To the Limit (1995) - full transcript

♪ MUSIC

♪ MUSIC

HAVE A SEAT.

THIS IS GOOD WORK, AGENT

[INDISTINCT]

BOY, I'LL GIVE IT TO CHINA.

YOU GUYS ARE FIRST CLASS WORK,

AS ALWAYS.

[LAUGHING]

IS THIS THE EVIDENCE

YOU WERE LOOKING FOR, CHIEF?



OH, YES, IT CERTAINLY IS.

AND IT TOOK SOMEONE LIKE YOU,

WHO'S A BOLD TALENT TO

RECOVER IT FOR ME.

THANK YOU, SIR.

I HOPE I'VE EARNED YOUR

CONFIDENCE, AND THAT PERHAPS

YOU WILL CONSIDER ME FOR THE

STRIKE TEAM?

WE'LL SEE.

WE'LL SEE.

THANK YOU, SIR.

THANK YOU VERY, VERY MUCH.

[HELICOPTER]



♪ MUSIC

♪ MUSIC

HA! WHOHOO!

[LAUGHTER]

HOW DID IT GO?

WELL, LINO, MY FRIEND,

A PROVERBIAL PIECE OF CAKE.

TAKE HER UP.

LET ME SEE.

[LAUGHING]

OH, BABY, [FOREIGN LANGUAGE].

NO, LA, HERE YOU COME.

HEY!

[GRUNTING]

[SCREAMING]

PERFECT END.

MARCO, TAKE ME HOME.

CAPRI.

ADIOS, MUCHACHO.

NO!

[EXPLOSION]

[LAUGHING]

BYE-BYE.

OH, THE GROUP SHOT.

NOW, MR. DAVINCI,

I WILL DEAL WITH YOU.

THIS IS OUR OPERATION.

WE'RE GOING TO DO IT OUR WAY.

WE'RE GOING TO TAKE YOUR

BLINDFOLD OFF NOW,

YOU UNDERSTAND?

NOW DON'T MOVE A MUSCLE.

I KNOW.

BUT I JUST--

SHUT UP! QUIET!

ALL RIGHT.

[CHEERING]

HEY, FRANK, YOU REMEMBER THAT

BACHELOR PARTY

YOU TOLD US IF WE THREW,

YOU'RE GOING TO KILL US?

YEAH.

WELL, HERE IT IS, BABY.

♪ MUSIC

♪ MUSIC

YOU WERE INTO THIS,

WEREN'T YOU?

LAST CALL FOR PASSENGERS

FOR ALL SAN FRANCISCO RUNS.

LAST CALL PASSENGERS FOR SAN

FRANCISCO RUNS.

♪ MUSIC

CHIEF, IS THIS LEGAL?

HEY, FRANK.

IT'S MY DAY OFF.

BESIDES, YOU CAN NEVER FIND A

COP WHEN YOU NEED ONE.

[LAUGH]

GRACE, DON'T LOOK AT THIS.

I'M GOING TO HAVE TO DO 15 OF

[INDISTINCT].

OH, FRANK,

WELL THAT'S A CRIME.

AFTER LAST NIGHT, DO YOU

HAVE ANYTHING TO CONFESS?

AFTER LAST NIGHT, I COULD ASK

YOU THE SAME QUESTION.

I JUST TALKED TO CHINA AND HE

SAID COLLETTE'S TAKING A QUICK

BATH AND THEN THEY'LL BE RIGHT

DOWN.

YEAH, I'VE HEARD ABOUT

COLLETE'S BATH'S.

♪ MUSIC

♪ MUSIC

[MOANING]

COLLETE!

COME ON, BABY, WE GOT TO GO.

COME ON, WE'RE GOING TO BE

LATE FOR THE WEDDING.

I'M COMING.

♪ MUSIC

♪ AVE MARIA...

♪ AVE MARIA...

MY DEAR FRIENDS,

YOU'VE COME TOGETHER IN THIS

CHURCH SO THAT THE LORD MAY

SEAL AND STRENGTHEN YOUR LOVE.

CHRIST HAS ALREADY CONSECRATED

YOU IN BAPTISM, AND NOW HE

ENRICHES YOU BY A SPECIAL

SACRAMENT IN MARRIAGE.

AND SO IN THE PRESENCE OF THE

CHURCH, I ASK YOU TO STATE

YOUR INTENTIONS.

LUPE AND FRANK, HAVE YOU COME

HERE FREELY WITHOUT

RESERVATION, TO GIVE

YOURSELVES TO EACH

OTHER IN MARRIAGE?

YES.

YES.

♪ MUSIC

MY DARLING, SO CLEAN.

WELL, IT'S ALL THE WAY YOU

[INDISTINCT] A SOAP, SEXY.

I WANT YOU TO GUARD THIS

WITH YOUR LIFE.

YOU'RE TRUSTING ME WITH THIS?

UH-HMM.

UNLESS YOU WANT TO.

I LOVE YOU, MR. SMITH.

I WANT YOU.

AND MY LIFE?

YEAH.

HOW MUCH YOU LOVE ME?

OH, THAT MUCH.

♪ MUSIC

♪ MUSIC

[MOANING]

[MOANING]

FRANK AND LUPE,

PLEASE JOIN RIGHT HANDS

AND DECLARE YOUR CONSENT FOR

GOD AND HIS CHURCH.

LORD, MAY THESE RINGS BE THE

SYMBOL OF THEIR TRUE FAITH IN

EACH OTHER.

I, FRANK DAVINCI, TAKE THIS

RING AS A SIGN OF LOVE AND

FIDELITY, IN THE NAME OF THE

FATHER, THE SON,

AND HOLY SPIRIT.

I, LUPE MARTINEZ, TAKE THIS

RING AS A SIGN OF LOVE AND

FIDELITY, IN THE NAME OF THE

FATHER AND THE SON,

THE HOLY SPIRIT.

[GUN COCKING]

AND NOW, LADIES

AND GENTLEMEN, WITH GREAT

HONOR AND PRIDE, AND IN THE

EYES OF GOD, I WOULD LIKE TO

INTRODUCE YOU TO THE NEW

MR.AND MRS. FRANK DAVINCI.

FRANK, WOULD YOU KISS YOUR

BRIDE, PLEASE?

[CLAPPING]

COLLETTE, COME ON.

LET'S GO, LET'S GO.

WELL, YOU'RE THE ONE WHO

WANTS TO MAKE LOVE.

COME ON, BABY.

PLEASE, YOU LOOK GREAT.

LET'S GO.

OH SHIT!

WHAT?

I FORGOT THE PRESENTS.

LUCKY IF WE'LL BE THERE IN

TIME FOR THE CAKE CUTTING.

[CHEERING]

GET OUT OF THE WAY.

YOU'RE IN THE PICTURE,

ALL RIGHT?

[CHEERING]

♪ MUSIC

♪ MUSIC

[EXPLOSION]

[GUN SHOTS]

FRANK!

UGH!

[LAUGHING]

[GUN SHOTS]

[GUN SHOTS]

[POLICE SIREN]

COME ON, COME ON.

GET IN.

[GUNSHOTS]

YOU ARE COMPLETELY

SURROUNDED.

DROP YOUR WEAPONS AND GET OUT

OF THE VEHICLE NOW!

NO! NO!

[GUNSHOTS]

[CRYING]

OH MY GOD!

OH MY GOD!

UNCLE FRANK!

[AMBULANCE SIREN]

I NEED A DOCTOR

HERE RIGHT AWAY!

[INDISTINCT]

IT'S OKAY, FRANK.

HOLD ON!

HOLD ON!

HE'LL BE OKAY.

I NEED A DOCTOR HERE RIGHT

AWAY, PLEASE!

CAN I GET YOU GUYS TO DO

ANYTHING?

WE'RE GOING OUT.

OKAY. IV UP.

YOU NEED SOME HELP.

JUST GET HIM OUT OF MY WAY.

RIGHT HERE.

RIGHT HERE.

IV UP.

HELP HIM!

THAT WAS THE

FIRST [INDISTINCT] AT THIS

POINT, SORRY.

IT'S OKAY.

DAMN IT!

HE'S GOING TO BE OKAY.

HE'S GOING TO BE OKAY.

