The Secret Garden (1993) - full transcript
A young British girl born and raised in India loses her neglectful parents in an earthquake. She is returned to England to live at her uncle's estate. Her uncle is very distant due to the loss of his wife ten years before. Neglected once again, she begins exploring the estate and discovers a garden that has been locked and neglected. Aided by one of the servants' brothers, she begins restoring the garden, and eventually discovers some other secrets of the manor.
CAPTIONING MADE POSSIBLE BY WARNER BROS.
MY NAME IS MARY LENNOX.
I WAS BORN IN INDIA.
IT WAS HOT AND STRANGE
AND LONELY IN INDIA.
I DIDN'T LIKE IT.
NOBODY BUT MY SERVANT, MY AYAH,
LOOKED AFTER ME.
IT WASN'T MY FAULT!
MY PARENTS DIDN'T WANT ME.
MY MOTHER CARED ONLY TO GO TO PARTIES,
AND MY FATHER WAS BUSY WITH HIS MILITARY DUTIES.
I WAS NEVER ALLOWED TO GO TO THE PARTIES.
I WATCHED THEM FROM MY MOTHER'S BEDROOM WINDOW.
I WAS ANGRY, BUT I NEVER CRIED.
I DIDN'T KNOW HOW TO CRY.
LOOK, ROWAN, THE MAHARAJAH!
THE MAHARAJAH.
[WOMAN LAUGHS]
[MAN LAUGHS]
I LEFT MY FAN IN HERE.
YOU DIDN'T HAVE TO FOLLOW ME.
BUT I WANTED TO.
MY PARENTS ALWAYS THOUGHT ABOUT THEMSELVES.
THEY NEVER THOUGHT ABOUT ME.
IF ONLY I COULD'VE KNOWN
THAT IN A FEW MOMENTS I WOULD LOSE THEM FOREVER...
[MAN SHOUTS]
[WOMAN SCREAMS]
Man: EARTHQUAKE!
EARTHQUAKE!
AAH!
[ELEPHANT BELLOWING]
[SHIP'S HORN BLOWING]
THE FAMILIES OF THE INDIAN EARTHQUAKE ORPHANS
SHOULD PLEASE GO TO DOCK NUMBER 2.
WE'RE HERE, MARY. CAN YOU BELIEVE IT?
SHE'S SO SOUR.
I HEARD THAT SHE NEVER CRIED
WHEN HER PARENTS DIED.
♪ MISTRESS MARY, QUITE CONTRARY ♪
Man: "37, ROBERT PICKFORD.
"NUMBERS 38 AND 39,
"GEORGE AND AMY BRENT.
"NUMBERS 40 AND 41,
TIMOTHY AND THOMAS BURKE."
HERE WE ARE.
HERE WE ARE!
OH, MY BOYS.
MY BOYS.
"NUMBER 42, DELILAH CRENSHAW."
DARLING.
"NUMBER 43, MARY LENNOX."
♪ MARY, MARY, QUITE CONTRARY ♪
♪ HOW DOES YOUR GARDEN GROW? ♪
♪ WITH SILVER BELLS ♪
♪ AND COCKLESHELLS ♪
♪ AND PRETTY MAIDS ALL IN A ROW ♪
[CHILDREN LAUGH]
NUMBER 43,
MARY LENNOX.
HA HA HA!
HA HA HA!
PLEASE, JUST STEP ASIDE.
HA HA HA!
HA HA HA!
"NUMBER 44, ADAM SNOW."
OH, ADAM.
HELLO.
"NUMBERS 47 AND 48,
LINDSEY FISHER AND SARAH TWICK."
MARY LENNOX?
IS THAT MARY LENNOX?
NUMBER 43...
YES. MARY LENNOX.
I'VE COME TO CLAIM HER.
I'M MRS. MEDLOCK,
HOUSEKEEPER AT MISTLETHWAIT MANOR
FOR LORD ARCHIBALD CRAVEN,
HER UNCLE AND GUARDIAN.
WHAT A QUEER, UNRESPONSIVE LITTLE THING,
AND, MY WORD, A PLAIN PIECE OF GOODS.
HER MOTHER WAS A BEAUTY.
SHE CERTAINLY DIDN'T HAND MUCH OF IT DOWN, DID SHE?
OH, SHE MIGHT IMPROVE AS SHE GETS OLDER.
CHILDREN CHANGE.
WELL, SHE'LL HAVE TO CHANGE QUITE A BIT,
AND IF YOU ASK ME, AND THERE'S NOT MUCH TO IMPROVE HER
AT MISTLETHWAIT MANOR.
COME ALONG.
IT'S A PITY FOR YOU THAT YOU HAVEN'T ANY OTHER PLACE TO GO.
YOUR UNCLE ISN'T GOING TO TROUBLE HIMSELF ABOUT YOU,
THAT'S FOR SURE AND CERTAIN.
HE NEVER TROUBLES HIMSELF ABOUT ANYBODY.
AS IF HAVING A CROOKED BACK
WEREN'T CROSS ENOUGH FOR A MAN TO BEAR,
AND THEN SHE HAD TO UP AND DIE ON HIM.
YEAH, THAT'S RIGHT.
YOUR AUNTIE'S DEAD, DIDN'T YOU KNOW?
DIDN'T YOUR MOTHER TELL YOU?
NO.
STRANGE.
NOT TELLING YOU THAT HER OWN TWIN SISTER WAS DEAD.
MY MOTHER DIDN'T HAVE THE TIME TO TELL ME STORIES.
OH, AT LAST.
THERE'S MISTLETHWAIT NOW.
YOU'LL GO STRAIGHT TO BED FOR A FEW HOURS.
BUMPING ABOUT IN THIS CARRIAGE ALL NIGHT,
YOU CAN'T HAVE GOT MUCH REST.
[DOOR OPENS]
HERE'S YOUR BREAKFAST.
BUT I'M STILL IN MY NIGHTGOWN.
YOU CAN CHANGE AFTER YOU'VE EATEN.
THERE ARE NEW CLOTHES IN THE WARDROBE.
WHO'S GOING TO DRESS ME?
YOU CAN'T DRESS YOURSELF?
OF COURSE NOT.
MY AYAH DRESSED ME.
NONSENSE.
AS OLD AS YOU ARE?
WHAT DO THEY DO WITH CHILDREN IN INDIA,
CARRY YOU AROUND IN A BASKET?
HOW DARE YOU TALK TO ME WITH SUCH DISRESPECT?
NOBODY'S GOING TO CARRY YOU
AROUND MISTLETHWAIT MANOR, MY GIRL.
WE'VE FAR TOO MUCH WORK ALREADY,
SO YOU'LL JUST HAVE TO LOOK AFTER YOURSELF.
THERE ARE NEAR A HUNDRED ROOMS HERE.
THIS ONE AND NO OTHER IS YOURS.
DON'T EXPECT TO SEE YOUR UNCLE
BECAUSE IT'S CERTAIN YOU WON'T.
YOU'RE NOT TO TOUCH ANYTHING,
AND YOU'RE NOT TO GO WANDERING AND POKING ABOUT.
[WAILING]
[CRYING]
MARTHA!
THE HOUSE SEEMED DEAD,
LIKE A SPELL HAD BEEN CAST UPON IT.
IT LOOKED JUST LIKE MY MOTHER'S ROOM.
THIS MUST'VE BEEN MY AUNT'S.
THE DRESSING TABLES WERE THE SAME.
THEY EVEN HAD TWIN IVORY ELEPHANTS.
MOTHER.
[GREENSLEEVES PLAYING]
[WAILING]
[CRYING]
OH! WHAT ARE YOU DOING?
WHAT DID I TELL YOU?
I HEARD SOMEONE CRYING.
DOGS.
NO. SOMEONE.
A PERSON CRYING.
YOU HEARD NOTHING OF THE SORT.
NOW, YOU STAY WHERE YOU ARE TOLD,
OR I'LL COME AND BOX YOUR EARS.
[KNOCK ON DOOR]
[DOOR OPENS]
GOOD AFTERNOON.
I'VE BROUGHT YOU SOMETHING TO EAT.
AND YOU HAVEN'T TOUCHED YOUR PORRIDGE.
DIDN'T YOU WANT IT?
ARE YOU MY SERVANT?
I'M MRS. MEDLOCK'S SERVANT,
AND SHE'S LORD CRAVEN'S.
BUT I'LL BE DOING THE HOUSEMAID'S WORK UP HERE
AND WAITING ON YOU A BIT.
WAITING ON ME MAKES YOU MY SERVANT THEN.
YOU ARE STRANGE.
EH, I KNOW THAT.
MRS. MEDLOCK GAVE ME THE PLACE
OUT OF KINDNESS TO ME MOTHER.
SHE SAID SHE COULD NEVER HAVE DONE IT
IF THERE WAS A GRAND MISSIS AT MISTLETHWAIT.
I'D LIKELY NEVER TO BE LET OUT OF THE KITCHENS,
AND CERTAINLY NOT UPSTAIRS.
STOP IT!
WHAT ARE YOU DOING?
I THOUGHT ALL GIRLS LIKED TO BE TICKLED.
WHAT WOULD YOU LIKE TO WEAR?
BLACK...
BLACK, OR BLACK?
ARE YOU BLIND?
THEY'RE ALL BLACK.
HA HA HA.
AND I WON'T BE LAUGHED AT, SERVANT.
MY NAME'S MARTHA.
I WON'T TICKLE YOU.
I PROMISE.
WHAT DO THEY WEAR IN INDIA?
WHEN I HEARD YOU WAS COMING FROM THERE,
I THOUGHT YOU'D BE A NATIVE.
WHAT?
YOU THOUGHT I WAS A WHAT?
YOU--YOU--
YOU DAUGHTER OF A PIG!
AAH!
YOU NEEDN'T BE LIKE THAT.
I'VE NOTHING AGAINST NATIVES.
AS MOTHER SAYS, WE'RE ALL OF US A FAMILY.
I'VE NEVER SEEN A NATIVE.
I WAS PLEASED TO THINK I WOULD.
YOU DON'T KNOW ANYTHING ABOUT ANYTHING!
NONE OF YOU! NOTHING!
PLEASE.
DON'T BE VEXED.
I DON'T KNOW ANYTHING ABOUT ANYTHING,
LIKE YOU SAID.
I'M SORRY, MISS.
I'M TOO COMMON, AND I TALK TOO MUCH.
I BEG YOUR PARDON, MISS.
I DON'T KNOW WHEN EXACTLY YOUR UNCLE WILL CALL FOR YOU.
MY UNCLE?
MRS. MEDLOCK SAID HE WOULDN'T WANT TO SEE ME.
AH, BUT HE DOES.
[DOOR OPENS]
OH. YOUR UNCLE'S DECIDED NOT TO SEE YOU TODAY.
WHEN WILL I SEE HIM?
TOMORROW?
OH, NO.
HE'LL BE GONE TOMORROW.
[DOOR SHUTS]
Martha: AFTER THE MISTRESS DIED 10 YEARS AGO,
LORD CRAVEN WOULDN'T SEE PEOPLE.
THERE WAS NOBODY TO EASE HIS SORROW.
HE SPENDS MOST OF HIS TIME AWAY FROM HOME NOW.
POOR MAN.
THEY SAY HE'S CURSED.
BETTER PUT YOUR SWEATER ON.
IT'S COLD OUTSIDE.
BUT I'VE GOT NO ONE TO PLAY WITH.
NO ONE TO PLAY WITH.
LET ME OUT OF HERE.
YOU KNOW, DICKON, MY BROTHER...
[BELL RINGS]
GOES OFF ON THE MOOR BY HIMSELF FOR HOURS.
THAT'S HOW HE MADE FRIENDS WITH ALL HIS ANIMALS.
WHO?
DICKON.
ME YOUNGER BROTHER.
PULL IT DOWN.
YOU'VE NO IDEA HOW CURIOUS HE IS ABOUT YOU.
WHAT DO YOU THINK YOU ARE DOING?
OH, THERE YOU ARE, MISS MARY.
I WONDERED WHERE YOU'D GONE.
WHAT DO YOU MEAN?
YOU KNEW PERFECTLY WELL WHERE I WAS.
YOUR SCARF, MISS?
THERE.
THOU'S READY TO GO OUT NOW.
I CAN'T SEE.
TO GET TO THE GARDENS,
YOU MUST GO THROUGH THERE,
THEN AROUND THE OUTSIDE OF THE HOUSE.
RUN ALONG NOW AND HAVE FUN.
[WIND CHIMES JINGLE]
[CHIRPING]
WHAT'S BEYOND THERE?
ANOTHER GARDEN?
[CHIRPING]
WHERE'S THE DOOR?
[CHIRPING]
HEY!
HEY!
YOU THERE!
WHERE'S THE DOOR TO THAT OTHER GARDEN?
WHAT?
THE ONE WITH ALL THE IVY.
I DIDN'T SEE A DOOR.
THERE ISN'T ONE.
THERE HAS TO BE A DOOR SOMEWHERE.
NO ONE'S BEEN INSIDE THAT PLACE FOR 10 YEARS.
WHY?
WHY?
WHY? BECAUSE WHEN SHE DIED,
MASTER GAVE ORDERS TO SHUT IT UP FOREVER.
WHO DIED?
[CHIRP]
[WHISTLING]
WHEN MY AUNT DIED?
IT WAS HER GARDEN, WASN'T IT?
[WHISTLING]
LOOK AT ME.
[WHISTLING]
ANSWER ME, YOU!
IT'S REVOLTING THE WAY THESE PEOPLE BEHAVE TOWARD ME.
[WHISTLING]
'COURSE, ORDERS COULDN'T KEEP HIM OUT.
HE'S THE ONLY ONE GOES IN THERE NOWADAYS.
IF YOU KNOW THE WAY...
SHOW ME.
HA HA.
HEY!
HA HA HA.
HEY!
WHO'S THERE?
HEY!
BECAUSE HE HATES IT.
BUT WHY DOES LORD CRAVEN HATE HER GARDEN?
WE'RE NOT SUPPOSED TO TALK ABOUT IT.
WHY NOT?
I'VE GOT A PRESENT FOR YOU.
MOTHER SENT IT OVER TO YOU.
WHAT'S IT FOR?
YOU MEAN FOR ALL THEY'VE GOT ELEPHANTS AND TIGERS IN INDIA,
THEY'VE NOT GOT SKIPPING ROPES?
COME HERE.
WATCH.
NOW YOU TRY.
THANK YOU, MARTHA.
