The Producers (2005) - full transcript
New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste...
opening night
It's opening night
It's Max Bialystock's
latest show
Will it flop
or will it go
The cast is taking
its final bow
Here comes
the audience now
The doors are open
They're on their way
Let's hear
what they have to say
He's done it again
He's done it again
Max Bialystock
has done it again
We can't believe it
You can't conceive it
How'd he achieve it
It's the worst show
in town
We sat there sighing
Groaning and crying
There's no denying
It's the worst show
in town
Oh, we wanted to stand up
and hiss
We've seen shit,
but never like this
Max Bialystock
has done it again
The songs were rotten
The book was stinking
What he did to Shakespeare,
Booth did to Lincoln
We had this specially made up
for Max Bialystock.
We couldn't leave faster
What a disaster
We are still in shock
Who produced this schlock
That slimy,
sleazy Max Bialystock
What a bum
Hello?
Mr. Bialystock?
Anybody here?
Mr. Bialystock?
Who are you?
What are you doing here?
What do you want?
Speak to me, dummy, speak!
Why don't you speak?
Scared. Can't talk.
All right. I'm sorry.
I'm sorry. Calm down.
Get a hold of yourself.
Come with me.
There. Come on. Come on.
Come on. Right this way.
Watch your step.
Look. Just...
Take a deep breath.
Let it out slowly.
- Who are you?
- I am Leopold Bloom.
I'm an accountant.
I'm from Whitehall & Marks
and I have come here
to do your books.
Oh, you have, huh?
Well, listen... Who is it?
Hold me, touch me.
Hold Me-Touch Me.
One of my backers.
Listen, I have to meet
with an important investor.
Do me a big favor.
Go to the bathroom.
- But I don't have to go.
- Try. Try.
Think of Niagara Falls.
Be with you in a moment,
my darling!
Hold Me-Touch Me.
Where is Hold Me-Touch Me?
Kiss Me-Feel Me, Pinch Me-Pinch Me,
Lick Me-Bite Me, Suck Me-F...
Here she is.
Hold Me-Touch Me.
You know, it worked. As soon
as I pictured Niagara Falls...
- Back! Back! Don't make a sound.
- I didn't have any problems...
Coming. Coming.
Better.
Hello, gorgeous.
- Hold me, touch me.
- As soon as I shut the door.
Did you bring
the checkie?
Bialy can't produce plays
without checkies.
Here you go.
But first,
can we please play a game?
One dirty little game.
All right,
my little sex kitty.
What shall we play?
- The Debutante and the Bricklayer?
- Oh, no.
No.
How about the Rabbi
and the Contortionist?
You like that one, Mama,
keeps you limber.
I know. Let's play
the Virgin Milkmaid
and the Well-Hung
Stable Boy.
I don't think
I have the strength.
- Oh, don't worry. I'll be gentle.
- All right.
Oh, dear!
This milk is so heavy.
I'll never reach the house.
You there,
well-hung stable boy.
Won't you please help me?
Of course,
my little dairy queen.
First, I'll take your milk.
Then I shall take
your virginity!
No. No. Never. No.
Yes. Yes.
Give it to me, well-hung,
give it to me.
Darling, wait! I haven't
even had coffee yet.
Take it easy. Take it easy.
Oh, my God!
- Send me to the moon, you animal.
- Yes.
- Send me to the moon.
- Yes.
Yes, my darling. Thursday.
Come back Thursday.
I'll send you
to the moon Thursday.
I may even join you.
But first the checkie.
Where's the checkie?
Come on, come on,
find the checkie.
Oh, here you go.
I made it out
like you told me.
- To the title of the play, "Cash."
- Yes.
It's a funny name
for a play, "Cash."
Yes.
So was The Iceman Cometh.
I'll see you Thursday.
Ta-ta. Ta-ta.
- Bye.
- Bye.
- Ta-ta.
- Bye.
Yes, yes, yes.
You dirty old buzzard.
May I come out
of the bathroom now,
Mr. Bialystock?
Yeah, sure.
I'm terribly sorry I caught you
feeling up the old lady.
"Feeling up the old lady."
Thank you, Mr. Tact.
- May I take your coat?
- Oh, thank you.
- So, you're an accountant?
- Yes, sir, I am, sir.
Then account for yourself!
Why are you looking up
little old ladies' dresses?
Bit of a pervert, eh?
I know what you're thinking.
How dare you condemn me
without knowing all the facts?
- Mr. Bialystock, I wasn't...
- Shut up!
I'm having
a rhetorical conversation.
- Do you know who I used to be?
- Why, yes.
Yes. You were Max Bialystock,
the King of Broadway.
No, I'm Max...
That's right.
- That's right.
- And might I say, Mr. Bialystock,
and please don't take this
the wrong way,
but you're not just
a dirty old man.
Thank you.
You're also
a great Broadway producer.
And there's something
about me you should know.
When I was a kid,
I had the good fortune
to be taken to
Bialyhoos of Forty-Two.
- Oh, Bialyhoos?
- Yes. Yes.
And I still have
the ticket stub.
- Oh, look at that.
- Yeah.
And ever since,
I've had a secret desire
to be a Broadway producer.
A secret desire, huh?
Well, kid. Can I give you
a little advice?
- Yes, sir.
- Keep it a secret.
Do the books, please.
Top drawer to the left.
Oh, my God!
Will you look at that?
That's it, baby!
When you got it, flaunt it! Flaunt it!
Mr. Bialystock,
may I speak to you a minute?
- A minute?
- Yes.
- Just one minute?
- Yes.
- Okay.
- In glancing at your books...
- Go!
- I noticed that...
You have 58 seconds left.
You've wasted two seconds.
- You're gonna time it?
- Time is money.
Right. Well,
I looked at your books,
I looked at the columns marked
"Plays Received"...
- 48 seconds. 48 seconds left.
- And I can't make the figures...
- Hurry! Hurry!
- Mr. Bialystock,
there's a problem
with your figures.
Twenty-eight seconds.
You're running out of time.
- Tick-tock, tick-tock...
- I cannot...
- I cannot. I cannot...
- Fifteen seconds. Twelve.
- I cannot function...
- 9, 8, 7, 6, 5, 4, 3, 2, 1.
under these conditions.
- You're making me extremely nervous.
- I was...
- What is that, a handkerchief?
- What? This? No, this is...
It's nothing.
It's nothing.
Well, if it's nothing,
then why can't I see it?
My blanket!
My blue blanket!
Give me back
my blue blanket!
Give me my blanket!
Give it to me. Give it to me.
Give me the blanket!
Give it to me.
Give it to me, please.
Give it to me. Give it to me.
Give me the blanket.
- Here, here, here, here.
- Give it to me.
Don't panic. Don't panic.
Don't panic.
I... I'm sorry.
It's just that I don't like
anyone touching my blue blanket.
It's not important.
It's a minor compulsion.
I can deal with it
if I want to.
But I've had it
ever since I was a baby
and I find it very comforting.
I need to lie down
for a minute now.
They come here.
They all come here.
How do they find me?
Hey, kid.
Hey. Yoo-hoo!
Look at this.
How can I help you?
What's wrong?
- You're gonna jump on me.
- What?
- You're gonna jump on me.
- No.
- I know you're gonna jump on me...
- No. Calm down.
- and squash me like a bug.
- Oh, God.
Please don't jump on me.
I'm not gonna jump on you.
I'm not gonna jump on you.
Get a hold of yourself.
Stop it. Stop it.
Stop! Stop! Stop! Stop!
Don't touch me.
Don't touch me.
What's the matter now?
I'm hysterical.
I'm having hysterics.
I can't stop when I get like this.
I can't stop. I'm hysterical.
I can see that. All right.
All right.
I'm coming, I'm coming.
Take it easy.
All right. I'm coming.
I'm coming now. All right.
I'm wet. I'm wet.
I'm hysterical and I'm wet.
I'm in pain.
I'm in pain, I'm wet
and I'm still hysterical.
All right, all right.
What can I do?
You're getting
me hysterical.
Well, move away. You'll frighten me.
You're too close.
- I frighten you?
- Yes, get over there
and stop touching all this.
Move over there, get over there
- and sit down.
- I'm sitting. I'm sitting.
You still look angry.
I'm sorry. How's this?
Who's my little accountant?
Who's my little accountant?
Are you my little accountant?
Are you my little accountant?
- I am the man.
- Are you my little accountant?
- I am.
- Yes, you are.
Well, thank you for smiling.
That helped a great deal.
Well, you know
what they say?
"Smile and the world
smiles with you."
This man should be
in a straitjacket.
- You feeling better?
- Oh, yes, I'm fine now. Thank you.
Good.
May I speak to you?
Yes, Prince Myshkin.
What can we do for you?
