Tolkien's The Lord of the Rings: A Catholic Worldview (2011) - full transcript
Host Joseph Pearce explores the many Catholic themes and elements that comprise the landscape of J.R.R. Tolkien's classic "The Lord of the Rings" trilogy.
Joseph: 'The hoofs drew
nearer.
"They had no time to find any"
hiding place better than the
general darkness under the
trees..
"Sam and Pippin crouched"
behind a large tree-bole,
while Frodo crept back a
few yards towards the lane.
"It showed grey and pale,"
a line of fading light
through the woods.
"Above it, the stars were"
thick in the dim sky,
but there was no moon.
"The sound of hoofs"
stopped.
"As Frodo watched, he saw"
something dark pass across
the lighter space between
2 trees, and then halt.
"It looked like the black"
shade of a horse led by
a smaller black shadow.
"The black shadow stood close"
to the point where they had
left the path, and it swayed
from side to side.
"Frodo thought he heard the"
sound of snuffling.
The shadow bent to the
ground, and then began
"to crawl towards him."
These words are from the
first book in "The Lord"
of the Rings“trilogy,
the most popular book
of the 20th century.
But did you know these
books are Catholic?
Hello, I'm Joseph Pearce and
I'll be your guide as we
explore "The Catholicism of."
'The Lord of the Rings“.
Joseph: "The Lord of the."
"Rings," the most popular
book of the 20th century and
one of the greatest books
ever written is a Catholic
work, full to the brim with
the truths of the Gospel,
and there's no need to
take my word for it.
Here are the words of the
author himself.
Tolkien: "The Lord of the."
"Rings" is, of course, a
fundamentally religious and.
Catholic work-unconsciously
so at first, but consciously
in the revision.
Joseph: So there we
have it, from the lips of.
J.R.R.Tolkien, the author
himself, in words written
to his Jesuit friend.
Fr. Robert Murray in 1953.
But how is it fundamentally
religious and Catholic?
There's no mention of Christ
or His Church anywhere in
the book, not least because
the story takes place
thousands of years before
Christ revealed Himself
in the Person of Jesus.
How can it be Catholic
if there's no mention of
Christ or Catholicism?
This is the question that
will be answered over the
next hour as we explore the.
Catholicism of "The Lord of"
the Rings...
First, however, let's learn
a little more about Tolkien
himself.
He was born in Bloemfontein,
in South Africa, on
3 January, 1892, and was
baptized 4 weeks later
in the local Anglican
cathedral.
Both his parents were
English, and the family
were living in South Africa
because of his father's
position as manager of the
Bloemfontein branch of the.
Bank of Africa.
Shortly after Tolkien's
3rd birthday his mother
returned to England, taking.
Tolkien and his younger
brother Hilary with her.
His father, unable to vacate
his post at the bank, was
forced to remain behind,
intending to follow his wife
and children to England as
soon as the opportunity
arose.
But tragedy struck the.
Young family.
Arthur Tolkien contracted
rheumatic fever and died
in Africa.
The death of her husband
plunged Mabel Tolkien into
poverty.
With 2 young sons, she
relied on financial
assistance from her family.
Then in 1900, when Tolkien
was 8 years old, Mabel.
Tolkien was received into
the Catholic Church.
Furthermore, she began to
instruct her sons in the.
Catholic religion and they
were duly received into the.
Church also.
Her family reacted with
fury to her conversion,
withdrawing their financial
assistance and plunging her
and her sons from poverty
to penury.
The strain affected her
health adversely and Tolkien
was convinced that his
mother's early death, in
1904 when he was only 12
years old, was due to the
persecution she experienced
following her conversion to.
Catholicism.
Tolkien: My own dear mother
was a martyr indeed, and it
was not to everybody that.
God grants so easy a way to.
His great gifts as He did
to Hilary and myself,
giving us a mother who
killed herself with labor
and trouble to ensure us
keeping the faith.
Joseph: On another occasion,
when confronted with the
prospect of some of his own
children's neglect of their
faith, Tolkien remembered
his mother's sanctity and
loyalty to the faith.
Tolkien: When I think of my
mother's death... worn out
with persecution, poverty,
and largely consequent
disease, in the effort to
hand on to us small boys the
faith, and remember the tiny
bedroom she shared with us
in rented rooms in a
postman's cottage in Rednal,
where she died alone,
too ill for Viaticum,
I find it very hard and
bitter, when my children
turn away.
Joseph: After their mother's
death, Fr. Francis Morgan
of the Birmingham Oratory
became the legal guardian
of Tolkien and his brother.
Tolkien would describe.
Fr. Morgan as, "A guardian"
who had been a father to me,
"more than most real fathers."
Tolkien went on to study.
Classics at Oxford,
receiving his degree in
1915, before enlisting
in the army.
In the following year he
married his childhood
sweetheart; Edith Bra“,
and 2 months afterwards,
he sailed to France to take
part in what he described
as the animal horror and
carnage of the Battle
of the Somme,
one of the most horrific
battles in human history.
It was also around this time
that he began to invent
the first of his Elvish
languages, a hobby that
would become the creative
passion of his life,
leading eventually to
the publication of his
masterpiece.
John, the first of the 4.
Tolkien children, who would
later become a Jesuit
priest, was born in 1917.
Their 2nd son, Michael,
followed in 1920;
Christopher in 1924; And
Priscilla, their only
daughter and final child,
was born in 1929.
It was during this period
that Tolkien, who was now
teaching at Oxford.
University, first met.
C. S. Lewis.
The 2 men were destined to
form the most important
literary friendship of the
20th century, in spite of
their differences when
they first met.
Tolkien was a devout.
Catholic, whereas Lewis,
born in the sectarian
atmosphere of Protestant
Belfast, in Northern
Ireland, had been taught
from childhood not to trust
"papists," to employ the
derogatory term with which.
Ulster Protestants expressed
their contempt for their.
Catholic neighbors.
Lewis: On my first coming
into the world I had been
implicitly warned never to
trust a papist, and at my
first coming into the
English Faculty explicitly
never to trust a
philologist.
Tolkien was both.
Joseph: It would seem,
therefore, that a friendship
between Tolkien and Lewis
was not very likely.
What brought them together
was a shared love for
mythology, and particularly
a love for Norse mythology.
They became good friends
after Lewis joined an
informal club that had been
founded by Tolkien with the
single purpose of reading
the Norse myths in their
original language.
Lewis had long since
lapsed from his childhood.
Protestantism and had
become an atheist.
And yet in September 1931,
a long conversation between.
Tolkien and Lewis on the
subject of myth would be
instrumental in Lewis'
conversion to Christianity.
It all began when Lewis
provoked Tolkien by
indicating that myths
were lies.
Tolkien: Including in fairy
stories, which I think is
rather ridiculous.
After all, the magic of
myths or fairy stories is
not an end in itself.
It exists to serve virtue
and satisfies certain
primordial human desires.
Lewis: But myths are
fiction.
The stories they tell
aren't true.
They're lies, and therefore
worthless, even though
breathed through silver.
They're just beautiful lies.
You can't seriously believe
in fairy stories.
Tolkien: Why not?
I can.
In fact, I do.
Lewis: But this is
preposterous.
How can you seriously
believe a lie?
Tolkien: Oh Jack, myths are
not lies.
In fact they're the opposite
of a lie.
Myths convey the essential
truth, the primal reality of
life itself.
Lewis: Go on.
Tolkien: Well, you see, we
have been duped into using
the word myth as being
synonymous with a lie
because we have been duped
into accepting the first
real lie of materialism.
Lewis: And what is that?
Tolkien: That is the hideous
claim that there is no
supernatural order to
the universe.
The materialists have
imprisoned us in a world of
mere matter, of physical
facts divorced from and
devoid of metaphysical
truth.
Well, I say that they're
lying... I say that they are
the ones who have come up
with a false myth.
Their world doesn't exist.
It's merely a figment of
their imagination.
We're fine.
However, there's a problem.
The problem is, they have
convinced us that it
is true.
They have made us believe
that this is all there is...
3 dimensions, 5 senses,
4 walls.
Lewis: Isn't it?
Tolkien: Most emphatically
not!
Jack, the 4 walls of
materialism are the 4 walls
of a prison, and the
materialists are our
jailers.
Don't you see, they've put
us in a prison, a prison of
4 walls?
They don't want us to see
what's beyond those walls.
They don't want us to
discover what lies outside
their narrow philosophy.
Worse than that, they think
that any attempt to escape
from the prison is an act
of treason.
Lewis: Why, wouldn't it be
an act of treason against
rationality to believe
otherwise?
Tolkien: Now Jack, think
for a moment, how can it be
wrong for a prisoner to
think of things that exist
other than walls or jailers?
Doesn't the fact that the
prisoner is able to think of
things outside the walls,
suggest that perhaps things
do exist outside the walls?
After all, if the prison
really all there is, how are
we able to picture things
that exist beyond the.
Prison?
And this is where myths come
in, you see.
Myths exist outside the
prison.
Myths allow us to escape
from the prison, or if we're
not able to escape, at the
very least, they allow us to
catch a fleeting but oh-so-
powerful glimpse of the
beauty that lies beyond
the walls.
