Two Much (1995) - full transcript

A young gallerist is in love with two sisters at the same time. In order to solve the problem he decides to invent his own twin-brother.

Brenda. Brenda.

Brenda.

- Brenda.

- Yes?

- Mrs. Doyle?

- Yes?

- Can I help you?

- I am Art Dodge from Art's Gallery on Lincoln Road.

- I have Mr. Doyle's painting.

- Painting?

Yeah, the one

he bought last week.

My husband?

Benjamin Doyle?

Please accept my condolences.

He was a wonderful man, a wonderful man.

I never knew Benjamin

to be interested in art.

He was.

He really was.

- Good morning.

- Good morning.

- Business letter?

- What business?

I'm writing my mother for money.

I've given up asking you.

- Any calls?

- No.

- Come on. None?

- Power and Light, Ma Bell, Sammy's Deli.

I don't want to know.

I'm dead.

- Well, that should simplify matters for somebody.

- Who?

Hillerman. He says he's gonna kill you

for up to six months' back rent.

- You remind me of my father.

- Is that a proposition?

Come on.

You both love to read

the obituaries.

Oops.

- Hola, Conchita.

- Ah, Mrs...

- Uh, Miss Kerner, please come in.

- Thank you.

- The service is private.

- I'd like to see Mr. Palletto.

- El senor?

- El senor.

- I'm afraid that's not possible.

- What's the matter, Conchita?

Excuse me, I am Art Dodge

from Art's Gallery on Lincoln Road...

and I have the painting

Mr. Palletto bought last week.

I said I'd

deliver it today.

- I think you better come in.

- Sure.

You want me to believe

my dad bought that?

Oh, it was your father?

I-I'm sorry. Eh, well, maybe...

Maybe this is not

the right moment, but yeah.

Last Monday

at my gallery.

That's strange.

Last Monday Dad was in a hospital.

- Did I say "last Monday"?

- Mm-hmm.

Maybe... maybe it was

two Mondays ago.

All I know is it was

definitely a Monday.

What's definite is you're

a son of a bitch...

with no respect

for a dead man...

or his family's

suffering.

But you're lucky.

I'm going to help you understand

what suffering is.

Eh... I-I-I can come back

another time.

My father hated

modern art.

He thought the people

who made it were pansies...

and the people

who bought it were suckers.

But they love it.

When they get through

with you...

your face is gonna look

like a Picasso.

Wait, wait, wait.

Maybe this is all

a big misunderstanding.

What did you say

your father's name was?

Let me in.

- I'm sorry, Mama.

- Thank you. Thank you, dear.

Thanks for coming,

Betty.

Good-bye, Gene.

You have my

deepest sympathy.

No. You have mine.

Oh.

I hope time heals all your...

- You're pushing it, pal.

- Pain.

Maria, take care

of Mama.

Betty. Betty.

We need to talk.

I have nothing to say to you, Gene. I

only came out of respect for your father.

Well, Betty, look.

I'm in bad shape.

I'm at home crying my eyes out,

and you're out having a good time.

I'd be having a better time if you

didn't follow me everywhere I went.

You know the happiest day

of my father's life?

The day you and I

got married.

- You know the happiest day of my life?

- What?

The day we got divorced.

- Now get out of my way and leave me alone, you big bully.

- Ooh. Ow.

Betty, Betty.

I'm seeing Dr. Huffeyer.

Oh, great.

That's just great.

Out of all the shrinks in Miami,

you have to go see mine?

Well, I'm not gonna see him anymore because

I don't want to share anything with you...

- not even this planet!

- He's helping me change.

- I'm channeling all my anger

into some positive crap.

Listen to me, damn it!

I've changed! Ow!

I love you!

You can come out now.

- Thanks.

- You're welcome.

That was exciting,

with those big lugs looking for you...

and Gene standing there

not knowing you were in the back seat.

I had a hunch something great

was gonna happen today.

- It did. I'm still alive.

- Yeah.

- Sorry.

- For now. Thanks to you.

I'm Betty.

Betty Kerner.

- Art Dodge.

- It's really nice to meet you, Art.

Same here, Betty.

I guess you are not

going downtown, right?

Uh-uh.

Let me see if you got this right.

- Arriba.

- Arriba.

- Abajo.

- Abajo.

- Al centro.

- Al centro.

- Por dentro.

- Por dentro.

Mmm.

I'm loaded.

Um, what about you?

No.

No, I cry too much.

Don't you ever cry?

Oh, yeah, sure I do. Whenever I

pay taxes, which isn't often anyway.

- You're crazy.

- So are you.

A match made in heaven.

A very long,

pretty blond eyelash.

- Take it with your finger.

- Yeah.

- Okay.

- Make a wish.

- Okay.

- Blow it away.

Who is it?

It's Ellen, darling. Open up.

Oh, gee, in a second.

Just...

Oof!

Oh. Ohh!

I was right.

A match made in heaven.

Hey, that's

Betty Kerner.

And who's that bimbo

with her?

Let's check it out.

Hmm.

They say that the

third time is the charm.

Third what?

- Marriage.

- Oh.

Who was the first?

Gene.

- Who was the second?

- Gene.

You married that guy

twice?

Now ask me who's

gonna be the third.

Miss Kerner. Hey, Miss Kerner,

who's your new friend?

- Eh...

- My fianc?.

Cool.

One, two, three!

Aah!

Boom, boom!

Can you guess what I am thinking?

Can you guess

what I'm thinking?

I'm sorry.

I'm... I'm... I'm sorry.

I-I-I thought that...

You can go out

the same way you came in.

Sure. Uh...

I'm sorry.

Wild guess,

but are these yours?

Yes.

Sorry.

- I'm sorry.

- I know. Now try "good-bye."

Good-bye.

Oh, Dios.

But I have to have it fitted tomorrow.

Ciao.

- How long have you known him?

- Seems like forever.

Oh, less than

24 hours then.

Oh, yes, Hopper.

Of course you can be the flower dog.

Right?