[INTERCOM] DR. CRAIG ,

TO CARDIOLOGY.

DON.

[INTERCOM] DR. CRAIG

TO CARDIOLOGY.

NURSE ALLMAN, TO SECTION 4...

HOW'S FRANK?

WE DON'T KNOW.

WE JUST WHEELED HIM IN.

I'M DR. LEWIS AND THIS IS

DR. HARRIS.

HOW'S FRANK?

HE'S NOT DOING SO WELL.

MR. DAVINCI IS IN FOR THE

FIGHT OF HIS LIFE.

NOW, HE'S -- HE'S LOST A LOT

OF BLOOD, HE HAS FOUR BULLET

WOUNDS; TWO WHICH ARE LIFE

THREATENING.

DON! DON!

THIS IS MR. DAVINCI'S PRIEST.

HOW IS HE?

WHAT'S THE [INDISTINCT],

DR. HARRIS?

FATHER, COME WITH ME, PLEASE.

NOW, YOU STAY HERE.

I WANT TO SEE HIM.

GET HER OUT OF HERE, ELVIS.

GET HER OUT OF HERE.

LET ME GO.

I WANT TO SEE HIM.

MARY, COME ON, LET'S GO GET

A SODA, COME ON.

GET HER OUT OF HERE.

I DON'T WANT A SODA,

I WANT UNCLE FRANK!

.YOUR UNCLE FRANK'S GOING TO

BE OKAY.

HE'S GOING TO BE OKAY.

I'M GOING TO DO EVERYTHING I

POSSIBLY CAN WITHIN MY POWER.

I'D LOVE FOR YOU TO GO SAY

YOUR PRAYER.

THANKS, DOCTOR.

AT APPROXIMATELY FOUR O'CLOCK

THIS AFTERNOON, ART COLLECTOR,

THOMAS SMITH WAS KILLED, AT

WHAT EXPERTS SPECULATE WAS A

PROFESSIONAL HIT.

A TERRIFYING EXPLOSION THAT

ROCKED THIS NORMALLY PEACEFUL

SECTION OF AGORA HILLS.

HEY DON, CAN I GET

YOU ANY COFFEE?

SHH, SHH, SHH.

MR. AND MRS. WILLIS,

COULD YOU TELL US

WHAT HAPPENED?

FIRST THIS WAS THIS

SHOCKWAVE.

WE FELT LIKE THERE WAS ANOTHER

EARTHQUAKE.

WHAT'S GOING ON?

IS SOMETHING WRONG?

TAKE A LOOK AT THAT.

AND THEN WE SAW A BIG FLASH

AND A PICTURE WINDOW FLEW IN.

IT WAS LIKE AN ATOM BOMB

GOING ON.

♪ MUSIC

MONA, I HAD SUCH HIGH

HOPES FOR YOU, BUT TODAY YOU

DISAPPOINTED ME TERRIBLY.

HAVE I EVER FAILED TO MEET MY

OBJECTIVE?

NOT UNTIL TODAY.

BUT TODAY WAS A MAJOR

OBJECTIVE.

WHAT DO YOU WANT?

BEAUTIFUL PIECE.

ANNE KLEIN TOO?

THE TARGET'S NOT GOING TO

MAKE IT.

I COUNTED SIX SOLID HITS.

YOU DON'T KNOW FRANK DAVINCI.

HE'S A MAN, AND HE'S FAST.

HOW MANY LIVES DO YOU HAVE,

MONA?

[CHOKING]

♪ MUSIC

I JUST DON'T UNDERSTAND

THIS AT ALL.

I JUST HOPE FRANK MAKES IT.

HEY, MAN, FRANK'S A TOUGH SON

OF A BITCH.

IT'S GOING TO TAKE MORE THAN A

COUPLE OF BULLETS TO KILL HIM.

YOU KNOW, I'M STARTING TO

BELIEVE THAT STORY THAT HE

USED TO TELL ME ABOUT.

HOW HE FELT HE WAS CURSED.

WHAT ARE YOU TALKING

ABOUT,CURSED?

WHAT DO YOU MEAN?

REMEMBER THAT LAST BLACK OPS

THAT WE HAD IN HANOI?

WELL, WHAT HAPPENED?

OUR MISSIONS, THEY STARTED TO

GET MORE DANGEROUS,

MORE STRANGER.

YOU SEE, WE GOT THIS

ASSIGNMENT TO TERMINATE THIS

GENERAL TANG.

HE WAS PLAYING BOTH SIDES AT

THE MIDDLE, VC, FBI, CIA, NVA,

ANYTHING THAT MADE HIM MONEY,

HE WAS PLAYING THEM ALL.

[GRUNTS]

[GUN SHOTS]

♪ MUSIC

[GUNSHOTS]

[GUNSHOTS]

NO! DON'T!

[CRYING]

AND THAT IS WHY FRANK

HAS ALWAYS KIND OF FELT

THAT HE -- HE WAS CURSED.

NO. NOW I UNDERSTAND.

NOW I TRULY UNDERSTAND.

HE MADE IT THROUGH THE SURGERY,

JUST FINE.

YES!

HE'LL LIVE.

HE WILL LIVE,BUT I DON'T

WANT YOU TO GET TOO EXCITED,

OKAY?

BECAUSE THE NEXT 48 HOURS ARE

GOING TO BE VERY CRITICAL,

ALL RIGHT?

YEAH.

NOW, WE WERE ABLE TO STOP ALL

THE BLEEDING AND I WAS ABLE TO

GET THE BULLET OUT

OF HIS SPINE.

BUT IT'S MUCH TOO EARLY TO

TELL IF HE'S GOING TO REGAIN

ALL HIS MOTOR SKILLS.

DOC, I REALLY APPRECIATE THIS

GREAT FUCKIN' [INDISTINCT]

THINGS.

THANK YOU SO MUCH.

OKAY, I'LL KEEP THAT UP.

I'LL KEEP IN TOUCH.

I'LL KEEP YOU INFORMED.

THANK YOU,

THANK YOU VERY MUCH.

ALL RIGHT.

[LAUGHING]

ALL RIGHT!

[INDISTINCT]

OH SHIT!

♪ MUSIC

♪ MUSIC

[GUN SHOTS]

[GRUNTING]

BITCH!

FUCK YOU!

[GUN SHOTS]

[GUN SHOTS]

[GUN SHOTS]

GET OUT OF THE CAR!

GET THE FUCK OUT OF THE CAR,

NOW!

[GRUNTING]

[GUN SHOTS]

[GUN SHOTS]

♪ MUSIC

♪ MUSIC

[GUNSHOTS]

AND GOOD EVENING,

LAS VEGAS.

MICHAEL HORN REPORTING FOR CRN

MONEY MARKET OUTLOOK.

TODAY, GOLD WAS UP AND SILVER

WAS UP WHILE PORK BELLIES WERE

DOWN FIVE POINTS.

THE BIGGEST DROP IN THE LAST

THREE MONTHS, CAUSING

INVESTORS DOWNLOAD SHARE

DROPPING THE MARKET OVERALL

AND SHIT!

BEATING THE ROCKETS 117 TO

114, REGARDLESS.

FUCK ME.

SPECTACULAR COME FROM BEHIND.

VICTORY CAN'T FIGHT HIS GAME

WINNING

A THREE-POINT SHOT.

HIS GAME WINNING

THREE-POINTER.

YOU FUCKIN' MORON.

I NEEDED TWO POINTS.

DO YOU KNOW WHAT YOU COST ME?

[MOANING]

THE ONLY THREE-POINTER

OF THE GAME, AND

IT WAS--

I WOULD GET RID OF

THAT KID.

IN AGORA HILLS, JUST MOMENTS

AFTER TAKING HER WEDDING VOWS,

MRS. DAVINCI WAS STRUCK BY TWO

BULLETS AND DIED INSTANTLY.

WHAT? WHAT?

SHH. SHH.

IT'S PRESUMED THAT THE

TARGET WAS HER NEW HUSBAND,

VIETNAM WAR VETERAN AND

ACTIVIST FRANK DAVINCI.

AT THIS HOUR, MR. DAVINCI

CLINGS TO LIFE IN A

LOS ANGELES HOSPITAL.