THANK YOUR MOTHER.
YOU ARE STRANGE.
IF YOU HAD BEEN ANY OTHER CHILD,
YOU'D HAVE GIVEN ME A KISS.
DO YOU WANT ME TO KISS YOU?
WHAT'S THAT?
GO ON THERE, MISS MARY.
[BELL RINGING]
GO. GO.
I'VE NEVER SKIPPED BEFORE.
WELL, HE'S IMPRESSED.
CHEEKY LITTLE BEGGAR.
LOOK AT HIM.
WHAT ABOUT HIM?
WELL, I CAN'T THINK WHY, BUT...
HE'S DECIDED TO MAKE FRIENDS WITH THEE.
[CHIRPING]
HE HAS?
I'VE NEVER HAD ANY FRIENDS.
THAT I BELIEVE.
SHOW ME.
PLEASE. SHOW ME THE WAY IN.
THANK YOU, ROBIN.
[CHIRPING]
[GREENSLEEVES PLAYING]
MARTHA!
MARTHA!
I NEED MORE PLA--
MARTHA!
MARTHA, I NEED MORE PLASTERS!
MORE TOWELS!
DID YOU SEE WHAT I FOUND, PRETTY ROBIN?
YOU'RE GETTING ON WELL ENOUGH WITH THAT THIS MORNING.
TASTES NICE TODAY.
[MOANING]
LISTEN.
HEAR THAT?
IT'S THE WIND.
SOMETIMES IT SOUNDS LIKE SOMEONE'S LOST
OUT IN THE MOOR...
AND CRYING.
POOR LITTLE BETTY BUTTERWORTH--
THE SCULLERY MAID.
SHE'S HAD A TOOTHACHE ALL MORNING.
[GASPS]
MARTHA, I NEED YOUR HELP.
COME ON.
GET THIS CHILD OUTSIDE AT ONCE.
COME ON, MARTHA, PLEASE.
[BIRD SQUAWKS]
OOH.
SOOT.
HE DOESN'T KNOW THEE.
YOU FRIGHTENED HIM.
I FRIGHTENED HIM?
COME.
HE WON'T HURT YOU.
HE'LL BITE ME.
HE WON'T.
BUT HE'S FILTHY AND DIRTY.
NO, HE'S SOFT.
YOU'LL LIKE IT.
[SQUAWK]
THERE.
I DID IT.
[SQUAWKING]
LIKE THAT, MISS MARY?
I KNOW YOU, TOO.
YOU'RE MARTHA'S BROTHER DICKON.
[ROBIN CHIRPING]
[CHIRPING]
THE ROBIN SAYS HE'S BEEN WAITING FOR YOU.
THE ANIMALS TELL ME ALL THEIR SECRETS.
HE WOULDN'T TELL YOU MY SECRET, WOULD HE?
ABOUT WHAT, MISS MARY?
A GARDEN.
I'VE STOLEN A GARDEN.
MAYBE IT'S DEAD ANYHOW.
I DON'T KNOW.
I'D KNOW.
PROMISE YOU WON'T TELL?
PROMISE.
NOBODY?
NOT A SOUL.
IT'S A SECRET GARDEN.
SECRETS ARE SAFE WITH ME.
AND YOU'LL REALLY KNOW IF IT'S ALIVE?
OF COURSE.
WAIT HERE.
[DOOR CLANKING]
THIS GARDEN'S NOT DEAD.
IT'S AS LIVE AS YOU OR ME.
SEE?
THIS PART'S WICK.
SEE THE GREEN?
WICK?
WHAT'S WICK?
ALIVE...
FULL OF LIFE.
THERE'LL BE SO MANY ROSES IN HERE THIS SUMMER,
YOU'LL BE SICK OF THEM.
LOOK.
THERE'S A PICTURE OF MY MOTHER AND MY AUNT
SITTING HERE.
THEY SAY THAT'S HOW SHE DIED.
HOW?
FROM FALLING OFF IT.
OH.
[SWING CREAKING]
FOR THE FIRST TIME SINCE COMING FROM INDIA,
I DREAMED ABOUT MY MOTHER.
SHE WAS HERE...
IN THE GARDEN,
AND THE GARDEN WAS A JUNGLE.
Mary's mother: COME TO ME, DAUGHTER.
MARY... [ECHOING]
COME TO ME, MARY.
[CRYING]
MOMMY...
MOMMY, DON'T GO.
[CRYING]
MOMMY...
[CRYING]
[CRYING]
[CRYING]
ARE YOU A GHOST?
NO.
ARE YOU?
WHO ARE YOU?
WHAT ARE YOU DOING HERE?
I LIVE HERE.
WHO ARE YOU?
I'M MASTER OF THIS HOUSE
WHILE MY FATHER'S AWAY.
YOUR FATHER?
HE'S MY UNCLE.
NOBODY TOLD ME HE HAD A SON.
COME HERE.
[INHALES]
WHAT'S YOUR NAME?
I'M MARY LENNOX.
WHAT'S YOUR NAME?
I'M COLIN CRAVEN.
OUR MOTHERS WERE SISTERS. TWINS.
TWINS?
NOBODY TOLD ME SHE HAD A TWIN.
WHY WERE YOU CRYING?
I CAN'T SLEEP.
PLUMP MY PILLOWS FOR ME,
COUSIN MARY.
WHAT?
MY PILLOWS.
MY COVERS GOT ALL TWISTED.
WELL, I DON'T KNOW WHAT TO DO ABOUT IT.
I'LL GET MARTHA... OR MRS. MEDLOCK.
NO!
WHY NOT?
MEDLOCK WOULDN'T ALLOW YOU IN HERE.
SHE'D BE AFRAID IT'D UPSET ME...
AND MAKE ME EVEN MORE ILL.
DO I? I'LL GO.
STOP!
STAY HERE.
HOW OLD ARE YOU?
10.
WE'RE THE SAME AGE.
WHAT'S YOUR MOTHER LIKE?
SHE'S DEAD.
MINE'S DEAD, TOO.
DO YOU SEE THAT CORD?
PULL IT.
THAT'S MY MOTHER.
MY FATHER NEVER WANTS TO SEE ME BECAUSE...
I DON'T LOOK ANYTHING LIKE HER.
BUT YOU... YOU LOOK LIKE HER.
WHY DO YOU KEEP A CURTAIN OVER HER?
SHE SMILES TOO MUCH.
SMILES TOO MUCH?
HOW CAN ANYBODY SMILE TOO MUCH?
SOMETIMES I HATE HER.
SHE DIED WHEN I WAS BORN.
BUT I THOUGHT SHE DIED IN HER GARDEN.
HER GARDEN?
WHAT GARDEN?
OH, JUST A GARDEN.
THERE ARE SO MANY OF THEM HERE.
ARE THERE?
OF COURSE. DON'T YOU EVER GO OUTSIDE?
NEVER.
WHAT'S THE MATTER WITH YOU?
I'M GOING TO DIE.
FROM WHAT?
EVERYTHING.
I'VE SPENT MY WHOLE LIFE IN THIS BED.
YOU DON'T KNOW HOW TO WALK?
YOU ARE REAL?
MY DREAMS ARE SO REAL SOMETIMES.
SHALL I PINCH YOU TO PROVE IT?
OW!
SEE?
[BELLS RINGING]
♪ ALAS, MY LOVE ♪
♪ YOU DO ME WRONG ♪
♪ TO CAST ME OFF ♪
♪ DISCOURTEOUSLY ♪
♪ AND I HAVE LOVED YOU ♪
♪ SO LONG ♪
♪ DELIGHTING IN YOUR COMPANY ♪
♪ GREENSLEEVES ♪
♪ WAS ALL MY JOY... ♪
[SHEEP BLEATS]
[BIRD SQUAWKS]
HOW DID YOU KNOW TO PULL THE WEEDS?
IT LOOKED LIKE IT WAS STRANGLING.
I DON'T EVEN KNOW WHAT IT IS.
A LILY.
IT'LL BE AN EMPRESS OF INDIA LILY.
EMPRESS OF INDIA?
THESE BULBS ARE LILIES, TOO.
WE'LL PLANT THEM ALL AROUND YOUR EMPRESS OF INDIA LILY.
SHE'LL HAVE HER OWN LADIES-IN-WAITING.
IT'S JUST LIKE THE RHYME.
♪ MISTRESS MARY, QUITE CONTRARY ♪
♪ HOW DOES YOUR GARDEN GROW? ♪
♪ WITH SILVER BELLS AND COCKLESHELLS ♪
♪ AND PRETTY MAIDS ALL IN A ROW ♪
ON THE BOAT COMING HERE,
THEY USED TO SING THAT SONG AT ME.
I WASN'T AS CONTRARY AS THEY WERE.
I MET MY COUSIN LAST NIGHT.
YOU'VE SEEN COLIN?
DID YOU KNOW ABOUT HIM?
EVERYBODY KNOWS ABOUT HIM,
BUT HARDLY ANYBODY'S SEEN HIM.
HE SAID HIS MOTHER DIED WHEN HE WAS BORN.
SHE FELL OFF THE SWING. HE WAS BORN TOO SOON.
HE'S NOT AT ALL LIKE YOU.
HIS CHEEKS ARE WHITER THAN ICE AND MARBLE.
WHITER THAN THESE LITTLE HAIRS.
THOSE ARE THE ROOTS.
SET IT IN THERE.
LET IT GROW THIS WAY, MISS MARY.
HA HA HA!
HOW VERY TIRESOME TO BE SHUT INDOORS.
IT'S FAR TOO STUFFY.
HELP! HELP!
I'M SURE I SHALL FAINT
IF I DON'T GET SOME LIGHT AND FRESH AIR.
HA HA HA!
AT LEAST WE CAN OPEN THE WINDOWS.
NO!
GET AWAY FROM THERE!
DON'T TOUCH THEM. THEY'RE NAILED SHUT.
MY LUNGS--THEY CAN'T TAKE THE SPORES.
SPORES?
THEY'RE CARRIED IN ON THE WIND.
AND WHEN YOU BREATHE THE AIR, YOU SWALLOW THEM.
THEY GET STUCK IN YOUR LUNGS.
BUT BEFORE I GOT OUT INTO THE WIND,
EVEN MY HAIR WAS SCRAWNY.
YOUR HAIR? HAIR IS DEAD.
IF HAIR IS DEAD, THEN HOW COME IT KEEPS ON GROWING,
EVEN AFTER YOU DIE?
WELL, MAYBE NOT YOUR HAIR.
BY THEN YOU MIGHT BE BALD.
DON'T BE STUPID.
I'LL BE DEAD BEFORE I'M OLD ENOUGH TO BE BALD.
I'LL GET A LUMP ON MY BACK LIKE MY FATHER.
THEN I'LL DIE.
I HATE THE WAY YOU TALK ABOUT DYING.
EVERYBODY THINKS I'LL DIE.
IF EVERYBODY THOUGHT THAT ABOUT ME,
I WOULDN'T DO IT.
HERE.
PUT THIS ON.
EVERYBODY HAS TO WEAR ONE.
MEDLOCK'S ORDERS.
BUT SHE'S NOT HERE TO SEE ME.
PUT IT ON.
IT MAKES MY FACE ITCH.
I CAN'T STAND IT.
I DIDN'T GIVE YOU ANY GERMS LAST NIGHT, DID I?
PUT ON THE MASK.
STOP TALKING TO ME AS IF YOU WERE A RAJAH
WITH EMERALDS, DIAMONDS, AND RUBIES STUCK ALL OVER YOU.
I'LL TALK TO YOU ANY WAY I PLEASE.
WHERE ARE YOU GOING?
BACK OUTSIDE TO BE WITH DICKON.
DICKON?
HE TAMES ANIMALS
LIKE THE ANIMAL CHARMERS IN INDIA.
AND HE KNOWS EVERYTHING THERE IS TO KNOW ABOUT GARDENS.
DOES HE KNOW ABOUT MY MOTHER'S GARDEN?
WHAT?
YOU TOLD ME MY MOTHER HAD A GARDEN.
HOW WOULD HE KNOW ABOUT IT?
IT'S LOCKED. NO ONE'S ALLOWED IN THERE.
WELL, I CAN MAKE THEM UNLOCK IT.
NO! DON'T DO THAT!
WHY NOT?
IF YOU MAKE THEM OPEN THE DOOR LIKE THAT,
IF EVERYONE KNOWS,
IT WOULDN'T BE A SECRET ANYMORE.
DON'T YOU SEE HOW MUCH BETTER IT IS IF IT'S A SECRET?
YOU HAVE TO.
MAYBE YOU CAN'T EVEN KEEP A SECRET.
MEDLOCK!
[FOOTSTEPS]
[DOOR SHUTS]
WELL, MASTER COLIN,
WE'VE BROUGHT THE MACHINE FOR YOUR LEGS.
I DON'T WANT IT.
OH, NOW, DON'T BE LIKE THAT.
YOU KNOW HOW IMPORTANT IT IS FOR YOUR CIRCULATION.
OHH.
THERE.
WE'VE GOT SOME NICE FRESH FLANNELS, TOO.
AHEM.
[TAPPING]
YOUR FATHER RETURNS TODAY.
HE WON'T WANT TO SEE ME.
PERHAPS HE WILL.
[TAPPING SLOWS DOWN]
MARTHA...
THE MACHINE. THE MACHINE.
WAKE UP, GIRL.
[TAPPING RESUMES SPEED]
OH, I FORGOT MY HERBS.
I'LL GET THEM FOR YOU, MA'AM.
NO, THANK YOU.
LAST TIME YOU BROUGHT TOO MANY ROOTS AND ALMOST NO LEAVES.
WHAT ARE YOU DOING DOWN THERE, MISS MARY?
WHERE'S YOUR MASK?
IF MRS. MEDLOCK FINDS OUT...
OH, THE WORLD'S COMING TO AN END.
SHE'LL NEVER LET YOU COME BACK HERE.
BUT YOU'RE MASTER UNTIL YOUR FATHER GETS HOME, AREN'T YOU?
YOU CAN MAKE HER--
GO!
JUST GO!
SHE'LL THINK I DISOBEYED HER.
SHE'LL FIRE ME FOR SURE.
PLEASE.
GO.
HIS LORDSHIP'S ARRIVED!
HE'S HERE!
[DOOR SHUTS]
[PEOPLE MUTTERING]
[DOGS GROWLING]
CAN'T YOU KEEP THEM DOGS TOGETHER?
[GROWLING]
COME ALONG, MISS MARY.
COME ALONG.