So do I get a new bridesmaid's getup, or should

I just put some more miles on the old one?

- Good morning.

- Good morning.

- You've met my sister Liz already.

- Yeah.

Lay down, now.

Hello?

No, no, no, the invitations should read

"The Honorable Art Dodge," don't you think?

- The invitations?

- Yeah. Engraved.

And they should be

in the mail by Tuesday.

Okay. Ciao.

Fantastic. Bye.

- Betty, can I talk to you alone?

- Yeah, in one second.

In one second.

Father Larrabee.

He's on the golf course?

- Wow, you hooked yourself the big one, didn't you?

- Do you have a cellular number?

This must go way beyond

your wildest little gigolo dreams.

Okay. Thanks.

Isn't he adorable?

- Yeah.

- Betty, we need to talk.

- Wait.

- What about? Your allowance?

- Father Larrabee, it's Betty.

- Look...

- I don't need to. I've seen enough.

- It's good? Great.

No, no. He's a different one.

Yes, but he's wonderful,

and you'll love him.

I'll talk to you soon.

Bye.

So how does

the third sound?

It's my birthday.

I'll be 33.

It's my third wedding,

and three is my lucky number.

- Great. Great.

- Yes?

- Eh, I've got to go to work.

- It has a job. How refreshing.

- Gotta go. Bye.

- Have a good day.

Come on, buddy.

Come on, boy.

- I don't think she likes me.

- Oh, don't listen to her.

She's been involved with this guy who's a

married man. It's been a really bad deal.

I see congratulations

are in order.

I am not getting married.

It's like a big misunderstanding.

- Okay?

- Oh, so, like, you've explained it to her...

and everything's all

straightened out for ya?

- Well, no, not exactly.

- Uh-huh.

Everything is totally

high or low with her.

She'll be down on me soon enough,

and then it'll all be over.

Trust me. She's a girl

with big extremes.

So I see.

Manny's in there.

He's been in there

for an hour.

- Come on, Gloria.

- What do you want me to do?

I feel sorry for the guy.

We owe him for two paintings.

Is the I RS in there?

Maybe you feel sorry for everyone I owe.

Everyone? No.

I don't believe in self-pity.

Manny. Just the man

I wanted to see.

- Art.

- What's that?

Wow!

This is terrific.

- I can sell it in a week.

- Oh, no, no, no, no, no.

- It's been hanging here for three months.

- Really?

I'm taking them all home.

- Art?

- Yeah?

You still haven't paid me

for the last two.

Wha...

You should thank me.

Manny,

if Vincent van Gogh...

had been paid

for his paintings...

they would be worthless

today.

You shouldn't be thinking about money.

You're an artist.

You're a real one.

I can see that in your eyes.

Huh? Yeah, yeah!

Believe me. Yeah.

You know...

You know, Manny...

Manny, go home and paint.

Paint, Manny, paint.

Come on. Eh?

- Yeah, yeah. Maybe you're right.

- Yeah, I'm right.

- But what about you?

- What about me? What? What?

- You were good.

- Good is the same as bad.

It has to be brilliant.

Yeah. So why is it

hanging on your wall?

Well, it's just, uh...

reminding me not

to pick up a brush again.

Yeah. You like it?

Take it.

It's yours. Consider it an advance

on what I owe you.

Huh?

- I don't know what to say.

- Don't say anything.

Real artists

don't need words.

Eh?

All right.

Good-bye.

See you, huh?

- What's Manny doing with your painting?

- I'm redecorating.

It was the nicest thing

in here.

Excuse me, miss.

You have a provocative

work of art here.

May I take it home

and live with it for a few days...

before I make

my final decision?

And which work of art

would that be?

You. You're the most

beautiful one here.

No, I will not go home

with you, Mr. Dodge.

I'm sorry. Have we met?

See, sometimes my memory fails me.

I-I have...

Korsakov's Syndrome, which means...

If it means always hitting on me,

I'd say you have a terminal case.

- Art, your dad's here.

- l...

Dad, what are you doing here?

I told you I'd pick you up.

I wanted to save you

the trouble.

The last time you saved me the trouble, I

had to track you down at the police station.

I was not lost.

I was arrested for demonstrating against

the death penalty.

Me and my comrades

from the Lincoln Brigade.

Did I ever show you

my scar?

- She has seen it.

- It's a lovely scar, Mr. Dodge.

I'm the only man alive

with two navels.

What's this?

We live in a big, red,

horrible building.

That was in Madrid,

remember?

We moved here four years ago

when Mom died.

Your mother was a fine woman.

Don't drag her into this.

Come on.

Well, this is our home now.

I know that.

You got the big room.

- No, I don't.

- Yes, you do.

- You have the one with the best ventilation.

- That's true.

Mm-hmm. Yes. Yes.

Ooh, yes! Yes.

That is exactly what I want.

Hold on. Okay, one cake with the three

in Roman numerals.

That way each one

can be a different flavor.

One could be vanilla, one could be

carrot, and one could be strawberry.

What? Ooh, mocha.

Mmm, that sounds good.

Should we lose the vanilla

or the strawberry?

- Betty, we need to talk and...

- He wants to talk about it.

- I'll call you back. Good-bye.

- Excuse me.

I am not losing the carrot.

God, you are so gorgeous.

You know that? You're gonna look

so good with me up at the altar.

- Eh, excuse us a second. Can you come here?

- Yeah.

Eh...

Listen, Betty, um...

I-I couldn't sleep

last night, uh...

Um... I don't know where to begin.

You are so... special.

Mmm.

Yeah. One in a million.

A real lifesaver.

- I-I owe you big time.

- No.

But, you know,

I was thinking...

"Betty is just too good

for me."

It's like a voice

that says...

"Art, you don't

deserve her."

- It... um...

- What are you saying?

A-All I am saying...

is... is just... wow.

Two weeks. Is that long enough?

I mean, marriage.

Huge in the decision

department, right? Huh?

- What the hell did you do to my sister?

- Nothing, nothing.

- l...

- Don't you hurt her.

