETIME.

WHAT'S THE BIG DEAL?
THERE'S A NET.

YEAH, RIGHT.

ALL RIGHT,
YOU WATCHIN'?

Luke: YEP.
HERE GOES.

OH...[LAUGHS]

COME ON.

GIVE IT A TRY.

Luke: AH, YEAH.
SORRY.

MY RECORD CONTRACT
HAS A "NO DYING" CLAUSE.

ARE YOU BEING A WUSS?

Brier: YAY. [LAUGHS]

HYUP...OOH!

AHH...

Brier: YOU OK?
[LAUGHS]

[CHUCKLES]

YOU WANT HELP UP?

THANK YOU.
OK.

COME HERE.

YOU OK?

THIS PLACE SUCKS.

I HAVE SOMETHING FOR YOU.

THIS IS FROM
THE OTHER NIGHT.

IT'S KIND OF
A ROUGH MIX, BUT...

OH, MY GOD. THANK YOU.

EVERYTHING'S HAPPENED
SINCE YOU SHOWED UP, BRIER,

AND EVERYTHING'S HAPPENING,
AND...

I WANT YOU
TO BE MY GIRLFRIEND.

COME ON THE ROAD
WITH ME.

WE'LL SEE THE COUNTRY
TOGETHER.

[TELEPHONE RINGS]

[RING]

I'M SORRY.

THAT'S OK.

[RING]

[RING]

I'M SORRY.

HEY, WHAT'S UP,
PARTY GIRL?

Clea: TURN ON THE RADIO--
HOWARD STERN.

YOU KNOW I DON'T
LISTEN TO HIM.

CRAP! IT'S ENDING.

IT'S THAT FAKE
BRAZILIAN CHICK.

SHE'S GOING ON AND ON
ABOUT LUKE.

YOU'D THINK THAT
THEY WERE AN ITEM.

SHE WOULDN'T SHUT UP.

I'M SORRY I MISSED THAT.

UM, I GOTTA SCOOT.

I'LL CALL YOU LATER,
THOUGH, OK?

ALL RIGHT, BYE.

UM...

I CAN'T--
I CAN'T DO THIS.

WHAT?

ROCK STARS CAN'T
HAVE GIRLFRIENDS,

NOT REAL ONES.

BUT I'M NOT A ROCK STAR.
I'M A MUSICIAN.

YEAH, BUT YOU KNOW WHAT?

YOU SIGNED A CONTRACT,

AND IT'S NOT A QUESTION
OF "IF."

IT'S A QUESTION
OF WHEN.

HOW--HOW DO YOU KNOW THAT?

HOW CAN YOU SAY THAT?

HOW COULD YOU EVEN--

I'M SORRY.

I'M SORRY ABOUT EVERYTHING,
ESPECIALLY LAST NIGHT.

I SHOULDN'T
HAVE LET IT HAPPEN.

WAIT.

BRIER?

HEY!

COME BACK!

WHAT HAPPENED?

[BRUCE BARKS]

♪ STAY WITH ME AWHILE

♪ AND GENTLY BREAK ME
WITH YOUR SMILE ♪

GOOD. VERY GOOD.

YOU THOUGHT IT WAS GOOD?

YEAH. VERY GOOD.

ALL RIGHT, EVERYBODY,
TAKE A BREAK.

THANK YOU VERY MUCH.

IT WAS TIGHT, HUH?

GOOD SET.YEAH.

THAT WAS GREAT, MAN.

IT'S ALL GOOD.

JA RULE.
YEAH.

YOU'RE GONNA HAVE TO
SNAP OUT OF IT, LUKE.

SHE'S JUST ONE CHICK,

AND YOU'RE ON THE VERGE
OF FINDING OUT

JUST HOW MANY
THERE ARE OUT THERE.

I KNOW, I KNOW,
YOU'RE RIGHT.

LOOK, I'M NOT GONNA
BULLSHIT YOU, LUKE.

THE STATE OF MIND
YOU'RE IN

HELPED WITH THOSE
LAST COUPLE OF SONGS,

BUT WE'RE DONE
WITH THE BALLADS NOW,

AND WE'RE MOVING ON
TO THE POPPY STUFF.

SO YOU'RE
GONNA HAVE TO...

[LOUD] SNAP THE HELL
OUT OF IT, LUKE!

I PAY 10 LARGE A DAY
FOR THIS PLACE.

REMEMBER THIS...

IT'S NOT ABOUT THE MONEY.

[WHISPERS]
It's about the money.

NO, I KNOW,
YOU'RE RIGHT.

I'M WITH YOU 100%.

SCREW 100%. I WANT
MORE THAN 100%.

DO YOU HAVE ANY IDEA WHAT
WE HAVE IN STORE FOR YOU

OVER THE NEXT
FEW WEEKS? HUH?

[LOUD] BRENDAN,
COULD YOU COME IN--

[SOFTER] HERE.
PLEASE, BRENDAN.

TELL HIM WHAT WE HAVE
SCHEDULED FOR HIM

OVER THE NEXT
COUPLE OF WEEKS.

OK. WE'LL BE
IN THE STUDIO 24/7.

STARTING NEXT WEEK,
WE'LL MONITOR YOUR INTAKE.

NO CIGARETTES,
NO ALCOHOL.

NO MILK OR CITRUS
BEFORE RECORDING.

BEDTIME TO BE STRICTLY
OBSERVED--10 P.M.

THANK YOU.

WELCOME TO TANTRA.

[MUSIC PLAYING]

I LOVE THIS SONG, LUKE.

I LOVE IT!

[INDISTINCT TALKING]

OK, GOOD, GOOD.
COOL.

♪ DEATH ROW,
JUST LET US GO ♪

♪ THEY AIN'T GONNA MAKE IT

♪ I NEED A LOVE OF MINE

♪ YOUR COLD LINES
DANCING ON MY SPINE ♪

♪ YOU'RE HEADSTRONG

♪ HEADSTRONG

♪ UPTIGHT IN YOUR UNIFORM

AH! OK, LUKE,

WHOA. LET'S
TAKE A BREAK.

I GOT A LITTLE
SOMETHING--

WE GOT YOU A PRESENT
FOR ALL YOUR HARD WORK.

IT'S JUST A LITTLE
SOMETHING I WHIPPED UP.

I HAD NO IDEA YOU
WERE SUCH A CHEF.

OH, YEAH.

♪ THE WHOLE TIME I'LL
GIVE YOU ALL I OWE ♪

♪ STAY IN MY FAVOR

WERE YOU EXPECTING
SOMEONE ELSE?

NO. NO, JOSIE.
HEY.

♪ WALK OUT WHERE
THE LIONS LIE ♪

♪ AND SIMPLY COME UNDONE

♪ LET THE SICKOS STARE

♪ 'CAUSE THEY'LL NEVER
HAVE A LOVE LIKE OURS ♪

HOW ABOUT ME.
DO I GET A LITTLE KISS?

♪ STAY HIGH WITH
THE FALLING STARS ♪

♪ OH

♪ THIS IS LIVING

♪ OH

♪ THIS IS LIVING

[MUSIC PLAYING]

HEY, MAN.
HI.

I'M GLAD
YOU MADE IT.

I'M SORRY I CAN'T STAY.

YOU JUST WALKED IN
THE DOOR, MAN.

I KNOW, I KNOW.
I JUST--I JUST--IT'S--

IT'S JUST
NOT MY SCENE.

SINCE WHEN DO YOU
HAVE A SCENE, MAN?

YOU GOTTA STAY
FOR MY SAX SOLO.

WE CAN'T, WE CAN'T.
I'VE GOT A PARTY

IN THE HILLS
WE NEED TO GO TO.

IF WE GET OUT EARLY,
I'LL COME BACK.

I'VE BEEN TRYING TO GET
IN TOUCH WITH YOU ALL WEEK.

NO, I KNOW,
BUT YOU'RE COMING

TO THE VIPER ROOM
TOMORROW, RIGHT?

I'LL SEE YOU THERE.

YEAH. I DON'T REALLY
KNOW IF THAT'S MY SCENE.

YOU ARE SO FUNNY.

I'LL SEE YOU THERE.