A RECRUIT WHO MET POLICE

ACADEMY STANDARD WAS FIRED FOR

WHAT OFFICIALS CHARGE AS

BLATANT ATTEMPT OF UNION

DOCTRINES.

I CAN'T BELIEVE WHAT I JUST

SAW IN TELEVISION.

MR. BAMBINO?

[INDISTINCT].

IT'S REALLY A PLEASURE TO

FINALLY MEET YOU.

NICE TO MEET YOU.

BUT THIS IS MY BROTHER JOEY,

MY TWO ASSISTANTS, BENNY AND

LOUIE, JUST CALL ME PHILLY.

HOW'S OUR BOY?

DON'T YOU WORRY, FRANK.

YOU'RE GOING TO BE JUST FINE,

OKAY?

EVERYTHING'S GOING TO BE OKAY.

JUST GET YOU TUCKED IN HERE.

OKAY.

HI.

HI.

HOW ARE YOU?

GOOD, THANK YOU.

HEY, BIG SHOT WAR HERO, WHAT

ARE YOU DOING GETTING SHOT?

WAR'S OVER.

I'M WITH FAT JOEY.

HEY DONNIE, FRANKIE PROBABLY

NEVER TOLD YOU THIS, BUT BACK

IN THE OLD NEIGHBORHOOD,

JOEY'S THREE TIMES

FRANKIE'S SIZE.

WELL, FRANKIE BONES STILL USED

TO KICK HIS ASS.

YEAH, YEAH, YEAH.

BUT WHO GOT ALL THE GIRLS,

HUH?

FRANK DID.

BULLSHIT!

TAKE IT EASY.

I'M JUST KIDDING.

LISTEN FRANK, I DONT WANT YOU

TO WORRY ABOUT ANYTHING, HUH?

THE HOSPITAL BILL, NOT YOUR

NIECE, MARY.

WE'RE HERE FOR YOU NOW.

WE'RE FAMILY, AND WE LOVE YOU.

WHEN YOU GET OUT OF HERE, I'M

GOING TO HAVE FREDDIE

MAKE A BIG, BIG,

BIG POT OF PASTA FAZOL.

YOU NEED YOUR STRENGTH BACK,

ALL RIGHT?

SORRY, GUYS, YOU'RE GOING TO

HAVE TO LEAVE NOW.

I HAVE TO CHANGE

MR. DA VINCI'S BANDAGES AND

GIVE HIM HIS MEDICATION.

ANYTHING YOU SAY.

WE'LL COME BACK TOMORROW,

WE'LL TAKE THE TUBES OUT AND

WE TALK, ALL RIGHT?

BYE.

I'M SORRY, FRANK.

IF THERE'S ANYBODY WHO DON'T

DESERVE ANYMORE HEARTACHE.

FRANKIE, YOU HURRY UP, YOU

GET BETTER, COME TO VEGAS.

I'LL SHOW YOU THE NEW CLUB.

I WANT YOU TO TAKE CARE OF

FRANKIE FOR ME.

YOU COME TO VEGAS.

I GOT TO SEE YOU.

OKAY.

OKAY.

OKAY.

I THINK I'M IN LOVE.

[LAUGHS]

WHAT'S THE MATTER?

ARE YOU OKAY?

NO, I'M NOT OKAY.

I HATE SEEING HIM LIKE THAT.

IF I GET MY HANDS ON THOSE

BASTARDS WHO DID THIS.

DON!

YEAH?

[INDISTINCT]

WELL, IF THEY DO,

THEY'RE NOT TELLING US.

YOU KNOW, THE POLICE

COMMISSIONER IS VERY GOOD

FRIEND OF OURS AND HE SAID THE

TWO DEAD HITTERS, WELL, THEY

HAD NO FINGERPRINTS ON FILE,

NO RECORD OF THAT, NO SOCIAL

SECURITY NUMBER, NO NOTHING.

THE THIRD WAS A GIRL.

SHE VANISHED.

SHE'S DEAD.

WELL -- SO DID YOU GUYS FOUND

ANYTHING ON CHINA'S

GIRLFRIEND, COLLETTE?

DISAPPEARED.

SO, DON, YOU TAKE IT EASY.

YEAH.

YEAH, WELL, IT'S A PLEASURE

MEETING YOU, DON.

MY PLEASURE TOO.

AND KEEP UP THE GOOD WORK,

BUDDY.

YEAH, TAKE THIS.

IF FRANKIE NEEDS ANYTHING,

GET IT FOR HIM.

GET HIS LITTLE NIECE A LITTLE

SOMETHING, ALL RIGHT?

OKAY.

I'M GOING TO LEAVE BENNY AND

LOUIE WITH YOU.

YOU USE HIM ANY WAY YOU CAN,

ALL RIGHT?

YOU GOT ANY TROUBLE, YOU CALL

SONNY [INDISTINCT] RIGHT AWAY.

YOU GOT IT, CHIEF.

HEY, DON, KEEP AN OPEN EYE.

IF ANYBODY GOES TO THIS MUCH

TROUBLE TO HIT FRANK, THEY'RE

NOT GOING TO STOP

UNTIL HE'S DEAD.

[PHONE RINGING]

[INDISTINCT] HOSPITAL.

I'D LIKE SOME INFORMATION ON

A PATIENT, PLEASE.

PATIENT'S NAME?

FRANK DAVINCI.

HOLD ON, PLEASE.

OFFICER STRAUSS,

CAN I HELP YOU?

HELLO?

GO BACK TO VEGAS IN A

COUPLE OF DAYS.

I WANT TO STAY CLOSE TO FRANK.

STAY AWAY FROM HIM.

PHILLY BAMBINO?

♪ MUSIC

♪ MUSIC

SHIT!

[ELECTRIC SHOCK]

HI.

I'M HERE TO TAKE MR. DAVINCI'S

BLOOD PRESSURE MEDICINE.

WHO SENT YOU?

DR. LEWIS

WHAT'S YOUR NAME?

MARY ANN.

THERE YOU GO.

HOLD ON.

YEAH, I'M NEW HERE.

I'M GONNA CHECK.

[ELECTRIC SHOCK]

[TOILET FLUSH]

OH HEY, WHAT ARE YOU DOING?

I'M JUST GIVING HIM A SHOT.

YEAH, WHAT KIND?

[GRUNT]

ARTHUR, ARTHUR, ARTHUR.

HOW 'YA DOING, PAL?

ARTHUR TO CHRIS, THAT MEANS

YOU MUST BE SLIPPING.

OTHERWISE, WHY WOULD YOU THINK

THAT YOU HAVE THE ONLY DISK?

IT'S LIKE TASTING YOUR OWN

PRODUCT.

I HAVE SOMETHING HERE, ARTHUR.

THIS SHINY PIECE OF PLASTIC IS

GOING TO FRY YOUR TATTOOED ASS.

SO, HAVE A GOOD LIFE;

WHAT'S LEFT OF IT, SALUT!

YOU!

[GUNSHOT]

[ELECTRIC SHOCK]

SHIT!

COME ON, GUYS!

DON'T WORRY FRANK,

EVERYTHING'S GOING TO BE OKAY.

ALL RIGHT.

TAKE IT EASY.

IT'S OKAY FRANK.

♪ MUSIC

♪ MUSIC

NO!

WE'RE GOING TO GET IN TROUBLE.

TROUBLE IS MY MIDDLE NAME.

♪ MUSIC

HEY, FRANKIE!

YOU LOOK GREAT!

I'M GLAD YOU DECIDED TO

COME OUT.

GOOD TO BE OUT, GOOD TO BE

OUT. I'M OUT, HUH?

STAYING OUT.

I GOTTA GO. NO! [GIGGLING]

WANG, YOU'RE LATE.

GET YOUR ASS ON THAT STAGE

RIGHT NOW OR YOU'RE GOING TO

GET FINED AGAIN.

[CLAPPING]

YOU'RE GORGEOUS

WHEN YOU'RE ANGRY.

DON'T BULLSHIT ME.

YOU GOT MY ROOM NUMBER?

I WANT TO MEET YOU LATER.

YOU SHOULD GET SO LUCKY.

YOU GOT TO KEEP THESE KIDS

MOVING ON ME.

THEY DON'T KNOW WHAT --

THEY DON'T WANT --

IT'S FRUSTRATING.