All I said to her was

that we were moving a little too fast.

I thought guys like you

always moved too fast.

If you're gonna play the stud,

at least have the common decency...

to do it well

and make her happy.

Betty...

I'm sorry.

- I really didn't mean to upset you.

- Oh, darling, I'm strong.

I spoke to Dr. Huffeyer...

and he said that as long as

I externalize my feelings...

without inhibition...

even my anger...

then everything is fine.

So I'm fine.

And I don't want you

to feel that you can't be...

completely honest with me...

because marriage needs to be based

on openness and trust...

as well as basic

sexual compatibility.

Everything is fine.

- Are you sure?

- Yeah.

Everything is fantastic.

- Good.

- Except for your sister.

Uh... I don't think

she's too crazy about me.

- Well, that's because you're not her type.

- Huh?

I mean, she teaches modern

art at the university, for God's sake.

She goes for those

quasi-intellectual types...

with the glasses

and the frown lines...

and Siberian movies.

Don't. I don't want

to hear it anymore.

You're not gonna leave her.

She knows it.

You know it.

And finally,

I know it.

Bye.

- What's this?

- Mrs. Doyle returned it.

What kind of country

is this...

where people don't even

respect the last wishes of the dead?

Shall I read you the mail or throw it

directly into the wastebasket?

You should only read

love letters.

But they are love letters.

Here's a love letter

from the bank...

and one from the

insurance company...

and, ooh,

very romantic.

A letter

from your optician...

accompanied, of course,

by the bill for your last contacts.

Bills, bills, bills.

Is that all people

ever think about?

What if I don't pay? What are

they gonna do, gouge my eyes out?

I wouldn't give them

any ideas.

Pay the man.

Is Mr. Dodge in?

Do me a favor and tell my brother Arthur

to stop playing hide-and-seek with me.

Tell him I need to

speak to him tonight, you understand?

- Uh, Mr. Dodge.

- You are looking for my brother too?

If you see him before I do,

please tell him I am in town.

Tell him I am in town.

Tell him...

Bart is in town.

Art Dodge, please.

Someone who sounds like Art

calling for Art.

- Hello?

- Hello. I'm calling Art Dodge.

His gallery said I could

reach him at this number.

Fifteen minutes?

I'll call back.

It's his brother, Bart.

All right. Fine.

Bye.

Fine, fine. Fine.

Gloria, it's me.

Listen, it's important.

Call me at Betty's

in exactly, uh...

twenty minutes.

Hi.

Hi.

- Oh, your brother called.

- What? What did you say?

She said your brother called.

What's the matter? Is he dead?

- Since when do you have a brother?

- Since I was 12 minutes old.

- You're twins?

- Yeah.

Huh. Absolutely identical.

Yeah.

That's a happy thought.

Well, we look the same, but,

uh, we've got nothing in common.

I mean, he paints, he

broods, he lives for his art.

He doesn't even like

to sell it.

Maybe he just likes

what he does.

Yeah, who knows?

It takes all kinds.

You know what? He burns some of

his paintings. He's... He's crazy.

That sounds like a colossal

waste of time to me.

Sounds like he might

even be a human being.

- When was the last time you saw him?

- Years.

Last I heard, he was in Italy.

Sorry.

Hello?

Yeah. Hold on.

It's for you.

- For me?

- Mm-hmm.

Really?

- Hello?

- At the tone, the time will be...

exactly 8:30.

Beep.

Gloria, Gloria.

Have you got Bart there?

- I just don't know how to answer that one.

- Let me talk to him.

There must be an easier way

to get a girl into the sack.

Bart? Oh, God!

I can't believe

it's you, man!

I can't believe this is how I'm

using my degree in architecture.

How long are you here for?

What are your plans?

Met this guy a couple of days

ago, works for Sentinel Express.

Maybe we'll have a few drinks. I'll

check out his overnight delivery.

You know, I really

want to see you.

Your relationships with women are

getting more and more bizarre, Art.

- You want to get that looked at.

- When can we get together?

Maybe you should try the

personals. You know what I mean?

- I see, I see.

- Have you considered masturbation?

Well, I can't

promise anything.

Oh, come on.

Promise me something.

- Okay, we'll talk tomorrow.

- Sure, if you're still alive and out of a straitjacket.

- Seriously. Look after yourself,

will ya?

You now owe me four weeks' salary.

- Okay, okay. See you. All right?

- Okay.

Bye, bye, bye.

This guy is incredible.

Love to meet your family.

Personally, I'd rather meet

the Manson family.

"Furthermore,

Mr. President...

"the situation in Algiers

is a disaster.

Dad, Bart's in Miami.

"And the firing...

"of the surgeon general...

"was a major...

"mistake.

What a woman."

I said Bart is in town.

That's nice.

You... You know who

Bart is, don't you?

Of course I do.

I mean, your son,

my twin brother.

- I know who Bart is!

- Okay, okay, okay.

Just because, uh, someone might

call and want to talk to him.

Or you... you might meet

someone who mentions him to you.

I just don't want you to act like you've

never heard of him. You know what I mean?

Believe me, if I'm gonna forget

either son...

it'll be you.

Thank you.

I'm not going to help you!

The next time you're in a jam, I'd

prefer you were straight with me!

I knew it.

I mean, yes, yes.

Your brain works just fine when

something's in it for you, of course.

Listen, you son of a bitch,

and may your mother forgive me.

What is this bullshit

all about?

Well, I was just trying to get you

to help me without having to ask you.

- That's all.

- So ask me.

- I'm your father, right?

- Ah.

Is it money or women?

No, it's...

You don't have to help me.

No, no, you don't want to,

you don't have to do it.

- Money or women?

- Women.

Is she... special?

So what's the problem?

- I'm gonna get married.

- It's about time.

To her sister.

Oh.

Her sister.

This... This twin...

with the idiotic name.

H-He's going to

fix all that?

- Damned if I know. Huh.

- Hmm.

Listen, any second now a woman is

gonna walk in here asking for me.

Tell her I am not in, but she

can speak to my brother Bart.