Well, this is hardly the time
for levity, Mr. Bialystock.
I've discovered
a serious error
in the accounts
of your last show,
- Funny Boy.
- Where? What?
Well, according to the backers list,
you raised $100,000
but your show
only cost $98,000.
There's $2,000
unaccounted for.
I went to a Turkish bath.
Who cares? The show was a flop.
Bloom, do me a favor.
Move a few decimal points around.
You can do it,
you're an accountant.
You're part
of a noble profession.
The word "count"
is part of your title.
- That's cheating.
- It's not cheating.
It's charity.
Bloom,
you see this stick pin?
This once held a pearl
as big as your eye.
I used to wear
handmade Italian shoes,
$500 suits.
And look at me now.
Look at me now!
I'm wearing
a cardboard belt.
Bloom. You gotta save me.
I'm reaching out to you.
Don't send me to prison.
Help me!
All right. All right.
- Okay, I'll do it.
- Really?
- Yes, I'll do it.
- Wow.
Let's see,
$2,000 isn't so much.
- I'm sure I can hide it someplace.
- Yeah.
Yeah. After all, the IRS isn't
interested in a show that flopped.
Right. Good thinking.
You figure it out.
I'm going to take a little nap.
Well, let's see.
Let's see, if we add up
these deductions we get,
carry the three,
divide by four...
Amazing.
It's absolutely amazing.
But under
the right circumstances,
a producer could make
more money with a flop
than he could with a hit.
Yes, it's quite possible.
If he were certain
that a show would fail,
a man could make
a fortune.
- Yes?
- Yes, what?
Yes what you were saying.
Keep talking.
What was I saying?
You were saying that under
the right circumstances,
a producer can make
more money with a flop
- than he could with a hit.
- Well, yes. It's quite possible.
You keep saying that,
but you don't say how.
Well, it's simply a matter
of creative accounting.
Let's assume for a moment,
that you are a dishonest man.
- Assume away.
- All right.
When you produced
your last show, Funny Boy,
you raised $2,000
more than you needed.
But you could have raised
$1 million,
put on your $100,000 flop
and kept the rest.
- But what if my show was a hit?
- Well, then you would go to jail.
You see,
rather than 100% of the show,
you would have sold
more than 1,000%.
So if the show's a success,
there's no way to pay off the backers.
- Get it?
- Got it.
So in order for our scheme to work,
we'd have to find a surefire flop.
Our scheme?
What scheme?
"What scheme?"
Your scheme,
you bloody little genius!
I meant no scheme.
I merely posed a little academic
accounting theory.
- It was just a thought.
- Bloom.
Worlds are turned
on such thoughts.
Don't you see, Bloom?
Darling Bloom, glorious Bloom.
It's so simple.
Step one, we find
the worst play ever written.
Step two, we hire
the worst director in town.
Step three,
I raise $2 million.
- Two?
- Yes. One for me, one for you.
There's a lot of little old ladies
out there.
Step four, we hire the worst actors
in New York and open on Broadway.
And before you can say "step five,"
we close on Broadway,
take our $2 million,
and go to Rio.
Rio? Oh, no,
that would never work.
Oh, ye of little faith
What did Lewis say to Clark
when everything looked bleak
What did Sir Edmund
say to Tenzing
As they struggled
toward Everest's peak
What did Washington
say to his troops
As they crossed
the Delaware
I'm sure you're well aware
What did they say?
We can do it
We can do it,
me and you
We can do it
We can make
our dreams come true
Everything
you've ever wanted
Is just waiting to be had
Beautiful girls
wearing nothing but pearls
Caressing you, undressing you
and driving you mad
No.
Bloom.
Bloom, wait a minute now.
Hear me out.
Just think about it.
We can do it, we can do it
This is not the time
to shirk
We can do it,
you won't rue it
Say goodbye
to petty clerk
Hi, producer!
Yes, producer
I mean you, sir,
go berserk
We can do it,
we can do it
And I know it's gonna work
What do you say, Bloom?
What do I say?
Finally a chance
to be a Broadway producer
What do I say?
Finally a chance to make my dreams
come true, sir
What do I say?
What do I say?
Here's what I say
to you, sir
I can't do it,
I can't do it
I can't do it,
that's not me
I'm a loser, I'm a coward
I'm a chicken,
don't you see?
When it
comes to wooing women
There's a few things
that I lack
Beautiful girls
wearing nothing but pearls
Chasing me, embracing me
I'd have an attack
Why you miserable, cowardly,
wretched, little caterpillar!
Don't you ever want
to become a butterfly?
Don't you want to spread your wings
and flap your way to glory?
No.
- Where to?
- Central Park.
Gotta breathe.
Gotta breathe.
- We can do it, we can do it
- Mr. Bialystock, stop this song
- We can grab that Holy Grail
- You got me wrong, I say, "So long"
I'm not as strong a person
as you think
- We can do it. We can do it
- Mr. Bialystock, just take a look
- I'm not a crook, I'm just a schnook
- Drink champagne
- The bottom line is that I stink
- Not ginger ale
- Come on, Leo, can't you see, oh?
- I can't do it
You see Rio, I see jail
Driver, stop!
Here.
We can do it
I can't do it
We can do it
I can't do it
- We can do it
- I can't do it
- We can
- I cannot, cannot, cannot do it
'Cause I know
it's gonna fail
Fail? How can it miss?
All you need is a little courage.
Bloom, do you know what you are?
You're like a... You're like a...
You're like a fountain waiting to explode
and shoot into the sky.
- I'm a fountain?
- Yes, you're a fountain.
Don't you realize
there's a lot more to you
than there is to you?
Mr. Bialystock, I'm afraid you've made
a terrible error in judgment.
You've mistaken me
for someone with a spine.
I'm going back
to Whitehall & Marks now.
- No.
- Goodbye forever.
Bloom. Bloom, wait a minute.
Bloom.
Think about it.
You'll never get a cab at this hour.
Bloom.
Oh, Lord. Dear Lord.
I want that money.
Unhappy, unhappy
Very unhappy
Unhappy, unhappy
Very, very, very, very
very, very, very unhappy
Bloom.
Where the hell
have you been?
You are six minutes late.
This is an accounting firm,
not a country club.
You can't come
and go as you please.
Yes, Mr. Marks.
Remember, you're a nobody.
A PA, a public accountant.
And I am a CPA,
a certified public accountant.
A rank a miserable
little worm like yourself
- could never hope to achieve.
- Yes, Mr. Marks.
- Thank you for speaking to me.
- You're welcome.
What are you gawking at?
You never saw
a person humiliated before?
Now get back to work.
All of you.
Unhappy, unhappy
Very, very, very, very
very, very, very unhappy
Boo!
I spend my life accounting
With figures and such
Unhappy
To what is
my life amounting
It figures not much
Unhappy
I have a secret desire
Hiding deep in my soul
It sets my heart afire
To see me
In this role
I wanna be a producer
With a hit show
on Broadway
I wanna be a producer
Lunch at Sardi's every day
I wanna be a producer
Sport a top hat and a cane
I wanna be a producer
And drive those
chorus girls insane
I wanna be a producer
And sleep
until half past two
I wanna be a producer
And see you, you, you
Not you
I wanna be a producer
Wear a tux
on opening night
I wanna be a producer
And see my name
"Leo Bloom" in lights
He wants to be a producer
Of a great
big Broadway smash
He wants to be a producer
Every pocket stuffed
with cash
He wants to be a producer
Pinch our cheeks
till we cry
Oh, yes!
He wants to be a producer
With a great big
casting couch
- I wanna be
- He wants to be
I wanna be the greatest, grandest
and most fabulous producer
In the world
He wants to dine
with a duchess and a duke
I just got to be
a producer
Drink champagne
until I puke
Drink champagne
till he pukes!
I wanna be a producer
Show the world
just what I got
I'm gonna put on shows
That will enthrall them
Read my name
in Winchell's column
I wanna be a producer
'Cause it's everything
I'm not
Unhappy, unhappy
I wanna be a producer
Very, very unhappy
Unhappy
I wanna be a producer
- Wait a minute. Wait a minute.
- Very, very unhappy
- Hold everything. Hold everything.
- Unhappy
What am I doing here?
Mr. Bialystock was right.
There is a lot more to me
than there is to me.
Stop the world,
I wanna get on.
What the hell is
going on in here?
Do I smell the revolting stench
of self-esteem?
Bloom, where do you think
you're going?
You've already had
your toilet break!
I'm not going
into the toilet.
I'm going
into show business.
And Mr. Marks,
I have news for you. I quit!
And you're right about
one thing. You are a CPA,
- a certified public asshole.
- Hurray!
Here's my visor,
my Dixon Ticonderoga
No. 2 pencil
and my big finish.