♪ OH

♪ THIS IS LIVING

♪ OH

♪ THIS IS LIVING

[CROWD CHATTER]

[CAMERA SHUTTERS
CLICKING]

THERE'S MICK BENSON!

[TIRES SQUEAL]

OH!

WHOO!

♪ UH-UHH

YOU SLEPT WITH HIM,
DIDN'T YOU?

NO. WE JUST MESSED AROUND,
BUT THIS IS DIFFERENT.

I THOUGHT I LOVED HIM.

AND NOW YOU DON'T?
NO.

I MEAN, MAYBE, YEAH.
SOMETIMES.

SOMETIMES? WHAT THE HELL
DOES THAT MEAN?

IT MEANS I'M MIXED UP.

MICK'S BEEN LOOKING
FOR YOU.

I CAN HANDLE MICK.

MAYBE I SHOULD FED EX
YOU SOME PEPPER SPRAY.

I'LL BE FINE.
I CAN HANDLE HIM.

IT'S NOT MICK THAT
I'M WORRIED ABOUT.

YOU'RE NOT?

I'M MORE WORRIED
ABOUT THIS LUKE GUY.

CARRIE, I WAS THE ONE

WHO HIT THE EJECT BUTTON
ON THIS, ALL RIGHT?

REALLY? OR WAS IT
MORE LIKE PAUSE?

WHERE ARE YOU
GONNA STAY?

YOU KNOW, OUR DRUMMER'S
BROTHER'S ROOMMATE

HAS A COUSIN.

HE JUST MOVED IN
WITH HIS GIRLFRIEND,

SO I'LL JUST CRASH
AT HIS PLACE.

WHY ARE YOU LEAVING?

SO YOU CAN
SPEND SOME MORE TIME

WITH YOUR PSYCHO
BRAZILIAN GIRLFRIEND.

WHICH MEANS?

WHICH MEANS,
SPECIFICALLY?

YEAH, SPECIFICALLY.

IT MEANS YOU'RE DATING
DARTH VADER IN DRAG.

NO. SHE'S NOT LIKE THAT.

[LAUGHS] LOOK, MAN,

YOU DON'T HAVE TO
GO OUT WITH A GIRL

WHO'S LOOKING OVER YOUR
SHOULDER EVERY 5 MINUTES

TO SEE IF LEONARDO DiCAPRIO
JUST WALKED IN THE ROOM.

IN L.A.?
NOT HAPPENING.

THEN MOVE.

GET THE HELL
OUT OF HERE.

OR BETTER YET, FIND
A GIRL WHO JUST MOVED HERE.

DO YOU KNOW ANYONE
LIKE THAT?

DO YOU KNOW ANYONE THAT
JUST MOVED HERE, LUKE?

I GOT A PHOTO SPREAD TO
GO TO. YOU WANNA COME?

OH, I WOULD LOVE TO.
CAN I?

YEAH. WELL,
I'LL SEE YOU THERE.

TAKE PRETTY PICTURES.

[HITS BALL]

[HITS BALL]

[HITS BALL]

[HITS BALL]

OLD HABITS DIE HARD.

[HITS BALL]

KNEW I SHOULD HAVE GOTTEN
A RESTRAINING ORDER.

[HITS BALL]

HELLO, MICK.

HELLO, LOVE.

I BROUGHT YOU
A BOX OF HOHOs.

CUT IT OUT WITH
THE "LOVE" CRAP.

WE JUST WRAPPED L.A.,

AND WE'RE GONNA
COME BACK AND DO

ANOTHER GIG NEXT WEEK
AFTER SAN DIEGO.

I WAS KIND OF
HOPING YOU'D COME.

YOU WERE HOPING WRONG.

THE BOYS KEEP
ASKING ABOUT YOU.

I DON'T RATHER ENJOY
HEARING ABOUT THE--

WHAT HAPPENED
TO YOUR TWINS?

THEY JUST WANTED
PUBLICITY.

LOOK, I'M SORRY,
BABY.

I SHOULD HAVE
MADE US A PRIORITY.

[SIGHS]

I CAN FORGIVE YOU, MICK.

I JUST CAN'T FORGET
HOW YOU TREATED ME.

THERE'S A START.

COME AND HAVE DINNER
WITH ME NEXT WEEK

AFTER THE SHOW.

NO, THANKS.
COME ON, BRI.

FOR OLD TIME'S SAKE.

WE USED TO HAVE A LOT
OF FUN TOGETHER.

YEAH, BEFORE YOU
SCREWED EVERYTHING UP.

HEY, YOU'RE RIGHT.
I DID,

AND I WANT TO
MAKE IT UP TO YOU.

LOOK, WE WEREN'T
JUST LOVERS.

YOU WERE
MY BEST FRIEND.

COME AND HAVE
DINNER WITH ME.

NO.

COME AND HAVE
LUNCH WITH ME.

YOU DON'T EVEN WAKE UP
BEFORE 5:00.

YOU'RE RIGHT,
SO LET'S HAVE

A VERY EARLY
DINNER AT 6:00,

BEFORE THE SHOW.

IT IS STILL LIGHT
AT 6:00, YOU KNOW.

NOT LONG ENOUGH.

BRI, PLEASE, THERE
ARE SOME THINGS

THAT I REALLY NEED
TO SAY TO YOU.

I HAVE TO GO PEE.

HEY, MICK. MICK.

CAN YOU SIGN A BALL
FOR ME?

MY SISTERS ARE
YOUR BIGGEST FANS...

EVEN BEFORE THEY BOTH WON
THE MISS WORLD BIKINI.

BOTH OF THEM?

YEAH. THEY'RE TWINS.

[CRACKS NECK]

HOW LONG AGO WAS THAT?

OH, THEY'VE ALWAYS
BEEN TWINS.

YEAH, I KNOW.
I REALIZE THAT.

HOW LONG AGO DID THEY
WIN THE, UM...

SWIMMING COMPETITION?

OH, IT WAS ABOUT
A YEAR AGO.

MY MOTHER MADE THEM
WAIT TO ENTER

UNTIL THEY BOTH
TURNED 18.

OH.

LOOK. I GOT
PICTURES OF 'EM.

Carrie: YOU'RE AT MICK'S
PLACE, AREN'T YOU?

HE FOUND YOU.

WHAT? NO. I'M IN
THE MEN'S BATHROOM.

WELL, IT COULD BE WORSE.

CAN YOU SMELL HIM
FROM WHERE YOU ARE?

WHAT? NO.

WE'VE TALKED ABOUT
THIS STUFF, REMEMBER?

PHEROMONES?

YOU REALLY BELIEVE
IN THAT CRAP?

I ABSOLUTELY DO.

DO YOU HAVE ANY
PERFUME ON YOU?

YEAH. I HAVE
SOME POSSESSION.

THAT'S IRONIC.

THANK YOU, CARRIE.

LOOK, WHAT I NEED
YOU TO DO IS SPRAY

A WHOLE LOT OF IT
ON YOUR FINGERTIPS

AND THEN I NEED YOU
TO RUB THE INSIDES

OF BOTH
YOUR NOSTRILS.

OH, GOOD LORD.
HOLD ON, OK?

[INHALES]

OH, MOTHER--

[KNOCK ON DOOR]

LOOK HERE. THAT'S
LITTLE MAMITA,

AND WE CALL HER
LA NIÑA.

THAT'S BY THE POOL.

[SNEEZES]

GOD BLESS YOU.

THANK YOU.

[SPEAKING SPANISH]

[SPEAKING SPANISH]

UH...HIS MOTHER'S
VERY SICK,

AND SHE'S A BIG FAN
OF MINE,

SO I SAID I'D SEND
HER SOME CDs.

OH, SO SORRY
TO HEAR THAT.

SO SWEET OF YOU.

YOU SHOULD ALSO KNOW THAT...

[SPEAKING SPANISH]

CLARO.HEH HEH HEH!

SO, THAT BEING SAID,

BUENOS NOCHES.

[SPEAKING SPANISH]

MICK, I'M SORRY
ABOUT THAT, MAN.

YEAH. WHATEVER.

HEY, DON'T BE LIKE THAT.
LET ME GET A HOHO.

COME ON, MAN.
DON'T BE LIKE THAT, DAWG.

MICK HEARS WHAT
HE WANTS TO HEAR,

BUT YEAH, THINGS RUN
THEIR COURSE, YOU KNOW?