Bart. Get it?

Yeah, I lie to the woman you're engaged

to, but it's not as bad as it sounds.

I get it. Mm-hmm.

- Good morning.

- Good morning!

- May I help you?

- Yeah.

I'm looking for

Mr. Art Dodge.

- He's not in at the moment.

- Oh.

But if you like, you can

speak with his brother... Bart.

Bart's here?

Oh, I'd love to meet him.

- You mean you don't know him?

- Well, he just arrived from Italy.

Ohh! Of course.

And who shall I say

is here?

Betty Kerner,

Art's fianc?e.

- Bart?

- Yes?

Your... brother's

fianc?e is here.

- A Miss Kerner.

- Please, uh, send her in.

Right this way.

- Thank you.

- You're very welcome.

So, you are Betty.

I'm surprised.

So am I.

You're not at all alike.

My brother is obviously attracting

more perceptive women these days.

Thank you.

What do you mean, "these days"?

Well, let's just say...

the girls he used to

bring around...

didn't have your class...

or subtlety.

My brother has

a certain charm.

But don't you find him

a little... boring...

a bit, um, limited?

Not yet.

Art says you're an artist.

You can't really say that about a person

until he's been dead at least, uh, ten years.

What a point of view.

That's so pedantic.

- Eh?

- I mean romantic.

Ah.

My sister

would love you.

Why don't you come by with

Art for dinner tonight?

And you can talk about art

and the meaning of life.

- l-l-l...

- I won't take no for an answer.

- 9:00.

- Okay. Okay.

I can't wait

for my brother.

Miss Fletcher,

if my brother shows up...

please tell him

I need to speak to him.

Betty, a pleasure.

Until tonight, then.

Yeah. Tonight.

- Hey! Hi.

- Hi.

- Betty! You been here long?

- No.

- I met your brother.

- Ohh.

- You're right. He's very complicated.

- Yeah.

But you know what?

He would make a great best man.

Fabulous idea!

He'll love that.

I-I am not sure.

- I'll check it out.

- Okay.

Your brother wants you to call

him anyway. It sounded important.

Darling, would you wait for

me in the car? I won't be long.

Okay. You'll be

at the wedding?

- Wouldn't miss it.

- Okay.

You know, I don't mind lying about

the check being in the mail...

or that some kid's

the new Jackson Pollock...

but I just don't think $7.50

an hour covers whatever this is.

Well, you choose.

It's that or back

to the suicide hot line.

- Art?

- What now?

My name is Gloria. Don't you

ever call me Miss Fletcher again.

What are you doing here? Why do

you follow me everyplace that I go?

I'm not following you. I'm looking out

for you. Someone's gotta protect you.

- You can't take care of yourself.

- I don't want your protection.

- I want you to leave me alone.

- What are you doing with this guy?

Yeah, Art, Art, it's...

it's great to see you again.

You know, Betty's been saying

such wonderful things about you.

Don't touch him!

Don't even get near him.

I'm just trying to congratulate him. Anyone

who makes you happy makes me happy.

You are not fooling me, Gene.

I know you.

No, you know the old Gene. I'm not

the same guy. I mean, give me a chance.

l... here. Here.

I brought you some flowers.

- Thank you.

- Beautiful. Beautiful.

- I'm just a warmhearted guy.

- Wh... What are you...

- Hey! Hey!

- What... What are you doing?

What are you doing?

Giving him the kiss of death?

Kiss of death? What kiss of death?

What is that?

He kisses you,

you're history.

- Didn't you ever see The Godfather?

- Which one?

- Just a moment, sir.

- Sure.

You must be Bart.

And you must be Liz.

So Art told you about me?

Well, eh, he tells me

that you two...

got off

on the wrong foot.

That's a very artful way of putting it.

Yeah, I suppose it is.

- I know he comes off as a little, uh...

- Slick?

Uh, slick.

Really?

- I think he's cool.

- Cool, slick. Whatever.

It's... it fits him.

He's a very smooth operator.

He had to be to survive.

- Survive what?

- Well, we grew up without any money.

You know, I was an artist,

and the kids used to kick my ass all the time.

- He protected me.

- Hello, Bart.

- Hi.

- Hi. Art just called and he can't come.

He said there's some kind of problem

with your dad?

Yeah, the old man's got Korsakov's Syndrome.

You know, memory problems.

Well, it was very nice of Art

to let you come.

Very nice. He's got

a very nice side to him.

Dinner's out

on the veranda.

- This way.

- Oh.

- This is a very nice house, hmm?

- Thank you.

- Wow.

- Glad you came?

For me,

there is only Rimbaud.

Rimbaud. Why?

Well, it's obvious.

He's the original.

I mean, Seagal and Van Damme

are just cheap imitations.

I admire him because

he had the good sense...

to quit while he

was still ahead.

I disagree.

I think that two sequels was plenty.

Honey, Rimbaud, not Rambo.

Poet, French, dead.

I'm just trying to change the

subject before I fall asleep...

face down in my plate.

So are you saying that all artists

should quit when they're 18?

Well, no, but th-they should

have enough sense to stop...

when their best work

is behind them.

You're not gonna

smoke that, are you?

No, I'm gonna eat it.

Excuse me.

My ex-brother-in-law.

He's big on drama.

Unlike your sister.

Get off of my dock,

you maniac.

Are you crazy? Somebody should

take you away and, and lock you up.

Do you know what day

this is, darling?

- Yeah, it's the day they take out the trash.

- It's our anniversary.

No, it's not.

Our anniversary is June 8.

Our second anniversary.

You came all the way here

to tell me that?

I've been paying Dr. Huffeyer a lot

of money so that I could forget it.

Remember the church in Cabo?

That funny little priest.

The burro that ate my bouquet.

It's not gonna work.

No, but the music

is great.

Why, thank you.

Hi, there.

Go for it.

Fireworks and flowers are not gonna

do it, Gene, and neither are mariachi.

They were playing this song.

These are the guys.

I flew 'em in first class.