I'm gonna be a producer
He's gonna be a producer
Look out Broadway
For here I come
Mr. Bialystock,
Mr. Bialystock, I'm back!
I'm back.
I've changed my mind.
Boy, you are good.
- Who are you talking to?
- Never mind, just an old friend.
- What happened?
- Just this. Just this.
When I said that I was scared
that I was going to go to jail,
I didn't realize
that I already was in jail.
I've spent my life
counting other people's money.
People I'm smarter than.
Better than.
When's Leopold Bloom
going to get his share?
When is it going to be
Bloom's Day?
I want...
I want...
I want everything
I've ever seen in the movies.
And Leo, you're gonna
have it 'cause...
- We can do it, we can do it
- I'm gonna be a producer
Say goodbye
to woe and gloom
- With the millions and the zillions
- I'm gonna be a producer
Up together we will zoom
We can do it, we can do it
Every show I touch,
I doom
We were fated to be mated
We're Bialystock
and Bloom
Max. Oh, Max,
let's give up.
I can't read anymore.
How many plays
can a person read?
Stop complaining.
We have to find the worst play ever written.
- I've been reading all night.
- Who cares?
You wanna be a producer,
read, read, keep reading.
Here's one. Act 1, Scene 1.
"Gregor Samsa
awoke one morning
"to discover that he had been
transformed into a giant cockroach."
Nah, too good.
"But how could you see me?
The glass was frosted..."
Wait a minute. Wait a minute,
I've read this before.
I think I've read this one.
What's it called, what's it called?
"The Frosted Glass."
Max, I'm reading plays
that I read last night, Max.
I can't go on anymore.
It's too much.
Let's face it,
we'll never find it.
We'll never find it?
We'll never find it, huh?
We'll never find it, huh?
We'll never find it, huh?
Leo, Leo, see it?
Smell it, touch it, kiss it.
Kiss it!
It's the mother lode.
What is it?
You found a flop?
"A flop."
That's putting it mildly.
This is a catastrophe.
A disaster.
Certain to offend peoples
of all races, creeds and religions.
A guaranteed-
to-close-in-one-night beauty.
- Well, let's see it.
- Yeah.
"Springtime for Hitler."
"A gay romp with Eva
and Adolf at Berchtesgaden."
Oh, my God.
"Oh, my God" is right.
It's practically
a love letter to Hitler.
- Max, this won't run a week.
- A week? Are you kidding?
This play has got
to close on page 4.
What's the author's name
again?
Franz Liebkind, 61 Jane Street,
New York, New York.
Franz Liebkind,
61 Jane Street.
Let's go. We'll get the Broadway rights
to Springtime for Hitler
even if we have to go
as far as to pay him.
Come on.
This other hat, Max,
may I wear it?
- No, you may not.
- Why?
Because, that is
a Broadway producer's hat.
And you don't get to wear
a Broadway producer's hat, son,
until you're
a Broadway producer.
And you're not a Broadway producer,
until you...
I know, I know.
Until I've produced a show on Broadway.
But, I'm going to wear that hat,
and soon, too, 'cause...
We're gonna be
the producers
Of a great big
Broadway flop
Ja, ja, my lieblings.
Let me grab you, ja.
We have work to do.
Hilda, my darling,
here, I have written
an important message
which must reach
Ernst Schlongdorf,
29 West Santiago Boulevard,
Buenos Aires, Argentina.
AQAP. As quick as possible!
Fly, Hilda, fly.
Hilda, where are you going?
Argentina is that way.
Okay, chow time.
Yummy, yummy, yummy,
goes right into your belly.
It's just a hunch,
but I'm betting this is our man.
Max, he's wearing
a German helmet and lederhosen.
Yeah, I know. Don't notice.
Don't notice anything.
Always look straight ahead.
Remember, we need that play.
Franz Liebkind?
I was never a member
of the Nazi party.
I only followed orders.
I had nothing to do with the war.
I didn't even know
there was a war on.
We lived in the back,
right across from Switzerland.
All we ever heard
was yodeling.
Who are you?
Relax, Mr. Liebkind.
We're not from the government.
We're producers,
Bialystock and Bloom,
here to talk to you
about your play.
- My play?
- Mmm-hmm.
You mean,
Springtime for...
You-know-who?
- That's the one.
- What about it?
We love it.
Don't we love it? We love it.
- We think it's a masterpiece.
- We want to put it on Broadway.
Broadway?
Oh, joy of joys.
Dream of dreams.
I can't believe it.
- I must tell my birds.
- Tell your birds.
Otto, Bertha,
Heinz, Heidi, Wolfgang...
Adolf.
Do you hear?
We are finally going
to clear the Fuehrer's name.
Broadway!
You know,
not many people know this
but the Fuehrer
was a terrific dancer.
Really? Gee, we didn't know that,
did we, Leo?
No, no, we sure didn't.
That is because you were
taken in by the BBC.
Filthy, British lies.
But did they ever say a bad word
about Winston Churchill?
Churchill.
With his cigars,
with his brandy
and his rotten paintings.
Rotten.
Hitler, there was
a painter.
He could paint an entire apartment
in one afternoon. Two coats.
Yes, yes.
Yes, of course he could,
Mr. Liebkind,
and that is exactly why
we want to produce your play.
Show the world the true Hitler,
the Hitler you loved.
The Hitler you knew,
the Hitler with a song in his heart.
Here, Franz Liebkind,
sign here
and make
your dream a reality.
- Nein.
- Nein?
- No.
- That's what "nein" means.
First, you must prove to me
that you believe as I believe
by joining with me
and singing and dancing
the Fuehrer's favorite tune,
"Der Guten Tag Hop-Clop."
I know.
- Der Guten Tag Hop-Clop?
- Der Guten Tag Hop-Clop.
Oh, no, I could never sing
the Fuehrer's favorite...
- Delighted, delighted.
- Song.
Shut up, he's almost ready
to sign.
All right, first you will
roll up your pants.
- Rolling, rolling.
- Rolling, rolling.
Come on, don't be
stingy, show some leg.
- Alrighty, good.
- Good.
- Key of E?
- Is there any other?
Guten Tag hop hop
Guten Tag clop clop
Ach du lieber
Und oh boy!
Guten Tag clap clap
Guten Tag slap slap
Ach du lieber
What a joy!
Oh, wir essen und fressen
Und tanzen und trinken
Tanzen und trinken
Until we get stinking
Everybody.
Guten Tag hop hop
Guten Tag clop clop
Guten Tag,
mein lieber Schatz
So we hop our hops
Und we clop our clops
Und we drink our Schnapps
Till we platz
You will sway
We will sway
Follow me.
Very good.
- Handschlagspiel.
- Whatever you say.
This is a tricky one
Oh, the hop-clop.
It's been so long.
Sort of a Nazi hoedown.
Gentlemen, you may produce
my play.
Excellent, excellent.
Here we are. Here.
But only if you take
the Siegfried Oath.
The Siegfried Oath?
What's that?
The pledge of eternal allegiance
to our beloved Fuehrer.
Never
- took that oath before.
- Good.
One for me, one for you,
and one for you.
Never had one
of those on before.
- Thanks very much.
- You're welcome.
Nice colors.
Look, reversible.
- Oh, yeah, you're right.
- Max.
Max, we never
should have started this.
I think we're getting in
too deep.
Too deep? This is nothing.
I'll tell you
when we're getting in too deep.
All right.
First, you raise your right forefinger
und repeat after me.
I solemnly swear...
I solemnly swear.
To obey
the sacred Siegfried Oath.
To obey the sacred
Siegfried Oath.
Und...
- Und...
- Und.
- Never, never, never...
- Never, never, never.
Dishonor the spirit
und the memory
of Adolf Elizabeth Hitler.
Dishonor the spirit
and the...
Elizabeth?
Ja, that was
his middle name.
Not many people know this
but the Fuehrer was descended
from a long line of English queens.
Is that right?
Yes.
Adolf Elizabeth Hitler.
Good, now I sign
your contract.
Excellent, excellent.
Oh, here we are.
Right here
on the dotted line.
There you are.
You shall never regret this.
So, thank you, Herr Liebkind.
Alrighty then.
- Thank you.
- Very good.
Let it go, let it go.
Halt!
I forgot to tell you.
The penalty for breaking
the Siegfried Oath
is death.
Dess? Is that anything
like death?
Yes.
Sorry to hear that.
Don't worry. We'll iron out
all these thorny details over strudel.
Ta-ta, big guy.
Here we go.
We're trapped, trapped.
Got it. Let's have lunch.
What nice guys.
Broadway.
I haven't been so happy
since we crushed Poland.
Hello, the living room
of renowned theatrical director,
Roger De Bris' elegant
upper-east side town house
on a sunny,
Tuesday afternoon in June.