BESIDES, IT'S MORE OF
A PHYSICAL THING.

OK. ASSUMING
THAT I BELIEVE YOU--

WHICH, BY THE WAY,
I DON'T--

WHAT ARE YOU GONNA
DO ABOUT LUKE?

AND BY THE WAY,
HE'S NOT COMING HERE.

BRI, HELLO.
IT'S NOT HIM.

HI.
HI.

UH...

I DON'T KNOW.

GUYS JUST
GET IN THE WAY.

BESIDES, I HAVE
YOU, DON'T I?

RIGHT.

DON'T LOOK SO SAD.

YOU EVER HAD THAT FEELING

LIKE YOU'RE 2 PLACES
AT ONCE?

LUKEY, COME ON.
COME OVER HERE.

YOU NEED TO RELAX.

YOU GO ON
IN HALF AN HOUR.

I'M SORRY.

I--

I'M--I'M NOT
READY FOR THIS.

[SIRENS]

[MUSIC PLAYING]

[CHEERING]

♪ OH, PRAISE GOD,
I'M ALL IN FEAR ♪

♪ SO HOPING MY SOUL
IS YOURS ♪

♪ OH, DEAR GOD,
MY LOVE IS STRONG ♪

♪ THROW THIS DOG
ANOTHER BONE ♪

♪ OH

♪ THIS IS LIVING

♪ OH

♪ THIS IS LIVING

♪ MAYBE I CAN SEE YOU
IN THE EVENING ♪

♪ WITH THE LIGHT ON

♪ DEATH ROW,
JUST LET US GO ♪

♪ THEY AIN'T GONNA
MAKE IT ♪

YOU ARE SO HOT!

LET'S SEE
WHAT YOU GOT.

AAH!

AAH!

[SHATTERING GLASS]

STAY OFF THE STAGE!

YOU BITCH!

AAH!

[WOMEN ARGUING]

♪ LIVIN'

♪ LOVE

♪ YEAH

[OVERLAPPING YELLING
AND SCREAMING]

♪ YEAH

♪ YEAH

LUKE!

♪ UH-UH-UH-UH-UH-UH-UH-OH

♪ OH, YEAH

[CHEERING]

[KNOCKS]

HELLO?

COME ON IN.

LUKE?

HI.

OH. HEY, WHAT'S HAPPENING?

YOU MOVING?

YEAH.

I GOTTA GET OUT OF HERE.

YOU CAN ACTUALLY HELP ME.

IT'S JUST A BOX.

OK.

THERE'S NOT ENOUGH
ROOM IN HERE FOR...

LUKE, HIS GIGANTIC EGO,

AND HIS FANTASTIC
GIRLFRIEND.

I DIDN'T KNOW
HE HAD A GIRLFRIEND.

OH, YEAH. YOU KNOW
THAT SOUTH AMERICAN WOMBAT

HE'S BEEN SEEING?
WHO, BY THE WAY,

IS ABOUT AS SMART
AS THAT PLANT.

YEAH. I--I THOUGHT
THEY WERE JUST FRIENDS.

OH, THEY WERE JUST FRIENDS
UNTIL A COUPLE OF WEEKS AGO

WHEN SHE MADE
HER BIG MOVE.

OOH, WAIT, HOLD ON.
SHE'S MOVING IN?

NO, NO,
SHE'S NOT MOVING IN.

SHE'S JUST...

A LOVE TAXI.
DON'T WORRY ABOUT IT.

A WHAT?

LUKE'S JUST
TAKING A RIDE.

IT WON'T LAST.

HOW--HOW DO YOU KNOW
IT WON'T LAST?

BECAUSE I'VE ONLY SEEN
LUKE IN LOVE 2 TIMES.

THE FIRST TIME
WAS WITH WENDY MARCUS,

AND THAT GIRL DROVE HIM
TO POETRY, SO...

[LAUGHS] THAT'S SWEET.

YEAH, SHE WAS THE HOT GIRL
IN SEVENTH GRADE

THAT EVERY GUY
HAD A CRUSH ON,

AND LUKE WAS
JUST THE ONE WHO...

GOT SOME?

GOT ME IN THE GROIN,
ACTUALLY.

OHH! OUCH.

BUT, YOU KNOW, THAT'S...

WHAT LOVE IS SOMETIMES.

BUT IT DOESN'T ALWAYS
HAVE TO BE THAT WAY.

YOU KNOW? SOMETIMES
IT ACTUALLY WORKS OUT

BETWEEN TWO PEOPLE.

ESPECIALLY IF ONE OF THEM
IS WILLING TO TAKE A CHANCE.

WHAT, YOUR BROTHER?

ARE YOU DENYING
THAT THERE IS SOMETHING

BETWEEN YOU GUYS?
SERIOUSLY.

I DON'T KNOW.

[LAUGHS]

I DON'T KNOW.
IT'S JUST--

HE'S HAD A LITTLE SUCCESS,

AND LOOK WHAT
HE'S TURNED INTO.

THIS IS NOT GONNA LAST,
I PROMISE YOU THAT.

LUKE IS LOYAL--

OK.
THIS IS MY PLACE.

HE'S KIND TO ANIMALS.

I WOULD GO OUT
WITH THE GUY--

IF HE WEREN'T A GUY.

AND IF--IF HE WEREN'T
MY BROTHER, I GUESS.

SO WENDY MARCUS
AND WHO?

WHAT?

YOU SAID 2 LOVES.

WOMEN HAVE
THIS AMAZING ABILITY

TO HEAR SOMETHING
IN THE BEGINNING

OF A CONVERSATION

AND JUST, LIKE, BRING IT
RIGHT BACK INTO THE CONVERSA--

WENDY MARCUS AND WHO?

WHY DON'T YOU JUST
ASK HIM YOURSELF?

OK, BRIER?

OK.

GOOD NIGHT.

SO LONG.

YOU GO GET HIM.

I'LL TRY.

THEY LOCKED ME
IN A ROOM UPSTAIRS

FOR AN HOUR.

LIKE A CRIMINAL. OK?

ASSAULT IS AGAINST THE LAW.

WHATEVER.

HI.

HI.

OK, SO TELL ME,
DID YOU DATE HER?

I DIDN'T GO OUT
WITH HER.

WE WENT OUT BEFORE
YOU AND I WERE ANYTHING.

UH-HUH. AND?

AND THEN SHE BLEW ME OFF.

YOU HAVE A LOT
IN COMMON.

ALL RIGHT...[SIGHS]

YOU KNOW WHAT?

YOU HAVE NO IDEA
WHAT A JOKE YOU ARE. OK?

[CHUCKLES]

THEY HIRED ME
TO GET YOU NOTICED.

YEAH.

BUT SHE KNOWS.

IT WAS HER IDEA.

HUH.

EXCUSE ME.

WAIT.

[POLICE RADIO CHATTER]

SO YOU JUST PRETENDED
TO LIKE THE MUSIC.

NO, NO, NO, NO.

WE ALL REALLY LIKED
THE MUSIC.

WE JUST--WE PRETENDED
WE LIKED YOU, LIKE...

LIKED YOU LIKED YOU.

I CAN'T BELIEVE
I FELL FOR THAT.

I'M SUCH AN IDIOT.

IT SEEMED LIKE A GOOD
IDEA AT THE TIME.

[TIRES SCREECHING]

GOD, SHE'S PISSED.

LOOK.

ALL WE TRIED TO DO--
LISTEN!

WAS TRY TO MAKE A NICE GUY
A ROCK STAR.

Luke: I'M NOT A ROCK STAR.

I'M NOT EVEN CLOSE.

BUT YOU WANT TO BE.

NO, WAIT.

LOOK...
I REALLY LIKE YOU.

BUT THE LAST PLACE
THAT I CAN BE

BECAUSE OF MY PAST--

HUH! MICK?

HOW DID YOU KNOW THAT?

EUAN GOOGLED YOU.

I NEVER MEANT TO HURT YOU.

Luke: YEAH, WELL, NEWS FLASH--
YOU DIDN'T HURT ME.

YOU KILLED ME.
THANK YOU.

[TRAFFIC REPORT IN SPANISH]

JOSIE, MUSICIANS,
THEY'RE SCUM.