MISS MARY, YOUR LORDSHIP.
[GRRR]
[DOG BARKS]
CALM DOWN.
COME HERE.
YOU NEEDN'T BE AFRAID.
COME HERE.
OH, MY GOD.
YOUR EYES!
THEY'RE SO MUCH LIKE...
I'D NO IDEA.
WAIT A MOMENT.
THEY NEVER SENT ME YOUR PICTURE.
MY MOTHER DIDN'T HAVE THE TIME TO GET MY PICTURE TAKEN.
MEDLOCK WANTS ME TO SEND YOU
TO SOME SORT OF BOARDING SCHOOL.
NO.
PLEASE...LET ME STAY.
I DON'T DO ANY HARM.
HARM...
WHAT HARM COULD YOU DO?
THERE'S NOTHING FOR A CHILD HERE.
I DON'T NEED MUCH.
ALL I NEED IS...
COULD I...
COULD I HAVE A BIT OF EARTH?
BIT OF EARTH?
TO PLANT SEEDS IN,
TO MAKE THINGS GROW.
TAKE YOUR BIT OF EARTH...
BUT DON'T BE FOOLISH ENOUGH TO EXPECT
ANYTHING TO COME OF IT.
MAY I TAKE IT FROM ANYWHERE,
SO LONG AS IT'S NOT WANTED?
ANYWHERE!
WELL...GO, GO. YOU CAN GO.
[RINGS BELL]
GOODBYE. GOODBYE.
I SHALL BE AWAY UNTIL THE WINTER.
DICKON! DICKON! HE SAID I CAN!
I CAN HAVE MY BIT OF EARTH!
WHO SAID?
MY UNCLE! I ASKED HIM. HE SAID YES.
I CAN PLANT SEEDS ANYWHERE I LIKE.
BLUE FLOWERS, PINK FLOWERS, PURPLE FLOWERS, YELLOW FLOWERS,
CORNFLOWERS, FOXGLOVES, ANY KIND WE WANT.
IT'S RAINING.
THE RAIN WILL HELP OUR FLOWERS GROW.
IN INDIA WHEN IT RAINED,
MY AYAH WOULD TELL ME STORIES.
IN ONE OF THE STORIES, THERE WAS EVEN A GOD
WHO SORT OF REMINDS ME OF YOU.
WHEN HE WAS GROWING UP,
HE HAD TO BE KEPT A SECRET
SO NO ONE WOULD SEE HIM OR KNOW WHERE HE WAS.
REALLY?
WHY?
'CAUSE HIS UNCLE WANTED TO KILL HIM.
THE UNCLE HAD A DREAM
THAT THE YOUNG GOD WOULD TAKE OVER HEAVEN.
WHERE DID HE HIDE?
HE LIVED WITH SOME COWS.
HA HA HA HA!
WAS HE DIFFERENT FROM OTHER PEOPLE?
ONLY ON THE INSIDE.
WHEN YOU LOOKED DOWN HIS THROAT,
YOU COULD SEE THE WHOLE UNIVERSE THERE.
THE WHOLE UNIVERSE COULDN'T FIT DOWN ANYBODY'S THROAT.
DOWN HIS, IT COULD.
HOW?
THAT WOULD MEAN HE'D HAVE TO BE BIGGER
THAN THE WHOLE UNIVERSE
TO FIT THE UNIVERSE DOWN HIS THROAT,
AND YOU SAID HE LOOKED LIKE EVERYBODY ELSE ON THE OUTSIDE.
THAT'S RIGHT. IT'S INSIDE THAT HE WAS DIFFERENT.
IT DOESN'T MAKE SENSE.
IT DOESN'T HAVE TO MAKE SENSE.
IT'S THE IDEA OF IT.
THAT'S SO STUPID.
NO, IT'S NOT. IT'S MAGIC.
YOU CAN'T REALLY BE THAT STUPID.
I AM NOT STUPID!
YOU JUST DON'T UNDERSTAND. YOU DON'T WANT TO!
YOU CAN'T LEAVE. YOU WOULDN'T DARE!
OH, WOULDN'T I?
I'LL HAVE THEM DRAG YOU BACK IN!
WILL YOU, MR. RAJAH?
FINE! THAT'S JUST FINE.
THEN I WON'T EVEN LOOK AT YOU.
I'LL STARE AT THE FLOOR.
I'LL CLENCH MY TEETH TOGETHER
AND NEVER TELL YOU ONE THING,
NOT EVEN ABOUT SEEING YOUR FATHER.
YES, YOU WILL.
TELL ME.
HE DIDN'T COME TO SEE ME.
I'LL DIE BECAUSE HE DOESN'T LIKE ME.
WELL, HE LIKES ME.
BUT HE'S MY FATHER.
MAYBE IF YOU WEREN'T ALWAYS SO RUDE.
I'M NOT RUDE!
YES, YOU ARE. YOU'RE SO SOUR.
YOU WON'T EVEN OPEN YOUR WINDOWS
AND LET THE SUN SHINE INTO YOUR ROOM.
HOW CAN I? IT'S RAINING OUT.
EVEN IF IT WEREN'T RAINING.
WELL, IT IT WEREN'T RAINING, MAYBE I WOULD.
YOU NEVER HAVE.
WHY DOES THAT MEAN I NEVER WOULD?
I'M NOT SOUR!
WILL HE EVER SEE COLIN?
HE'S AFRAID TO FALL IN LOVE WITH HIM.
HE'S AFRAID TO LOVE HIS SON?
SOMETIMES WHEN HE'S HERE,
HE STAYS ALONE FOR A WEEK.
BUT COLIN WANTS TO SEE HIM.
SOMETIMES HE STAYS LONGER.
LONGER THAN A WEEK?
10 YEARS AGO, WHEN HIS WIFE DIED,
HE LOCKED HIMSELF IN FOR OVER A MONTH.
COLIN WAS SUCH A WEAK BABY.
EVERYONE THOUGHT HE'D DIE,
AND HIS FATHER COULDN'T BEAR LOSING HIM, TOO.
HE'D SUFFERED SO MUCH ALREADY.
COLIN?
MY POOR LITTLE BOY.
MMM.
[WHIP CRACKS]
THAT WAS THE NIGHT THE RAIN STOPPED,
THE NIGHT SPRING CAME TO MISTLETHWAIT.
MY POOR UNCLE FLED FROM IT,
AS IF HE WERE ESCAPING THIS SPRING.
[WOOD CREAKING] Dickon: MEDLOCK'S GONE!
IT'S WORKING... ANY MINUTE NOW.
HOLD, DICKON!
HOLD! IT'S WORKING!
COME DOWN, MARY. WE NEED A HAND.
IT'S BEAUTIFUL, COLIN!
DO YOU FEEL IT?
DO YOU?
I'M COMING!
MARY...
MARY...
WHAT ABOUT THE SPORES?
CAN YOU SEE THEM?
MARY!
MARY!
MARY!
OOH!
AAH!
AAH!
NO! NO! NO! NO!
JESUS!
LEM, COME AND HELP ME, PLEASE!
SHH!
NO! NO! NO!
PUT HIM ON THE BED.
NO! NO!
OH, NO! NO! NO!
NO! NO!
[SCREAMING]
CALM YOURSELF, MASTER COLIN.
PLEASE JUST CALM DOWN!
CALM DOWN!
GO AND SEE IF MRS. MEDLOCK'S BACK.
SHH!
CALM DOWN.
CALM DOWN.
PLEASE!
GOD!
MISS MARY, PLEASE, DON'T GO IN THERE NOW.
HE'S HAVING A DREADFUL FIT.
LORD KNOWS WHAT HE'LL DO.
I DON'T CARE!
HE'S SO SPOILED! HE'S GOT TO BE STOPPED!
SOMEBODY'S GOT TO MAKE HIM STOP!
[SCREAMING]
STOP IT, YOU, STOP!
I HATE YOU! EVERYBODY HATES YOU!
YOU'RE SO SELFISH!
YOU'RE THE MOST SELFISH BOY THERE EVER WAS!
I'M NOT AS SELFISH AS YOU ARE!
JUST BECAUSE I'M ALWAYS ILL--
NOBODY ILL COULD SCREAM LIKE THAT!
I'M GOING TO DIE!
WHAT DO YOU KNOW ABOUT DYING?
MY MOTHER DIED!
BOTH MY PARENTS DIED!
I'VE GOT A LUMP ON MY BACK!
I'LL GET A LUMP LIKE MY FATHER!
[SCREAMING]
MRS. MEDLOCK, IT'S MASTER COLIN!
IT'S MASTER COLIN!
OH, COME QUICKLY, JOHN.
OH, COME QUICKLY.
OH, THE MOMENT I TURN MY BACK...
THERE'S NOTHING BUT YOUR BONES STICKING OUT.
IT'S BECAUSE YOU'RE SO SKINNY!
WHAT IN GOD'S NAME?!
GET AWAY FROM HIM, YOU BEASTLY GIRL!
YOU'LL KILL HIM!
I WON'T HURT HIM!
NO! SHE'S MY COUSIN!
JOHN, GIVE ME A HAND. WILL, GIVE ME A HAND.
HOLD HIS ARMS UP!
MARTHA, STOP THAT GIRL!
MARTHA, HE DOESN'T HAVE A LUMP, NOT ONE!
YOU LET THAT WRETCHED GIRL IN HERE!
NO, MA'AM!
[GASPS]
YOU DISOBEYED ME!
YOU ARE DONE FOR! YOU CAN HIE YOURSELF HOME!
NO!
BUT I DI-- I DIDN'T TELL HIM!
WHAT IS GOING ON HERE?
I'LL SEND YOU AWAY IF YOU EVEN DARE THINK OF MAKING HER GO!
NOW GET OUT OF HERE, MEDLOCK!
I WANT TO BE ALONE WITH MY COUSIN!
I BEG YOUR PARDON?
I'M ORDERING YOU TO LEAVE THIS ROOM!
ORDERING ME?
YES!
GO!
I SHALL...
IF ONLY TO PREVENT YOU FROM HARMING YOURSELF
WITH THIS... HYSTERICAL SHRIEKING.
BUT I PROMISE YOU...
Colin: MAYBE I'M NOT ILL.
I DON'T SEE HOW.
YOU'RE JUST WEAK.
DO YOU THINK I COULD GO OUTSIDE,
SPORES AND ALL?
I DON'T KNOW ANYTHING ABOUT SPORES.
IF I WENT OUT...
MAYBE WE COULD FIND THE DOOR TO MY MOTHER'S GARDEN.
IF WE FOUND THE DOOR...
WE COULD GO INSIDE.
WHAT IS IT?
I DIDN'T DARE TELL YOU.
I DIDN'T BECAUSE I WAS SO AFRAID I COULDN'T TRUST YOU...
FOR SURE.
WHAT?
I'VE BEEN IN THE SECRET GARDEN.
I FOUND THE KEY WEEKS AGO.
GO ON. TELL ME.
WHEN YOU OPEN THE DOOR,
YOU CAN'T SEE ANYTHING.
THEN YOU GO DOWN SOME STONE STEPS.
BY THE TIME YOU REACH THE BOTTOM,
YOU'RE SURROUNDED BY FLOWERS.
EVERY DAY NEW FLOWERS OPEN.
IT'S LIKE MAGIC.
BABY ANIMALS ARE BEING BORN.
I AM GOING OUT IN MY CHAIR!
IF THE FRESH AIR AGREES WITH ME,
I MAY GO OUT EVERY DAY.
OH, NO.
NOT EVERY DAY, SURELY, MASTER COLIN.
WHEN I GO, NOBODY IS TO BE ANYWHERE NEAR.
NONE OF THE STAFF, NOT A SINGLE GARDENER.
IS THAT CLEAR?
YES, SIR. VERY CLEAR, SIR.
WHAT DO YOU SAY IN INDIA
WHEN YOU WANT PEOPLE TO GO?
YOU SAY... "I HAVE SPOKEN.
ALL DEPART."
I HAVE SPOKEN. ALL DEPART.
[FOOTSTEPS]
[CROW CAWS] BUT REMEMBER...
THIS IS VERY IMPORTANT.
STEP BACK, STEP BACK.
YOU ARE TO STAY HERE, MEDLOCK.
OH, BUT, MASTER COLIN--
STAY HERE!
JUST TAKE THESE STUPID THINGS OFF!
WHAT GOOD ARE THEY NOW?
GET INSIDE.
ARE THESE YOUR ANIMALS?
YEAH.
IT'S SAFE NOW.
THEN GO FASTER, DICKON, FASTER, FASTER!
GO FASTER, DICKON, FASTER.
FASTER.
FASTER!
COME ON, FASTER.
FASTER!
HERE WE GO.
YES.
[GOOSE HONKS]
Mary: GO ALONG, HONKER.
WISH I COULD HELP.
DON'T WORRY. WE'LL HAVE YOU WALKING WITH US
BEFORE YOU KNOW IT.
ME? WALK?
DO YOU THINK I COULD?
WELL, YOU HAVE LEGS LIKE EVERYBODY ELSE, DON'T YOU?
YES, BUT I NEVER THOUGHT I--
CLOSE YOUR EYES, COLIN.
AM I THERE?
ALMOST.
NOW.
YES.
I IMAGINED THIS.
THE POND WAS ALL CLOGGED WHEN WE FIRST CAME HERE.
REALLY?
HA HA! HEH HEH!
OH!
YOU SEE THAT FLOWER?
THAT'S A CORNFLOWER.
UP THERE'S A ROBIN'S NEST.
AHA!
THAT'S WHERE I FOUND THE EMPRESS OF INDIA,
AND I PLANTED ALL THOSE BULBS AND SEEDS.
I'M GOING TO COME HERE TOMORROW...
AND THE DAY AFTER...
AND THE DAY AFTER THAT.
SEE?
YOU HAVE TO PULL THE WEEDS UP
TO GIVE THE FLOWERS ROOM.
GET OFF.
UGH.
IT'S ONLY A LITTLE WORM.
EWW!
NOT "EWW"...
MMM.
SEE? HE LIKES THEM, TOO.
HA HA HA HA!
WHO'S THAT MAN?
WHAT ARE YOU DOING IN HERE?
HOW DID YOU GET IN? YOU AWFUL LITTLE BUSYBODY!
I COULD NOT BEAR YOU THE FIRST TIME I SET EYES ON YOU.
IT WAS THE ROBIN WHO SHOWED ME THE DOOR.
DO YOU KNOW WHO I AM?
WHO YOU--WHO YOU ARE?