♪ YOU DON'T HAVE TO ACT

♪ SO TOUGH.

♪ BECAUSE BABY I KNOW

♪ YOU'RE JUST SWEETIN' UP.

♪ I JUST WANT YOU TO

♪ STAY WITH ME.

HIYA HONEY!

LET'S FORGET THE PAST...

ANDY WANTS TO TALK.

WHAT?JOEY AGAIN?

♪ WITH ALL ITS PAIN AND

♪ TEARS...

LE FRANCESQUE!

HEY!

WHAT DO YOU THINK OF THIS

JOINT?

IT'S NICE.

REALLY NICE.

LADIES?

♪ SET YOUR MIND TO GET SOME

♪ LOVE DESPITE YOUR FEARS.

♪ JUST GIVE YOUR HEART TO ME.

[LAUGHING]

WE'RE GOING TO PIG OUT,

REMEMBER?

YEAH,'62.

'62, ABSOLUTELY.

NOVEMBER, RIGHT, RIGHT.

I WAS DOING PRETTY GOOD TOO,

RIGHT?

BOUGHT A CADDY RIGHT OFF THE

FLOOR.

WELL, HE LOVED THIS CAR.

WELL, THEY COULD NEVER LET ME

BORROW THE CAR.

I CAN ONLY CLEAN THE CAR.

HE USED TO GO ON THE THE

BACKSEAT, FIND THESE VERY

STRANGE LITTLE RUBBER THINGS.

[LAUGH]

JOEY, JOEY, THAT IS IT.

YEAH, SO MANY ALLEY, THESE

TWO GUYS, WERE TRYING TO

COLLECT THESE TWO DEADBEATS,

ALL RIGHT?

I GOT NOTHING ON ME BECAUSE I

FIGURED, WHAT THE HELL?

SO, ONE GUY PULLS OUT A

STILETTO, THE OTHER GUY'S GOT

A LEAD PIPE, AND HE OPENS ME

UP ON THE SIDE, THE OTHER

GUY'S GOING TO HIT ME

OVER THE HEAD.

ALL OF A SUDDEN FROM BEHIND US

WE HEAR, "PUT YOUR HANDS UP."

WE TURN AROUND.

IT'S LITTLE FRANKIE.

HE WENT UNDER THE SEAT OF MY

CAR, GRAB MY PIECE, TOOK TWO

HANDS OUT.

YEAH, IT STILL TAKES HIM TWO

HANDS...

[LAUGHING]

TO HOLD IT.

YOU WISH YOU COULD HOLD IT

WITH TWO HANDS.

[LAUGHING]

THEY TURN AROUND,

THEY SEE HIM,

THEY START TO LAUGH.

HE PUTS ONE IN THE GUY'S FOOT.

HE'S DOING THE

TARANDAM...BING!

THEY'RE GONE!

THE COPS?

I WANTED TO SEE THE GANG IN

THE NEIGHBORHOOD.

SHE'S RIGHT.

THAT'S THE DAY FRANKIE BONE

SAVED MY LIFE.

TO FRANKIE!

BONA SALUTE!

[FOREIGN LANGUAGE]

OH, OH FRANKIE.

OH, WHOA.

YOU LIKE THAT ONE, FRANKIE.

SWEET.

I GOT TO GO SEE A MAN

ABOUT A HORSE.

[LAUGHING]

WELL, LOUIE, LIKE I SAID...

YOU GOT IT, CHIEF.

♪ MUSIC

♪ MUSIC

[FOREIGN LANGUAGE]

[FOREIGN LANGUAGE]

[FOREIGN LANGUAGE]

HEY, PHILLY, THANKS

FOR YOUR HOSPITALITY BUT I'M

REALLY BEAT.

I'M GOING TO GO UPSTAIRS.

HEY, I THOUGHT WE PLAY A

LITTLE POKER?

NO, NOT TONIGHT.

FRANK, I'LL GO WITH YOU.

NO.

I THINK WHAT I NEED IS A NIGHT

ALONE.

HEY, FRANKIE, YOU SURE YOU

DON'T WANT SOME COMPANY?

MAYBE SOME OTHER TIME.

DON'T FORGET YOUR APPOINTMENT

TOMORROW, OKAY?

THANK YOU, MOMMY.

FRANKIE, REMEMBER,

WHAT'S MINE IS YOURS.

THAT INCLUDE ME TOO, BOSS?

THAT'S MY CUE TO GET OUT OF

HERE.

YOUR BROTHER?

WHEN ARE YOU GOING

TO GROW UP?

WHAT DID I SAY?

IT WAS A JOKE.

[FOREIGN LANGUAGE],

JOEY, HUH?

I KNOW HE'S BALLING EVERY

GIRL IN THE SHELF, PHILLY.

CONTRARY TO WHAT PEOPLE

THINK, I'M NOT BLIND,

I'M NOT STUPID.

I KNOW NONE OF THEM LOVE HIM

LIKE I DO,

AND HE KNOWS THAT TOO.

BUT HE JUST WON'T STOP, AND

IT'S SO EMBARRASSING.

OH, STOP IT SWEETHEART.

HE JUST DOESN'T KNOW

WHAT HE HAS.

I MEAN, HE'S BEEN DOING IT FOR

SO LONG, HE DOESN'T EVEN

NOTICE DOING IT, IT'S SOME OLD

NEIGHBORHOOD THING, YOU KNOW,

SOME MACHO THING.

WHY?

I'M NO NEIGHBORHOOD GIRL,AND I

WON'T PUT UP WITH IT ANYMORE.

♪ MUSIC

♪ MUSIC

COME ON OUT SLOWLY.

GET OUT OF HERE.

GET OUT!

FRANK, IT'S ME, COLLETTE.

COLLETTE?

I THOUGHT YOU WERE DEAD.

I SHOULD BE IF I HAVEN'T

FORGOTTEN YOUR WEDDING PRESENT

IN THE HOUSE.

OH, FRANK, IT WAS HORRIBLE!

ONE MINUTE, WE WERE LAUGHING

TOGETHER AND THE NEXT MINUTE,

HE WAS GONE.

I KNOW, I KNOW.

COME ON, SIT DOWN,

LET'S TALK ABOUT THIS.

WE'VE BEEN LOOKING ALL OVER

FOR YOU.

WHERE HAVE YOU BEEN?

I'VE BEEN IN HIDING.

PEOPLE WHO COULD TELL AND THEY

TRY TO KILL ME IN MY

HOTEL ROOM.

WHY DID THEY TRY TO KILL YOU?

BECAUSE ME AND CHINA WERE

MORE THAN LOVERS.

WE WERE WORKING TOGETHER.

FRANK, I'M AN AGENT.

NOT CIA?

YEAH.

LOOK, I WAS A GOOD AGENT, AND

I WAS PROUD TO WORK FOR MY

COMPANY, JUST LIKE YOU WERE

PROUD TO GO TO WAR FOR YOUR

COUNTRY.

BUT THEN I MET CHINA AND

THINGS CHANGED.

HOW?

CHINA WAS USING ME AT FIRST

TO GET TO MY BOSS.

AND OVER THE MONTHS, WE FELL

IN LOVE, HE BEGAN TO CONFIDE

ME, AND THAT'S WHEN I LEARNED

THE TRUTH ABOUT JAMESON.

JAMESON?

YEAH.

ARTHUR JAMESON, MY BOSS.

[KNOCKING]

YOU KNOW I CAN'T

STAY AWAY FROM YOU.

BASTARD

WHY DIDN'T CHINA TELL

ME THAT JAMESON WAS

RUNNING THE OPERATION IN 'NAM?

THAT WAS HIS WAY OF

PROTECTING YOU.

WE HAD THE DOCUMENTATION TO

HANG HIS ASS.

WHAT DO YOU MEAN HAD?

IT WAS STOLEN.

THAT'S WHY ALL THE KILLINGS.

DON'T YOU UNDERSTAND, FRANK?

ONCE HE HAD THE EVIDENCE, HE

WAS ABLE TO WIPEOUT ALL THE

WITNESSES.

YEAH, BUT LUPE WASN'T A

WITNESS.

SHE GOT IN THE WAY.

[SIGHS] OH GOD, FRANK,

I'M SORRY, SORRY.