Who may I say is calling?
Listen, you broken-down
old queen,
he was drunk, he was hot,
you got lucky.
Don't ever call here again.
- Who was that?
- Wrong number.
Yes?
Well, hi, there.
I am Max Bialystock
and this is my associate
Mr. Bloom.
We have an appointment
with renowned
theatrical director Roger De Bris.
Yes, yes, please come in.
Please.
- Thank you.
- Yes.
I am Carmen Ghia.
Mr. De Bris'
common-law assistant.
You are expected.
May I take your hat,
your coat and your swastikas?
Oh, these...
We just came from this big rally.
Everybody was wearing them.
Why didn't you tell me
we still had those on?
I didn't notice them.
You told me to look straight ahead,
- you remember that?
- All right, let's not fight, okay?
Oh, Roger...
We're not alone.
Here's Roger.
Max, he's wearing a dress.
No kidding.
Oh, Roger,
good to see you again.
Messieurs Bialystock
and Bloom, I presume?
Forgive the pun.
- What pun?
- Shut up, he thinks he's witty.
Roger, may I say, you look gorgeous.
Absolutely gorgeous.
By the way, Max, darling, we loved
Funny Boy, didn't we, Carmen?
Oh, worshipped it.
To be or not to be
you mean a lot to me
- Show stopper.
- Fabulous.
Oh, dear, your Mr. Bloom
is staring at my gown.
Oh, well, I...
I should explain. I'm going
to the choreographer's ball this evening.
There is a prize
for best costume.
We always win.
I'm not so sure
about this year.
I'm supposed to be
the Grand Duchess Anastasia.
But I think I look
more like the Chrysler Building.
Well, as far as I'm concerned,
without your wig on,
you're only half-dressed.
Well, then,
why don't you go and get it,
oh, Wicked Witch of the West?
If your intention was
to shoot an arrow
through my heart...
Bull's-eye!
Oh, Roger, let's face it.
That building is you.
Listen, I know
we sent it to you only this morning,
but, did you get a chance yet to read
Springtime for Hitler?
Read it? I devoured it.
And I find it remarkable.
Remarkable!
I feel it is a very
important piece
drenched with historical goodies.
I, for one, for instance,
never realized that the Third Reich
meant Germany.
Yeah, how about that?
Then you'll do it?
Do it? Of course not.
It's not my kind of thing.
I mean, Max, please,
World War II, too dark,
too depressing.
The theater's so obsessed
with drama so depressed
It's hard to sell
a ticket on Broadway
Shows should be
more pretty
Shows should be
more witty
Shows should be more
What's the word?
- Gay?
- Exactly.
No matter what you do
on the stage
Keep it light,
keep it bright, keep it gay
Whether it's murder,
mayhem or rage
Don't complain,
it's a pain
Keep it gay
People want laughter
when they see a show
The last thing they're after
is a litany of woe
A happy ending
will pep up your play
Oedipus won't bomb
If he winds up with Mom
- Keep it gay
- Keep it gay
Keep it gay
Couldn't agree more and
you have our blessings, Roger
to make Springtime for Hitler
just as
gay as anyone could
possibly want.
So, come on,
do it for us, please.
I'm sorry, Max,
it's simply not my cup of tea.
Still, fair is fair.
Perhaps I should ask
my production team what they think.
- Your production team, who are they?
- You'll see.
They all live here.
Guys, come say "Hello"
to Bialystock and Bloom.
- This is my set designer, Bryan.
- Hello.
Keep it mad
keep it glad, keep it gay
- Here's my costume designer, Kevin.
- Hello.
Keep it happy
keep it snappy, keep it gay
We're clever, creative
it's ourjob to see
That everything's perfect
for Mr. De Bris
- Scott, my choreographer.
- Hi, there.
And now finally,
last and least,
my lighting designer,
Shirley Markowitz.
Keep it gay, keep it gay
Keep it gay
Now, they all
just read Springtime.
What did you think of it,
fellows?
- It needs glamour
- And glitz
- It needs sequins
- And tits
Leo, Leo,
I think we're losing them.
Go say something nice to Roger.
I think he likes you.
- But, Max...
- Go on, it's just showbiz.
Mr. De Bris? Roger?
Roger, actually,
I think your gown is very stunning.
Why, thank you,
Mr. Bloom. Leo.
Mmm.
What is that enchanting cologne
you're wearing?
Me? I'm not wearing
any cologne.
You mean that smell is you?
Oh, God.
If I could bottle you,
I'd shove you
under my armpits every day.
Oh, Max. Max, we never
should have started this.
I think we're getting in
too deep.
Too deep? This is nothing.
I'll tell you when we're
getting in too deep.
And, so, the rule is
when mounting a play
Keep it funny
keep it sunny, keep it gay
- What should we do?
- Relax. Watch this.
Roger...
I think that
Springtime for Hitler
would be
a marvelous opportunity for you.
I mean, up to now,
you've always been associated with...
Dare I say it,
frivolous musicals.
You're right.
I've often felt as though
I've been throwing my life away
on silly entertainments.
Dopey showgirls
in gooey gowns.
"Two, three, kick, turn,
turn, turn, kick, turn..."
- Roger.
- It's enough to make you heave.
Nonetheless, I'm sorry, Max.
I just couldn't do Springtime for Hitler.
- Why not? Think of the respect.
- No.
- Think of the prestige.
- No, no, no.
Think of the Tony.
Tony, Tony, Tony,
Tony, Tony
- What's the matter?
- Is he all right?
- He's having a stroke...
- What?
of genius!
I see it at last
The chance to do
something important
Roger De Bris
presents history
Of course that whole second act
has to be re-written.
They're losing the war? Excuse me?
That's too down beat.
Roger De Bris
presents history
But maybe...
It's a wild idea,
but it just might work.
I see
A line
Of beautiful girl
Dressed as storm troopers
Each one a gem
With leather boots
and whips on their hip
It's risque,
dare I say, S and M
Love it!
I see German soldiers
dancing through fans
Played by chorus boys
in very tight pants
And wait, there's more
They win the war
And the dances they do
will be daring and new
Turn, turn, kick, turn, turn, kick turn,
one, two, three, kick, turn
Keep it sassy
keep it classy, keep it
That is brilliant,
brilliant, brilliant.
I speak for Mr. Bloom
and myself, Roger,
when I say that
you are the only man in the world
who can do justice
to Springtime for Hitler.
- Will you do it, please?
- Please?
Wait a minute.
This is a very big decision.
It might affect
the course of my entire life.
I shall have to think
about it. I'll do it.
I'll do it
Sabu, champagne!
If at the end
you want them to cheer
Keep it gay,
keep it gay, keep it gay
Whether it's Hamlet, Othello or Lear
Keep it gay,
keep it gay, keep it gay
Comedy's joyous,
a constant delight
Dramas annoy us
And ruin our night
So keep your Strindbergs
and Ibsens at bay
I'll sign
- Sign
- Sign
Sign
Sign
Sign
Roger Elizabeth De Bris
Keep it gay!
Conga!
So the rule is
when mounting a play
Keep it gay,
keep it gay, keep it gay!
Exclusive Broadway rights
to the worst show ever written
and a signed contract
with the worst director who ever lived.
We're in business.
And what a business.
In the same day,
I'm taking the Siegfried Oath
and dancing the conga,
with a cop, a sailor
and an extremely friendly
Cherokee Indian.
Yeah. Oh, well.
It's not easy being
a Broadway producer...
- Nope.
- but together we'll make it.
Partners, Leo.
Partners all the way
and nothing or no one
will ever come between us.
Nothing or no one, Max.
Come in.
Bialystock and Bloom?
What?
Oh, excuse me...
Swedish.
- Costing today?
- Costing.
- Costing?
- Costing?
- Casting.
- Casting.
Oh, no, no, miss,
we're not casting yet.
You see, we don't even know
when we're beginning...
Casting, yes,
we just started casting today.
- Yes, yes.
- We're casting?
Yes, we're casting.
If you don't mind,
just once in my life,
I'd like to see somebody on that couch
who's under 85.
What's your name, my dear?
My name is Ulla Inga...
Hansen Benson Yansen Tallen
Hallen Svaden Swanson.
Oh, wait, wait,
what's your first name?
That was
my first name.
You want to hear
my last name?
We don't have the time.
We'll just call you Ulla.
Okay? Yeah.
What do you do, Ulla?
- Ulla sing and dance.
- Oh, yeah?
- You want Ulla make audition?
- Oh, no, miss.
- That won't be nece...
- Yes, it is nece.
Extremely nece.
Please, please make audition.
Make audition all over the office.
What are you going to sing?