YOU'RE THE LITTLE CRIPPLE.
IF HE'S GOT A LUMP, IT'S THE SIZE OF A PIN!
YOUR BACK IS NOT CROOKED?
NO!
AND YOU HAVEN'T GOT CROOKED LEGS?
WHO SAID I HAD CROOKED LEGS?
NOBODY EVER SAID THAT.
YOU CAN DO IT.
YOU CAN DO IT.
YOU CAN DO IT.
LOOK AT ME.
JUST LOOK, YOU!
OH...
WE DIDN'T WANT YOU, BUT NOW YOU'RE HERE.
DON'T DARE SAY A WORD ABOUT IT TO ANYONE!
SEND FOR YOU TO HELP US IN HERE SOMETIMES.
I COME HERE BEFORE WHEN NO ONE SAW ME.
YOUR MOTHER...WAS SO FOND OF THIS GARDEN.
SH-SHE WOULD ASK ME IN TO LOOK AFTER HER ROSES.
SHE'D NEVER ASK ANYBODY ELSE.
WHEN SHE WENT AWAY,
ORDERS WERE NO ONE WERE TO COME HERE.
I COME ANYWAY. SHE GAVE HER ORDERS FIRST!
YOU KNOW HOW TO KEEP A SECRET.
COME INSIDE. BE QUICK.
OH, LADDIE.
YES, SIR. RIGHT AWAY, SIR.
I'LL GO MEET HIM AT THE DOOR.
ARE YOU MAKING THIS MAGIC?
NO.
YOU ARE.
IT'S LIKE THE STORY. THE WHOLE UNIVERSE IS IN HERE.
I'M CERTAIN IT IS.
THAT MEANS I COULD MARRY YOU.
WHAT? BUT WE'RE COUSINS.
I DON'T CARE.
I WANT US ALWAYS TO BE TOGETHER.
WE ARE TOGETHER.
[MEW MEW]
[BAA]
SPECKLES! BILLY! BILLY, COME BACK!
SEE YOU TOMORROW, THEN.
I'LL BE BACK TOMORROW.
[BAA]
WHAT'S HE DOING?
[BAA]
WHO DOES HE WANT?
[BAA]
HE LOST HIS MOTHER.
HE'S HUNGRY.
HE'S ONLY A FEW DAYS OLD, YOU KNOW.
HE JUST LEARNED HOW TO WALK.
[BAA]
YOU CAN HOLD HIM IF YOU LIKE.
BE CAREFUL, MASTER COLIN.
[BAA]
WHERE DID HE COME FROM, DICKON?
3 DAYS AGO...
I WAS OUT ON THE MOOR.
I HEARD A BLEATING FAR OFF AMONG THE GORSE BUSHES.
SO I STARTED TO LOOK...
AND TO LOOK AND TO LOOK...
AND AT LAST I SEEN A BIT OF GRAY BY A ROCK.
SO I CLIMBED UP, AND THERE WAS THE LITTLE 'UN.
[BAA]
OFF YOU GO.
GO ON, GO ON.
[BAA]
[BAA]
GIVE ME YOUR HAND, DICKON.
YOU CAN DO IT.
YOU CAN DO IT.
YOU CAN DO IT.
YOU CAN DO IT.
[BAA]
YEAH! YEAH! YOU DID IT!
I DID IT! MARY, DICKON, I DID IT!
I DID IT!
[LAUGHTER]
[BAA]
[BAA]
I DID IT!
[LAUGHTER]
[DOOR OPENS]
ARE YOU A GHOST?
IT'S ME!
COLIN?
SHH.
MEDLOCK MIGHT HEAR YOU.
THEN WE WOULDN'T HAVE TO WORRY ABOUT HER ANYMORE.
SHE'D DROP DEAD AT THE SIGHT OF YOU WALKING.
SHUSH.
HOW DID YOU GET UP HERE?
I FOUND THE WAY BY MYSELF.
YOU CLIMBED THE STAIRS?
THIS IS JUST HOW I WANT IT TO BE WITH MY FATHER.
I WANT TO SURPRISE HIM JUST LIKE THIS.
I WANT HIM TO SEE ME BEFORE ANYONE ELSE DOES.
I WISH WE KNEW HOW WE COULD FIND HIM.
MEDLOCK MUST KNOW.
WE CAN STEAL THE ADDRESS FROM HER.
I'LL HAVE A FIT, AND WHEN SHE COMES RUNNING,
YOU CAN SAY--
I SAW A DESK IN YOUR FATHER'S ROOM.
IT HAD LOTS PAPERS ON IT. MAYBE IT'S THERE.
I LOOKED, AND I COULDN'T FIND THE ADDRESS.
BUT I DISCOVERED ANOTHER OF MY UNCLE'S SECRETS.
[GROWLING]
THERE'S ANOTHER ONE.
HERE.
THAT'S MY MOTHER THERE.
I THINK THAT-- I THINK THAT'S MY FATHER.
THAT'S ME, I THINK.
I THINK SHE'S BEAUTIFUL.
[GIGGLING]
Colin: ATTENTION!
OVER HERE.
SMILE.
SIT ON THE SWING, DICKON.
LOOK AT EACH OTHER.
NOW LOOK AT ME.
HEY.
HEY!
HEY!
HA HA HA!
COME ON, DICKON!
OVER HERE.
MARY, YOUR HEART.
YOUR HEART, MARY.
BILLY, BILLY, BILLY. COME ON, BILLY.
STOP ALL THIS. I AM WELL.
WHY DON'T YOU WRITE MY FATHER
AND TELL HIM TO COME BACK?
BECAUSE I DO NOT BELIEVE YOU ARE WELL.
YOUR PULSE IS MUCH TOO QUICK.
AND THERE'S A DEFINITE SIGN OF FEVER IN YOUR EYE.
JOHN, BRING THAT ICE.
NO!
DESPITE WHAT YOU AND YOUR COUSIN MAY THINK,
YOU ARE STILL UNDER MY CARE.
YOUR FATHER TRUSTS ME TO DO WHAT IS BEST FOR YOU,
AND THAT IS PRECISELY WHAT I INTEND TO DO.
OH! GOD, LOOK AT YOUR LEGS.
THEY'RE ALL SWOLLEN AND RED.
COME ON, WILL.
[GASPING]
IF I'M SO SICK, YOU OUGHT TO SEND FOR MY FATHER.
NOW, YOU ARE TO STAY IN BED.
YOU ARE NOT TO GO INTO THE GARDENS.
GIVE ME THE ADDRESS, AND I'LL WRITE TO HIM MYSELF.
YOU'LL DO NO SUCH THING.
GIVE IT TO ME.
I'VE HAD ENOUGH.
BETWEEN THAT WRETCHED GIRL AND THE DANGERS OF THE FRESH AIR,
HEAVEN KNOWS WHAT'S HAPPENED TO YOU.
YOU COULD BE CLOTTING.
SHE PROBABLY TURNED YOUR CHAIR OVER.
I WON'T STAND FOR IT, NOT ANYMORE.
I WON'T STAND FOR ANY OF IT.
COME ON, JOHN.
OH, I'M KEEPING YOU CHILDREN APART.
HE IS A VERY ILL LITTLE BOY.
I'VE WORKED TOO HARD AND TOO LONG TO KEEP HIM ALIVE
TO HAVE HIM KILLED
BY ONE PIGHEADED, MEDDLESOME LITTLE GIRL LIKE YOU.
COME ON, COLIN.
IT'S SAFE.
EVERYBODY'S GONE.
BEN'S WAITING AT THE GATE.
[FLUTE PLAYING]
THANK YOU, BEN.
WE'RE MAKING MAGIC HERE.
WHEN I GROW UP, I'M GOING TO MAKE GREAT DISCOVERIES,
AND THIS IS MY FIRST EXPERIMENT.
AYE, SIR.
[CHANTING] AH ALLA GOYA
HOCH HOPI HIYATA
AL HEA GOYA
HOYGOY HIYATA GO...
All: ALLA GOYA
HOCH HOPI HIYATA
AL YEAGOYA
HOYGOY HIYATA
OH ALLA GOYA
HOCH HOPI HIYATA
AL HEAGOYA
HOYGOY HIYATA...
[CHANTING LOUDER]
OH, GREAT MAGIC, PLEASE COME TO ME.
SEND ME MY FATHER HERE,
SET HIS SPIRIT FREE!
OH, GREAT MAGIC, PLEASE COME TO ME.
SEND ME MY FATHER HERE,
SET HIS SPIRIT FREE!
OH, GREAT MAGIC, PLEASE COME TO ME.
SEND ME MY FATHER HERE,
SET HIS SPIRIT FREE!
OH, GREAT MAGIC, PLEASE COME TO ME.
SEND ME MY FATHER HERE,
SET HIS SPIRIT FREE!
GO!
ARCHIE!
ARCHIE!
ARCHIE!
LILIAS!
LILIAS!
LILIAS!
WHERE ARE YOU?
IN THE GARDEN.
I'M IN THE GARDEN.
IN THE GARDEN.
I'M IN THE GARDEN.
I'M IN THE GARDEN.
I'M IN THE GARDEN...
WITH COLIN...
WITH COLIN...
[BELL RINGS]
I MUST GO.
I MUST GO IMMEDIATELY.
I MUST GO TONIGHT. PREPARE MY BILL.
L'ADDITION.
MRS. MEDLOCK! MRS. MEDLOCK!
HIS LORDSHIP'S JUST ARRIVED.
HIS LORDSHIP? WHERE?
WHERE IS HE?
OUTSIDE.
GET ME OUT OF THIS THING.
WILL YOU GET ME OUT OF IT?
GET ME OUT OF IT!
OH, COME ON.
OH, YOU'RE HOME, SIR.
WE WEREN'T EXPECTING YOU.
HERE I AM. WHERE'S MY SON?
HE'S IN HIS ROOM, OF COURSE, YOUR LORDSHIP.
WOULD YOU GET BACK TO THE KITCHEN? IMPUDENT GIRL.
WHERE'S MY SON?
WELL, HE'S-- HE'S HERE, MY LORD.
H-HE MUST BE HERE.
WHAT'S HAPPENED?
IT'S THAT CHILD, MY LORD.
SHE'S CREATED ABSOLUTE HAVOC HERE.
I'VE TRIED TO CONTROL HER.
SHE MUST BE SENT AWAY, MY LORD.
SHE'LL KILL MASTER COLIN FOR SURE.
TAKE ME TO HER ROOM.
SHE HAS NO REGARD FOR HIS FRAGILE STATE OF HEALTH.
SHE DOES JUST AS SHE PLEASES.
YOU LOCK HER IN?
I'VE HAD TO, MY LORD.
THAT'S HOW WILD SHE IS.
MARY.
YOUR UNCLE'S HERE.
I BEG YOUR PARDON, MY LORD.
PERHAPS THEY'RE IN THE GARDEN.
THE GARDEN?
WELL...
I DON'T SEE HOW THEY CAN BE.
IT'S QUITE IMPOSSIBLE.
UH, I'VE DONE MY BEST, SIR.
I REALLY HAVE,
BUT WITH THAT CHILD DEFYING ME AT EVERY TURN--
SILENCE, MEDLOCK!
SHE'S JUST A CHILD.
I LEFT YOU IN CHARGE.
I'LL RESIGN, SIR.
I'LL LEAVE TODAY.
[SOBBING]
DON'T.
OH, MARTHA.
SHH.
MARTHA.
AROUND AND 'ROUND AND 'ROUND WE GO.
WHERE WE STOP, NOBODY KNOWS.
CATCH ME, COLLIE. CATCH ME.
COME AND GET ME.
WHERE ARE YOU?
[LAUGHTER]
[DOOR CREAKS]
DICKON?
I CAN'T BELIEVE IT.
YOU'RE HERE.
THE MAGIC WORKED.
COLIN...
THE GARDEN.
LET ME SHOW YOU.
[DICKON CRYING]
IT WAS MARY WHO FOUND THE KEY.
SHE OPENED THE DOOR AND WENT INSIDE.
MARY, WAIT.
NO ONE WANTS ME.
Dickon: MARY!
AND THIS IS WHERE THE ROBINS NEST.
FULL OF BABIES.
THEY'LL BE FLYING SOON.
THIS IS WHERE I WALKED FIRST.
I WAS A... A BABY MYSELF.
Colin: MARY!
MARY!
WHY ARE YOU OUT HERE BY YOURSELF?
IT WASN'T WANTED.
WHAT WASN'T WANTED?
TH-THE GARDEN.
YOU'RE RIGHT.
I NEVER WANTED TO SEE IT AGAIN.
YOU NEVER WANTED TO SEE COLIN.
YOU BROUGHT US BACK TO LIFE, MARY.
YOU DID SOMETHING I THOUGHT NO ONE COULD DO.
DON'T BE AFRAID.
I WON'T SHUT IT UP AGAIN.
BELIEVE ME.
THANK YOU.
SHALL WE CALL COLIN?
MARTHA.
MARTHA!
DICKON.
WHAT'S HAPPENING? DID YOU SEE THEM?
[GIGGLING]
OH, LOOK!
MASTER COLIN.
MASTER COLIN.
HE'S WALKING.
THE SPELL WAS BROKEN.
MY UNCLE LEARNED TO LAUGH,
AND I LEARNED TO CRY.
THE SECRET GARDEN IS ALWAYS OPEN NOW...
OPEN AND AWAKE AND ALIVE.
IF YOU LOOK THE RIGHT WAY,
YOU CAN SEE THAT THE WHOLE WORLD IS A GARDEN.
♪ HEARTS CALL ♪
♪ HEARTS FALL ♪
♪ SWALLOWED IN THE RAIN ♪
♪ WHO KNOWS? ♪
♪ LIFE GROWS ♪
♪ HOLLOW AND SERENE ♪
♪ WANDERING ♪
♪ IN THE WINTER LIGHT ♪
♪ THE WIND CAN ACT THE SAME ♪
♪ THEY'RE WITNESS ♪
♪ TO SALVATION ♪
♪ AND LIFE STARTS OVER ♪
♪ AGAIN ♪
♪ NOW THE CLEAR SKY ♪
♪ IS ALL AROUND YOU ♪
♪ ALL ♪
♪ AROUND ♪
♪ LOVE'S SHADOW WILL SURROUND YOU ♪
♪ ALL THROUGH THE NIGHT ♪
♪ STAR GLOWING IN THE TWILIGHT ♪
♪ TELL ME TRUE ♪
♪ HOPE WHISPERS, AND I WILL FOLLOW ♪
♪ TILL YOU ♪
♪ LOVE ME ♪
♪ TOO ♪
♪ AH ♪
CAPTIONING MADE POSSIBLE BY WARNER BROS.