Lewis: But what is it that
we're meant to be glimpsing?
Tolkien: Well, don't you
see?
The truth, Jack.
Myths show us a fleeting
glimpse of the truth itself.
Lewis: Truth? Truth!
What on earth is this truth
that you're talking about?
Tolkien: Ah!
"Quid est veritas;
What is truth?"
I'm glad to see that
you've entered into the
spirit of the myth, Jack!
You've just cast yourself
into the role of Pilate.
Lewis: Pilate?
Oh, I see!
You're able to believe in
the lesser myths because
you've already accepted
the big 1.
Once you believe the big
myth, the lie of Christ,
it's easier to accept the
smaller ones.
All right, Toilers...
I'll play the role of Pilate.
I'll wash my hands
of the whole nonsense!
Tolkien: Well, Jack, you may
be able to wash your hands,
but your mind is still
mudded.
You're not thinking clearly
at all, old chap.
You're acting as if myths
are mere arbitrary
inventions of fiction,
as if we pulled them
out of thin air.
But what you don't
understand is that we make
things by the law in which
we are made.
We create because
we are created.
Creativity, imagination
is God's imageness in us.
We tell stories because.
God is a Story Teller.
In fact, He's THE Story.
Teller.
We tell our stories with
words.
He tells His story with
history.
The facts of history are.
His words, and providence
is His storyline.
Lewis: Are you suggesting
that all of history, that
everything around us is all
part of some divine myth?
Tolkien: We're all part of.
His story.
This very conversation is
part of His story.
Lewis: But perhaps it isn't.
His story.
Perhaps it's only your
story.
How can you know that your
story, the story that you
believe, the Christian
story, is any more real
than any other stories?
Tolkien: But don't you see,
it isn't my story, it's.
His story.
You're acting as if.
Christianity is one myth
among many.
It's not.
It's the true myth.
Christianity really
happened, Jesus really
existed, so did Pilate.
And yet, it is this true
story that makes sense of
all the other stories.
It is the archetype, it is
the story in which all the
other stories have their
source, and the story to
which all the other stories
point.
It has everything.
It has catastrophe and its
opposite, what we might
call eu-catastrophe.
It has the joy of the happy
ending, the sudden joyous
turn and the story that is
essential to all myths.
It has to a sublime degree
this joy of deliverance,
this Evangelium, this
fleeting glimpse of the real.
Joy to which all other joys
are but a distant echo.
Lewis: Toilers, what did you
mean by catastrophe and
eu-catastrophe?
Tolkien: Well, for example,
it has the catastrophe
of the fall and the
eu-catastrophe of the
redemption; It has the
catastrophe of the.
Crucifixion and the
eu-catastrophe of the.
Resurrection.
It has everything that man's
heart desires because it is
being told by the One Who is
the Fulfillment of desire
itself.
It is a story that begins
and ends in joy.
Lewis: But just because a
story brings joy, it doesn't
necessarily follow that
it's true.
There are many joyful myths.
They all seem rather flimsy
to me and ring rather false.
Tolkien: And yet this story
has the inner consistency
of reality.
There is no tale ever told
that men would rather find
was true, and none which
so many skeptical men have
accepted as true on its
own merits.
Lewis: Perhaps it's just a
very well-written artifice.
Tolkien: This story has the
supremely convincing tone of
primary art, not fiction,
but of creation, and to
reject this leads either to
darkness or to wrath, and in
my own life it has led me
from darkness to light.
Lewis: Astonishing!
Toilers, you astonish me.
You absolutely astonish me.
Joseph: This conversation
made such an impact on.
C. S. Lewis that within a
few weeks he was declaring
to his friends that he had
become a Christian.
Tolkien: You may not believe
this, but I've definitely
started to believe in
Christ, in Christianity, and
the long night talk with.
Tolkien had a great deal
to do with it last week.
Let me try to explain.
The story of Christ is a
true myth, a myth working on
us in the same way as the
others, but with this
tremendous difference that
it really happened, and one
must be content to accept it
in the same way, remembering
that this is God's myth,
where the other myths are
men's myths, which is to say
that the Pagan stories are.
God expressing Himself
through the minds of poets,
using such images as He
found there, while.
Christianity is God
expressing Himself through
what we call real things.
It is therefore true,
not in the sense of being a
description of God, which no
finite mind could take in,
but in the sense of being
the way in which God chooses
to appear to our faculties.
Joseph: And so we see how.
Tolkien was instrumental
in the conversion of.
C. S. Lewis.
Isn't it astonishing to
think that we don't only
have Tolkien to thank for
the brilliance of "The Lord"
"of the Rings," but that we
also have him to thank,
indirectly, for "The."
Chronicles of Narnia"
and all of Lewis' other
wonderful works of Christian
literature?
And speaking personally,
I still remember my own
first reading of"The Lord
"of the Rings" and what a
profoundly healthy effect
it had upon me.
At the time, I was a long
way from any belief in.
Christianity.
I could not even envisage
my own future conversion
to Catholicism.
Looking back, my journeying
with Frodo into Middle-earth
helped me to understand the
true nature of heroism and
to see that it is really
the same thing as sanctity.
Tolkien was one of the first
people to show me the
reality of holiness and to
enkindle within me a desire
for holiness myself.
Like C. S. Lewis, I owe a
great debt of gratitude to.
J.R.R.Tolkien.
It is now time that we
turned our attention to the.
Catholicism of "The Lord of"
"the Rings" itself.
We will remember that.
Tolkien stated emphatically
"that 'The Lord of the Rings"
is a fundamentally religious
and Catholic work, and on
another occasion he spoke of
a scale of significance with
regard to his relationship
as the author, with.
"The Lord of the Rings,"
as his work.
At the bottom of the scale
were what he called
insignificant facts,
which were irrelevant.
Then there were more
significant facts, such as
his academic vocation as
a philologist at Oxford.
University, which had
affected his taste in
languages and which was,
therefore, obviously a large
ingredient in "The Lord of"
the Rings...
Yet even this was
subservient to the most
important factors.
Tolkien: And there are a few
basic facts, which however
drily expressed, are really
significant.
For instance, I was born in
1892 and lived for my early
years in the shire, in a
pre-mechanical age, or more
important, I am a Christian,
which can be deduced from
my stories, and in fact,
a Roman Catholic.
Joseph: According to Tolkien
himself, the fact that he is
a Christian, which can be
deduced form his stories,
and in fact, a Roman.
Catholic, was the more
important of the really
significant factors at the
very top of the scale of
significance relating to his
relationship as author to.
"The Lord of the Rings."
Since this is so, we should
not be surprised to discover
"that 'The Lord of the Rings"
is exactly what Tolkien
tells us it is... a
fundamentally religious
and Catholic work.
So how exactly is it
fundamentally religious
and Catholic?
Let's begin our exploration
of the deepest Catholic
significance of the book
by starting at the very
beginning of the story,
with the Creation of.
Middle-earth itself.
Tolkien: There was Eru, the
one, who in Arda is called
lluvatar, and he made first
the Ainur, the Holy Ones,
that were the offspring of
his thought, and they were
with him before aught else
was made.
Joseph: In the beginning
there was the one God,
lluvatar, the All-Father,
or Father of all, and He
first made the Ainur,
the Holy Ones, or Angels.
It can be seen that Tolkien
is at great pains from the
beginning to make his
sub-created world conform
with the real created world,
conforming his creation
story to that in Genesis.
Middle-earth has only one.
God.
It is a monotheistic cosmos,
not a polytheistic cosmos
like that of the Pagans.
Still less is it an
atheistic cosmos like
that of the modern-day
materialists.
It is also a fallen cosmos,
due to the rebellion of
satan, whom the elves
call Melkor or Morgoth.
The parallels with.
Christianity are
unmistakable.
Melkor is described by.
Tolkien as the greatest of
the Ainur, as Lucifer was
the greatest of the angels.
Like Lucifer, Melkor is
the embodiment and the
ultimate source of the
sin of pride, intent on
corrupting mankind for
his own purposes.
When God proclaims a great
music, Melkor refuses to
play in harmony with the
rest of the angelic beings
and disharmony enters the
cosmos.
God's response is replete
with the deepest mystical
theology as He declares to.
Melkor, or satan, that his
evil is not only ultimately
doomed to failure but that.
God will bring great
goodness out of the very
evil itself, beyond satan's
wildest imaginings.
These are God's words to
satan-Melkor after satan had
introduced his discordant
themes into the harmony of
the great Music of Creation.
Lluvatar: No theme may be
played that hath not its
uttermost source in me.
He that attempteth this
shall prove but mine
instrument in the devising
of things more wonderful,
which he himself hath not
imagined.
Joseph: The parallels with
Genesis become even more
obvious when Tolkien
describes the war between.
Melkor and Manwe, the latter
of whom is clearly cast in
the role of the Archangel
Michael.
Narrator: When therefore.
Earth was yet young and full
of flame Melkor coveted it,
and he said to the other.
Valar, "This shall be my own"
kingdom, and I name it unto
"myself!"
But Manwe was the brother
of Melkor in the mind of
lluvatar, and he was the
chief instrument of the 2nd
theme that lluvatar raised
up against the discord of.