THEY CAN'T HELP
THEMSELVES.

I KNOW THESE THINGS.

YOU NEED SOMEONE OLDER,
MORE MATURE,

WHO CAN REALLY
PAY ATTENTION TO YOU.

TRUST ME.
LET'S HAVE SOME COFFEE.

COME ON.

[CRYING]

HE FAKED EVERYONE OUT.

ALL THOSE PEOPLE
YOU MET THAT NIGHT,

THEY WERE JUST
OUT OF WORK ACTORS

THAT WERE PRETENDING
TO LIKE HIM

SO THAT
YOU WOULD SIGN HIM.

ALL OF THEM?

YEAH.

ARE YOU SERIOUS?

HELLO.

WHAT CAN I GET
FOR YOU TODAY?

I BELIEVE THAT
YOU'VE MET JASON BOND...

FROM ELECTRA.

NO HARD FEELINGS, DUDE.

UH, MUFFIN?

BOND. I'M GONNA--

[SHOUTING]

I'M GONNA--I'M GONNA--

[PLATES CRASHING]

DUDE, YOU'RE GONNA
GET ME FIRED.

I DON'T CARE!

YOU'RE NOTHIN', BOND!
YOU'RE MEEK!

I'M VERY SORRY
TO REPORT

THAT AS OF THIS MOMENT,

LUKE FALCON
WILL NO LONGER

BE PART OF OUR ROSTER.

LUKE IS BATTLING
MANY, MANY DEMONS,

INCLUDING THE ONE

WHERE YOU CAN'T EVEN
LEAVE YOUR HOUSE.

ARACHNOPHOBIA.

[WHISPERING]
Fear of spiders.

AND HE HAS A FEAR
OF SPIDERS.

BILL FROM SANTA MONICA,
YOU'RE ON WITH LUKE FALCON.

Bill: JOE, LUKE.
I JUST READ ON THE INTERNET

YOU JUST GOT DROPPED
FROM YOUR LABEL, MAN.

[ALL TAKING DEEP BREATH]

Together: TAN...TRA!

LET'S GO TO WAR, GENTLEMEN.

♪ TELL ME ALL YOUR SECRETS

♪ AND I'LL TELL YOU...

I CAN'T DO THIS.

♪ SOME OF MINE

♪ TELL ME...

[ANSWERING MACHINE BEEPS]
LUKE, THIS IS BRENDAN

FROM GARRETT'S OFFICE.

UH, LISTEN...

GARRETT WANTED ME
TO LET YOU KNOW

THAT WE'VE DECIDED NOT TO
GO FORWARD WITH YOUR RECORD,

AND FOR THAT MATTER,

WE WON'T BE PICKING UP
OUR OPTION.

UH, SORRY TO BE--

[BEEP]

HEY, LUKE, IT'S BRENDAN.

WE NEED TO GET THE WORK--
[BEEP]

Brier: HEY, LUKE, I HAVEN'T
HEARD FROM YOU IN A WHILE.

[BEEP]

LUKE, YO, IT'S RAMON
FROM THE DRAGONFLY.

I'M GONNA HAVE TO CANCEL
YOUR SHOW FOR NEXT WEEK.

I'LL CALL YOU BACK
IN A COUPLE MONTHS

IF ANYTHING OPENS UP.

[BEEP]

Woman: THIS MESSAGE
IS FOR LUKE FALCON.

THIS IS PEGGY
FROM TANTRA LEASING.

IT SEEMS THAT LAST MONTH'S
PORSCHE PAYMENT DIDN'T ARRIVE,

AND AS YOU MIGHT HAVE GUESSED,

WE CONSIDER THE FIRST PAYMENT
TO BE VERY IMPORTANT.

[CAR ALARM]

ANY QUESTIONS,
I CAN BE REACHED...

Tow truck driver:
THAT'S IT. GOOD TO GO.

HEY! THAT'S MY CAR!

Luke: I'M NOT HERE RIGHT NOW,
SO LEAVE A MESSAGE. [BEEP]

HEY, LUKE, IT'S BRIER.

I KNOW. I'VE OFFICIALLY
CROSSED OVER

INTO STALKING TERRITORY, BUT...

[BEEP] HEY, LUKE,
IT'S YOUR BROTHER.

YOU REMEMBER ME? LOOK,
MY PLACE IS RIGHT UP THE STREET.

WHY DON'T YOU
COME CHECK IT OUT?

THIS IS LUKE.
I'M NOT HERE RIGHT NOW,

SO LEAVE A MESSAGE.

[BEEP]

UH, HEY, LUKE,
IT'S BRIER.

I, UM, I'M REALLY
WORRIED ABOUT YOU,

AND I MISS YOU.

I WANT YOU TO CALL ME BACK.

OK?

HE'S REALLY MAD.

YEAH. AND HE MIGHT NEED
TO BE BITCH SLAPPED.

BUT HE'LL BE ALL RIGHT.

YOU'RE GONNA HAVE TO
GET ME OUT OF THIS.

MAYBE IT'S WHEN YOU REALIZE
HOW MUCH YOU MISS HER

AND HOW IT'S, LIKE,
THE FEELING OF BEING HURT,

FEELING LIKE YOU NEED
SOMEBODY SO MUCH.

[SINGING UNDER
HIS BREATH]

LIKE SUCH AN EMPTY FEELING.

YOU KNOW WHAT I MEAN?

NO, I DO.

I'D JUST DUMP HIM.
I DON'T EVEN THINK ABOUT HIM.

YOU READY?
YOU WANT TO DO IT AGAIN.

Clea: YEAH. SURE.

♪ TAKE IT BACK,
TAKE IT ALL BACK NOW ♪

♪ THE THINGS I GAVE

♪ LIKE THE TASTE OF MY KISS
ON YOUR LIPS ♪

♪ I MISS THAT NOW

CHORUS.

♪ ALL THOSE THINGS
LEFT UNDISCOVERED ♪

GO.
THAT'S GOOD.

♪ LEAVE ME EMPTY
AND LEFT TO WONDER ♪

♪ NOW I NEED YOU

♪ YEAH, I NEED YOU

♪ DON'T WALK AWAY

♪ WALK AWAY
1...2...3...

[GIGGLES]

YEAH.

GOD, I'M BEEN
SUCH A JERK.

WE WERE THE ONES
WHO SCREWED UP.

WE LET IT GO
WAY TOO FAR,

AND I'M SORRY.

AND I KNOW SHE IS.

WELL, AT LEAST WE GOT
A SONG OUT OF IT.

BUT WAS INEVITABLE.

IT WAS ONLY GONNA BE
SHORT-TERM. WE KNEW THAT.

HOW ABOUT IT?

SHORTEST MUSIC CAREER
IN HISTORY.

IT'S NOT ABOUT CAREERS.

IN MUSIC,
PASSIONS ENJOY THEMSELVES.

YEAH.

OH. NICE.

[ROCK SONG PLAYING]

IS THAT A PHONE?

RING TONES.

IT'S THE FUTURE.

HELLO.

[SIGHS]

THAT'S WHAT HAPPENS

WHEN YOU TRY TO GIVE
YOURSELF A COLONIC.

I'M SURPRISED THE GUY
CAN EVEN STAND UP.

DRINK A LOT OF FLUIDS,
I GUESS, AND, UH...

YOU KNOW WHAT?
ACTUALLY,

I THINK I'M LOOKING
AT THE SOLUTION

TO YOUR PROBLEM RIGHT NOW.

LET ME CALL YOU
RIGHT BACK, ALL RIGHT?

HEY, UH, HEY,
LITTLE BROTHER.

YEAH?

HOW WOULD YOU FEEL ABOUT...

GETTIN' A LITTLE FUNKY?