MY NAME IS MARY LENNOX.
I WAS BORN IN INDIA.
IT WAS HOT AND STRANGE
AND LONELY IN INDIA.
I DIDN'T LIKE IT.
NOBODY BUT MY SERVANT, MY AYAH,
LOOKED AFTER ME.
IT WASN'T MY FAULT!
MY PARENTS DIDN'T WANT ME.
MY MOTHER CARED ONLY TO GO TO PARTIES,
AND MY FATHER WAS BUSY WITH HIS MILITARY DUTIES.
I WAS NEVER ALLOWED TO GO TO THE PARTIES.
I WATCHED THEM FROM MY MOTHER'S BEDROOM WINDOW.
I WAS ANGRY, BUT I NEVER CRIED.
I DIDN'T KNOW HOW TO CRY.
LOOK, ROWAN, THE MAHARAJAH!
THE MAHARAJAH.
[WOMAN LAUGHS]
[MAN LAUGHS]
I LEFT MY FAN IN HERE.
YOU DIDN'T HAVE TO FOLLOW ME.
BUT I WANTED TO.
MY PARENTS ALWAYS THOUGHT ABOUT THEMSELVES.
THEY NEVER THOUGHT ABOUT ME.
IF ONLY I COULD'VE KNOWN
THAT IN A FEW MOMENTS I WOULD LOSE THEM FOREVER...
[MAN SHOUTS]
[WOMAN SCREAMS]
Man: EARTHQUAKE!
EARTHQUAKE!
AAH!
[ELEPHANT BELLOWING]
[SHIP'S HORN BLOWING]
THE FAMILIES OF THE INDIAN EARTHQUAKE ORPHANS
SHOULD PLEASE GO TO DOCK NUMBER 2.
WE'RE HERE, MARY. CAN YOU BELIEVE IT?
SHE'S SO SOUR.
I HEARD THAT SHE NEVER CRIED
WHEN HER PARENTS DIED.
♪ MISTRESS MARY, QUITE CONTRARY ♪
Man: "37, ROBERT PICKFORD.
"NUMBERS 38 AND 39,
"GEORGE AND AMY BRENT.
"NUMBERS 40 AND 41,
TIMOTHY AND THOMAS BURKE."
HERE WE ARE.
HERE WE ARE!
OH, MY BOYS.
MY BOYS.
"NUMBER 42, DELILAH CRENSHAW."
DARLING.
"NUMBER 43, MARY LENNOX."
♪ MARY, MARY, QUITE CONTRARY ♪
♪ HOW DOES YOUR GARDEN GROW? ♪
♪ WITH SILVER BELLS ♪
♪ AND COCKLESHELLS ♪
♪ AND PRETTY MAIDS ALL IN A ROW ♪
[CHILDREN LAUGH]
NUMBER 43,
MARY LENNOX.
HA HA HA!
HA HA HA!
PLEASE, JUST STEP ASIDE.
HA HA HA!
HA HA HA!
"NUMBER 44, ADAM SNOW."
OH, ADAM.
HELLO.
"NUMBERS 47 AND 48,
LINDSEY FISHER AND SARAH TWICK."
MARY LENNOX?
IS THAT MARY LENNOX?
NUMBER 43...
YES. MARY LENNOX.
I'VE COME TO CLAIM HER.
I'M MRS. MEDLOCK,
HOUSEKEEPER AT MISTLETHWAIT MANOR
FOR LORD ARCHIBALD CRAVEN,
HER UNCLE AND GUARDIAN.
WHAT A QUEER, UNRESPONSIVE LITTLE THING,
AND, MY WORD, A PLAIN PIECE OF GOODS.
HER MOTHER WAS A BEAUTY.
SHE CERTAINLY DIDN'T HAND MUCH OF IT DOWN, DID SHE?
OH, SHE MIGHT IMPROVE AS SHE GETS OLDER.
CHILDREN CHANGE.
WELL, SHE'LL HAVE TO CHANGE QUITE A BIT,
AND IF YOU ASK ME, AND THERE'S NOT MUCH TO IMPROVE HER
AT MISTLETHWAIT MANOR.
COME ALONG.
IT'S A PITY FOR YOU THAT YOU HAVEN'T ANY OTHER PLACE TO GO.
YOUR UNCLE ISN'T GOING TO TROUBLE HIMSELF ABOUT YOU,
THAT'S FOR SURE AND CERTAIN.
HE NEVER TROUBLES HIMSELF ABOUT ANYBODY.
AS IF HAVING A CROOKED BACK
WEREN'T CROSS ENOUGH FOR A MAN TO BEAR,
AND THEN SHE HAD TO UP AND DIE ON HIM.
YEAH, THAT'S RIGHT.
YOUR AUNTIE'S DEAD, DIDN'T YOU KNOW?
DIDN'T YOUR MOTHER TELL YOU?
NO.
STRANGE.
NOT TELLING YOU THAT HER OWN TWIN SISTER WAS DEAD.
MY MOTHER DIDN'T HAVE THE TIME TO TELL ME STORIES.
OH, AT LAST.
THERE'S MISTLETHWAIT NOW.
YOU'LL GO STRAIGHT TO BED FOR A FEW HOURS.
BUMPING ABOUT IN THIS CARRIAGE ALL NIGHT,
YOU CAN'T HAVE GOT MUCH REST.
[DOOR OPENS]
HERE'S YOUR BREAKFAST.
BUT I'M STILL IN MY NIGHTGOWN.
YOU CAN CHANGE AFTER YOU'VE EATEN.
THERE ARE NEW CLOTHES IN THE WARDROBE.
WHO'S GOING TO DRESS ME?
YOU CAN'T DRESS YOURSELF?
OF COURSE NOT.
MY AYAH DRESSED ME.
NONSENSE.
AS OLD AS YOU ARE?
WHAT DO THEY DO WITH CHILDREN IN INDIA,
CARRY YOU AROUND IN A BASKET?
HOW DARE YOU TALK TO ME WITH SUCH DISRESPECT?
NOBODY'S GOING TO CARRY YOU
AROUND MISTLETHWAIT MANOR, MY GIRL.
WE'VE FAR TOO MUCH WORK ALREADY,
SO YOU'LL JUST HAVE TO LOOK AFTER YOURSELF.
THERE ARE NEAR A HUNDRED ROOMS HERE.
THIS ONE AND NO OTHER IS YOURS.
DON'T EXPECT TO SEE YOUR UNCLE
BECAUSE IT'S CERTAIN YOU WON'T.
YOU'RE NOT TO TOUCH ANYTHING,
AND YOU'RE NOT TO GO WANDERING AND POKING ABOUT.
[WAILING]
[CRYING]
MARTHA!
THE HOUSE SEEMED DEAD,
LIKE A SPELL HAD BEEN CAST UPON IT.
IT LOOKED JUST LIKE MY MOTHER'S ROOM.
THIS MUST'VE BEEN MY AUNT'S.
THE DRESSING TABLES WERE THE SAME.
THEY EVEN HAD TWIN IVORY ELEPHANTS.
MOTHER.
[GREENSLEEVES PLAYING]
[WAILING]
[CRYING]
OH! WHAT ARE YOU DOING?
WHAT DID I TELL YOU?
I HEARD SOMEONE CRYING.
DOGS.
NO. SOMEONE.
A PERSON CRYING.
YOU HEARD NOTHING OF THE SORT.
NOW, YOU STAY WHERE YOU ARE TOLD,
OR I'LL COME AND BOX YOUR EARS.
[KNOCK ON DOOR]
[DOOR OPENS]
GOOD AFTERNOON.
I'VE BROUGHT YOU SOMETHING TO EAT.
AND YOU HAVEN'T TOUCHED YOUR PORRIDGE.
DIDN'T YOU WANT IT?
ARE YOU MY SERVANT?
I'M MRS. MEDLOCK'S SERVANT,
AND SHE'S LORD CRAVEN'S.
BUT I'LL BE DOING THE HOUSEMAID'S WORK UP HERE
AND WAITING ON YOU A BIT.
WAITING ON ME MAKES YOU MY SERVANT THEN.
YOU ARE STRANGE.
EH, I KNOW THAT.
MRS. MEDLOCK GAVE ME THE PLACE
OUT OF KINDNESS TO ME MOTHER.
SHE SAID SHE COULD NEVER HAVE DONE IT
IF THERE WAS A GRAND MISSIS AT MISTLETHWAIT.
I'D LIKELY NEVER TO BE LET OUT OF THE KITCHENS,
AND CERTAINLY NOT UPSTAIRS.
STOP IT!
WHAT ARE YOU DOING?
I THOUGHT ALL GIRLS LIKED TO BE TICKLED.
WHAT WOULD YOU LIKE TO WEAR?
BLACK...
BLACK, OR BLACK?
ARE YOU BLIND?
THEY'RE ALL BLACK.
HA HA HA.
AND I WON'T BE LAUGHED AT, SERVANT.
MY NAME'S MARTHA.
I WON'T TICKLE YOU.
I PROMISE.
WHAT DO THEY WEAR IN INDIA?
WHEN I HEARD YOU WAS COMING FROM THERE,
I THOUGHT YOU'D BE A NATIVE.
WHAT?
YOU THOUGHT I WAS A WHAT?
YOU--YOU--
YOU DAUGHTER OF A PIG!
AAH!
YOU NEEDN'T BE LIKE THAT.
I'VE NOTHING AGAINST NATIVES.
AS MOTHER SAYS, WE'RE ALL OF US A FAMILY.
I'VE NEVER SEEN A NATIVE.
I WAS PLEASED TO THINK I WOULD.
YOU DON'T KNOW ANYTHING ABOUT ANYTHING!
NONE OF YOU! NOTHING!
PLEASE.
DON'T BE VEXED.
I DON'T KNOW ANYTHING ABOUT ANYTHING,
LIKE YOU SAID.
I'M SORRY, MISS.
I'M TOO COMMON, AND I TALK TOO MUCH.
I BEG YOUR PARDON, MISS.
I DON'T KNOW WHEN EXACTLY YOUR UNCLE WILL CALL FOR YOU.
MY UNCLE?
MRS. MEDLOCK SAID HE WOULDN'T WANT TO SEE ME.
AH, BUT HE DOES.
[DOOR OPENS]
OH. YOUR UNCLE'S DECIDED NOT TO SEE YOU TODAY.
WHEN WILL I SEE HIM?
TOMORROW?
OH, NO.
HE'LL BE GONE TOMORROW.
[DOOR SHUTS]
Martha: AFTER THE MISTRESS DIED 10 YEARS AGO,
LORD CRAVEN WOULDN'T SEE PEOPLE.
THERE WAS NOBODY TO EASE HIS SORROW.
HE SPENDS MOST OF HIS TIME AWAY FROM HOME NOW.
POOR MAN.
THEY SAY HE'S CURSED.
BETTER PUT YOUR SWEATER ON.
IT'S COLD OUTSIDE.
BUT I'VE GOT NO ONE TO PLAY WITH.
NO ONE TO PLAY WITH.
LET ME OUT OF HERE.
YOU KNOW, DICKON, MY BROTHER...
[BELL RINGS]
GOES OFF ON THE MOOR BY HIMSELF FOR HOURS.
THAT'S HOW HE MADE FRIENDS WITH ALL HIS ANIMALS.
WHO?
DICKON.
ME YOUNGER BROTHER.
PULL IT DOWN.
YOU'VE NO IDEA HOW CURIOUS HE IS ABOUT YOU.
WHAT DO YOU THINK YOU ARE DOING?
OH, THERE YOU ARE, MISS MARY.
I WONDERED WHERE YOU'D GONE.
WHAT DO YOU MEAN?
YOU KNEW PERFECTLY WELL WHERE I WAS.
YOUR SCARF, MISS?
THERE.
THOU'S READY TO GO OUT NOW.
I CAN'T SEE.
TO GET TO THE GARDENS,
YOU MUST GO THROUGH THERE,
THEN AROUND THE OUTSIDE OF THE HOUSE.
RUN ALONG NOW AND HAVE FUN.
[WIND CHIMES JINGLE]
[CHIRPING]
WHAT'S BEYOND THERE?
ANOTHER GARDEN?
[CHIRPING]
WHERE'S THE DOOR?
[CHIRPING]
HEY!
HEY!
YOU THERE!
WHERE'S THE DOOR TO THAT OTHER GARDEN?
WHAT?
THE ONE WITH ALL THE IVY.
I DIDN'T SEE A DOOR.
THERE ISN'T ONE.
THERE HAS TO BE A DOOR SOMEWHERE.
NO ONE'S BEEN INSIDE THAT PLACE FOR 10 YEARS.
WHY?
WHY?
WHY? BECAUSE WHEN SHE DIED,
MASTER GAVE ORDERS TO SHUT IT UP FOREVER.
WHO DIED?
[CHIRP]
[WHISTLING]
WHEN MY AUNT DIED?
IT WAS HER GARDEN, WASN'T IT?
[WHISTLING]
LOOK AT ME.
[WHISTLING]
ANSWER ME, YOU!
IT'S REVOLTING THE WAY THESE PEOPLE BEHAVE TOWARD ME.
[WHISTLING]
'COURSE, ORDERS COULDN'T KEEP HIM OUT.
HE'S THE ONLY ONE GOES IN THERE NOWADAYS.
IF YOU KNOW THE WAY...
SHOW ME.
HA HA.
HEY!
HA HA HA.
HEY!
WHO'S THERE?
HEY!
BECAUSE HE HATES IT.
BUT WHY DOES LORD CRAVEN HATE HER GARDEN?
WE'RE NOT SUPPOSED TO TALK ABOUT IT.
WHY NOT?
I'VE GOT A PRESENT FOR YOU.
MOTHER SENT IT OVER TO YOU.
WHAT'S IT FOR?
YOU MEAN FOR ALL THEY'VE GOT ELEPHANTS AND TIGERS IN INDIA,
THEY'VE NOT GOT SKIPPING ROPES?
COME HERE.
WATCH.
NOW YOU TRY.
THANK YOU, MARTHA.
THANK YOUR MOTHER.
YOU ARE STRANGE.
IF YOU HAD BEEN ANY OTHER CHILD,
YOU'D HAVE GIVEN ME A KISS.
DO YOU WANT ME TO KISS YOU?