HOW DID YOU FIND ME?

PHILLY BAMBINO.

I TRIED TO GET IN TO SEE YOU

AT THE HOSPITAL BUT JAMESON'S

MEN WERE ALL OVER THE PLACE.

THEN WHEN I SAW PHILLY COME

OUT, I JUST PUT TWO AND TWO

TOGETHER, YOU KNOW.

WHERE DID YOU KNOW PHILLY

FROM?

FRANK, THIS IS WHAT I DO, I

KNOW EVERYBODY.

WHERE DO YOU HIDE OUT?

I MEAN WHERE'VE YOU BEEN?

UP IN THE MOUNTAINS.

AW.

OH MAN, OUCH!

GOD, FRANK, I'M SORRY.

I HAVEN'T EVEN ASKED HOW YOU

WERE.

I'M OKAY.

SORRY.

I MEAN THE PHYSICAL

PART IS OKAY.

IT'S JUST...IT'S THE OTHER

PART.

I MISS LUPE, I REALLY MISS HER.

ANYWAY, I CAN'T EVEN THINK

STRAIGHT.

IT'S THE FIRST TIME OUT AND I

THINK I OVERDID IT.

CAN WE TALK TOMORROW?

SURE.

YOU OKAY?

I MEAN YOU'RE SAFE?

I GOT THIS FAR ALONE,

DIDN'T I?

YEAH, BUT YOU'RE NOT ALONE

ANYMORE.

I FEEL MUCH BETTER NOW.

LOOK, I'LL TALK TO YOU

TOMORROW.

OKAY, TOMORROW.

HEY, I LIKE YOUR HAIR.

THANKS.

[GUNSHOTS]

[PEOPLE SHOUTING]

[PHONE RINGING]

HELLO?

FRANK, IT'S ME, COLLETTE.

DID I WAKE YOU?

NAH, IT'S OKAY.

WHAT'S UP?

CAN YOU COME UP TO THE

CABIN TODAY?

I GOT SOMETHING I WANT

TO SHOW YOU.

IF YOU DON'T MIND, I'LL PICK

YOU UP AT THE LOADING DOCK IN

THE BACK OF THE HOTEL AT FOUR.

OH, OKAY, YEAH.

ARE YOU OKAY?

YEAH, I'M FINE.

I'LL MEET YOU AT FOUR.

OKAY, I'LL SEE YOU LATER.

OH...

[KNOCKING]

MARY, PLEASE COME OUT.

YOU HAVE TO EAT SOMETHING.

I TOLD YOU I'M NOT HUNGRY.

MARY, PLEASE YOU HAVE TO EAT

SOMETHING, YOU'LL GET SICK.

I DON'T CARE.

I WANT TO SEE UNCLE FRANK.

IT'S BEEN THREE MONTHS, YOU

PROMISED ME I COULD SEE HIM.

MARY, YOUR UNCLE FRANK IS

GETTING BETTER.

I PROMISE YOU, WILL SEE HIM;

YOU WILL JUST HAVE TO

KEEP THE FAITH.

WHY SHOULD I?

GOD DOESN'T CARE.

MARY, THAT'S NOT TRUE.

JUST GO AWAY, LEAVE ME ALONE.

YOU JUST DROPPED IN OUT OF

THE BLUE AND YOU THINK YOU CAN

TRUST HER, HUH?

CHINA DID.

I REST MY CASE.

LOOK, SHE WAS SUPPOSED TO BE

IN THE CAR TOO.

AND SHE JUST HAPPENED TO GO

BACK INTO THAT HOUSE FOR THE

PRESENT?

WHAT IS THE MATTER WITH YOU?

COME ON!

DID YOU EVER HEAR OF A CIA

BIGSHOT NAMED JAMESON?

ARTHUR JAMESON?

YEAH, YOU'VE HEARD OF HIM?

YEAH, OUR PATHS HAVE CROSSED.

WHERE DID YOU HEAR ABOUT HIM?

COLLETTE.

SHE USED TO WORK FOR HIM.

JAMESON IS THE ONE THAT TRIED

TO KILL ME.

LISTEN, FRANKIE, YOU DON'T

KNOW THIS GUY.

I MEAN HE AIN'T RIGHT.

HE'S A FUCKIN' MANIAC.

NOW YOU BACK OFF THIS THING.

I'M GOING TO TAKE CARE OF IT.

PHILLY, I APPRECIATE THE

OFFER BUT THIS GUY'S TAKEN

ENOUGH OF MY FAMILY.

I GOT TO TAKE THIS BASTARD OUT

MYSELF.

YOU DON'T DO ANYTHING UNTIL I

MAKE A FEW PHONE CALLS.

DON'T DO ANYTHING CRAZY.

I GOT AN APPOINTMENT, WE'LL

TALK ABOUT THIS LATER.

ELVIS, COME ON.

FRANKIE, WATCH YOUR BACK WITH

THIS BROAD.

OKAY, I THINK YOU'RE WRONG

ABOUT HER, BUT I'LL WATCH MY

BACK.

STAY WITH HIM ELVIS.

BENNY, LOUIE...

YES BOSS.

I GOT A JOB FOR YOU.

I WANT YOU TO GO TO L.A. NOW.

RIGHT.

SEE WHAT HAPPENS

WHEN I'M TRYING TO

ACCESS THE DATA?

UH-HUH.

SEE, THERE'S NO WAY TO PULL IT

OUT WITHOUT THAT DISC.

YOU KNOW, I DON'T UNDERSTAND

WHY CHINA DIDN'T GIVE YOU A

COPY OF THAT DISC.

IT WAS HIS WAY OF PROTECTING

ME, JUST LIKE YOU FRANK.

DID HE TELL YOU WHO HIS

CONTACT WAS OVER THE FBI?

NO, HE DIDN'T.

HE WAS WORKING ON THAT

WHEN HE DIED.

WHAT IS IT?

TELL ME.

I DON'T KNOW, IT JUST SEEMS

THAT FOR TWO PEOPLE THAT WORK

TOGETHER, YOU REALLY DON'T

KNOW THAT MUCH.

ARE YOU CALLING ME A LIAR?

NO, I'M JUST ASKING YOU TO

GIVE ME A REASON

TO BELIEVE YOU.

LOOK, I DON'T HAVE TO JUSTIFY

MYSELF TO YOU.

I LOST SOMEONE JUST AS

PRECIOUS TO ME AS YOU DID, AND

IF YOU THINK FOR ONE SECOND I

HAD ANYTHING TO DO WITH ALL

THAT BLOODSHED OUT THERE, THEN

YOU CAN GET THE FUCK OUT OF

HERE RIGHT NOW!

DAMN IT!

♪ MUSIC

I'M SORRY, I'M SORRY.

I DON'T KNOW WHAT TO THINK

ANYMORE.

I JUST...I...I CAN'T SLEEP AT

NIGHT.

AND YOU THINK I CAN?

EVERY TIME I CLOSE MY EYES,

I THINK OF LUPE AND I SHOULD

HAVE PROTECTED HER AND I

DIDN'T.

I SHOULD HAVE PROTECTED HER.

LOOK, IT WASN'T YOUR FAULT.

IT WAS JAMESON'S, THAT'S WHY

WE GOT TO FLUSH THIS SON OF A

BITCH OUT.

HELLO?

THE SERVICES OF YOUR NURSE

ARE HEREBY TERMINATED.

FUCK FRANK DAVINCI AGAIN AND

YOU'LL BE WRAPPED IN PLASTIC.

YOU WANT A WAR ASSHOLE?

YOU GOT IT.

[DIAL TONE]

FUCK!

I DON'T CARE HOW MANY OF

THOSE MINI-MUSSOLINIS YOU HAVE

TO KILL AND I DON'T GIVE A

FUCK WHO GETS IN THE WAY!

IF THAT DISC WINDS UP IN THE

WRONG HANDS, WE ALL GO DOWN.

NOW, I HAVE TAPES AND FILES ON

EVERYBODY, INCLUDING YOU.

♪ MUSIC

♪ MUSIC

OH GOD!

NO, NO, NO!

NOT [INDISTINCT].

MARY! MARY!

OH MY GOD!

[PHONE RINGING]

HELLO, HELLO?

