The Split (1968) - full transcript

[bird cawing]

[crickets chirping]

[frantic violin music]

* Nothing but miles and miles
of mass confusion *

* Gotta get away

* My soul

*Soul has got to
find seclusion *

* Got to get away

*The splitis the onlyway *

* Split across the world
is insane *

* Break throughs and get away



* My head's about to split
from the pain *

* And the pounding in my head
is getting loud *

* I've gotta get away,
gotta get away *

* Gotta get away

* Take it home, yeah

* Think I have to
take a hounder *

* Gotta get away

* The split is a trip away

* Split from the world
of the mass *

* Break throughs
and slip away *

* Split from the crowd
if I can yeah *

* Nothing

* But miles and miles
of mass confusion *

* Gotta get away



[bell buzzing]

(Gladys)
'Sorry, we're full up.'

Hello, Gladys.

McClain.

Oh!

Come on in.

You hungry?

I'll order food.

Um-m-m.

Want some more
noodles?

- I'm looking for Ellie.
- She moved.

- Find her for me--
- I haven't seen her.

What if she doesn't
want to be found?

I'll work it out.

You?

Oh, what about work?
What do you want to do?

Just one big job.
That's all I want.

Need a place to stay.

Oh!

[romantic music]

(Ellie)
Why did you come back?

(McClain)
I told you I would.

Didn't you believe me?

I kept on dreaming.

Then one morning I woke up

you weren't there.

That was the one
morning too many.

You're not here
now, McClain.

If I'm not here, what the hell
were you just doing?

You never hit me before.

It felt great!

I missed you, Ellie.

- Swell, Mac.
- Said I missed you.

You didn't miss me enough
to come home, did you, Mac?

Wanted to come back with
more than six bucks I had.

Well, you know I would have
settled for the six bucks.

You filed the papers.
I didn't.

That's right.

And don't you never forget it.

You opened that
front door fast enough.

Oh, Mac!

(Ellie)
'I'm weak with you.'

That's an entirely different
problem. That's my problem.

'And what did I do?'

I married.

That was the only thing you ever
did that you really wanted.

Wrong. There were
two things.

The second was divorcing you.
Now there is a third.

What's that?

Telling you to get the hell out
of here and never come back.

What are you
waiting for, Mac?

You wanna see me crawl.

You wanna see me feel so cheap
that I can't stand it anymore.

Why did you
come back? Why?

You black
son of a bitch!

You had the whole
world to mess up!

Why me?

Are you gonna stay
this time, Mac?

Is that supposed to give me
some kind of hope?

Baby.

- How's Ellie?
- Ah, she's fine.

- Where are we going?
-You're going to the Coliseum.

I read in the paper
there's a tie for first place.

- Between who?
- It doesn't matter.

Then why am I going?

'There's a playoff next week.'

No advance sale or box office

and the tickets run
between $5 and $7.50.

There's 80,000
seats in the place.

And that's
a lot of money.

[cars honking]

To get in, you have
to buy a ticket.

[people chattering]

Thank you.

(male #1)
Program's here.
Program's here.

[indistinct chatter]

Hike!

[crowd cheering]

(commentator #1)
'...touchdown for
the Los Angeles Labs.'

'Rick Lasso holding.
George Pegaka's kicking.'

'The kick is good.'

(crowd cheering)

Let's go.

Thank you.

(commentator #1)
'Polotty's the ball carrier.'

'A gain of three.'

'Rams with the ball.'

'Gaines goes fast
to Luddy. Incomplete.'

[crowd cheering]

(commentator #1)
'The official rule
of the play down.'

'Rams is through
with the ball.'

'And the Los Angeles Rams,
beats the Atlantic Falcons'

'20 to 3.'

Well..

Can you do it?

You know I can do it.

[phone rings]

Good morning. Gymorama.

One moment please.

Mr. Clinger?
Line three, please.

I got you, honey.

A-ah!

I hear you're quite athletic.

Phone's disconnected anyway.

The gun in our desk
is unloaded.

Now, wait just a minute, chief.

You've made a big mistake.

Erase me.

Oh.

Uh-oh.

[pounding on door]

Let me in. Mr. Clinger?
Mr. Clinger?

What the hell
was that all about?

Hey! I always
pay you, don't I?

I wanna make a lousy
$100 bet. That's all.

[phone ringing]

I got somebody
on the other line.

Just hold on a second,
will you?

I know you're busy. Just for
a second, I wanna talk to you.

Yeah.