WHAT'S THAT?
GO ON THERE, MISS MARY.
[BELL RINGING]
GO. GO.
I'VE NEVER SKIPPED BEFORE.
WELL, HE'S IMPRESSED.
CHEEKY LITTLE BEGGAR.
LOOK AT HIM.
WHAT ABOUT HIM?
WELL, I CAN'T THINK WHY, BUT...
HE'S DECIDED TO MAKE FRIENDS WITH THEE.
[CHIRPING]
HE HAS?
I'VE NEVER HAD ANY FRIENDS.
THAT I BELIEVE.
SHOW ME.
PLEASE. SHOW ME THE WAY IN.
THANK YOU, ROBIN.
[CHIRPING]
[GREENSLEEVES PLAYING]
MARTHA!
MARTHA!
I NEED MORE PLA--
MARTHA!
MARTHA, I NEED MORE PLASTERS!
MORE TOWELS!
DID YOU SEE WHAT I FOUND, PRETTY ROBIN?
YOU'RE GETTING ON WELL ENOUGH WITH THAT THIS MORNING.
TASTES NICE TODAY.
[MOANING]
LISTEN.
HEAR THAT?
IT'S THE WIND.
SOMETIMES IT SOUNDS LIKE SOMEONE'S LOST
OUT IN THE MOOR...
AND CRYING.
POOR LITTLE BETTY BUTTERWORTH--
THE SCULLERY MAID.
SHE'S HAD A TOOTHACHE ALL MORNING.
[GASPS]
MARTHA, I NEED YOUR HELP.
COME ON.
GET THIS CHILD OUTSIDE AT ONCE.
COME ON, MARTHA, PLEASE.
[BIRD SQUAWKS]
OOH.
SOOT.
HE DOESN'T KNOW THEE.
YOU FRIGHTENED HIM.
I FRIGHTENED HIM?
COME.
HE WON'T HURT YOU.
HE'LL BITE ME.
HE WON'T.
BUT HE'S FILTHY AND DIRTY.
NO, HE'S SOFT.
YOU'LL LIKE IT.
[SQUAWK]
THERE.
I DID IT.
[SQUAWKING]
LIKE THAT, MISS MARY?
I KNOW YOU, TOO.
YOU'RE MARTHA'S BROTHER DICKON.
[ROBIN CHIRPING]
[CHIRPING]
THE ROBIN SAYS HE'S BEEN WAITING FOR YOU.
THE ANIMALS TELL ME ALL THEIR SECRETS.
HE WOULDN'T TELL YOU MY SECRET, WOULD HE?
ABOUT WHAT, MISS MARY?
A GARDEN.
I'VE STOLEN A GARDEN.
MAYBE IT'S DEAD ANYHOW.
I DON'T KNOW.
I'D KNOW.
PROMISE YOU WON'T TELL?
PROMISE.
NOBODY?
NOT A SOUL.
IT'S A SECRET GARDEN.
SECRETS ARE SAFE WITH ME.
AND YOU'LL REALLY KNOW IF IT'S ALIVE?
OF COURSE.
WAIT HERE.
[DOOR CLANKING]
THIS GARDEN'S NOT DEAD.
IT'S AS LIVE AS YOU OR ME.
SEE?
THIS PART'S WICK.
SEE THE GREEN?
WICK?
WHAT'S WICK?
ALIVE...
FULL OF LIFE.
THERE'LL BE SO MANY ROSES IN HERE THIS SUMMER,
YOU'LL BE SICK OF THEM.
LOOK.
THERE'S A PICTURE OF MY MOTHER AND MY AUNT
SITTING HERE.
THEY SAY THAT'S HOW SHE DIED.
HOW?
FROM FALLING OFF IT.
OH.
[SWING CREAKING]
FOR THE FIRST TIME SINCE COMING FROM INDIA,
I DREAMED ABOUT MY MOTHER.
SHE WAS HERE...
IN THE GARDEN,
AND THE GARDEN WAS A JUNGLE.
Mary's mother: COME TO ME, DAUGHTER.
MARY... [ECHOING]
COME TO ME, MARY.
[CRYING]
MOMMY...
MOMMY, DON'T GO.
[CRYING]
MOMMY...
[CRYING]
[CRYING]
[CRYING]
ARE YOU A GHOST?
NO.
ARE YOU?
WHO ARE YOU?
WHAT ARE YOU DOING HERE?
I LIVE HERE.
WHO ARE YOU?
I'M MASTER OF THIS HOUSE
WHILE MY FATHER'S AWAY.
YOUR FATHER?
HE'S MY UNCLE.
NOBODY TOLD ME HE HAD A SON.
COME HERE.
[INHALES]
WHAT'S YOUR NAME?
I'M MARY LENNOX.
WHAT'S YOUR NAME?
I'M COLIN CRAVEN.
OUR MOTHERS WERE SISTERS. TWINS.
TWINS?
NOBODY TOLD ME SHE HAD A TWIN.
WHY WERE YOU CRYING?
I CAN'T SLEEP.
PLUMP MY PILLOWS FOR ME,
COUSIN MARY.
WHAT?
MY PILLOWS.
MY COVERS GOT ALL TWISTED.
WELL, I DON'T KNOW WHAT TO DO ABOUT IT.
I'LL GET MARTHA... OR MRS. MEDLOCK.
NO!
WHY NOT?
MEDLOCK WOULDN'T ALLOW YOU IN HERE.
SHE'D BE AFRAID IT'D UPSET ME...
AND MAKE ME EVEN MORE ILL.
DO I? I'LL GO.
STOP!
STAY HERE.
HOW OLD ARE YOU?
10.
WE'RE THE SAME AGE.
WHAT'S YOUR MOTHER LIKE?
SHE'S DEAD.
MINE'S DEAD, TOO.
DO YOU SEE THAT CORD?
PULL IT.
THAT'S MY MOTHER.
MY FATHER NEVER WANTS TO SEE ME BECAUSE...
I DON'T LOOK ANYTHING LIKE HER.
BUT YOU... YOU LOOK LIKE HER.
WHY DO YOU KEEP A CURTAIN OVER HER?
SHE SMILES TOO MUCH.
SMILES TOO MUCH?
HOW CAN ANYBODY SMILE TOO MUCH?
SOMETIMES I HATE HER.
SHE DIED WHEN I WAS BORN.
BUT I THOUGHT SHE DIED IN HER GARDEN.
HER GARDEN?
WHAT GARDEN?
OH, JUST A GARDEN.
THERE ARE SO MANY OF THEM HERE.
ARE THERE?
OF COURSE. DON'T YOU EVER GO OUTSIDE?
NEVER.
WHAT'S THE MATTER WITH YOU?
I'M GOING TO DIE.
FROM WHAT?
EVERYTHING.
I'VE SPENT MY WHOLE LIFE IN THIS BED.
YOU DON'T KNOW HOW TO WALK?
YOU ARE REAL?
MY DREAMS ARE SO REAL SOMETIMES.
SHALL I PINCH YOU TO PROVE IT?
OW!
SEE?
[BELLS RINGING]
♪ ALAS, MY LOVE ♪
♪ YOU DO ME WRONG ♪
♪ TO CAST ME OFF ♪
♪ DISCOURTEOUSLY ♪
♪ AND I HAVE LOVED YOU ♪
♪ SO LONG ♪
♪ DELIGHTING IN YOUR COMPANY ♪
♪ GREENSLEEVES ♪
♪ WAS ALL MY JOY... ♪
[SHEEP BLEATS]
[BIRD SQUAWKS]
HOW DID YOU KNOW TO PULL THE WEEDS?
IT LOOKED LIKE IT WAS STRANGLING.
I DON'T EVEN KNOW WHAT IT IS.
A LILY.
IT'LL BE AN EMPRESS OF INDIA LILY.
EMPRESS OF INDIA?
THESE BULBS ARE LILIES, TOO.
WE'LL PLANT THEM ALL AROUND YOUR EMPRESS OF INDIA LILY.
SHE'LL HAVE HER OWN LADIES-IN-WAITING.
IT'S JUST LIKE THE RHYME.
♪ MISTRESS MARY, QUITE CONTRARY ♪
♪ HOW DOES YOUR GARDEN GROW? ♪
♪ WITH SILVER BELLS AND COCKLESHELLS ♪
♪ AND PRETTY MAIDS ALL IN A ROW ♪
ON THE BOAT COMING HERE,
THEY USED TO SING THAT SONG AT ME.
I WASN'T AS CONTRARY AS THEY WERE.
I MET MY COUSIN LAST NIGHT.
YOU'VE SEEN COLIN?
DID YOU KNOW ABOUT HIM?
EVERYBODY KNOWS ABOUT HIM,
BUT HARDLY ANYBODY'S SEEN HIM.
HE SAID HIS MOTHER DIED WHEN HE WAS BORN.
SHE FELL OFF THE SWING. HE WAS BORN TOO SOON.
HE'S NOT AT ALL LIKE YOU.
HIS CHEEKS ARE WHITER THAN ICE AND MARBLE.
WHITER THAN THESE LITTLE HAIRS.
THOSE ARE THE ROOTS.
SET IT IN THERE.
LET IT GROW THIS WAY, MISS MARY.
HA HA HA!
HOW VERY TIRESOME TO BE SHUT INDOORS.
IT'S FAR TOO STUFFY.
HELP! HELP!
I'M SURE I SHALL FAINT
IF I DON'T GET SOME LIGHT AND FRESH AIR.
HA HA HA!
AT LEAST WE CAN OPEN THE WINDOWS.
NO!
GET AWAY FROM THERE!
DON'T TOUCH THEM. THEY'RE NAILED SHUT.
MY LUNGS--THEY CAN'T TAKE THE SPORES.
SPORES?
THEY'RE CARRIED IN ON THE WIND.
AND WHEN YOU BREATHE THE AIR, YOU SWALLOW THEM.
THEY GET STUCK IN YOUR LUNGS.
BUT BEFORE I GOT OUT INTO THE WIND,
EVEN MY HAIR WAS SCRAWNY.
YOUR HAIR? HAIR IS DEAD.
IF HAIR IS DEAD, THEN HOW COME IT KEEPS ON GROWING,
EVEN AFTER YOU DIE?
WELL, MAYBE NOT YOUR HAIR.
BY THEN YOU MIGHT BE BALD.
DON'T BE STUPID.
I'LL BE DEAD BEFORE I'M OLD ENOUGH TO BE BALD.
I'LL GET A LUMP ON MY BACK LIKE MY FATHER.
THEN I'LL DIE.
I HATE THE WAY YOU TALK ABOUT DYING.
EVERYBODY THINKS I'LL DIE.
IF EVERYBODY THOUGHT THAT ABOUT ME,
I WOULDN'T DO IT.
HERE.
PUT THIS ON.
EVERYBODY HAS TO WEAR ONE.
MEDLOCK'S ORDERS.
BUT SHE'S NOT HERE TO SEE ME.
PUT IT ON.
IT MAKES MY FACE ITCH.
I CAN'T STAND IT.
I DIDN'T GIVE YOU ANY GERMS LAST NIGHT, DID I?
PUT ON THE MASK.
STOP TALKING TO ME AS IF YOU WERE A RAJAH
WITH EMERALDS, DIAMONDS, AND RUBIES STUCK ALL OVER YOU.
I'LL TALK TO YOU ANY WAY I PLEASE.
WHERE ARE YOU GOING?
BACK OUTSIDE TO BE WITH DICKON.
DICKON?
HE TAMES ANIMALS
LIKE THE ANIMAL CHARMERS IN INDIA.
AND HE KNOWS EVERYTHING THERE IS TO KNOW ABOUT GARDENS.
DOES HE KNOW ABOUT MY MOTHER'S GARDEN?
WHAT?
YOU TOLD ME MY MOTHER HAD A GARDEN.
HOW WOULD HE KNOW ABOUT IT?
IT'S LOCKED. NO ONE'S ALLOWED IN THERE.
WELL, I CAN MAKE THEM UNLOCK IT.
NO! DON'T DO THAT!
WHY NOT?
IF YOU MAKE THEM OPEN THE DOOR LIKE THAT,
IF EVERYONE KNOWS,
IT WOULDN'T BE A SECRET ANYMORE.
DON'T YOU SEE HOW MUCH BETTER IT IS IF IT'S A SECRET?
YOU HAVE TO.
MAYBE YOU CAN'T EVEN KEEP A SECRET.
MEDLOCK!
[FOOTSTEPS]
[DOOR SHUTS]
WELL, MASTER COLIN,
WE'VE BROUGHT THE MACHINE FOR YOUR LEGS.
I DON'T WANT IT.
OH, NOW, DON'T BE LIKE THAT.
YOU KNOW HOW IMPORTANT IT IS FOR YOUR CIRCULATION.
OHH.
THERE.
WE'VE GOT SOME NICE FRESH FLANNELS, TOO.
AHEM.
[TAPPING]
YOUR FATHER RETURNS TODAY.
HE WON'T WANT TO SEE ME.
PERHAPS HE WILL.
[TAPPING SLOWS DOWN]
MARTHA...
THE MACHINE. THE MACHINE.
WAKE UP, GIRL.
[TAPPING RESUMES SPEED]
OH, I FORGOT MY HERBS.
I'LL GET THEM FOR YOU, MA'AM.
NO, THANK YOU.
LAST TIME YOU BROUGHT TOO MANY ROOTS AND ALMOST NO LEAVES.
WHAT ARE YOU DOING DOWN THERE, MISS MARY?
WHERE'S YOUR MASK?
IF MRS. MEDLOCK FINDS OUT...
OH, THE WORLD'S COMING TO AN END.
SHE'LL NEVER LET YOU COME BACK HERE.
BUT YOU'RE MASTER UNTIL YOUR FATHER GETS HOME, AREN'T YOU?
YOU CAN MAKE HER--
GO!
JUST GO!
SHE'LL THINK I DISOBEYED HER.
SHE'LL FIRE ME FOR SURE.
PLEASE.
GO.
HIS LORDSHIP'S ARRIVED!
HE'S HERE!
[DOOR SHUTS]
[PEOPLE MUTTERING]
[DOGS GROWLING]
CAN'T YOU KEEP THEM DOGS TOGETHER?
[GROWLING]
COME ALONG, MISS MARY.
COME ALONG.
MISS MARY, YOUR LORDSHIP.
[GRRR]
[DOG BARKS]
CALM DOWN.
COME HERE.
YOU NEEDN'T BE AFRAID.
COME HERE.
OH, MY GOD.