WHAT?

OH NO, THIS IS HIS WIFE.

RICH WHO?

OH HI, FATHER RICH,

HOW ARE YOU?

OKAY, WAIT A MINUTE,

CALM DOWN.

WHAT'S THE MATTER?

WHAT?

YOU KNOW ALL LUPE WANTED TO

DO WAS TO CLEAN HERSELF UP AND

SHE DID THAT.

I WAS SO PROUD OF HER.

I KNOW SHE LOVED YOU VERY

MUCH.

I JUST FELT SO FREE WITH HER.

WE HAD COMPLETE TRUST IN EACH

OTHER.

TRUST IS EVERYTHING.

SO JOHNNY'S [INDISTINCT] WOULD

ALWAYS TELL ME.

RIGHT NOW I FEEL LIKE YOU'RE

THE ONLY ONE I CAN TRUST.

I WISH THEY WERE BOTH HERE.

LOOK, I FEEL SAFER IF YOU

COULD STAY HERE WITH ME

TONIGHT.

LOOK, COLLETTE, NOBODY'S SAFE

AROUND ME, NOBODY.

I FEEL SAFE AROUND YOU.

[PHONE RINGING]

HELLO?

YEAH, HOLD ON A MINUTE.

HELLO?

THATS OK...WHAT?

♪ MUSIC

[SIGHS]

EVERYTHING'S GOING TO

BE OKAY FRANK,

IT'S GOING TO BE OKAY.

I'M GONNA KILL THIS FUCKING

GANG.

HE DOES ANYTHING TO HER,

BELIEVE ME, I'LL CUT HIS

FUCKING HEART OUT.

OH, OH SHIT!

TURN COLLETTE!

FUCK!

[GUNSHOTS]

TURN COLLETTE!

MY GOD, KILL HIM!

MOTHERFUCKING [INDISTINCT]

STOP! STOP!

GO, GO!

OKAY, NOW EASE UP THE CAR.

WHO THE FUCK WERE THEY?

OH SHIT!

HOLY SHIT! FUCK!

WE LOST THEM.

OKAY.

I THINK YOU SHOULD STAY AT

THE HOTEL TONIGHT.

GOT TO GO BACK TO THE CABIN

AND GET SOME THINGS.

NOW THAT THEY'RE ON TO US,

JAMESON'S NOT GOING TO STOP

UNTIL HE KILLS US.

I DON'T CARE ABOUT JAMESON

RIGHT NOW.

THE ONLY THING I CARE ABOUT IS

GETTING MARY BACK.

MARY'S GOING TO BE OKAY.

YOU CALL ME WHEN YOU GET BACK

TO THE CABIN, OKAY?

I PROMISE, PROMISE.

OH, YOU DID REAL WELL

TONIGHT.

YOU DIDN'T DO SO BAD YOURSELF.

YOU KNOW FRANKIE, IF THIS

SCUMBAG, I MEAN IF HE REALLY

HAVE MARY, WHICH I DOUBT, WE

USE HER FOR A TRUMP CARD,

SOMETHING TO TRADE FOR

INFORMATION.

WHAT DO YOU THINK PHILLY?

I THINK JOEY'S RIGHT.

LOOK, I DON'T HAVE

INFORMATION.

I JUST WANT TO GET TO L.A.

AND KILL THE SON OF A BITCH!

COME ON, FRANK, TAKE IT EASY.

FRANKIE, YOU WERE A SOLDIER.

YOU WERE A GOOD SOLDIER

BECAUSE YOU PLANNED

EVERYTHING, YOU THOUGHT THINGS

OUT, YOU USED YOUR HEAD.

WE CAN'T JUMP IN THERE, WE

ENDANGER MARY.

MAKING A PLANE READY,

WE'LL BE IN L.A. AT

8 O'CLOCK,

TAKE CARE OF IT THEN.

♪ MUSIC

♪ MUSIC

HEY FRANK, FRANK,

COME ON, COME ON,

THE LIMO'S HERE.

LET'S GO.

♪ MUSIC

♪ MUSIC

UNCLE FRANK!

[INDISTINCT] YOU SCARED THE

HELL OUT OF ME!

I'M SORRY UNCLE FRANK, I JUST

NEEDED TO SEE YOU, I HOPE

YOU'RE NOT MAD AT ME.

IT'S OKAY BABY, IT'S OKAY.

WE'RE TOGETHER NOW.

I PROMISE I'LL NEVER RUN

AWAY AGAIN.

AND I PROMISE I'M NEVER GOING

TO LEAVE YOU ALONE AGAIN,

OKAY KID?

THIS MUST BE MARY.

YEAH, UH, YEAH FATHER,

I'LL HOLD.

YEAH, FRANNIE DID YOU KNOW MY

MOMMY?

NO, SWEETHEART.

BUT YOUR UNCLE PHILLY TOLD ME

ALL ABOUT HER.

I UNDERSTAND SHE WAS VERY

SPECIAL, AND I HEAR YOU

ARE TOO.

YOU HAVE A LOT OF GUTS GETTING

ON THAT BUS ALONE,

YOU KNOW THAT?

I GUESS I TAKE AFTER UNCLE

FRANK A LITTLE TOO.

I GUESS YOU DO.

WELL, I THINK YOU SHOULD GET

SOME SLEEP NOW, ALL RIGHT?

AND WHEN YOU WAKE UP, I'LL

TAKE YOU ON A TOUR

OF LAS VEGAS.

YEAH, FATHER RICH, SHE'S HERE.

YOUR PRAYERS WERE ANSWERED.

YEAH, IT'S MAKING A BELIEVER

OUT OF ME.

OKAY, I'LL TALK TO YOU LATER.

OKAY KID, IT'S TIME TO GO TO

SLEEP.

OH, WHAT DO YOU GOT,

ROCKS IN THERE?

ROCKS?

OH YEAH, MAIL FROM THE

MISSION.

UNCLE FRANK, I HAVE BAD DREAMS

ABOUT AUNT LUPE.

I KNOW KID, I HAVE THEM TOO,

BUT YOU GOT TO TRUST ME, IN

TIME THEY GO AWAY.

WHY DID GOD MAKE THIS HAPPEN?

GOD DIDN'T MAKE THIS HAPPEN,

PEOPLE MADE THIS HAPPEN AND

WE'RE NOT GOING TO KNOW THE

ANSWERS TO THAT TILL WE GET TO

HEAVEN SOMEDAY.

I MISSED YOU.

I MISSED YOU TOO, SWEETHEART.

I LOVE YOU.

I LOVE YOU TOO, BABY.

MWAH.

NOW YOU GET SOME SLEEP, OKAY?

DEAR FRANK,

WELL, LIKE THE OLD JOKE GOES,

I'VE GOT GOOD NEWS, AND I'VE

GOT BAD NEWS.

GOOD NEWS IS YOU'RE READING

THIS LETTER, THAT MEANS YOU'RE

STILL ALIVE.

IT ALSO MEANS YOU'RE NOW IN

POSSESSION OF A VERY VALUABLE

AND DANGEROUS ITEM.

IF YOU DON'T KNOW IT BY NOW,

THE CD ROM DISC IN THIS

PACKAGE CAN SEND THE MAN

BEHIND ALL YOUR MISERY TO THE

GAS CHAMBER.

HE'S CIA DIVISION CHIEF ARTHUR

JAMESON, THAT'S THE GOOD NEWS.

BAD NEWS IS, IF YOU GOT THIS

LETTER, I'M PLAYING GIN RUMMY

WITH JIMMY HOFFA BUT DON'T BE

SAD, BECAUSE I'M WINNING.

AND A BIT OF ADVICE, YOU HAVE

TO BE VERY, VERY CAREFUL WHO

YOU TRUST.

JAMESON IS A POWERFUL MAN, AND

HIS CLAWS ARE VERY DEEP INTO

THE GOVERNMENT.

YOUR BEST BET IS THE FBI,

THEY HATE THE CIA.

FINISH WHAT I STARTED, TAKE

THE SCUMBAG DOWN.

GOOD LUCK, BUDDY.

I HOPE YOU LIVE TO BE A

HUNDRED.

YOUR PAL, CHINA.

P.S. JAMESON, IF YOU'RE

READING THIS LETTER,

FUCK YOU!