Well, yesterday,
when I was stepping out
of a big, white
Rolls-Royce limo,
a crazy man yelled something
out the window
that inspired me
to write this song.
When you got it
Flaunt it
Step right up
and strut your stuff
People tell you
modesty's a virtue
But in the theater
modesty can hurt you
When you got it
Flaunt it
Show your assets
let them know you're proud
Your goodies you must push
Stick your chest out,
shake your tush
When you got it,
shout it out loud
Now Ulla dance.
When you got it, show it
Put your hidden treasures
on display
Violinists love to play
an E-string
But audiences really love
a g-string
When you got it,
shout it
Let the whole world hear
what you're about
Clothes may make the man
All a girl needs is a tan
When you got it,
let it hang out
Remember when Ulla dance?
Yeah.
Ulla dance again.
Ulla dance again.
When I was just
a little girl in Sweden
My thoughtful mother
gave me this advice
If nature blesses you
from top to bottom
Show that top to bottom
Don't think twice
Now Ulla belt.
Don't think twice
When you got it, share it
Let the public feast upon
your charms
People say that
being prim is proper
But every showgirl knows
that prim will stop her
When you got it,
give it
Don't be selfish,
give it all away
Don't be shy,
be bold and cute
Show the boys
your birthday suit
When you got it
If you got it
Once you got it
Shout out
Hooray
Okey dokey, you like it?
Like it?
I want you to know,
my dear,
that even though
we're sitting down,
we are giving you
a standing ovation.
She's in the show.
Wait, Max. Max,
we don't even know
if there's a part
for her in the show.
Would you excuse us,
my dear?
Nonsense, Bloom.
Bloom, do I have
to teach you everything?
There is always a part in the show
for the producer's girlfriend.
But, Max, we don't even know
when we're starting rehearsal, yet.
So what? So what?
We're producers, aren't we?
So, until she goes into the show,
she can work for us here.
Because, we need, nay,
deserve to have ourselves...
Deserve to have ourselves,
a gorgeous Swedish
secretary/receptionist.
But, Max, a secretary
who doesn't speak English?
- What will people say?
- They'll say...
Offer her the job, please.
Just a moment, miss.
We might have
a position for you.
As a matter of fact, we might have
several positions for you.
Until the show gets going,
we can offer you a job here
as a secretary/receptionist.
Secretary/receptionist?
Okey-slash-dokey.
I can do that.
Answer telephone.
Bialystock and Bloom.
- Bialystock and Bloom.
- Smart as a whip.
You're hired!
Well, all right.
If he says so, I don't have any...
Oh, yeah.
Secretary/receptionist
and...
Maybe you can tidy up
around here a little bit, too.
Tidy up? Tidy up.
Such a funny word.
- What means "tidy up?"
- Oh, you know, clean?
Make look nice.
Oh, yeah!
Ulla can make "tidy up."
Oh, very good.
What time can you be here in the morning?
Well, Ulla wake up
every morning, 5:00 a.m.
From 5:00 to 7:00
Ulla like to exercise.
From 7:00 to 8:00
Ulla like to take a long shower.
From 8:00 to 9:00,
Ulla like to have big Swedish breakfast.
Many different herrings.
From 9:00 to 11:00...
Ulla like to practice
her singing and her dancing.
And at 11:00,
Ulla like to have sex.
What time
should I get here?
- 11:00.
- Good! Ulla will come at 11:00.
"Ulla will come
at 11:00."
God bless America.
God bless Sweden.
Oh, Max.
Max, she's fantastic.
The most beautiful girl
I've ever seen.
I've never
felt this way before.
It's like a volcano
erupting inside of me, like,
like hot lava rising
higher and higher and...
What is that, Max?
What is it?
It's called an erection.
It's either that or malaria.
But don't worry,
they have shots for everything now.
Come here,
I want to show you something.
- What do you see?
- Nothing.
Exactly.
But now that we've got
our sure-fire flop,
it's gonna be our job to fill
that safe with $2 million.
$2 million?
Gee, how much do we put in?
How much...
How much do we put in?
Bloom,
the two cardinal rules
of being a Broadway producer
are, one...
Never put your own money
in the show.
And two?
Never put your own money
in the show!
- Get it?
- Got it.
Good.
- So how do we raise the money?
- How? I'll tell you how.
From my investors.
Hundreds of little old ladies
all looking to Max Bialystock
for one last thrill
on their way to the cemetery.
So, in the days to come, Bloom,
you shall see very little of me.
And right now
I'd like to see very little of you.
Scram,
while I get myself ready.
For Max Bialystock,
is about to launch himself
into Little-old-lady Land.
The time has come
To be a lover
from the Argentine
To slick my hair down
with brilliantine
And gargle heavily
with Lister
Ine
Wow!
It's time for Max
To put his backers
on their backs
And thrill them with
Amazing acts
Those aging nymphomaniacs
They were helpless,
they were hopeless
Then along came Bialy
They were joyless,
they were boyless
Then along came Bialy
They're my angels,
I'm their devil
And I keep
those embers aglow
When I woos 'em,
I can't lose 'em
'Cause I cast my spell and
they start yelling, "Fire down below"
So romantic,
they were frantic
Then their prayers
were heard up above
Heaven sent them
their Bialy
I'm the celebration
Of love
Who is it? Who is it?
- It's Max Bialystock!
- Oh!
Maxy.
Fire down below!
We were listing,
we were sinking
Then along came Bialy
We were desperate,
we were drinking
Then along came Bialy
Who's your daddy?
So romantic,
we were frantic
Then our prayers
were heard up above
He's Bialy, hey, Bialy
He's the culmination
The restoration
The consummation
The titillation
Ejaculation
He's a celebration
of love
Bloom! Bloom!
What, Max? What?
I've done it. I've done it.
I've raised the $2 million!
Now all we have to do is put on
the biggest flop in history.
That's great!
- Yeah.
- We can't miss.
Gotta make the next payment
on the theater by 3:00 or else...
Oh! Sorry, wrong office.
Bialystock, Bloom.
Max, Leo.
- Ulla?
- Ja.
- What happened to the office?
- Like you tell Ulla
- "tidy up."
- "Tidy oop?"
Well.
How did you find
the time to do all this?
I skip lunch.
Of course you did.
- Very nice.
- She skipped lunch.
- Oh.
- Yeah.
Almost three.
That payment to the Shubert's.
I'll get the cash
from the safe.
You make sure
all those contracts are signed.
Yes, Max.
Oh, she painted
over the numbers.
Hello, boys.
Nobody knows
what I went through to get you.
Ulla knows.
You had to schtup every
little old lady in New York.
That's right.
That's right.
And I've still got
the denture bites to prove it.
Work, work, work.
Work, work, work.
Work, work, work.
So...
Mr. Bloom.
We are all alone.
Yes we are. Aren't we?
Why Bloom go
so far camera right?
Bloom no like Ulla?
- Ulla like Bloom.
- Oh.
Oh, Bloom like Ulla,
all right.
- Maybe a little too much.
- Good.
I'm glad.
- Why Bloom need blue blanket?
- Oh, it's not important.
It's just a minor compulsion.
It's that I've...
I've had it ever since
I was a baby and I...
You're a little too close.
The urge to merge
can rob us of our senses
The need to breed
can make a man a drone
We must be on alert
with our defenses
For every skirt
will test
Testosterone
So knowing this
I severed all connection
With any creature
sporting silk or lace
I was firmly headed
in the right direction
When suddenly
I stumbled on
That face
That face, that face,
that dangerous face
I mustn't be unwise
Those lips, that nose,
those eyes
Could lead to my demise
That face, that face,
that marvelous face
I never should begin
Those cheeks,
that neck, that chin
Will surely do me in
I must be smart and hide my heart
if she's within a mile
If I don't duck,
I'm out of luck
She'd kill me
with her smile
That face, that face,
that fabulous face
It's clear I must beware
I'm certain if I fall in love
I'm lost without a trace
But it's worth it
for that face
Oh-oh, Bloom help Ulla down?
All right,
Bloom help Ulla down.
That face, that face
That lovable face
It melts my
Swedish heart
I'm certain
if I fall in love
I'm lost without a trace
But it's worth it
For that
Face
Again!
Arabesque, prepare,
pirouette and twirl
and goose step, goose step
waltz-clog and kick. Again!
Arabesque, prepare,
pirouette and twirl
and goose step, goose step
waltz-clog and kick. Again!
Arabesque, prepare,
pirouette...
Halt! Halt!
Halt!
- This is bedlam, bedlam.
- Bedlam. Bedlam.
Shut up!
We must have
some order here.
Will all the dancing Hitlers
please wait offstage right
and all the singing Hitlers
offstage left?
Get that way.
Carmen, call in
a singing Hitler please.
Yes, darling. Roger.