YOUR EYES!
THEY'RE SO MUCH LIKE...
I'D NO IDEA.
WAIT A MOMENT.
THEY NEVER SENT ME YOUR PICTURE.
MY MOTHER DIDN'T HAVE THE TIME TO GET MY PICTURE TAKEN.
MEDLOCK WANTS ME TO SEND YOU
TO SOME SORT OF BOARDING SCHOOL.
NO.
PLEASE...LET ME STAY.
I DON'T DO ANY HARM.
HARM...
WHAT HARM COULD YOU DO?
THERE'S NOTHING FOR A CHILD HERE.
I DON'T NEED MUCH.
ALL I NEED IS...
COULD I...
COULD I HAVE A BIT OF EARTH?
BIT OF EARTH?
TO PLANT SEEDS IN,
TO MAKE THINGS GROW.
TAKE YOUR BIT OF EARTH...
BUT DON'T BE FOOLISH ENOUGH TO EXPECT
ANYTHING TO COME OF IT.
MAY I TAKE IT FROM ANYWHERE,
SO LONG AS IT'S NOT WANTED?
ANYWHERE!
WELL...GO, GO. YOU CAN GO.
[RINGS BELL]
GOODBYE. GOODBYE.
I SHALL BE AWAY UNTIL THE WINTER.
DICKON! DICKON! HE SAID I CAN!
I CAN HAVE MY BIT OF EARTH!
WHO SAID?
MY UNCLE! I ASKED HIM. HE SAID YES.
I CAN PLANT SEEDS ANYWHERE I LIKE.
BLUE FLOWERS, PINK FLOWERS, PURPLE FLOWERS, YELLOW FLOWERS,
CORNFLOWERS, FOXGLOVES, ANY KIND WE WANT.
IT'S RAINING.
THE RAIN WILL HELP OUR FLOWERS GROW.
IN INDIA WHEN IT RAINED,
MY AYAH WOULD TELL ME STORIES.
IN ONE OF THE STORIES, THERE WAS EVEN A GOD
WHO SORT OF REMINDS ME OF YOU.
WHEN HE WAS GROWING UP,
HE HAD TO BE KEPT A SECRET
SO NO ONE WOULD SEE HIM OR KNOW WHERE HE WAS.
REALLY?
WHY?
'CAUSE HIS UNCLE WANTED TO KILL HIM.
THE UNCLE HAD A DREAM
THAT THE YOUNG GOD WOULD TAKE OVER HEAVEN.
WHERE DID HE HIDE?
HE LIVED WITH SOME COWS.
HA HA HA HA!
WAS HE DIFFERENT FROM OTHER PEOPLE?
ONLY ON THE INSIDE.
WHEN YOU LOOKED DOWN HIS THROAT,
YOU COULD SEE THE WHOLE UNIVERSE THERE.
THE WHOLE UNIVERSE COULDN'T FIT DOWN ANYBODY'S THROAT.
DOWN HIS, IT COULD.
HOW?
THAT WOULD MEAN HE'D HAVE TO BE BIGGER
THAN THE WHOLE UNIVERSE
TO FIT THE UNIVERSE DOWN HIS THROAT,
AND YOU SAID HE LOOKED LIKE EVERYBODY ELSE ON THE OUTSIDE.
THAT'S RIGHT. IT'S INSIDE THAT HE WAS DIFFERENT.
IT DOESN'T MAKE SENSE.
IT DOESN'T HAVE TO MAKE SENSE.
IT'S THE IDEA OF IT.
THAT'S SO STUPID.
NO, IT'S NOT. IT'S MAGIC.
YOU CAN'T REALLY BE THAT STUPID.
I AM NOT STUPID!
YOU JUST DON'T UNDERSTAND. YOU DON'T WANT TO!
YOU CAN'T LEAVE. YOU WOULDN'T DARE!
OH, WOULDN'T I?
I'LL HAVE THEM DRAG YOU BACK IN!
WILL YOU, MR. RAJAH?
FINE! THAT'S JUST FINE.
THEN I WON'T EVEN LOOK AT YOU.
I'LL STARE AT THE FLOOR.
I'LL CLENCH MY TEETH TOGETHER
AND NEVER TELL YOU ONE THING,
NOT EVEN ABOUT SEEING YOUR FATHER.
YES, YOU WILL.
TELL ME.
HE DIDN'T COME TO SEE ME.
I'LL DIE BECAUSE HE DOESN'T LIKE ME.
WELL, HE LIKES ME.
BUT HE'S MY FATHER.
MAYBE IF YOU WEREN'T ALWAYS SO RUDE.
I'M NOT RUDE!
YES, YOU ARE. YOU'RE SO SOUR.
YOU WON'T EVEN OPEN YOUR WINDOWS
AND LET THE SUN SHINE INTO YOUR ROOM.
HOW CAN I? IT'S RAINING OUT.
EVEN IF IT WEREN'T RAINING.
WELL, IT IT WEREN'T RAINING, MAYBE I WOULD.
YOU NEVER HAVE.
WHY DOES THAT MEAN I NEVER WOULD?
I'M NOT SOUR!
WILL HE EVER SEE COLIN?
HE'S AFRAID TO FALL IN LOVE WITH HIM.
HE'S AFRAID TO LOVE HIS SON?
SOMETIMES WHEN HE'S HERE,
HE STAYS ALONE FOR A WEEK.
BUT COLIN WANTS TO SEE HIM.
SOMETIMES HE STAYS LONGER.
LONGER THAN A WEEK?
10 YEARS AGO, WHEN HIS WIFE DIED,
HE LOCKED HIMSELF IN FOR OVER A MONTH.
COLIN WAS SUCH A WEAK BABY.
EVERYONE THOUGHT HE'D DIE,
AND HIS FATHER COULDN'T BEAR LOSING HIM, TOO.
HE'D SUFFERED SO MUCH ALREADY.
COLIN?
MY POOR LITTLE BOY.
MMM.
[WHIP CRACKS]
THAT WAS THE NIGHT THE RAIN STOPPED,
THE NIGHT SPRING CAME TO MISTLETHWAIT.
MY POOR UNCLE FLED FROM IT,
AS IF HE WERE ESCAPING THIS SPRING.
[WOOD CREAKING] Dickon: MEDLOCK'S GONE!
IT'S WORKING... ANY MINUTE NOW.
HOLD, DICKON!
HOLD! IT'S WORKING!
COME DOWN, MARY. WE NEED A HAND.
IT'S BEAUTIFUL, COLIN!
DO YOU FEEL IT?
DO YOU?
I'M COMING!
MARY...
MARY...
WHAT ABOUT THE SPORES?
CAN YOU SEE THEM?
MARY!
MARY!
MARY!
OOH!
AAH!
AAH!
NO! NO! NO! NO!
JESUS!
LEM, COME AND HELP ME, PLEASE!
SHH!
NO! NO! NO!
PUT HIM ON THE BED.
NO! NO!
OH, NO! NO! NO!
NO! NO!
[SCREAMING]
CALM YOURSELF, MASTER COLIN.
PLEASE JUST CALM DOWN!
CALM DOWN!
GO AND SEE IF MRS. MEDLOCK'S BACK.
SHH!
CALM DOWN.
CALM DOWN.
PLEASE!
GOD!
MISS MARY, PLEASE, DON'T GO IN THERE NOW.
HE'S HAVING A DREADFUL FIT.
LORD KNOWS WHAT HE'LL DO.
I DON'T CARE!
HE'S SO SPOILED! HE'S GOT TO BE STOPPED!
SOMEBODY'S GOT TO MAKE HIM STOP!
[SCREAMING]
STOP IT, YOU, STOP!
I HATE YOU! EVERYBODY HATES YOU!
YOU'RE SO SELFISH!
YOU'RE THE MOST SELFISH BOY THERE EVER WAS!
I'M NOT AS SELFISH AS YOU ARE!
JUST BECAUSE I'M ALWAYS ILL--
NOBODY ILL COULD SCREAM LIKE THAT!
I'M GOING TO DIE!
WHAT DO YOU KNOW ABOUT DYING?
MY MOTHER DIED!
BOTH MY PARENTS DIED!
I'VE GOT A LUMP ON MY BACK!
I'LL GET A LUMP LIKE MY FATHER!
[SCREAMING]
MRS. MEDLOCK, IT'S MASTER COLIN!
IT'S MASTER COLIN!
OH, COME QUICKLY, JOHN.
OH, COME QUICKLY.
OH, THE MOMENT I TURN MY BACK...
THERE'S NOTHING BUT YOUR BONES STICKING OUT.
IT'S BECAUSE YOU'RE SO SKINNY!
WHAT IN GOD'S NAME?!
GET AWAY FROM HIM, YOU BEASTLY GIRL!
YOU'LL KILL HIM!
I WON'T HURT HIM!
NO! SHE'S MY COUSIN!
JOHN, GIVE ME A HAND. WILL, GIVE ME A HAND.
HOLD HIS ARMS UP!
MARTHA, STOP THAT GIRL!
MARTHA, HE DOESN'T HAVE A LUMP, NOT ONE!
YOU LET THAT WRETCHED GIRL IN HERE!
NO, MA'AM!
[GASPS]
YOU DISOBEYED ME!
YOU ARE DONE FOR! YOU CAN HIE YOURSELF HOME!
NO!
BUT I DI-- I DIDN'T TELL HIM!
WHAT IS GOING ON HERE?
I'LL SEND YOU AWAY IF YOU EVEN DARE THINK OF MAKING HER GO!
NOW GET OUT OF HERE, MEDLOCK!
I WANT TO BE ALONE WITH MY COUSIN!
I BEG YOUR PARDON?
I'M ORDERING YOU TO LEAVE THIS ROOM!
ORDERING ME?
YES!
GO!
I SHALL...
IF ONLY TO PREVENT YOU FROM HARMING YOURSELF
WITH THIS... HYSTERICAL SHRIEKING.
BUT I PROMISE YOU...
Colin: MAYBE I'M NOT ILL.
I DON'T SEE HOW.
YOU'RE JUST WEAK.
DO YOU THINK I COULD GO OUTSIDE,
SPORES AND ALL?
I DON'T KNOW ANYTHING ABOUT SPORES.
IF I WENT OUT...
MAYBE WE COULD FIND THE DOOR TO MY MOTHER'S GARDEN.
IF WE FOUND THE DOOR...
WE COULD GO INSIDE.
WHAT IS IT?
I DIDN'T DARE TELL YOU.
I DIDN'T BECAUSE I WAS SO AFRAID I COULDN'T TRUST YOU...
FOR SURE.
WHAT?
I'VE BEEN IN THE SECRET GARDEN.
I FOUND THE KEY WEEKS AGO.
GO ON. TELL ME.
WHEN YOU OPEN THE DOOR,
YOU CAN'T SEE ANYTHING.
THEN YOU GO DOWN SOME STONE STEPS.
BY THE TIME YOU REACH THE BOTTOM,
YOU'RE SURROUNDED BY FLOWERS.
EVERY DAY NEW FLOWERS OPEN.
IT'S LIKE MAGIC.
BABY ANIMALS ARE BEING BORN.
I AM GOING OUT IN MY CHAIR!
IF THE FRESH AIR AGREES WITH ME,
I MAY GO OUT EVERY DAY.
OH, NO.
NOT EVERY DAY, SURELY, MASTER COLIN.
WHEN I GO, NOBODY IS TO BE ANYWHERE NEAR.
NONE OF THE STAFF, NOT A SINGLE GARDENER.
IS THAT CLEAR?
YES, SIR. VERY CLEAR, SIR.
WHAT DO YOU SAY IN INDIA
WHEN YOU WANT PEOPLE TO GO?
YOU SAY... "I HAVE SPOKEN.
ALL DEPART."
I HAVE SPOKEN. ALL DEPART.
[FOOTSTEPS]
[CROW CAWS] BUT REMEMBER...
THIS IS VERY IMPORTANT.
STEP BACK, STEP BACK.
YOU ARE TO STAY HERE, MEDLOCK.
OH, BUT, MASTER COLIN--
STAY HERE!
JUST TAKE THESE STUPID THINGS OFF!
WHAT GOOD ARE THEY NOW?
GET INSIDE.
ARE THESE YOUR ANIMALS?
YEAH.
IT'S SAFE NOW.
THEN GO FASTER, DICKON, FASTER, FASTER!
GO FASTER, DICKON, FASTER.
FASTER.
FASTER!
COME ON, FASTER.
FASTER!
HERE WE GO.
YES.
[GOOSE HONKS]
Mary: GO ALONG, HONKER.
WISH I COULD HELP.
DON'T WORRY. WE'LL HAVE YOU WALKING WITH US
BEFORE YOU KNOW IT.
ME? WALK?
DO YOU THINK I COULD?
WELL, YOU HAVE LEGS LIKE EVERYBODY ELSE, DON'T YOU?
YES, BUT I NEVER THOUGHT I--
CLOSE YOUR EYES, COLIN.
AM I THERE?
ALMOST.
NOW.
YES.
I IMAGINED THIS.
THE POND WAS ALL CLOGGED WHEN WE FIRST CAME HERE.
REALLY?
HA HA! HEH HEH!
OH!
YOU SEE THAT FLOWER?
THAT'S A CORNFLOWER.
UP THERE'S A ROBIN'S NEST.
AHA!
THAT'S WHERE I FOUND THE EMPRESS OF INDIA,
AND I PLANTED ALL THOSE BULBS AND SEEDS.
I'M GOING TO COME HERE TOMORROW...
AND THE DAY AFTER...
AND THE DAY AFTER THAT.
SEE?
YOU HAVE TO PULL THE WEEDS UP
TO GIVE THE FLOWERS ROOM.
GET OFF.
UGH.
IT'S ONLY A LITTLE WORM.
EWW!
NOT "EWW"...
MMM.
SEE? HE LIKES THEM, TOO.
HA HA HA HA!
WHO'S THAT MAN?
WHAT ARE YOU DOING IN HERE?
HOW DID YOU GET IN? YOU AWFUL LITTLE BUSYBODY!
I COULD NOT BEAR YOU THE FIRST TIME I SET EYES ON YOU.
IT WAS THE ROBIN WHO SHOWED ME THE DOOR.
DO YOU KNOW WHO I AM?
WHO YOU--WHO YOU ARE?
YOU'RE THE LITTLE CRIPPLE.
IF HE'S GOT A LUMP, IT'S THE SIZE OF A PIN!
YOUR BACK IS NOT CROOKED?
NO!