[CAR STARTING UP]

LOUIE!

LOUIE, WAKE UP!

FUCK, LOOK AT THIS!

SHE'S AT THE FRONT; YOU

WEREN'T SUPPOSED TO BE

SLEEPING.

WHAT THE FUCK WERE YOU

WATCHING THEM.

SHE MUST HAVE SPOTTED US.

[GUNSHOTS]

THE MOBILE CUSTOMER

YOU ARE TRYING TO

CALL IS UNAVAILABLE OR HAS

TRAVELLED OUTSIDE THE

COVERAGE AREA.

PLEASE TRY YOUR CALL AGAIN.

SHIT!

WHAT'S THE MATTER?

NOTHING.

YOU KNOW, I...I DID SOME

CHECKING ON CHINA'S

GIRLFRIEND.

OH COME ON PHILLY, WILL YOU

STOP IT WITH THIS?

FRANKIE, THERE'S ONE COLLETTE

DUBOIS IN THE UNITED STATES,

SHE'S BURIED IN SAN DIEGO,

SHE DIED 30 YEARS AGO.

AGENTS HAVE ALIASES,

YOU KNOW THAT.

NO CIA RECORD.

WHAT ABOUT LAST NIGHT?

THEY TRIED TO KILL BOTH OF US.

LISTEN FRANKIE, I DON'T KNOW

WHAT IT IS, BUT I DON'T TRUST

THIS BROAD, OKAY?

THERE'S SOMETHING WRONG HERE.

PHILLY, CAN I BORROW ONE OF

THE CARS?

I WANT TO GO BACK

TO THE HOTEL.

FRANKIE, WHAT'S THE MATTER

WITH YOU?

SONNY, TONY, THEY'RE COMING

OUT TO HERE TO HELP US AND

YOU'RE GOING TO GO?

I'LL SEE THESE GUYS LATER.

I DON'T THINK IT'S A GOOD IDEA.

LOOK, PHILLY, I'M A BIG BOY I

CAN TAKE CARE OF MYSELF.

YEAH. GARY!

I WANT GARY TO DRIVE YOU TO

THE HOTEL.

WHAT CAN I DO FOR YOU MR.

BAMBINO?

TAKE FRANKIE TO ARIZONA

CHARLIE.

YOU GOT IT.

I'M GOING TO GET SOME SMOKES

FRANK, NEED ANYTHING?

UH, GIVE ME A PACK OF GUM.

THAT'S IT?

YEAH, PEPPERMINT.

YEAH, I'LL BE RIGHT BACK.

HAHAHA!

HEY!

SONNY!

PHILLY!

HOW ARE YOU?

NICE TO SEE YOU.

YOU LOOK GOOD.

YOU LOOK GOOD.

PHILLY, IT'S ME, TONY.

TONY, HOW ARE YOU?

HOW YOU DOING?

GOOD, I'M DOING GOOD MAN.

I'M FINE, I'M FINE.

TONY, LOOK AT THIS LITTLE

PLACE HERE, HUH?

YEAH, IT'S BEAUTIFUL BUT

WHERE'S THE ACTION PHILLY?

THERE'LL BE PLENTY OF ACTION.

GOOD.

I TOLD YOU ON THE PHONE IT'S

GOING TO BE TOUGHER THAN WE

THOUGHT.

[LAUGHTER]

HEY PHILLY!

YOU'RE FUNNY MAN!

DON'T YOU WORRY, THESE

ASSHOLES ARE AS GOOD AS DEAD.

[LAUGHTER]

MAYBE SO.

♪ MUSIC

FRANKIE, HERE'S YOUR GUM!

SHIT!

[KNOCKING ON A DOOR]

MR. BAMBINO?

YEAH, RIGHT, THAT'S ME.

HI! I'M JACKIE!

YOU'RE MY 9 O'CLOCK?

UH-HUH.

YOUR MOMMY DROVE YOU HERE.

NO, MR. BAMBINO,

I DROVE MYSELF.

YOU HAVE A DRIVER'S LICENSE?

MR. BAMBINO,

I'M 21, THE SENIOR

FROM UNLV?

RIGHT, SO WHAT DO YOU DO?

I'M A DANCER.

THAT'S GREAT.

AMONG OTHER THINGS.

SUCH AS?

WELL, I LIKE TO CALL IT

PHYSICAL THERAPY.

YOU'RE A MASSEUSE?

UH-HUH.

YOU KNOW, I HAVE A TERRIBLE

PAIN IN MY--

SCIATIC NERVE?

THAT'S RIGHT, SCIATIC NERVE.

MR. BAMBINO,

I GOT THE PERFECT

THING FOR YOU, RIGHT IN HERE.

♪ MUSIC

♪ MUSIC

MR. BAMBINO?

HMMM?

HOW'S THAT PRESSURE?

OH THAT'S GREAT.

YOU KNOW WHAT BAMBINO MEANS IN

ITALIAN?

UH-UH.

BABY.

YOU CAN CALL ME MR. BABY.

NO, NO, NO, YOU DROP THE

MR., JUST CALL ME BABY.

OKAY BABY, YOU WANT TO TRY

SOMETHING A LITTLE DIFFERENT?

HMMM...YEAH, WHAT?

THAI STYLE?

OH, THAT SOUNDS EXOTIC.

IT IS.

I BET.

IT'S EXOTIC BECAUSE IT'S BODY

TO BODY.

OOHHH, OHH...LISTEN, MY

CHECKBOOK'S IN THE TOP DRAWER

JUST TAKE IT WITH YOU ALL

RIGHT, BABE?

[KNOCKING]

WOULD YOU PUT THAT

GUN DOWN PLEASE?

FRANK?

OH, I'M SO HAPPY TO SEE YOU.

I'VE BEEN TRYING TO CALL YOU

ALL DAY.

THE PHONE LINES HAVE

BEEN DOWN.

THEY WON'T BE UP TILL

TOMORROW.

I GOT SOME GOOD NEWS, MARY

SHOWED UP THIS MORNING.

I TOLD YOU EVERYTHING WILL

BE OKAY.

AND NOT ONLY THAT, I THINK I

HAVE THE ANSWER TO OUR

PROBLEM.

DON'T TELL ME...THIS IS IT.

WHAT A RELIEF!

FRANK, GOD BLESS MARY.

IT WAS MAILED TO ME THREE

MONTHS AGO, MARY HAD IT STORED

ALL THE WAY ALL THIS TIME.

JAMESON'S BUTT IS OURS.

THIS CALLS FOR A CELEBRATION.

HEY, WE'RE NOT OUT OF THE

WOODS YET.

I'LL MAKE YOU A DEAL, IF YOU

HELP ME TO FORGET, THEN I'LL

HELP YOU TO FORGET.

DANCE WITH ME MR. DAVINCI.

♪ MUSIC

♪ MUSIC

♪ MUSIC

♪ MUSIC

[RINGING]

SSSHH.

GO AHEAD.

HEY GUMBA, I GOT YOUR GIFTS

THE OTHER DAY.

FOR A MOMENT I THOUGHT IT WAS

CHRISTMAS, THE WRAPPING WAS SO

WELL DONE.

YOU SICK FUCK!

WHERE'S FRANK?

THAT'S A GOOD QUESTION.

WHERE IS FRANK?

DON'T PLAY GAMES WITH ME.

I WANT FRANK UNDER MY ROOF OR

I'LL COME DOWN AND I'LL BLOW

YOUR FUCKING BRAINS OUT.

[LAUGHTER]

AREN'T YOU

FORGETTING ABOUT THE SENATOR

THAT YOU MADE DISAPPEAR A FEW

YEARS BACK?

YOU GOT NOTHING ON ME

ASSHOLE.

WE'LL SEE, BUT RIGHT NOW IF I

WERE YOU, I THINK I'D BE MORE

CONCERNED ABOUT YOUR

SEX-OBSESSED SIBLING, JOSEPH.

JOEY, WHAT ABOUT JOEY?

WELL, AT THIS VERY MOMENT,

WHILE YOU'RE HUFFING AND

PUFFING, HE'S UP IN HIS SUITE

CONDUCTING HIS VERY LAST

AUDITION.