Melkor, and Manwe said unto.
Melkor, "This kingdom thou"
shalt not take for thine
own, wrongfully, for many
others have labored here
no less than thou.
And there was strife
between Melkor and the
other Valar.
Joseph: The fact that
Tolkien's Melkor is merely
another name for satan is
made even more manifest
when Tolkien connects
them linguistically.
Tolkien explains that
the name Melkor means.
"He who arises in Might."
Narrator: But that name
he has forfeited and the
Noldor, who among the Elves
suffered most from his
malice, will not utter it,
and they name him Morgoth,
the Dark Enemy of the World.
Joseph: Similarly, Lucifer,
brightest of the angels,
means “fight bearer, “
whereas satan, like.
Morgoth, means enemy.
Morgoth means enemy, satan
means enemy; Therefore.
Morgoth means satan.
They are simply different
words for the same thing.
Morgoth is satan.
Tolkien's intention, both
as a Christian and as a
philologist, in identifying.
Melkor with Lucifer is
beyond question.
Even the way that Tolkien
describes the fall of Melkor
or satan in the Silmarillion
is similar to the way that
satan's fall is described
in the Book of Isaiah.
First, the Book of Isaiah.
Woman: Thy pomp is brought
down to the grave, and
the noise of thy viols,
the worm is spread under
thee, and the worms
cover thee.
How art thou fallen
from Heaven, O Lucifer,
son of the morning?
Joseph: And this is how.
Tolkien describes the
same fall.
Tolkien: From splendor he
fell through arrogance to
contempt for all things save
himself, a spirit wasteful
and pitiless.
Understanding, he turned to
subtlety in perverting to
his own will all that he
could use, until he became
a liar without shame.
He began with the desire of
light, but when he could not
possess it for himself
alone, he descended through
fire and wrath into great
burning, down into darkness,
and darkness he used most
in his evil works upon Arda,
and filled it with fear
for all living things.
Joseph: As well as the
scriptural influence,
the other over-riding
influence is a profoundly
orthodox understanding of.
Augustinian theology.
Evil, as symbolized by
darkness, has no value
of its own but is only a
negation of that which is
good, as symbolized by
light.
This understanding of the
parasitic nature of evil
permeates Tolkien's work
and is especially true of
the depiction of evil in.
"The Lord of the Rings."
Shortly after Tolkien
describes the fall of
satan, or Melkor, in "The".
"Silmarillion" he introduces
Sauron, the Dark Lord in.
"The Lord of the Rings."
He is described as the
greatest of Melkor's
servants.
In other words, Sauron, the
evil power in "The Lord of"
"the Rings" is revealed to us
as the greatest of satan's
servants.
Tolkien: But in after years
he rose like a shadow of.
Morgoth and a ghost of his
malice, and walked behind
him on the same ruinous path
down into the Void.
Joseph: It is abundantly
clear, therefore, that the
evil powers in 'The Lord of
"the Rings" are specified as
servants of satan, rendering
impossible, or at least
implausible, anything but a
theistic interpretation of
the book.
And the symbolic connection
of the evil characters with
satan is made even more
apparent in the way that.
Tolkien uses linguistic
connections to suggest
the satanic dimension.
Tolkien, remember, was a
linguist, a professor of
philology at Oxford.
University, and he often
employs linguistic clues
to his deepest meaning.
Take, for instance, the name
of Sauron, the Dark Lord of.
"The Lord of the Rings.
The letters "saur" come
from the Greek word sauros
meaning lizard or dragon,
and we know, of course, that
in mediaeval typology, and
in Christian iconography
down the ages, the lizard
or dragon or serpent is a
symbol of satan.
Clearly Tolkien wants us
to see Sauron as satanic.
Similarly, one does not have
to be an expert in anagrams
to see that Saruman includes
the same 4 letters, s-a-u-r,
in a slightly rearranged
order.
Saruman, like Sauron,
is satanic.
And what about Wormtongue?
Well, the Old English word
for dragon or serpent was
wyrm, spelled w-y-r-m,
or worm.
Wormtongue means
serpent-tongue or
dragon-tongue, or, by
extension, devil-tongue.
As if this isn't obvious
enough, Tolkien makes the
satanic connection even
more clear in the way that
Gandalf calls Wormtongue a
snake, commanding him to get
down on his belly in words
that echo Gods punishment
of satan.
Gandalf: Down snake!
Down on your belly!
See, Theoden, here is
a snake!
Joseph: As if to emphasize.
Wormtongues serpentine
character, Tolkien describes.
Wormtongue's reaction.
Narrator: He bared his
teeth, and then with a
hissing breath he spat
before the king's feet.
Joseph: So much for the role
of satanic evil in 'The Lord
"of the Rings," but now it's
time to reveal the secret
that unlocks the
fundamentally and religious
dimension of the whole work.
The fact is that Tolkien
hides a key within the
story, a key that, once
discovered, allows us
to unlock the deepest
Christian theology at the
heart of the drama.
What is the key?
It's to be found in the date
on which Tolkien tells us
that the ring is destroyed,
or unmade.
That date is March 25th... a
date that every Catholic
knows is perhaps the most
significant and important
date on the whole Christian
calendar.
March 25th is the Feast of
the Annunciation, the date
on which the Archangel
Gabriel appears to the.
Blessed Virgin, and more
important, it is the date on
which Jesus is conceived in.
His Mother's womb, it is the
date on which the Word is
made Flesh, the date on
which God becomes Man.
It is a more important date
than Christmas because life
begins at conception,
not at birth.
God did not become Man
at Christmas, but at
the Annunciation.
The Incarnation happens
at the Annunciation.
It happens on March 25th,
the date on which the Ring
is destroyed!
And that's not all.
Many medievals believed that
the Crucifixion also
happened on March 25th.
Of course, we celebrate Good
Friday as a moveable feast.
It is celebrated on a
different date each year.
But the Crucifixion, as an
historical event, happened
once on a particular day in
history.
That day, so the medievals
believed, was March 25th,
thus connecting Christ's.
Death to His Incarnation.
And what do these 2 events
signify, taken together
with the Resurrection?
They signify man's
redemption from Original.
Sin, and what is.
Original Sin?
It is the one sin to rule
them all and in the darkness
bind them, just as the one
ring is the one ring to rule
them all and in the darkness
bind them.
The one ring is the same as
the one sin and they're both
destroyed or unmade on the
same day... March 25th!
This is no coincidence,
but is the very key that
unlocks the deep theology
and deepest meaning of.
"The Lord of the Rings."
The one ring is nothing
less than a symbol of.
Original Sin itself, and
by extension, a symbol of
actual, individual sin also.
So how does this sin
manifest itself in the
story?
Well, what happens when
you put the ring on?
It's a good question,
and a crucial one.
Many of you might be
thinking that the wearer of
the ring becomes invisible
when he puts the ring on.
But does he?
Think about it a bit more
carefully.
What actually happens is
that the wearer of the ring
becomes invisible in the.
Good World that God made,
but becomes more visible to
the eye of Sauron, to the
eye of satan.
Tolkien: And suddenly, he was
aware of the eye.
There was an eye in the dark
tower that did not sleep.
He knew that it had become
aware of his gaze.
A fierce eager will
was there.
It leaped towards him.
Almost like a finger, he felt
it searching for him.
Very soon it would nail him
down, know just exactly
where he was.
Amen Lhaw it touched.
It glanced upon Tol Brandir.
He threw himself from the
seat, crouching, covering
his head with this grey
hood.
He heard himself crying out,
"Never, never!"
Or was it, "Verily",
I come to you!"
He could not tell.
Then as a flash from some
other point of power there
came to his mind another
thought, "Take it off, fool!"
"Take it off!"
Take off the Ring.
The 2 powers strove in him.
For a moment, perfectly
balanced between the
piercing points, he writhed,
tormented.
Suddenly he was aware of
himself again, Frodo,
neither the voice nor the
eye, and free to choose,
and with one instant
remaining in which to do so.
He took the ring from off
his finger.
Joseph: In other words, when
we put the ring on, when we
put sin on, we excommunicate
ourselves from Gods world,
the world of goodness, and
enter into satan's world.
Will we listen to the voice
or will we succumb to the
eye of Sauron?
Will we heed the voice of
conscience or will we
choose the evil?
It is a crucial question,
a matter of eternal life
and death.
If we choose the evil and
allow the sin to become
habit-forming, we become
addicted to it.
It becomes our precious.
Eventually we become less
and less like the good
person, or good hobbit, that
we were meant to be, and
become more and more like a
hideous and pathetic parody
of who we were meant to be.
We cease to be a man or a
hobbit and we turn more and
more into a Gollum, and here
is one of the key morals of.
"The Lord of the Rings"-
that the thing possessed
possesses the possessor,
or as Christ told us in the.
Gospel, that, "Where our"
treasure is, there our
"heart will be also."
But what is the
alternative?
What must we do to avoid
becoming addicted to our
sin, or addicted to the
ring?
Gollum: It came to me.
My oglie, my love.
MY PRECIOUS!
Joseph: As Christians-and
remember always that Tolkien
was a lifelong practicing.