Kifka Limousine service.

Yes, sir. Well, the only car
that I have has a bar and a TV.

I'll taxi it to you now, sir.

Fine. Just a minute.

Hello, Mitch, look.
I got me a live one here.

Give me a break.

I mean, $50 on Bowmore.

Just 50.

I promise.

Yeah, you're a good guy..

...for a creep.

What's the address, sir?

Oh, that's way over
Mulholland Drive, isn't it?

Yeah.

Okay. I'm on my way, sir.

[music]

[collision]

[gunshot]

[collision]

[cars continue colliding]

[car breaking]

[cars colliding]

[gunshot]

[gunshot]

[car breaking]

[country music]

[indistinct chatter]

[country music continues]

[country music continues]

[both laughing]

Come on, lets go.

What the hell is that thing?
I've been looking at it.

My good luck thing.

It is my shinto.
You wanna play with my shinto?

Yeah.

Yeah.

[both laughing]

When are we gonna
get to your place?

I'm freezing to death.

It kind of warm..

Don't you think
it's kind of warm?

[laughing]

Well you see I had asthma
when I was a kid

and I catch a cold
real easy.

Listen baby, if you're gonna
catch anything from me

it's not gonna be a cold.

I'm gonna catch that
thick, one-eyed bird.

[both laugh]

(Marty)
Wow. Oh, it's dark in here.

[step breaks]

'Oh...Jeez.''

- Hey, where are you?
- Your birdie is down here.

(Marty)
You got eyes
like a pussycat.

Meow. Come
and get me.

(Marty)
Darn, I lost my shoe.

Oh, what do you
need the shoe for?

(Marty)
I told you
I catch a cold easy.

You don't need that.

[both laughing]

(Marty)
What the hell's
your name anyway?

- Girl girl.
- Girl girl?

[both laughing]

Give her a little
kiss kiss.

- Wait a minute. I can't see.
- Relax.

(Marty)
Man, it's dark in here.
You do have eyes like a cat.

Okay, oh yeah.
You like that?

Let me see your scar?

[both laughing]

Put your leg over here.
Put your foot right there.

- Where?
- Right there.

Don't thank me.
You're gonna love it.

Stay right there.

[footsteps]

The man said if you
really know your business,

you'll get out all right.

Goodnight, Marty.

What are you, some kind
of a nut? I won't give you..

What the hell
you know about that?

[doors closing]

What kind of a woman would do
a thing like that to you?

You aint gonna leave me
in here to suffocate.

One, two, three!

I know a thing or two.

One, two, three!

What the..

I'm on the move, baby.

[laughing]

[door closes]

Park it, Charlie.

Very good, Mr. Negli.
I'll get right to it.

[gunshot]

Okay, Gladys. I know who I want.

Negli, Kifka, Clinger and Gough.

I'll set up a meeting
for tomorrow afternoon.

And Gladys, make sure
they know what happened to them.

Tested? Ha..

Tested for what?

Look, I don't know about
these other guys, Gladys

'but I'm a little
too old for audition.'

You better believe that,
sweetheart.

Somebody's gonna pay for the
limousine, the TV and the bar.

- It's not like you paid for it.
- What do you mean?

Wait a minute. Money, cars.
I could have died.

[all argue]

Shut up. Shut up!

[all arguing]

He blows my cover,
that blows my life.

You crawl under the rug
you just came from.

- You're like..
- Don't touch!

Go ahead, pull the trigger.
I'm a dead man anyway.

Who the hell is he?

He's a big, black idiot.

I have no time in my life
for a smart ass nigger.

Why don't you shut your mouth?

Look, let's talk about the
$500,000 we're going to take.

We're gonna what?

Say it again, Gladys.
They're listening now.

$500,000.

Whoo!

One half a million.

- Split, six ways.
- Where's six?

- Count us.
- I did.

I only counted five who were
sticking their necks out.

Gladys finances this
and she gets a full share.

Any objections?
Let's hear them now.

What's the matter?
$85,000 aint enough

to buy silver bullets
for your big gun?

You're a funny man.
Be sure you don't die laughing.

Knock it off the two
of you. Go ahead.

The money comes into the finance
office all through the game.

- How?
- Armed guards in pairs.

- Where you going?
- Out. All the way.

You're walking out on $85,000?

I don't like who I'm working
with. I'm talking about you.

Money is green.

Alright, that's it.
The party's over.

- Now wait a minute.
- Let him go.

You can pick up creeps
like him dime a dozen.

