The Rewrite (2014) - full transcript

KEITH: So thanks very much for
having me in and here's my pitch.

Um, this is a movie I've had in my
head for a long time. It's a comedy.

Hopefully. (LAUGHING)

Anyway...

Let's say Jack Nicholson decided

that he wanted to know what
people truly thought of him.

Whether his life had actually
amounted to anything.

So he fakes his death and
stages his own funeral.

I just think the possibilities
are pretty hilarious.

Ultimately, amid all
the cliché eulogies

and insincere
expressions of grief,



he discovers one grandson
who truly misses him.

It could be very heartwarming.

I don't get this.

Just like I didn't get it when you
pitched it to me six months ago.

I did? Where was that?

At the Red Sunset premiere.

Glad I left such an
impression that night.

Oh, right, sorry, yeah, yeah.
I knew I knew you.

Sorry. Yes! Yes!

Yeah, you were between jobs and
looking for a development position.

So, bravo!

(STUTTERING) No, that
was a great night.

Oh, of course, there's no reason
why it couldn't be a woman.

You know, everyone
loves Betty White.



Keith, we love you.

We're huge fans.

This is the studio that made your
Paradise Misplaced 15 years ago,

- when Jenny over here was just an embryo.
- (ALL LAUGH)

It's a fun idea, it's
just not for us.

We're looking more for edgy comedies
with a kick-ass-type woman.

Now if you have something like
that, we'd love to hear it.

You are a fantastic agent as
you have frequently told me.

I just wanted to ask, do you think you
could possibly find me just, uh...

Just one job, you know?
Just any job.

OK.

There is something.

You have to hear me out.

KEITH: If it pays, I'll take it.

My brother-in-law is a chem professor at
Binghamton University in upstate New York,

and they're looking for a writer
in residence this semester,

cos the one they had died,
so I thought of you.

You thought of me
for a teaching job?

ELLEN: Look, you're going to
teach a screenwriting class.

You're going to take some
time to figure out your life

and write something great.

And they're going to give you
a car, a house, a salary.

Yeah, a pitiful one
I don't doubt.

Well, it's a lot more
than you're making now.

Yeah, but I can't teach and
I hate teachers, you know.

They're frustrated losers who haven't
done anything with their own lives

so they want to
instruct other people.

Oh, forget it, I will just
write my script on spec and...

(RINGING)

Keith?

KEITH: OK. Where
exactly is Binghamton?

KEITH: The city of Binghamton
is 2,754 miles from Los Angeles

and 172 miles northwest
of New York City.

IBM was founded there.

Sir, is this your bag?

- Yeah.
- Well, we have to check it.

OK.

KEITH: Rod Serling, creator of Twilight
Zone grew up and was raised there.

I admit there's a somewhat
ominous quality to that factoid.

What is this?

- Uh...
- "Best Original Screenplay."

Dude, you wrote
Paradise Misplaced?

I did. Yeah, yeah.

That's such a great flick.

Thank you. Thanks very much.

(EXCLAIMS HAPPILY)

Yo, Kevin, Ali, come here.

This is Keith Michaels. He
wrote Paradise Misplaced.

- You wrote that?
- Yeah, yeah.

A long time ago but I did, yeah.

Oh, I love that movie, man.

- My kids love that movie.
- Thank you, thank you, I appreciate it.

- Nice to meet you.
- Uh, nice to meet you, too.

Wow, look at this.

I could have brought a bomb on board
and no one would have minded.

Don't say that. That's not good.

Oh, you're so right.

I'm sorry. I apologise.

I used to know what was funny.

Thank you. Thank you.

KEITH: Binghamton is also the
birthplace of the Spiedie,

a sandwich consisting of cubes of
marinated beef, chicken, or pork

grilled over a charcoal pit.

Binghamton is amongst the top 10 most
cloudy and rainy American cities.

On the plus side, it is considered
"the carousel capital of the world".

It has never been the
site of a major riot.

And from what I can tell so far, it
is the absolute end of civilisation.

It's impossible to know what
anyone could have to teach here

except "get out".

Can I help you with something?

Oh, sorry. I'm just
a bit jet-lagged.

I just flew in from LA.

- You came here from LA?
- Yeah. Yeah.

I have come to teach
at the college.

- What are you teaching?
- Writing. Screenwriting.

You're Keith Michaels?

- I submitted a screenplay for that class.
- Ah.

He wrote Paradise Misplaced.

JUDY: Are you kidding me?

Come sit with us.

No, I don't want to impose...

Dude, you have to. It's only my
favourite movie of all time.

Uh, OK, I will... I will obey.

(WOMEN CHUCKLING)

Thank you.

(KEITH SIGHS)

I'm Karen. This is
Judy and Chloe.

Right. What are you
all majoring in then?

- I'm pre-med.
- Really?

And where do you stand
on full body scans?

Would you say helpful or would you
say cancer-causing cash conduits?

- Well, I mean...
- Nice alliteration.

I'm an English major.

I thought I recognised
a fellow sufferer.

And Chloe is majoring in, uh...

(LAUGHING)

Telepathy?

I can't believe you
wrote that movie.

That's absolutely, truly cool.

Nice assonance.

Assonance is the repetition
of vowel sounds.

Vowel sounds.

Look at me. Teaching already.

I really want to
take your course.

Well, that's good news. I
thought maybe no one would.

Fantastic.

(DOG BARKING)

(MOBILE ALARM BEEPING)

(GROANS)

- (BARKING)
- Henry, no. Sorry.

Henry's not used to seeing
people in the house.

I'm Jim.

(WHISPERING) Hi, Jim.

Henry.

I've got to get ready for work.

Right. No problem.

Hey.

Ah. Good morning.

Uh, I unfortunately have to go.

I'm supposed to meet the
head of the department.

Dr Lerner. I had
him for Chaucer.

- When you say you "had him" for Chaucer...
- (LAUGHS)

- This was really fun.
- Yeah.

- See you later.
- Yeah.

I like being a teacher.

Harold Lerner. How
was your trip?

It was nice. Thank you.

We could have had somebody
meet you at the airport.

I'm sure one of our nerdier English
majors would have been happy to do that.

Oh, no, no, that's fine.

Although I have actually
met some of the students,

and they're extremely
generous with their time.

Oh, sure, yeah, they're friendly.
Most of them are high.

US Marine Corps. I, uh... I
like to follow the rules.

Well, Writers Guild of America.
I feel exactly the same.

Ah, excellent.

Uh, let me grab something and
I'll show you to your new digs.

Yeah, yeah.

(WOMAN MOANING)

Good use of their
parents' tuition money.

Well, here's your new
home away from home.

- Uh, that's lovely. Yeah, thank you.
- Mmm-hmm.

Oh, there's a little faculty get-together
at 5:00 tonight in the Susquehanna Lounge.

Give you a chance to meet
the rest of the department.

Good. Great.

All right. Give me a call
if you need anything.

Yep, yep, yep.

Thank you. Oh, Dr Lerner,
you forgot your box.

Oh, I'm sorry, no. That's yours.

That's the 30-page screenplays
submitted by all the students

who wanna take your course.

About 70 of them.

And you teach day
after tomorrow,

so we're going to need your
selections right away.

You only have to pick 10.

We would have let
you know sooner,

but we didn't know you were taking
the job until a couple days ago.

OK.

- Happy reading.
- Yeah.

(CONVERSING INDISTINCTLY)

Mr Michaels! Mr Michaels!

Hi.

Hi.

Oh, I'm glad I caught you
before the faculty reception.

I'm Holly Carpenter.

Uh... Hello. Hello. And
what do you teach, Holly?

What, teach? No, I don't teach.
I learn. I'm a sophomore.

- Really?
- Mmm-hmm.

Oh, you are? That's great.
That's good. It's

wonderful going back
to school at your...

- Height?
- Yes, exactly.

I thought that's what you meant.

It was, it was. We're
very simpatico.

Uh, Holly, listen, I'm a
little late for this thing.

Am I going the right way
to the Susquehanna Lounge?

Uh, yes, it's straight ahead.

OK, great. Thank you.

I'm actually a psych major.

- And, um...
- Uh-huh.

We have a lit requirement,

and I've written short stories and
I've written poems. I love writing.

I have an idea for a screenplay,

I know the class submission
deadline was yesterday...

But I stayed up last
night and wrote this and

I hope that you would
still consider me.

Uh, thank you. Thank you.

Oh, I've got to tell you, I
love Paradise Misplaced.

I still watch it with my girls.

Oh, your girls? Are
you a lesbian?

(CHUCKLES) I wish.
No, my daughters.

Of course. Well, of course.

Well, I hope you watch a DVD and not
one of those illegal web sites.

Oh, I didn't know that was an option.
I'll have to check that out.

Ah, a criminal. Now I will read this
with genuine interest. (CHUCKLES)

OK, thank you. Thank you.

- Thank you.
- Yeah.

- I hope you like it.
- Oh, yeah.

(♪ CLASSICAL ON SPEAKER)

Mmm. Thank you very much.

- That is quite... Thank you. Yeah.
- You're welcome.

(CLEARS THROAT) Uh,
hi, Jim Harper.

My dog, Henry IV, and I were peering
in your window this morning.

Yes, wow. That was, that was...
That was unusual.

- Yeah. Henry kind of walks me.
- (BOTH LAUGH)

Listen, I love your movie.

Oh, thank you very
much, thank you.

I've actually written three, and
a co-writing credit on another.

Oh, wow, I didn't know that.
That's terrific.

Jeez, I wish I could
do what you do.

Oh, so do I. And
what do you do, Jim?

I teach Shakespeare.

Excuse me. Keith, I'd like you to meet
some of our other English faculty.