I even had to get Pablo out of prison,

so it would be perfect for you.

Dance with me?

Go away.

Please?

One last time.

On my honor, I-I'll

never bother you again.

Dance with me?

Have you ever been married?

- No.

- Never.

- Hopper.

- Oh.

So Hopper is, uh,

illegitimate.

Yeah.

Would that little monkey

of yours do this for you?

Ooh! If there's an ape

in my life, it's you.

- Get out of here!

- What did I do?

Of all the manipulative,

scum-sucking... Good night.

- Good night.

- I hate you, Eugene Palletto.

So, eh...

do we have to

stop dancing?

- No.

- Nah.

It's as if he wants me to be, like, this

perfect housewife, but we're not even married.

It's so ridiculous.

Then afterwards, you know, it's

really hard for me to be mad at him...

- for too long because I love him so...

- But that's the point.

The machine

creates the tension.

- Bart?

- Hi.

- Hi.

- What a surprise. What are you doing here?

- I work here.

- Uh, that's right, that's right.

- You have time for a coffee?

- Yeah.

- Good. Let's go.

- Okay.

Okay, guys, it was very nice

talking to you, huh?

- Bye-bye.

- All right. Bye.

- Uh-huh.

- All right.

Unfortunately, they don't emphasize

technique these days.

Perfect. You can smother an idea

with technique.

But these kids have things in their heads

they can't get down on paper.

What good is an idea

if it stays up here?

You might as well be

an artist who doesn't paint.

Now, that's my definition

of a coward.

Are you working now?

I can't seem to stop.

I'd love to see

some of your work.

But you just got here,

so there's probably nothing to show yet.

Actually, I shipped

a few pieces here and...

Really?

- If you got a little time...

- Now is good.

- Now?

- Yeah.

Um, okay, great, great.

Uh...

Just, uh, let me make a call,

and we're on our way.

Okay.

Manny, it's Art.

Listen.

You've got to come over to the gallery.

People are going nuts about you.

Art's Gallery.

Gloria, it's me. This is crucial.

You gotta do me a favor.

- Oh, joy.

- Look, Manny'll be there any minute.

- Is he gonna be a twin too?

- This is not a game.

- Keep him there for an hour.

- How do you propose I do that?

Use your charm.

- I'm nervous. Uh...

- Don't be.

You're the first person

to see them in a long time.

They are no big deal,

really.

Bart, they're very good.

I like them.

I like them a lot.

Good.

- Is that yours?

- Yeah.

- I love that.

- Yeah?

It's beautiful.

You know why?

No.

It's both simple

and heartfelt.

Keep it.

- What? Are you kidding?

- Take it. My gift.

- Oh, no, I couldn't.

- Of course you can.

I want you to have it.

Please.

Oh, I love this.

Good.

Well, I better go.

You were very talented.

Todavia no se porque lo

dejaste. Este es muy bueno.

- Hi.

- How was your swim?

Art's Gallery.

Gloria, any messages

for me?

Hillerman. He read about your, "merger

with the Kerner fortune..."

is, I believe,

how he put it...

- so he's raising the rent.

- Any other calls?

One, but it's not

for you.

If you see your brother Bart,

tell him I have a message for him.

Wait, wait, wait!

Art's Gallery.

Gloria, this is Bart.

Do I have any calls?

As it happens, a certain

Liz Kerner called.

She said

she'd call back.

Bart, I'm worried

about your brother.

You should be, Gloria.

We'll discuss it later.

I'm going to fix myself

a drink.

- Anybody want anything?

- I'd love a vodka tonic.

- Liz, what about you?

- No, thanks.

No, Hopper, it's not me. It's not me.

No, cancel that order! Excuse me.

Maria, could you use another phone?

Thank you.

What? What?

No, forget it!

Don't accept those conditions.

Hello?

This is Bart Dodge.

May I speak to Liz, please?

- Hello?

- Liz? It's Bart.

- You called?

- Yeah.

We were having kind of

a lazy day here and...

You want to come by?

Your brother's here.

Can't make it

this afternoon.

Oh, how about dinner, then?

Just the two of us.

Sure. Good.

Much better.

9:00 okay?

- Can you make it a bit later?

- 9:30, then.

Let's compromise. 10:00.

Okay. You want to

talk to Art?

Sure. Put him on.

Okay, hold on a second.

Art!

- Phone for you. It's your brother.

- Oh.

- Can you hold that?

- Yeah.

Thanks. Thanks.

Um, Bart?

That's no problem.

Yeah. Yeah.

Sounds great. Yeah, well.

See you later.

Bye.

Yeah.

I forgot the ice.

- Here you are.

- Hmm. Thank you.

How's Bart?

Bart. Bart's fine.

He's fine.

Very happy, actually.

Eh, Betty, I got a problem

making dinner tonight, uh...

Miss this dinner,

my darling...

and your problems

are just beginning.

- Oh, la, la, monsieur.

- What?

If you permit me to say, you

are committing a hideous crime.

Doctors orders. It's the only

way she can take her medicine.

Monsieur, that is

a Chateau Fontegnac.

This is not a wine

to toy with.

- Pardon.

- Look, buddy, it's my wine.

I paid for it.

Now, if I want to piss in it,

that's my business.

- Okay?

- As you wish, monsieur.

Espece de cochon.

Excusez-moi.

Thank you.

Cheers.

Arriba. Abajo.

- Al centro.

- Por dentro.

Whatever.

Mmm. Oof.

Ohh, Art,

I love you.

Hmm.

I know.

I'm sorry.

Huh.

I wanted to see if, um...

Aiieee! Ai, ai, ai!

It's always raining

when you need a cab.

Uh... do you think Art has

anything I could change into?

Upstairs?

Are you hungry?

Famished.

- Here?

- Yeah. Do you know it?

I had dinner here

not too long ago.

It's okay.

- People sure stare at you.

- No, they're looking at you.

Nice to see you again,

monsieur.

Eh, we'd like

a bottle of wine.

Eh, Chateau Fontegnac.

Alas, monsieur,

I am desolated.