[MUSIC PLAYING]

[CROWD CHEERING]

♪ I MET YOU
ON SOMEBODY'S ISLAND ♪

♪ YOU THOUGHT YOU HAD
KNOWN ME BEFORE ♪

♪ I BROUGHT YOU
A CRATE OF PAPAYA ♪

♪ AND WAITED ALL NIGHT
BY YOUR DOOR ♪

♪ YOU PROBABLY
WOULDN'T REMEMBER ♪

♪ I PROBABLY COULDN'T FORGET

♪ JUNGLE LOVE IN THE SURF
IN THE POURING RAIN ♪

♪ EVERYTHING'S BETTER WHEN WET

♪ JUNGLE LOVE,
IT'S DRIVIN' ME MAD ♪

♪ IT'S MAKIN' ME CRAZY

♪ JUNGLE LOVE,
IT'S DRIVIN' ME MAD ♪

♪ IT'S MAKIN' ME CRAZY,
CRAZY ♪

♪ JUNGLE LOVE,
IT'S DRIVIN' ME MAD ♪

♪ IT'S MAKIN' ME CRAZY,
CRAZY ♪

♪ JUNGLE LOVE,
IT'S DRIVIN' ME MAD ♪

♪ IT'S MAKIN' ME CRAZY

WHO'S GETTING
THE HOT CHICKS NOW?

NICE THONG, MAN.

[SONG ENDS, CHEERING]

HERE ARE YOUR PLANE
TICKETS

FOR THE REDEYE
ON MONDAY NIGHT.

YOU'LL HAVE ONE DAY
IN NEW YORK,

AND THEN YOU'RE OFF
TO THE CARIBBEAN

FOR 2 DAYS.

I DON'T KNOW
IF I CAN DO THIS.

YOU BETTER
SUCK IT UP, GIRLIE.

THIS ONE'S
NON-NEGOTIABLE.

YOU'RE A FAN
OF TOUGH LOVE.

NO, WHEN I AM BEING
TOUGH WITH YOU,

YOU'LL KNOW IT.

NOW, WHEN DO I
GET TO MEET

THIS LUKE CHARACTER?

I DON'T KNOW.
HE WON'T TALK TO ME.

WHY?
ALL YOU TRIED TO DO

WAS JUMP-START
HIS CAREER.

QUITE SELFLESSLY,
I MIGHT ADD.

BEFORE IT TURNED TO CRAP.

OH, COME ON.

THAT REMAINS TO BE SEEN.

YOU WANT TO
GET OUT OF HERE?

OH, PLEASE, GOD.

I WANT TO MEET
SOME OF THESE

L.A. HIPSTER
FRIENDS OF YOURS.

OK, HERE IT COMES.

JUST REMEMBER,
YOU GOTTA SMILE,

YOU GOTTA--OH, GOD,
HE LOOKS AWFULLY MEAN.

SMILE.

AHEM! HI!

EXCUSE ME. HI.

I'M--I'M BRIER.
HOW ARE YOU?

I'M CLEA.

HI. THIS IS CLEA.

UM, WE WERE WONDERING
ABOUT LUKE.

WE HAVEN'T SEEN HIM
HERE IN A WHILE.

WE ADORE HIM.
WE ADORE HIM.

OH, MY GOD. WHAT COLOR
ARE YOUR EYES?

[YIPPING]

THINK POSITIVE.

[YIP]

[BEEP]

HEY, LUKE.
IT'S BEN, FROM THE MINT.

YEAH, I KNOW. HEY,
IT'S A SHOT IN THE DARK,

BUT I WAS HOPING YOU COULD
FILL IN NEXT MONDAY.

GIVE ME A CALL.

THANK GOD.

[LOW CONVERSATION]

[CLEARS THROAT]

EXCUSE ME.

HELLO.

I HAVE AN ANNOUNCEMENT
TO MAKE.

THIS LOOKS SERIOUS.

I'VE MADE A DECISION,
AND...

I'M MOVING BACK TO NEW YORK.

TO THE INTELLECTUALLY
STIMULATING

WORLD OF MODELING.

YES.

THAT AND IN PURSUIT
OF LANDING

AN OFF-OFF-OFF-BROADWAY
PART.

JUST LIKE THAT?

WOW. WHERE DID THIS
COME FROM?

I DON'T KNOW.

I MISS THE CHANGE
IN SEASONS.

I GOTTA DO SOMETHING
DIFFERENT.

IT'S GOOD, RIGHT?

IT'S GREAT, BRIER.

YEAH, IT'S GREAT.

CLEA...

YOU UNDERSTAND,
DON'T YOU?

EUAN?

[LOW CHATTER]

EUAN?

[CHATTER AND LAUGHTER]

EUAN.

HEY--WHAT? OH.

HEY, COULD I TALK TO YOU
FOR A SECOND?

UH, YEAH, YEAH,
BUT, UH, THESE GIRLS

REALLY AREN'T GETTING
ENOUGH POTASSIUM, SO I--

YEAH, I CAN SEE. DO YOU
THINK WITH BRIER IT WAS LAME?

NO, NOT LAME.

A LITTLE
MACHIAVELLIAN, MAYBE.

BUT WHAT DOES BRIER
HAVE TO GAIN?

NOTHING.
SHE'S JUST TRYING TO--

COME ON, BABY.

SHE'S JUST TRYING TO SEND
YOU A LITTLE WHITE LIGHT.

ALL RIGHT, SO BASICALLY
I'M AN UNGRATEFUL ASS.

YEAH, PRETTY MUCH,
THAT'S YOU.

[EUAN CHUCKLES]

[TELEPHONE RINGS]

[RING]

Recording: THE MOBILE SUBSCRIBER
YOU'RE TRYING TO REACH

IS NOT AVAILABLE
AT THIS TIME.

[BEEPING]

♪ ...YOU ALL AWAY, HEY, HEY

♪ NO ONE EVER HAS TO KNOW

[YIP]

♪ AND YOU DON'T EVER
HAVE TO GO ♪

[SONG ENDS]

OH, HOW THE MIGHTY
HAVE FALLEN.

FASTEST ROUND-TRIP TICKET
I'VE EVER SEEN.

I HEARD HE HAS
A DRUG PROBLEM.

HORSE
TRANQUILLIZERS.

REALLY? 'CAUSE I HEARD
THE MARKETING GUY SAID

HE'S TOO NINETIES.

ALL I KNOW IS
I HOPE HIS SET IS SHORT,

'CAUSE MY BAND'S GOING ON
RIGHT AFTER HIM.

AH, I WOULDN'T WORRY
ABOUT IT.

THINGS'LL BE FINE.
HORSE TRANQUILLIZER?

THANKS.

[PILLS RATTLE]

HEY. HEY, CHECK IT OUT.

SHE IS SMOKIN' HOT.

NOT THE GIRL,
YOU IDIOT.

YOU KNOW WHO
THAT GUY IS?

WHO, THE OLD GUY?

YEAH.

THAT'S WICK TREADWAY, MAN.

I'VE NEVER SEEN
THIS GUY OUT, MAN.

THIS IS--THIS IS BIG.

HE DOES NOT COMPETE
IN MOST DEALS.

I GOTTA BERRY GARRETT
IN ON THIS ONE, MAN.

GOOD TO SEE YOU.
HOW ARE YOU?

HI.

CHRISTY.

[LOW CHATTER]

WHERE'S BRIER?

SHE JUST COULDN'T
COME IN.

SHE'LL MEET YOU
IN YOUR LIMO.

HOW DO YOU GUYS
KNOW EACH OTHER?

UH...

I'M THE ONE
WHO CONVINCED HIM

TO GET OUT OF
THE MUSIC INDUSTRY.

IT WAS ONE OF HER
FABULOUS LITTLE RULES.

WHAT THE HELL
WAS THAT RULE?

BUY--BUY A MYSTERY...

SELL ON HISTORY.

THE HISTORIC INTERNET
HAD JUST ARRIVED.

WE WERE SHACKED UP
IN THIS LITTLE HOUSE

SHE HAD UP
IN THE CANYON.

YOU STILL GOT THAT
HOUSE IN THE CANYON?

YES.

WE WERE SHACKED UP
IN THIS LITTLE HOUSE

ABOUT 5 A.M.

SHE'S LYING NEXT TO ME.

SHE POPS UP LIKE
BURNT TOAST,

STARTS SCREAMING ABOUT
MUSIC FILE SHARING.

"MUSIC FILE SHARING!
MUSIC FILE SHARING!"

SCARED THE HELL
OUT OF ME.

I STARED SELLING
THAT DAY.

WAIT. YOU GUYS
WERE TOGETHER?

YOU COULD SAY THAT.

WE WERE...
WHAT IS THE WORD?

MARRIED.
WE WERE MARRIED.