AND I CAN ASSURE YOU IT'S

GOING TO BE A SIZZLER

[LAUGHTER]

FUCK!

HEY, WHAT THE HELL'S

GOING ON?

DAMN IT, COME ON!

LET'S GO, THE STAIRS!

DANCE

GET OUT!

GET OUT!

GET OUT OF THE WAY!

THE ONLY WAY TO BE TOTALLY

RELAXED IS TO BE VULNERABLE.

COME ON.

MAN, TO COMPLETELY GIVE UP.

I GIVE UP

CONTROL

I GIVE UP.

TELL ME.

I GIVE UP, I GIVE UP.

WHAT IS THAT?

SMELLS LIKE AH

GASOLINE?

GASOLINE.

[EXPLOSION]

OH SHIT JOEY

WE'RE COMING!

[SCREAMING]

[INDISTINCT]

OH FUCK!

FRANK?

FRANK?

FRANK?

[GUNSHOTS]

FRANK!

♪ MUSIC

♪ MUSIC

[CAR TIRES SCREECHING]

DAMN IT, FRANK!

FRANK, YOU SON OF A BITCH!

I WONDER WHEN YOU'D SHOW UP

MOONFACE.

[DIALING PHONE]

[PHONE RINGING]

CHIEF JAMESON,

IT'S COLLETTE.

[INDISTINCT], YOU GOT A

PACKAGE.

LEAVE IT.

HEY YOU GET THAT FUCKER AND

CUT HIS BALLS OFF, ALL RIGHT?

[PAPER RUSTLING]

SO YOU DIDN'T THINK I

HAD THE GOODS

ON YOU AND SENATOR ELLIOT?

WELL, LET'S SEE IF I'VE GOT

THE PARTICULARS CORRECT.

THE SENATOR WHO WAS

A GREEDY BASTARD WAS

TRYING TO SHAKE YOU

DOWN FOR AN EXTRA FIFTY GRAND

ON YOUR GAMING LICENSE, THE

ONE HE OFFERED THE

GRANDFATHERS TO THE STATE

COMMISSION FOR YOU.

YOU TOOK IT AS A SIGN OF BAD

FAITH AND DECIDED TO END YOUR

RELATIONSHIP WITH A .45

CALIBER HANDGUN AT THE BACK OF

THE HEAD.

WELL, NOW I'D SAY WE'VE GOT

THE MAKINGS OF A TRADE.

JUST GET ME THE DISC AND I'LL

GIVE YOU THE ONLY OTHER

EXISTING COPY OF THE VIDEO,

DETAILS ARE IN THE

ACCOMPANYING LETTER.

CIAO, BAMBINO!

HE GOT TO YOU TOO, HUH?

PEOPLE KILL FOR DIFFERENT

REASONS.

YOU THOUGHT YOU WERE KILLING

FOR YOUR COUNTRY.

I THOUGHT IT WAS KILLING FOR

MY FAMILY.

JAMESON, FUCKED THIS POUF!

WELL, LET'S FUCK HIM RIGHT

BACK.

♪ MUSIC

FRANK?

SO DID YOU FUCK CHINA BEFORE

YOU KILLED HIM?

I WASN'T TRYING TO SHOOT YOU

AT THE CABIN?

I JUST WANTED JAMESON'S MEN

WHO'S THERE TO KILL THE BOTH

OF US.

SO WHY ARE YOU WITH THIS

ASSHOLE?

WE HAVE TO FLUSH HIM OUT,

THAT'S WHY I SET UP THIS DEAL.

YOU GOT TO KILL HIM OR THIS

CRAZINESS WILL NEVER END.

NOW HOW ARE YOU GOING TO DO

THAT?

BY GIVING HIM WHAT HE WANTS.

YOU THINK THAT'S GOING TO

CHANGE THINGS?

LET'S JUST MAKE THE EXCHANGE.

I'LL HAND YOU THE TAPE, YOU

HAND ME THE DISC AND I'LL TAKE

CARE OF JAMESON.

YOU KNOW, IF I GIVE YOU THIS

DISC, HE'S GOING TO KILL YOU.

I'LL TAKE THAT CHANCE.

NOW GIVE ME THE DISC.

YOU MUST BE CRAZY.

[GUNSHOTS]

LET'S GO, COME ON,

PHILLY, GO OVER THERE.

[GUNFIRE]

GO, GO!

[GUNFIRE]

[GUNFIRE]

FRANK, WATCH OUT

FRANK!

[GUNFIRE]

UGH!

AHHH!

UGH!

UGH!

[GUNFIRE]

[GUNFIRE]

COLLETTE!

[GUNFIRE]

TIME TO MOVE, ASSHOLE!

FUCK!

[GUNFIRE]

HEY FRANKIE, YOU OKAY?

YEAH, WHAT ABOUT PHILLY,

DID YOU SEE HIM?

SEE, THAT'S A GOOD QUESTION.

HE WAS BEHIND ME A MINUTE AGO.

JOHNNY, YOU OKAY?

DON'T WORRY, I GOT YOU,

YOU'RE GOING TO BE OKAY.

HEY, THANKS FOR COMING BACK

NED.

LISTEN TO ME.

LET'S GET THEM TO THE

HOSPITAL.

YOU'RE GOING TO BE OKAY,

DON'T WORRY GARY, YOU'RE GOING

TO BE OKAY.

[RINGING]

WHO THE FUCK IS THIS?

HELLO?

PUT THE DAVINCI ON.

YEAH.

WELL, COL. DA VINCI,

IT SEEMS OUR LITTLE

CHESS MATCH ISN'T QUITE OVER.

YOU SEE, I'VE CAPTURED THE

KING OF LAS VEGAS AND DEMOTED

HIM TO THE RANK OF PAWN.

IF HIS LIFE MEANS ANYTHING TO

YOU, YOU MEET ME AT HOOVER DAM

TOMORROW MORNING AT 8 AND

BRING THE DISC.

IT'S TIME FOR END GAME.

♪ MUSIC

♪ MUSIC

FACE TO FACE AT LAST

MR. DA VINCI.

I SEE YOU'VE REGAINED

YOUR NERVE.

I NEVER THOUGHT I'D SEE A GUN

IN YOUR HAND AGAIN AFTER YOU

TERMINATED GENERAL TANG'S

BEAUTIFUL SEVEN-YEAR OLD

GRANDDAUGHTER.

CUT THE PSYCHOLOGICAL

BULLSHIT, JAMESON!

IT'S SUCH AN UGLY BUSINESS

WE'RE IN.

SHOW THEM A FIGHT,

JUST SHOW THEM.

SCREW THE TRADE FRANK,

SHOOT THIS SON OF A BITCH,

KILL THIS FUCKING GUY.

OH FRANK ISN'T CAPABLE OF

SHOOTING SOMEONE POINT BLANK,

ARE YOU COLONEL?

LET'S JUST DO IT, LET'S JUST

MAKE THE EXCHANGE.

BUT I CERTAINLY AM.

SO YOU THROW ME THE DISC AND

THIS PIG WILL LIVE TO SUCK UP

SOME MORE WINE AND PASTA.

GIVE ME THE DISC COLONEL,

AND THAT'S AN ORDER.

UH-OH, CHECK AND MATE.

FRANK, GIVE ME THE DISC.

YOU GOT TO PLAY THIS RIGHT

OUT TO THE END, HUH, COLLETTE?

GIVE ME THE DISC.

NOW.

PUT DOWN THE GUN AND HAND

THE DISC TO AGENT DUBOIS.

DON'T DO IT FRANK,

DON'T DO IT.

LOOK, FRANK, TRUST IS

EVERYTHING, REMEMBER?

THAT'S IT.

YOU WERE ALWAYS SUCH AN

OBEDIENT LITTLE SOLDIER.

NOW HAND IT OVER.

IS THIS IT BOSS?

YOU BITCH!

[GUNSHOT]

AARGGHH!

I GUESS I WAS WRONG ABOUT

YOU, MS. DUBOIS?

I GUESS YOU ARE.

OH.

AH, THANK YOU.

YEAH, BUT THE NAME'S NOT

DUBOIS, IT'S VICKY LINN.

VICKY LINN?

YEAH.

I TOLD YOU YOU COULD TRUST ME.

I KNEW THAT.

[LAUGHTER]