Some person...

has committed an atrocity...

against

the very last bottle.

I think if you take a careful look in

the cellar, you'll find another one.

Certainement, monsieur.

If you promise not

to piss in it.

- He's French.

- They shouldn't let him out of the cellar.

Yeah.

So, um, your sister...

my brother.

Think we'll be dancing at

their 50th wedding anniversary?

I have no idea.

She might just marry him twice and then

move on to the next lucky contestant.

You know,

Art is a little worried.

He thinks they might

be rushing things and...

It's too late now. The

Titanic has already sailed.

Maybe you can talk to Betty

about it, be the voice of reason.

The only voice Betty listens

to is the call of the wild.

Yes.

Perfect.

Hmm.

- Thank you.

- Je vous en prie.

Psst!

Shall I distract the lady

now while you slip...

a little something

into her wine?

What a character, huh?

You really crack me up.

Oh, dites donc.

To you.

- I hope we can be friends.

- We'll have to be.

We'll be related, almost

like brother and sister.

Right.

You don't like the idea?

Yeah, yeah.

It's just that, uh...

this makes what I'm thinking

about taboo in most civilizations.

Would you like

to come in?

Maybe I should

go home.

Nobody's waiting up

for you, are they?

So to top it all off...

he shoots his underpants

over the shower door to me.

No, I don't believe it.

Poor guy.

What a way to start a day.

How about me?

Well, you were

taking a shower.

I mean, he was the one

humping the glass door.

He must have been

terribly humiliated.

Right. I was

just violated.

Not you.

You are too tough.

Tough?

Too tough?

No, no, no.

No, Betty.

No, Betty, no, no.

No, no.

No, no!

You were dreaming about my sister.

Yeah. Yeah.

When we were growing up, every

boyfriend I had had a crush on her.

Did that sound like

a good dream?

- Hmm?

- No, I guess not.

Ohh!

I was at the wedding.

It was a nightmare.

I was the...

The best man...

and I couldn't move.

And then...

there you were...

Beautiful and perfect.

Let's just forget

about Betty and Art.

Yeah.

Let's forget 'em.

Yeah.

Where are you going?

To splash some cold water

on my face.

Hmm.

Hmm. Ohh, God.

I have this

incredible headache.

- Me too.

- You do?

I think I need

an aspirin. Yeah.

- Oh.

- Good morning.

Good morning.

Aspirin. Aspirin.

Yeah.

Bart?

I'll be right out.

Oh, I feel like

my head's gonna pop...

like I've been in a coma

or something.

Will you rub my neck

for a minute?

- Neck? Yeah, yeah.

- Please?

Thanks.

Did I drink a lot

last night?

Well...

- Right.

- What's wrong?

Forgot the aspirin. We both

had too much last night.

Ooh!

Ohh!

Hey, what took you

so long?

- l-I-I-I hopped in the shower.

- I need one too.

- I'm late for work.

- Yeah, and...

Art?

Art!

Whew! Ohh.

- You're not dressed yet.

- No.

I think I'm going to

take a shower.

Another one?

Yeah, I forgot, uh,

my ankles.

Ooh! Aah! Ow!

- You up?

- Didn't you hear me calling you?

Soap in my ears.

Did I leave the water on?

Yeah.

Ohh.

Ohh!

- Hey.

- Hi.

I gotta go,

but you stay.

- I'll have Maria make you breakfast.

- Yeah. That's okay.

I'd better be off. I don't

want to run into Bart... Art!

- I'll call you later.

- Sure.

Bye.

Art?

- Art!

- What?

I'm leaving now.

I have a date.

You're on the 9:00 to Puerto Vallarta.

Um...

I-I'm just going to

fall back and...

regroup for a while

and...

make a plan.

Dumping one sister

at the altar...

and leaving the other

with a cheap one-night stand?

That's some fine plan.

You should

write that down.

You know...

1,000 ways to humiliate...

degrade, generally make

everyone miserable.

See ya.

- All right.

- I'm gonna play these ones.

- Give me...

- You want two fives still?

I'll take one.

- What you got?

- I'll take one.

- I'll take two.

- You're taking two?

- Two I'm taking.

- All right.

- Give me one.

- I'll take one.

- Hey, wait a minute. That's my card.

- What's the matter with you?

Hey, hey, hey.

I need your help.

- I saw you pull an ace out of your shoe.

- I didn't do it!

- I'm in a jam. You gotta help me.

- I can't. I'm in a hole.

This is serious. You gotta go

out, start the car and wait for me.

- Let me finish this hand.

- There is no time. Someone is after me.

- Cool! Way better than poker.

- Better than poker!

Where's my hat?

I'm coming, I'm coming!

- Come on, boys! I don't wanna be late!

- Okay! Go, go!

- The car is right here.

- Move, move!

- All right.

- Come on! Let's go, let's go!

- I'm bad at driving.

- Who's driving? Who's driving?

Just get in.

Okay, let's go, let's go.

All right,

get back in there.

You remember how, don't ya?

- Of course I do.

Idiot son of mine. Who else

would own a stick shift?

It's like making love to a woman...

put it in slowly and then floor it.

What do you know?

You haven't even got a license!

- It's only because I can't see.

- What are you doing? It's not even raining!

I don't know.

Wait a minute. Something...

I don't understand!

All right!

Move! Move! Let's go!

Come on!

- There!

- Hey! Now you're talking!

Take it slowly!

- Go back to

the home, you old farts!

Go, go, go, go, go!

Positively Homeric!

- I can't, I'm telling you!

- I'm telling you! I'm telling you!

: El embrague!: El

El embrague!

Eso, eso! Alli, arriba!

Taxi!

- Hey! They're coming!

Let's go! Let's go!

No! Hey!

I can't concentrate

on these pedals!

I'll steer!

Just step on it!

Come on!

It's all right!

Look out!

Keep going! Keep going!

Keep going! Stomp on it!

There's a valley in Spain

called Jarama

It's a place that

we all know so well

It was there that we gave

of our manhood

Where so many of

our brave comrades fell

Viva la Rep?blica!