He knows. Either we're all
locked in or none of us are.

He's locked in.

- Like hell I am.
- Marty.

The last man
I killed for $5000.

For $85,000, I'd kill you
17 times. Now come on, sit down.

Alright, let's get
back to it.

When the money gets inside
it's stacked and counted.

- Then we're in and out?
- Wrong.

We're in quick enough,
but not out.

We'll leave near the end of the
game, at the two minute warning.

You've blown your cork.

Look, concession money
comes in the last quarter.

'and that's almost
as much as the game.'

- When do we cut up the pie?
- Next day.

We'll keep it some place where
one of us can watch it.

And the rest of us
can watch him.

You sure as hell
aren't keeping it at my place.

I'll take care of the money.

Not a good idea, huh?

Sleep with your own evidence.

Next time I'll see any of you
boys is at clingers'.

- Ellie, she's straight.
- Who's Ellie?

- She's McClain's.
- You trust McClain?

Can't take a chance
with any of you.

You clowns all have records.

Ellie's clean. And the cops here
have nothing on McClain.

- Yeah.
- We'll be watching you McClain.

Well, just don't look
in that window

or I'll blow your face off.

* Don't you know
it's just a game, love *

* It's make believe *

* Except for real love

* Don't you know
it's just a game, love *

* That's why you got *

* To really be loved

* Can't you see.. *

I have to change
my address.

Something's gonna
happen, Mac.

Will you be hiding?

I'll be with you because
that's where I want to be.

* If they wanna have

* A happy ending

* Don't you know
it's just a game, love *

* Happy kisses
that we steal, babe *

* Don't you know
it's just a game, love *

* It's up to us
to make it big *

[honking]

- McClain?
- I'm McClain.

That's Kifka, my driver.

[engine revving]

[engine starts]

[revving engine]

[inaudible]

[inaudible]

Can I help you?

Uh, yes. I would like
to purchase some toys.

Uh, Gladys said
you'd expect me.

Are you McClain?

Yes, I am.

Gladys said wonderful
things about you.

Come on back to the stock room.
I put them aside.

It's hard to keep track
how many little boys

does Gladys have now.

There's five of us
and we'll need 15 clips.

[music]

It's alright. It's not wired.

[door unlocks]

Oops. That's hot.

Uh-huh.

That's it.

Give me another light,
right there.

- How's that?
- Okay.

Somebody press
that button out there.

(McClain)
Move it.

- The alarm turns next, right? -
Right.

[clattering]

(McClain)
Sit him up. Sit him up.

[Marty groaning]

Sit him up.

What the hell
is wrong with him?

- What, is he a junkie?
- He's having an asthma attack.

'I told you we should have
let him go.'

(McClain)
It's okay, Marty.

Thanks.

I'm fine.

[indistinct chatter]

(female #2)
You see my little girl
was just three.

Of course.

So that now she's going to
nursing school, she has to..

- My son--
- Hey, look out!

[screaming]

Come on. Come on.
Get in there.

Don't do that.

Now, don't anybody move
or turn around.

Until you've been told to.

- There's no money in here.
- There will be.

Now everybody do
just as you're told.

On Monday morning
the football association

will be filing a big,
fat insurance claim.

One wrong move
and your next of kin

will be on
the beneficiary list.

Alright, drop
your hands slowly.

Now turn around.
Nothing else.

[Dave laughing]

When do you check
the alarm system?

Whenever the guard post
phoned us.

What time?

- What time?
- Eleven.

[telephone ringing]

Who the hell is supposed
to answer that phone?

It ends for us,
it ends for you too.

[ringing continues]

It's not him.

Maccione.

Uh, you all ready?

Okay. Just a minute.

[whispering]
Now, do it right.

Okay. The cage.

[clicks]

The window.

[clicks]

The floor.

[clicks]

Alright. That does it.

Yeah. Okay.

Now, move away from it.

Two seven
and a half, please.

'Thank you.'

[indistinct chatter]

Okay.

- One, please.
- Two in the shade.

One dollar, sir. One dollar.

[people chattering]

[buzzer buzzes]

[buzzer buzzes]

(male #2)
Hey, man, you sure
got a long face today.

'Count that money
and cheer yourself up.'

I didn't get much sleep
last night, Shelly.

'You have to be around time
tonight, okay?'

Yeah.

Leave.

- What about that, huh?
- Hey, man, it worked.

Hey, I bet there's
nine grand in there.