AND YOU HAVEN'T GOT CROOKED LEGS?
WHO SAID I HAD CROOKED LEGS?
NOBODY EVER SAID THAT.
YOU CAN DO IT.
YOU CAN DO IT.
YOU CAN DO IT.
LOOK AT ME.
JUST LOOK, YOU!
OH...
WE DIDN'T WANT YOU, BUT NOW YOU'RE HERE.
DON'T DARE SAY A WORD ABOUT IT TO ANYONE!
SEND FOR YOU TO HELP US IN HERE SOMETIMES.
I COME HERE BEFORE WHEN NO ONE SAW ME.
YOUR MOTHER...WAS SO FOND OF THIS GARDEN.
SH-SHE WOULD ASK ME IN TO LOOK AFTER HER ROSES.
SHE'D NEVER ASK ANYBODY ELSE.
WHEN SHE WENT AWAY,
ORDERS WERE NO ONE WERE TO COME HERE.
I COME ANYWAY. SHE GAVE HER ORDERS FIRST!
YOU KNOW HOW TO KEEP A SECRET.
COME INSIDE. BE QUICK.
OH, LADDIE.
YES, SIR. RIGHT AWAY, SIR.
I'LL GO MEET HIM AT THE DOOR.
ARE YOU MAKING THIS MAGIC?
NO.
YOU ARE.
IT'S LIKE THE STORY. THE WHOLE UNIVERSE IS IN HERE.
I'M CERTAIN IT IS.
THAT MEANS I COULD MARRY YOU.
WHAT? BUT WE'RE COUSINS.
I DON'T CARE.
I WANT US ALWAYS TO BE TOGETHER.
WE ARE TOGETHER.
[MEW MEW]
[BAA]
SPECKLES! BILLY! BILLY, COME BACK!
SEE YOU TOMORROW, THEN.
I'LL BE BACK TOMORROW.
[BAA]
WHAT'S HE DOING?
[BAA]
WHO DOES HE WANT?
[BAA]
HE LOST HIS MOTHER.
HE'S HUNGRY.
HE'S ONLY A FEW DAYS OLD, YOU KNOW.
HE JUST LEARNED HOW TO WALK.
[BAA]
YOU CAN HOLD HIM IF YOU LIKE.
BE CAREFUL, MASTER COLIN.
[BAA]
WHERE DID HE COME FROM, DICKON?
3 DAYS AGO...
I WAS OUT ON THE MOOR.
I HEARD A BLEATING FAR OFF AMONG THE GORSE BUSHES.
SO I STARTED TO LOOK...
AND TO LOOK AND TO LOOK...
AND AT LAST I SEEN A BIT OF GRAY BY A ROCK.
SO I CLIMBED UP, AND THERE WAS THE LITTLE 'UN.
[BAA]
OFF YOU GO.
GO ON, GO ON.
[BAA]
[BAA]
GIVE ME YOUR HAND, DICKON.
YOU CAN DO IT.
YOU CAN DO IT.
YOU CAN DO IT.
YOU CAN DO IT.
[BAA]
YEAH! YEAH! YOU DID IT!
I DID IT! MARY, DICKON, I DID IT!
I DID IT!
[LAUGHTER]
[BAA]
[BAA]
I DID IT!
[LAUGHTER]
[DOOR OPENS]
ARE YOU A GHOST?
IT'S ME!
COLIN?
SHH.
MEDLOCK MIGHT HEAR YOU.
THEN WE WOULDN'T HAVE TO WORRY ABOUT HER ANYMORE.
SHE'D DROP DEAD AT THE SIGHT OF YOU WALKING.
SHUSH.
HOW DID YOU GET UP HERE?
I FOUND THE WAY BY MYSELF.
YOU CLIMBED THE STAIRS?
THIS IS JUST HOW I WANT IT TO BE WITH MY FATHER.
I WANT TO SURPRISE HIM JUST LIKE THIS.
I WANT HIM TO SEE ME BEFORE ANYONE ELSE DOES.
I WISH WE KNEW HOW WE COULD FIND HIM.
MEDLOCK MUST KNOW.
WE CAN STEAL THE ADDRESS FROM HER.
I'LL HAVE A FIT, AND WHEN SHE COMES RUNNING,
YOU CAN SAY--
I SAW A DESK IN YOUR FATHER'S ROOM.
IT HAD LOTS PAPERS ON IT. MAYBE IT'S THERE.
I LOOKED, AND I COULDN'T FIND THE ADDRESS.
BUT I DISCOVERED ANOTHER OF MY UNCLE'S SECRETS.
[GROWLING]
THERE'S ANOTHER ONE.
HERE.
THAT'S MY MOTHER THERE.
I THINK THAT-- I THINK THAT'S MY FATHER.
THAT'S ME, I THINK.
I THINK SHE'S BEAUTIFUL.
[GIGGLING]
Colin: ATTENTION!
OVER HERE.
SMILE.
SIT ON THE SWING, DICKON.
LOOK AT EACH OTHER.
NOW LOOK AT ME.
HEY.
HEY!
HEY!
HA HA HA!
COME ON, DICKON!
OVER HERE.
MARY, YOUR HEART.
YOUR HEART, MARY.
BILLY, BILLY, BILLY. COME ON, BILLY.
STOP ALL THIS. I AM WELL.
WHY DON'T YOU WRITE MY FATHER
AND TELL HIM TO COME BACK?
BECAUSE I DO NOT BELIEVE YOU ARE WELL.
YOUR PULSE IS MUCH TOO QUICK.
AND THERE'S A DEFINITE SIGN OF FEVER IN YOUR EYE.
JOHN, BRING THAT ICE.
NO!
DESPITE WHAT YOU AND YOUR COUSIN MAY THINK,
YOU ARE STILL UNDER MY CARE.
YOUR FATHER TRUSTS ME TO DO WHAT IS BEST FOR YOU,
AND THAT IS PRECISELY WHAT I INTEND TO DO.
OH! GOD, LOOK AT YOUR LEGS.
THEY'RE ALL SWOLLEN AND RED.
COME ON, WILL.
[GASPING]
IF I'M SO SICK, YOU OUGHT TO SEND FOR MY FATHER.
NOW, YOU ARE TO STAY IN BED.
YOU ARE NOT TO GO INTO THE GARDENS.
GIVE ME THE ADDRESS, AND I'LL WRITE TO HIM MYSELF.
YOU'LL DO NO SUCH THING.
GIVE IT TO ME.
I'VE HAD ENOUGH.
BETWEEN THAT WRETCHED GIRL AND THE DANGERS OF THE FRESH AIR,
HEAVEN KNOWS WHAT'S HAPPENED TO YOU.
YOU COULD BE CLOTTING.
SHE PROBABLY TURNED YOUR CHAIR OVER.
I WON'T STAND FOR IT, NOT ANYMORE.
I WON'T STAND FOR ANY OF IT.
COME ON, JOHN.
OH, I'M KEEPING YOU CHILDREN APART.
HE IS A VERY ILL LITTLE BOY.
I'VE WORKED TOO HARD AND TOO LONG TO KEEP HIM ALIVE
TO HAVE HIM KILLED
BY ONE PIGHEADED, MEDDLESOME LITTLE GIRL LIKE YOU.
COME ON, COLIN.
IT'S SAFE.
EVERYBODY'S GONE.
BEN'S WAITING AT THE GATE.
[FLUTE PLAYING]
THANK YOU, BEN.
WE'RE MAKING MAGIC HERE.
WHEN I GROW UP, I'M GOING TO MAKE GREAT DISCOVERIES,
AND THIS IS MY FIRST EXPERIMENT.
AYE, SIR.
[CHANTING] AH ALLA GOYA
HOCH HOPI HIYATA
AL HEA GOYA
HOYGOY HIYATA GO...
All: ALLA GOYA
HOCH HOPI HIYATA
AL YEAGOYA
HOYGOY HIYATA
OH ALLA GOYA
HOCH HOPI HIYATA
AL HEAGOYA
HOYGOY HIYATA...
[CHANTING LOUDER]
OH, GREAT MAGIC, PLEASE COME TO ME.
SEND ME MY FATHER HERE,
SET HIS SPIRIT FREE!
OH, GREAT MAGIC, PLEASE COME TO ME.
SEND ME MY FATHER HERE,
SET HIS SPIRIT FREE!
OH, GREAT MAGIC, PLEASE COME TO ME.
SEND ME MY FATHER HERE,
SET HIS SPIRIT FREE!
OH, GREAT MAGIC, PLEASE COME TO ME.
SEND ME MY FATHER HERE,
SET HIS SPIRIT FREE!
GO!
ARCHIE!
ARCHIE!
ARCHIE!
LILIAS!
LILIAS!
LILIAS!
WHERE ARE YOU?
IN THE GARDEN.
I'M IN THE GARDEN.
IN THE GARDEN.
I'M IN THE GARDEN.
I'M IN THE GARDEN.
I'M IN THE GARDEN...
WITH COLIN...
WITH COLIN...
[BELL RINGS]
I MUST GO.
I MUST GO IMMEDIATELY.
I MUST GO TONIGHT. PREPARE MY BILL.
L'ADDITION.
MRS. MEDLOCK! MRS. MEDLOCK!
HIS LORDSHIP'S JUST ARRIVED.
HIS LORDSHIP? WHERE?
WHERE IS HE?
OUTSIDE.
GET ME OUT OF THIS THING.
WILL YOU GET ME OUT OF IT?
GET ME OUT OF IT!
OH, COME ON.
OH, YOU'RE HOME, SIR.
WE WEREN'T EXPECTING YOU.
HERE I AM. WHERE'S MY SON?
HE'S IN HIS ROOM, OF COURSE, YOUR LORDSHIP.
WOULD YOU GET BACK TO THE KITCHEN? IMPUDENT GIRL.
WHERE'S MY SON?
WELL, HE'S-- HE'S HERE, MY LORD.
H-HE MUST BE HERE.
WHAT'S HAPPENED?
IT'S THAT CHILD, MY LORD.
SHE'S CREATED ABSOLUTE HAVOC HERE.
I'VE TRIED TO CONTROL HER.
SHE MUST BE SENT AWAY, MY LORD.
SHE'LL KILL MASTER COLIN FOR SURE.
TAKE ME TO HER ROOM.
SHE HAS NO REGARD FOR HIS FRAGILE STATE OF HEALTH.
SHE DOES JUST AS SHE PLEASES.
YOU LOCK HER IN?
I'VE HAD TO, MY LORD.
THAT'S HOW WILD SHE IS.
MARY.
YOUR UNCLE'S HERE.
I BEG YOUR PARDON, MY LORD.
PERHAPS THEY'RE IN THE GARDEN.
THE GARDEN?
WELL...
I DON'T SEE HOW THEY CAN BE.
IT'S QUITE IMPOSSIBLE.
UH, I'VE DONE MY BEST, SIR.
I REALLY HAVE,
BUT WITH THAT CHILD DEFYING ME AT EVERY TURN--
SILENCE, MEDLOCK!
SHE'S JUST A CHILD.
I LEFT YOU IN CHARGE.
I'LL RESIGN, SIR.
I'LL LEAVE TODAY.
[SOBBING]
DON'T.
OH, MARTHA.
SHH.
MARTHA.
AROUND AND 'ROUND AND 'ROUND WE GO.
WHERE WE STOP, NOBODY KNOWS.
CATCH ME, COLLIE. CATCH ME.
COME AND GET ME.
WHERE ARE YOU?
[LAUGHTER]
[DOOR CREAKS]
DICKON?
I CAN'T BELIEVE IT.
YOU'RE HERE.
THE MAGIC WORKED.
COLIN...
THE GARDEN.
LET ME SHOW YOU.
[DICKON CRYING]
IT WAS MARY WHO FOUND THE KEY.
SHE OPENED THE DOOR AND WENT INSIDE.
MARY, WAIT.
NO ONE WANTS ME.
Dickon: MARY!
AND THIS IS WHERE THE ROBINS NEST.
FULL OF BABIES.
THEY'LL BE FLYING SOON.
THIS IS WHERE I WALKED FIRST.
I WAS A... A BABY MYSELF.
Colin: MARY!
MARY!
WHY ARE YOU OUT HERE BY YOURSELF?
IT WASN'T WANTED.
WHAT WASN'T WANTED?
TH-THE GARDEN.
YOU'RE RIGHT.
I NEVER WANTED TO SEE IT AGAIN.
YOU NEVER WANTED TO SEE COLIN.
YOU BROUGHT US BACK TO LIFE, MARY.
YOU DID SOMETHING I THOUGHT NO ONE COULD DO.
DON'T BE AFRAID.
I WON'T SHUT IT UP AGAIN.
BELIEVE ME.
THANK YOU.
SHALL WE CALL COLIN?
MARTHA.
MARTHA!
DICKON.
WHAT'S HAPPENING? DID YOU SEE THEM?
[GIGGLING]
OH, LOOK!
MASTER COLIN.
MASTER COLIN.
HE'S WALKING.
THE SPELL WAS BROKEN.
MY UNCLE LEARNED TO LAUGH,
AND I LEARNED TO CRY.
THE SECRET GARDEN IS ALWAYS OPEN NOW...
OPEN AND AWAKE AND ALIVE.
IF YOU LOOK THE RIGHT WAY,
YOU CAN SEE THAT THE WHOLE WORLD IS A GARDEN.
♪ HEARTS CALL ♪
♪ HEARTS FALL ♪
♪ SWALLOWED IN THE RAIN ♪
♪ WHO KNOWS? ♪
♪ LIFE GROWS ♪
♪ HOLLOW AND SERENE ♪
♪ WANDERING ♪
♪ IN THE WINTER LIGHT ♪
♪ THE WIND CAN ACT THE SAME ♪
♪ THEY'RE WITNESS ♪
♪ TO SALVATION ♪
♪ AND LIFE STARTS OVER ♪
♪ AGAIN ♪
♪ NOW THE CLEAR SKY ♪
♪ IS ALL AROUND YOU ♪
♪ ALL ♪
♪ AROUND ♪
♪ LOVE'S SHADOW WILL SURROUND YOU ♪
♪ ALL THROUGH THE NIGHT ♪
♪ STAR GLOWING IN THE TWILIGHT ♪
♪ TELL ME TRUE ♪
♪ HOPE WHISPERS, AND I WILL FOLLOW ♪
♪ TILL YOU ♪
♪ LOVE ME ♪
♪ TOO ♪
♪ AH ♪
CAPTIONING MADE POSSIBLE BY WARNER BROS.