Catholic-we know that we
must take up our cross and
follow in the footsteps of
Christ.
What does Frodo do?
He takes up his cross and
follows in the footsteps
of Christ.
But how?
There's no cross in "The."
Lord of the Rings, “ nor is
there any mention of Christ.
Remember that we must think
typologically if we are to
understand the deepest
elements in Tolkien's myth.
Remember his words to.
C. S. Lewis that all the
great stories reflect the
true story of Christianity.
How then does Tolkien's
story reflect the true
story?
Specifically, how does the
carrying of the ring
resemble the carrying
of the cross?
What is the Cross of Christ?
It is a symbol of sin.
It is the sin of the world
that Christ carries on His
back on the Via Dolorosa,
the Way of Sorrows, to.
Golgotha, the mountain on
which He will be crucified.
We have already seen that
the ring is a symbol of sin
so it easy to see that the
carrying of the ring is
symbolically synonymous with
the carrying of the cross.
Frodo carries his cross
through Mordor, which
is clearly rooted
linguistically in the Latin
word mors or mortis, meaning
death, to Mount Doom, the
mountain of doom, clearly
an echo of Golgotha itself.
So Frodo and his loyal
companion, Samwise Gamgee,
walk through the valley of
death to Mount Doom,
carrying the cross
in mythological imitation
of Christ Himself.
And as we have seen, the
climax on Mount Doom is
united with Christ's.
Crucifixion on Golgotha
through the key date of.
March 25th.
And there is another
tantalizing parallel between.
Frodo's journey and the
journey of every Catholic
in imitation of Christ.
During their trek through
the sinful valley of Mordor,
Frodo and Sam have nothing
to eat, nothing to sustain
them, except "lembas", the
elvish waybread.
It seems to have magical or
even miraculous nutritional
powers.
But what exactly is it?
Literally, it is simply
special bread made by elves
to help those on a journey,
but symbolically its deeper
significance is revealed by
what lembas actually means
in elvish.
Lembas means life-bread or
the bread of life, a clear
symbolic connection with the.
Blessed Sacrament Itself.
On their journey through the
vale of tears, the valley of
death, carrying their cross
in imitation of Christ,
Frodo and Sam are sustained
on their journey by the.
Bread of Life.
Once again we see the
journey of the hobbits
as images of the true.
Christian's pilgrimage
through life.
But what about the climax
on Mount Doom itself?
Why is it that Frodo fails
at the very last moment
in his quest to destroy
the Ring?
Frodo: I have come,
but I do not choose now
to do what I came to do.
I will not do this deed.
The Ring is mine!
Joseph: Why does Frodo fail?
Isn't there something
anti-climactic about his
failure?
I know that when I first
read 'The Lord of the.
"Rings," I was annoyed
at this unexpected twist
in the plot.
Frodo had come so far.
He had sacrificed so much,
and then, when all he had
to do was throw the ring
into the abyss,
he couldn't do it!
He had done the hard part.
He had faced many deadly
perils, many temptations,
the strain of sheer
exhaustion.
And now, at the last, he
fails miserably, snatching
defeat from the very jaws
of victory.
I was angry with Tolkien!
How dare he take away.
Frodo's moment of glory!
We don't want our heroes
to fail.
We want them to succeed.
I felt cheated!
But on subsequent readings
of the book it became clear
that this particular scene
was Tolkien's masterstroke.
It is perhaps the most
important twist in the
whole plot.
The fact is that we cannot
overthrow sin by our own
efforts alone.
We cannot carry our cross
on our own.
We need help.
To be precise, we need
the help of God Himself.
We need His grace
if we are to overcome sin.
We can't do it ourselves.
As such, Gollum becomes a
paradoxical symbol of grace
itself, God's miraculous
intervention to bring good
out of evil.
Frodo: Do you remember.
Gandalf's words, "Even."
Gollum may have something.
Vet to do?“
But for him, Sam, I could
not have destroyed the ring.
The quest would have been
in vain, even at the
bitter end.
So let us forgive him!
For the quest is achieved,
and now all is over.
I am glad you are here
with me, here at the end
of all things, Sam.
Joseph: But for Gollum, the
quest would have failed, and.
Gollum is only there at the
end because Bilbo, Frodo,
and Sam had each, on
separate occasions, spared
him his life when they were
themselves tempted to kill
him.
If any of them had succumbed
to the temptation to slay
their enemy, the quest would
have failed.
The ring, or sin, would have
defeated them.
The 3 hobbits had learned
the hardest lesson of all...
That it was not enough to
love our neighbors.
We had to love our enemies
also.
If the hobbits had failed in
obeying this toughest of.
Christ's Commandments, the
ring would have triumphed.
Sin would have triumphed,
but because they were
faithful in keeping this.
Commandment, Gollum was
still around as the agent of
grace that brought about the
destruction of the ring.
As if this were not enough
to prove Tolkien's words
"that 'The Lord of the Rings"
is a fundamentally religious
and Catholic work, there is
so much more in the story
that indicates its
profoundly Christian
meaning.
We have no time in such a
short discussion to study
the death, resurrection, and
transfiguration of Gandalf,
or the Christological
significance of the Kingship
of Aragorn; Or the way in
which the elves illustrate a
Christian understanding of
death and a Christian
understanding of the
difference between time and
eternity; Or the way in
which Boromir, Faramir and.
Gollum, each in different
ways, illustrate the
consequences of human
choices; Or the way in which.
Treebeard and the Ents offer
a profound insight into the
nature of tradition in both
an ecclesiological and
etymological sense.
There is so much more that
we could say but so little
time in which to say it.
Perhaps we will return with
further programs on this
most fundamentally.
Catholic of works.
For now, I'd like to return
to Tolkien himself and his
own exposition of the
meaning of life.
In 1969,when Tolkien was
77 years old and living
in sedate retirement in
Bournemouth on England's
south coast, he received a
letter from a young girl
who was working on a school
project, asking him, "What is"
the purpose of life?"
Tolkien's reply exhibits
his own profoundly mystical.
Catholic faith.
Tolkien: It may be said that
the chief purpose of life,
for any one of us, is to
increase according to our
capacity, our knowledge of.
God by all the means we
have, and to be moved by
it to praise and thanks.
To do as we say in the.
"Gloria in Excel sis;."
Laudamus te, benedicamus te,
adoramus te, glorificamus te,
gratias agimus tibi propter
magnam gloriam tuam.
"We praise You, we call."
You Holy, we worship You,
we proclaim Your glory, we
thank You for the greatness
of Your splendor.
And in moments of
exaltation we may call on
all created things to join
us in our chorus, speaking
on their behalf, as is done
in Psalm 148,and in the.
Song of the Three Children
in Daniel 2, "Praise the."
Lord, all mountains and
hills, all orchards and
forests, all things that
creep, and birds on the
"wing."
Joseph: It is almost time to
end our brief exploration
of 'The Catholicism of 'The.
("Lord of the Rings)" but
we still have time for a
practical and cautionary
lesson that the book
teaches us.
In the story, the palantiri,
the seeing stones, are used
by Sauron to feed propaganda
to the free peoples of
middle-earth.
In particular, Denethor,
the steward of Minas Tirith,
becomes addicted to looking
into the palantir to
discover what the enemy
is up to.
What he doesn't realize is
that the seeing stone is
actually controlled by the
enemy, by Sauron, and that
he only sees in the stone
what Sauron wants him.
YO SEE.
It is not that the palantir
is showing complete lies,
but it is only showing
one side of the story.
Denethor sees in the
palantir how invincible is
the enemy's might and he
becomes convinced that
Sauron, or satan, is bound
to win the coming war and
will overthrow Denethor's
own people and all the
peoples of Middle-earth.
In despair, believing that
resistance to satan OI'
Sauron is pointless and
futile, he commits suicide
and, in so doing, almost
brings ruin upon his own.
People.
Bearing this in mind, it is
interesting that palantir
in elvish means "fa r-seer,"
which, in German, "Fernsehen",
means television, and
indeed the English word,
television, also means
far-seer or far-seeing,
being a combination of tele,
which is Greek for far,
and vision, from the Latin,
video, to see.
It seems that Tolkien is
warning us that if we watch
too much television,
we will commit suicide!
Dear viewer, heed Tolkien's
words of warning and avoid
the temptation to spend more
time with your TV, PC,
i-pod, X-box or any other
form of virtual reality.
Keep your feet on the
ground, your heart in.
Heaven, and your mind
on reality!
Having ended on a somewhat
whimsical, if nonetheless
serious note, I'd like to
leave the last word to.
Tolkien himself.
Thanks for joining us on our
journey in the quest for.
"The Catholicism of 'The.
Lord of the Rings!"
Here's Tolkien on the
beauty of the Blessed.
Sacrament.
Tolkien: Out of the darkness
of my life so much
frustrated, I put before you
the one great thing to love
on earth... the Blessed.
Sacrament.
In It you will find romance,
glory, honor, fidelity, and
the true path of all your
loves on earth, and more
than that, death.