[people chattering]

One dollar. One dollar.

(commentator)
'And there is the kick-off.'

[crowd cheering]

[commentary on radio]

[crowd cheering]

[commentary on radio]

[crowd cheering]

[whistles]

[buzzer]

[door buzzes open]

[commentary on radio]

[crowd cheering]

Boo!

[crowd cheering]

(male #3)
'How are you all?'

How's that girl
of yours, Jackie?

Good. Fine thank you.

Oh, you don't want
to talk today, huh?

- Busy.
- Okay, I'll see you later.

Hey, can I take a smoke?

It's bad
for your health.

Go ahead.

[door buzzes]

[commentary on radio]

- Look at this.
- What?

That bum made a 35 yard
run against them.

For crying out loud. Come on,
give me a hand, will you?

(commentator)
'...five minutes
left in the game.'

Let's go.

Move them down the corner.
Come on ladies, let's go.

- Tie them up.
- Right.

You, sit down.

[commentary on radio]

Press the button.

[siren wailing]

[engine sputtering]

[siren wailing]

All of them lined up.
They had to win.

[buzzer buzzing]

I think something's wrong, man.

- Wait here. I'll get help.
- All right.

[siren wailing]

They were five of them.

- 'You alright?'
- 'They just took off.'

They're dressed as ambulance
attendants. Just now.

[siren wailing]

[honking]

[honking continues]

You're beautiful.

[knock on door]

Hi, baby. Come here.

I'm glad you're back.

I'm sorry about
where you've been.

- Where have I been?
- All over television and radio.

There were no names. But the
style, that was unmistakable.

You're using me, Mac.

How much did you get?

Oh, Mac.

[phone ringing]

(Ellie)
Hello?

It's for you.

I know.

Did you, uh...
Did you count it?

Yeah, roughly.
It's more than we figured.

Oh! Ho-ho.

Too bad we didn't
take the coins.

Next time,
we'll figure it better.

- Yeah, you do that.
- Yeah.

Hey, where do
we split?

Be at Ellie's. I'm not going to
carry that stuff around town.

Fine, fine.

Oh, listen.

The others will want her out
of there, before they get there.

You know
what I mean?

Yeah, you just be at
Ellie's place at 11.

Okay.

Hello, Ms. Kennedy.

I just wanna talk
to you for a minute.

Your rent is in
the mail Mr. Sutro.

Oh, it's gotta be more rent.

Can't we talk about that
tomorrow?

I'm expecting someone now.

Yeah, I know.

What?

Well...that I've been watching.

I bet you have.

You wanna talk about
raising the rent?

Or you want me to call the cops
and have you thrown outta here?

Just tell me what
I have to pay and go.

Well..

Two people..

...new rent. That's all.

Why don't we talk about that
tomorrow?

No.

I want to talk about
it right now.

Uh-huh. You go.

You live here rent-free.
You know that.

You get out of here.

No.

Listen to me.
He'll kill you.

No...No you see I just--

Please Mr. Sutro. Please.

No...No!

No please!

Oh!

Hell, if he does come back

look what I got now.

Please.

That thing might go off.

- Please.
- Oh, please!

Please..

Please!

[softly]
Please.

Please!

Please.

[gun firing]

[breathing heavily]

I-I want to report a murder.

Murder.

Yes. 1205 Longman's Avenue.

Apartment four.

Ellie?

Hey, baby..

Hey.

[music]

[knocks on door]

[knocking continues]

- Who is it?
- 'Police.'

She's in there.

Are you the one
that called it in?

- Yes, I am.
- Who was she?

Her name was Ellie Kennedy.

What's your name?

Ow!

[gunshot]

- Can I sell you a membership?
- Sell me Clinger!

[intercom buzzing]

Move and I'll blow
your head off.

What the hell
are you doing?

Our money has been stolen.

Convince me you
didn't set it up.

What?

Convince me.

- Who do you think you are?
- Get her out.

You better have something really
important to say, McClain.

I hope she's free 'coz you don't
have the money to pay for her.

Now you talk straight McClain.
What do you want?

I want you to prove
you don't know what I want.

The money?

Five hundred and forty eight
thousand dollars.

Plus one fine lady.

Are you trying to tell me
that she ran over that money?

That lousy bitch..

She's dead.

You owe me that money, McClain.

You make it good or
I'll leave you in shreds.

Somebody owes me more than
you've got.

You've humiliated me, McClain.

(Dave)
You were responsible
for that money.

You lost it.