This is Ron Jenson,
Medieval Literature.

Pleasure. I really
love your movie.

Oh, thanks, the movies...

Paul Prentiss, American Lit.
Great to have you here.

Great, thanks a lot.

- Hi, Naomi Watkins, African Literature.
- Nice to meet you, Naomi. I'm Keith.

Clara Foss, fellow writer, resident poet.
Welcome aboard.

Well, that didn't rhyme at all.
I doubt your credentials.

(ALL LAUGHING)

And this is Professor
Mary Weldon.

Professor Weldon holds the Bainbridge
Chair in Comparative Literature

and she's about to publish
what will prove to be

the definitive work
on Jane Austen.

Oh, I'm so sorry. (CHUCKLES)

You don't like Jane Austen?

No, no, she's
obviously brilliant.

It's just I find it all a
bit trivial, you know?

Really? That's fascinating.
How so?

Well, isn't it all, you know,
"Who's going to the ball tonight?"

"My corset is askew.
However will I curtsey?"

(ALL LAUGHING)

I'd also like you to meet...

In other words, why should
a 21st century man care

about the obstacles facing
a 19th century woman?

No, that makes me sound like a misogynist.
I love and respect women.

As long as they're not writing.

On the contrary, there are
myriad women writers I adore.

- Can you name one?
- Elaine May.

I'm not familiar with her work.

Oh, she wrote A New Leaf, The Birdcage,
she did an uncredited rewrite on Tootsie.

- Movies?
- Mmm-hmm.

We're talking about literature.

And while you may not think much of
the women writers of that period,

Austen, Woolf, and the
Bronte sisters were artists

who represented the female
empowerment of their age.

Oh, well, forgive me,

but I'm just a little bit tired
of "female empowerment."

Whoa! Battle stations.

Dr Lerner, you must have
an opinion on this?

(LAUGHS) I have a wife and four daughters.
I have no opinions.

What exactly is your
opinion, Mr Michaels?

- Another glass?
- Thank you so much, that's nice.

It's just, honestly, everything seems to
be about female empowerment nowadays.

You know, any meeting I go to
in Hollywood, someone says,

"You know what we need? A kick-ass girl.
That would be a great twist."

Except every movie
has a kick-ass girl.

You know, some martial-arts,
CGI, slow-motion woman

who kicks the crap out of
every man in her path.

Can I tell you what would
be truly innovative?

A movie without a kick-ass girl.

Or, better yet, a movie where
a woman gets her ass kicked.

Perhaps you'd like to kick mine.

No, don't be silly. I
didn't mean literally.

Besides, not much of a target there.
(LAUGHS)

- Which I mean in a very nice way...
- (GASPS)

Cos you are in great shape.

You're... You're svelte.

Uh, this... Uh...

I'm sure you'd like
to meet, uh...

Somebody.

JIM: Hey. So this worked
out great, right?

Two of us living right
next door to each other.

- KEITH: Yeah.
- I'll give you a lift in tomorrow.

Oh, thank you, Jim.

You know, you're a lovely
man with an unusual dog...

But I don't think I can do this.

I actually miss LA, and I
didn't think that was possible.

"O thou invisible
spirit of wine,"

"if thou hast no name to be known
by, let us call thee devil!"

When I was younger,

I thought having the perfect
Shakespeare quote for any situation

would make me beloved.

It's surprisingly unhelpful.

Yeah, it seems to
really annoy people.

- (MOBILE RINGING)
- Sorry, hang on, hang on, hang on.

I'm going to have to take this. I
think I can find my house from here.

OK, sure, you go for it.

- Listen though...
- Hang on one second.

Give teaching a shot, OK? It gets
its hooks in you, you'll see.

With all respect,
I don't believe

that anything worth knowing
can be taught in a classroom.

And I intend to do as little as possible
while carrying on with this charade.

Yeah, if I gave it any thought,
I'd probably feel the same way.

Yeah, hi.

Oh, hi. I'm stuck in traffic, I
thought I'd check in. How's it going?

I'm very, very, very,
very cold, and, uh,

I have to read a
huge box of scripts,

and I just got into a fight with
Professor McGonagall about Jane Austen.

You know, it's interesting
that you should bring that up.

You know what J.K. Rowling said?

"Where did I put that
last billion dollars?"

She said that failure was the best
thing that ever happened to her

cos it freed her from
the inessential.

It allowed her to concentrate on the
thing that mattered most. Writing.

Maybe the time has come for me to write
that sequel to Paradise Misplaced

that you've been hounding
me for all these years.

Hey, hey. I thought you
weren't interested.

You said the story was over,
and if I remember correctly,

continuing it would
be creative suicide.

Yeah, well, that was when I was
young and believed in myself.

So now is the perfect time.

"Flo Bai."

Hello, Flo. Congratulations and
welcome to the screenwriting class.

"Dave Fenman."

You're a good-looking guy, Dave.
Get your own screenwriting class.

Not even close.

Hello. Good morning.
I'm Keith Michaels.

Oh, thank you.

Thanks very much. Thanks, yeah.

Thank you.

Well, now, um...

Since it will be easier for
me to evaluate your material

if I read an entire script,

and you've all
turned in 30 pages

and the average
screenplay is 120,

that leaves roughly 90 to go.

So if you write three pages
a day, six days a week,

you should all be done
in about a month.

Let's meet again then.

Great. Looking forward to it.

Hey. That's the way all classes should be.
Five minutes.

I had no intention of going
that long, I am so sorry.

(LAUGHS) So maybe later,
do you want to catch up...

Excuse me. Hi. Do
you have a minute?

Ah. Holly.

Oh, yes. I work at the
Campus Bookstore.

(KEITH LAUGHS)

Uh, so, Holly, this is Karen.

- Yeah, we've taken some classes together.
- Hi.

So you didn't accept
my screenplay

but I was wondering if you could
give me some constructive criticism.

I thought that I could
come during office hours.

Yes. Yes.

- I'll see you later, Mr Michaels.
- Oh, Karen.

(SNAPPING FINGERS)

Hi. I'm still here.

Yes. Yes, you are.

Well the thing is, Holly...

I'm not entirely sure
that I have anything

very helpful to say
regarding your screenplay.

- Oh. That bad, huh?
- No, not at all.

It's just that I don't really
believe that writing can be taught.

Oh, interesting position for a
creative writing teacher to take.

But true. You know, you
can't teach talent.

I think most people have talent,

they just haven't been exposed
to the right teachers.

I beg to differ.

You can get me the best
music teacher in the world

and I still wouldn't be able to
write songs like Paul McCartney.

How do you know? Have you tried?

No.

- Do you want to write songs?
- Not at all.

What are we talking about?

About the fact that the most idiotic
thing that anyone has ever said

is that if you just put your mind
to it and believe in yourself,

there is nothing you
can't accomplish.

(LAUGHING) I say that! Does
that make me an idiot?

No, no, not you. Other people.

How can I make my script better?

Uh...

Right, well, it could be more...

Um, organised.

"More organised" how?

- Uh, structurally.
- Structurally.

Yep.

Yeah. Structurally.

Did you like that part where
she looks in the mirror

and she sees herself
as an old woman?

Honestly, I found that
a little heavy-handed.

(CLICKS TONGUE) So did I. Which
is why I didn't write it.

You didn't read my
screenplay, did you?

No. But I didn't read anyone's
screenplay, don't take it personally.

It's entirely personal.

I worked on it and I would
like to tell this story.

OK. You're in the class.

No. I want you to read my script and
tell me if I have any potential.

All right. I will
read your screenplay.

Thanks. I think.

I'll let you eat in peace.

Oh, thank you, thank you.
It's a bit late for that.

(CLEARS THROAT)

Keith.

Dr Lerner.

Interesting wine and
cheese party last night.

I am so sorry. Honestly, I
was nervous meeting everyone

and you combine that with
the free-flowing wine

and it is just a recipe
for Austen-bashing.

Mary's a pretty powerful
presence around here, you know?

She's tenured, she's published.

She's also head of
the Ethics Committee

which means she can make
your life miserable.

Mmm.

Even get you fired.

She wants me fired? Already?

She's not happy.

She did use words in her email
to me like "harassment".

That's a very bad word.

Yes, it is indeed.
Here, walk with me.

Listen, I know you're a big Hollywood
guy, obviously you don't need this job.

Well, I wouldn't want to let
the students down, you know.

Well, then I'm afraid you're going
to have to kiss her svelte ass.

That sounds difficult.

I couldn't do it. And I
was in Desert Storm.

Should I bring her a gift
of appeasement, you know?

What does she like?

Jane Austen.

(TYPING)

FEMALE PRESENTER: And the award for
Best Original Screenplay goes to...

Keith Michaels for
Paradise Misplaced.

(AUDIENCE APPLAUDING)

KEITH: Uh...

This is, uh...

Well, it's tragic how much
I'm enjoying getting this.

(AUDIENCE LAUGHING)

And it's with tremendous
ill-grace, um,

that I grudgingly acknowledge the
contribution of a few other people.

Our brilliant director, Niles Kelling,
my very loud agent, Ellen Klein.

My beautiful wife, Tina, who,
frankly, could do much better.

And our son, Alex, who
I can honestly say

is the only thing I've ever
had a hand in producing

not desperately in
need of a rewrite.

(AUDIENCE LAUGHING)

So, uh, cheers, Alex,
and go to bed.

(AUDIENCE APPLAUDING)

Thank you.

(VIDEO STOPS)

(SNIFFS)

I'm not interested in your feelings
about Persuasion, Miss Stein-Rosen,

or anything else
for that matter.

I am interested in a
well-thought out analysis

corroborated with evidence from the
text and only the text. Not Wikipedia.