By the Divine Paradox, that
which ends life, and demands
the surrender of all, and by
the taste or foretaste of
which alone can all that
you desire in your earthly
relationships; Love,
faithfulness, joy, be
maintained, or take on the
complexion of reality, of
eternal endurance, which the
heart of every man desires.
nearer.
"They had no time to find any"
hiding place better than the
general darkness under the
trees..
"Sam and Pippin crouched"
behind a large tree-bole,
while Frodo crept back a
few yards towards the lane.
"It showed grey and pale,"
a line of fading light
through the woods.
"Above it, the stars were"
thick in the dim sky,
but there was no moon.
"The sound of hoofs"
stopped.
"As Frodo watched, he saw"
something dark pass across
the lighter space between
2 trees, and then halt.
"It looked like the black"
shade of a horse led by
a smaller black shadow.
"The black shadow stood close"
to the point where they had
left the path, and it swayed
from side to side.
"Frodo thought he heard the"
sound of snuffling.
The shadow bent to the
ground, and then began
"to crawl towards him."
These words are from the
first book in "The Lord"
of the Rings“trilogy,
the most popular book
of the 20th century.
But did you know these
books are Catholic?
Hello, I'm Joseph Pearce and
I'll be your guide as we
explore "The Catholicism of."
'The Lord of the Rings“.
Joseph: "The Lord of the."
"Rings," the most popular
book of the 20th century and
one of the greatest books
ever written is a Catholic
work, full to the brim with
the truths of the Gospel,
and there's no need to
take my word for it.
Here are the words of the
author himself.
Tolkien: "The Lord of the."
"Rings" is, of course, a
fundamentally religious and.
Catholic work-unconsciously
so at first, but consciously
in the revision.
Joseph: So there we
have it, from the lips of.
J.R.R.Tolkien, the author
himself, in words written
to his Jesuit friend.
Fr. Robert Murray in 1953.
But how is it fundamentally
religious and Catholic?
There's no mention of Christ
or His Church anywhere in
the book, not least because
the story takes place
thousands of years before
Christ revealed Himself
in the Person of Jesus.
How can it be Catholic
if there's no mention of
Christ or Catholicism?
This is the question that
will be answered over the
next hour as we explore the.
Catholicism of "The Lord of"
the Rings...
First, however, let's learn
a little more about Tolkien
himself.
He was born in Bloemfontein,
in South Africa, on
3 January, 1892, and was
baptized 4 weeks later
in the local Anglican
cathedral.
Both his parents were
English, and the family
were living in South Africa
because of his father's
position as manager of the
Bloemfontein branch of the.
Bank of Africa.
Shortly after Tolkien's
3rd birthday his mother
returned to England, taking.
Tolkien and his younger
brother Hilary with her.
His father, unable to vacate
his post at the bank, was
forced to remain behind,
intending to follow his wife
and children to England as
soon as the opportunity
arose.
But tragedy struck the.
Young family.
Arthur Tolkien contracted
rheumatic fever and died
in Africa.
The death of her husband
plunged Mabel Tolkien into
poverty.
With 2 young sons, she
relied on financial
assistance from her family.
Then in 1900, when Tolkien
was 8 years old, Mabel.
Tolkien was received into
the Catholic Church.
Furthermore, she began to
instruct her sons in the.
Catholic religion and they
were duly received into the.
Church also.
Her family reacted with
fury to her conversion,
withdrawing their financial
assistance and plunging her
and her sons from poverty
to penury.
The strain affected her
health adversely and Tolkien
was convinced that his
mother's early death, in
1904 when he was only 12
years old, was due to the
persecution she experienced
following her conversion to.
Catholicism.
Tolkien: My own dear mother
was a martyr indeed, and it
was not to everybody that.
God grants so easy a way to.
His great gifts as He did
to Hilary and myself,
giving us a mother who
killed herself with labor
and trouble to ensure us
keeping the faith.
Joseph: On another occasion,
when confronted with the
prospect of some of his own
children's neglect of their
faith, Tolkien remembered
his mother's sanctity and
loyalty to the faith.
Tolkien: When I think of my
mother's death... worn out
with persecution, poverty,
and largely consequent
disease, in the effort to
hand on to us small boys the
faith, and remember the tiny
bedroom she shared with us
in rented rooms in a
postman's cottage in Rednal,
where she died alone,
too ill for Viaticum,
I find it very hard and
bitter, when my children
turn away.
Joseph: After their mother's
death, Fr. Francis Morgan
of the Birmingham Oratory
became the legal guardian
of Tolkien and his brother.
Tolkien would describe.
Fr. Morgan as, "A guardian"
who had been a father to me,
"more than most real fathers."
Tolkien went on to study.
Classics at Oxford,
receiving his degree in
1915, before enlisting
in the army.
In the following year he
married his childhood
sweetheart; Edith Bra“,
and 2 months afterwards,
he sailed to France to take
part in what he described
as the animal horror and
carnage of the Battle
of the Somme,
one of the most horrific
battles in human history.
It was also around this time
that he began to invent
the first of his Elvish
languages, a hobby that
would become the creative
passion of his life,
leading eventually to
the publication of his
masterpiece.
John, the first of the 4.
Tolkien children, who would
later become a Jesuit
priest, was born in 1917.
Their 2nd son, Michael,
followed in 1920;
Christopher in 1924; And
Priscilla, their only
daughter and final child,
was born in 1929.
It was during this period
that Tolkien, who was now
teaching at Oxford.
University, first met.
C. S. Lewis.
The 2 men were destined to
form the most important
literary friendship of the
20th century, in spite of
their differences when
they first met.
Tolkien was a devout.
Catholic, whereas Lewis,
born in the sectarian
atmosphere of Protestant
Belfast, in Northern
Ireland, had been taught
from childhood not to trust
"papists," to employ the
derogatory term with which.
Ulster Protestants expressed
their contempt for their.
Catholic neighbors.
Lewis: On my first coming
into the world I had been
implicitly warned never to
trust a papist, and at my
first coming into the
English Faculty explicitly
never to trust a
philologist.
Tolkien was both.
Joseph: It would seem,
therefore, that a friendship
between Tolkien and Lewis
was not very likely.
What brought them together
was a shared love for
mythology, and particularly
a love for Norse mythology.
They became good friends
after Lewis joined an
informal club that had been
founded by Tolkien with the
single purpose of reading
the Norse myths in their
original language.
Lewis had long since
lapsed from his childhood.
Protestantism and had
become an atheist.
And yet in September 1931,
a long conversation between.
Tolkien and Lewis on the
subject of myth would be
instrumental in Lewis'
conversion to Christianity.
It all began when Lewis
provoked Tolkien by
indicating that myths
were lies.
Tolkien: Including in fairy
stories, which I think is
rather ridiculous.
After all, the magic of
myths or fairy stories is
not an end in itself.
It exists to serve virtue
and satisfies certain
primordial human desires.
Lewis: But myths are
fiction.
The stories they tell
aren't true.
They're lies, and therefore
worthless, even though
breathed through silver.
They're just beautiful lies.
You can't seriously believe
in fairy stories.
Tolkien: Why not?
I can.
In fact, I do.
Lewis: But this is
preposterous.
How can you seriously
believe a lie?
Tolkien: Oh Jack, myths are
not lies.
In fact they're the opposite
of a lie.
Myths convey the essential
truth, the primal reality of
life itself.
Lewis: Go on.
Tolkien: Well, you see, we
have been duped into using
the word myth as being
synonymous with a lie
because we have been duped
into accepting the first
real lie of materialism.
Lewis: And what is that?
Tolkien: That is the hideous
claim that there is no
supernatural order to
the universe.
The materialists have
imprisoned us in a world of
mere matter, of physical
facts divorced from and
devoid of metaphysical
truth.
Well, I say that they're
lying... I say that they are
the ones who have come up
with a false myth.
Their world doesn't exist.
It's merely a figment of
their imagination.
We're fine.
However, there's a problem.
The problem is, they have
convinced us that it
is true.
They have made us believe
that this is all there is...
3 dimensions, 5 senses,
4 walls.
Lewis: Isn't it?
Tolkien: Most emphatically
not!
Jack, the 4 walls of
materialism are the 4 walls
of a prison, and the
materialists are our
jailers.
Don't you see, they've put
us in a prison, a prison of
4 walls?
They don't want us to see
what's beyond those walls.
They don't want us to
discover what lies outside
their narrow philosophy.
Worse than that, they think
that any attempt to escape
from the prison is an act
of treason.
Lewis: Why, wouldn't it be
an act of treason against
rationality to believe
otherwise?
Tolkien: Now Jack, think
for a moment, how can it be
wrong for a prisoner to
think of things that exist
other than walls or jailers?
Doesn't the fact that the
prisoner is able to think of
things outside the walls,
suggest that perhaps things
do exist outside the walls?
After all, if the prison
really all there is, how are
we able to picture things
that exist beyond the.
Prison?
And this is where myths come
in, you see.
Myths exist outside the
prison.
Myths allow us to escape
from the prison, or if we're
not able to escape, at the
very least, they allow us to
catch a fleeting but oh-so-
powerful glimpse of the
beauty that lies beyond
the walls.
Lewis: But what is it that
we're meant to be glimpsing?
Tolkien: Well, don't you
see?
The truth, Jack.