Now you find it.

- Let's talk about it.
- Yeah. Let's talk about it.

That's right.
Let's all talk about it.

I was with you when
the girl got hit.

And if one of these scum did it.
Let's find out right now.

Hey, what are you guys
tryin' to pull?

Some kind of 50-50 split here?

[indistinct arguement]

As you can see.
You're on the spot boy.

Look we gotta work
this thing out.

Okay, what's your story?

- No talkin'!
- 'Put way the gun.'

'I hope you find
the money McClain.'

- I do still like you.
- I don't.

You see that Gladys?
He's crazy.

Should've killed him.
Long time ago.

No...Let him find
the money first.

I still think
he's got it.

What's the matter?
Are you afraid of him?

(male reporter)
'Police reported last night.
The discovery of'

'the machine gunned body of Ms.
Ellen Kennedy, 27.'

'In the bedroom of her apartment
at 1205 at Longman's Avenue.'

'Detective Walter Brill is
in charge of the investigation''

'The doors have not been forced.
Personal articles were found.'

'Belonging to the alleged killer
in the apartment.'

'From New York our correspondent
reports the trading was brisk.'

'When the market opened
this morning.'

'The average showed an increase
of five points.'

Pull the string.

You busted in the wrong
place this time, buddy.

'I'm a police officer.'

Yeah. Walter Brill,
detective, third grade.

I haven't got what you're
looking for.

Whatever the hell that may be.
And who are you?

Not a chance.

Nobody in the force will rest

if anything happens
to one of their own.

Nothing's gonna happen.

What do you want? Spit it out!

You curl up pretty fast
for a cop, don't you?

- 'I want information.'
- What kind?

I was in Ellie Kennedy's
apartment

when those cops got there.

The boyfriend.

- 'She died ugly.'
- I know how she died.

And that's what's
pushing you on, huh?

'You wanna get the man
that killed her.'

Yeah, that's right.

Crap.

Money!

Over a half a million dollars
from that stadium heist.

'We found a money band
stuck in her dresser.'

I know the boys in the robbery
are waiting for you

right around the next
corner Mr. Boyfriend.

You know you've been
third grade a long time.

'Bringin' in this killer will
put you on top of the world.'

So toss me in the middle
and let me make waves.

'And you get the parade.'

And all you want is just
a half a million dollars.

All right. Interview
is over. Names now.

- Why not? There's only one.
- 'Give it.'

Sutro.

Spell it out.

S-U..

[gun loads]

Your girlfriend's landlord.

You've made a fool
of me McClain.

I could kill you with
the greatest of ease.

Detective Walter Brill.

I'm sorry about Ellie.

I want my money McClain.

[dramatic music]

We want our money McClain.

I don't have it.

Well then,
where is it? Huh?

I don't know.

You never took the money
to the girl's place did you?

Of course you didn't.

The person that killed Ellie--

What're you tryin'?

The paper says the
landlord killed Ellie.

And the cop Brill,
killed the landlord.

'It don't say nothin'
in here about any money.'

Not a thing.

They didn't find it
at your girlfriend's.

Or the landlord's. The cops
didn't find it.

'Nobody found it.'

- 'Cause you got it.
- Aah!

[laughs]

Oh, I'm gonna have a ball
breaking you McClain.

He's not gonna be able to tell
anything if you keep that up.

Oh, I don't know.
He's a pretty strong fella.

Aren't you McClain?

I don't want you dead.

You're a real friend
Gladys. Thanks a lot.

It was your idea to stash
that money at Ellie's.

- Wasn't it?
- Hey..

...that's right. It was.

- So what?
- Gladys, maybe you've got it.

Shut up!

That mind of yours,
it never stops working, does it?

This was the biggest thing
that ever happened for me.

Don't cheat
me out of it.

'Where is it, McClain?
Please tell us.'

Don't make me watch them
do this to you.

If I was you, baby,
I'd turn my back.

Drag him over here, boys.

Oh, I had
so much for you.

Drag him over.

[screaming]

[Gladys screaming]

[dramatic music]

Put that gun down.

Damn fool, you'll have
every cop in the city here.

[tires screeching]

[steam hissing]

He comes up
to me and says..

Alright, let's get
to it, buddy.

Then he hits me right
in the mouth. See.

Know his name?

He just hauled off
and punched me. Look.

Look at the bridge
in my mouth.

Listen, that'll cost me.
Now who's gonna pay..

[phone ringing]

Come on. I didn't come
here to write a book..