Jack Lapidus!
Jack Lapidus!
Jack Lapidus.
Well, Jack.
What are you going to sing for us?
I would like to sing
A Wandering Minstrel I.
If you must.
A Wandering Minstrel, I
- A thing of shred and
- Thank you!
- Patches
- Next, please!
- Donald Dinsmore!
- Thanks.
Well, Donald, if we...
Well, Donald, I...
- Oh, hi, how are you?
- Oh, no, that's all right, Donald.
Hello. Yes, now what are you
going to sing for us, friend?
I'd like to sing
The Little Wooden Boy.
Thank you.
Next!
Jason Green.
Well, Jason, what have you
been up to lately?
For the last 16 years
I have been touring in No No Nietzsche.
- You played Nietzsche?
- No, no.
What are you going
to sing for us?
Have you ever heard
The German Band?
No.
That is the name of the song
I am going to sing.
Oh.
Play it, please.
Speed it up.
Haben sie gehort
Das Deutsche Band
Mit a bang
Mit a boom
Mit a bing-bang
bing-bang boom
Ahhh, haben sie gehort
Halt! Halt!
Halt! No, no, no.
This man could never play
Adolf Hitler.
The Fuehrer wasn't
a mousy little mama's boy.
The Fuehrer was butch.
And that is not how you sing
Haben sie gehort das Deutsche Band.
This is how you sing
Haben sie gehort das Deutsche Band.
B-flat. 2/2 time.
Modulate at the bridge. Raus!
Haben sie gehort
das Deutsche Band
Mit a bang
Mit a boom
Mit a bing-bang
bing-bang boom
Ahhh, haben sie gehort
das Deutsche Band
Mit a bang
Mit a boom
Mit a bing-bang
bing-bang boom
Russian folk songs
und French ooh-la-la
Can't compare
with a German oom-pah-pah!
We're saying Haben sie gehort
das Deutsche Band
Mit a zetz, mit a zap,
mit a zing
Polish polkas,
they're stupid und they're rotten
It don't mean a thing
if it ain't got that
Schweigen-reigen-schanden-
schutzen-schmutzen
Sauerbraten
Key change!
We're saying
Haben sie gehort
Das Deutsche Band
Mit a zetz, mit a zap,
mit a zing
It's the only
kind of music
That we Huns
und our honeys
Love to sing
That's our Hitler!
Have your tickets ready.
Have your tickets ready.
Right this way, please.
This way, please.
Take your seats.
Ah, good evening Monsieur.
Very nice to see you again.
- Enjoy the show.
- Thank you.
Oh, Mr. Bloom!
Oh, you look so handsome.
- Oh, thank you.
- This is so exciting.
Leo!
Leo.
- Who said you could wear that hat?
- Well, nobody, Max,
but I thought now
that I'm the producer of a Broadway show...
- Has the curtain gone up yet?
- No.
- Has the curtain come down yet?
- No.
- Then you're not a producer yet.
- Give me that hat.
Mr. Bloom! Leo.
- Your tie is all askew.
- Askew?
Well, thank you, Ulla.
Have a good show.
Roll them in the aisles.
Okey-dokey. I will try to.
But there's just
so many of them.
Gee, I thought we were
partners sharing everything fifty-fifty.
Now, I'm out in the cold and you two are
busy askewing each other.
Askewing? Never, Max.
Hugs and kisses, yes,
but that's as far as I go.
Gunter, you will pick me up
back here right after the curtain.
Oh, God, will they love us,
will they hate us?
- The suspense is killing me.
- I know.
I feel like I'm going into labor.
Messieurs Bialystock
and Bloom.
Well, gentlemen, merde.
And I just wanna wish
everybody good luck.
- What? What did you say?
- Bite your tongue.
- Gott im Himmel!
- Oh, what's the matter...
- All I said was good luck.
- He said it again.
Mr. Bloom, hasn't anyone
ever told you
it's bad luck to say,
"good luck" on opening night?
If you do, I tell you
It is certain by the curtain
You are through
Good luck!
It's bad luck to say
"Good luck" on opening night
Once it's said,
you are dead
You will get
the worst reviews you ever read
Good luck!
Even at
the Comedie Francaise
On the opening night
they are scared
"Bonne chance, mes amis,"
no one says
The only word
you'll ever hear is
Merde
Good luck, good luck, good luck!
It's verboten,
wishing luck on opening night
Take advice,
don't think twice
Or your show
will surely end up in the scheiss
At the famous
La Scala in Milan
On opening night
it's a rule
"In bocca lupo"
they say with elan
And just for luck
they all shout "Vafangu"
I got it
Now I'll never say "good luck" on opening night
That's the rule,
I'm no fool
What do I say, I beg?
What you say is
"break a leg"
- Break a leg?
- Yes, break a leg!
If you're clever
Good luck!
You'll endeavor
To never, never, never, never ever, ever, ever say
On opening night
Five minutes to curtain.
Curtain going up in five minutes.
Hasenpfeffer. I'm late.
I must run.
Break a leg!
Kaiser!
Franz, what happened?
I broke my leg.
Now we'll have
to cancel the show
and give everyone
their money back.
Money back? Money back?
Money back?
Don't ever say that again.
Money back! Never.
We got to think of something else.
But Franz plays Hitler, Max,
and he has no understudy.
You're right. What are we gonna do?
There must be some way out.
If I could only think of something.
Some way, some...
Hold it. I got it.
Roger, you, you could play Hitler.
You know every line
in the show.
I've seen you
at rehearsal,
always moving your lips
along with the actors.
I know. It's an embarrassing habit
I'm trying to break myself of it.
But me play Hitler, no!
No, there's no way I could go on tonight.
I don't have the strength,
I don't have the courage.
I can't do it! I can't do it!
I can't do it!
- Wow, that hurt.
- Roger, listen to me.
You can do it.
You know you can do it
and I know you can do it.
You've been waiting
all your lifetime for this chance
and I'm not gonna
let you pass it up.
You're going out there
a silly hysterical
screaming queen,
but you're coming back
a great big,
passing-for-straight,
Broadway star.
All right. You're right.
I'll do it.
By God, I'll do it!
I've got to get into makeup.
Quick, get Franz's
Hitler moustache.
And, oh, my lucky
Gloria Swanson mole.
Got it!
Leo, the overture. Let's go!
- Max.
- What?
This is it!
- Good luck, Leo.
- Good luck, Max.
Germany was having trouble
What a sad, sad story
Needed a new leader
to restore its former glory
Where, oh, where was he?
Where could that man be?
We looked around
and then we found
The man for you and me
And now
It's
Springtime for
Hitler and Germany
Deutschland
is happy and gay
We're marching
to a faster pace
Look out, here comes
the master race
Springtime for
Hitler and Germany
Rhineland's
a fine land once more
Springtime for
Hitler and Germany
Watch out, Europe
We're going on tour
Springtime for
Hitler and Germany
Look, it's springtime
Winter for
Poland and France
Springtime for
Hitler and Germany
Springtime! Springtime!
Springtime! Springtime!
Springtime! Springtime!
Springtime!
Come on, Germans
Go into your dance
I was born in Dusseldorf
and that is why they call me Rolf
Don't be stupid, be a smarty
Come and join the Nazi party
Well, I never.
Talk about bad taste.
Come on, let's get out of here
before they kill us.
The Fuehrer is coming
The Fuehrer is coming
The Fuehrer is coming
- Heil Hitler!
- Heil Hitler!
Heil Hitler!
Springtime for
Hitler and Germany
Heil Hitler!
Heil myself
Heil to me
I'm the kraut who's out
to change our history
Heil myself,
raise your hand
There's no greater dictator
in the land
Everything I do, I do for you
If you're looking for a war
here's World War II
Heil myself,
raise your beer
Every hotsy-totsy Nazi
stand and cheer
- Heil myself
- Every hotsy-totsy Nazi
- Heil myself
- Every hotsy-totsy Nazi
Stand and cheer
Heil myself
I was just a paper hanger
No one more obscurer
Got a phone call
from the Reichstag
Told me I was Fuehrer,
Germany was bluer
What, oh, what to do?
Hitched up my pants
And conquered France
Now Deutschland's
smiling through
It ain't no mystery
if it's politics or history
The thing you
gotta know is
Everything is showbiz
Heil myself
Watch my show
I'm the German Ethel Merman
don't you know?
We are crossing borders,
the new world order is here
Make a real big smile
Everyone, sing heil to me
Wonderful me
It now is springtime
For Hitler and Germany
Goose step's
the new step today
Bombs falling from
The skies again
Deutschland is on
The rise again
Springtime for
Hitler and Germany
U-boats are sailing
Once more
Springtime for
Hitler and Germany
Means that soon
we'll be going
We've got
to be going
You know we'll be going
You bet we'll be going
You know we'll be going
To war!