That's what I thought
I was doing.

What you thought you were
doing is irrelevant.

What you have done or in this
case, not done, is what counts.

Can I do some kind
of extra credit?

Like Habitat for Humanity?

(KNOCK ON DOOR)

Who is it?

Hello. Uh, am I interrupting?

I'm having office
hours, Mr Michaels.

Oh, OK.

Hi, Mr Michaels. I'm in
your screenwriting class.

Andrea Stein-Rosen.

Oh, yes, yes. Andrea.

Great Neck High School.
Likes Adele and Pinkberry.

Yeah.

I can come back.

Oh, no, I think we're done.
Right? Are we done?

Ten minutes ago.

Nice to see you.

Good morning.

Uh...

It could be said that we got off to a
poor start at the wine and cheese event.

"We" did?

I did. I did.

Bit too much wine, not
quite enough cheese.

Which is why I brought these
few small peace offerings.

These are DVDs of every
Jane Austen novel

including my favourite, Clueless
with Alicia Silverstone.

What is Clueless?

Oh, I think you'll like it.
It's based on Emma.

Bit hit. Spun off into a
mildly successful series.

Also, a gift certificate from Amazon
covering all the following items.

My personal favourite is the
"What Would Jane Do?" tote bag.

Mr Michaels...

Thank you.

This is the finest public
university in the Northeast.

Yes. I understand.

We expect a degree of professionalism
even from a non-professional.

Yes, of course.

Which means that you
behave at faculty events.

You read the material that
has been submitted to you.

You do not dismiss your
class for a month.

- Oh.
- Yes, I heard about that.

But I want to be fair, and act
without pride or prejudice,

if you'll forgive
the reference...

No, I very much enjoyed it.
It was good.

So I'll give you one more opportunity
to conduct yourself like a teacher.

Absolutely. I will watch Dead
Poets Society to prepare.

It's a film. It's
about teaching, um...

I'll get to it right after...
Clueless.

- Clueless? Great.
- Yes.

(HOLLY SIGHS)

Good afternoon.

- Oh, Mr Michaels.
- Please, call me Keith.

Sorry, my youngest was
throwing up all night.

- Oh, had she been drinking?
- (LAUGHS)

She's nine. But maybe, I'm a
really permissive mother.

How can I help you?

Well, by thanking me for
reading your script.

- Really?
- You want to test me?

It is called Local Girl,

and it is about a perky
Binghamton lass called Peggy,

who dreams big dreams about being a
dancer and is attracted to the wrong boys

and her father is
a police officer

and her mother is a
beautician and opera singer.

- Wow, you really did read it.
- Uh-huh.

So, what did you think?

I think that your characters
are quite interesting,

but that it's a little
randomly structured.

Anyway, I have sent an email telling
everyone that we have class today

and I would like you to attend.

(CHUCKLES) Great.

Congratulations.

I just have a question.

I would expect no less.

If you don't believe writing can be taught,
what are we going to be doing in class?

Well, we're going to, uh...

Uh...

(CLEARS THROAT) So...

Why don't we deal with
attendance, you know?

Get that out of the way.

Rachel Anslow. Now am I
pronouncing that right?

Is that "Ans-low"
or is it "An-slow"?

(QUIETLY) "Ans-low."

Sorry, I didn't
quite catch that.

(LOUDLY) "Ans-low!"

OK. OK, OK. That's fine. Tick.

Um...

And another tricky one. Flo Bai?
Or should I say "bay", "bai"?

It's "bay". But I
could go either way.

KEITH: Good. I appreciate
your flexibility.

Could be either, or indeed, "eye-ther".
(CHUCKLES)

Let's call the whole thing off.

Uh, I'm sorry, Miss Stein-Rosen, but
you will have to wait for the "S's".

Or is it the "R's"? Um,
interesting question.

I was just going to say, I
think everyone is here.

There were 10 of us last time,
there's 10 today, plus...

Oh, yes, yes, yes.

Everyone, welcome the new student
to our class. Holly Carpenter.

Holly, perhaps you'd like to tell
us a little bit about yourself.

No, I'm good, good. Thanks,
thanks for asking.

I see.

Uh...

So, the consensus is that
we're all here, yeah?

ALL: Yeah.

All right, all right, if you think so.
Seems a little rash to me, but, uh...

Mr Michaels?

Maybe you could tell
us a little bit about

why you decided to come
to Binghamton and teach?

I certainly could,
Miss Carpenter.

The truth is that, uh...

I...

The truth is that I'm going
to be writing a movie

about a teacher and
this is all research.

(ALL MURMUR EXCITEDLY)

Who's going to be in it?

I'm afraid I'm not at
liberty to discuss that.

You know, Matt hasn't
committed yet...

Matt Damon? Oh, my God!

- Oh, my God!
- I did not say that, no.

No, the point is that, you know,

I have to learn who my
protagonist really...

Protagonist, protagonist,
protagonist.

Pro-tag-on-nist

is all about, you know,

what he aspires to be, what
goal he wishes to achieve.

You mean like how in A New Hope,
Luke wants to become a Jedi Knight?

Yeah, perfect example, Mr...

Frazier. Billy Frazier.

Yeah. Billy, good, yes.

A goal has been established and the
story consists of trying to overcome

the obstacles in the
way of that goal.

Feel free to write that down.

And, I bet that if you all
thought of your favourite movie

you could identify the hero or
heroine and what their goal was.

Dirty Dancing.

Are you serious? That's
not even a movie.

It's a wack Cinderella fantasy
that's totally devoid of reality.

(MOBILE RINGING)

Uh...

Just excuse me one second.

You know, Hollywood never rests.
(CHUCKLES)

- Yeah, hi.
- ELLEN: Hey. Are you OK?

You sounded like you were going
to kill yourself last night.

I was, but it was far
too cold and rainy.

Listen, I am actually
teaching at the moment.

OK, good, good. Well,
I'm just checking in.

You hang in there and I'll
talk to you soon, OK?

Yeah, I will do, will do.

And just one other thing.

Um...

Tell them if Matt wants a meeting
he's going to have to come here.

Matt? Who is Matt?

Because, you know,
there's always Ryan.

(GASPS) Gosling or Reynolds?

- OK. Talk to you soon. Yeah, ciao.
- Ciao.

I'm so sorry about that.
They never leave me alone.

So, any other favourite movies?

HOLLY: Hey.

You made it through. Sort of.

I couldn't have done it without
your probing and annoying question.

I'm always here for you.

Mr Ronson.

Your pages were excellent.

- Really?
- Yeah.

Thanks, Mr Michaels.

(SNEEZES) Sorry.

Oh!

I think I might be coming
down with something.

Do you have any idea where you
might be going with the story?

Um...

Yes. I have more pages.

All of them, actually.

Sorry, why did you
only hand in 30?

That's all they asked for.
I didn't want to impose.

(SNIFFING)

Well, I'd love to see the rest, if and
when you're comfortable sending them.

And assuming you live that long.

Dismissed.

JIM: Henry, let go.

It's garbage.

- Evening, Jim.
- Evening.

- Henry, how are you?
- Hey, boy.

You know, Karen, I want to
have a quick chat with Jim

about the correct schedule for
garbage pickups for a moment,

so why don't you go on
in and I'll catch up.

OK.

OK, don't be too long.
You want it hot.

Take care, Professor Harper.

I'll put on some music.

(HENRY BARKING)

OK, all right, Henry.

Quiet, Henry.

Sorry about Henry here. I think
he's why my wife left me.

Your wife? I didn't
realise you were married.

Yeah. She's with some visiting
professor in the Physics Department.

One of the guys that helped discover
that whole Higgs boson thing.

The glue to the universe.

She's impressed with
that kind of stuff.

Listen, um...

- About Karen...
- Mmm.

You know, we've been
spending some time together.

Uh-huh.

Yeah, I think I may
have seen that.

Right.

You know, she's been very
welcoming, very friendly.

- Lot of school spirit. Uh-huh.
- Right, right.

And she's actually
also taking my course.

Ah. Ah.

OK. I gotcha.

Right. So I was just wondering if
there's any kind of, you know,

university policy or official
position on that kind of thing.

Yeah, it's totally
against the rules.

- Is that right?
- Yeah, no, big time.

People get fired for that.

Wow, I didn't realise, so...

Don't worry. Your
secret's safe with me.

- Thank you very much, Jim.
- Sure.

(CAR HORN HONKS)

- Gentlemen.
- JIM: Well, hey.

Just coming back from a grocery run.
What are we talking about?

I was just trying to remember
which Shakespeare play, the line

"Tomorrow and tomorrow, creeps
in this petty pace" comes from

and Jim was assisting me.

Macbeth. Act V, Scene V.

- Very impressive, very impressive.
- Wow.

- That is why he's Department Chairman.
- Right.

Actually, I'm
Department Chairman

because it pays more and
I have four daughters

who spend so much time at the mall,
the mannequins call them by name.

Wow. So it's just you in the
house with five women, huh?

Yup. Me and the girls.

(♪ LOUD HIP-HOP ON STEREO)

Well, I'm going to go and
brush up on my classics,

so I will see you
gentlemen later.

And, I'm just going to go ahead
and walk my friend here.

"Once more unto the breach".

Thank you. Here you are.

Good timing. Last umbrella.

Yeah, I'm quite excited. I haven't
actually owned one of these

since I left England
about 100 years ago.

But your horrendous weather
has forced my hand.

No, you're looking at
it all the wrong way.

First of all, think about how
much you save in suntan lotion.

Yes, I see that. And sunglasses.

And convertibles.

And bikinis. I'm now very
glad I did not bring mine.

I can lend you one
when it gets sunny.

Oh, you're saying there
actually will be a sunny day?