Myths show us a fleeting
glimpse of the truth itself.
Lewis: Truth? Truth!
What on earth is this truth
that you're talking about?
Tolkien: Ah!
"Quid est veritas;
What is truth?"
I'm glad to see that
you've entered into the
spirit of the myth, Jack!
You've just cast yourself
into the role of Pilate.
Lewis: Pilate?
Oh, I see!
You're able to believe in
the lesser myths because
you've already accepted
the big 1.
Once you believe the big
myth, the lie of Christ,
it's easier to accept the
smaller ones.
All right, Toilers...
I'll play the role of Pilate.
I'll wash my hands
of the whole nonsense!
Tolkien: Well, Jack, you may
be able to wash your hands,
but your mind is still
mudded.
You're not thinking clearly
at all, old chap.
You're acting as if myths
are mere arbitrary
inventions of fiction,
as if we pulled them
out of thin air.
But what you don't
understand is that we make
things by the law in which
we are made.
We create because
we are created.
Creativity, imagination
is God's imageness in us.
We tell stories because.
God is a Story Teller.
In fact, He's THE Story.
Teller.
We tell our stories with
words.
He tells His story with
history.
The facts of history are.
His words, and providence
is His storyline.
Lewis: Are you suggesting
that all of history, that
everything around us is all
part of some divine myth?
Tolkien: We're all part of.
His story.
This very conversation is
part of His story.
Lewis: But perhaps it isn't.
His story.
Perhaps it's only your
story.
How can you know that your
story, the story that you
believe, the Christian
story, is any more real
than any other stories?
Tolkien: But don't you see,
it isn't my story, it's.
His story.
You're acting as if.
Christianity is one myth
among many.
It's not.
It's the true myth.
Christianity really
happened, Jesus really
existed, so did Pilate.
And yet, it is this true
story that makes sense of
all the other stories.
It is the archetype, it is
the story in which all the
other stories have their
source, and the story to
which all the other stories
point.
It has everything.
It has catastrophe and its
opposite, what we might
call eu-catastrophe.
It has the joy of the happy
ending, the sudden joyous
turn and the story that is
essential to all myths.
It has to a sublime degree
this joy of deliverance,
this Evangelium, this
fleeting glimpse of the real.
Joy to which all other joys
are but a distant echo.
Lewis: Toilers, what did you
mean by catastrophe and
eu-catastrophe?
Tolkien: Well, for example,
it has the catastrophe
of the fall and the
eu-catastrophe of the
redemption; It has the
catastrophe of the.
Crucifixion and the
eu-catastrophe of the.
Resurrection.
It has everything that man's
heart desires because it is
being told by the One Who is
the Fulfillment of desire
itself.
It is a story that begins
and ends in joy.
Lewis: But just because a
story brings joy, it doesn't
necessarily follow that
it's true.
There are many joyful myths.
They all seem rather flimsy
to me and ring rather false.
Tolkien: And yet this story
has the inner consistency
of reality.
There is no tale ever told
that men would rather find
was true, and none which
so many skeptical men have
accepted as true on its
own merits.
Lewis: Perhaps it's just a
very well-written artifice.
Tolkien: This story has the
supremely convincing tone of
primary art, not fiction,
but of creation, and to
reject this leads either to
darkness or to wrath, and in
my own life it has led me
from darkness to light.
Lewis: Astonishing!
Toilers, you astonish me.
You absolutely astonish me.
Joseph: This conversation
made such an impact on.
C. S. Lewis that within a
few weeks he was declaring
to his friends that he had
become a Christian.
Tolkien: You may not believe
this, but I've definitely
started to believe in
Christ, in Christianity, and
the long night talk with.
Tolkien had a great deal
to do with it last week.
Let me try to explain.
The story of Christ is a
true myth, a myth working on
us in the same way as the
others, but with this
tremendous difference that
it really happened, and one
must be content to accept it
in the same way, remembering
that this is God's myth,
where the other myths are
men's myths, which is to say
that the Pagan stories are.
God expressing Himself
through the minds of poets,
using such images as He
found there, while.
Christianity is God
expressing Himself through
what we call real things.
It is therefore true,
not in the sense of being a
description of God, which no
finite mind could take in,
but in the sense of being
the way in which God chooses
to appear to our faculties.
Joseph: And so we see how.
Tolkien was instrumental
in the conversion of.
C. S. Lewis.
Isn't it astonishing to
think that we don't only
have Tolkien to thank for
the brilliance of "The Lord"
"of the Rings," but that we
also have him to thank,
indirectly, for "The."
Chronicles of Narnia"
and all of Lewis' other
wonderful works of Christian
literature?
And speaking personally,
I still remember my own
first reading of"The Lord
"of the Rings" and what a
profoundly healthy effect
it had upon me.
At the time, I was a long
way from any belief in.
Christianity.
I could not even envisage
my own future conversion
to Catholicism.
Looking back, my journeying
with Frodo into Middle-earth
helped me to understand the
true nature of heroism and
to see that it is really
the same thing as sanctity.
Tolkien was one of the first
people to show me the
reality of holiness and to
enkindle within me a desire
for holiness myself.
Like C. S. Lewis, I owe a
great debt of gratitude to.
J.R.R.Tolkien.
It is now time that we
turned our attention to the.
Catholicism of "The Lord of"
"the Rings" itself.
We will remember that.
Tolkien stated emphatically
"that 'The Lord of the Rings"
is a fundamentally religious
and Catholic work, and on
another occasion he spoke of
a scale of significance with
regard to his relationship
as the author, with.
"The Lord of the Rings,"
as his work.
At the bottom of the scale
were what he called
insignificant facts,
which were irrelevant.
Then there were more
significant facts, such as
his academic vocation as
a philologist at Oxford.
University, which had
affected his taste in
languages and which was,
therefore, obviously a large
ingredient in "The Lord of"
the Rings...
Yet even this was
subservient to the most
important factors.
Tolkien: And there are a few
basic facts, which however
drily expressed, are really
significant.
For instance, I was born in
1892 and lived for my early
years in the shire, in a
pre-mechanical age, or more
important, I am a Christian,
which can be deduced from
my stories, and in fact,
a Roman Catholic.
Joseph: According to Tolkien
himself, the fact that he is
a Christian, which can be
deduced form his stories,
and in fact, a Roman.
Catholic, was the more
important of the really
significant factors at the
very top of the scale of
significance relating to his
relationship as author to.
"The Lord of the Rings."
Since this is so, we should
not be surprised to discover
"that 'The Lord of the Rings"
is exactly what Tolkien
tells us it is... a
fundamentally religious
and Catholic work.
So how exactly is it
fundamentally religious
and Catholic?
Let's begin our exploration
of the deepest Catholic
significance of the book
by starting at the very
beginning of the story,
with the Creation of.
Middle-earth itself.
Tolkien: There was Eru, the
one, who in Arda is called
lluvatar, and he made first
the Ainur, the Holy Ones,
that were the offspring of
his thought, and they were
with him before aught else
was made.
Joseph: In the beginning
there was the one God,
lluvatar, the All-Father,
or Father of all, and He
first made the Ainur,
the Holy Ones, or Angels.
It can be seen that Tolkien
is at great pains from the
beginning to make his
sub-created world conform
with the real created world,
conforming his creation
story to that in Genesis.
Middle-earth has only one.
God.
It is a monotheistic cosmos,
not a polytheistic cosmos
like that of the Pagans.
Still less is it an
atheistic cosmos like
that of the modern-day
materialists.
It is also a fallen cosmos,
due to the rebellion of
satan, whom the elves
call Melkor or Morgoth.
The parallels with.
Christianity are
unmistakable.
Melkor is described by.
Tolkien as the greatest of
the Ainur, as Lucifer was
the greatest of the angels.
Like Lucifer, Melkor is
the embodiment and the
ultimate source of the
sin of pride, intent on
corrupting mankind for
his own purposes.
When God proclaims a great
music, Melkor refuses to
play in harmony with the
rest of the angelic beings
and disharmony enters the
cosmos.
God's response is replete
with the deepest mystical
theology as He declares to.
Melkor, or satan, that his
evil is not only ultimately
doomed to failure but that.
God will bring great
goodness out of the very
evil itself, beyond satan's
wildest imaginings.
These are God's words to
satan-Melkor after satan had
introduced his discordant
themes into the harmony of
the great Music of Creation.
Lluvatar: No theme may be
played that hath not its
uttermost source in me.
He that attempteth this
shall prove but mine
instrument in the devising
of things more wonderful,
which he himself hath not
imagined.
Joseph: The parallels with
Genesis become even more
obvious when Tolkien
describes the war between.
Melkor and Manwe, the latter
of whom is clearly cast in
the role of the Archangel
Michael.
Narrator: When therefore.
Earth was yet young and full
of flame Melkor coveted it,
and he said to the other.
Valar, "This shall be my own"
kingdom, and I name it unto
"myself!"
But Manwe was the brother
of Melkor in the mind of
lluvatar, and he was the
chief instrument of the 2nd
theme that lluvatar raised
up against the discord of.
Melkor, and Manwe said unto.