- "A satiric masterpiece."
- No way out.
- "Surprise smash."
- No way out.
"It was shocking,
outrageous, insulting,
- "and I loved every minute of it."
- No way out!
How could this happen?
We picked the wrong play,
the wrong director,
the wrong cast...
Where did we go right?
Congratulations!
What are you doing?
I'm taking these books
and I'm leaving.
Don't try and stop me,
I've made up my mind.
Wait a minute,
where do you think you're going?
I'm turning myself in.
It's the only way.
I'm going to play ball
with the IRS.
I'm going to cooperate
with the authorities.
They'll reduce my sentence,
then there's time off
for good behavior.
Maybe I'll get a good job
in the prison library.
Please keep in touch.
It's been very nice working with you.
Leo. Leo. Leo.
Frightened Leo. Nervous Leo,
relax, take it easy. All right?
You're overwrought.
You don't know what you're doing.
You're acting out of panic.
Give me those freaking books!
Give me! Give me!
I never should have
listened to you!
I was an honest man
before I met you.
An honest man?
You were an honest mouse!
- How I hate you!
- Double! Double! Double!
Fat! Fat!
- I'm not that fat.
- Fat!
Fat!
Fatty!
Fatso! You fat, fat, fatty, fatty, fat walrus!
- Give me the fat books!
- Never! Never!
Fat, fat, fatty fat!
- Jesus!
- Give them to me!
- Give me the books, man!
- Congratulations!
Congratulations!
- Give it to me. Give it to me.
- No. No.
Now that's what
I call celebrating.
- You lousy fruit. You ruined me.
- You ungrateful breeder!
After he stepped in
and saved your little show...
I cannot...
Let go my chains!
Leave him alone.
My chains!
You have broken the Siegfried Oath!
You must die!
You all must die!
What are you doing,
you neo-Nazi nitwit?
- Your show's a hit!
- Who cares?
- You made a fool out of Hitler!
- He didn't need our help.
Stand still!
How can I shoot you if you keep moving?
- Get back here!
- Under the desk! Under the desk!
- Darling, quick, back in the closet.
- Okay.
This is no good.
I'm not killing anybody.
You must cooperate!
All right,
Bialystock und Bloom.
Now I got you.
Say your prayers!
Remember I told you,
I'd tell you when we're in too deep?
- Yeah?
- We're in too deep.
- Auf Wiedersehen.
- Franz, don't do it, please.
- I beg you. No.
- No.
You sniveling cowards!
Cringing under a desk!
Clinging to life
like baby butterflies.
Franz Liebkind will show you
how to die like a man!
It's jammed.
Boy, when things go wrong...
That's it! Next time,
no author.
What are you shooting at us for,
anyway?
You Teutonic twit!
Wait. Wait a minute.
I just got an idea.
A way to close the show!
Franz.
- There, there.
- Where? Where?
Franz, listen to me.
Why don't you use this
where it'll do some good?
- Why don't you shoot the actors?
- The actors?
Yes, the actors!
Everybody laughed
at your beloved Fuehrer tonight.
And why? Because of the actors.
The actors were making fun of him.
- Yeah, you're right. The actors!
- Yes. Here, go, buy bullets.
- Kill. Kill all the actors.
- I must kill all the actors.
- Yeah.
- Wait a minute.
What are you talking about?
What do you mean, kill the actors?
You can't kill the actors.
Actors are not animals.
- They're human beings.
- They are?
Have you ever eaten with one? Here, listen...
- Open up, it's the police.
- The police!
I said open up that door.
- Come on, boys!
- I was never a member
of the Nazi party.
I had nothing to do...
You, drop that gun.
Officer!
- What's going on here?
- This crazy kraut is crackers!
He crashed in here,
and crassly tried to kill us.
- Oh, Roger, what alliteration.
- Thank you, darling.
- Okay! Youse two can go.
- Thank you.
Tried to kill him, eh?
Officer O'Rourke, take this man in.
Next stop, Sing Sing.
Sing Sing. Nein.
You'll never take me alive.
What happened?
I broke my other leg.
All right, who are you?
And why was he trying to shoot you?
I haven't the slightest idea, Sergeant O'Toole.
The name is O'Bialystock.
I was just passing by on me way to
the Pat O'Brien film festival
and I ducked in to see
what the hell was going on.
And now I'll be
on me way
before me voice
gets any higher.
As we say in the old country,
"Taxi."
Hold it!
- Hey, Sarge, look at this.
- What?
I found these two accounting books.
This one says, "Show to the IRS."
- And what's the other one say?
- "Never show to the IRS."
I think the three of you
better come downtown with me.
- Three?
- Yeah. You and them two books.
Mr. Bialystock?
Mr. Bloom? Where are you?
Everyone is waiting for you
at the opening night party.
Ulla, help me.
What happened to you?
I know.
You hung up your coat
while you were still in it.
Thank you
for helping me down.
- What were you doing up there?
- Hiding.
- I was hiding.
- From who? From what?
From the police. They were just here.
They've arrested Max.
- They found the books.
- I don't know what to do. Poor Max.
Maybe I should turn myself in
and go to jail with him.
Well, my sweet cupcake,
I know we both love Max.
But, it seems to me
you have two choices.
Number one, you can go to jail
with Mr. Bialystock
for years
and years and years.
Or, number two,
you can take
that $2 million
and Ulla and go to Rio.
Oh, my God.
What a dilemma.
Oh, what should I do?
Should I go to jail
or go to Rio?
Mail call.
Hey, fatso.
- I'm not that fat!
- Says you.
You got a postcard.
- A postcard. From where?
- Brazil.
Brazil.
Who do I know in Brazil?
Why am I asking you?
"Dear Max, Rio was everything
you said it was and more.
"Ulla and I think of you
every chance we get.
"In the morning, when we have
breakfast on our terrace.
"Many different herrings.
"In the afternoon, when we rub
each others sun-drenched bodies
"with banana cream
coconut oil.
"Number 15.
"And then in the evening
"when we samba together
in the moonlight."
You'll find
your happiness in Rio
The beaches there
are strewn with pearls
The tropic breezes
always blow there
And, so we hear,
do the girls
"Sorry, must run.
Ulla's waiting.
"It's almost 11:00.
"Wish you were here.
Your pal,
"Leo."
Just like Cain and Abel
You pulled a sneak attack
I thought
that we were brothers
Then you stabbed me
in the back
Betrayed
Oh, boy, I'm so betrayed
Like Samson and Delilah
Your love began to fade
I'm crying in the hoosegow,
You're in Rio getting laid
Betrayed!
Let's face it,
I'm betrayed
Boy
Have I been taken
I'm so forsaken
I should have seen
what came to pass
I should have known
to watch my ass
I feel like Othello
Everything is lost
Leo is Iago,
Max is double-crossed
I'm so dismayed
Did I mention I'm betrayed?
Now I'm about to go to jail
There's no one who will pay my bail
I have no one
who I can cry to
No one I can say
goodbye to
I'm drowning. I'm drowning.
I'm drowning here.
I'm going down
for the last time.
I see my whole life
flashing before my eyes.
I see
a weathered old farmhouse
with a white picket fence.
I'm running through fields
of alfalfa with my collie, Rex.
No, Rex, not on the alfalfa.
And, I see my mother.
I see Mama standing
on the back porch
in a worn but clean
gingham gown.
And I hear my mama
calling out to me.
Alvin!
Don't forget your chores.
The wood needs a-cording
and the cows need a-milking!
Alvin! Alvin!
Wait a minute.
My name's not Alvin.
That's not my life.
Somebody else's life
is flashing before my eyes.
What the hell is that about?
I'm not a hillbilly.
I grew up in the Bronx.
Leo's taken everything.
Even my past.
My past's a dying ember
But wait, now I remember
How did it begin?
He walked into my office
With his cockamamie scheme
"You can make more money
With a flop than with a hit"
We can do it, we can do it
"I can't do it"
We can do it!
"I can't do it"
"Goodbye, Max."
Lord, I want that money!
"I'm back, Max"
Come on, Leo, we can do it
Step one, find the play
See it, smell it, touch it, kiss it
Hello, Mister Liebkind
Guten Tag hop hop
Guten Tag clop clop
Adolf Elizabeth Hitler?
Guten Tag hop hop
Guten Tag clop clop
Step two, hire the director.
Keep it gay
keep it gay, keep it
Two, three, kick, turn
Turn, turn, kick, turn
Ulla!
Wow wow wowee.
Step three, raise the money.
Along came Bialy
Step four,
hire all the actors!
A wandering minstrel, I
A thing of shreds and
Next!
The Little Wooden Boy
Next! That's our Hitler
Break a leg! "I broke my leg."