Go, go! We can make it!

Aaah! Stop!

We're gonna die!

Relax! lt'll be fine! I've

seen it done a thousand times!

Not in real life!

Yes! Yes! We done it!

- All right, all right.

- Let him out.

- I think I can do it.

- One leg at a time.

- My behind is broken.

- I got it, I got it.

- I'll never dance again. I know it.

- Okay, you guys go ahead.

I'll get the car back

tomorrow, all right?

And hey, hey...

Thanks.

Son, don't let that asshole brother

of yours get you into any more trouble.

Next time you have a problem,

call me.

- These guys are useless.

- I will.

- Avanti.

- We are proud of the Lincoln Battalion

And the fight for Madrid

that we made

There we fought like true sons

of the people

As part of

the 15th Brigade

- Art.

- I know you hate me, but can I come in?

I'm not alone.

- Manny.

- Hi, Art.

I-I took your advice

about the charm.

- So maybe I got a little carried away.

- I'll say.

- Well, uh...

- Is, uh, something the matter?

Um, I was just looking for a quiet place

to spend the night, but, uh...

- It wouldn't be here, would it?

- Wait a second.

You and... Manny?

When I said his brush strokes

spoke volumes...

I had no idea.

- You know what else?

- No, please. Don't tell me.

Key to the studio.

- You can spend the night there.

- Thanks, Manny.

Who is it?

Hey, hey.

Wait, wait, wait.

Wait, wait, wait...

Aah!

- Are you guys crazy or what, huh?

- I think we're "what."

Wait. Wait...

Aaah!

- Uh... no.

- Not his face!

We want the groom

to look pretty tomorrow.

- He might not dance so good.

- Look...

I am leaving. She's all yours.

Yeah, schmucks like you always

bail out at the last minute...

no matter who

takes the fall.

Luckily I'm here

to protect Betty.

You started somethin',

and you're gonna finish it.

You're gonna go there

and marry her tomorrow...

and what's more,

you're gonna make her happy.

Because, so help me,

if you ever make Betty cry...

I'm gonna break one bone

for every tear.

And you know

she cries a lot.

I just gotta get rid of all

of this negative energy!

- Doctor's orders!

- Not his face, boss!

- Who says?

- Uh, you did, boss.

- You did, boss.

- Y-you did.

You always gotta listen

to the boss.

Oh, my God.

Bart?

Oh, my...

Are you all right?

- Ohh!

- I've been better.

Ohh.

Here, let me help you.

Oh, I'm sorry.

- It's all right.

- Is something broken?

- A rib, maybe.

- Owwie.

It's okay.

It's okay.

We should call somebody.

What?

You're so...

Iovely.

- Please be quiet.

- No, no. I mean it.

When you are like this...

Frowning...

It is fantastic.

Um, I am very happy

you came.

I think

you're getting better.

Ooh.

Tell me what happened.

What happened?

I love you, Liz.

That's what happened.

From the moment

I laid eyes on you...

when I stepped

in the shower...

and there you were...

glaring at me

through the water.

- That was Art.

- Yeah.

I am Art.

- What kind of joke is this?

- It's not a joke. It's not a joke.

- All right, what does Betty keep on her night table?

- Uh...

Five bottles of pills

and...

three boxes of Kleenex

and...

a beautiful picture

of you.

- I can't believe this.

- Sure you can.

Sure you can.

- Yeah.

- Yeah. Yeah, I can.

I believe you can betray Bart like this,

betray my sister, betray me...

No, the person I've betrayed the most...

is myself.

Why?

Because you stopped?

Because you could've

gotten away with it?

- Yeah, you really blew it.

- I want you to be with me.

Not with someone else.

You know...

I've always loved you.

- Don't.

- Please.

- Don't do this.

- Please, please. Please.

You know what

I'm thinking about?

Your mother.

I'm sure she'd give you

a good whipping.

You sure as hell

deserve one.

Yeah.

I remember when

you and Bart were born.

She cried

for a whole month.

You sure someone who lives in

this house wants to marry you?

Not me, Dad.

Art. Art!

What amazes me is that Art doesn't want

to marry someone who lives in this house.

What made you

change your mind?

I don't know whether

to laugh or cry.

- Congratulations.

- No, Manny.

I am not the one

who's getting married.

It's my brother Art.

You follow?

- Yeah, sure.

- Bart.

My name is Bart.

Bart.

We could speak

to the preacher.

I'm sure he'd marry us

on the spot.

I'd love to, but you're just

too young and foolish for me.

Bart.

Hi.

- Hi.

- Um...

- What?

- I have to tell you something.

But I don't want you to get angry.

Promise me.

- I could never be angry with you.

- Not with me, with your brother.

- What?

- He told me that he loved me last night.

- Well...

- You promised.

We can't let him

marry Betty.

Great.

What you do now is tell Betty

what you just told me.

Right.

You're right.

Yeah.

It's just that

it's so hurtful.

A-And you...

I'm really sorry.

I know, I know, I know.

Liz.

Do you feel anything

for Art?

No.

How did things

get so screwed up?

I gotta get these

checked.

I saw Art last night...

and he said some things

that made it clear...

that he's not ready for the kind

of commitment that you deserve.

Well, I think he is.

He said he's had feelings for

me since the day he met me.

No offense, Lizzie, but your record

with men is really not all that great.

You've never known how to read them

and you still don't.

He said... he loved me.

Well, I'm sure

that he does.

He kissed me.

There.

I kissed you too.

But that doesn't mean

that I'm in love with you.

- Congratulations.

- Thank you. Thank you.

- Art?

- Yes, Manny, yes.

I'm glad you could make it. One more

Dodge and we can have a used car lot.

You knew Ernest Hemingway

personally?

- Hi.

- Yes. We played golf together.

- Uh, see you later, huh?

- Hemingway never hit the front lines...

until the only people aiming at him

were the photographers.

I mean no.

So, my dear, just relax

and follow your instincts.