Oh, yeah. It gets sunny,
and it is worth the wait.

The lawn is filled with
Frisbees and guitars.

Professors teach outside
and it's just, you just...

You soak it all in, you absorb it, like
the best scoop of ice cream you ever had.

What a sad, pathetic story.

Too randomly structured?

- Bit cliché.
- Mmm.

Saying "a bit cliché"
is a bit cliché.

Mark Twain said that,
"The difference between

the almost right word
and the right word"

"was the difference between the
lightning bug and lightning."

I love it. This is the kind
of stuff I want to learn.

Yes, and this is exactly
what can't be taught, so...

I know, I know. No one
can learn anything.

It's all set in stone, let's
just all kill ourselves.

This is what I'm talking about.

- Late Bloomers.
- Mmm-hmm.

Looks like one of those Victorian
plays where many people say, "arse".

Well, it is about people who find
their true talents later in life.

Sylvester Stallone, he was
a deli counter attendant.

Rodney Dangerfield gave up selling
aluminium siding to go on to become

- one of the most famous comedians ever.
- Yeah?

Alan Rickman, a
fellow countryman,

didn't get a movie
role until he was 48.

- Wow.
- Susan Boyle was 46.

Laura Ingalls Wilder didn't write Little
House on the Prairie until she was 65.

Incredible. And look at that.

Jesus didn't give up
carpentry until he was 30.

Yeah, and now he's, like,
a top guy in his field.

The thing is, you see, I would argue late
bloomers may have had talent all along.

It was just unrecognised.
There's a difference.

I disagree. I think it's
just about focusing.

Right.

Uh-oh.

I wish you'd focused
on my umbrella.

Oh, it's a good thing I
don't work on commission.

Hat?

Yes, all right.

(KNOCK ON DOOR)

Uh, yeah, come in.

Clem, hello.

- Are you all right?
- I noticed this discolouration on my arm.

I thought it was the
flesh-eating virus, but

the infirmary says
it's just a dry patch.

Well, better luck next time.

But the good news is,

I have now finished your
completed script, and...

It's brilliant.

- Wow, really?
- Yeah.

It's unbelievable. It's annoying, actually.
Have you always written?

Pretty much. Especially
in high school.

It gave me something to do in
between getting beaten up.

Yeah well, most good writers spend a
lot of their time getting beaten up.

And I'll tell you something
wonderful about Hollywood.

Nerds can rule.

Not that you're a
nerd, I mean...

Are you kidding? I
aspire to nerd.

OK, so, what I'd like to do is
just give you my few, inane notes

which if you've seen my last few
movies, you will know to ignore

and then, I'd like to
show this to my agent.

(STAMMERS) Are you kidding?
Thank you.

(SNEEZES)

I don't have a Kleenex,
but I have this.

It's as good as.

ANDREA: Let's ask the
Rabbi what he thinks.

Suddenly, they see Rabbi
Stein eat some food.

Alicia says, "Oh, no,
he's allergic to nuts!"

And the Rabbi grabs
for his heart.

End of Act 1.

It's completely contrived.

Your lead character resembles no
one who's ever walked the planet.

She's based on me.

Maybe you need a villain.

He could wear a mask that covers his face.
You could hear his breathing.

I thought it had some
really nice touches.

Me too. I really enjoyed it.

Very quick read.

You start with two pages
describing clouds.

If it was a movie about
a meteorologist, fine,

but it's a story about a
Bat Mitzvah gone wrong.

KEITH: Ok, Andrea, good.

Let me just ask you this question.
Sit down.

Why did you write this?

- What do you mean?
- KEITH: Well,

what was the thing that made
you want to write this story?

- I don't know.
- KEITH: OK.

Your favourite film, Dirty
Dancing, what's that about?

A girl who learns to
dance and falls in love.

Yes. But isn't it
about more than that?

Isn't it about a girl named Baby

who discovers that she is
in fact becoming a woman?

Isn't it about lost innocence?

Yes, I guess so.

See, the thing is, writing
a movie is so hard,

it's like jumping into the sea.

And you need a life raft.

And that raft is the
impulse behind the movie.

It's the thing that made you want to
write the story in the first place.

You've got to figure that out and
then cling on for dear life.

So why did you write
Paradise Misplaced?

- We don't want to
talk about my stuff.

- ANDREA: Yeah, why did
you tell that story,

- Mr Michaels?
- How did you come up with that?

- Yeah, what was your life raft?
- Did you have a near-death experience?

Oh...

Well, it was a...

I used to tell my son
stories at night.

You have a son?

Yeah, yeah, Alex.

He's 18 now

and he is a freshman at
Stanford University.

Wow. So, he's really smart.

Well, his mother was quite clever.
Smart enough to divorce me anyway.

- (ALL CHUCKLE)
- But, while we were still together,

my dad died and...

Suddenly Alex, at age five,

became frightened of the dark
and obsessed with death.

So I invented a story about
heaven to comfort him.

He didn't really
buy it, you know?

He had so many brilliant
and detailed questions

that I had to refine my
answers every night.

That turned into the story of two angels
who botch a mission to take a soul

to heaven and have to go
to hell to get her back.

Paradise Misplaced.

Yeah, yeah.

It was a fairy tale, you know,

designed to make a
five-year-old boy go to sleep.

And that's the thing, you know.
Just having that idea,

however big or small,
is an enormous help

when you're drifting to sea somewhere
in the middle of your second act.

I mean, let's say, for instance,

that I was going to write a
sequel to Paradise Misplaced.

Are you going to do that?

I ask the question
purely academically,

but you know, what could be
the spine to that story?

Well, I always thought Paradise
Misplaced was about second chances

and how it's never too late to redeem
yourself and to start over again.

Interesting, Miss Carpenter,
yeah, yeah, yeah, yeah.

I'm sorry, I just had
an unrelated thought.

- Yeah, Billy?
- Maybe instead of going to Hell this time,

they go into space.

OK, yeah. I think I see where
you're going with that one.

It needs a love story.

It should be in 3-D.

One of the angels from
the original movie

could have been captured
and brought down to Hell

so two younger angels have
to try and get him back.

Jonah Hill. And Channing Tatum.
We know that works.

Good, good, good, good.

Yes. Well, I hope you're
learning something here.

KAREN: Hey. Hey!

That was an incredible story
you told about your son today.

Oh.

Yeah. I shouldn't have really
gotten caught up in all that.

No, it was really moving.

I was just surprised you
hadn't mentioned it before.

Hey, let's go someplace and talk.
Really talk.

There's this restaurant
called Number 5.

You know, that would be lovely,
but I had not realised

that there's this school policy.

Discouraging teachers
and students

from having "romantic and
extracurricular relationships".

- Yeah, exactly.
- But it happens all the time.

I've had relationships with three of
my professors and teaching assistants.

Wow. Three.

And I just think
trying to tell adults

what they can or can't do with their
personal lives is ridiculous.

I agree with that,
but in our case,

one of us is so much more
adult than the other.

I don't mean emotionally, because
obviously that would be you...

Age is just a number.

I care about who a person is.
And you're an amazing man.

- Well, fair enough...
- Listen to me.

Do you know Steven Spielberg?

Know him? No, not really.
We've met.

If you bumped into him in the
street, would he recognise you?

Well, if I bumped into him really hard
and, you know, reintroduced myself

when he was lying on the
sidewalk, I suppose.

What about George Clooney?

We had a lunch. I pitched him
something he really hated.

Do you realise how amazing this is?
These people are the gods of our time.

Yeah, I'm not sure anyone
in the Screen Actors Guild

should really be called a god.

Every society back to
ancient times had gods.

I'm minoring in anthropology.

First it was the
stars and the sun,

then the Greeks and Romans
anthropomorphised them.

Then, we had monotheism,

and in today's culture our
gods are celebrities.

And you know them personally.

I suppose that makes
me a kind of demi-god.

Quite a morale-booster.

Besides, what if you meet
your soulmate this way?

What if you meet the person
you're going to marry?

Is that something
to be discouraged?

No, I suppose not. No.

Then let's go to dinner.

Unless, you just want it to be about sex.
And I'm fine with that.

Just say that you only
want it to be about sex.

I certainly don't want that.

I...

Let's talk about it at dinner.
That's a good idea.

Great.

(♪ JAZZ MUSIC ON SPEAKER)

Calm down. No one's
going to see us

and who cares if they did.

Yup. You're absolutely right.
Silly of me to be worried.

So your son? What
is he majoring in?

Well, you know...

I'm not absolutely certain.

Welcome to... Oh.

- Oh, Lord.
- HOLLY: Hi.

- Mr Michaels and Karen.
- Hello, Holly.

Wow, so you work here?

No, I just walk around with a pad and
I find out what people like to eat.

- I'd like the ahi tuna.
- HOLLY: OK.

Excellent choice.

Great. And a glass
of Chardonnay.

OK. Just need to see an ID.

Seriously?

That's just restaurant policy.

Oh, I'm sorry. That
doesn't look real.

Yes, it is.

I can take it to the manager.

I'll tell you what. Why
don't I order a Chardonnay

and we can share it.

OK. Are we going to get straws?
Am I three years old?

Well, we don't really know,
because your ID is fake.

Sorry.

I'm going to change
my order, it's fine.

I'll have a beef enchilada
and a margarita

at Café Mexico with
Judy and Chloe.

Karen.

Karen.

(WHISPERING) Don't make
a big thing about this.

She's being totally rude and it'd
be nice if you stood up for me.

Either you take me
seriously or you don't.

No, I do.

I just think it's probably
her job to ask that question

- and she...
- Good night.

Daughters.

It might have been real,
we just have to check.

Yeah, yeah, yeah, yeah.