Springtime for Hitler and Germany
A surprise smash
Springtime for Hitler and Germany
It'll run for years
Where did we go right?
Give me those books
Fat, fat, fatty
Books, fat, books, fat
Books, fat, books, fat
Lousy fruit,
kill the actors
You ever eat with one?
Then you ran to Rio
and you're safely out of reach
I'm behind these bars
You're banging Ulla
on the beach!
Just like Julius Caesar
Was betrayed by Brutus
Who'd think an accountant
would turn out to be my Judas
I'm so dismayed
Is this how I'm repaid?
To be
Betrayed
Betrayed
Gentlemen of the jury,
have you reached your verdict?
Yes, Your Honor, we have.
We find the defendant
incredibly guilty.
No.
Hold me, touch me.
I'm a little busy.
Does the defendant have anything
to say on his own behalf?
Yes, Your Honor, I do.
I admit for the last
20 years
I've been a lying,
double-crossing, two-faced
backstabbing,
despicable crook.
But I had no choice.
I was a Broadway producer.
A man without a conscience,
and with no one
who gave a damn about him.
And that Your Honor,
is what hurts the most.
I thought I'd at last found
a loyal partner.
A man I cared about, and,
who I thought cared about me.
And what breaks my heart,
is that now when I need him most,
he's deserted me.
And I will probably never see
or hear from him ever again.
That's not true!
Order! Order in the court!
And stop that samba!
- Who are you?
- I am Leopold Bloom.
Max Bialystock's partner.
And who are you my dear?
My name is Ulla Inga
Hansen Benson Yansen...
Tallen Hallen
Svaden Swanson...
- Bloom.
- Bloom?
- You're his wife?
- Ja, Your Honor.
He wouldn't do it
unless we got married.
What a schmuck.
Now, Mr. Bloom, why in the world would
you want to come back here
- and give yourself up?
- Why? To speak on his behalf.
We all know that Max Bialystock
is a lying, double-crossing
two-faced,
slimy, manipulative
- under-handed...
- Please,
don't help me.
Your Honor, Your Honor,
if I may address the court.
The law was created
to protect people
from being wronged.
So whom has
Max Bialystock wronged?
- Well, not these dear ladies.
- No.
No, and not me. Not...
Not me.
I was this nobody.
No one ever called me
Leo before...
I mean, your Honor,
I know it isn't a big legal point,
but even when I was in kindergarten,
everybody always called me Bloom.
I guess what I'm trying to say is that,
even when I was in Rio
and had everything
I'd ever dreamed of,
I suddenly realized
that this man...
This man...
No one ever made me
feel like someone
Till him
Life was really nothing
but a glum one
Till him
My existence bordered
on the tragic
Always timid,
never took a chance
Then I felt his magic
And my heart
began to dance
I was always frightened,
fraught with worry
Till him
I was going nowhere
in a hurry
Till him
He filled up my empty life
Filled it to the brim
There could never ever be
Another one
Like him
Leo.
Leo, I never realized,
you're a good singer.
Thank you.
No, really,
like a professional.
Well, I sang it for you, Max.
I sang it because I'm your friend.
You are?
I've had a lot
of relationships, but...
You couldn't call
any of them friend.
But come to think of it,
no one ever,
ever really knew me.
Till him
Everyone was always
out to screw me
Till him
Never met a man
I ever trusted
Always dealt with shysters
in the past
Now I'm well adjusted
'cause I've got a friend
At last
Don't help me.
Always playing singles
never doubles
Till him
Never had a pal
to share my troubles
Till him
He filled up my empty life
Filled it to the brim
There could never ever be
Another one
Like him
Gentlemen,
it breaks my heart to break up
such a beautiful friendship,
so I won't.
Five years in the
State Penitentiary at Sing Sing.
Gotta sing sing
Gotta sing sing
Oh, you can lock us up
und lose the key
But hearts in love
are always free
Come on, boys!
Prisoners of love,
blue skies above
'Cause we're still prisoners
of love
Congratulations.
You now own 45%
- of Prisoners Of Love. Next!
- How much have you sold so far?
- 600%.
- Is that all?
Keep selling.
Keep selling.
Break it up!
Give me that!
How many times
do I have to tell you guys?
No knife fights
in rehearsal.
Hi, what are you in for,
lack of rhythm? Get in line.
Everybody get in line,
right away.
All right you animals,
let's take it all together now.
From the top!
Hit it, Franz.
Prisoners of love
Blue skies above
Can't keep our hearts
in jail
Tempo fellows.
Pick up that tempo!
- Prisoners of love
- That's it!
Our turtle doves
- Okay, just the murderers!
- Hey, you.
The warden wants to get
in on this thing.
Tell the warden he now owns
100% of Prisoners Of Love.
- Thank you.
- Sing out, criminals.
- Let them hear you in solitary!
- Take it home, boys.
We open at Leavenworth
on Saturday night!
Hey, Bialystock, Bloom,
Liebkind. Good news.
This just came
from the Governor.
"Gentlemen, you are hereby
granted a full pardon
"for having, through song and dance,
brought joy and laughter
"into the hearts of every murderer,
rapist and sex maniac in Sing Sing."
- You're free.
- Free!
Next stop,
Prisoners Of Love on Broadway!
Adolf, you must tell
the other birds!
But hearts in love
are always free
Got to Sing Sing
Sing Sing
Prisoners of love
Blue skies above
Can't keep our hearts in jail
Can't keep our hearts
in jail
Prisoners of love,
our turtle doves
- Soon coming round with bail
- Tote that bail
You can lock us up
and lose the key
But hearts in love
are always free
Prisoners of love
Blue skies above
'Cause
we're still prisoners
We're still prisoners
We're still prisoners of love,
love, love, love
Leo and Max,
up off our backs
Back on the great
white way
Leo and Max,
back on our tracks
We're back on top to stay
So when we take
your money, never fear
We'll knock Broadway
right on its ear
The cast is great,
the script is swell
But this we're telling you,
sirs
It's just no go, you've got no show
Without the producers
We'll never quit
Hit after hit
The producers, Leo
And Max
The overture is over
The curtain starts to rise
You're suddenly in clover
You can't believe your eyes
You're sitting on the aisle
You break into a smile
Why this magic feeling?
And then you realize
That there is
Nothing like a show
on Broadway
Nothing like
a Broadway show
Hearts will skip
a beat on Broadway
If you're feeling blue,
I'm telling you
That's the place to go
Movies drag, their endings sag,
TV's just a bore
So hit the street
And move your feet
To the place we all adore
Because there's nothing
like a show on Broadway
There's nothing
like a Broadway show
It's often been said
The theater is dead
The critics repeat it
en masse
But the theater's alive
It's gonna survive
Although it's a pain
in the ass
You waited forever
and finally got tickets
To get to your seat
you gotta cross pickets
The guy to your right
Is frightfully tight
The guy to your left
appears to have rickets
The music's yuck
The lyrics suck
The casting is all wrong
And when you reach the bathroom
The line is five miles long
But still there's nothing
like a show on Broadway
There's nothing
like a Broadway show
You swear
you'll never go again
It's simply
not worthwhile
You make that vow
And then somehow
You're back there
on the aisle
That's why there's
Nothing like a show
on Broadway
There's nothing
like a Broadway show
Till you're in movies
There's nothing
like a Broadway show
And though it is expensive
at a hundred bucks a throw
There's nothing
Like a Broadway show
Guten Tag hop hop
Guten Tag clop clop
Ach du lieber und
Oh boy!
Guten Tag clap clap
Guten Tag slap slap
Ach du lieber
What a joy!
We essen und fressen
Und tanzen und trinken
Tanzen und trinken
Until we get stinking
So we hop our hops
Und we clop our clops
Und we drink our Schnapps
Till we platz
We drink our Schnapps
Till we platz
Ach du lieber
What a joy
We essen und fressen
Und tanzen und trinken
Tanzen und trinken
Until we get stinking
Stinking
Stinking
Guten Tag hop hop
Guten Tag clop clop
Guten Tag, mein lieber
Schatz
So we hop our hops
Und we clop our clops
Und we drink our Schnapps
Till we platz
We drink our Schnapps
Till we platz
Don't forget to buy
Mein Kampf in paperback.
Available near you
at Borders Books
or Barnes and Noble
und Amazon dot com.
Guten Tag.
Thanks for coming
to see our show
Sad to tell you
we got to go
Grab your hat
and head for the door
In case you didn't notice,
there ain't any more
If you like our show,
tell everyone, but
If you think it stinks,
keep your big mouth shut
We're glad you came
but we have to shout
Adios, au revoir
Wiedersehen, ta, ta, ta
Goodbye
Get lost
Get out
It's over.