HELLO?

WAIT, DID YOU
BRING HIM HERE FOR LUKE?

WELL, HE WAS SORT OF
COMING HERE ANYWAY.

IT'S STILL GOOD THAT
HE SEES HIM, THOUGH.

LITTLE J.P. MORGAN
WALKABOUT.

WHAT'S THAT?

TELL IT, BABY.
TELL IT.

IT'S A FAMOUS STORY.

J.P. HAD A FRIEND
OF A FRIEND,

ASKED HIM TO HELP
A PAL OUT.

SO HE LOOKED AT
THIS GUY'S PLAN,

AND HE KNOWS IN A MINUTE
HE'S NOT GONNA FINANCE IT.

SO HE DOESN'T MENTION
ANYTHING, THOUGH.

HE ASKED THE GUY
TO LUNCH,

AND AFTER LUNCH,
HE TAKES HIM

AND WALKS HIM ALL AROUND
LOWER MANHATTAN

WITH HIS ARM AROUND HIM

SO THAT WHEN THE GUY
WHO WANTED THE MONEY

GETS BACK TO HIS OFFICE,

EVERY BANKER IN NEW YORK
HAD CALLED

WANTING TO FINANCE
HIS VENTURE.

A MODERN-DAY J.P.

[SPEAKS FRENCH]

YOU'RE SO BRILLIANT.
YOU'RE SO BRILLIANT.

I MISS THAT
WHEN WE SPLIT UP.

I MISS THAT
ABOUT YOU NOW.

[APPLAUSE]

THIS ONE'S
AN OLD FAVORITE

CALLED BOOMERANG.

IT'S ONLY NOW

THAT I TRULY
APPRECIATE IT.

[BOOMERANGPLAYING]

♪ HELP ME, LORD,
I THOUGHT I FOUND IT ♪

♪ JUST LIKE A DREAM
TURNED OUT ALL WRONG ♪

♪ DON'T FEEL THE SAME
MADNESS ABOUT ME NOW ♪

♪ DON'T FEEL THE HURTING
WHEN I'M GONE ♪

♪ IT KEEPS COMING BACK
WITHOUT YOU ♪

♪ LIKE A BOOMERANG
THROUGH MY HEART ♪

♪ AND CURSED CUPID
EVEN FOUND ME ALONE ♪

♪ INTO THE WOUND
ANOTHER DART ♪

♪ SHOULD I NEVER LOOK
INTO YOUR EYES AGAIN ♪

♪ SHOULD I NEVER WANT
TO GIVE MY ALL ♪

♪ SHOULD I EVER NEED YOU
LIKE MY ONLY FRIEND ♪

♪ SHOULD I READ THE WRITING
ON THE WALL? ♪

HE SOUNDS REALLY
GOOD TONIGHT, HUH?

AND YOU LOOK
LIKE DEATH.

♪ NEVER TO BE

♪ IF ONLY ONE DREAMS
A DREAM OF LOVE ♪

WHO'S THE WEIRD GUY?

PLAY NICE. HE'S YOUR
AIRPORT RIDE.

♪ JUST LIKE A DREAM
TURNED OUT ALL WRONG ♪

♪ DON'T FEEL THE SAME
MADNESS ABOUT ME NOW ♪

♪ SHE LOVES TO HEAR
THE SADNESS IN MY SONG ♪

[APPLAUSE]

WE'RE VERY THANKFUL FOR
BEING BACK HERE TONIGHT.

[APPLAUSE]

THIS NEXT ONE I WROTE
WITH A FRIEND OF MINE

ABOUT SOMEBODY SPECIAL.

SHE CAN SING IT A HELL OF
A LOT BETTER THAN I CAN,

SO...

YOU SURE
YOU WANNA GO?

WHO ELSE IS GONNA GET ME
TROUGH ALL MY STUFF?

YOU SEEM TO BE DOING
PRETTY WELL TO ME.

YEAH. IT STARTED
HAPPENING WHEN YOU...

YOU GOT ME TALKING.

YEAH.

I'LL MISS YOU.

I'LL MISS YOU, TOO.

[CROWD CHEERING
AND CLAPPING]

WHERE THE HELL ARE THEY?

[CROWD CHEERING]

DON'T GET
TOO USED TO THIS.

IT'S NICE TO SEE LUKE
BACK HERE TONIGHT.

FOR A WHILE THERE,

I THOUGHT WE LOST HIM
TO THE DARK SIDE.

ANYWAYS, I HOPE YOU GUYS
LIKE THIS SONG.

IT'S CALLED UNDISCOVERED.

[APPLAUSE]

[BAND PLAYING UNDISCOVERED]

♪ TAKE IT BACK,
TAKE IT ALL BACK NOW ♪

♪ THE THINGS I GAVE

♪ LIKE THE TASTE OF
MY KISS ON YOUR LIPS ♪

♪ I MISS THAT NOW

♪ I CAN'T TRY ANY HARDER
THAN I DO ♪

♪ ALL THE REASONS I GAVE

♪ EXCUSES I MADE FOR YOU

♪ I'M BROKEN IN TWO

♪ ALL THE THINGS
LEFT UNDISCOVERED ♪

♪ LEFT ME WAITING
ENOUGH TO WONDER ♪

♪ I NEED YOU

♪ I NEED YOU

♪ WHEN I'M IN THE DARK
AND ALL ALONE ♪

♪ DREAMIN' THAT YOU'LL WALK
RIGHT THROUGH MY DOOR ♪

♪ IT'S THEN I KNOW
MY HEART IS WHOLE ♪

♪ THERE'S A MILLION REASONS
WHY I CRY ♪

♪ PULL MY COVERS TIGHT
AND CLOSE MY EYES ♪

♪ 'CAUSE I DON'T WANT
TO BE ALONE ♪

♪ 'CAUSE I CAN'T FAKE

♪ AND I CAN'T HATE

♪ BUT IT'S MY HEART
THAT'S ABOUT TO BREAK ♪

♪ YOU'RE ALL I NEED

♪ I'M ON MY KNEES

♪ WATCH ME BLEED

♪ WOULD YOU LISTEN,
PLEASE? ♪

♪ I GIVE IN

♪ I BREATHE OUT

♪ I WANT YOU

♪ THERE'S NO DOUBT

♪ I FREAK OUT

♪ I'M LEFT OUT

♪ WITHOUT YOU

♪ I'M WITHOUT

♪ I'M CROSSED OUT

♪ I'M KICKED OUT

♪ I CRY OUT

♪ I REACH OUT

♪ DON'T WALK AWAY

♪ DON'T WALK AWAY

♪ DON'T WALK AWAY

♪ DON'T WALK AWAY

[APPLAUSE]

[SONG ENDS]

THAT WAS REALLY
BEAUTIFUL.

YEAH.

GIVE IT UP FOR CLEA.

YOU'RE WONDERFUL.
I ADORE YOU...

AND I'M GONNA CALL YOU.

THANK YOU.

SO HE'S HERE FOR HER.

SOMEWHERE THERE'S A VILLAGE
LOOKING FOR YOU, IDIOT.

THAT'S THE INFAMOUS
TREADWAY HEAD FAKE, MAN.

COME ON. LET'S GO.

LUKE.
YOU WERE FANTASTIC.

YOU GOTTA COME
AND SEE US.

HEY, MAN, WHEN YOU SING,
IT MOVED ME. SERIOUSLY.

OH, THANKS.

I CRIED. TWICE.

I LIKE YOUR SHIRT.

HEY. YOU AND ME ARE
GONNA GO IN THE BACK...

[WHISPERING]

THAT SOUNDS GREAT.

I'M SURE YOU'RE
VERY GOOD AT IT--

OH, I AM.

AND, UH--I'M GONNA PASS.

BUT THIS, HOWEVER,
IS MY BROTHER EUAN,

AND I'M SURE HE'D LOVE
TO EXPLORE YOUR EXPERTISE.

LUKE.

THAT WAS AMAZING, MAN.

YOU WERE FANTASTIC.

I'M SORRY ABOUT
THAT LITTLE

BUMP IN THE ROAD BEFORE.

A LITTLE BUMP?

IT WAS MORE LIKE
ROAD KILL, RIGHT?