So, the ahi tuna actually
sounded delicious.

And I will have a
glass of Chardonnay.

Thank you.

Would you like to see ID?

HOLLY: Hey, I'm
driving you home.

KEITH: Wow, this is a
full-service restaurant.

Well, you had two glasses
and you had two at the bar

and if you die, I don't
get to take your course

and it's going to screw
up my whole schedule.

What about my car?

It's a Hyundai. It'll be
there in the morning.

Oh.

The girls are doing a disco performance.
(CHUCKLES)

I'm helping. You know,
I used to dance.

No, I know. You danced modern.
It's in your script.

Peggy goes all the
way to the big city

to dance before coming
back and marrying Ted,

the hot, but quite thick minor
league baseball player.

I didn't write "big city".
I said "New York".

You think we're all
rubes up here?

Very much so, yes, yes, yes.

That true, did you really dance
in an off-Broadway show?

Yes, until I blew my ankle out.

Oh.

Must have been tough, coming back
here after being in the big...

Manhattan.

Why? Hmm?

Binghamton rocks.

Oh, I know. I know.

How does it rock?

HOLLY: Gorgeous.

One of the oldest antique
carousels in the United States.

Rod Serling used it as the model

for one of the most famous episodes
of The Twilight Zone ever.

Do you know it?

KEITH: I was always too scared
to watch The Twilight Zone

because of that music.

You mean...

(♪ HOLLY HUMMING
TWILIGHT ZONE THEME)

Yup, that's it. Yup.

(CONTINUES HUMMING)

You're very good. You can stop now.
Please.

Please, seriously, stop, stop.

It's the story of a middle-aged
man who's lost his way

and goes back in time to the
park he used to play in.

This park.

And, he rides the merry-go-round

and he sees his father
and his father tells him

that he has to move
on with his life

because he's been looking behind him
and he has to try looking ahead.

KEITH: All right, well, thank
you for the history lesson.

CAROUSEL WORKER: Folks,
closing in a minute.

KEITH: And thanks for being so
understanding tonight about Karen.

It's not what it seems.

HOLLY: Seems like you're
sleeping with her.

- Then it is what it seems.
- (CHUCKLES)

I mean, I realise I shouldn't
be leading her on, but...

- Oh! (CHUCKLES)
- I mean, it takes...

You think it's about you?

It's about her father.

What do you mean, it's
about her father?

The whole subtext of her
script is about a young girl

trying to get her distant,
powerful father's love.

You're just a substitute for the attention
she never got from an older male figure.

That's rather disturbing.

What's disturbing is what
does it say about you?

You trying to fill a spiritual vacancy
with alcohol and young women?

Yes.

Well.

- Thank you very much.
- Mmm.

No problem.

- Good.
- Yes.

That was very nice of you to show
me the sights of Binghamton.

Oh, the sight.
That was about it.

Well it was surprisingly
lovely and...

You're very easy to talk to even
though you did do most of the talking.

Thank you. I think.

And you look very nice in
your waitress uniform.

But, I've always had
a yen for uniforms.

I think Kim Jong-Eun
looks pretty sexy.

(CHUCKLES) Well, I am
flattered by the competition.

(SOFTLY) Yeah.

OK. Good night.

Good night.

KEITH: Character.

Character is everything.

Fortunately, not in life,
but in storytelling.

Make sure that your
characters drive the plot

and not the other way around.

Yes, questions? Anyone else?

Karen, yeah?

I'm just wondering, given that
besides Paradise Misplaced

all your other films were
critical and commercial failures,

why should we take this
or any advice from you?

(STUTTERING) Well, you shouldn't.
Because, um...

When it comes to writing,
there are no rules, you know?

(CHUCKLES) Except be true to
the story you're telling.

Just make it your
own unique voice.

So thank you for pointing that out, Karen.
That's very helpful.

(INAUDIBLE)

KEITH: Well, I enjoyed
your pages, Sara,

but, why is it subtitled
when the film is in English?

To demonstrate the vast gulf between
what we say and what we mean.

No one's ever done that before.

Yeah, I think Woody Allen
did it in Annie Hall.

That was a comedy.

I'm not interested in comedy.

No, no, I do see that. Yes.

- Thanks, Mr Michaels.
- Thank you, Rosa.

- Thank you, Mr Michaels.
- Thank you, Andrea, Clem, Billy...

Maya. At last, thank you.

Andrea, this is vastly improved.

Really? I'm going to cry.

No, really, you've
done a good job

of foreshadowing by starting the
script with the Bat Mitzvah video,

giving us a hint of
the horror to come.

But, I still think maybe you just need to
define the larger theme of your story.

What about the idea that you really
have to do everything yourself?

Because you can never
trust caterers.

Yeah. That might be a tad
close to The Hurt Locker.

Did you think you could
maybe dig a little deeper?

I don't think I go that deep.

That's what everybody
keeps telling me anyways.

Well, let's prove
everybody wrong.

(INAUDIBLE)

OK, well here's my
thought, Billy,

and I know how much
you love Star Wars,

but I'm just not sure it's really
going to pass muster to just

retell those stories and
change some names around.

I didn't.

Well, you have a small, wise,
greenish character called Zoda.

- That's not the same.
- Yes,

but I just think maybe it'd be
good to let go of your obsessions.

Do you have other ideas?

I was thinking about
trying to join a frat.

Well, that would take care of
your social life, I suppose.

Uh...

Anything we could
do, writing-wise?

They're kind of the same thing.

A lot of nights when I'm
sitting home alone,

Star Wars is what I
look forward to.

And sometimes I wish it was real
and I could go live in that world.

So, that's what I write about.

It's just that somebody
already wrote it.

Yeah, no, it's bad timing.

So you think I should
do the frat thing?

Yeah, why not? Expand
your horizons.

Go forth like Luke Skywalker and
find new worlds to conquer.

(♪ CLASSICAL MUSIC ON SPEAKER)

- Mr Michaels.
- Rosa.

Sorry to bother, but...

That was an awesome class on character
development the other day. Thanks.

Oh, well, my pleasure, Rosa.

(JIM SCOFFS)

You know, I've been
teaching for 25 years,

nobody's ever thanked me.

Thank you.

You're welcome. Ooh,
that felt good.

I've been hearing really good buzz
from the kids on your course, Keith.

I know Hollywood is calling, but if you
could stay, we'd love to have you.

KEITH: Well, I appreciate that,
it's very flattering. Thanks.

I don't think students should even
be allowed to attend these events.

(♪ FUNKY MUSIC ON STEREO)

(HOLLY SPEAKING INDISTINCTLY)

(GIRLS LAUGHING)

Oh, you look good doing that.
Watch the hair.

(HOLLY WHOOPING)

(MOBILE RINGING)

- Yes, hello, Ellen.
- Hey.

- Got the outline. Looks good.
- Excellent.

I think even an agent of your
calibre should be able to sell it.

And, I have a script I'd like you to take
a look at by a young man in my class.

Oh, yeah?

Yeah. It's called
Veronica, Out of Time

and it's about a kick-ass girl who
gets sucked into a time machine

and has to fight her way back
through various periods of history.

Imagine The Matrix
meets Gossip Girl.

- Oh. Hold that. I like that.
- Yeah, me too.

And if anything happens with
it, I would like to produce.

Email me the pages. In the
meantime, stay out of trouble.

I'm in Binghamton. What
trouble could I get into?

Oh, hang on.

I think I just discovered how the
rhetorical question was invented.

- I'll talk to you later.
- Bye.

Hi.

I want to discuss our relationship,
if you can call it that.

Well, exactly, I am not
sure that you can,

because if your script
is any kind of guide,

it could be said that any
interest you have in me

is just a misplaced attempt
to earn the attention

that you never received from
a remote father figure.

Jesus.

I mean, I don't mean to offend.

(CHUCKLES) That's
unbelievably insightful.

Well, it was very obvious
to me from your pages.

And, can I tell you what I think

is the most significant problem with
your otherwise very promising script?

Fine. OK, sure, tell me.

All right. So your father character is
rich, narcissistic, selfish, womanising...

Yeah, I know. Too unlikeable.

No, no, no, I loved him.
He's fantastic.

You loved him? That's perverse.

Well, he's an incredibly
well-drawn character.

The problem is with the daughter,
she's sort of paper-thin, you know?

She's a good daughter,
she's a good student.

There's no flaws, nothing
needs to be fixed.

So? The father
needs to be fixed.

Which is what makes him
an interesting character.

And in reaction to that, I think
that maybe the daughter should be...

(STAMMERS)

Libidinous, spoiled, sexually
manipulative, you know, more like...

(STUTTERS)

So many interesting characters.

Like me? You were
going to say me.

- Not at all.
- You were looking right at me.

I was looking in that direction.

Karen, Karen.

Listen, listen. I did not mean you.
I did not mean you

and I really do think that your
script has enormous potential.

And I really do think you
should go fuck yourself.

Oh, and bring my weed in.
I left it your house.

Because after this relationship,
I really need to get baked.

Oh, uh...

Office hours.

There's nothing like one-on-one
time with a student, is there?

How are you today?

Hey, are you OK, buddy?

Uh, I'm not sure.

Maybe I should go home and
eat the rest of Karen's pot.

Mmm-mmm.

I know what you need.

(♪ BLUES ON SPEAKER)

Mmm!

Right?

Incredible.

All we need is a good
wine and this is Paris.

Mmm-hmm.

Well, since my four daughters
and my wife became vegetarians,

I'm not allowed to have any
meat in the house, so,

I'm going to get some pork Spiedies
to go and store them in my office.

- That's a little bit sad, isn't it?
- What?

Well, you know, being
henpecked to death like that.