Melkor, "This kingdom thou"
shalt not take for thine
own, wrongfully, for many
others have labored here
no less than thou.
And there was strife
between Melkor and the
other Valar.
Joseph: The fact that
Tolkien's Melkor is merely
another name for satan is
made even more manifest
when Tolkien connects
them linguistically.
Tolkien explains that
the name Melkor means.
"He who arises in Might."
Narrator: But that name
he has forfeited and the
Noldor, who among the Elves
suffered most from his
malice, will not utter it,
and they name him Morgoth,
the Dark Enemy of the World.
Joseph: Similarly, Lucifer,
brightest of the angels,
means “fight bearer, “
whereas satan, like.
Morgoth, means enemy.
Morgoth means enemy, satan
means enemy; Therefore.
Morgoth means satan.
They are simply different
words for the same thing.
Morgoth is satan.
Tolkien's intention, both
as a Christian and as a
philologist, in identifying.
Melkor with Lucifer is
beyond question.
Even the way that Tolkien
describes the fall of Melkor
or satan in the Silmarillion
is similar to the way that
satan's fall is described
in the Book of Isaiah.
First, the Book of Isaiah.
Woman: Thy pomp is brought
down to the grave, and
the noise of thy viols,
the worm is spread under
thee, and the worms
cover thee.
How art thou fallen
from Heaven, O Lucifer,
son of the morning?
Joseph: And this is how.
Tolkien describes the
same fall.
Tolkien: From splendor he
fell through arrogance to
contempt for all things save
himself, a spirit wasteful
and pitiless.
Understanding, he turned to
subtlety in perverting to
his own will all that he
could use, until he became
a liar without shame.
He began with the desire of
light, but when he could not
possess it for himself
alone, he descended through
fire and wrath into great
burning, down into darkness,
and darkness he used most
in his evil works upon Arda,
and filled it with fear
for all living things.
Joseph: As well as the
scriptural influence,
the other over-riding
influence is a profoundly
orthodox understanding of.
Augustinian theology.
Evil, as symbolized by
darkness, has no value
of its own but is only a
negation of that which is
good, as symbolized by
light.
This understanding of the
parasitic nature of evil
permeates Tolkien's work
and is especially true of
the depiction of evil in.
"The Lord of the Rings."
Shortly after Tolkien
describes the fall of
satan, or Melkor, in "The".
"Silmarillion" he introduces
Sauron, the Dark Lord in.
"The Lord of the Rings."
He is described as the
greatest of Melkor's
servants.
In other words, Sauron, the
evil power in "The Lord of"
"the Rings" is revealed to us
as the greatest of satan's
servants.
Tolkien: But in after years
he rose like a shadow of.
Morgoth and a ghost of his
malice, and walked behind
him on the same ruinous path
down into the Void.
Joseph: It is abundantly
clear, therefore, that the
evil powers in 'The Lord of
"the Rings" are specified as
servants of satan, rendering
impossible, or at least
implausible, anything but a
theistic interpretation of
the book.
And the symbolic connection
of the evil characters with
satan is made even more
apparent in the way that.
Tolkien uses linguistic
connections to suggest
the satanic dimension.
Tolkien, remember, was a
linguist, a professor of
philology at Oxford.
University, and he often
employs linguistic clues
to his deepest meaning.
Take, for instance, the name
of Sauron, the Dark Lord of.
"The Lord of the Rings.
The letters "saur" come
from the Greek word sauros
meaning lizard or dragon,
and we know, of course, that
in mediaeval typology, and
in Christian iconography
down the ages, the lizard
or dragon or serpent is a
symbol of satan.
Clearly Tolkien wants us
to see Sauron as satanic.
Similarly, one does not have
to be an expert in anagrams
to see that Saruman includes
the same 4 letters, s-a-u-r,
in a slightly rearranged
order.
Saruman, like Sauron,
is satanic.
And what about Wormtongue?
Well, the Old English word
for dragon or serpent was
wyrm, spelled w-y-r-m,
or worm.
Wormtongue means
serpent-tongue or
dragon-tongue, or, by
extension, devil-tongue.
As if this isn't obvious
enough, Tolkien makes the
satanic connection even
more clear in the way that
Gandalf calls Wormtongue a
snake, commanding him to get
down on his belly in words
that echo Gods punishment
of satan.
Gandalf: Down snake!
Down on your belly!
See, Theoden, here is
a snake!
Joseph: As if to emphasize.
Wormtongues serpentine
character, Tolkien describes.
Wormtongue's reaction.
Narrator: He bared his
teeth, and then with a
hissing breath he spat
before the king's feet.
Joseph: So much for the role
of satanic evil in 'The Lord
"of the Rings," but now it's
time to reveal the secret
that unlocks the
fundamentally and religious
dimension of the whole work.
The fact is that Tolkien
hides a key within the
story, a key that, once
discovered, allows us
to unlock the deepest
Christian theology at the
heart of the drama.
What is the key?
It's to be found in the date
on which Tolkien tells us
that the ring is destroyed,
or unmade.
That date is March 25th... a
date that every Catholic
knows is perhaps the most
significant and important
date on the whole Christian
calendar.
March 25th is the Feast of
the Annunciation, the date
on which the Archangel
Gabriel appears to the.
Blessed Virgin, and more
important, it is the date on
which Jesus is conceived in.
His Mother's womb, it is the
date on which the Word is
made Flesh, the date on
which God becomes Man.
It is a more important date
than Christmas because life
begins at conception,
not at birth.
God did not become Man
at Christmas, but at
the Annunciation.
The Incarnation happens
at the Annunciation.
It happens on March 25th,
the date on which the Ring
is destroyed!
And that's not all.
Many medievals believed that
the Crucifixion also
happened on March 25th.
Of course, we celebrate Good
Friday as a moveable feast.
It is celebrated on a
different date each year.
But the Crucifixion, as an
historical event, happened
once on a particular day in
history.
That day, so the medievals
believed, was March 25th,
thus connecting Christ's.
Death to His Incarnation.
And what do these 2 events
signify, taken together
with the Resurrection?
They signify man's
redemption from Original.
Sin, and what is.
Original Sin?
It is the one sin to rule
them all and in the darkness
bind them, just as the one
ring is the one ring to rule
them all and in the darkness
bind them.
The one ring is the same as
the one sin and they're both
destroyed or unmade on the
same day... March 25th!
This is no coincidence,
but is the very key that
unlocks the deep theology
and deepest meaning of.
"The Lord of the Rings."
The one ring is nothing
less than a symbol of.
Original Sin itself, and
by extension, a symbol of
actual, individual sin also.
So how does this sin
manifest itself in the
story?
Well, what happens when
you put the ring on?
It's a good question,
and a crucial one.
Many of you might be
thinking that the wearer of
the ring becomes invisible
when he puts the ring on.
But does he?
Think about it a bit more
carefully.
What actually happens is
that the wearer of the ring
becomes invisible in the.
Good World that God made,
but becomes more visible to
the eye of Sauron, to the
eye of satan.
Tolkien: And suddenly, he was
aware of the eye.
There was an eye in the dark
tower that did not sleep.
He knew that it had become
aware of his gaze.
A fierce eager will
was there.
It leaped towards him.
Almost like a finger, he felt
it searching for him.
Very soon it would nail him
down, know just exactly
where he was.
Amen Lhaw it touched.
It glanced upon Tol Brandir.
He threw himself from the
seat, crouching, covering
his head with this grey
hood.
He heard himself crying out,
"Never, never!"
Or was it, "Verily",
I come to you!"
He could not tell.
Then as a flash from some
other point of power there
came to his mind another
thought, "Take it off, fool!"
"Take it off!"
Take off the Ring.
The 2 powers strove in him.
For a moment, perfectly
balanced between the
piercing points, he writhed,
tormented.
Suddenly he was aware of
himself again, Frodo,
neither the voice nor the
eye, and free to choose,
and with one instant
remaining in which to do so.
He took the ring from off
his finger.
Joseph: In other words, when
we put the ring on, when we
put sin on, we excommunicate
ourselves from Gods world,
the world of goodness, and
enter into satan's world.
Will we listen to the voice
or will we succumb to the
eye of Sauron?
Will we heed the voice of
conscience or will we
choose the evil?
It is a crucial question,
a matter of eternal life
and death.
If we choose the evil and
allow the sin to become
habit-forming, we become
addicted to it.
It becomes our precious.
Eventually we become less
and less like the good
person, or good hobbit, that
we were meant to be, and
become more and more like a
hideous and pathetic parody
of who we were meant to be.
We cease to be a man or a
hobbit and we turn more and
more into a Gollum, and here
is one of the key morals of.
"The Lord of the Rings"-
that the thing possessed
possesses the possessor,
or as Christ told us in the.
Gospel, that, "Where our"
treasure is, there our
"heart will be also."
But what is the
alternative?
What must we do to avoid
becoming addicted to our
sin, or addicted to the
ring?
Gollum: It came to me.
My oglie, my love.
MY PRECIOUS!
Joseph: As Christians-and
remember always that Tolkien
was a lifelong practicing.
Catholic-we know that we
must take up our cross and
follow in the footsteps of
Christ.
What does Frodo do?