Fly in the sky, free like a bird.

What have you done?

Don't you know that it's bad luck

to see the bride before the wedding?

Um... I'm sorry.

We're not gonna have

bad luck, are we?

Hmm?

'Cause I just want

everybody to be happy.

So, you must be

the famous Art.

Dr. Huffeyer,

I presume.

Huffeyer. A pleasure.

Yes. Right.

Betty talks about you

all the time.

I have to admit I'm even

just a little bit jealous.

What you have achieved in a very short time

I haven't come close to in years of treatment.

What a beautiful ring.

Where did you find it?

You're not going to believe this,

but it fell from heaven.

Ah. Does it say "Love you, Huffy"

on the inside?

It's... It's...

It's my ring.

- I need it.

- Sorry... Sorry, Doctor.

See you later, eh?

Are you really going to

go through with this?

Any reason I shouldn't?

- Bart's looking for you everywhere.

- Is he?

- He wants to talk to you.

- He told you that?

Yes. Now stay here.

It's incredibly important.

- He told you that too?

- Yes.

I'm gonna go get him. You

just wait here. Don't move.

Did you tell Betty

about last night?

You... Ohh.

Ohh!

Grow up!

- Hello?

- Maria.

- Um, get me Dr. Huffeyer.

- I'll check the garden, miss. Hold on one second.

Bart. Bart, I've been looking

for you everywhere.

Betty won't listen to me.

You have to convince Art to call it off.

- Right.

- No, no, this way. This way.

Bye.

So what is the big deal?

What do you want me to do?

- Hold up the ceremony?

- I won't let him make my sister unhappy.

Is that

the only reason?

Okay.

I-I'm gonna look for him

right now.

He's waiting for you.

Here?

Mmm. Mmm.

Art?

Art.

Look, man.

You can't do this to Betty.

You've got to call it off.

You amaze me.

You just show up after four years,

and right away you launch into sermons?

- Geez, Bart!

- Art?

- Sermon, my ass.

- Bart?

You are about to make the all-time

biggest possible mistake, and you know it.

And look at me when I am talking to you! You

are going to make Betty totally miserable.

Everything is

so damned simple for you.

Look, in two days,

you've got everything...

everything

I've always wanted.

Your problem is, you've never

known what you've wanted.

Hello!

Maybe I don't know

what I want...

but at least I don't run away

every time there is a problem!

Did he think

he could pull this off?

Does your brother think I'm

brain-dead? Shut up! Don't answer that!

I could change my mind

and croak you right here!

Gene. Listen good.

I mean, Bart is right.

You are the one who is in love with

Betty, and you're telling me to marry her?

- It doesn't make any sense.

- When was the last time things made any sense?

What you want, what I want,

isn't worth squat.

The only thing that matters here

is what Betty wants...

And what she wants is you.

And so help me God, she's going

to get you, probably not for long.

See, guys like you, you come and go.

You're just a temp!

But I'm forever...

because I...

I really love her.

So now, pal...

You and I got a date

with fate...

- All right.

- At the altar.

Are you ready, dear?

"Wedding March"]

- [Guests Murmuring]

She looks gorgeous.

Cheer up, dear boy.

It's a wedding, not an execution.

Dearly beloved,

we are gathered here...

before our Lord God

and this company...

to unite this man

and this woman...

in the bonds

ofholy matrimony...

to join this couple

together...

until... death.

Seeing some of those present...

Lord, you must

be thinking...

"I've seen these faces

somewhere before."

Let us remember...

the solemnity

of this ceremony.

Listen to my questions...

and give thought

to all of your answers.

If anyone knows any reason...

these two people should not

bejoined in marriage...

speak now, or forever

hold your peace.

I do.

No, dear. Remember?

- That comes later.

- No.

You pig!

You worthless, selfish

son of a bitch!

- You only think of yourself!

All the time!

You may be rich,

but you're a creep, and I love you!

I do love you.

No, Hopper. Not now.

You son of a bitch.

What would Freud

have made of this?

I couldn't leave

without saying good-bye.

Uh, I've gotta

go back to Italy.

Responsibilities.

I have kids.

Three boys.

Three?

Yeah.

Three little bambinos.

Luigi and Paolo

and, and...

- Gi...

- Giuseppe?

- Giulio.

- Giulio.

Is there a wife?

Hate the woman.

I haven't spoken to her for years.

The boys live with their grandma.

But yesterday the old lady

fell down the stairs and...

Dead?

Paralyzed...

from the neck down.

Well...

good-bye.

I'm sorry.

Give my love to Art.

He's not good enough

for you.

Neither am I.

Good-bye, Liz.

Good-bye...

Art.

All right, now!

Yea!

You really should...

See you around.

- Okay. See you, see you. How are you doing?

- Fine.

I love the show. Bye.

Well, uh...

congratulations.

The gallery's gonna do much better

with you running it.

- Well, I think I have a better eye for talent.

- You're referring to me?

But there's one client I think you

should handle personally.

There is only

one true work of art...

in this whole room...

you.

See you later, kids.

Hello.

Hello.

I've been told this painting's

not for sale.

It already has an owner.

I don't think she,

she cares about it anymore.

I knew the artist.

I doubt it.

You and him don't move

in the same circles.

Maybe I'm talking

to the wrong person.

I'm sorry.

Oh, God.

The first time I set eyes on

you, everything else faded away.

I mean, from that moment on,

for me there was only you.

Only me?

You mean my sister first

and then me.

- You had a pretty good deal there, admit it.

- Hey, hey, hey.

Do you honestly think I was having fun?

I mean, think about it.

- Why did you lie to me?

- Because you never gave me a chance.

Because I couldn't stand being rejected

and then seeing you fall in love with Bart.

- You are Bart!

- No, Bart doesn't exist!

All right.

You miss Bart?

I'll stop being Art,

and I'll be Bart.

You really are a brick short,

aren't you?

From the moment I met you.

Art already told me that.

Or was that Bart?

Just tell me,

who do you want me to be?

So was that

Art or Bart?

Just me.