Are you kidding me? He's
the happiest guy I know.

At faculty meetings,
we bet on how long

it will take him to cry when
he talks about his family.

Twenty-five seconds
is the record.

Seriously? Dr Lerner?

I'm telling you. In a perfect
world, I should be that happy.

I started seeing
this woman, Joan.

She's an insurance
agent with State Farm.

She specialises in collision.

Don't let her go.

I'm trying not to.

What's the secret?

You're asking me?

I've been divorced for 10 years and
you just caught me in the hall

being severely berated
by an undergraduate.

I don't know, my only thought
is that you be yourself.

- No, that's not going to work.
- No, you're obviously right.

But in an ideal world, that's
what you hope for, isn't it?

That you find someone you can
be yourself with, you know?

Some smart, funny woman
full of fire and honesty,

who looks great dancing barefoot

and can obviously see
straight through you.

Ah.

Why barefoot?

I enjoy feet.

Hey.

So, Harold, you don't happen to have
any pictures of your family, do you?

Oh, I don't know, maybe.
I might.

A-ha, Look at that.

DR LERNER: My wife, Helen.

And that's Kate,
Rosalind, Olivia

and the little one is Beatrice.

That Beatrice.

She's got a mischievous glint
in her eye, doesn't she?

Yeah. Unbelievable.

(VOICE BREAKING) I
forgot napkins.

- (WATCH BEEPS)
- OK, 33 seconds. Solid time.

- So, this is funny.
- Hmm?

- It's engaging.
- Uh-huh?

My only thing is I'm just a
little confused about Jack,

this conservative, older banker
who is now dating Peggy.

Oh, what's wrong with him?

Well, he's a bit dull
for Peggy, isn't he?

(STUTTERS) No, Jack's steady.
He's from Peggy's hometown.

He'd be a great stepfather.

Yeah, but Peggy
doesn't love Jack.

Mmm, maybe not, but
Peggy can learn to.

Ah, yes, of course, if
Peggy puts her mind to it.

Stupid of me, yes.

And, you know, Jerry's
not such a bad egg.

Wait, wait, stop, stop, stop.

Who's Jerry?

Does Jack know about Jerry?

No. Jack is Jerry.

- Jack is Jerry.
- Jack is Jerry.

Oh, so Jerry is a
man you are seeing.

Yes. And that's why the
character should work.

Because I'm writing from real life.
I'm writing what I know.

Isn't that what you're
supposed to do?

Not at all, no, no.
That's absurd.

I mean, for a start, what if you're like
me, what if you don't know anything?

But, you're writing your Matt Damon
movie about being a teacher now

and you wrote about your
son and that worked out.

Yeah, that's debatable seeing as we
haven't actually spoken in over a year.

But Jack, or should
I say Jerry...

You haven't spoken to
your son in a year?

Well it's not a big deal, it's just
that after his mother remarried,

we sort of saw less and
less of each other, so...

Cos when you spoke about him in
class, your whole face lit up.

Yeah, well, I was
very fond of him.

And now you're not?

There is no adulation like
Hollywood adulation, you know?

People that you have only seen in
magazines tell you that they love you

and they want to be your friend.
And it's magical.

Until your next film is not as good
and the one after that even less so.

And suddenly, your
confidence is shattered

and your wife leaves you for the
man who directed your one hit.

The guy who directed
Paradise Misplaced?

- Niles Kelling.
- Oh, God.

He's big. Hit after hit.

Yeah, thank you very much.

And, as I was drinking
a bit too much

and dating actresses
young enough to believe

that a writer could
get them a job,

I sort of stopped calling Alex.

Because you think he feels about
you the way you feel about you?

Yup, yup, yup. And
really, why wouldn't he?

You know, cos he's with
his mother and stepfather

flying to Hawaii
on a private jet

while Dad is being rejected
for a rewrite of Piranha 3D.

And is not being a
great dad anyway.

"As long as you're alive, you
can forgive and be forgiven."

"Once you're dead, it gets
significantly harder."

That's from Paradise Misplaced.
My favourite movie.

One of them anyway. Top five.

Definitely top 10.

I'm very worried
about your taste.

Top 20.

Call your son.

Really?

Really.

Is it so bad, where you're from?

I thought so, Pop.

I've been living at a
dead run and I was tired.

And one day I knew I
had to come back here.

Had to come back and get
on the merry-go-round

and eat cotton candy and
listen to a band concert.

Had to stop and breathe.

Maybe when you go back, Martin,

you'll find that there are merry-go-rounds
and band concerts where you are.

Maybe you haven't been
looking in the right place.

You've been looking
behind you, Martin.

Try looking ahead.

(ON VOICEMAIL)
Hey, this is Alex.

Leave a message and
I'll call you back.

Hello, there.

(CHUCKLES NERVOUSLY)

I'm not sure if you recognise
this voice any more, but, uh...

It's me, um...

Your father. Wanting to say hi.

Wanting to check up on
you, make sure you're OK.

Wanting to say, um...

Uh, I love you and I miss you...

And, uh, it would be great

if you had the
inclination to call me.

I'm on the same number.

Uh...

That's probably it.

OK. OK. It's your dad.

(CHUCKLES)

(SIGHS)

- MAN: Hey, Keith.
- Hey.

(MOBILE CHIMES)

DR LERNER: Keith, here's
why I texted you.

Professor Weldon claims that
based on what she witnessed,

you have been carrying on "an inappropriate
relationship with a female student."

(GROANS)

Now, if you just go away
quietly, it'll be fine.

Otherwise, she'll take it to the Ethics
Committee and there will be a hearing.

And would that be
a public hearing?

- Behind closed doors.
- Well, thank God for that.

But they usually wind
up on the Internet.

What is wrong with that woman?

Weldon? She's elitist,
lonely, miserable...

(EXHALES) And in
this case, right.

My oldest daughter is going
off to college this fall.

And if this happened to her, I'd
come after you. And I'd be armed.

I was sort of hoping you
were pro-gun control.

Well, I was a Marine, so I could
kill you with my bare hands.

A sharp blow to the Adam's apple. Knuckle
heart punch. Malaysian choke hold.

I wouldn't, you know,
because I like you.

- Thank you.
- Yeah.

(SIGHS)

But, Keith, you made
a mistake here.

Yeah.

KEITH ON PHONE: Hey, there. Any news on
the outline? It has been a few days.

ELLEN: Listen, Keith.

The studio is planning to
do Paradise Misplaced Two.

But, they want those guys
Furman and Lesser to write it.

Why, what...

Wait, wait, wait. Maybe,

maybe they just want to hire these guys
because they think I'm not interested?

No, no, no. I told them
that you were interested.

But they said they're looking for a
fresh perspective. A new voice...

You know, blah, blah,
blah, blah, blah.

But look, you do have a roof over your
head and you have some money coming in...

And you must be teaching
those kids something

because I love that script you sent
me from that boy in your class.

That's good. You should call him.
You should call him and tell him.

You sure that's OK?

Yeah. I'm glad someone's
career is alive.

Your career is alive. It's just,
you know, dormant right now.

Just hang in. All right?

Yeah. OK. Yeah.

Bye.

(SIGHS)

(SCOFFS)

(CONVERSING INDISTINCTLY)

Walt Disney?

I actually think he is a genius.

- I agree.
- I love The Little Mermaid.

The music, the songs, the bubbles?
And Prince Eric was totally hot.

Please. Stop.

ROSA: Why do there have to
be all these distinctions?

Why can't you like 101
Dalmatians and Reservoir Dogs?

Exactly. Fantastic point, Rosa.

Mr Michaels, do you think you can
mention Disney in the same breath

as Tarantino,
Kurosawa or Bergman?

Well, you just did, Sara.
So, yes.

- And what's the difference?
- Sorry?

Well, Disney, Kurosawa, they're dead.
(CHUCKLES)

I mean, great art didn't save them, did it?
They're gone. They're forgotten.

Does anyone still watch Bambi?

Kurosawa. I think most people
would say that's sushi.

Bergman. I will give you $100 if anyone
here can name three of his movies.

- Wild Strawberries.
- The Seventh Seal, Persona.

KEITH: Yeah, well.
Apart from you two.

You know, it all fades.
It all turns to dust.

It's very hard to know why any of you
would want to do this in the first place,

because you will be rewritten,
discarded, fired, forgotten.

That's if you're lucky enough
to work in the first place.

So don't be under any illusion that this
will bring you immortality. Or happiness.

Perhaps it's better
not to even try.

(IMITATING YODA) Try not. Do or do not.
There is no "try".

Thank you, Billy. Thank you.

Excellent shirt, by the way. I think
that may be my favourite so far.

HOLLY: So one Scotch, and one...

Hi.

- Hey.
- Hey. You here for dinner?

- No. No, I had a Spiedie earlier.
- Sorry to hear that.

Um, no. I just wanted
to tell you something

and I didn't want you to hear
it in front of the whole class.

Weldon knows about Karen.

She's gonna put me in front of the
Ethics Committee, unless I leave.

Whoa. Uh...

- What are you going to do?
- I don't think I have a choice.

There'd be a hearing, it would inevitably
go public and everyone in LA would know.

- Not that they care, but then...
- And then your son would find out.

Exactly. Yeah.

Well, do you want to stay?

- The issue is whether I can stay.
- Yes.

- First, you gotta go to Weldon.
- And say what?

I've already bought her every Jane Austen
gift short of a "Hello, Mr Darcy" thong.

You tell her that you did an
incredibly stupid thing. Which it was.

Yes, yes. I think we've already
covered that ground very well.

And then you tell her that you didn't
know that it was against school rules

and that she was over 21, according
to her (FAKE COUGHS) fake ID.