He takes up his cross and
follows in the footsteps
of Christ.
But how?
There's no cross in "The."
Lord of the Rings, “ nor is
there any mention of Christ.
Remember that we must think
typologically if we are to
understand the deepest
elements in Tolkien's myth.
Remember his words to.
C. S. Lewis that all the
great stories reflect the
true story of Christianity.
How then does Tolkien's
story reflect the true
story?
Specifically, how does the
carrying of the ring
resemble the carrying
of the cross?
What is the Cross of Christ?
It is a symbol of sin.
It is the sin of the world
that Christ carries on His
back on the Via Dolorosa,
the Way of Sorrows, to.
Golgotha, the mountain on
which He will be crucified.
We have already seen that
the ring is a symbol of sin
so it easy to see that the
carrying of the ring is
symbolically synonymous with
the carrying of the cross.
Frodo carries his cross
through Mordor, which
is clearly rooted
linguistically in the Latin
word mors or mortis, meaning
death, to Mount Doom, the
mountain of doom, clearly
an echo of Golgotha itself.
So Frodo and his loyal
companion, Samwise Gamgee,
walk through the valley of
death to Mount Doom,
carrying the cross
in mythological imitation
of Christ Himself.
And as we have seen, the
climax on Mount Doom is
united with Christ's.
Crucifixion on Golgotha
through the key date of.
March 25th.
And there is another
tantalizing parallel between.
Frodo's journey and the
journey of every Catholic
in imitation of Christ.
During their trek through
the sinful valley of Mordor,
Frodo and Sam have nothing
to eat, nothing to sustain
them, except "lembas", the
elvish waybread.
It seems to have magical or
even miraculous nutritional
powers.
But what exactly is it?
Literally, it is simply
special bread made by elves
to help those on a journey,
but symbolically its deeper
significance is revealed by
what lembas actually means
in elvish.
Lembas means life-bread or
the bread of life, a clear
symbolic connection with the.
Blessed Sacrament Itself.
On their journey through the
vale of tears, the valley of
death, carrying their cross
in imitation of Christ,
Frodo and Sam are sustained
on their journey by the.
Bread of Life.
Once again we see the
journey of the hobbits
as images of the true.
Christian's pilgrimage
through life.
But what about the climax
on Mount Doom itself?
Why is it that Frodo fails
at the very last moment
in his quest to destroy
the Ring?
Frodo: I have come,
but I do not choose now
to do what I came to do.
I will not do this deed.
The Ring is mine!
Joseph: Why does Frodo fail?
Isn't there something
anti-climactic about his
failure?
I know that when I first
read 'The Lord of the.
"Rings," I was annoyed
at this unexpected twist
in the plot.
Frodo had come so far.
He had sacrificed so much,
and then, when all he had
to do was throw the ring
into the abyss,
he couldn't do it!
He had done the hard part.
He had faced many deadly
perils, many temptations,
the strain of sheer
exhaustion.
And now, at the last, he
fails miserably, snatching
defeat from the very jaws
of victory.
I was angry with Tolkien!
How dare he take away.
Frodo's moment of glory!
We don't want our heroes
to fail.
We want them to succeed.
I felt cheated!
But on subsequent readings
of the book it became clear
that this particular scene
was Tolkien's masterstroke.
It is perhaps the most
important twist in the
whole plot.
The fact is that we cannot
overthrow sin by our own
efforts alone.
We cannot carry our cross
on our own.
We need help.
To be precise, we need
the help of God Himself.
We need His grace
if we are to overcome sin.
We can't do it ourselves.
As such, Gollum becomes a
paradoxical symbol of grace
itself, God's miraculous
intervention to bring good
out of evil.
Frodo: Do you remember.
Gandalf's words, "Even."
Gollum may have something.
Vet to do?“
But for him, Sam, I could
not have destroyed the ring.
The quest would have been
in vain, even at the
bitter end.
So let us forgive him!
For the quest is achieved,
and now all is over.
I am glad you are here
with me, here at the end
of all things, Sam.
Joseph: But for Gollum, the
quest would have failed, and.
Gollum is only there at the
end because Bilbo, Frodo,
and Sam had each, on
separate occasions, spared
him his life when they were
themselves tempted to kill
him.
If any of them had succumbed
to the temptation to slay
their enemy, the quest would
have failed.
The ring, or sin, would have
defeated them.
The 3 hobbits had learned
the hardest lesson of all...
That it was not enough to
love our neighbors.
We had to love our enemies
also.
If the hobbits had failed in
obeying this toughest of.
Christ's Commandments, the
ring would have triumphed.
Sin would have triumphed,
but because they were
faithful in keeping this.
Commandment, Gollum was
still around as the agent of
grace that brought about the
destruction of the ring.
As if this were not enough
to prove Tolkien's words
"that 'The Lord of the Rings"
is a fundamentally religious
and Catholic work, there is
so much more in the story
that indicates its
profoundly Christian
meaning.
We have no time in such a
short discussion to study
the death, resurrection, and
transfiguration of Gandalf,
or the Christological
significance of the Kingship
of Aragorn; Or the way in
which the elves illustrate a
Christian understanding of
death and a Christian
understanding of the
difference between time and
eternity; Or the way in
which Boromir, Faramir and.
Gollum, each in different
ways, illustrate the
consequences of human
choices; Or the way in which.
Treebeard and the Ents offer
a profound insight into the
nature of tradition in both
an ecclesiological and
etymological sense.
There is so much more that
we could say but so little
time in which to say it.
Perhaps we will return with
further programs on this
most fundamentally.
Catholic of works.
For now, I'd like to return
to Tolkien himself and his
own exposition of the
meaning of life.
In 1969,when Tolkien was
77 years old and living
in sedate retirement in
Bournemouth on England's
south coast, he received a
letter from a young girl
who was working on a school
project, asking him, "What is"
the purpose of life?"
Tolkien's reply exhibits
his own profoundly mystical.
Catholic faith.
Tolkien: It may be said that
the chief purpose of life,
for any one of us, is to
increase according to our
capacity, our knowledge of.
God by all the means we
have, and to be moved by
it to praise and thanks.
To do as we say in the.
"Gloria in Excel sis;."
Laudamus te, benedicamus te,
adoramus te, glorificamus te,
gratias agimus tibi propter
magnam gloriam tuam.
"We praise You, we call."
You Holy, we worship You,
we proclaim Your glory, we
thank You for the greatness
of Your splendor.
And in moments of
exaltation we may call on
all created things to join
us in our chorus, speaking
on their behalf, as is done
in Psalm 148,and in the.
Song of the Three Children
in Daniel 2, "Praise the."
Lord, all mountains and
hills, all orchards and
forests, all things that
creep, and birds on the
"wing."
Joseph: It is almost time to
end our brief exploration
of 'The Catholicism of 'The.
("Lord of the Rings)" but
we still have time for a
practical and cautionary
lesson that the book
teaches us.
In the story, the palantiri,
the seeing stones, are used
by Sauron to feed propaganda
to the free peoples of
middle-earth.
In particular, Denethor,
the steward of Minas Tirith,
becomes addicted to looking
into the palantir to
discover what the enemy
is up to.
What he doesn't realize is
that the seeing stone is
actually controlled by the
enemy, by Sauron, and that
he only sees in the stone
what Sauron wants him.
YO SEE.
It is not that the palantir
is showing complete lies,
but it is only showing
one side of the story.
Denethor sees in the
palantir how invincible is
the enemy's might and he
becomes convinced that
Sauron, or satan, is bound
to win the coming war and
will overthrow Denethor's
own people and all the
peoples of Middle-earth.
In despair, believing that
resistance to satan OI'
Sauron is pointless and
futile, he commits suicide
and, in so doing, almost
brings ruin upon his own.
People.
Bearing this in mind, it is
interesting that palantir
in elvish means "fa r-seer,"
which, in German, "Fernsehen",
means television, and
indeed the English word,
television, also means
far-seer or far-seeing,
being a combination of tele,
which is Greek for far,
and vision, from the Latin,
video, to see.
It seems that Tolkien is
warning us that if we watch
too much television,
we will commit suicide!
Dear viewer, heed Tolkien's
words of warning and avoid
the temptation to spend more
time with your TV, PC,
i-pod, X-box or any other
form of virtual reality.
Keep your feet on the
ground, your heart in.
Heaven, and your mind
on reality!
Having ended on a somewhat
whimsical, if nonetheless
serious note, I'd like to
leave the last word to.
Tolkien himself.
Thanks for joining us on our
journey in the quest for.
"The Catholicism of 'The.
Lord of the Rings!"
Here's Tolkien on the
beauty of the Blessed.
Sacrament.
Tolkien: Out of the darkness
of my life so much
frustrated, I put before you
the one great thing to love
on earth... the Blessed.
Sacrament.
In It you will find romance,
glory, honor, fidelity, and
the true path of all your
loves on earth, and more
than that, death.
By the Divine Paradox, that
which ends life, and demands
the surrender of all, and by
the taste or foretaste of
which alone can all that
you desire in your earthly
relationships; Love,
faithfulness, joy, be
maintained, or take on the
complexion of reality, of
eternal endurance, which the
heart of every man desires.