WELL, LISTEN,
I'VE BEEN THINKING,

AND I AM GOING TO GIVE
YOU ANOTHER CHANCE.

'CAUSE I THINK THAT
WITH YOUR TALENT

AND YOUR SONGS
AND MY KNOW-HOW,

THAT TOGETHER WITH
THE RIGHT MARKETING PUSH

THAT WE COULD BE
HUGE, MAN.

WE COULD BLOW UP.

YOU KNOW WHAT, GARRETT?

YOU KNOW,
THE ONLY THING IS,

YEAH, I'VE BEEN
THINKING ABOUT IT, TOO.

AND, UH, YOU CAN GO
BLOW YOURSELF...UP....

AND THEN GIVE ME A CALL.

SO THAT'S UH...
THAT'S A MAYBE, RIGHT?

I THINK THAT WENT WELL.
WHAT DO YOU THINK?

WHERE'S BRIER?

UH, SHE LEFT.
I'M CARRIE.

THE CARRIE?
NICE TO MEET YOU.

DO YOU KNOW
WHERE SHE IS?

AIRPORT.

PICKING UP SOMEBODY?

MOVING.

WHAT?

BACK TO NEW YORK.

UNITED. 11:00.

I GOTTA GO GET HER.
THANK YOU.

I NEED A RIDE.

WHAT HAPPENED
TO YOUR CAR?

A RUDE GUY WITH
A TOW TRUCK TOOK IT AWAY.

I'LL MEET YOU
OUT BACK.

THANKS FOR THE RIDE.

HAPPY TO BE
OF SERVICE.

♪ BECAUSE THE WAY WE KISS,
IT'S BETTER THAN ANY DRUG ♪

♪ BECAUSE WHEN I'M WITH YOU,
I BELIEVE IN LOVE ♪

♪ 'CAUSE YOU'LL TAKE CHANCES
MOST PEOPLE WOULD NEVER TAKE ♪

SHE REALLY DIGS YOU,
YOU KNOW.

YEAH?
YEAH.

HUH. IS THAT WHY SHE'S
NOT PICKING UP HER PHONE

WHILE SHE'S MOVING
3,000 MILES AWAY?

WHY DON'T YOU
JUST GO WITH HER?

WHY WOULD I DO THAT?

A BETTER QUESTION IS,

WHY THE HELL
WOULDN'T YOU DO THAT?

♪ ...FOUND SOMEONE
AS CRAZY AS MYSELF ♪

♪ NO MATTER WHAT I'VE DONE,
YOU ALWAYS COME ♪

♪ WHEN I CRY...

HERE WE ARE.

♪ YEAH, THAT'S WHY
I LOVE YOU ♪

♪ AND THAT'S WHY I LOVE YOU

♪ THERE'S NO ONE
IN THIS WORLD... ♪

GOOD EVENING,
MR. TREADWAY.

I'M DIRK.

YES. OF COURSE
YOU ARE.

I'LL TAKE YOUR BAGS
UPSTAIRS FOR YOU.

HERE'S YOUR BOARDING PASS.

VERY GOOD.

AND IF YOU'LL COME
WITH ME, SIR,

THROUGH THE V.I.P.
EXPRESS.

[HORN TOOTS]

PULL IN,
PULL IN!

LET ME SAY ONCE AGAIN
WHAT AN HONOR IT'S BEEN.

BRIER, WHY DON'T YOU
GO AHEAD AND BOARD?

I GOTTA MAKE
SOME PHONE CALLS.

CAN YOU WAIT FOR ME?

YEAH, YEAH. HURRY UP,
MAN. I GOT PLANS.

CAN YOU TELL ME WHAT GATE
THE 11:00 FLIGHT

TO NEW YORK LEAVES FROM?

I'M SORRY, SIR.

BUT ONLY TICKETED PASSENGERS
ARE ALLOWED TO GO TO THE GATE.

WELL, HOW MUCH
IS A TICKET?

COACH OR FIRST CLASS?

WHAT DO YOU THINK?

ONE FULLY REFUNDABLE
COACH TICKET IS $1,100.19.

EUAN!

I NEED TO BORROW
YOUR CREDIT CARD.

WHY?

I NEED TO BUY
A PLANE TICKET.

AH, THAT'S KILLER, MAN.
YOU'RE GONNA GO WITH HER.

PLEASE
GIVE ME THE CARD.

BUT I DON'T THINK

THEY'RE GONNA TAKE
MY BLOCKBUSTER CARD.

THAT'S ALL I GOT.

OH.

HOW MUCH IS IT?
HOW MUCH IS THE TICKET?

$1,100.19.

I THOUGHT YOU WERE
GONNA SAY LIKE $200.

I KNOW, EUAN,
KNOW IT'S...

LOOK, ALL RIGHT, I CAN'T
BELIEVE I'M DOING THIS.

WHERE--WHERE THE HELL
DID YOU GET THAT?

I TOLD YOU I MADE SOME MONEY.
JUST TAKE IT.

AND YOU KEEP IT
IN YOUR PANTS?

WHERE ELSE AM I
GONNA KEEP IT? THE BANK?

YOU ARE NOT WELL.
I LOVE YOU.

THANK YOU.

GET OUTTA HERE.

OH, HEY, HEY,
TAKE THIS.

WHAT IS THIS?

IT'S DINNER.

THEY CHARGE YOU FOR
FOOD ON THE PLANE.

THANK YOU.

WHAT'D YOU DO,
ROB A BANK?

SUNGLASS STAND. CAN I
HAVE A TICKET, PLEASE?

THE FLIGHT'S DELAYED.
YOU MAY ACTUALLY MAKE IT.

THANK YOU.

GOOD LUCK.

P.A.: ...BOARDING CALL FOR
UNITED FLIGHT 103 TO NEW YORK.

ANY REMAINING PASSENGERS,
PLEASE PROCEED TO GATE 77...

[BEEP]

FOR IMMEDIATE BOARDING AS
THIS FLIGHT IS NOW CLOSED.

♪ THAT'S WHY I LOVE YOU

MR. FALCON?

YEAH.

MAY WE HAVE A WORD
WITH YOU, PLEASE?

OH, COME ON.

WHY DID YOU PAY CASH
FOR YOUR AIRLINE TICKET?

MY CREDIT CARD'S
MAXED OUT.

OH, AND DO YOU USUALLY CARRY
THAT MUCH CASH ON YOUR PERSON?

OH, COME ON, DO I LOOK
LIKE A TERRORIST?

YES, A LITTLE.

HELLO, LUKE.

HI.

IS THIS A FRIEND
OF YOURS?

WELL, AS A MATTER OF FACT,

I CAUGHT LUKE'S SHOW
IN THE CITY TONIGHT.

YOU'RE A MUSICIAN THEN?

THAT'S RIGHT.
HE'S A MUSICIAN.

KIND OF LIKE THAT
CAT STEVENS PERSON.

THANKS, DIRK.

HEY, DUDE,
DO I KNOW YOU?

JUST CONSIDER ME A FAN.

OH, THANKS
FOR YOUR HELP.

SWINGING.
YEAH.

OH, WOULD YOU GENTLEMEN
PLEASE FIND YOUR SEATS?

YES, THANK YOU.

THANK YOU.
VERY KIND OF YOU.

OH, I LOVE LIFE'S
LITTLE ADVENTURES.

DON'T YOU?

SORRY. SORRY.

SORRY.

SORRY.

SO YOU NEVER TOLD HIM
YOU WERE LEAVING?

IT WOULD'VE BEEN
TOO SAD.

HE'S A DAMN GOOD
SONGWRITER.

IS THAT THE GOOD NEWS
OR THE BAD NEWS?

MAYBE ONE, MAYBE BOTH.

MAYBE NEITHER.

SO SORRY, BUT HE
MADE ME PROMISE

TO DELIVER IT THAT WAY
TO YOU.

I THINK YOU HAVE A SECOND
CHANCE TO SAY GOOD-BYE.

I'M SORRY.

SORRY.

HI.

I HEARD YOU TONIGHT.

YOU LEFT WITHOUT
SAYING GOOD-BYE.

IT JUST GOT TO BE
TOO MUCH.

Woman: EXCUSE ME.

I, UM, I NEVER MEANT
TO HURT YOU.

Woman: DO YOU MIND?