Yes, fair point. Yes.

And then you tell her
how sorry you are.

Do you think that's
really going to work

with a woman who practically
wears a bonnet?

I think it's worth a shot.

Here you are. I'll be right
back for your dinner order.

I think I should
just go quietly.

Huh!

OK. Whatever you want.

I guess that it will give you more
time to work on your Matt Damon movie.

Oh, Lord, no. Look, there
is no Matt Damon movie.

- What? So, all that was just...
- It was a lie. It was a lie.

Yeah. I'm sorry. There's
no movie at all.

As a matter of fact, the only reason
I'm here is because I can't get a job.

But you do have a job.

You mean teaching? Well, yeah.
Number one, I'm no good at it,

and number two, I don't
have it any more, so...

But you don't know that
until you go to Weldon.

Holly, I wish I shared your faith that
if you just push yourself hard enough,

everything will work out.

It's very American, like country music, or,
I don't know, obesity. But it's not true.

You know, it won't
make anyone talented,

it won't get me a job, and it
won't make my son call me.

I don't understand. Why are you reducing
me to some kind of optimism machine?

You think I wake up in a motivational
video? This is what I believe.

I believe what I believe. This
is what I'm teaching my girls.

Oh, really, and how are
you teaching them that?

By contemplating marrying someone
because he's steady and secure?

I don't understand. So now, you're
giving me parenting advice?

If you like to dish it out...

I thought you wanted
to talk this through.

I don't understand. What
is going on with you?

- Miss? We're ready to order now.
- KEITH: I'm just saying...

Be right there.

Watch it!

KEITH: Well, listen. You've got to get
me something. Anything. A rewrite...

I'll work on reality TV as
a writer or a contestant.

ELLEN: Keith, I'm really sorry.
It's hard times out here.

- (SIREN WAILING)
- It's not just you, either. It's...

Wait a minute. There's some kind of
riot going on. I'll call you back.

MAN 1: Dude, not cool, man.

WOMAN: Is the party over?

- Mr Michaels.
- Sara, what's all the ruckus?

I don't know. I was coming to the party
and I saw cops and paramedics...

I wasn't going to drink.

Oh, It's fine, Sara. If
anyone needs one, it's you.

- PARAMEDIC: All right, people!
Clear the way!

- Oh, my God!

- MAN 2: Is he gonna be OK?
- SARA: It's Billy.

Excuse me. What's going on?

PARAMEDIC: Some hazing thing, made
him drink a half a bottle of vodka.

- He'll probably be OK.
- MAN 3: He should join a sorority.

All right, there are easier ways to get out
of finishing your third act, you know.

Mr Michaels.

Hey.

Those guys just kept saying
"One more, Obi-Wan, one more."

They didn't want me in the frat.
I'm such an idiot.

No, you are not an idiot, Billy.
You're, you know, you're weird.

But half the successful people
in Hollywood are weird.

Talking of which, I was thinking
about your screenplay, and I think

if you love Star Wars,
write Star Wars.

But just give it a little twist, you know?
For example, bad version...

College guy who's obsessed with Star Wars
meets a similarly-obsessed Star Wars girl.

Uh... Did you ever see
a film called Marty?

OK, I think you could
write a story like that.

- In fact, I think that could be...
- WOMAN: Billy, honey?

Mom, Dad.

Hi. I'm Keith Michaels. I'm a teacher.
I teach Billy.

- And I'll give you your privacy. Yeah?
- Thank you.

- DAD: Billy...
- MOM: Are you OK?

- Yeah, I'm fine, Mom.
- MOM: I'm so happy you're OK.

DAD: You really had your mother
worried, I'll tell you that much.

BILLY: Sorry about that.

(CONVERSING INDISTINCTLY)

Afternoon. Hello.

So...

Sara told us what
you did for Billy.

Oh, I didn't do anything.

The guys at that
frat are such jerks.

We're all gonna go visit Billy this
afternoon, if you'd like to come.

I would, Rosa. Um, but... I
actually have to leave town today.

As it turns out,
unfortunately...

I am not gonna be able to finish
the rest of this semester.

But...

I've spoken to Dr Lerner, and Clara Foss,
the renowned poet, will be taking over.

So you'll be in good hands.

Well, what about
our screenplays?

I am sorry, not to be able to
finish your third acts with you.

And I owe you an apology for
our last meeting. You know...

What I was saying about writing
being meaningless, uh...

(CHUCKLES)

In a movie that I wrote
many years ago...

An 11-year-old girl finds herself
an angel in Heaven, and she's...

Understandably bereaved, missing
her family and her friends

and all the life
she'll never have.

But an older angel tells her that 11 is
actually a wonderful age to be in Heaven.

Because at 11, everything you
love and hate really stays true

while mortal life is a long, losing
struggle not to compromise those feelings.

I think that's a bit the case with writing.
It's our 11-year-old selves saying,

"Yes, that's funny", or
"no, that's stupid".

You know, Sara may come at it from
one direction, Andrea, from another.

But it's real.

And true.

Anyway, I wanted to
say thank you all.

It's been an honor
and a privilege.

I can't wait to see
the Matt Damon movie.

Thanks. Yeah. Thank you, Flo.

I really enjoyed your class.

Thank you, Rosa. Thanks.

(QUIETLY) I've really
enjoyed the class.

- She enjoyed the class.
- That was nice. Thank you, Rachel.

And thank you, Maya,
for translating.

You helped me find my voice.

I'll never forgive you.

Here's your rewrite.
Read it in hell.

Mr Michaels... I don't
know how to thank you.

Thank you, Clem.

You've made me quite jealous.
(CHUCKLES)

Brilliant. Brilliant.

So...

- Now, listen...
- Good luck.

Write.

No, I definitely will. Or email.

I meant a script. I need something
to watch with my girls.

Right.

I loved the class.

And you can teach,
because I got better.

(MOBILE RINGING)

Yeah. Look, just... Sorry.
Hold on, one...

I have a class.

I meant to tell you never to call
again unless it was good news.

Wish granted. Paragon wants
to buy Clem's script.

I spoke to Jenny Glick and
Greg Nathan this morning.

The same people who love
me and are huge, huge fans

and rejected me from the
sequel to my own movie?

I know. But they love this. And I told
them if they want it, you're producing.

And they said?

Well, they want David Shore
to executive produce,

but they're going to
give you a credit

and enough money to get you back home.
Greg is...

Shh!

(WHISPERS) I'm sorry.

Greg and Jenny are going to be at
a premiere in Manhattan tonight,

and they want to meet Clem.
And you.

Get back to LA as
soon as you can

so that we can ride this credit,

- set up some meetings. Right? I'll...
- Shh!

- Congratulations.
- Yeah.

Fantastic. (CHUCKLES)

I hope you have a good trip.

Thanks. And thanks
again for everything.

Well, hold on. You're not
getting away that easy.

Get over here.

Oh.

Oh, God.

GREG: So, Clem, tell
us how this happened.

There was a screenwriting seminar,
so I submitted some pages.

You had already written
the whole thing?

Well, I had a draft and Mr
Michaels asked to see it.

He brought the script
to a whole other level.

- I'm sure. We love Keith.
- Huge, huge, fans.

So tell us a little bit about
how this idea came into being.

I don't know where the
ideas come from, usually.

And, I wanted to write something
fresh, something different that...

- It is fresh. It is different.
- It's just a fresh voice.

It's a fresh voice. And if we
can get a Fanning sister...

- Do they have a young sister?
- Excuse me. Can I get the butter?

CLEM: It started a few years
ago now, already, I think.

- GREG: Nice.
- CLEM: Almost three years ago. Yeah.

So I was watching the History
Channel and there's a special

on the history of the world,
or modern civilisation...

And I was watching it and I
just found it so interesting

how, you know, the natural progression of
things, and how everything just seemed

to link perfectly together.

GREG: (ECHOING) Because we like this
story, we like the protagonist.

A female protagonist?

JENNY: (ECHOING) It's exactly
what we've both been looking...

- GREG: It's exactly what we need.
- JENNY: It's what the world needs.

JENNY: Edgy comedies with
a kick-ass-type woman.

- JENNY: Huge, huge fans.
- GREG: We love Keith.

Or into time, sure.
Other time periods.

- JENNY: Huge, huge fans.
- GREG: Technology.

JENNY: It's really incredible...

Sorry, guys, excuse me.

Can I have a quick
moment with Clem?

- Little story conference?
- Kind of, yeah. Come on. Come here.

- Excuse me.
- Sure.

You're doing brilliantly.

So brilliantly that I am going to leave
you to finish the meeting on your own.

What? No, my Imodium hasn't
even completely kicked in.

Listen to me. You've probably
missed the last plane.

So I'm gonna give you
money for the bus.

No, no, I'm staying with
my parents in the city.

- OK, that's fine...
- Mr Michaels,

I can't go back in
there without you.

Clem, listen to me.
Do not grow a tumour.

They are going to make your movie,
and you'll be feted and rich,

and surrounded by women.
Can you handle that?

I don't want to be feted. And
the money would be fine.

- But the only woman I really want is Rosa.
- Rosa from our class?

Really? Good choice.
She's gorgeous.

Not of course that I
notice women of that age.

- Mr Michaels, I don't feel comfortable.
- OK, listen to me.

A thousand years ago

I was in your position. And you know,
just enjoy it. It's glorious fun.

And remember, they need you
more than you need them.

This is your ride.
It's not mine, OK?

- Hey, he's back.
- Hey. Thanks.

- Sans glasses.
- Yeah.

- GREG: You look mighty handsome.
- JENNY: Hmm.

Thank you.

GREG: So this is what we're thinking
about, we're discussing this...