Hello?

You'll have to call the
animal shelter for that, lady.

Yeah, that's right.

[phone ringing]

(male #4)
'Hello? Hello?'

'Yeah, that's right.'

[people chattering]

- Who's gonna pay for--
- Hold on there, mister.

It's okay. I know my way.

Machine crystal used
by Herbert Sutro

was found in
Ellen Kennedy's apartment.

Nothing of other significant--

Don't call a half million
dollars significant?

What in the hell do you
think you're doing?

This isn't the time
for closet games.

You've got a half million
dollars in blood-money

'and part
of it's mine''

Get out of here.

Or what? You're gonna
lock me up or something?

I want what's mine.

You listen to me, mister,
and you listen straight.

'Fly away.'

We've talked
all we have to.

No, we haven't.
You buy me or kill me, Brill.

Um-Um. Not a penny.

Hey, Walt,
help me out, will you?

I got a Spanish
speaking family over here.

- Get somebody else, will you?
- Thanks.

There are three others.
But if you make a deal with me

'you might live to spend
some of that money.'

[phone ringing]

I pay you, then I've deal with
them. That's what you want?

Don't have to give them a dime.
They don't know you have it.

'But if I walk out of here
empty pockets'

I'm gonna have to
give them a call.

How do I know you won't
call them anyway?

Because they think
I have the money.

If I was gonna set you up,
I'd do it someplace else.

'Not here in
your own backyard.'

[ringing continues]

Detective Brill.

Hello?

'Hello?'

One-sixth gives
you a chance.

Why so little?

Because I take
only what's mine.

And you don't have too much time
to make up your mind.

[dramatic music]

What the
hell's this?

You think they'll be
trying to lose us?

McClain knows
better.

They'll be running for
the rest of their lives.

They will be
anyway.

Don't turn around.
Three men.

Yeah, I know.

Names?

Only if
they hit us.

I assume they hope that
I'll panic and make my move.

You mean,
like you're making?

'Yeah, they're smarter.'

We shouldn't go to the money.
Maybe that's what they want.

AThat's what I want. It's gonna
be a fight either way.

'If we take them at the money,
it saves us a trip.'

Now, look.
Whatever happens

don't hurt Brill until
we find out where the money is.

Get McClain. We can
always wait out the cop.

- You understand?
- Yeah, yeah.

- You?
- Yeah.

Where are you going?

If it's gonna be a showdown.
We better find some place quiet.

You're not forgetting
the money, are you?

No.

[Clinger whistles]

I want McClain.

You take what
you can get, pally.

This ain't no game.

Names.

'The little one is Gough.
He's unpredictable.'

The white crow, that's Kifka.
And right now, he's angry.

[metal clanging]

At least they are not
trigger happy.

They really
can't afford to.

They might hurt you.

Alright, let's get
something started.

You go first.
You'll be harder to see.

You know, you're quite
an opportunist, Brill.

[gunshot]

(Clinger)
McClain.

McClain.

'McClain, we're
getting nowhere.'

'Let's talk.'

[clangs]

McClain.

About what?

Let's negotiate.

- 'He wanna make a deal.'
- 'Can we trust him?'

- 'No.'
- 'What after they're all gone''

- 'You still take only 1/6?'
- 'That's what I said.'

(Walter)
Then let's take him next.

How about it,
McClain?

Talk to the man for
awhile, will you?

'Clinger.'

Yeah?

You come up here
with me.

Just you and me.

'I'll take you
to the money.'

'We'll split it.'

I'll take care of McClain.
You pay off your boys.

You gotta give me
some kind of insurance.

Like what?

How about McClain?

'What about that,
McClain?'

[gunshot continues]

'Kifka! Kifka.'

Kifka!

Clinger, come on out.
It's all over.

Let's go.

- It's where we part company.
- The money, Brill.

You're sitting on it.
It's in the seat.

You know, you might have made,
first Detective, after all.

I intend to.

You mean you're turning
your bundle in, huh?

All but your split
and $50,000.

It might work if you can
convince the man upstairs

that I got away
with both our shares.

That's right.

If..

[announcer]
'Please do not leave
your car unattended.'

'Parking in this area
limited to three minutes.'

'Please do not leave
your car unattended.'

May I help you, sir?

That's for Flight eight.

[announcement continues]

- Thank you.
- Thanks.

Thank you.
Have a pleasant flight.

Thank you.

[dramatic music]

[female #3]
'McClain.'

[music stops]