LET'S GO.
YEAH.

SORRY.

UM, I--
NO.

ME FIRST, OK?

I, UM, I LOVE YOU.
I DO.

BUT I JUST--
I CAN'T DEAL

WITH THE GROUPIES AROUND,
THE TOURING AND...YOU KNOW...

I'M JUST A SONGWRITER.

I'M HAPPY WRITING SONGS.

AND PLAYING THE MINT
ON MONDAY NIGHTS.

BUT I'D GIVE THAT UP IF...

I LOVE YOU.

FROM THE FIRST MOMENT
I SAW YOU.

HI.

HELLO. THIS IS NOT
THE WIZARD OF OZ.

THIS IS ACTUALLY
WICK TREADWAY.

LUKE FALCON.
OH, PINK SANDS.

I DIDN'T MEAN
TO EAVESDROP OR--

I MEAN, ACTUALLY,
I DID MEAN TO EAVESDROP,

BUT I JUST THOUGHT I COULD THROW
A LITTLE SOMETHING SOMETHING

INTO THIS PATCHY DANCE HERE.

LISTEN, LUKE, AT THIS
PARTICULAR MOMENT IN TIME,

I ONLY HAVE ROOM FOR
ONE NEW ACT ON MY ROSTER.

AND THAT LITTLE DEAL
WAS CONTINGENT

UPON SEEING THE ARTIST LIVE
LAST NIGHT,

AND SHE WAS BRILLIANT...

WITH YOUR HELP
AS I UNDERSTAND.

WHICH LEADS ME TO YOU.

NOW UNLESS I'M WRONG,

YOU'RE GONNA ENJOY A VERY
LONG RIDE IN THIS BUSINESS

IF YOU GET DOWN
ON THE REALITY

THAT THE ONLY SOLID BUSINESS
IN MUSIC ISN'T PERFORMING.

IT'S PUBLISHING.

WHAT DOES THAT MEAN?

IT MEANS ERNA MANSEN.
IT MEANS PATSY NETBRUSE.

IT MEANS BART HOWARD.WHO?

YOU DON'T KNOW THEIR NAMES,
BUT YOU KNOW THEIR MUSIC.

YOU KNOW THEIR WORDS. YOU BEEN
LISTENING TO THEIR SONGS

A HUNDRED TIMES A DAY,

PEOPLE LISTENING TO 'EM
FROM NEW YORK TO BEIJING.

I LIKE THAT.

I KNEW YOU WOULD. DIG IT:

HEMINGWAY HAD IT RIGHT.

FAME IS A BITCH GODDESS.
FAME IS FROTH, MAN.

FAME IS NOTHING. IT'S FOAM.

FAME WILL BREAK
YOUR HEART, BROTHER.

BUT CREATIVITY--
LISTEN UP--

IS A PASSION,
AND IT'S ENDLESS.

YOU LOOK FOR FAME,
YOU'LL LOSE YOUR SOUL.

YOU LOOK FOR CREATION,
YOU'LL FIND IT.

SO LISTEN UP.
IF YOU'RE INTERESTED

AND YOU WANNA CONTINUE
THIS LITTLE CONVERSATION

ABOUT PUBLISHING DEALS,

MAYBE WE'LL TALK IN...
JAMAICA.

IF YOU'RE INVITED.

WAIT. HOW DID YOU KNOW
I WAS GOING TO JAMAICA?

YOU'RE GOING TO JAMAICA
TO DO A VIDEO

WITH AN OLD REGGAE GROUP
THAT IAM REINVENTING.

YOU'RE THE CLIENT.

IF YOU WANT AN EXTRA TICKET,
LET ME KNOW. BYE.

THANK YOU.

DO YOU WANNA
GO AWAY WITH ME?

UNDER ONE CONDITION.

OH, YEAH? WHAT'S THAT?

THAT YOU'RE WITH ME
AND ONLY ME.

WHERE WOULD WE LIVE?

UH...

ANYWHERE YOU WANT.

I CAN WRITE
FROM ANYWHERE.

♪ THEN WHY

♪ NOT

♪ ME?

[APPLAUSE]

WHOO!YEAH!

WHOO!

AWESOME!

HELLO, LITTLE BROTHER.
WHAT SHOULD I SAY?

HELLO, RASTAMAN.

YEAH, HARDLY.
YOU NEED TO SEE

WHAT I'M LETTING HER
DO TO ME. HOLD ON.

OH. HO! A NEW 'DO,
HUH?

I THINK IT'S ABOUT TIME.

HOW'S THE PUP?

THE WORLD'S GREATEST
CHICK MAGNET.

HE'S DOING
WHAT HE DOES BEST.

IS THAT YOUR
DOG?

HE'S SO CUTE!

THANK YOU. HA HA.

YEAH. YOU'RE NOT
GETTING THIS DOG BACK.

BRUCE.

MY PLAN IS TO HAVE HIM
SURFING

NEXT TIME
YOU COME OUT HERE.

YEAH, I DON'T
DOUBT THAT, MAN.

HEY, LISTEN, I'LL
TALK TO YOU SOON,
ALL RIGHT?

HEY, LISTEN,
LITTLE BROTHER.

YOU GOTTA START WRITING
SOME SONGS, OK?

THE BAND SIGNED
A LITTLE RECORD CONTRACT,

AND, UH, WE'RE NOT DOING
COVERS ANYMORE.

I'LL SEE WHAT I CAN
DO.

[ARF ARF]

♪ STAND UP AND BE
MY BRIDE ♪

WHEE!

[NEW SONG BEGINS]

♪ TELL ME ALL YOUR SECRETS

♪ AND I'LL TELL YOU
SOME OF MINE ♪

♪ TELL ME ONLY LIES

♪ I KNOW YOU'RE NOT
THAT KIND ♪

♪ TELL ME ALL YOUR BAD DAYS

♪ AND I'LL FILL YOU UP
WITH MINE ♪

♪ DRINK THEM ALL AWAY

♪ NO ONE EVER HAS TO KNOW

♪ FEED ME ALL YOUR FAVORITES

♪ AND I'LL FEED YOU
SOME OF MINE ♪

♪ WHAT DO YOU BELIEVE
IN, LOVE ♪

♪ AND ALL THE SIGNS?

♪ FEED ME ALL YOUR TROUBLES

♪ AND I'LL PUT THEM
IN A LINE ♪

♪ SINGING ALL THE WAY

♪ HEY, HEY

♪ NO ONE EVER
HAS TO KNOW ♪

♪ YOU DON'T EVER
HAVE TO GO ♪

♪ AFTER THE RUSH
HAS GONE AWAY ♪

♪ AFTER THE FAME

♪ BRING THE HOUSELIGHTS DOWN

♪ AND FOLD THE CHAIRS AWAY

♪ AFTER THE FIRES
BURN AWAY ♪

♪ INTO THE HAZE

♪ BREAK DOWN,
LOAD IT UP ♪

♪ ROADIES HAUL IT
ALL AWAY ♪

♪ DO IT ALL ANOTHER DAY

♪ AND TELL ME
ALL YOUR SECRETS ♪

♪ AND I'LL TELL YOU
ALL OF MINE ♪

♪ TELL ME ALL YOUR LIES

♪ YOU'RE NOT THAT KIND

♪ TELL ME ALL YOUR BAD DAYS

♪ AND I'LL FILL US UP
WITH WINE ♪

♪ WE'LL TOSS THEM
ALL AWAY ♪

♪ HEY, HEY

♪ NO ONE EVER HAS TO KNOW

♪ 'CAUSE IN THE DARKNESS
NOTHING SHOWS ♪

♪ AFTER THE RUSH
HAS GONE AWAY ♪

♪ AFTER THE FAME

♪ BRING THE HOUSELIGHTS DOWN

♪ AND FOLD THE CHAIRS AWAY

♪ AFTER THE FIRES
BURN AWAY ♪

♪ INTO THE HAZE

♪ BREAK DOWN,
LOAD IT UP ♪

♪ THE ROADIES
HAUL IT ALL AWAY ♪

♪ DO IT ALL ANOTHER DAY

♪ NO ONE EVER SEES
THE PAIN ♪

♪ WE HAD IT ALL
UP ON THE STAGE ♪

♪ YEAH

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