We don't want to get ahead of
ourselves, but, franchise.

JENNY: Yeah. We're
really excited about it.

There's actually so
much that we can do...

(RINGS DOORBELL)

(WOMEN LAUGHING)

- Hi.
- Keith.

I'm so sorry to bother you this late.
I just...

I did try to call, but
there was no answer.

That's OK.

Just sitting around with the
family, watching Eat Pray Love.

Ah!

I'll be right back.
Go on without me.

MRS LERNER: You sure, honey?

Yeah. You can tell
me what I missed.

(SIGHS) OK.

Listen, I did not expect
to see you again.

No, well, I have decided to take my chances
at the hearing, if it's not too late.

Really?

May I ask why?

Yes. I'm not quite sure.

Ah, well, I'm glad you've
thought it through.

And I was wondering if you could get
me a meeting with Professor Weldon,

cos I'd rather not just
show up at her door.

- No, I think that would be dangerous.
- Yeah.

Sure. I can arrange that.

Thank you. Thank you.

And I wanted to say I'm
sorry for what happened

and for putting you in
an awkward position.

MRS LERNER: Honey,
you've got to see this.

OK, just keep talking and do
not make me go back in there.

Well, they obviously want to share
the experience with you, you know.

It must be wonderful to
have a family like that.

Ugh! It's a pain.

Every week, movie night.

Yeah.

- Always a chick flick.
- Yeah.

And my daughters usually
bake these sugar cookies.

Oh, yeah.

- Which they will not let me have...
- Yeah.

Because...

They're concerned about
my, uh, cholesterol.

Ah.

So they give me, um,

non-fat popcorn.

Ah, that's great.

(SNIFFLES)

(CLEARS THROAT)

KEITH: I was not formally aware that
these relationships were prohibited.

I did almost immediately
break it off

and I deeply regret
the entire incident.

You arrived on campus,

became inebriated,

insulted members of the faculty.

You dismissed your class with the intention
of not having them return for a month.

And that class bears a suspicious
resemblance to a beauty pageant.

Not the men.

Which leads me to wonder if they weren't
assembled for your own viewing pleasure

evidenced by the fact
that you carried on an

inappropriate relationship
with one of them.

And even if you were not aware
of our policy on that matter,

it strains credulity that you didn't have
the good sense to know that it was wrong.

So unless my information is faulty, this
Ethics Hearing is a foregone conclusion.

Professor Weldon, you're
entirely correct.

I behaved unprofessionally and
I can present no good reason

why you should extend me the
privilege of staying here.

Except to say, that when I was at
the Binghamton Airport yesterday...

I was pulled aside by a
charming geriatric TSA officer

who needed to inspect my award.

And she started telling
me that her security

post was the perfect
setting for a movie,

but she couldn't write
because, as she put it,

"Either you're born
with it or you're not".

You see, a few months ago, I
would have agreed with that.

But suddenly, I found myself
explaining the three-act structure

and the basics of outlining until she
had to go and pat down a suspicious man

who kept readjusting his shorts.

And I realised I was
trying to teach her.

(CHUCKLES) Me, the person who
did nothing but mock teaching

as an absurd profession practised
only by desperate failures.

I mean, obviously not at
the university level.

But it has, as a new
friend told me it might...

Got its hooks into me.

So, I ask for your leniency,
because I think that,

you know, with a little effort,

I could possibly be quite good at this
job and actually worthy of your esteem.

And because these kids
have actually reminded me

why I wanted to write
in the first place.

But, mostly, because I can't
bear the thought of anyone else

getting to help my class
with their third acts.

(SIGHS)

(SIGHS)

Mr Michaels, I am not popular.
My students don't like me.

Oh...

And it is because they
assume I am an Elinor.

An Elinor?

From Sense and Sensibility.

Oh, yes, yes. That Elinor. Yes.

Prudent, cautious, conservative.
And I do have that side of me.

But there's another
side as well.

Well, that's nice. It's always nice
when people have so many sides.

It's like a Rubik's Cube.

I have a Marianne side.

Oh.

- Unpredictable, impetuous...
- Yes.

Irrational sometimes.

You have appealed to that side and I will
indulge it this one last time, because...

As Miss Austen said...

"Selfishness must always be forgiven, you
know, because there is no hope for a cure."

- Did she say that? That's quite clever.
- Hmm.

Mansfield Park.

The key to good
teaching, Mr Michaels

is the willingness to
always learn something new.

I will remember that.

I want you to see something.

Open it.

- Screenplay?
- Don't be idiotic. A memoir.

Ah!

Based on my experience of a
lifetime teaching literature.

I'd like an unbiased
honest appraisal.

I'd be honoured.

But if it were to become a movie,
Meryl Streep should play me.

Yes, I will read it
with that in mind.

But don't take it.
That's my personal copy.

- Sorry.
- I'll email you.

Now, I have to prepare
for a class...

Yes, yes, yes.

So if you don't mind...

Uh, nice bag.

- Please leave.
- Yes.

Hello?

What, you walked out
on the meeting?

I did. How'd it go otherwise?

Well they loved Clem, and
they're making the deal.

Fantastic. Listen, I will be very
happy to work with him on the script,

but only as his teacher.

So now you want to
stay in Binghamton?

Well, I've been thinking.

Maybe I will write a screenplay
about a washed-up writer

who goes to teach at an
out-of-the-way university.

You know what? That is a
great idea for Matt Damon.

I'm going to call his producing partner,
and I'm going to call you back.

Excellent. But not
between 12:00 and 1:30.

I have class and will not
be picking up the phone.

Thanks.

$16.98.

(CLEARS THROAT) Dumb. Buy an
umbrella on the first sunny day.

- It's raining.
- It's going to clear up.

I see.

So, it appears that I'm going to
stay here and teach for a bit.

Oh!

And I would also like
to buy this book.

$24.95.

Yeah, complete rip-off.
OK, forget the book.

- Will there be anything else?
- Yes.

I don't think you're
an optimism machine.

I know how hard you work at being a
mum and a student and I'm in awe.

I'm completely in awe. And...

Although I was only gone for a few
hours, I found myself missing you.

Now it's quite possible that if
I'd stayed away a few more hours

I'd have just completely got over
that, but now we'll never know.

So the answer is yes, I'm hoping
that there will be something else.

Much more else.

Right. Well, then, I
will see you in class.

But, in looking over my script,

I did see what you meant about
the random structuring.

And I'm not so sure where the
Jerry character fits in any more.

Well, that's very
encouraging to hear.

I mean, not for
Jerry, obviously.

And it makes me think that
if I just try as hard

as I can and really,
really believe in myself,

I can make my dreams come true.

You know, when you say it, it
really does sound ridiculous.

Maybe it's the accent.

(CLEARS THROAT)

What? Yes, I'm sorry. Go ahead.

That can't be right.

Oh, it's right.

What'd I tell you?
Worth the wait.

OK, I just want you to know...

I will respect the fact that you are my
student until the end of the semester.

OK. Thank you.

When is the end of the semester?

(CHUCKLES) Oh, you'll know.

(HOLLY CHUCKLES)

(CONVERSING INDISTINCTLY)

No, no, no. Thank you.
Thanks, that's truly...

Oh, Billy! Yes, welcome back!

(CHUCKLES)

Welcome back, Billy.

Hmm.

And for those of you who
were looking forward

to the poetic charms
of Clara Foss...

I apologise. I'm back.

Back from New York, where
if you don't know already.

Clem has just sold his
first script to Hollywood.

(ALL MURMURING HAPPILY)

You deserve it. Your
writing's brilliant.

I would also like to say that
today we will be taking a look

at some new and truly exciting
pages from Karen Gabney.

With regard to my premature departure
from our last class, uh...

I'm sorry. The truth is, um...

Somewhat complicated.

Well it's my third
act, I suppose,

and I will let you see it when I
have finished my teacher script.

And I will want your complete
and honest opinions.

Though I will vastly prefer
the people who love it.

(ALL LAUGH)

Good, let's get back to work.

- (MOBILE RINGING)
- I think we were on... Hey, hang on.

There will be no more of that.

(RINGING STOPS)

You have my full attention
from here on in.

OK, third acts.

Andrea, tell us what happens during
the dessert phase of the Bat Mitzvah.

OK.

(MOBILE CHIMES)

So they bring the cake out and they
find out that the cake isn't kosher.

But Alicia's parents start
fighting and accusing each other

of getting the wrong caterer because
there are also pigs in a blanket.

And Alicia starts crying
because she realises

that she doesn't
care about the cake.

She just wants her
parents to be happy.

And she insists on doing her Torah
and her Haftarah portions over again

and it just gets so crazy.

A-ha! "How dost
thou, sweet lord?"

Keith! You're back! May I
introduce Joan from State Farm.

Ah, yes. Hello Joan. He's
quite a catch, isn't he?

He's low-risk, dependable,
limited-liability.

"Thank Heaven, fasting,
for a good man's love."

As You Like It.
Act III, Scene V.

It just gets me
when he does that.

"Ken's dead. He's dead now.

"He'll be dead in two hours, and
then he'll be dead forever.

"TOM: Will you marry me?

"MAURA: You're
thick and stupid."

"You can't see the darkness
that surrounds you."

"TOM: You make me feel alive."

"MAURA: That won't last."

"CAROL: Daddy, I think you should know,
I'm sleeping with your business partner."

The other day, she comes
and climbs up on my lap

with a book and she says, "Daddy, will you
read me this book in your scary voice?"

(SNIFFLING)

Oh, Sara.

OK. I admit I never
watched it before.

- But when Johnny lifts her at the end...
- No, I know, it's very moving.

If you tell anyone,
I'll kill you.

Yeah, understood. Yeah, 100%.